#film: we live in time

[dcbicki]

WE LIVE IN TIME (2024) dir. John Crowley

[sersh]

FLORENCE PUGH Hair styled by Adir Abergel ahead of the premiere of 'We Live in Time' at the Toronto International Film Festival, September 6th 2024

[unholy-fabray]

hey. if you are a queer/trans person who is feeling hopeless and overwhelmed by the election results, i just want to tell you this:

we have existed as long as humanity itself has existed. through every monarchy, every presidency, every dark age and revolution, queer people have existed. we have survived and lived and thrived and loved. in the face of an unwelcoming society, we have always carved out our own niches where we can find community, strength, and peace.

we survived 2004. we survived 2016 and 2020. we will survive this, too. i promise you.

please stay safe, take care of each other, and if you ever feel like it's over - i suggest reading about our queer elders and ancestors who lived through time periods that were even more dangerous and hostile. i always find strength and solidarity in their stories.

but most importantly: hold onto one another, build each other up, and love one another. we will get through this.

[sincericida]

ANDREW GARFIELD and GRACE DELANEY

attends the Headline Gala screening of "We Live In Time" during the 68th BFI London Film Festival.

(X)

[mdnet]

Meet cute. // WE LIVE IN TIME. (2024). Florence Pugh & Andrew Garfield.

[elennemigo]

Benedict Cumberbatch | We Live in Time premiere | London Film Festival | October 17, 2024.

He is executive producer for his London-based company SunnyMarch.

[trek-tracks]

Okay, hear me out. TOS 4 is the time travel movie. So AOS 4 is the time travel movie, but it's not about whales.

It's about a conversation AOS Spock had with TOS Spock before the latter died, when TOS Spock mentioned that things didn't really go irrevocably wrong in his universe until Admiral Kirk disappeared with the Enterprise-B. AOS Spock wonders what repercussions this has had on his own, somewhat more distressing universe, and when the AOS Enterprise bridge crew finds itself assigned to protect Earth by examining an unstable temporal ribbon that seems to be crossing through the galaxy--well. Spock wonders. Is this the Nexus? They find out soon enough that it is. And since Spock's the first one in, technically, the Nexus gives him what he wants, which is what the Nexus has--the ability to cross universes as well.

Now everyone, out in two groups on separate missions has to resist succumbing to the temptations of the world of the Nexus while they try to rescue Admiral Kirk, making sure his mission is still completed (so as not to destroy anything for the TNG folks' reality) but that he survives, so that they can figure out how to get through the Nexus and pop him back in his universe right as he's supposed to leave on the Enterprise-B. AOS Spock is sure he can figure out those calculations somehow. Some of the temptations are funny, some are sad, but we find out where Uhura and Sulu and Scotty are in their lives, and where they want to be.

Like Spock got to meet TOS Spock, TOS Kirk gets to meet Kirk (and Spock, and McCoy, and eventually the rest of the bridge crew). AOS Kirk learns that the life he's been envious of all this time didn't turn out well in the end because TOS Kirk ran toward duty alone despite what he had, and TOS Kirk learns that a) he could have suffered so much more loss, b) he's just one of a set of infinite possibilities, just like AOS Kirk is, and c) he's been wasting eternity exploring those other possibilities of happiness in the Nexus when he could have been content with what he already had.

He finds out what happened to TOS Spock, and it's agonizing. He sees this weird young Spock and Bones, both of whom could bench-press him, and he misses his Spock and Bones so much that the Nexus starts trying to change the fantasy world, to their detriment. It's only when the crew sticks as close as possible together and all concentrates on wanting the same thing that they're all able to shift the Nexus to their goal. Then Picard shows up. Things get complicated.

We hear, from Generations: And in the end, what did it get me? An empty house...Not this time.

and from Star Trek V: I knew I wouldn't die because the two of you were with me.

I thought you said men like us don't have families.

I was wrong.

TOS Kirk decides that, yes, he wants to leave, and he wants to go back. But they're not entirely sure how to line up Picard's plan and TOS Kirk's plan and the AOS plan and have it all work. It's a lot to figure out.

To simplify things, AOS Kirk decides he's going to volunteer to go die in TOS Kirk's place so that they can return TOS Kirk and at least one of them will have a decent ending, because his own life still feels so uncertain. This seems like it's going to work until his Spock and Bones both read him the riot act. But it's Bones who really goes off.

Karl Urban gets a great speech as Bones about how both Spock and Kirk met their counterparts, a chance which he will likely never be afforded and neither of them learned anything from it. Spock went off and punctured the walls of a universe even though TOS Spock indirectly destroyed AOS Vulcan through it. Kirk is trying to run away and die again because he doesn't know what to do with himself, even though TOS Kirk had an unhappy ending to a good life because at the end he ran away and tried to die again. Bones just tries to pick up the pieces. You don't fix things by tearing them apart, and you don't fix them by tearing yourself apart. You fix them by healing the rift. AOS Kirk's eyes light up. They're going to fix the rift.

They're going to give this random meaningless villain what he wants, throw him into the Nexus, he can have infinite joy, then they're going to seal it and heal it.

After all, AOS Bones says. He had a drink with TOS Kirk at the man's insistence, even though the Saurian Brandy didn't taste like anything, and Kirk told him he could cure anything from a rock to a rainy day. The tasteless brandy? Apparently Bones is the person who can actually perceive that nothing here is real, so he doesn't want anything except for everyone to remain safe.

From Beyond: Better to die saving lives than to live with taking them. 

Bones says: Better that no one dies at all. This time, no one dies.

So TOS Kirk and the Bridge crew go with Picard to subdue Soran and honestly, it's not that tough with all of them. Nobody had to die. And as they fix the rift, with TOS Kirk and Picard's Enterprise about to be thrown back into their universe on one side and the AOS Enterprise into theirs on the other, Picard suddenly realizes that he never clarified how they were getting Kirk back to his own time. And how will they explain his status?

TOS Kirk grins. Good thing I know how to slingshot around the sun, he says. And when they report me missing, I'll just say I didn't go in the first place. Clerical error. Who are they to argue with an alive man?

AOS Kirk has so many questions, but the two of them merely salute each other, and then they're thrown back.

Back in his own time, TOS Kirk walks into a Starfleet Academy apartment, and hear him say:

Bones, I heard you got laid up with Andorian flu and Spock was taking care of you, and this I just had to see! How many hypos? Don't let him talk you out of any, Spock. They're all important, every single one, even ones he hasn't heard of.

A pause.

Yes, I know I said Starfleet needed me. I just thought maybe you two needed me more this time.

Back in the AOS universe and Spock's calculations are totally off in getting home, because he didn't account for the gravitational pull of--

Vulcan. The planet that apparently still exists.

TOS Spock still came into their universe--he was always going to live longer than his ties to his Enterprise family. But his actions had been tempered, less destructive, which had clearly resulted in the Enterprise being able to save the planet. They were going to have to find out how.

Not everything had changed, of course. Nero had still been Nero, they had still come together. But Jim only vaguely remembers dying, now, as though it had happened to somebody else. He feels more settled than he ever has before. Some of that's the time travel revision, and some of that's the meeting with his alternate self, and some of that's Bones' yelling. Spock feels a sense of closure. Bones is just relieved that nobody died this time.

Uhura suddenly and quietly alerts them to the chronometer. It's a week before they left, which means there are now two Enterprise bridge crews on Earth, and that they need to lie low for a week to avoid running into themselves.

What should we do, Captain? she asks.

Jim smiles.

Let's go to Yosemite.

[bethsvrse]

I think I’ve seen this film before and I didn’t like the ending

[cumberbatchcom]

[GALLERY UPDATE] Benedict Cumberbatch at the 'We Live In Time' headline gala during the 68th BFI London Film Festival. LINK

[poirott]

Benedict Cumberbatch at the 'We Live In Time' London premiere → October 17 2024

Executive producer Benedict Cumberbatch joined the cast and creatives on the red carpet at the BFI London Film Festival.

Source: GettyImages.com (alternate), britishfilminstitute Instagram story (alternate)

[everytaylorswiftsongisaboutcats]

[kacievvbbbb]

I need someone that believes in magic to get ahold of Batman again. He is an overly serious man that runs around in an admitted bat suit fighting a gimmick rouge gallery. And he is doing it because he sincerely believes in a better tomorrow and somewhere along the way we have lost the plot. Batman wasn’t created to punish the guilty that is actually completely antithetical to his beliefs he is not the fucking punisher.

Batman just like wonder woman and Superman primarily wants to save people! sure he doesn’t do it in a sunny way but that is still what drives him. Hell he even goes a step further and actually builds a case he’s not just waiting for criminals to commit the crime he is shutting down smuggling and trafficking rings foiling plots he is a detective! For Christs sake it’s what made him so unique and fun as a superhero.

Also His desire to save people is literally what compels him to adopt Dick, Jason, Stephanie. Cass because he wanted to give these kids a chance, to save them in ways 8year old him wasn’t. Someone who just wants to punish the guilty wouldn’t do that, And now they have turned him into a borderline physically and emotionally abusive absentee parent all in the name of making him an edge lord. Where is the heart! Where is the fucking heart in it all! Where are the kids and the bright colors and the zaniness. Let Batman and Gotham be FANTASTICAL! I’m tired of the greys and the browns.

I’m tired of “grounding a story” meaning sucking all the joy and color out if it. Also superhero stories don’t need to be grounded in your fucking abysmal reality they are literally superheroes they exist outside of reality, let them!

A story does not have to be joyless to have depth and it does not have to be nihilist to be compelling.

I am sick and I am tired of it. 😔

[leavemeslowly]

I have just read a fully professional, almost academic, research article written by a grown man on the Chicken Shop Date with Andrew Garfield.

Yes, Amelia and Andrew’s levels of chemistry are actually being studied

[space-sheep08]

Actually so tired that people mainly focus on the bdsm when they talk about La Pianiste when we literally have this dynamic right here. Like, that's insane.

What if you were a little girl in her 40's who couldn't grow up because of your mother-wife who made you sleep in her bed and forced you to repress every sexual desires and thoughts of becoming your own person just to keep you close to her ? What if you fought back and yearned for dangerous things out of her reach ? But also, what if you let her because it's all you've ever known and been taught to want ?

[sincericida]

ANDREW GARFIELD and FLORENCE PUGH

at the Toronto International Film Festival 2024 for "WE LIVE IN TIME".

(X)

[luckydiorxoxo]

Florence Pugh for ‘WE LIVE IN TIME’ press.