#film: we grown now

[blackinmotionpictures]

WE GROWN NOW

dir. Minhal Baig (2023)

Two young boys, best friends Malik and Eric, discover the joys and hardships of growing up in the sprawling Cabrini-Green public housing complex in 1992 Chicago.

[funpuddle]

I hate you if youre fully grown and watch gore of real humans and think that's normal or cool

[fuckyeahwomenfilmdirectors]

We Grown Now dir. Minhal Baig (2023)

The coming-of-age story follows Malik and Eric, best friends facing changes to their community in Chicago’s misunderstood Cabrini-Green housing complex.

[trendfilmsetter]

Happy May! Here are all the top theatrical movie releases coming out this month.

[phantastragoria]

Not sure if it's okay to send you this ask but I actually feel the same way you do about the end of vol 3 and I've been feeling pretty alone about it. I haven't said much because I don't want to seem like I'm being mean about the movie. I think my issue is the team hasn't spent years and years together. Most of them were snapped for 5 years. When they came back Gamora was dead and then Peter was clearly left suffering and dealing with the trauma for a while. I can live with the idea of "we've all grown to need time apart and want to do our own things" but I don't think the build up and execution was there. Not just for those on the team but also 2014 Gamora who was literally just coming back to the story and finally getting to see who these people were and what her life was once about. Then it's over and it doesn't feel like enough of a resolution. I also don't love how Gamora was treated which is a whole other topic but I disliked how it seems like there hasn't been any issue with her death for anyone but Peter. There doesn't even seem to be any memories of her lingering with the team. I have so many thoughts around this that I'll be thinking about it for a while but man, she was murdered by her abuser and most of her family are victims of abuse and I dont think the aftermath has been handled very well at all. Mostly I think there needed to be another movie In between Endgame and vol 3 to hash out what happened in Infinity War/Endgame and to progress some of the characters more and build up to the more Rocket focused ending where they all part ways. Or vol 3 needed to not be quite as focused on Rocket. Not saying he shouldn't have the most focus, just scale it back a little because other things desperately needed attention.

Oh it's absolutely fine to send an ask about this!!! I'm always up for a discussion, and honestly, it makes me feel better that I'm not the only person not completely happy with the ending, solidarity my friend.

I want to preface this all with I DON'T hate the film, and I thought it was way better on a 2nd viewing, but I really don't think it's a crime to criticize it because nothing is perfect (Vol. 1 + 2 aren't either) But Vol. 3 really has some deeply ingrained issues that should've been dealt with, or at the very least acknowledged, because as it is they really stand out, especially on a second viewing or if you've marathoned all the films together, and they literally drag the film down.

Gunn said on Twitter in response to something that he wanted Vol. 3 to be able to stand on its own without the viewer needing to have seen the other films (and by extension IW+EG) but that is so unhinged when it's literally titled as the third in the series at this point lol. Like it's extremely weird to have let IW+EG affect the Guardians as much as they did and then not even try and deal with the aftermath of it all in the last film featuring (almost) everyone together... ???

He's made it clear Rocket is his favorite and that he only came back to do Vol. 3 because he wanted to finish his story, I don't doubt that's true even if I think having a single character be more important than the others is the wrong choice and leaves the whole story as a trilogy a bit lopsided. But even so, if that's the case then it's crazy to not even have Rocket's thoughts on all of these things that've happened in the last decade as if it wouldn't be traumatic to lose your loved ones for years, and how hard it would be to readjust to life after it all. I kind of can't see him letting everyone leave so easily at the very end, especially after he almost died, so I'm just left feeling confused at the choice at best and vaguely unsatisfied at worst.

Maybe Gunn didn't have as much control over their appearances in IW+EG as he says he did. Maybe they really did completely derail the road to Vol. 3 and he just won't admit it, but the film as it is doesn't help in any way by pretending nothing there happened at all. I don't see any logical reason for the audience to just go along with "For some reason Gamora left, she might've died but also maybe not, who knows. Peter is sad and the rest of the team want to move onto something else. " and then the only hint at that last part is... Mantis telling Peter to go see his grandpa, so that leads to everyone else having a change in goals too, huh. I know it's not meant to be forever, and we're to assume everyone keeps in contact with each other, but the ending really makes it feel like no, we'll never all be together again, so bah.

And concerning Gamora, I agree with what you've said. I could write an entire book with my issues of her overall treatment in the narrative and the implications of her character from the comics getting adapted like this, but I'll spare you the speech and just say the TLDR is everything starting from IW onwards concerning her (the specific framing around her murder and then time travel bringing in 2014-Gamora, and the complete lack of acknowledgement about either version of her from the rest of the team) never should've happened. It's all such a mind-boggling choice, I can't get over how much of an afterthought Gunn made her at the very last minute.

It's funny you mention the need for another film to deal with the emotional fallout of everything post-Vol. 2, because absolutely, but they kind of had the chance??? I realize the Holiday Special isn't film length and is meant to be the calm before the storm of everything that's to come, but in a post-Vol. 3 world I can't stop thinking about how it was SUCH a missed opportunity to not have that be the sobering moment for the characters to talk about everything that happened in the years everyone was snapped. It could've even been the perfect time to plant the metaphorical plot seeds of everyone wanting to go and do their own things after what happened because they just can't make life feel the exact same as it was before, and understanding things can never be the same after something like that.

Even the last lines of the song used in the Holiday Special feels more appropriate for the Guardians as a family struggling to keep it all together (and trying to deal with the sudden loss of Gamora) than it relates to Peter and Yondu, in my opinion.

I would have preferred a more out-there story in general, something to give everyone equal stakes in the plot, but I do think Vol. 3 could have stayed overall the same if any of this was addressed or even mentioned in one or two lines of dialogue somewhere. Because as it is, it really feels like we missed something important between it all, but we didn't from what we we've been shown. I don't think it would have killed Gunn to include a quick moment where someone just says to Peter "I miss her too and I get everything's been way harder lately, but you can't let it grind your life to a complete halt like this." or something!! ANYTHING!!!

And if we absolutely had to stick with the time displaced Gamora plot... When she was snooping around on the Bowie by herself i dont get why she didn't get to see some old photos or something of the team during happier times (including 2018-Gamora specifically) and realizing that they really are going so far to save Rocket because they genuinely love him, and once upon a time they loved her too. 2014-Gamora getting to see the life she very nearly COULD have had within mere hours in her own timeline (without the threat of Thanos ever taking that away, mind you) but having to come to terms with the life she's made with the Ravagers in the present day. That would've been a more appropriate arc for her, I think, then her presence in the story wouldn't have had to only center around what Peter lost and nothing else and we'd at least get the idea that the others still had her on their minds even if they outwardly "moved on."

But also? Another missed opportunity to not have a moment when 2014-Gamora is in a battle with the other Ravager leaders mirroring the hallway scene with the Guardians that could have been when Peter (and the audience) "get" who she's currently more comfortable with in a basic sense, but... you know... it is what it is or whatever.

[reggieponder]

Christina Lane talks about Black Perspectives slate of movies at the Chicago International Film Festival (CIFF)

I got a chance to speak with Christina Lane who programmed the Black Perspectives slate of films for this year’s Chicago International film Festival. Movies like We Grown Now, Rustin, All Dirt Roads Taste of Salt, Bike Vessel, Banal & Adama, American Fiction, and Stamped From The Beginning just to name a few. Reggie Ponder speaks with Christina Lane about Black Perspectives @ CIFF

[oldfilmsflicker]

new-to-me #659 - We Grown Now

[hella1975]

daily song rec! mr and mrs smith by the stereophonics

[pynkhues]

did you watch Nope?

I haven't seen it yet! It's been on my list since it came out, but my movie watching's been really scatter shot the last few months unfortunately due to family and work stuff.

I'm having a movie night with my sister and nephews tonight though, so I'll see if she wants to watch it after we put them to bed.

[trans-poppy]

ohhhhhhh my god. ohhhhhhh my god. ohhhhhhhhhhhhhhhh my god.

[thenerdsofcolor]

Jurnee Smollett Discusses ‘We Grown Now’ and Working Behind the Camera

NOC Interview: Jurnee Smollett Discusses ‘We Grown Now’ and Working Behind the Camera @jurneesmollett #WeGrownNow @sonyclassics

Jurnee Smollett executive produces and portrays Dolores in We Grown Now. You can currently see the film in New York, Los Angeles, and Chicago theaters and it will later be released nationwide on April 26. Continue reading Jurnee Smollett Discusses ‘We Grown Now’ and Working Behind the Camera

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[bluetimeombre]

・❥ ‘Are you Hugh down under?’

You and Hugh were the stars of the biggest movie, Wolverine and Ladypool, and fans love the two of you.

[not proof-read, some sexual innuendo, just Hugh being hot af]

part two

You and Hugh Jackman being in love for twenty-five minutes (part one)

Puppy interview

Did you take any props home with you?

'Yea, I took Hugh home,' you said, letting a puppy climb over you and onto your shoulders as Hugh laughed. 'In his suit as well.'

'In the suit,' he said, stroking the puppy in his lap.

'Yep. Great in the house, goes with all my furniture. He's well trained.'

Hugh nodded, enthusiastically. 'I'm not toilet trained, but I'm trained in other ways.'

You raise your brows and the crew laugh. 'I want to know what the other ways are now.' You smirk.

Hugh smirked back, shrugging his shoulders as he held up the puppy. 'Well, maybe you'll find out.'

What was your favourite scene to film?

'Any scene with the incredible talent sitting next to me,' Hugh started. 'Every scene was such fun and never felt like work when I got to work with her. I've never had so much fun playing a character. The whole movie at first, you know, the idea was up in the air for me about coming back but just to get the chance to work with such a talent- an honour and a privilege and I can't wait to do it again.'

Your lips pout into a smile as you listen to him. You focused on Hugh as he smiled at you. 'My favourite scene to film was when I touched his abs.'

He laughed.

'No, seriously it's been a dream of mine to work with Hugh and I can't talk about it too much cause I'd probably get emotional and that'd be embarrassing. I've grown an emotional attachment to him now,; you added.

Hugh looked around at all of the puppies. 'Is there more puppies here than usual?'

'Oh yea, there's more!'

'Someone's been making out,' said Hugh.

'Not us,' you said, leaning over.

He laughed. God, he was always laughing with you.

With Alison Hammond

The two of you sat next to each other, legs bumping into each other repeatedly to tease each other. At times you'd just throw your leg over his thigh and he'd bounce his leg. (Fans ate it up)

'Alright you two,' said Alison.

'Sorry,' you laugh. 'He's taking up too much space.'

'The Wolverine spread,' he said.

You laughed.

Alison gave her a loud laugh. 'Well, is it true, Hugh?' she asked. 'Are you huge down under?'

The three of you laughed, rocking back and forth and hitting your knees.

'I started the rumour,' you said. 'So, take that as you will.'

Hugh showed Alison his shoe as she fanned herself off.

You took another card she offered you and fanned yourself off as Hugh sat back, throwing his arms behind his head.

'So, we should probably talk about the film,' said Alison.

'Let's just talk about Hugh,' you said, leaning back just like he was. 'Ever won an Oscar, Hugh?'

He pulled a straight face at you.

'Now, can I say, Y/N, this is a bit awkward as usually it's just me and Hugh. Last time we had a date, so I've brought champagne, but only two glasses,’ she pulled off the cover that showed off the bucket.

'I'll take the bottle,' you said, reaching over the two of them. 'I can leave you guys, don't worry.'

Hugh grabbed your arm as you tried to leave. 'No, no, you can be our mediator.'

'Your intimacy coordinator more like,' you said as Alison laughed. 'I've seen how these interviews go Alison, I've never had Hugh feed me chocolates.'

Hugh reached over the table as Alison talked about 'a throuple' and he opened the box of chocolates, throwing away the thin layer of film covering them with his teeth. You only realised what was going on seconds before he fed you chocolate from his mouth. You tried to stay calm the closer you got and took the chocolate, chewing down happily.

'Feel like I'm interrupting something,' said Alison.

You stole the box from Hugh. 'Your turn, Alison!'

'So how tough was it working with Hugh, Y/N?'

You slapped your thighs dramatically. 'The toughest ever. You know sometimes I'd actually have to look at his face and I mean, have you seen this-' you frame his face, holding his chin. 'How can I work with this?'

He stuck his tongue out.

(Almost this whole interview was the two of you flirting)

Hot one's interview

'You're watching hot ones. It's the show with hot questions and even hotter wings. Today we're joined by Y/N and Hugh Jackman, the stars of Wolverine and Ladypool.'

'I only let Wolverine come first so we could use the greatest showman in the movie,' you said. 'For Hugh.'

First wing and first question.

You and Hugh cheers with Sean before taking a bite. You nod, 'Good wing, subtle, nice.' You went in for another bite, surprising them.

'Oh, you're going for another bite,' said Hugh, eyes watching your lips (comments couldn't let it go).

'Yeah, I like things hot,' you tell him, giving him a dramatic wink.

'What was the movie that you watched of each other that made you realise you needed to work with each other?' asked Sean.

'As soon as I saw the first Ladypool,' said Hugh. 'I knew these two characters had to be together on screen. I was like these two characters had to be together and I'd literally announced my retirement three days before.'

'Mine was probably when I saw the first ten minutes of Australia,' you said, referring the first ten minutes in which he turns up shirtless and sweaty. 'Knew I needed to see it real-time.'

Hugh huffed out a laugh.

'Or Logan. That was, a masterpiece of a film.'

The next couple wings went down well, getting through the questions. It was the fifth when things started to get heated.

'Yep, that's a step up,' said Hugh as he went for the milk.

'Can you recall the most takes you've had to do for a scene requested by a director?' asked Sean.

'Our steamy scene in the car had quite a few takes,' you said, Hugh agreeing with a nod. 'Kept messing up, you see,' you said, winking.

'That was a difficult scene,' said Hugh.

'Why cause you had to kiss me?'

Hugh shook his head. 'That was the easiest part, I'm laughing, I'm not crying cause of the heat. But doing some of those... positions we had to do in the car, it was hard to work around.'

'I got cramp in my leg.'

He laughed loudly at the memory.

The next wing messed the two of you up, the heat creating sweat. All Hugh could do was laugh and you laughed at him as he went red.

'Look, look at this!' Hugh puts his arm up, showing his bicep.

'What am I looking at? Your raging muscles?' you ask, looking closer.

'No, the sweat.'

'Oh, sorry I was distracted.'

On the next wing, Hugh repeated he took too big a bite, how it was too big and all you had to do was give him a look with raised brows.

You and Hugh take a lie detector test

First hooked up was Hugh, you watched in glee as ties were wrapped around him.

'This is a new kink,' you said, smiling all too widely as Hugh laughed at you.

You started by asking him some simple questions that were easy answers, like his name and where he was born. 'Are you really Australian?'

'Yes.'

You looked to Louis. 'Tell me it's a lie.'

'Truth.'

'This Australian bit has got so far,' you say.

'You love it,' he said.

'We'll find out when I'm hooked up.'

'How you seen all my movies?' you asked.

He thought for a moment. 'No.'

'Deceptive.'

The two of you looked at each other with amused looks and big eyes. 'You can tell me you've seen them all, you can be a fan, I don't mind.'

He shrugged. 'Maybe I have.'

'You're a fan it's fine.'

'I'm wearing my I heart Y/N underpants today,' he said.

You looked wide-eyed and hopeful at Louis.

'Deceptive.'

You cheer.

'In 2008 you were said to be the sexiest man alive-'

'Said to be,' he scoffed. 'Pretty sure the right word is elected.'

'The question is how many copies of the magazine do you have?' you asked.

'How many do you have?' he threw back.

'I'm not the one on the fucking monitor right now.'

'A standard of fourteen hundred?'

'Is there any more to life than being really, really, really, really, really ridiculously good looking?' you ask, leaning back in your chair. 'That's not on the cards, I just want to know.'

'No.'

'Truthful.'

The two of you cackle. After a couple more questions it was your turn to swap. Hugh took delight in seeing you get tied up.

'Starting to sweat a bit,' you said. 'This really is scary.'

'Yea.'

Again, Hugh started off with some simple questions.

'Last one,' he said. 'Are you single?'

You pulled a straight face as he turned red and watched you. 'Yes, I am. Thank you for reminding me of that fact, Hugh.'

He shook his head. 'Don't worry, we can change that, we can change that.'

'Only if you're offering, bub,' you tease.

'Would you rather have had an Andrew Garfield Spider-man team up than Wolverine?' he asked.

Your jaw dropped as he showed you the question on the card. 'That's not fair I love spiderman and Andrew.'

'But do you love him more than Wolverine?' asked Hugh, feigning seriousness. He waited as you thought about it, head in his hand.

'True,' you said.

'That's a lie.'

'Ha!' Hugh shouted.

'I've shocked myself, man, I must really fancy you,' you said.

Hugh slid over a paper, showing you a picture of Channing Tatum. 'Do you think he would make a good Gambit?'

You try to act cool, he was already in the movie and Hugh knew it. 'Yes, I think he would. It's a shame his movie wasn't made. I feel bad for the guy.'

'Truthful.'

You pick up the picture. 'I love this guy, he's a great guy,' you stare down at the picture, 'He'd made a great Wolverine. I mean, I'm just getting lost in his eyes right now, looking at him.'

Hugh reached over. 'Ok, enough of that,' he took the picture and ripped it up, chucking it behind him.

You and Hugh at the premier

The camera snapped shots of the two of you wearing each other's colours. You were wearing a shimmering golden outfit while Hugh wore red. You had agreed to swap.

The two of you took pictures together, his arm wrapped around your waist, yours going between reaching up to hold his shoulder or holding his hands. You didn't stop for many interviews together, but you spoke a lot on the carpet. That tiktoker, the one good at reading lips had a field day on tiktok when she worked it all out.

Hugh: 'You look great in yellow, you know.'

You: 'You should see the colour of what I'm wearing under here.'

Hugh smirked and laughed. 'You look beautiful tonight.'

It was your turn to blush and tug him along the carpet.

[matchingbatbites]

"What the fuck did you do?"

Eddie wasn't expecting hostility when he answered Jeff's phone call, his best friend's usual calm demeanor replaced with open annoyance. And yeah, okay, the annoyance itself wasn’t new, but Eddie doesn’t think he’s actually done anything recently to earn it.

"Well-"

"Actually, no. I'll tell you what you did. You retweeted photos of Steve Harrington - internationally beloved heartthrob actor Steve Harrington - along with the caption 'not to sound like a subby slut but GOD I would be his puppy baby boy in a heartbeat'. So I guess the better question is, what the fuck were you thinking, Eddie?"

Eddie's jaw clicks shut because- yeah, he had done that. Had seen those photos of Steve smoking circling the internet and spent god knows how long just staring at them, had curbed the desire to shove his hand down his pants by posting a single thirst tweet about it.

“I was thinking, Jeff, that I'm allowed to post whatever I want to my private fucking twitter, man. I mean it's a free country, isn't a guy allowed to make a horny tweet about a sexy man every now and then?”

“You are, when you actually post it to your private account and not our award winning band's main account.”

No. Oh no. There's no way Eddie actually-

He rips his phone away from his face to open twitter, and realizes two things simultaneously. One, Jeff is right, he had posted it to the band's account. Not on his private, locked, personal account, but on the account that's actually open and free for literally anyone on earth to look at.

The second thing he realizes is that their notifications are currently flooded with responses to Eddie's tweet, somehow racking up into the thousands in the few hours it's been since. 

Jesus Christ.

“Eddie?”

The metalhead jerks back into the moment and put Jeff on speaker so he can scroll through the horde of replies, says “Fuck, I fucked up. Are we gonna have to do damage control on this?”

In the mess is a reply from Gareth's own personal account: @ corrodededdie stop tweeting from the band account challenge 🙄🙄🙄

”Maybe. There hasn't been any type of response from Harrington or his people, but they might ask us to take it down if it blows up too much.“

Eddie hums, thinking they might be too little, too late about it blowing up too much, and flips over to his main account so he can reply to Gareth's little jab appropriately. He isn't surprised to see that he has a couple of new messages, probably from other people wondering just what the fuck Eddie was thinking, but when he goes to check them-

He's never been happier that he turned on messages from followers only, because then he would have missed this, missed Steve Harrington's little profile picture beaming up at him from the screen of his phone, along with a new message request.

”Jeff, I gotta go,” he says, not even realizing he's cut the other man off.

“Eddie, what-

”Harrington messaged me. I'll call you back.“

Eddie doesn't wait for a response as he hangs up on Jeff, and his hands definitely aren't shaking as he opens the message from Steve. And listen- Eddie is a fan of the guy, that much should be obvious. 

Steve had grown in popularity around the same time Corroded Coffin had; he’d gotten some part in a drama film that had skyrocketed him into stardom, and Eddie fell in love the moment he saw that gorgeous face on the silver screen for the first time. He's never had a chance to interact with the guy, has been in the same place a few times but always missed him, like ships passing in the night, but Eddie's been fine with pining from afar, just like every other person on the planet that's even remotely attracted to men.

Besides, even with how popular Corroded Coffin has gotten over the years - a couple of Grammy’s here, a dozen chart topping metal songs there - Eddie doesn’t expect Steve to just. Know who Eddie is.

With all of this in mind, Eddie is expecting some kind of semi-casual request to take the tweet down, that it's not a good look for his image-

Anything other than what Steve actually sent.

'If you're puppy baby boy, does that make me Master? Or Daddy?'

And Eddie- 

Eddie slides down, sinks into his couch cushion as all of the blood in his body suddenly shifts, rushing to fill his dick like it's a fucking race. The phone almost slips out of his hand and he fumbles it briefly before taking a deep breath. 

Is Steve serious? He wouldn't send that if he wasn't serious, right?

This could be it, could be Eddie's one chance to impress Steve, to get his foot in the door of Steve's interest. He bites his lip and types out a reply, something quick that he sends before he can change his mind.

‘I’m open to either, actually. Do you have a preference, sir?’

He doesn’t expect the typing indicator to come up immediately, and just knowing that Steve is somewhere right now, typing out a response to Eddie, is enough to have him nearly vibrating in his seat.

‘I’m partial to Daddy, myself.’

Fuck fuck fuck.

Eddie takes a breath, tries to think of a response that isn’t just ‘Please, Daddy, can I sit on your massive dick that I haven’t been able to stop thinking about since that one indie film you did that just had all of your junk out in the open?’

Steve saves him by sending another message.

‘But maybe we could start with Steve, and possibly dinner? Though I’d be happy to see where things go after that.’

He- What-

Eddie must have stopped breathing, because the next time he takes a breath his lungs burn, his mid races because there’s no way Eddie’s long term celebrity crush just asked him on a date. He sits there long enough that the screen goes dark and he scrambles to turn it back on, sees the message still there, real and unchanged.

There’s no way he can say no to this, to Steve, and his hands shake as he types out a response.

‘Dinner would be great. Just name the time and place, Daddy.’

[lovegasmic]

HOT BABES IN YOUR AREA

⋆ your broke boyfriend and roommate Toji suggests you both start an onlyfans.

⋆ mdni. +f!reader, obviously filming unprotected sx, groping, taking suggestive pictures, dirty talk, very very dirty talk, praising, squirting, he calls you slut once.

a soft pop was heard from Toji’s back shoulders as he stretched, rubbing the back of his neck with a tired yawn. it'd been a long day in between picking up uncalled fights and betting on races, luckily he managed to make some money, at least enough to cover a few expenses like the bills and a part of the rent of the shitty overpriced apartment you lived in. he didn’t really care though, as long as he got to see your pretty face, Toji would agree to live under a bridge.

after counting the hundreds bills he hummed satisfied, putting them in his pocket while walking through the bustling streets, following the path he knew perfectly. and to his luck, the first thing he finds upon entering your living room is well, you, sitting on the couch looking worn out. why did your cute little face was even cutter all exhausted?

“welcome home” you chime, giving the man a soft smile and slight look as he steps through the door, “how was your day?” the words are mingled with the tap of your fingers on a laptop keyboard, focused and slightly squinted eyes flickering through the bright screen.

Toji smirks at the sound of your voice, walking over the back of the couch where you sit and tilting your head sideways, a bit rougher than intended, but the languid kiss he leaves on your mouth doesn’t let you complain, “shitty” he grins, parting from your mouth with a slight thread of saliva connecting you both, “but that’s life, doll, sometimes we win, sometimes we lose”

“liar” you say with furrowed brows and a knowing look, “where’s the money”

you have always been so good at looking though him, with a deep chuckle he reaches for the pocket of his loose pants, waving the wad of cash in the air before returning it to it's previous place, “any luck?” he asks pointing to your laptop with his chin, curious whether you’d got any luck at searching for a proper paying job.

“mm, nothing new” you mention, the tapping fading as your caught by surprise at the sudden movement of Toji attempting to lay on your lap, not giving a fuck whether he did it on top of the keyboard and ruined your most valuable possession, “hey...!”

ignoring your struggles he speaks, “y’know, there has to be another way to earn money, not like we can live solely from gambling, huh?” he chuckles, he knew he was not stopping with the gambling, “maybe you can come bet with me, maybe we can try something else...”

you raise a brow, looking down at him on your lap “what are you thinking about?”

a slow grin spreading through his face as he licks his teeth once, “you ever heard of onlyfans?”

a choke is the first thing that comes out of your mouth, and you really should have grown used to Toji’s boldness by the months you’ve been dating —and currently, living together, “are you serious?”

“c’mon, don’t give me that look” he huffs, teasingly rolling his eyes “we could be earning money while having fun”

you have actually considered the option, and now coming from your boyfriend’s lips sounded even more tempting, specially with the way he not so subtly adjusted his gigantic cock beneath his pants. what was he even thinking of.

you give him a tilted look, urging him into continue with the thought and earning a dark chuckle in return, “we can sell some pictures, y’know” he starts, sitting upright and kneeling with one of your thighs between his, cupping the back of your neck to keep your gaze on his, so close you felt his breathing on your lips, “maybe even stream ourselves fuckin’, n’ charge people too watch. we’d be swimming in money in no time” his voice drops and a devilish gleam lighting up his eyes, “thinkin’ bout it got me hard as fuck”

and with the way his heavy, hot bulge is pressing on your thigh you’re getting so horny too, breathlessly whispering a “yeah, alright” that’s a bit too desperate.

“that’s my girl” he purrs, leaning down to suck your tongue onto his mouth, the sound so lewd your panties get wet in an instant, “need to fuck you hard..., but not yet, babe” voice is thick with lust, in a sudden movement you’re on top of him, straddling his hips while his fingers trail across your stomach, dipping low to brush on the edge of your underwear peaking from above your pants, “gotta show off what we got goin’ on here” as he speaks one hand comes up to slide under your shirt, squeezing a breast slightly rough, "you got nice tits, babe, why don’tcha let me take a pic of them?, with this pretty little body of yours all those perverts will be paying good for more than just a picture”

“you’re turning into quite a businessman” you tease, an attempt of a grin on your face that gets interrupted by a sharp gasp at the rough touch of your lover’s calloused fingertips pinching your nipples, then your shirt is out in the blink of an eye.

one hand grasping your phone and the other slides the cup of your bra down, enough to feel the weight on his palm, “mm, someone’s got a really nice pair” focusing on capturing the swell of your breasts and his tough palm cupping your soft skin, Toji starts snapping the pictures, occasionally flicking your nipples to watch them harden under his touch, “that should be enough” he groans after a while, pulling you down for a kiss and setting your phone into your pocket so both his hands reach for your ass, gently guiding your hips back and forth on his hard cock.

“you’ve got nice tits too, why don’t you let me take pics of them?” you smirk against him, earning a chuckle from your boyfriend before he’s carrying you to the bedroom, placing you in bed while he hoovers your body, deliberately slow peeling off his own shirt with a wide smirk on his lips.

soon your phone gallery is filled with 'thirst traps' as you roll in bed, “these will sell good” you murmur, voice hoarse from the endless teasing as you watch at your small hand wrapped around Toji’s fat cock through the device screen, languidly masturbating him until the flushed mushroom shaped tip drooled precum all over your belly.

Toji has never been as turned on in his entire life, quickly gripping your hips and guiding his length down to gently tap your lower abdomen, mimicking a thrust that reaches your belly button, “fuck..” his breathing comes unsteady, each thrust drawing more precum, and honestly it was extremely surprising for him to be so worked up without fucking your cunt.

it’s not a surprise your account grows so much and so sudden, the sexual tension and undeniable chemistry present in every post, and just as expected, what started with merely pictures turned into videos; a better quality camera perched on a side of the bed where the sight of your dripping pussy swallowing Toji’s cock was on prime sight, sinking and raising with practiced ease, “f-fuck, Toji” you mewl, rolling your hips on his pelvis before continuing to bounce hard with the help of his hands squeezing your ass. each gasp and slap only encouraging you further, so ready to fill your tight walls with a nice creampie.

your bank account gets as filled as your closet, with Toji delving into the pleasure of buying you slutty skirts and panties to rip during live streams, although his favorite one is a cream, pleated skirt, one that barely covers your ass, but who cares when that’s what the public wants.

“it’s so difficult not to fuck you right now” Toji grunts staring at your outfit a bit too intensely, opting instead to cup your cheeks roughly and kissing you sloppily, plunging his tongue into your willing mouth, just for a good couple of minutes to leave you hot and bothered.

a bit embarrassing at first, specially considering one of your boyfriend’s favorite positions to fuck you in was sitting on a chair in front of the desk with your streaming setup, camera pointing directly at your barely covered ass that slapped and jiggled lewdly with each forceful pull of Toji’s hands on your waist, fucking you on his throbbing cock.

“oh yeah, babe, such a good fuckin’ girl, taking every inch of my cock” he coos against your ear, looking straight into the camera that perfectly captures the way your lips hungrily grip his cock, juices splattering around with each smack of his balls on your ass.

“Toji, toji, toji!” is all you can moan, turning into a broken sob as you’re unable to move or squirm, just beg and take cock, “t’s so deep, oh god, T-toji slow down”

but he just snarls in return, the chime of incoming tips only fueling his stamina, “your pussy is begging for it, doll, tightening around my cock, ah shit—, so creamy and juicy, my pretty little cock hungry slut”

his thrusting becomes more frantic, his shaft plunging into the depths of your cunt, heavy and full balls slapping your ass until it got sore.

“m’cumming, ngh, o-oh fuck,... toji, please!” with a sudden, and extra rough thrust aimed at your g-spot you squirt loudly, nails digging into his broad shoulders as your juices splatter around, most likely staining the camera lens with a couple drops by the sound of the stream tips increasing, you didn’t care though, focused on not passing out as you scream and tits rub on your boyfriend’s chest, adding into the sensation, yet your money lust driven lover doesn’t stop, pulling your hands back against your back for his to hold, bouncing you on his cock solely from the grip of one of his hands and his hips bucking up widely.

he hums, biting down on his tongue at the tightening of his balls from the sensation of your walls milking his cock, sucking him deeper with each thrust into your needy, cumming core, so close to filling your womb with his own cum “making a mess on my cock, your juices are dripping everywhere, was it that good?” you can’t reply, obviously, “i’m so close, darling, ready to fill your messy cunt with my seed”