#final space texts

[soupysundae]

🐍🐍🐍🐍🐍

[sacchiri]

r/malelivingspace

[summerroseart]

Predictions for the start of Movie 4

First thing I thought of with the convo Sonic and Tom had in the trailer

"It's what's in here."

"My lungs."

"And your heart."

Quote used is from this scene:

[honorarypines]

Legend of Vox Machina + text posts

[aropride]

this post was a game changer for me. thank you ryan reynolds

[spocks-kaathyra]

how did you make those holy shit!!!

jfjskdk okay I'll take any excuse I get to talk abt this more

How I made my Cardassian prosthetics

Disclaimer: I'm no expert, it's my first time doing this!! All the resources I used can be found online. In fact, here's a playlist of all the youtube videos I followed, in case you don't want to read the whole post. You can pretty much make any facial prosthetics following these steps, not just Cardassian ones.

What you'll need:

Plaster bandages, plaster of Paris (a lot more than is pictured here), modeling clay, and liquid latex. You'll also need some things you probably already have around the house, like vaseline (or cooking oil), plastic wrap, wood glue, rubbing alcohol, q-tips, cotton balls, and setting powder (or baby powder).

Step 1: Face cast

The goal here is to make a plaster copy of your face that you can sculpt your prosthetics on, by covering your face with plaster bandages and then casting that in plaster of Paris. This is the video tutorial I followed for this step. There are many methods, and you'll find tutorials for all of them on youtube, but this is the easiest way if you're doing it by yourself, and it results in a perfectly useable face cast for our purposes. And, if you're cosplaying Garak like me, it's a great way to get into character by experiencing claustrophobia for the first time in your life!! (Jk it's not actually that bad. I lived.)

The video explains the process better than I could, but here's some tips I learned from doing it! Wear a shirt that you don't mind ruining. Go a bit closer to your eyes than I did here. When you're propping up your mask in a bowl, make sure you're not squishing any parts of it or tilting it! I ended up with a dent in the chin of my face cast because I accidentally dented the mask while I was casting it. And make sure you have enough plaster of Paris! I probably used 2-3 pounds for this part. Here's what I ended up with, before sanding or sealing it with wood glue:

Step 2: Sculpting

This is pretty self explanatory, but also probably the hardest part. Just use lots and lots of reference photos. I've got a pretty good stash for Garak, if anyone's interested hdjkfhk. I found that gifs made better references than still photos, since they give you a better sense of the 3D shape. You want to make sure you're using modeling clay that doesn't dry. You don't need any fancy sculpting tools! I used my trusty palette knife to get the small details, but you could probably accomplish the same thing with, like, a spoon and a toothpick. It depends on what kind of clay you're using, but you can dip your finger in a solvent to smooth out the surface of the clay and blend the edges into the face cast. I used rubbing alcohol, but I also heard people recommend acetone. Once you're happy with your sculpt, you can move onto the next step!

Step 3: Casting negatives

This step is technically optional. The video I followed also outlines an easier way that skips this step, by simply building your prosthetics directly on the sculpt. But casting negatives allows you to get a lot more fine detail, and a smoother finish on the final prosthetics, so that's what I chose to do. Basically, you pour plaster of Paris over your sculpt, and it hardens into a mold you can use to build your prosthetics on.

Again, the video explains it better, but some tips! If it's possible with your sculpt, do it in small pieces instead of the whole face at once. I did the chin, nose, and forehead separately. If you try to do the whole face, there's a greater chance of it getting stuck or breaking. Of course, if you were doing, say, Odo, then it might not be possible to do it in multiple pieces. Another thing to watch out for:

If your underlying face cast has any "undercuts," or places where it's, like, concave, then if plaster gets into those areas and hardens, your face cast and your negatives will lock together, and you won't be able to use either of them. For me I was worried about the sides of my nose and under my bottom lip. As long as those parts are filled in with clay, then you should be fine. It's okay if your clay sculpt has undercuts! You can see in the (shamelessly stolen) diagram that their sculpt has a lot of undercuts, but that's okay because the clay is soft and won't lock with the plaster, it'll just come off. The video I got the diagram from was also pretty helpful, even if it's meant for casting with different materials than I used. Here are the completed negatives:

Step 4: Making the prosthetics!

Now you have negatives! Your sculpt may or may not be intact, but if your negatives turned out okay then that's fine. This step is also covered in the video for step 3. Using a stippling sponge, foam brush, or q-tip, stipple thin layers of liquid latex onto your negatives. I found that a q-tip worked best, even if it took longer to cover larger areas. Make sure the edges are very thin, so you can blend them into your skin when you apply the prosthetics. Wait for a layer to dry before adding more latex on top of it, or you'll end up with fucked up results like I had:

(Left: first draft, where I didn't let it dry enough before layering more. Right: second draft. Much better!)

Build up bulky areas with pieces of cotton balls, then cover the cotton with a thin layer of latex. Emphasis on thin! It'll take forever to dry if you saturate your cotton with too much latex. This step mostly involves a LOT of waiting. When the latex is fully dry, brush everything with a liberal amount of setting powder or baby powder to prevent the latex from sticking to itself as you peel it out of the mold.

And now you have your prosthetics! You can tear away some of the excess latex at the edges to make it fit your face better. I ended up tearing away almost all of the edges around the eye ridges, so it would blend better and I wouldn't have to get adhesive so close to my eyes. Tear, don't cut! It'll result in a more natural edge that's easier to blend. This video shows how to apply prosthetics. Use whatever prosthetic adhesive you want! I used spirit gum because it's what I had on hand.

Now you can go forth and live out your lizard alien dreams!!

[ainawgsd]

I spent this afternoon and evening adding pockets to my favorite dress! I'm pleased with how they've turned out.

[miqojak]

Maybe I’m sick, maybe I’m fucked in the head Cause I’m not really scared of the consequence

Play with fire and you’ll get burned Everybody rolls the dice and it’s your turn

You put the gun to your head - all I did was pull the trigger So don’t ask for my pity when I’m not the only sinner

[sparklecarehospital]

second set of ship designs stickers arrived :3 (just now seeing them today cuz i was on a trip but im home now) sharing soon when i can get a nice picture! some of these ships are heavily underrepresented so get excited!!!

[the-indie-owl]

I will never legit get over on how Bolok's Pet Fish looks like Slappy Laszlo.

[blue-mood-blue]

What if Hua Cheng had memorialized the temple?

I don’t think he did, canonically. I imagine that was a memory he wasn’t keen to linger on, especially not to such an extent as to record it, to hover over the details in his mind and commit it to physical imagery. But I could see where he might - maybe catharsis, so that night can exist somewhere outside of his head. Maybe twisting, spiteful justice, so the world won’t be allowed to forget what it did to his god. Maybe just desperation, to record every shard of Xie Lian that he has in an effort not to lose a single piece while he searches.

It wouldn’t be graphic; I think it would be something more stylized, more symbolic. Xie Lian is tied to his own altar. He has replaced the divine statue that should be there instead, the god made present the way he was for Hua Cheng once, the way he was for all of his people once. He is surrounded by blades, but they aren’t piercing him yet. Hua Cheng can’t do that to him even in paint. Bai Wuxiang is not featured, because Hua Cheng would not force any version of Xie Lian into that monster’s presence, but there is a ghost fire hovering near. There is a small, crushed flower on the ground at the foot of the altar, like it was dropped from the Flower Crowned Prince’s hand moments before. The entire tableau holds its breath in the anticipation of something horrific.

It’s painted in a shadowed corner, with a cloth hung in front of it. Not out of shame, or even because of Hua Cheng’s own trauma - out of respect for the prince’s privacy, unwillingness to make a moment of such incredible, painful vulnerability a spectacle to anyone else without the prince’s say-so.

That doesn’t stop Mu Qing from finding it.

Mu Qing, who was already horrified, Mu Qing, who was looking for Xie Lian to drag him out of the caves immediately because he’d seen a statue that suggested things he would rather not think about in regards to his former prince… Mu Qing brushes the curtain aside in that tucked-away corner and stops.

A hundred blades are pointed at His Highness. A hundred faces leer and sob and stare. And Xie Lian sits at the center of it all, head lowered, waiting for the slaughter.

Is it so unreasonable that Mu Qing takes it for a threat? Is it so unreasonable of Mu Qing to drag Feng Xin to what he’s found, for the both of them to slip an arm around each of the prince’s own and pull him away from wherever that altar is somewhere in the complicated network of twisted, obscene worship? That thing painted on the wall - it can’t have ever happened. They would know. Mu Qing and Feng Xin, who spent every day of their early lives with the prince, beside the prince, trailing along behind the prince… they would know. They would have been there; they would have prevented it. This is the fantasy of a ghost king who laid ruin to thirty-three heavenly officials and found his thirst still unslaked.

(Mu Qing does not consider the eight hundred years of Xie Lian’s life he knows nothing about. Feng Xin does not consider the eight hundred years of Xie Lian’s life he knows nothing about. It’s a habit they’ve grown skilled at, over eight hundred years.)

They don’t explain to Xie Lian, so Xie Lian has no opportunity to explain to them what they saw. And Mu Qing isn’t wrong, when he concludes that Xie Lian has been stalked and watched and hunted since he was seventeen. He isn’t wrong. He just doesn’t know, yet, what direction the threat is coming from. There’s no time for anyone to tell him, or Feng Xin, who tied the restraints and provided the sword.

They’ll find out. Masks are made to be removed.

[summerroseart]

It a little bit of a slow start lol

[Part 1: Prologue] . . . Part 2 . . . [Part 3]

[Master Post]

[honorarypines]

Final Space + text posts part 2/?

[omegalomania]

i dont know how to get my own au out of my head so heres two more reference sheets (you can find the others in this tag)

[rad-roche]

oh my god i'm having thoughts. i'm having timeskip design thoughts

[rubenesque-as-fuck]

Anyway I got notified that I'll be getting a nice $$ bonus from work today and I wish that I could celebrate with someone in a way that didn't just feel like obnoxious bragging. Like beyond the financial aspect, it's just nice to be recognized for good work and I actually feel... good?? about this job??

But it feels so silly to say I want to celebrate when I just got back from what felt like my first real vacation in a very long time and am doing cool comic con stuff this weekend and am scheduled for a new tattoo next weekend. I am already doing lots of things to try to make myself feel good! It feels selfish to want more!

But I guess even with all of that, there's just still a hunger for external validation from trusted sources. Will I ever grow out of wanting someone to be proud of me?