#finally added art stuff to this blog

[cherry-mash]

(might need to open some images in another tab, my handwriting is tiny)

felt like drawing cute stuff, so combined zosan, my current ichiji/vinsmoke quadruplets loving each other obsession and my missed childhood reading of Anne of Green Gables which i'm heavily consuming now and foaming over the outfits

ps, zoro was 100% trying to pull the "oh yeah, a bunch of people will be there!" -at gathering- "oh WOW, everybody had something else to do, guess it's just us two then..."

[todayisafridaynight]

Snap you are the king of sexy funny back when you did Yamtien just goes to show you have a talent for humor and cheesecake.

there's something about the title 'king of sexy funny' that's really tickling me thank you so much anon ill take that crown with honor

[writing-mlm]

Hiii, can we please have more college!damian x male reader? Like a scenario where damian loves to draw reader but reader doesn't know this? Maybe friends to lovers? Idk your pick. The artist and his muse type of thing. Also, i LIVE for soft damian on this blog ong.

Forever my Muse

Summary: Damian has his finals coming up and he wants you to join-- at least that's his excuse to get you into the art venue. An artist needs their muse and for some reason, most of Damian's drawings include you in, naturally, he could fill museums with drawings of you. Pairing: Damian Wayne x Male reader WC: 5.8k

Dust-covered fingers were always something you had associated with Damian. Graphite, charcoal, pastels— anything he used to draw or even paint would inevitably stain his hands. It wasn’t intentional, and neither were the fingerprints he left on your stuff, or the paint you could never remove from your favorite sweater, but that didn’t stop him from apologizing. From buying you cleaning products and a new sweater; never mind it has never been worn in the year you’ve had it, Damian felt terribly sorry whenever he felt he’d stained something of yours. 

But never sorry enough to show you his drawings. 

You’d ask, you’d beg, but he would never give in. He’d show you when he was done, sure. You’d see the finished still-life drawings of whatever object had been in the line of sight, the paintings he’d done of his pets whenever he missed them, and the random sketches he did to loosen his wrist. But, damn, sometimes you wanted to see an unfinished drawing that wasn’t a warm-up. 

Even now, as the two of you are on the campus bus heading towards the music hall, he’s drawing. Sitting across from you on the bus, Damian easily adjusts himself to the movements of the bus as it jerks to a stop. He’s nice like that, you’ve never caught him off guard, he’s never fallen or stumbled in the time you’ve known him. 

Studying him, you wonder if he’s naturally so agile. You’ve seen him in your dorm's gym, during all-nighters you can sometimes see him running around campus, and once you had caught him doing one of those athletic challenges for some guy's video. He won. Of course. 

The bus comes to a complete stop and you look away, double-checking that it wasn’t your stop. It wasn’t. You knew that. But still. The need to check was far too great and you slipped back into a conversation with Damian. Only this time, you’re looking down at your phone to double-check the event and his eyes switch from staring at his sketch to staring at you. 

His eyes flicker between you and his drawing, erasing and adding lines where needed. He catches your eyes traveling up and he looks back down, working from memory as you start up a new conversation. 

Eventually, the bus reaches your stop and he carefully closes his book; he always worries he’d smudge his art, while he follows you out of the bus. 

It’s the end of the semester, ergo, it’s finals week. And for one of your music finals, everyone was to prepare a song and perform it. Truthfully, Damian doesn’t understand why you’d picked him to accompany you. He knows he’s not the best comfort, his demeanor often being the reason people don’t stick around too long. 

But, you reassured him. Telling him that his presence was more than enough for you. Knowing that he was somewhere in the crowd calms you down more than you ever cared to admit. 

The walk to the music hall isn’t short, but you can see the large building in the distance. The size is daunting on you as you see the crowd forming at the entrance. People aren’t allowed inside yet, but performers and their guests can head inside before anyone else. 

“I’m nervous,” You admit, wiping your hands on your shirt. “What if I fail?” You mutter, your eyes desperately searching to find solace in his green eyes. 

“You’ll do as you’ve always done,” He nods, looking ahead as you approach the building. “Exceptionally.” His sketchbook bumps against your folder of sheet music and you sigh through your nose, trying to calm down. 

“I’m so gonna choke,” Seeing your reflection in the glass, you feel as if you’d forgotten everything you learned. Every lesson, every mistake you fixed and learned from, the late-night practice performances with your friends. The song you’d composed nearly slips from your mind as you see yourself, walking in that suit and tie you’d worn several years ago. All of it left your mind and you felt like a beginner again. What even was a solfège?

“I'm trained in CPR.” He opens the door for you and gently encourages you inside, his fingers grazing your back. “You weren’t nearly as nervous for your accounting finals.” He notes, falling back into step with you. 

That’s another thing. Maybe that’s why you were so stressed. Double majoring was hellish. Twice the finals, quadruple the headaches. 

“Those were tests,” You scowl, showing the security your campus ID. “I’m going to be performing a live concert in front of nearly a thousand people. I cannot fuck this up, Damian. This is going to be posted for everyone to watch, too,” You ramble on. 

“Which you’ve done before, no?” He presses the elevator button and your heart hammers. You swear you’re going to pass out. He notices, of course, he does, and digs in his bag to find the fidget cube he keeps in there. 

“I have— thank you,” Taking the cube, he nods. “It’s just… I don’t know. Tests suck.” Rolling your thumb along the metal ball on one side of the cube, you stare at the numbers as they slowly tick down to the first floor. 

“That’s true,” He steps inside the elevator and you follow suit. “But you’ve made it thus far, you can go further.” He squeezes your shoulder as the doors close. There’s a silence in the elevator as it goes up to the second floor where you see your teacher waiting at the door to the waiting room, talking to a pair of students. 

“I can,” You affirm, dipping your head down as you smile. 

“You will.” 

—

You’re fifth in line to perform, watching a singer, dancer, another other pianist, and an opera singer go on before you go on did absolutely jack shit to help you. As you’re announced, you step onto the stage and try your best not to accept that there were thousands of eyes on you. Instead, you smile and wave as you walk across that large stage. Desperately looking for Damian in the sea of people. 

He’s in the front, right in front of where you could see when you glance up from the piano, you find out as you’re standing next to the piano seat. 

Damian’s eyes don’t leave yours, making eye contact with you as you fiddle with the buttons of your coat. He motions for you to stop and then does a breathe in breathe out motion with the same hand. Nodding, you blink away from him and hold your hands behind your back. Focusing on your breathing, you listen to the teacher as you’re done being introduced. 

The applause settles as you bow in, take a seat, and flip the page where your music sheet is. Slowly, you start. As a general music major, you weren’t restricted to just playing the piano. As emphasized by the microphone taped to your cheek. 

You aren’t the strongest singer by any means, you’re good for singing in the shower or on drives but you doubt you’d actually make a career off of your voice. What you hope will carry you is the piano, as you press each key your eyes flicker to Damian. He’s attentive, a smile on his face as you perform. 

Testing the waters, you glance at the people around him and they seem… pleased. Happy. Moved, even. You grin and return to staring at the sheet music. All of the notes flood back to you as you reach the last bit of the song, your eyes closing as your voice reaches a peak, holding a note. Then it’s just the piano, your voice echoing in everyone’s mind as the notes get slower and slower until you end it. 

Applause fills the hall and you stand up, taking a bow. Standing there, even if only for a moment, you can’t imagine why you’d been so nervous.

Collecting your sheet music, you exit the stage and hand the mic to the stage tech before leaving. 

When you’re nearing the exit, you spot Damian holding a bouquet of flowers. 

“When did you have the time to get these?” You laugh as he hands them to you. His eyes merely twinkle, refusing to give up one of his many secrets. “Thank you, they’re dope.” 

“You did it,” Damian reminds you as the two of you exit the building. 

“I did! Ugh!” Grabbing his shoulder with your free hand, you give him a little shake. “Thank you so much, you’re honestly the best. Was it good?” Falling into step with him, Damian doesn’t bother to fix his shirt. It’s hardly even moved, but you know he was detail-oriented in stuff like that. Hell, he hates it when he messes with his clothes. 

“It was mesmerizing.” He promises. “I do believe the woman behind me was crying.” Grinning, you stand at the bus stop, suddenly buzzing with excitement. Wanting to do it again, you start to imagine creating your own side business. Wedding musician, you can see it now. 

“I’ve been meaning to ask,” He avoids looking at you as he’s speaking. A rare occurrence on his part. But he does his best to look at you after building the courage. “I have an art showing next week. I understand the notice is short and you’re—“

“Send me the details.” You grin. His shoulders drop and he nods, clearly more relaxed. “I hope the attire is fancy. I got this fancy turtleneck I’ve been wanting to wear and slacks from my high school graduation just waiting to be worn!” 

—

With all of your finals out of the way, you finally had time to start removing the items from your dorm. One by one you removed posters and trinkets scattered across your end of the room. Pack your clothes into boxes, and save for enough outfits to get you through your two weeks left on campus. 

Damian was held up from finishing his art showing, unable to see you in person but he was more than happy with a Facetime call. With both your laptops placed in a space away from disturbing you, the two of you worked on your tasks. 

“I do need to be at the showing two hours early,” He tells you as you’re dragging the anti-suicide chairs to the closet, trying to see the top shelf. “But I’ll have arrangements to bring you to the venue.” 

“And my outfit is okay?” You ask, the chair wobbling as you stand on it. Maybe this wasn’t the best idea. But hey, you’re not the one who installed a closet tall enough that only Shaq could see the top. “Because I can always swap out the turtle neck for a green button down— the silk one that Maddison made,” Always gave a fashion designer friend. She had used you as a model for of her projects a couple of months ago and with your measurements being unique to you, let you have it after she’d gotten her grade. 

“The button-down would be better suited,” He nods, leaning close to his painting before adding a tiny stroke. “The turtleneck is a little… on the nose.” Leaning back, he checks his reference picture before frowning. It goes away quickly as he picks up a bit of white and dabs it onto a dry brush. 

“I was afraid it was,” You laugh, grabbing a first aid kit from the shelf. Listening to him lightly brush the paint over the canvas, you toss the kit onto the bed and grab what little items are scattered up there. “Holy shit! Do you remember when that frat dude lost his frat ring?” 

“Unfortunately,” Damian glances at his screen, watching as you haphazardly get down from the chair. Nearly tripping, he wonders how you've made it this far in life without breaking a bone. 

“I think I did take it! Look!” Showing the screen, Damian looks almost impressed as you hold up a fraternity ring. It’s a shiny gold, likely fake but engraved with the initials of the Frat house. The two of you remember the guy had been going around to every single campus building with a missing ring poster. 

“What a thief,” He chides, setting his brush down and taking a physical step back from the painting. Harsh glares scan over brush strokes, ripping apart his painting bit by bit before he nods to himself. His glare morphs into a soft sort of gaze and he signs the back of it. 

“Is that your final painting for the semester?” You ask, the ring forgotten about as it’s tossed in a box of trinkets and you’ve moved on to ordering food. Probably Panda Express. Or maybe Chipotle…. really it’s whatever is closer and cheaper. 

“Hopefully,” He sighs through his nose, his paint box clicking shut. “I’ve been drawing and painting these past couple of days. My canvases take up an entire section of the art studio. I’m sure my professor cannot wait for them to dry and get glossed. Which I should probably start doing.” 

“How does that taste?” Setting your phone down, Damian’s face goes sour as he looks at you. “Personally, I think the gloss would taste tarty.” You add. “Or maybe like the frosting for Toaster Strudel.” Picking your phone back up, you continue your order. 

“Neither is correct.” He blinks. “It’s a toxin and filled with chemicals, it most likely tastes as good as acetone does, Hab—“ He pauses, and you look at him wondering what the issue is. “Habits of tasting chemicals shouldn’t be one you pick up.” He finishes his sentence with a bit of force. 

“I just love chemicals. Violin resin is my favorite.” Making a chomping noise Damian huffs. As you’re finishing up your order, you look at him. He’s halfway across campus and judging by the rack of canvases he wheeled over, he won’t be back until well into the night. Eh, it doesn’t hurt to ask. “I’m ordering some food, do you want something?” 

“No, thank you, though.” He shakes his head. “I have food from the court in case I get hungry.” He quickly adds. Humming, you place the order and scan over your room. The only things that need to get packed are things you’re still using. Now it’s just a matter of organizing the boxes and bins so you can still move around your room. 

“After the glossing, what’re you doing?”

“I have to write short summaries for each painting. No less than one hundred words,” He explains as he’s putting on a pair of latex gloves. 

“So, a breeze?” He laughs and nods. 

“I’m afraid I’ll go over the word limit,” He admits, sparing you a glance as you’re lugging a box to a corner of your room. “My paintings harbor a lot of my emotions and they’re far from short.”

“Real as fuck.”

— 

On the day of his art exhibition, you spend extra time in the bathroom. Making sure your hair is neat, and presentable, fixing your outfit, making sure you don’t stink. Anything and everything you could check over, you did. 

This nervous feeling was different from your pre-show nerves. Especially since you don’t even know why you’re nervous. Probably because you’d never actually gotten to see his paintings, at least the ones he was showing. He’d been ultra allusive about those, citing the exhibition would be the best place to view them. But even he was nervous and that’s a lot considering he’s Damian fucking Wayne. 

He texted you two minutes ago saying that the car was going to arrive within the next ten minutes and you rushed out to the front of the dorms. No need to lock the door behind you, since your roommate was busy sleeping and would stay in there until you came back. Plucking at your shirt, you watch a sleek black car pull up in front of you, and Damian texts you that the car is there. 

The ride is long, far too long for your liking anyway. But considering it’s in the middle of the city, it’s not unwarranted. 

The art… museum? What should you call it? The space where the exhibition was being held was a well-known art gallery— that’s the word! The gallery was well respected, talked about within art circles, and incredibly high-brow. Thank fuck you didn’t go with that turtleneck. 

There’s a woman in front of the gallery, greeting everyone who enters. She sees you and there’s a flash of recognition across her face. 

“It’s great to finally meet Damian’s muse,” She smiles as she shakes your hand. 

“His what?” You ask but Damian pulls you inside. 

“How was the ride?” He asks, his eyes darting between his professor and you. 

“Good but what did she mean?” You ask, looking around to see the other people around. Like your performance, it was open to the public and with Bruce Wayne’s son being in attendance, many people had showed up. Including his family. “Bruce Wayne is here?” Your head whips to Damian as you spot him in the crowd. 

“He is my father…” He trails. “Would you like to meet him?”

“Fuck no!” You gasp. “The knowledge of his wealth is burying me as we speak— but this is about you,” Turning to him, you smile. “Where’s your paintings? Those don’t look like your style,” Eyes flicker across the paintings and you can’t see Damian’s strokes, his colors or his lighting in any of them. A sort of pride swells within him, knowing that you’ve looked— studied his art enough to know that the ones around you weren’t his. 

“It has its own section,” He tells you, guiding you through groups of people and halls. “It’s going to be revealed in around half an hour. My professor insisted,” He stops at a section of the gallery covered by a curtain and two security guards. You never knew it was that serious, but damn. 

“Mr Fancy. Why don’t you catch up with your family? I’ll look around?” In truth, you were going to the nearest bathroom and making sure you didn't look stupid. 

“I’m more than certain they’d be more pleased if you accompanied me.” He shakes his head as you raise your eyebrows. “If that’s something you’d be comfortable with, of course.” 

“Sure,” Once more, he guides you past people until he spots his father and brother talking in a corner. 

“Father, Richard.” He calls as the two of you approach. “This is (Y/n).” Richard’s lips twitch as he fights back a smile, the smile only furthered curbed by his brother's glare. 

“Hello,” Waving at the two men, they reach to shake your hand instead. Bruce has a firm grip, probably tighter than it really needed to be but Richard is more than welcoming. He’s more than excited to meet you, although you can’t imagine why. 

“My other siblings are still in Gotham,” Damian explains, physically taking Dick’s hand from yours with a pointed look. “Although I’m surprised you didn’t bring Cassandra, father.”

“She’s here,” He shakes his head, glancing around for the mop of black hair. “In the bathroom, probably.” 

“Is that her?” You ask, looking at the woman in the corner. She’s standing there, downing a glass of champagne before returning to a conversation with a man. She looks like how Damian had described her, although he downplayed how intimidating she seemed. 

“Oh boy,” Dick huffs. “Let me go help her,” Excusing himself, you’re left with Damian and his father. The two of them talking with their eyes. 

“So, Damian’s told me you’re a double major,” Bruce breaks the silence and their weird eye conversation. He talks about you? Glancing at Damian, he’s making a point to look anywhere but you. That’s sorta cute— totally not in a romantic way, totally. 

“I am,” You nod, wishing a man with drinks would walk past you. “Accounting and a performing arts major.” He hums and there’s another beat of awkward silence. 

“From what he tells me, you’re excelling at both. That’s incredibly hard. Do you have any job prospects lined up for when you graduate?” He asks and you shake your head. 

“Not yet,” You admit, picking at your hands. “Since I'm not sure where I’d like to settle after I graduate it’s difficult finding places.” Bruce nods, quickly making sure Dick and Cassandra are okay. 

“Well, if your grades continue to stay or improve, Wayne Enterprises is always looking for accountants, especially one so esteemed.” He smiles at you, that sort of small smile that makes you feel more relaxed in his presence. A fatherly smile. 

“Yeah, praise from Damian is a lot.” Dick grins, leaning his weight on his younger brother. Cassandra agrees, leaning against the wall Bruce was standing in front of. “And he talks about you a ton!” 

“That’s enough.” Damian huffs, pushing himself away from Dick who frowns. “Let’s look at some of the artwork,” 

“You talk to your family about me?” You grin as he’s hauling you away from his family. He looks at you, clearly licking the inside of his mouth before he blinks and gives one strong nod. 

“Of course I do, it would be a shame to hide someone so talented.” He explains and then looks forward, his eyes swimming across the faces around him. “I do believe in your talents and my father is someone who can help them flourish; it would seem awfully cruel if I didn’t at least try.” You go to speak; to thank him but his attention is pulled away by the director of the show. 

“It’s time!” She gleams, ushering the two of you after her. 

There are already people gathered in front of his top secret exhibit, cameras and people wearing PRESS lanyards like the front and sides. Much like a moth drawn to a flame, they find Damian walking and try to hound him, only to be stopped by his family. They’re far more intimidating now but Damian pulls your attention from them and towards him. 

The two of you are in front of the whole crowd, the two guards holding one piece of the curtain and waiting for a cue to open them. 

“We welcome everyone to Damian Wayne’s very first art show,” The director says, her hand ghosting over his shoulder. He takes that as a sign to step forward, barely leaving your side as he explains his art. 

“Through My Eyes is a collection of various pieces I’ve created over the course of two years,” He explains. “The music that accompanies the art are pieces composed by my muse.” His eyes find yours as the curtains are pulled aside and for the first time, you notice the way he looks at you. The way his eyes never seem to want to leave yours, how he takes you in the same way he takes in the art around him. 

Then you hear it. More specifically you hear yourself. 

You hear the piece you’d played during your final, hearing your voice fill the spaces where people aren’t talking. Each key, and each note floods your ears as you turn to see his art. 

It’s you.

All of it. Each painting, each frame has something of you in it. 

“Holy shit.” You breathe, moving to the closest one. It’s a painting of you, wearing clothes you’d only seen in shows like Merlin, holding onto a statue of an angel. It’s almost impossible to not know where the inspiration had come from. After convincing Damian to go exploring with you and some friends, you’d come across a newly abandoned church with a large angel statue. On a dare, you pretended to dance with it. 

Sure, you’d seen the picture before but it was nothing compared to the painting. It looked amazing, you had never looked better. Your features were captured in the best way possible, you’d been posed in a way that made it seem as if you were guiding the angel in a dance. 

The description catches your eye next. 

One Last Dance wasn’t the first drawing of Muse, but it was the first drawing of him that I truly loved. He’d resparked a passion for painting for me. The painting had been on my mind for two weeks before I finally started to work on it, having it become my only focus for the two days that I worked on it became the norm for the next two years of my life. 

Muse doesn’t personally care for the Renaissance era, but it seemed fitting for such a painting. The feeling of dressing Muse in modern clothes didn’t ruin the drawing but it didn’t make sense, in my head their dance is accompanied by the sounds of the wings and their feet gliding across the floor. Just outside is probably a mob, unbelievable of a true angel. Muse would probably say that he was dancing to the sounds of Sleep Token and outside was a bunch of ‘angel fuckers’, but who knows. 

D.W

The next painting was smaller than the first, but it’s a close-up of your face. Your eyes are wide and you’re desperately pulling at your eyelids as a light twinkles inside of it. 

Blinding Gaze came about when Muse had gone to the eye doctor, fearing he was going blind. Turns out he was just extremely stressed to the point of temporary blindness. When we spoke about it, he joked that he was developing powers from that time he drank a sports drink mixed with a crushed-up Tylenol and he could shoot lasers from his eyes. While Blinding Gaze doesn’t follow his original plan of lasers, I imagine developing eye lights could be frightening. 

Blinding Gaze isn’t body horror, although I had intended it to be but I couldn’t bring myself to put Muse into that position. Even if it was completely fake. I did eventually remake the painting how I truly envisioned it, but I still prefer my Muse to the remake. 

Drifting to the next painting, you see yourself, dressed in your favorite smudged hoodie, dancing amongst the crowd. The people are drowned out in the colors of the background, nearly blending in meanwhile you’re ever so present. The light shone down on you in a way that made you seem like the main character in some movie, all eyes meant to be on you. 

A Night To Remember was undoubtedly one of the best moments of college thus far. Muse had been invited to a friend's party and insisted I come instead of remaining in the art room, drowning myself in oils and pastels. Although I’ve put his words in a more friendly manner. I hadn’t wanted to go, the noises and being pressed against unfamiliar faces was hardly something I ever enjoyed. But for Muse, I’d do anything he’d asked of me. 

Glued to him for the night, I found myself unreasonably drawn to him. I do not remember the song, in truth, I don’t remember much from that night aside from him. The way he danced, how he looked at me. How he looked in the room. I resented not bringing my sketchbook, but I would’ve been more out of place than I originally had been. 

Smoothening your shirt, you take a nervous glance around you. You’re unsure about how you feel, it’s a lot. You’ve never truly thought about Damian in such a light before, at least not to your knowledge. Sure, you’ve written compositions about him and sure, if you read between the lines in some songs they’re definitely about him. You and Him. 

Perhaps, without realizing it, you had made him your muse just as he had made you his. 

“I want you to see this one,” Damian says as he walks up behind you, finally free of people asking him questions. The music loops as he does and you count that there’s five songs on the set playlist. Each and every song was one you had created. Your song from the previous week plays again as you stare at him, smiling. 

“I’m your muse?” You softly ask, unable to remove yourself from the spot until you have gotten your words out. Damian dips his head down for a moment and wipes his nose. “You’re nervous,” The small tease makes his eyes roll and he clears his throat, the red settling from his tanned ears. 

“I want you to see this one,” He repeats and grabs your hand, gently guiding you past the people surrounding the room. They look at the two of you, watching as you walk up to a large painting in the center of the room. Clearly a last-minute addition but it seemed to be the focus. 

“Woah,” Is all you can say when you see the painting of you during your final. It’s painted in the same style as your favorite art era. The romantic era where colors were soft, even if they were dark. The painting itself had you in the center, a sea of people at the bottom and there are several ghostly figures of yourself, dancing across the stage leaving streaks of yourself at the top. The floor of the stage was covered in candles. 

“How long did this take you?” You ask, eyes darting between details and finding new ones each time you look. 

“Two days,” He shrugs. Slowly, you look at him and he looks back at you, confused. “I couldn’t sleep until I finished the painting. The way you looked during your final.” He takes a deep breath and shakes his head. “It’s truly beautiful— you’re truly beautiful,” He adds, looking at you. 

“When you paint me like that I definitely am,” You laugh, looking back at the painting. 

“I only painted you through my lens. Perhaps your eyes aren’t as good as you think they are because the paintings truly do not live up to their references. You’re captivating and the way you’ve consumed my thoughts is honestly intoxicating.” His eyes twinkle as you look at each other. You don’t know what to say, honestly. You can stroke your ego a little, you could crack a joke, or you could bear yourself completely to him. But definitely not in a room filled with people. 

“Ah,” Dick breaks the silence. “You know he used to be a junior poet?” Grumbling, Damian looks over at Richard as he’s staring at the painting, sipping sparkling champagne from a flute glass while holding a cracker with cheese and jelly. Gross. Probably, you’ve never had it before. 

“I do believe I asked for a moment alone,” Damian gives a half-snarky grin and Dick shrugs. 

“A whole lotta people here, doubt you’d be alone.” With a sweeping motion, he gestures to the crowd around you. It’s not elbow-to-elbow crowded but you can hear at least seven conversations happening around you. 

“I suppose you’re correct,” He nods, following his brother's line of thinking. “Fresh air?” He asks you and you nod. 

There’s a park in front of the exhibit and it’s mostly empty, save for two kids and their parents but they’re clearly about to leave. Damian heads towards the benches but you pull him to the swings. There are three but one of them is tossed over the bar and you don’t feel like fixing it. 

Sitting with your back to the exhibit, you look over the trees and the playground. The sandpit with someone’s lost doll sitting down, a bucket behind it. 

“What did you think?” He spoke up after a minute had passed. The entire time he watched as you gently rocked back and forth on the swings, tempting yourself to actually swing. 

“You’re amazingly talented,” You hum, turning your head to meet his gaze. “Although, I already knew that. You’re like Michelangelo with everything you pick up.” Glancing at him, you smile when you see his hands. “You still haven’t cleaned the charcoal from your nails.” 

“No,” He blinks, his eyes staying closed for a beat longer than a blink. “Not of my skill level, (Y/n). Of the drawings. That you’re Muse.” He looks down at his fingertips and starts to pick at the bits of charcoal. “That you’re my muse.”

Softly you sigh before looking back to the trees. 

“What is there to think about? You’re my muse, I'm yours.” 

“You’ve written songs about me?” He asks and you sheepishly nod, refusing to look at him. “Which? If you don’t mind me asking,”

“Birds of a feather, I wanna be yours, and Golden hour. There’s more but they’re too embarrassing to admit,” Hearing him take a deep breath, you pick at your fingernails and slowly stop swinging.

“What now?” You ask, finally looking at him. He shrugs and starts to slowly swing. He thinks for a moment before he checks his phone. 

“When are you free? I can make reservations to—“

“Applebees or Red Lobster,” You cut him off and he looks at you, confused. “Applebees is once every so often, birthdays or celebrations. But Red Lobster? That’s graduation or date.” 

“You could’ve gone for a five-star restaurant, you know that, right?” He laughs and you shrug. 

“I heard they’re pretty shit. And I want to fuck up a seafood boil. Oh wait,” Blinking, you try to remember the Red Lobster menu. “Never mind, I don’t think they have vegetarian options. We could do Olive Garden or whatever vegetarian places you like. I’m not picky,” 

“And I am?” He teases and you roll your eyes. “Friday, at five. I’ll pick you up and we’ll go to Olive Garden. And then to the movies to watch that new horror movie you’ve been wanting to watch.”

“That sounds perfect,” You nod and nudge your swing into his. 

“Can I admit something?” He slowly asks. “Forgive me if I’m being too forward but…” Watching as he licks his lip, you stop swinging. “May I kiss you?” 

��Yes.” You nod. Trying not to seem too eager, the both of you stand up and you watch as he raises his hands to cup your face. His fingers are warm, gliding across your skin as you hook one arm around his waist while the other holds his shoulder. “Do you want to lead?” You whisper as he looks at you, unmoving. His eyes dart down to your lips and he nods before closing the distance. 

His hands drag a little down your face, his pinky curving under your jaw before moving up into your hair. Slowly the kiss breaks and he dips back down for one quick kiss. 

“He’s been waiting months to do that,” Dick announces and Damian groans. You snicker and look behind Damian. Dick isn’t even looking, looking off into the distance before he’s sure that you’re done kissing before looking at the two of you. 

“Must he ruin everything?” He whispers to you before facing his brother. “I understand you have no concept of privacy, but this warrants that.” Dick frowns at the rudeness before he shrugs and points his thumb towards the venue. 

“They’re asking for you, thought I should come and get you before they spot you.” He explains through a sigh. “Would hate for our little demon’s kiss to end up on the front page. But, yeah,” He sighs and looks over at you. He stares at your face for a moment before he chuckles. 

“Take him to the bathroom, you got dust on his face.”

“It’s charcoal.”

[mindfulstudyquest]

❥﹒♡﹒☕﹒ 𝗯𝗲 𝘀𝗺𝗮𝗿𝘁𝗲𝗿 ( 𝗮𝗰𝗮𝗱𝗲𝗺𝗶𝗰𝗮𝗹𝗹𝘆 𝗯𝘂𝘁 𝗻𝗼𝘁 𝗼𝗻𝗹𝘆 !! )

𝟭. improve your writing skills ( ✒️ )

i feel that not everyone has the perception of how important it is to know how to write. you don't have to be a poet, nor the new emily brontë, but fluid, conscious, rich writing makes the difference. really. you could write a page without saying anything at all, but if that damn page is written good and smoothly, then you can be sure that you will get extra points. take the time to improve your writing skills, the best advice i have for doing so is reading. read as much as you can. read novels (non-fiction in this case doesn't help because the content is preferred rather than the form), read contemporary authors – you don't necessarily have to read sophocles' tragedies, but read quality stuff. expand your vocabulary, your knowledge of syntax, learn to use punctuation! and then write, tell stories, write love letters, write reviews of films, books, cultural festivals, open a blog on tumblr and write to practice, reread what you write ad nauseam, until it is perfect, until the form of your essay is pulitzer prize worthy.

bonus some of my favourite authors (tell me in the comments about yours!): ian mcewan, banana yoshimoto, haruki murakami, george orwell, josé saramago, albert camus, khaled hosseini, hanya yanagihara

𝟮. develop critical thinking ( 💭 )

if you have always studied passively by absorbing information and vomiting it onto a test sheet then you have wasted your time. taking on information is not enough, you need to know how to rework it and develop your own idea about it. especially in the arts and literature one may disagree with certain information provided by a textbook. developing critical thinking is not easy, especially due to the school system that teaches us to standardize thinking. always consult all available sources on a given topic, compare them, analyze contradictions. it might be difficult and tiring – our brain spends more energy processing two conflicting pieces of information than processing two pieces of information that agree – but it will be worth it. by practicing critical thinking and improving your argumentation skills, you will not only be able to improve in your studies, becoming able to present complex topics and make interdisciplinary connections, but also in daily life, you will become much less influenced and manipulated by external information.

𝟯. find yourself an interest ( 🌷 )

it could be anything, but find an interest that excites you and you enjoy and do research about it. watch videos, documentaries, read articles. it doesn't have to be school-related, it must be an external topic that you are passionate about and that allows you to rediscover the joy of studying and learning every time school seems to suffocate it. sometimes i'm not in the mood to study for exams, so i dedicate myself to my personal research and finally find my spark, my seek for knowledge. for example, my interest is true crime, it has always fascinated me since i was little, but yours could be wild animals, makeup, comics, ships, planes, ocean flora, literally anything. there is no constraint.

𝟰. analyze your mistakes and recognize your wrongs ( 🫒 )

there is no shame in making mistakes. everyone makes mistakes, we are human, but the real sin is getting bogged down in mistakes, refusing to acknowledge them, and continuing to make them again and again. we should be continually growing, continually discovering ourselves, both intellectually and emotionally. how many of you were the "gifted kid" when you were little and then grew up into burned out high school / uni students desperately seeking academic validation? there comes a time when talent isn't enough, you have to put in the effort, and this doesn't make you less intelligent or gifted, in fact, quite the opposite. dedicating time and attention to your personal and intellectual growth also means having to ruminate on your mistakes. it's scary, but it's the most effective way if you really want to improve. take a notebook and at the end of the day reflect on the highlights and the wrongs, what you could have done better, where you would like to push forward tomorrow, what you achieved today. did you make a mistake? first ask yourself why and then look for a way to solve the problem, make every bad moment a lesson, a brick on which to build the version of you you wanto to become tomorrow.

𝟱. don't be afraid of doing researches ( 🧃 )

the amount of fake news and misinformation online is appalling. opening any app like tiktok or instagram we are inundated with information that is often (not always, but not so rarely) inaccurate. don't be afraid to conduct your own research, if you have time to mindlessly scroll through tiktok you will also have five minutes to read an article regarding that information provided. don't know the meaning of a word? look it up before using it. not sure about a piece of information? check it before using it in your argumentation. in the age of immediate access to data we have no excuse to be superficial.

𝟲. master communication ( ♟️ )

mastering communication is essential in both personal and professional realms. it's the cornerstone of building meaningful relationships, whether it's conveying ideas effectively in academia or fostering connections in the workplace. developing strong communication skills not only enhances your ability to articulate thoughts but also empowers you to listen actively, empathize with others, and resolve conflicts constructively. ultimately, honing these skills cultivates confidence, credibility, and success in all aspects of life.

𝟳. push yourself out of your comfort zone ( 🧸 )

build your confidence. confidence is uncomfortable. don't be afraid of it. you are young, this is the right time to experiment, take risks, discover who you really are. this is the best time for you to do those things that you would otherwise never do, you don't want to regret later in life that you didn't accept that scholarship, that trip abroad, that job opportunity, because you didn't feel comfortable enough. do things that take you out of your comfort zone until everything becomes your comfort zone. go on solo dates, be a social butterfly, tell the girl at the bookstore you love her t-shirt, go to the theater alone, eat at a restaurant alone, take that trip. if it goes badly, you'll only have one funny story to tell.

𝟴. stay informed about the news (but not too much!) ( 🌍 )

this might be controversial, but: stay informed about the news, just don't overdo it. personally, i am an easily influenced person and i realized that being constantly exposed to the bad things happening in the world had drained me and made me terribly depressed. don't get me wrong, you need to be informed about what's happening in the world and in your country, just being constantly surrounded by horrible news repeated ad nauseam on TV programs is of no use. be aware.

[fuckyeahgoodomens]

Good Omens graphic novel update: December 2024

We promised a graphic novel treat for December to send off 2024, which we have at the end of the update, so let's dive in!

Colleen has been working diligently ahead of the graphic novel going to print next month, which she discussed over on Patreon. For those looking for more behind the scenes on both Good Omens and Colleen's work more broadly, we recommend either following her Substack, or subscribing via Patreon, as she approaches the finish line.

A snapshot from our production HQ where dummy books of the graphic novel, slipcase and other editions of Good Omens have been arriving thick and fast. The graphic novel (slipcased version shown) has quite the heft to it. It's going to be such a magnificent object inside and out.

Here, we're testing out the various papers, finishes, embellishments and more – everything is falling into place!

Merch-wise, some more delights. The A.Z. Fell & Co tote bag design is in, one side in celebration of our favourite angelic bookseller, the other as if it's been purchased from the bookshop itself, so you can take your pick.

We've got more pins that will be available in the 3-pin set add ons. While the full list will be available in 2025, we're happy to share a few more to get excited about:

On the trading card front, have a look at some of the base deck designs by Steve Gregson and Kirsty Hunter in situ as this all comes together rather nicely, and causes a heated game or two behind the scenes.

And, a quick admin note to wrap up that we always recommend checking the FAQ page as a first port of call for any queries. If you have questions tied to specific tiers, we'd suggest checking the last few updates if your answer can't be found on the FAQ. If there is any information required for your pledge, we will be in touch. We will be back at full steam in the New Year!

Thank you.

So, to wrap up this year's updates, we give you the draft of the full first scene of the graphic novel, artwork by Colleen Doran and lettering by Lois Buhalis. If you'd like to wait until the graphic novel publishes in Spring, skip everything after the ducks!

To 2025 🥂

Until next time.

+ post from Colleen Doran:

Good Omens: You Get...Stuff Like This

In the most recent Good Omens update at the Kickstarter, a few people got upset at the suggestion that you have to get past my paywall here to see Good Omens updates.

Except you really don't, and the post doesn't actually say you do. You get a bit more, like pics of my studio, a discussion of tools and process - but not all of that is exclusively about Good Omens.

I think the Dunmanifestin team just wanted to draw a little attention to my blogs and other works, for which I am very grateful.

As my Patreon supporters already know, Good Omens info posted here gets to the Substack and Kickstarter eventually. And since most of my posts here aren't just about Good Omens, but my other projects and personal stuff, as well as links to our weekly Virtual Art Studio sessions, I think I'm justified in keeping that material behind a paywall.

In fact, I don't think I've posted much stuff about Good Omens since the summer: pages of flats like the one you see above, a few studio photos, and color tweaks.

Also, me boo-hooing about my nerves and health.

But for those who feel left out missing even this small amount of stuff, then the screen shot above is for you.

That's called a flat.

It's a prelim color before adding final color.

Here's what the final color looks like.

So I've posted a handful of this sort of thing since this summer, but frankly, there's even more of my sketches and so on posted at my Instagram that aren't here at all.

For those who don't know, I am doing most of the color myself on the book, but I am working with assistants. I'm not sure how much the Dunmanifestin team wants out there before the big reveals, but here's a snippet of a sky.

In the first image, my flat color.

And after my assistant worked on it.

Here, I've done a repaint. Sometimes I do very extensive repaints after the assistant works on a page. Sometimes not so much. I didn't use assistants on many pages at all. About 80% of the labor on the color of the book is my work.

However, the assistants have been a big help, and I am very appreciative of them.

I will make a point to go through all my prior posts and get every single bit of art that you haven't seen and make it public for all of you in the coming weeks. I need to excise it from previous posts. As I respect the privacy of all my readers, I never make prior posts public without their permission as they may not want their comments or identities to be public.

Thanks so much for everything!

[asktehkoopz]

HAPPY 10TH ANNIVERSARY TO ME! 🥳

What a crazy decade it’s been, too! I’ve met a lot of good friends, people I still talk with daily and hang out with in person to this day! Despite things not being perfect in the Nintendask community (as I learned much later, haha, I kept in my lane), I still personally cherish the years I spent making art for this blog. It was my passion project for a while, but unfortunately it slowly drifted away from my grasp.

I can’t say if I’ll ever update with the tenacity that I once did. In fact, I can almost guarantee I won’t, but I like being able to come back here every once in a while to drop some new art sometimes. :]

I had a lot of big swings that I wanted to do in regards to the koopz’s arcs, some MUCH more fleshed out than others (namely Lemmy, Wendy, and Morton’s were lacking), and I’m almost positive I won’t be able to get to them in full.

So how about a big spoiler dump, huh? Every plot point, every plan, every character concept that was going to occur will be beneath the cut! If you wanna wait on me to maybe get to them over the course of another decade, please, by all means don’t read beyond!

If you’re hungry for what was cooking upstairs, then scroll on! And thank you guys for the outpouring of support I’ve constantly gotten with this blog! 💖 (Also for real, this read-more is mega long, so seriously prep yourself. Here’s the google docs version that might make it easier to read! If you have any questions about the plot stuff, uh. Maybe I'll answer them OOC?)

Also bonus comparison images! EW!!

TL;DR: The prophecy was a sort-of fake created by Kamek! It started out real, but after it officially stopped existing, it was perpetuated on accident/for emotionally selfish reasons! It didn’t start out that way when I planned the blog, but it eventually became that over the course of development discussion with BoomPom mun! Eventually the koopz were gonna give up their star child prophecy magic nonsent and live their lives how they wanted to. The end!

THE LONG VERSION

Version 1.0 of AskTehKoopz (then AskIggyAndTehKoopz):

The star children prophecy was loosely based on the Yoshi’s Island DS concept of “star children”. Each koopaling (and Bowser Junior) were imbued with an inherent, powerful magic when they were born to help them take over other kingdoms (as mentioned in their various bios). This changed both their ability to inherently harness magic as well as changing their species, explaining their strange features, specifically their pointed ears and wildly colored hair (the pointed ears admittedly did come later during the wedding arc).

The koopalings had always been planned to be unnatural magikoopas, but at the beginning of the blog’s inception, it was not concrete what exactly they each were. This will be covered below.

Version 2.0 of AskTehKoopz:

If you look in their bios, you will see that they are each noted as “Magikoopa(?) + (Where they were born)”. This, along with their last names, were a hint as to their original species. This was added circa 2017 when their bios/references were finally updated.

Originally they were the following:

Roy - Bullet Bill

Iggy - Toad

Morton -  Hammer Bro

Larry - Yoshi

Ludwig - Koopa Troopa

Wendy - Bombshell Koopa

Lemmy - I don’t knoooowwww

An additional twist had been introduced during this stage as well:

This set of koopalings (and Junior) were not the first set of prophesied star children.

Affectionately named “The Alpha Koopz”, these are what you might know as the DiC cartoon koopalings: Bully, Cheatsy, Kooky, Kootie Pie, Big Mouth, Hip, and Hop. These seven, along with a young!Bowz were the first set of star children. Back then, Bowz did not see them so much as kids he needed to take care of. Moreso they were “guys who he’s forced to do magic alongside”, despite Kamek’s pressure to be more attentive to them as the eldest. He was considerably more reckless back then with his power as well.

As aggressive and mean and selfish as the blog koopz are, they don’t surpass the sheer annoyance and danger the alpha koopz put themselves in, mainly due to Bowz’s negligence.

And because of this unfettered, reckless behavior, they managed to doom themselves to a “Game Over”, shattering the prophecy and allowing their set of star child powers (along with Bowz’s) to shoot off and embed itself into the next set of vessels. This is also why the blog koopz are “in the wrong order” with regards to their age.

In addition to gaining these star child powers, echoes of their memories and actions and dynamics exist in some of the koopz tendencies:

This is why Lemmy gravitates towards Iggy (Hip and Hop’s closeness). Cheatsy is why Larry is a kleptomaniac. Kooky is where Ludwig’s “crazy laugh” comes from. Kootie Pie is where Wendy pulled “Daddykins” from.

How did they game over? As of right now, it was a mundane and tragically, incredibly avoidable fate, one that echoes Bowser’s many in-game endings: Bully simply fell off the roof of the castle, plunging into the lava moat below. The alpha koopz had little restraint and they encouraged one another to constantly do dangerous things. Walking along the giant chains of the castle without his wand was one of these dangerous things.

If Kamek had had the power to*, if Bowz had desired to see them as more than nuisances and instead helped them learn restraint, if they had realized that despite their immense power, they weren’t invincible, they most likely would have been the koopz that were blogging.

Whomp whomp!

(*I don’t have a good place to stick this, but to put it shortly, the reason Kamek had to be hands off with the alpha koopz is because he used to have a place in what was basically a high magikoopa council. He was assigned to train Bowz to fulfill the prophecy when he was first born with his star child powers. Bowz was NOT a very good student and put himself and many others in danger as they searched for the other 7 star children. When the council hit their last straw, they nearly elected to execute Bowz, who was a child at the time, and start the process over. Kamek traded his spot in the council to spare him, as he had grown attached to Bowz. Bowz overheard this discussion and shaped up quickly. Kamek has never found out Bowz knew of this deal.)

Version 3.0 of AskTehKoopz:

All of the above in 2.0 still happened, however there is now an additional twist.

The prophecy’s a lie! Sort of!

This one was on BoomPom mun. I joked about an article referring to Kamek as a koopaling and unfortunately we came up with something tragic:

Kamek was ALSO part of a set of koopz BEFORE the alpha koopz! Whoa!

Back nearly 100 years ago, there was supposed to be a prophecy. It wasn’t Koopa Kingdom specific, just a general “Well whoever can harness these powers will be able to take over”, it just happened to be the Koopa Kingdom that found out about it first (they were a group of some mix of archeologists and scientists, I don’t remember fully*). It was a once-in-a-lifetime chance. These powers would awaken and they HAD to find someone to use them. Kamek, along with these 7 other kids/teens, were given the opportunity of a lifetime to essentially be vessels for this crazy power to help bring this prophecy to life (literally signing their souls away. The powers NEEDED a soul to latch onto and a body to stabilize itself with).

(*I think that BoomPom mun and I vaguely discussed they might have been the same people who ALSO were the ones who created the cores for the splorches that eventually became Sol, Simon, and Scotty. Yet another experiment that went terribly wrong. These guys are on FIRE. 0-2!)

So Kamek and these 7 formed a really tight sibling bond pre- and post-power. But uhhhh you really shouldn’t be giving crazy raw magical prophecy power to children. Absolute bonkers idea.

Despite their extensive training, it didn’t end well. They genuinely worked so hard to try to be the ones to help bring empires to their knees, but they were only children. I didn’t have a specific incident, all I recall was that the power was WAY beyond their control, and all 8 of them died.

Except.

Through some fail-safe Kamek set up prior to their last hurrah to revive all 8 of them (he felt something might go wrong when they did what they did), Kamek was revived. Alone.

Left in the ruins of what their own powers did to them, Kamek had to live with the guilt that he lost the prophecy, but more importantly, he lost his family, too. Unless he did something about it.

So, despite what a terrible idea it was and how dangerous it might have been, knowing these powers were linked to his sibling’s souls, he decided “I know the prophecy was a once-in-a-lifetime opportunity. But I’m gonna make it happen again somehow. I do not care.” And with the star child powers he still had, he tried to revive them again. Despite the blood, sweat, and tears poured into the ritual, it didn’t work.

Years passed, he’s on the magikoopa council and eventually, after finding kid!Bowz, he’s like “...Hey wait a minute, I weirdly recognize you.” (Magic vibes, general demeanor, etc.) He discovers wow! The prophecy is back on! I did it?! I DID IT?! Soon he recognizes slowly that each of the powers/souls got transferred to a random kid they need to find.

So they find the alpha koopz (i.e. cartoon koopalings) and uh. Yeah they’re all bratty asshole versions of his found family, but well. It does bring him a strange comfort knowing they’re slightly living on regardless. However Hip and Hop are weird. Like. Finishing each other’s sentences, acting in tandem, etc. It’s extremely bizarre. And he’s not really sure WHICH of his siblings Hop is?

Unsure how, but he finds out oops, after restarting the prophecy for a second time, his star child powers got sort of weird because KAMEK WAS SUPPOSED TO BE DEAD. The other 7 star child powers traveled with the souls that stabilized them, however Kamek’s star power DIDN’T HAVE A SOUL TO TRAVEL WITH CAUSE… KAMEK IS ALIVE? So that raw star power was like “Ummm… Uhhhh…… Where do I go? I need a soul to latch onto, I am an insane amount of power…” Luckily Hip and Hop are twins, so naturally, it latched onto Hip’s soul and shares a soul between the two of them while also trying to make its own soul, but it can’t do it right. Super fine and no issues happen because of that at all. They aren’t offputting and weird, I promise.

So Hop was essentially SUPPOSED to have Kamek’s soul pre-packaged with the power, but Kamek is still very much alive, so it’s sort of. Trying to make due. It’s both halfway between Kamek and Hop while ALSO soulless but ALSO trying to use Hip’s soul to ground itself while ALSO trying to artificially make a soul for itself. It’s a mess. Just understand Hop’s star child powers are a mess because Kamek is still alive.

Of course, like in 2.0, the alpha koopz’s Game Over happens, and the prophecy is broken again. Kamek assumes “Well. That’s the end of that. I don’t have enough magic power to try and restart it again, because half of it was in that freak child, so I definitely can’t do a second round of that.”

Everyone in the Koopa Kingdom, including Bowz, are like “Don’t worry, there’ll be another way we can fulfill this prophecy! They came back the first time! People were wrong that it was a once-in-a-lifetime chance!”

Kamek plays along with it, being like “Yep, that definitely happens naturally. Obviously we’re going to have another set of star children. There were no outside forces that made it happen a second time.” You know. Like a liar.

However, SURPRISE! ROY AND IGGY SHOW UP! AND ROY’S ACTING LIKE ONE OF HIS SIBS! OH GOD, I DON’T THINK THIS HOW ANY OF THIS IS SUPPOSED TO WORK. I LITERALLY DO NOT THINK THIS IS A PROPHECY THING ANYMORE. DID I ACCIDENTALLY TRAP MY SIBLING’S SOULS IN A NEVERENDING EXISTENCE LOOP CURSED TO LIVE VICARIOUSLY THROUGH OTHERS FOR ETERNITY? ALSO WHO THE HELL IS IN THAT ONE? (LOOKS AT IGGY)

(This is actually what this sketch on turtle-pen was about, with Kamek’s concern over them not being messed up, like how Hip and Hop were, haha)

So uh. Yeah, Kamek isn’t sure WHY the cycle is continuing, and he’s almost positive the prophecy’s not even really a thing anymore, but the star children stuff sure is! And the powers/souls are already super unstable by the time they get to blog koopz, and it only gets worse as time passes! (One of the earliest examples of that magical decay was Roy suddenly getting an impulse to shave his head to match Bully/pre-koopz “Roy”. Eventually this kind of thing would start happening later on down the line in higher frequency with the other koopz as well. This is actually what the third sketch on this post was alluding to. In fact, Iggy’s is actually the most unstable magic of them all, because ever since the fake-out death with Kamek, whoever got HIS star child powers was always going to be the weakest/most unstable magically. More about this will be covered in Roy’s section below)

The Koopz

What order did they all end up at Bowz’s?

I talked about how each of them got to the castle in their bios, however if you can’t piece it together, the  order is Roy/Iggy -> Ludwig -> Morton -> Wendy -> Larry -> Lemmy. Junior, I think, showed up between Wendy and Larry. Bowser just walked in with him one day. None of them know where he came from.

Why is Iggy a vegetarian? Also why are his eyes like that?

I’m gonna keep it buck: Iggy is a vegetarian purely because I wanted an excuse to make him monster-y sometimes. In 2.0 Koopz, I justified it by the star child power (being inherently a magikoopa power) not meshing well to him being a Toad, playing off the idea of Toads and Koopas being diametrically opposed.

There was a sliding scale of “how lizard” someone was based on how well their species reacted with magikoopa magic (I only remember Iggy being the most “lizard-y” and Larry being the 2nd most “lizard-y”, This is also why his eyes are like that and why he and Larry have split tongues) Eating meat weirdly triggered some primal urge in him due to the magikoopa thing, I guess?

In 3.0 Koopz, I genuinely have no reason why he can’t eat meat or has weird eyes since I got rid of the lizard-y scale, I was gonna figure it out later, haha. The 2nd pic is actually him after accidentally eating Pom’s burger when his veggie burger got swapped at a restaurant.

Who was that kid in the flashforward meme?

That’s Ozzy, Iggy and Pom’s kid! He melts! :) (cw for body horror and blood in that link) But it’s okay, he gets better!

To put it plainly, in 2.0, Pom accidentally gets some of her DNA in Iggy’s clone nonsense, and oops they have a kid now. He is NOT genetically stable. Drama ensues, and they have to figure out how to get him to not completely unravel.

At first, we thought that maybe Iggy should have him melt and clone him again without the memories of melting and present it as something he worked tirelessly on (and BoomPom mun drew an excellent comic about Pom’s reaction to it), but we couldn’t justify any way for her to forgive Iggy for basically replacing Ozzy, and Poggy was just too important to us to break up. We were stumped.

And long story short, the book Ludwig was reading when he was in se7en-sib’s world was one about DNA cloning. (But that’s spoiler stuff for se7en sib’s blog that I won’t get into, heh heh) And Ludwig, despite it being the perfect opportunity to have Iggy traumatize and disappoint Pom, tells them about it and that they should visit se7en-sib’s Kamek somehow to fix it. (He does fix it! By melting Ozzy and recreating him again. HOWEVER Ludwig and Iggy have to swear to secrecy about it. They take that shit to their graves.)

So he’s better now!

ROY:

Roy had started on the path of his biggest plot points being covered (him finally ending up with Boom and slowly showcasing his natural inclination to being a leader, despite NOT wanting to be), but I didn’t get his biggest two out of the way (one of which I’m glad I didn’t get to yet): Roy cheating and Roy almost dying.

Koopz 1.0 - Roy was going to be transphobic (specifically enbyphobic. This is actually one of the reasons he doesn’t like Larry all that much), but over time he’d learn that that’s a personal problem. He specifically had a lot to unlearn of his biases of what inherently makes someone a man/woman. Ludwig’s transition was fine with him, but Larry “switching” didn’t make sense to him. (His definition of a “man” was severely warped by his abusive father) This is actually still canon, but he learns better, of course.

Roy was also going to cheat on Boom via a night of drunken infidelity. The big twist was going to be that it was with a woman, and along with him, we find out that he’s bisexual. After some thinking it over, I ultimately decided, despite the drama that would ensue, I didn’t feel particularly comfortable perpetuating what I didn’t realize was a “cheating bisexual” stereotype. Morton’s bi as well, so maybe it would have been fine? But I was like “Uhhhh noooo I shouldn’t do that.” (I wish I could find the pic BoomPom mun drew in reference to when they got locked in a room together by Pom and Iggy to “talk it out”. Boom was punching the wall next to Roy and it was real dramatic. Oh well!) There was also a discussion about a compromise of him sleeping with other people, but letting Boom know about it beforehand? It was gonna be MESSY, haha!

Koopz 2.0/3.0 - Him coming out as bisexual changed to what was going to be a comic with Roy confronting the fact his hypermasculinity was exacerbated because he felt that not being solely attracted to men was a win for his shitty dad. (It makes sense in HIS head: being gay but also being hyper-masculine and liking pink was to piss off his dad. But if he’s actually also attracted to women, then his dad gets what he wants, right? For him to like women?) It was going to end in a sweet moment where Boom reassured him being bi didn’t mean his dad was right about him.

Now to Roy almost dying. Hoo boy. So as mentioned, the star child powers they all got were already quite unstable. As time went on, things started unraveling at a quicker pace. Roy started having weird flashbacks/visions in his dreams (only telling Iggy), which are of course visions of the alpha koopz. Soon enough all the present-day koopz would start to have moments where they physically re-enact something the previous star children did. This was especially prevalent when certain koopz interacted with one another (like if Lemmy and Iggy brushed by each other, suddenly they’re acting exactly like Hip and Hop again for a short while). These moments not only got more frequent, but longer as well.

And we’d build up to Roy, like Bully, on the roof, the rest of the koopz in their hazy, lucid states, encouraging him, like the alpha koopz did so long ago. None of them would be really in their right minds, it was all going to be very dramatic. There was gonna be rain and everything, building up to the inevitable of the cycle being broken again.

What’s the difference this time around? Roy’s dating Boom. And Boom solves this the only way he knows how: by clocking Roy in the face before he almost slips and falls. So Roy gets knocked out, which manages to knock ALL the other koopz out of their weird stupor.

This plotline gets resolved by the koopz having a heart-to-heart with each other, with Bowz, and with Kamek, who comes clean about the whole prophecy thing, which isn’t quite real anymore (due to the 3.0 change). Professing how he just missed his family and didn’t want any of this to happen nor did he know any of this was going to happen.

Ultimately they’d come to the conclusion that they need to let these weird soul/magic things go, to stop anchoring their souls and not allowing them to move on, and to let the koopz live how they were supposed to. Kamek can’t guarantee they’ll be able to even harness magic anymore, or honestly if this would even work, but they end up performing a VERY extensive, painful, and tiring ritual that allows Kamek closure, allows the blog koopz to meet the alpha koopz for a moment, and allows them to live their normal lives. (As koopa royalty, but you know.)

There was also a planned Nintendask event where Roy was going to raise his father from the dead to confront him about his shitty behavior. Chaos was going to ensue and there was going to be a small “Zombie apocalypse” event similar to the revolution arc that occurred.

IGGY:

The main things with Iggy had already pretty much occurred: Hooking up with Pom -> Love poisoning himself -> Confrontation with Ludwig about it -> ??? -> Profit. Honestly there truly only one plot point that didn’t get to be touched on, and that’s Marilyn! (Those who follow turtle-pen probably know Marilyn)

Koopz 1.0: Like I said, at first the star child powers were going to be specifically magikoopa and make Iggy super weirdly unstable magically. He at first would dye his hair blue/yellow/pink (Hop’s colors. This is pre-alpha koopz) to not stick out in Toad society. His parents were a LITTLE worried about his nonconformity. He was going to run away from home, because oops he ate meat and hurt his parents pretty bad. I THINK at one point this switched to him accidentally killing them, but we don’t talk about the Edgy Koopz Era. This was switched back to harming them pretty soon after.

Koopz 2.0: After the introduction of the Hop thing, it now became less “He dyed his hair to fit in” and “He dyed his hair because he Mysteriously Doesn’t Know Why.”

Truly the biggest change/introduction was the inception of Marilyn. HE IS… Once again a thinly-veiled excuse to shove some favorite tropes onto Iggy. BoomPom mun and I got super into the Jekyll and Hyde musical (specifically with Anthony Warlow), and we went “Iggy should get a Hyde thing going on”. So in combination with the weird “can’t eat meat lest you go sicko mode” thing, we decided to justify it by making it be Iggy try to get rid of his “lizardness”. (This was when the lizard scale still existed) It manifested as Marilyn, who REALLY hated Iggy and REALLY liked Pom. Shenanigans ensued.

Koopz 3.0: Once the lizard scale was taken out, we were like “Uhhhh Marilyn shouldn’t exist anymore”, however unfortunately I love him. So YOU REMEMBER THAT LOVE POTION ANTIDOTE THAT POM GAVE IGGY THAT MADE HIM SICK? Yeah Marilyn came from that now. That weird star child magic latched onto this manifestation of emotions that became his own being (you can see it in the last two pics here). Sue me, man.

You can read more about him on turtle-pen, but the end-game was that Marilyn was sent to Sol’s lab to work for him so he could be humbled and he fell for Bob. A huge nerd. He also became besties with Scotty. The end.

Outside of this, I really had no other big sweeping plot points for Iggy to cover, other than him and Boom learning to get along, potentially meeting Boom and Pom’s actually alive parents (This was only briefly discussed with BoomPom mun, and we didn’t plan much further than that other than AU discussions), and the introduction of Ozzy.

Oh and Iggy was also going to come to terms with IDing as agender during 1.0, but I ultimately never got around to confirming it.

MORTON:

I believe really the only big plot situation that was going to happen for Morton was developing further about his crush on Birdetta only for him to get turned down. I was juggling seven kids, man.

Other than this, I don’t think I ever fully explained how he lost his leg? It was implied in his flashback, but his father (a hardass) was the type to be like “Speak when spoken to” to a degree that was unhealthy. At the military base he was raised on, he managed to get a pretty bad cut on his leg, but, in fear of his father, he never spoke up about it. It developed sepsis and well you know how that goes.

LARRY:

Koopz 1.0: The biggest change was Larry getting hit with the Edgy Koopz Beam as well, similarly to Iggy. He was normal, then shifted to being more violent, back to being normal again.

Koopz 2.0: Even in 1.0, Larry was always planned to have been dealing with depression and anxiety via… self-medicating. However 2.0 is really what changed the cause from intrinsic to extrinsic. The main thing that exacerbated his smoking habit, depression, and anxiety was that he found out they weren’t the only set of kids Bowz had dealt with. I don’t know how, but he somehow managed to find out about the alpha koopz. He kept that secret to himself, but it not only made him feel replaceable/used, but it soured his opinion on Bowz as a whole.

Ultimately Larry was going to get therapy, discuss with the other koopz what he knew about the previous star children, and eventually ween away from his drug habit. I can’t find the post, but I did mention it when doing some ask meme about rating ships and someone sent in a Larry/Weed one and I went “0/5”, haha.

LUDWIG:

There’s honestly not much to say here. Truly most of Ludwig’s arcs have been concluded: his crush on Pom has been wrapped up, him coming out to the koopz as trans (officially) has happened, and he’s on track with his HRT.

The only current plan that had been in motion was to more properly have him and Iggy talk it out and Pom be a wingman for him in his further romantic endeavors.

I suppose that there were also potential plans for him and Scotty to end up together because. Um. They’re cute. (There was also a mild discussion of him and Trudy as well, but there was a lot more discussion between BoomPom mun and I about him and Scotty!)

WENDY:

Similarly to Morton, Wendy didn’t have much going on on her end in regards to big arching plot points either, other than ending up with Chuck eventually and also confronting her insecurities with feeling like she’s not very special!

LEMMY:

And like Morton and Wendy before him, uh. Lemmy didn’t have much! The only planned thing was the drama of his type 1 diabetes diagnosis and that’s IT. Maybe bring back his mom since that was touched on?

Endgame for the Koopz:

They were going to give up their star child powers and return to normalcy, as mentioned in Roy’s section. However they’re still royals so of course it’s still a weird and exciting life for them. I believe they all still end up with the ability to use magic, but it’s much more elbow grease then they’re used to working with.

Roy was going to have a kid with Boom! Unsure if biologically/magically or adopted. Somehow they get their little girl, Stevie, though! I think Roy would also get in touch with his estranged sister that I only just realized I haven’t brought up (4th pic here!).

Roy and Larry were going to end up as co-DJs together working at a nightclub.

Iggy and Pom were gonna have Ozzy, and honestly? Kinda just continue to get into crazy shenanigans. Iggy wanted to rule the Koopa Kingdom but somehow he manages to get convinced not to. (He would NOT be good at it) Iggy would also get in touch with his parents again. They really did miss him after all of these years.

Ludwig and Wendy are going to be the ACTUAL co-rulers of the Koopa Kingdom. They were both so hard-headed and stubborn about it, fighting tooth and nail to make it to the top, Bowz just crowned them both. I think Ludwig also would get in touch with his bio-family as well.

I don’t remember in full what was going to happen with Morton and Lemmy as their end game? Lemmy might have become a circus performer and Morton the military general of the Koopa Army? I really don’t recall to be honest!

And that’s it! That’s all the plot I remember! If you made it this far, thank you for reading!

[tofupixel]

Thank you for getting me to finally try pixel art! I‘ve always wanted to get into pixel art but I never knew what to start with and always ended up procrastinating. Your blog and the post you made on learning pixel art were what finally pushed me to give it a go. It was really helpful and I managed this little animation in Libresprite.

I definitely want to improve and your art is like the ultimate goal lol. Do you have any tips or instructions for how to get better or on what to focus on in the future? I‘d appreciate any kind of criticism/input you are willing to give! How do you manage to make such gigantic and beautiful landscapes?

thank you!! and i'm so happy you decided to give it a real go, you're doing great already!! the rendering on the body and the pink shading is really nice.

i can help a little with animation stuff but i'm not an expert, ill write something out about backgrounds at the end

i hope you don't mind but i edited the sprite a little, just to illustrate some stuff

🤺Animation stuff

i added an extra frame near the top of the arc so it slows down. this is called ease or slow in/out and usually happens at the beginning and end of movements. u can do even more slow but this is just a quick version

i also removed the middle frame (where the tail is straight down) to make the swing appear a bit more powerful. this could be the principle of timing in the same video. you can exaggerate smears if you do this, its up to you!! lately i tend to exaggerate stuff a lot, things arent super noticable in motion

i also got a good bit of advice from nickwoz that helped me, basically when you begin to animate, it really puts the rest of the sprite being still into focus. try to think of how you could animate other parts of the body, even subtly. and sometimes if individual pixels stay still they can catch the eye in an unintended way as well, just keep it in mind!!

if you want to learn animation more, you could take a look at duelyst sprites, they have incredible idle and ability animations, i study them a lot

heres one i downloaded a long time ago. i recommend just downloading stuff you like and looking at it!! i have a huge collection of pixel inspo. slowing animations down can really help you understand whats going on. its just a bunch of simple elements put together that makes it look so good.

IF U WANT MORE RESOURCES/ARTISTS I REOCMMEND TO GO AND STUDY LMK!!! IM LIKE A WIKIPEDIA, I AM A BIG FAN of pixel art and love to share

🌿 OK lets talk about landscape stuff

it looks like you have art experience already, but im gonna talk as if youre a complete noob cos it might help some other people who read this!! ur doing great 👍

❓ how to learn: study (and practise a lot)

what i mean by study: draw it, copy it, try to understand it. you can try to change characteristics about it. changing the angle or lighting can help u understand how something works in 3 dimensions.

sometimes it takes time, dont worry, you will figure out your own style through doing studies, its all a process

❓ how to draw landscape details?

study pixel artists and how they do it recommendations: fool, slym, jubilee, deceiver

also please look at real world references!! you got to build that visual library

❓ how to learn composition?

study traditional artists or animation. i did a ton of studies of ghibli backgrounds which i think helped my growth a lot recommendations: arcane, studio ghibli, traditional painters

im gonna break down a piece as well and maybe that will help. this is one from 2022 but its still one of my most popular and its pretty simple too!!

if we remove all the fancy stuff what we have is actually really simple. just a few large, overlapping shapes that all point towards our focal point. it's the brightest area with the most contrast and many edges point into it.

go to pinterest or google and just search "pretty landscape" or "mountains" or something and you can see what i'm doing is nothing special or unique!! break it down into bigger shapes to begin with, its just different areas of material mostly.

and heres how you can make any landscape from any colours. purple sky or mountain? orange grass? ok !! it all works, it doesnt matter. i just blend the colours.

when parts of the landscape are in the distance they become closer to the sky colour as there is more "sky" in between you and it. its called atmospheric perspective. so if the sky was red, the clouds would fade towards red.

OKKK i dont know what else to say so i hope that helps!! honestly 90% of what i do is intuitive and hard for me to really explain, so you dont have to know The Rules, you just kind of pick up stuff as you go.

GL and thanks so much for showing me your art!! please keep going!! 💕💕💕💕

[dr-spectre]

I heard about how in Bancala Walker there was a short story about Marina and Acht and their time in the domes. And I'm gonna be 100% honest with you. It kinda makes me mad, and it really highlights a massive problem with Splatoon as a whole, and that's how it treats its stories.

(Yep I'm rambling about Splatoon's storytelling for the 500th time, welcome to my blog.)

Since Splatoon 2, the series has had a weird relationship with its storytelling, the main stories of each campaign are very simplistic and are very video game like plots. "Go get the Great Zapfish back and save Captain Cuttlefish. Go get the Great Zapfish again and find Callie. Find the thangs and get out. GO GET THE ZAPFISH AGAIN AND SAVE CAPTAIN CUTTLEFISH AGAIN!!! Climb up the tower." Splatoon 1 got away with this because it's clearly the most "tutorial" mode out of any of the single player campaigns and it doesn't really try to say any deeper messages or express a character arc.

Now, obviously video game stories must have goals for the player to work towards, I'm not complaining about that, you gotta have that stuff in games to motivate the player, however, what really drives me up a wall is when they decide to add depth and interesting things relating to the characters and world, yet they intentionally throw away that same depth and chuck it to the side. Hell they sometimes retcon the optional hard to find lore or make it more confusing just because!! If you're gonna add depth and something else to these stories, you HAVE to actually explore it and expand upon it WITHIN THE STORY! You cannot add it as "extra lore" when it's stuff that should have been in the main storyline to begin with. It's like not adding seasoning to chicken and that you boiled the fucking chicken and wrapped it in lettuce and mayonnaise.

I could obviously talk about the elephant in the room... you know... this little goober right here. This freak.

And I'm going to.

From the concept art we were given, we know that Callie was originally gonna have more exploration into her troubling mental health issues as seen by her being in the shadows and being comforted by Octarians. It's a significantly different tone compared to the final product.

However in the final game, they tossed MOST of this shit away and say in the game as well as in official media, "naw she was kidnapped and brainwashed forcefully because she's a dumb clutz lmao." They tried to backtrack with an obscure relationship chart, the sunken scrolls and Squid Sisters web prequel series, but then they backtracked AGAIN with the Splatoon 3 artbook that states that she was "brainwashed." It's an incredibly simplified and frankly insulting version of events that are TECHNICALLY canon but Nintendo and others don't treat it as such and i don't know why. I dont know why they treat Callie like this. Is it because she's silly?

Wouldn't it be more interesting and more powerful as a story if they made Callie had more control and awareness of her actions? That she was truly acting upon her mental illness and isolation? Putting DJ Octavio, the fucking funny octopus guy on the same level as Talon from Overwatch and Hydra from Marvel, the literal nazis who damaged Bucky Barnes' brain and removed all of his memories, making him into the Winter Solider, is fucking psychotic and actually insane of Nintendo to do.

There is also Acht and how they were shown between Octo Expansion and Side Order.

Some of the most powerful stories in media have strong character arcs and characters overcoming their struggles and pain. It is inspirating and incredibly real to see a loved one reach out to a person that they care about who have lost their way, either from mental illness or drugs. Trying to bring them back and help them go through their pain together. When someone is under distress and mental health troubles, they can act like a completely different person and the fact that Nintendo half assed serious topics like this and made shit WAY WORSE boils my blood to no end.

In Octo Expansion, we were told that they went under Sanitization willingly in order to remove doubts in their mind and put their all into music. Now due to the unknowns of Sanitization at the time, this made for a really interesting character and brought up a lot of interesting questions as to why they would do this and who they are.

However, in Side Order when they explained Sanitization further and told us that Acht lost all of their free will and were FORCED to make music for Tartar, it kinda damaged their story a little bit. Like sure, Acht still probably wanted to go under Sanitization to clear their doubts and remove emotion, but the added information kinda goes against the interesting story they were trying to tell with Acht. Acht doesn't even mention why they went under Sanitization in Side Order and their reasoning is only found IN A SOCIAL MEDIA POST BACK IN 2018!!! THEY DON'T RESTATE IT AT ALL WHEN IT WOULD HAVE BEEN IMPORTANT TO DO SO! They kinda tell us via their letters, but guess when you get those, IN THE POST GAME!!!!!!!!!!!!!

This leads me to another big talking point, most of the lore is hidden and hard to find. You have to go out of your way to find most of the shit Splatoon has to offer. Sunken Scrolls are hidden collectables and most people don't wanna go through the effort of finding them all in the stages, the chat logs in Octo Expansion are completely optional due to entries being tied to specific stations and you can choose to easily skip them, the dev diaries are locked behind lockers and some people may complete Side Order in a manner where they can get to the final boss and be done with the main campaign before seeing most of the entries. Now I'm not saying that there cannot be extra lore tidbits for players to find, hell no, i love extra stuff like that, i think Splatoon 1 and 3's hero modes did a really job of that. BUT WHEN YOU HIDE AWAY IMPORTANT DETAILS LIKE CALLIE'S MOTIVATION IN SPLATOON 2 AND MARINA'S AND PEARL'S BACKSTORIES!?!? YEAH I GOT A FUCKING PROBLEM RIGHT THERE!

In other games, these would be cutscenes or a bunch of mandatory dialogue, BUT NOPE! THEY ARE IN HARD TO FIND SPOTS!

Some of the other lore details are found on social media posts and some of them are YEARS old or on Splatoon's dead Tumblr account. Most people would rather go to Inkipedia and even they can sometimes make vital mistakes or have wording that gives people the wrong idea on what happened in particular events, which heavily impacts the community and discussion. When i talk about my perspective on what happened to Callie in Splatoon 2, I've seen people say to me "wait really? Huh?! I didn't know that." The amount of research you gotta do to go into these characters is an absolute nightmare, AND DON'T EVEN GET ME STARTED ON THE SPLATBANDS!!! Their lore is literally locked behind Japanese exclusive expensive artbooks!!! WHY?!?!

I really do wanna stress again, is it cool to get cool lore outside of the games and as collectables?! ABSOLUTELY! You know how awesome it was to read the Alterna logs for the first time? The smile on my face seeing Pearl and Marina back in the Final Fest in Side Order. But when the main stories suffer because of important information being tossed to the side and not applied to the main games... I dont know man, it just becomes incredibly frustrating to me personally. Especially with all the misconceptions and other things that occur within the community, the fandom has an information problem and honestly, it's Nintendo's fault. Imagine if Side Order had flashbacks to a younger Marina and Acht, it would have helped with the middle chunk of the story being so... nothing.

[omnomnomdomcaps]

Nevermore - Remastered

Another Spooky Season remaster, this time featuring some awesome original art from @spaced-goddess. Go check her blog out!

“Alright now, up we go,” came Mrs. Winthrop’s soft voice, as she picked her onesie-clad student up from the classroom floor and placed her onto her desk, their school principal looking on as she did. “Can’t be having a talk with you while you’re crawling around on the floor.” 

Amber didn’t resist. She didn’t say anything, didn’t fight back against her teacher’s choice of words - after all, walking without tripping seemed to have become her latest challenge, and she had the carpet burns on her knees to prove it. Without a word of protest, the girl allowed herself to be picked up and placed on the desk, hiding her blushing face away as much as she could. 

This was a far cry from the girl who first arrived in Mrs. Winthrop’s preschool classroom on Halloween day, half a year before. That Amber was headstrong and defiant, fuming constantly that some saboteur had seemingly drugged her and messed with her brain, leading her down a road of failed tests and embarrassing accidents. She was furious that she had to drop out of the college and come here to relearn her basics, and she let everyone around know it. 

That Amber was proud. She was sure of herself. And even through all of her setbacks, she was confident. “Whatever,” she would snarl, “fine.I’ll just re-do some stuff and get out of here. I’m still an adult. I’m still better than all these dumb little brats.” 

As the school year wore on, though, those “dumb little brats” could actually keep up with their preschool lessons. And Amber? Not so much. 

While her classmates learned their numbers and letters and shapes, Amber just stared blankly, trying and failing to understand what the teacher was talking about, only to be distracted by the slightest hint of a pretty bird or a squirrel outside the window. Again and again, those “dumb little brats” ended up having to help her with shape blocks and stacking rings, while they played with their ‘advanced’ toys. Again and again, they would have to remind Amber to use the potty - or, more often, tell Mrs. Winthrop when the girl had an accident. 

Maybe, if Amber had known that she was under a witch’s curse, she wouldn’t have been so shocked at how it all turned out. Maybe, if she had heard the incantation, heard that the spell would lower her abilities to the level of her maturity, she would have understood why her stubborn attitude wasn’t getting her anywhere. But of course, these were truths she never would have accepted, or believed. 

“Amber, sweetie,” Mrs. Winthrop began, “we need to talk about your progress.”

The girl said nothing. Her face was turned away, her hands hidden between her legs.

“Now now,” the principal chimed in, a stern air of authority in his voice, “your teacher made you a very special potty chart, don’t you remember?”

Amber turned her eyes briefly to the wall, turning them back just as quickly. It was embarrassing for her to think about - the way her teacher had set it all up to help encourage her re-training, the whole class cheering her on like their little sister as she proudly donned her training pants. But of course, her results were anything but encouraging, and she was soon taken out of pullups altogether.

“Do you think you did a good job with your potty training?” Mrs. Winthrop asked.

The girl hung her head in silence. 

“And do you think you’ve been doing a good job with your preschool lessons?” the teacher added. 

“N-no,” Amber finally muttered, tears beginning to well in her eyes.

“And do you know what we’re going to have to do now?” came the principal, his arms crossed as he stood in front of the girl.

“Am I… Am I gonna havta stay in preschool again next year?” Amber's voice began to crack. 

Mrs. Winthrop let out a heavy sigh. “No, honey… I’m afraid it doesn’t look like you’re ready for preschool at all.”  

The girl was in shock. “B-b-b-b-” she stammered, “but… but I’m a big girl! I’m a big girl!”

 “Oh?” the principal offered flatly, “And what do you think makes you a big girl?”

“‘Cause - ‘cause I’m…” Amber took her hands out from between her legs, trying to emulate the “I’m this many!” gesture that her classmates would often make. She wanted to show that she was nineteen… or was it twenty now? Was twenty more than nineteen? Would she need to use more fingers than the other preschoolers did? After all, she was a lot bigger than they were. But then again, they were a lot smarter than she was…  

“Oh dear,” Mrs. Winthrop intervened, motioning the girl’s hands back toward her lap, “I think the poor thing’s gone and confused herself again.”

It was at that moment that another set of footsteps made their way into the classroom, and they belonged to Tom, Amber’s college boyfriend. Through all her failures and misadventures, he was the only one who stuck by her, seeming to enjoy having to take care of her more and more. And now, here he was again to pick her up from school.

“Daddy!” the girl blurted out instantly - he’d encouraged her to start calling him that, and it came naturally to her now - “They tolded me I can’t go preschool! They tolded me I’m not ready! But I’m a big girl! Big girl! Big girl big girl BIG GIRL!!” Amber shrieked, pounding the desk with her balled-up fists as the tears began to stream down her face.

“Oh my,” Tom turned to the two adults, unfazed, “has she been causing trouble?”

“Ah, you know how she can be,” Mrs. Winthrop shrugged, “I’m sure it hasn’t been easy for her, trying to keep up with these classes with the level she’s at.” 

“Maybe,” Tom nodded, a wry smile beginning to form, “or maybe she just needs a change and a nap.

“Up we go, princess,” he turned to the girl, lifting her from the table and into his arms, “time to go home.” 

“BIG GUWL!” Amber kept shouting, hands still waving in the air, “BIG GUWL! BIG GUWL!”

“I’m sure you will be one day,” her boyfriend-turned daddy assured her, patting her padded bottom, “but for now, we’re gonna find you a nice daycare, and first we gotta change you out of that stinky diapy.”

“But I’m not stin-” the girl protested meekly, before freezing halfway through.

That, of course, was when the smell and the sensation hit her. Of course she was stinky - she'd probably filled her diaper while shouting about what a big girl she was, while insisting that she belonged in a preschool where she was nothing more than the pants-pooping laughing stock of the class. 

As the last remnants of her pride crumbled away, Amber started to imagine just how far she had left to fall. She wondered, as she was carried away from that classroom for the last time, was she going to be the laughing stock of her daycare, too? It was all too much for her mind to handle, and so the girl simply started to bawl. She cried, helplessly, like the little baby she had become. She cried, helplessly, like the little baby she had now been for months. She cried, helplessly, like the little baby she was going to be for a long, long time.     

[door-insurance]

Not to be dramatic or anything, but thank you for your great chasemarsh art and for drawing the girls. Sometimes I genuinely worry that Victoria and Kate would be forgotten by this fandom, when they shouldn't bc they're also very important female characters to the story. people tend to treat Max and Chloe as if they're the only female characters so thank u for doing Kate and Vic justice!

Heya!

Thank you for the kind words, both Kate and Victoria are hella important characters and I'm glad to see them still get love. One of the things that motivated me to start making fanart was seeing how barren the other character tags were compared to Chloe, Max and Rachel

At some point Chasefield was the 2nd most popular ship in the fandom but as time went on I feel like the new batch of fans we're getting didn't really explore the game's world as well as the older generation did or got into the franchise through watching speedruns or even worse, they saw tik tok edits of only the max/chloe scenes and nothing else

It's actually painful lol we used to have ask blogs for characters like Brooke, people would do shitposts and scenarios that involved all the other blackwell kids- now whenever i feature them somewhere id get questions on who's who

I'm hoping that my project at least has that old fandom spirit of appreciating Arcadia Bay and the world building

---

speaking of VortexVN, I'm gonna start doing monthly updates. So far in January I managed to do the following;

-Added in an achievement system

It's gonna be list/text only, adding in pictures and stuff is just beyond my basic programming knowledge but I will include funny references specific to each route

-created a character sheet for Victoria:

i actually don't like how her sprites turned out i'm gonna revamp them next week

-Polished the waking up cutscene:

won't show the whole thing but this is the third frame

also just wanted to say that the demo launch was a success!

As of January we reached 59 downloads for the PC version and 80 browser plays for the web version, so in total 139 people played the demo... Holy shit amazeballs

Now going into this I knew it will never reach Love is Strange numbers and level of hype cause it's been almost 10 years but oh my god I didn't expect this many people playing lol

It’s kind of a gamble making a fan game featuring a divisive/antagonistic side character

my goal was around 50 downloads and browser plays for the FINAL RELEASE of the game, we hit that shit on day one with the goddamn demo- ya'll are amazing for that

I'm gonna try my best to get this project done as soons as May or June of this year, game deving isn't easy but I will try to update yall on a monthly basis.

Next week's tasks are the new journal entry and revamping Victoria's sprites

[felassan]

Snippets. 🐺💜

Nathan: "This team has done some amazing work 😍" [source]

devs Mack Carruthers and Greg Towner worked on Morrigan's transformation in the new trailer [source]

Violet: "🥰 can't wait to share more with you guys 👀" [source]

Violet: "Happy to finally have my first authored blog (with help from my AMAZING TEAM of course!) to share with you guys!!! Check it out and pre-order DATV now! 🥰🥰🥰" [source] [bloglink]

In this thread, Derek highlights a compilation of shots from the trailer that he made, worked on in-tandem with others, or polished

Derek: "And that’s all the stuff from me in the trailer! I feel so incredibly lucky that so much of my work made it into this AMAZING trailer. Can’t wait for you guys to see more. 🧡 I wanna add: it takes an army to make these scenes. While I did character layout, camera animations, animation polish, bug fixing and technical stuff, there’s still a plethora of folks who touched these scenes. Matter of fact, our work still isn’t done. So I gotta thank: writing, level art, VFX, lighting, sound, character art, performance capture, actors, production, and my fellow Cine folks who I worked on these scenes in tandem with. It all came together into one incredible package. 🧡 For anyone who’s curious, here’s a breakdown of what I do: - mocap assembly - scene layout (characters, props, cameras, mocap) - camera work (animations, framing, polish, etc.) - scene polish (character and camera animation polish, bug fixes) - integration - bug fixing" [source, two, three, four] Derek added: "PS: I count these as Cine folks, but to clarify - also huge thank you our incredible Creature and Character animators. They did some really insanely mind blowing shit. Dunno how they do it." [source]

User: "Okay, but is it on purpose that the drink/flask thingie is positioned almost like the stomach in Manfred It's like kinda in the correct area too if I'm not mistaken [image of Manfred]" / Derek: "Yeah, I’m pretty sure that’s what character art was going for here 😂" [source]

Dev Tony: "Been hard at work bringing these scenes to life with an amazing team of cinematic artists and designers. Enjoy a small teaser of our work." [source]

Derek: "I worked on a few of [Lucanis'] best scenes. HE OWES ME." [source] / User: "Very much looking forward to seeing where his story goes. I have a feeling it'll be spicy." / Derek: "Oh it’s a doozy." [source]

Derek: "The hair in our game is ASTOUNDING." [source]

Derek: "Our lighting team are absolute MASTERS at this, every bit of work they did was incredible!!" [source]

Derek: "I can absolutely tell you that there are a PLETHORA of dialogue options, major choices, and a huge amount of variability. Trust me - it’s been challenging to work with all the variability LOL" [source]

Carly: "game dev is so collaborative, a lot of stuff in the trailer i've helped out on! most of the work id say i "own" isn't gonna be in flashy trailers, but hope we get to see some of it over the next two months ! :)" [source]

Crystal: "Some really beautiful cinematics shown off in this one. So proud of our team!" [source]

Carly: "ive worked on at least one romance scene for each follower and i still squeak when they flirt with me im With y'all" [source]

Dev Matthew: "👀 This is so hype! Might be a tad of my work in there as well. 😉" [source]

Siggi: "It's so exciting to see the some of the shots I worked on and worked along-side come to life! I was afraid that my work would never see the life of day. I can't wait for October!" [source]

Siggi: "My biggest contribution was the assan work I think. I got to do a lot of look and movement development on him. I even animated his whole intro scene." [source]

Siggi: "Look at my babies! LOOK AT THEM! They're smiling!" [context: Assan and the dragon that rises from the water, and having worked on them] [source]

Carly: "forever grateful to siggi for helping me onboard but okkkk their animation work is sooooo killer, set an amazing standard for the cines !!!!! 🙏🙏🙏 so excited for y'all to see" [source]

Dev Zara: "October 31st!! So excited for folks to enjoy it. And to finally be able to publicly share my animation work." [source]

Camille: "Time for you to meet some of them dragons ! And I don’t think you’ll be able to slay them so easily hehe" [source]

Varric's Bianca: "That’s us!! That’s our game!! 😭❤️ never in my wildest dreams would I have predicted that I’d end up where I am, working on my dream project. I’m so immensely grateful to this amazing team!" [source]

ikhandle: "Congratulations team! This has been an honour to work on! Amazing job all around." [source]

Michael: "the team really, really cares about PC." [source] / User: "The trailer was awesome! How soon do you think we'll hear about PC specific features? 👀" / Michael: "pretty soon! i know its in the works." [source]

For a while there was an error on the Steam listing of the game's PC specs. it said the recommended PC spec is the same as the minspec. the recommended PC spec is PC spec is i9-9900K. it looks like this has now been fixed [source]

ikhandle: "One of my dragon shots just made the trailer! 🐉🐉 Huge shoutout to the Cinematic team for absolutely crushing it—these are some of the best cinematics I've seen in years. Truly an honor to have the privilege to work on Dragon Age. Congrats to the whole team on their outstanding work!" [source] (context: dragon shot at the end of the trailer when the red one pulls a pike out its body)

ikhandle: "Had a lot of fun animating this big boi. Y’all not ready for him 🦴☠️🪓" [source] (context: the giant skeleton) / User: "Does he have a name? 👀" / ikhandle: "I’ll ask 😂. I’ve named him SeñorBones for now." [source]

The cinematics in the trailer are running REAL time in engine [source]

ikhandle: "Everyone has done such an amazing job… a lot of hard work to get these out. Shout out to the whole team!!’" [source]

Jess: "😎 I'm uncontrollably hype and I work on this….." [source]

Dev Yanni: "Dragons go roar! *internal screaming in excitement*" [source]

Nick: "Nuts to see how far this has come. Way to go to the BioWare team." [source]

[cherie-doll]

𝔤𝔯𝔢𝔢𝔱𝔦𝔫𝔤𝔰

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[velvet-vox]

Why King Candy has been so underrated and misunderstood for a long time (Still is, but to a lesser extent)

(All the images in this post come from the video linked below)

Hi everyone; so, usually, I'm not a trend chaser, in fact, I completely missed out on the hype of the Murder Drones finale by not releasing something for the occasion, as I have been very busy this past couple of months, and still am, but I've decided to make a special, out of program post just for my new current hyper fixation, that being King Candy from Wreck-It Ralph, who, for the past couple of weeks, has slowly risen up to become my third favourite Disney movie villain of all time.

And all of that, as some of you might have guessed, happened because I watched @king-crawler 's two hour long video essay on the character and the movie that he comes from.

Needless to say, just like many others before, it inspired me to add my own two cents to the conversation, and talk about some points that I haven't seen mentioned anywhere else.

This is probably the only Wreck-It Ralph related analysis that I'm ever going to make.

I even thought about scrapping this whole analysis, because midway through development I thought that I was just spewing out nonsense, but I kept going because some of my points may give food for thought to someone who understood this character way better than me.

I may reblog some analysis/art posts of this character, but I'm not going to turn WIR into a staple of my blog; however, if I see a lot of people in the comments or the reblogs adding stuff or points to my arguments, I could always make a sequel post to this one.

But first, I need to get something out of the way immediately.

Spoilers below the cut if you never saw this movie, kind of important, as it is the movie's major plot twist:

King Candy is Turbo.

Who's Turbo? Watch the movie.

With all that said, enjoy the read, I'll now elaborate on the meaning of my title, also, here's the video in question; I highly encourage everyone to check it out, as it is a way better sequel to Wreck-It Ralph than the one who was lost in the depths of Lake Laogai:

Clarifications:

Wreck-It Ralph is an amazing movie, but one for which I've never had much to think about.

Don't get me wrong, I always considered it to be the smartest Disney movie ever made since my first watch, but I saw it for the first time relatively late, after I had consumed other Disney movies as childhood classics and other crossover movies featuring video game characters, so it never had neither a nostalgia nor hyper fixation factor as reasons as to why I should have put the story under a microscope after that.

Also, as Rando says at the beginning of their video, it is not a movie that blew me away after my first watch. Or the second. Or the third.

Why is this section important? It is important because these are my subjective opinions of the movie, which are unfortunately going to subtly influence what I'm about to say in one way or another, regardless of me trying to speak from a place of supposed "objectivity".

I'm really passionate about this world now thanks to Randomalistic, but you won't get the same vibe from this post as you would get from one made by long time fans of this movie.

Ok?

Good.

Next:

King Candy/Turbo has always been... in a weird spot for me.

Just like the movie where he comes from, I never really cared about Turbo until a month ago, despite always feeling like I should have loved him a lot more, especially since Deltarune chapter 2 released a while ago, and the character of Spamton G Spamton is someone for whom I have very strong feelings about; and Turbo, in a technical sense, is literally the spiritual predecessor of that guy (actually, Turbo is the spiritual predecessor of a lot of similar characters, he kinda was ahead of his time).

If I had made a Disney tier list for their movie villains, a completely subjective one for that matter, I would have put him in A tier, but thinking that he should have gone in B tier... while also feeling like neither were appropriate placements for him.

Randomalistic's video finally helped me fall in love with the character; so much in fact, that it got me thinking:

"Damn, if Turbo is actually this amazing of a villain, why was(is) he so underrated and overlooked by general audiences, when he admittedly is, in my opinion, one of the best Disney villains of all time? Frollo is by and large considered the best villain out of any Disney movie, and the HOND was nowhere near as successful as Wreck-It Ralph when it first released, so it can't just be a matter of first impressions (?). Maybe there are other factors, that stop audiences from recognizing Turbo as the Magnum Opus of villainy that he truly is..."

... And that's exactly what I'm going to discuss!

Let's get right into it.

The minor stuff.

First things first:

He's ugly. I'm sorry to all of the people who ironically and unironically simp for him, but that's a design only a mother could love.

On a serious note, KC and Turbo's designs always felt... not very eye-catching to me? (The bug form is excluded from this conversation)

I'm not saying these are bad designs, far from it; but each form has on them a certain amount of design decisions that, by the authors own decisions, make them unappealing to a viewer like me (I'm using myself as reference point because the topic that I'm talking about is inherently subjective).

Starting off with King Candy, is design has to balance a lot of different aspects simultaneously: it has to be eyecatching, so that the viewer can pay attention to him as an antagonist, and believable enough so that the watchers buy the fact that he is the King of Sugar Rush and not someone else, but it also has to be generic and fake enough so that it can later on add up to the fact this is just a performance, a facade, a ruse, a costume, and not the real character, it also needs to be friendly enough so that the audience can be manipulated together with Ralph into believing that he actually is a good guy;

I could go on and on listing off all the amazing things, that the King Candy facade pulls off simultaneously, but exactly because the design has to feel real and fake at the same time, it also, by proxy, ends up feeling weird, and that inexplicable sentiment can end up alienating the viewers who are watching the movie and the ones who have finished consuming it without thinking too deeply about what the meaning of the KC's facade actually was.

In the case of Turbo's design, all the people working behind the movie did such an amazing job making him look as scary, ugly, alien, and deranged as possible, all the while keeping him relatively PG friendly; the result clearly paid off, but Turbo's ugliness is not as slick as the likes of Ratigan's, nor is it as nightmarishly horrifying as the Other Mother's.

The most nightmare fuel qualities of Turbo's design are hidden out of plain sight, which is basically a recurring theme with his character.

To put it in a funny way, his looks neither end up in the conventionally attractive territory that most other Disney villains fall into, nor do they grab the attention of the Monster Fu###rs crowd.

I have zero things to say about the Cy-bug form, but I do have a section later on where I talk about that entire scene in and of itself.

All in all, it might just be me, but the first impressions of this character's design don't really do him any favours when it comes to his popularity.

I now love both designs, but before, they just didn't click with me, and I think some other people might understand what I'm talking about.

Admittedly, I could have explained this section better, but these were mostly my personal opinions and they are not really important in the grand scheme of things, unless somebody else agrees with me, in that case I'd have to take a closer look at the situation.

Second of all:

The marketing.

To be honest, I feel like what really elevated all of the most iconic Disney villains into pop culture status was a joint push from the company and the artists to include these characters into more stories and products.

Like, sorry to all of the Oogie Boogie fans, but that character is barely in his movie and doesn't do a lot, and he wouldn't be nearly as iconic as he is if Disney didn't use him again multiple times after his first debut.

And the same can honestly be said for all of Disney's most popular villains; they got used multiple times in multiple different projects, that either kept them mostly the same, changed them with some unique twists (that change in quality, but that's up to you), expanded on their preestablished characters, or put them into unique situations that showcased just how versatile they are.

Kingdom Hearts, The House Of Mouse and Descendants are very obvious examples of what I'm talking about, but even appearances in lesser known stories like Lady Tremaine in Cinderella 3, Captain Hook in Jake and the Neverland pirates, or the entirety of Disney Twisted Wonderland help solidify these characters as pop culture icons;

All except Frollo.

Frollo is the only one whose hype and cultural recognizability wasn't built up by the company or the media in which he was featured, but by the fans of the original movie.

And despite Disney almost never used that character ever again after his debut, he, his movie, and Hellfire still get a lot of prise and are talked about classics to this very day.

Because Frollo is just that freaking awesome.

Turbo, on the other hand... is barely in anything.

Let's get the most obvious stuff out of the way first: King Candy is a relatively new character, released in an era where Disney was slowly starting to integrate the new, corporate ideals that we see today.

All of the villains that I've mentioned previously already became tried and true successes by that point, so even if the company doesn't care about having good villains anymore they still use their likeability because it has already shown in the past to bring in audiences.

It's also the main reason as to why Mother Gothel is used so rarely: King Candy, as the last truly great Disney movie villain (excluding Tamatoa, who's barely used anyway, and movies not produced by their main animation studio), arrived at a point in time when the company wasn't pushing for their villains anymore, and instead actively sanitized some of them in their new stories (you know what I'm talking about); therefore, Turbo, being actually incredibly dark on second look, and with no actual intention of tuning him down like Jafar because he hadn't already reached the iconic status by that point, had no reason to make any big appearance ever again or be paraded around as much.

There are some more reasons as to why Turbo likely doesn't have more stuff dedicated to him, like the fact that he is technically 3 characters at the same time, but I don't want to prolong this section too much.

So instead, how about we take a look at some of his other appearances outside of Wreck-It Ralph?

Let's see...

He has various cards in Lorcana, which is his most recent appearance, mind you;

He became a playable character in the 7th season of Disney Speedstorm, a game where I was hoping he would be the main villain, due to a variety of reasons, but hey, that's perfectly fine;

And he was mentioned multiple times in Disney Heroes Battle Mode, a game where he hopefully is the secret main villain, as it would pay off a large amount of story and design decisions chosen for that game, but it's probably just wishful thinking and unless the game's plug is pulled, I doubt we'll see him anytime soon.

Ok, it's more than nothing, but it's also not that special if you ask me.

But hey! At least he got a boss fight in a Kingdom Hearts game! That's more than Randall can say! He was a major boss in Union Cross... the mobile game... that you can't play anymore... and since KH adheres strictly to its own canon most of the time, it also probably means that we'll never get to play through the storyline of the first WIR in any future mainline game, and we're more likely to see a world based around the second movie instead.......

Yeah.

That seems to be it, unless I'm missing something huge (feel free to let me know).

This section is important because Cruella De Vil became one of my favourite Disney villains of all time not after seeing her in the original movie, but after I saw her in 101 Dalmatian Street, a niche show that almost nobody knows; so other medium appearances are important to these characters popularity, especially when not all of these villains are Frollo.

ALSO, PLUS 1+, I was originally going to cut this point, but I decided to add it anyway: the Italian voice actor.

After recently rewatching this movie in English, (I'm Italian, we in Italy translate the movies to our language because it's easier than learning an entirely different language for them), I have to really admit that Alan Tudik's voice performance really does a lot of heavy lifting for the character's memorability.

This is not to say that the Italian voice dub sucks or that King Candy's Italian voice actor does a bad job, in fact, the voices are actually quite similar to each other, it's just that Alan's performance has that small edge of hidden bitterness that really brings the character together; though I do prefer Turbo's Italian voice for its twist reveal: the more raspy, heavy tone of the actor really highlights the vicious, alien nature of his character, as well as the sense of dread that Vanellope is feeling in this moment; I encourage you to give it a watch.

Again, this is extremely minor, and it really only affects me specifically, but don't worry, it's not going to have influence over the rest of this post.

These were just additional points and not the actual meat of my argument, so now I'll start discussing what I actually wanted to talk about from the very beginning:

Who is he?

I think that one of the main reasons as to why Turbo is so underrated is because we spend way less time than with most other Disney villains (before him) to know him as a person.

Think about it:

Most other Disney villains, or at least the most popular ones, all have moments where they are doing nothing to progress the plot, that are dedicated solely to get us to know them better.

Hades has several moments with his minions to show off his personality and anger, Jafar has silly little moments with Iago that show off his depravity, Maleficent has talks with her crow that make her more dynamic, Ursula has her introduction scene where she spies on Ariel and does nothing but talking, and Captain Hook... has 30% of his screen time dedicated to just that.

Heck, Hellfire, one of the most iconic sequences in all of Disney, is just a character set piece for Frollo, and it's arguably completely disposable, as it doesn't really do anything to progress the story, it just explores Frollo's character in deeper depth and that happens to make the big difference when it comes to him.

King Candy doesn't really have an obvious character centric moment, something easy for the audience to quickly latch onto: every time we see him, he is always doing something to push the plot forward.

Yeah, there's that small character interaction with the Donut cops when he gets glasses, and other small moments here and there, like the would you hit a guy with glasses joke, but nothing truly character-defying.

I also don't count King Candy's first scene as a character centric moment, as that's more of an introduction rather than an elaboration, but it is technically valid, even if it ultimately is just a facade that he puts up to serve his needs.

Speaking of which: the fact that most of what we see of Turbo throughout the story could be entirely fake is definitely something that I could use to make the argument in this section stronger, but I'd rather save it up for later.

Also, side note:

I think that the moment most dedicated to him only, to show off a different, "true" aspect of his personality, is when he is walking back and forth in the castle waiting for his cops to show up again.

This moment is so interesting on rewatch, as it is one of the few moments in the entire movie where I can safely say that Turbo is being 100% genuine and isn't putting up any facade whatsoever, as there really is no benefit to him appearing distressed in this situation.

In general, it's funny to think that Turbo's most genuine reactions are of fear.

Back to point one, do you wanna know why Maleficent was given a crow in Sleeping Beauty? The reason as to why was for her to have someone to bounce off, a way for the writers to showcase more facets of her character, and while Candy has Sour Bill, the movie never uses the relationship between the two to show off a different aspect of his character.

To be clear, I'm not saying that Turbo is a worse character than these other Disney villains, or that without these moments of calmness he doesn't work, one great example

Do you know that Calhoun in early development had a camouflage ability, meant to highlight how she hides her feelings but was scrapped because it made her harder to relate to? Well, let's just say that Turbo's entire character is a What If scenario where that idea actually went through.

It's a double edged sword: King Candy is so interesting because he is so mysterious and surprising all throughout the movie, but exactly because he has to be so mysterious, he is not a character as easy to understand as some of the other villains from the company; it's incredibly easy to miss out on just how cruel he is and the full scale of all the damage that he has done.

I, AM, .......the twist villain.

There's also something to be said about how popular to the conversation the twist that King Candy is Turbo became.

Everyone loves this reveal, am I right?

It may not be the best moment in the movie, but my god if it isn't hype, all thanks to the music, the lighting, the setup, yada yada yada....

But the identity reveal scene is to Candy what the Genocide Boss Fight is to Sans: it's the most impactful moment about his character, to the point where it becomes the entire baseline where most discussions are built around, which, more often than not, lead a lot of people to overlook other things about Turbo.

Let me explain: how many analysis videos have you seen where the person making it talks more about the setup and subtle hints present in King Candy's earlier scenes that slowly build up to the twist and less about the events happening in it?

The reveal is amazing, don't get me wrong, but if Rando's video didn't come along to dive deep into King Candy's earlier scenes with the twist already in mind, the true impact of what Candy had been doing throughout the entire movie up to this point would have been lost on me, and I can imagine someone else feeling the same, as me, casual enjoyer of WIR, have been conditioned to think of Candy more for his well planned out surprise, rather than for how that surprise makes the character more engaging (I hope this makes sense).

I also want to mention this video ranking all the different twist villains from Disney and Pixar where CellSpex says that the Turbo twist is useless, since the movie doesn't do much with it afterwards.

Now, aside from the fact that CellSpex is clearly in the wrong and she's missing the point, I think this lack of reconsideration highlights that casual viewers care more about the Turbo plot twist than they care about Turbo himself.

But honestly, I don't believe people focusing too much on the twist is that big of a problem, more so, the problem stems when you want to use the twist... to discuss something else.

Now, I think it's perfectly fine if you want to use Turbo to explain why other Disney twist villains don't work, but when the villains that King Candy is compared to the most are Hans, Yokai, and Bellwether, you kind of start to think that he is only the best of the worst, and not an actual amazing antagonist in his own right.

It may not be a message that was intended to be sent, but it is something that may subconsciously cling to someone's brain, especially when you consider that there might be a huge audience of people who watch these videos because they saw Hans in the title (wishing for the video to bash him), and have seen Frozen, Zootopia and Big Hero 6, but have never seen Wreck-It Ralph in their lives, and they get all their knowledge of Turbo from them.

It's exasperating, especially when King Candy has way more in common with renaissance Disney villains than contemporary ones.

Yes, through technicality, he is a twist villain, but he's more so a hybrid antagonist to be honest.

And even worse than people just grouping up Candy with a bunch of morons, as I've just discovered by reading a comment from this Turbo Tribute, is that some people apparently despise him for starting the Disney Twist villain trend: even if he's leagues better than his competition, the simple fact that you can attribute some of the blame for the fall of villainy onto him, is enough for someone to despise him.

King of the Cy-bugs (feat Rockotar):

Very recently, I've rewatched Rockotar's video analysis of the first Wreck-It Ralph, and when he arrived at the "Welcome, to the Boss Level!" scene, I decided to analyse all the possible reasons as to why he (and possibly many others, such as, admittedly, myself) wasn't as entranced by it as basically any other scene from the movie, who he had been praising non-stop up until this point.

And I think I understood why: aside from the fact that this scene is only a setup for Ralph's sacrifice (and I wished the actual boss fight to be longer and more creative), the Boss Fight is less of a climax for Ralph's journey and more so a character study for who Turbo/King Candy is.

In my opinion, this is the closest we ever get to a "villain at rest" moment with Turbo because in every other scene of the movie, King Candy is always doing something, he's always active and we never see him doing anything that doesn't coincide with his role.

And, paradoxically to what I've just said about this being a "villain at rest" moment, in this scene, he is still doing something and being active in the plot, only that this time, instead of advancing the story, he's holding it back from its conclusion.

This scene simplifies Turbo's character to his most bare bone essentials: he's a short-tempered jerk, a power hungry murderer, a virus; it's all pretty interesting stuff once you take a sweet moment to break it down.

However, there's a point that I briefly mentioned before that I want to bring up; this creature that we are laying your eyes upon, is now three different people all at once, King Candy (anxious, quiet and manipulative), Turbo (short-tempered, competitive and spiteful), and now this Cy-bug hybrid.

To reiterate what I've said before, if you don't think about it for long enough, you aren't going to understand who either character is exactly.

Because that's the big thing: all of his facades, implied development off screen and reactions are so well constructed that at certain points, it feels like we're following two different characters simultaneously, which fits perfectly with the narrative that so called "real" Turbo died and now he's no longer himself, but...

I'm scratching the bottom of the barrel to bring up other possible points as to why this character is so underrated, and the lack of a clear identity seems like a pretty obvious thing to me.

But that's only two out of the three characters I mentioned; we need to take a second look at the Cy-bug form, who, in many ways, is simultaneously the thesis and antithesis of his character.

In particular, there's one thing I want to consider:

There's this theory made by somebody else that says Turbo, upon getting eaten by the Cy-bug, didn't take over the animal's conscience and control his body, instead, upon eating King Candy, the Cy-bug took upon himself his mannerisms, meaning that, according to this theory, neither King Candy nor Turbo technically survived the encounter.

If we accept this theory as true, then that means that even during what is supposed to be a character study, the character that the movie is highlighting may also be just as fake as the act that was put up until this point, meaning that, in a sense, we never saw the real Turbo in the movie.

He was three people at once.

(Yes, I've been spamming this image everywhere, and I'll keep doing so because I can)

In Conclusion:

Turbo is, ironically and unironically, an incredibly subtle character, and that makes it extremely easy for a lot of people to overlook and miss out on the most subtle details and characteristics that make him truly exceptional;

Him being so deceptive and mysterious helps and hinders his popularity, as some either love the mystery surrounding him, others fail to get a good grasp on who he truly is and become disinterested.

He is, by design, a building block, a puzzle to be solved, a character to piece together, that makes him so much fun!

But also, if you aren't interested in putting the pieces together, then he may not be up everyone's alley.

I definitely feel like the best thing that @randomalistic did in her/their video on Wreck-It Ralph was create an easy jumping point for new fans/casual watchers of the movie to get insanely invested over the story and characters;

I'm sure it was incredibly easy for many other people like me to focus only on the most talked about aspect of Turbo, aka the plot twist, and overlook all the other things that were not as much in your face as that; I was blinded by the spotlight, and it made it hard to see the genius that was put everything else;

Now, thanks to Random highlighting King Candy's cruelty and repulsive behaviour, my favourite thing about Turbo is how he weaponized the "disability" of a child to marginalise and persecute her, discriminating her for it all of her life WHEN HE'S THE ONE WHO MADE HER "DISABLED" IN THE FIRST PLACE.

This man, is so HORRIBLE, and he deserves to be publicly exposed for all the heinous s##t that he did, not just for being the best of a bunch of villains who frankly he shouldn't even be attempted to be compared to.

Anyway, I hope someone had fun reading this. I definitely felt like I started to write this with some really good ideas that I wanted to share, but in the end, I feel like they weren't all that interesting to begin with.

Feel free to share your own opinions, and have a great day!

[b1asho]

Nifty Navigation post!!

As you may have noticed, I have a little worldbuilding project. It's called Wreck Hounds, named because all these guys are metaphorically just dogs living in a junkyard of their own making.

Through some horrible cosmic coincidence, humanity only managed to meet extraterrestrial life by literally crashing headfirst into them, stranding them all in a pile of their own megastructure rubble with no hope of reaching their old star systems. The present setting is a couple hundred years after this Crash, with 7 species trying to coexist in the limited land that they've managed to make habitable:

Not in order, but here are the sophonts (dont worry they have clothes) and some other stuff:

-Humans (uhhh, still pretty rudimentary)

-Rossetians:

-Prectikar:

-Kixeli:

-Cerest: Drecu:

-Cerest: Sundyne:

-Muttreazik:

These are their official info posts, and have the tags on them to get you to any other art i made of them. I'll add other important tags later, such as for names of stuff and characters, but these are the only relevant ones right now :)

Other info:

Here's some maps (serviceable but a little outdated):

While I like adding a pinch of biology and realism, Wreck Hounds is by no means a hard scifi setting. There's powers and brain worms and a buncha other silly stuff that I want to have in there, so keep that in mind.

There are a few other important intelligences hanging around (particularly of the artificially created and evil space radiation consciousness variety) and some other important stuff in general I still have to introduce pbut I'll have to add them to this post when I get to actually making updated info on them!!

But IF you want to look at my deviantart which has ALL of the things I've drawn, including the now horribly outdated stuff going back to when I first started posting to social media, here it is ->

https://www.deviantart.com/blasho

(I'm very self conscious about it though XD)

[romana-after-dark]

Room's on Fire Masterlist

Dark!Santiago Garcia x Fem!Reader Dark!Francisco Morales x Fem!Reader Dark!William Miller x Fem!Reader Dark!Benjamin Miller x Fem!Reader

Summary:

Years after the world fell apart, various communities have established themselves, one of which is ran by four men who claim to be divine.

When they decide it's time to and heir to be born, they chose a virgin from their cult and make her their wife. Reader is offered a choice, of course. She doesn't have to marry them. But if she doesn't, the savior won't be born. She choses to become the Madonna. She is wed to all four of them, and moved into their home where her body is open to use whenever her husbands desire (free use au), in the hopes of getting her pregnant. It doesn't matter whose baby it ends up being, because they are all part God, so it doesn't matter... right?

Warnings for full fic, if anything is added or really emphcized it will be in additional warnings.

THIS IS A DARK FIC THOUGH SO BE WARY! I CAN'T PROTECT AGAINST EVERYTHING.

DEAD DOVE DO NOT EAT

DUB CON MOSTLY but there WILL BE NON CON. Major character deaths, forced breeding, physical abuse, brainwashing, manipulation, violence, gore, alcoholism/addiction, BIG OLE BLASPHEMY WARNING like this cult appropriates a lot of religious themes and they call reader their Madonna, Santi is called the Pope, like all that stuff. However, this is a cult so I mean. It happens. None of it are my thoughts on religion or meant to make fun of religion or demonize religious people. Disgusting views on virginity. Attempted rape outside the boys. T*m warning. Age gap. Creepy terrible men. Non-reader rape, dub con, violence. Covert incest, massive mommy issues, sexual abuse all around, past grooming by parental figure. no CSA but the victim isn't much older. some Bates Motel type shit. I cannot properly warn you for everything, without just telling the story but consider this a major warning that there are dark dark themes. No one involved here is morally clean, and who you perceive as the good guy cannot be relied on. Don't come to my story and say im romanticizing these things until at least the story ends.

Unknown amount of chapters right now.

Chapter 1: Pilot: Delta finds their Madonna Chapter 2: The wedding Chapter 3: Aftermath of the wedding FishBen: Symptom of Being Human Chapter 4: Pope is not pleased. Chapter 5: Jonah lore, Madonna gets through to Frankie Chapter 6: Madonna gains Frankie's heart, Santi is jealous Iris: Rey and Iris find pockets of time Chapter 7: Fun with Ben: wining Pope back Chapter 8: big announcement to the community

Non canon Frankie Madonna Chapter 9: Madonna’s blissful ignorance to the world around her. Chapter 10: There's a lot Madonna doesn't know.

Chapter 11: Things start to crumble around Madonna

Chapter 12: It's all too much for Madonna

Chapter 1 3: Santiago’s true colors come out

Chapter 14: Jonah tries to show the truth

Chapter 15: madonna begins to learn her power

Chapter 16: Frankie and Ben reflect

Chapter 17: Ben shows his true colors

Chapter 18: Iris makes her stand

Chapter 19: Jonah's chapter

Chapter 20: Frankie finally does something.

Chapter 21: ashes to ashes, dust to dust.

Bonus Content

not necessary for the series. Pieces in the main list are suggested as they add depth and sometimes small plot points.

"Can you peel my orange?" Jonah smut

Jonah Hanson character ai

ROF characters Star signs

Jonah x non-Madonna reader x Marcus flashback commission

Art

By @not-a-unique-snowflake-blog

By @survivingandenduring

Lil comic by @my-secret-shame

As I said, a lot of themes and dynamics ended up accidentally similarly to Watch Your Step by the amazing @charnelhouse Some was because that fic is what developed my characterizations of the boys. Some was totally incidental, like Pope and readers relation to art. It's different though, a much different series, but I wanted to tell y'all that she s PUBLISHING WYS AS A NOVEL NOW, Its called Cardinal Sin's and I'll link it right here!

How to keep up with the story!

Comment on this masterlist that you want to be tagged and I'll tag you in updates

Follow @romana-updates and/turn on notifications

Follow the tag Rooms on fire

THANK YOU FOR YOU'RE SUPPORT!

Please remember to reblog, and I love comments/asks, anon or not, and would love to see engagement and theories!

[muffinrecord]

Current Plans + Musings

I don't plan on playing Exedra to the degree I did for Magia Record, or playing it at all. Because of that, I won't be taking an active role in the community and archiving anything for it. Of course, if Exedra has like amazing gameplay and stories then this is all subject to change, but for now I think I'm done with phone games.

The two youtube channels will stay up and I'll check em periodically to make sure there aren't copyright strikes against the content. I've saved all my raw files, especially for the battle animations, so I can remake them in the future if the music ever becomes a problem for some reason.

Google Drive will stay up until Google rots away. I haven't recorded footage in a long time (as in stories, I do for the character doppels and such), but I'll upload things if they're sent to me.

Magia Union Translations still plans on translating things and making videos, especially leading up to the end, but also for after the game is over for whatever wasn't made in time. I'm not sure what form this will take in the future-- if it'll be manual captions added to the videos or not, but I know it WILL happen.

As for this blog, I'm not going to delete it or anything. However I'm going to be taking a step back. I'd like to say that I'll do liveblogs but I mean... *gestures at blog* I've been saying that for years and the only one I really did successfully was the Oriko one lmao. Ahhh oh well.

I'll have more words later, but it was really fun to be part of a fandom experience like this. I'm excited to work on my own original story projects though and quiet down a bit.

...

When I started this blog, I never expected it to have people actually read it. Or look at it. I just wanted a place to gush about how much fun I was having. I didn't even want to tag the posts with "Magia Record" at first because I was terrified people would be mean at me, haha.

But I'm glad I did. I made so many good friends through this game. I'm glad it existed. And it made me happy to have a place where people cared about what I had to say. Some folks actually got their news from here, can you imagine that? They had notifications turned on for this blog. My god.

Anyways, I'm going to be here for the next two months, and tomorrow I'll start reblogging fan projects and initiatives, plus general news. Maybe this blog will turn into a dumping site for art and fanfic reblogs, who knows. I might watch the remaining stuff and add various thoughts here and there.

Otherwise, you can find me on my main blog @malignmuffin, which only reblogs stuff (I don't talk much if at all there). I have another tumblr blog for my comic, but I think I'll reshare the name once I actually have content you can look at on it. It's pretty bare bones for the moment.

Actually it'll be funny if the end of this game is what makes me finally work on it again. I was in the process of working on it when NA came out, and it totally derailed me. Stopped writing, drawing, just focused on this silly little phone game. Now it's like those five years have gone by and I'm going back to where I started, except I think my lil comic is going to be a bit better than it was before. If I actually make it, that is.

If I ever do actually make my comic and start posting it, I'll be sure to update y'all here. hah

Anyways, thanks for being on this wild ride with me. The memories have been great, and I'm glad I had this experience, even if it had to end.