#film reviews i guess lol

[whetstonefires]

you know what this twitter fiasco is putting me in mind of, it's the weird narrative betrayal at the climax of last year's silly romcom Free Guy.

not the stupid annoying one where human/AI romance is too weird after all, so the titular protagonist turns out to be just a proxy for the man who programmed him, the other more jarring one,

where during the dramatic buildup we cut from Guy's security-guard-at-the-MMORPG-bank friend Buddy heroically buying time before his own deletion, to the tech company's actual human security guards watching the livestream and passionately identifying with him going, "that security guard is a goddamned hero."

shortly before Taika Waititi's character, an awful bro-CEO with fabulously awful fashion sense and no actual abilities, starts hitting the servers with a fire axe to cover up his illegal code plagiarism that's about to be livestreamed to millions.

because the entire setup there called for him to be stopped by his own security. there was a clear line of dominoes set up for them to be doing this. it would have been logically and thematically consistent, and really satisfying.

and correct! that's the thing about owning a corporation: its property is not your personal property. this legal construct protects you in a lot of ways, which is why it's worth incorporating even a one-man business, but it also means you cannot, legally, just smash the company's shit. especially once there's public stock, which in this case there was. it's not yours in your capacity as an individual.

like realistically these guys can do whatever they want, especially as sole-owner, but between the fact that the AIs in those servers had just turned out to be people, the fact that he was going crazy with a fire axe, the fact that his reasoning was 'hiding the evidence,' and the fact that he was not actually entitled to break those things, the security guys should have pinned the CEO down and taken his axe.

but for some reason, instead the female lead just offers to give him everything she's dedicated years of her life to proving he stole if he'll just leave that last server unbroken.

and that's the resolution. and all the digital people are restored somehow by computer magic and it's all fine? good end??? i was so mad!

and also kind of appalled by the implication that showing a corporate edgelord's manbaby smashing meltdown being something the peons could rise up and interfere with would be too radical somehow???

[therukurals]

The reclamation of such images appears to be Patel’s goal—one he shares with numerous Hindu leaders who have continued to battle Hindu nationalism. But the use of Hindu imagery as a call to violence, reminiscent of the Hindutva project, is central to Kid’s mission, resulting in narrative dissonance. In comparison, the movie’s villains only use Hinduism as a façade for violence and financial gain, rather than as a sincere fixture of their fanaticism. They represent Hindutva only in the abstract, echoing its power structures without its ideology. Kid, meanwhile, perhaps inadvertently, embodies it in both belief and action. In a key flashback, Rana—acting on Shakti’s orders—clears out Kid’s forest-adjacent village so the land can be used for industrial growth. This bears a striking resemblance to the Indian government’s recent attempts to evict thousands of Muslims along India’s Eastern border and millions of indigenous people from tribal lands. The BJP’s political opponents believe these land seizures are an attempt to transfer tribal resources to corporate allies, not unlike Shakti’s plan for Kid’s village. However, the metaphor is muddled. Rather than framing Kid’s community as an oppressed caste, religion, or tribe, the only visible culturally specific moment involves the villagers enjoying a marionette re-telling of the Ramayana, which is interrupted by incendiary violence. In the movie’s purview, Hinduism is under attack from something non-Hindu, or falsely Hindu, rather than from dangerous factions of Hinduism itself. This grants Kid permission to weaponize it freely, sans conflict or spiritual reckoning—a thematic tension the movie never reconciles.

[louismygf]

just recently watched this is us with my college friends

[destinyc1020]

About to watch "Madame Web" 😬

👀👀

Y'all pray for me lol... 🙏🏾

[wandringaesthetic]

I watched Requiem for a Dream this morning because of..... Reasons (I had it confused with What Dreams May Come and when I realized it was not that film, I was like "well this is still the one that music comes from let's give it a watch")

Here is my review:

In one scene Jennifer Connelly wears a black sweater dress with cut out armpits that is really cool

[unproduciblesmackdown]

also more odds & ends orville info & more not Not orville/phil info as well:

"In Steinkellner’s version of Summer Stock, Jane Falbury (Danielle Wade) and “Pop,” her father (Stephen Lee Anderson), are struggling to hang on to the family farm. Their farm is one of the few in the Connecticut River Valley that hasn’t been absorbed by the Wingates, whose holdings completely surround theirs.

The widow Margaret Wingate (Veanne Cox), whom son Orville (Will Roland) aptly describes as having eyes “as cold as death itself,” plans to absorb the Falbury farm by the simple expedient of having Orville marry Jane. After all the two kids had decided they were engaged in first grade!

Enter the prodigal younger sister Gloria (Arianna Rosario) who has been seduced by the lure of the Great White Way. She returns to the farm bringing along Joe Ross (Corbin Bleu in the Gene Kelly role), the director of the show that will make her a star, its composer Phil Filmore (Gilbert L. Bailey II), and the entire company. She has generously offered the company, which can’t afford rehearsal space in New York, the use of the family farm’s barn. Sister Jane reluctantly agrees to the intrusion with the proviso that the thespians will double as farm hands.

As rehearsals progress, Phil discovers that Orville, a bit of a doormat who has been raised with the understanding that he will never have to work, is a musical wunderkind. He is enlisted to work his magic on the show’s score and begins to blossom.

Widow Wingate takes umbrage with all this and vows to shut the enterprise down. Fortunately, the cold embers in her soul are stirred to renewed life by her encounter with Montgomery Leach (J. Anthony Crane), the has-been ham enlisted to give Ross’s show some cachet, so all might not be lost.

[...]

They make this Summer Stock a veritable feast of nostalgia. I was especially taken by the amusing way Steinkellner used Jackie Gleason’s theme song “Always” to further widow Wingate’s plot to get Jane and Orville hitched.

[...]

Orville, who has found personal liberation in show biz, is accorded a moment that reminded me of a similar scene in the musical version of The Producers. In a triumphant declaration of his emergence from under his mother’s thumb he exults, “I’m in the theatre! And I love it!” The audience loved it, too.

[...]

As director, Feore has elicited some wonderful performances, especially from subsidiary characters. Veanne Cox is splendid as Margaret Wingate as is J. Anthony Crane as Montgomery Leach, the faded matinee idol. Will Roland (Orville) and Gilbert L. Bailey II (Phil) both have wonderful moments and their intense professional friendship is one of the show’s highlights."

INTENSE PROFESSIONAL FRIENDSHIP you say....and also ofc everything about orville and wanting to be a musician and being in the theatre and he loves it sounds so good. i love it

[mimiatmidnight]

The new Barbie discourse on Twitter made me think of your post about it, but I went to find it on your blog and it's gone! Did you delete it?

Hehe that's funny. If you mean my review of the movie itself, the post is actually still up, but it's unreachable through tags cause the original gifmaker I used blocked me (fair!!). But you can still get to it through a direct link, which I'll put here for you.

I think I've seen some of the discourse you're talking about, and it's pretty funny how many people I've seen say that now that there's been time to separate from the hype, they can finally be honest with themselves and recognize their real opinions on the movie. Which is no shame, honestly! Hype-marketing is a hell of a drug. Just funny to look back at my review from back then and see how apparently there is no social pressure strong enough to suppress my innate hater nature.

[nominawasnescio]

watched moonrise kingdom for the first time today, and while i can appreciate the visual style and cinematography, it just really didn't vibe with me beyond that :/

idk... giving me strong 'im 14 and this is deep' vibes

i've mostly only seen high praise online (apart from the whole children being sexualised issue which YUP yikes), and i've tried to read up more on why everyone loves this film, and idk, not quite getting it

i've not seen any other wes anderson films yet so i kinda wanna go in and compare it to other films of his, to see if it's a this-movie issue, or a wes anderson issue, where i simply don't vibe with his narrative/dialogue style. because it's really just that for me i think.

i liked the visuals, the cinematography, the colours... how they were used to convey meaning and support the narrative, juxtapose characters and moods... you know, the usual well-thought-through cinematography stuff. it was meticulously crafted and designed, with a very distinct style and point of view, that i could appreciate and even enjoyed.

the narrative was just... meh. idk. the writing just felt weak to me. the characters had great potential i felt, i was intrigued by many of them and wanted to follow their stories, it just kinda.... floundered with the dialogue and the narrative.

was a little bored throughout and some of the dialogue and lines felt like a writer trying to be clever, rather than characters being characters...

your mileage may vary; i can kinda see why many people adore this film and you know; you do you! i guess it's just not for me.

i'll be checking out fantastic mr. fox soon though, and maybe some others, just to see if i just don't vibe with anderson's general style beyond the visual aesthetic.

[thoughtsonkm]

Goodbye, for now

BABY? HONEY? BOYFRIEND SHOT? Jikook you're too much!

This episode was truly the best way to end the show, maybe even the best episode of the series. (Neck in neck with episode 2 of course) The way they enjoyed it so much but were also so sad it was over. The hot tension all around, the soft boyfriends mood who can't stop flirting and name calling each other with the most low-key couple-like sweet names. They could not stop laughing, they could not stop touching and they couldn't stop being hilarious without even trying.

~

SK Spotify daily chart end of November 2023 :

Jimin Jungkook Jimin Jungkook Jimin Jimin

~

It would be such a full circle moment if Jimin posted the boyfriend photo (which won't happen). Would almost be like a soft launch of some sort.

Not the underwear too?? Gosh I love my little gay freaks!! (didn't understand why Jimin would quote their 'yet another inner joke meme' right at that moment but I've learned to not question their inner workings)

~

Sorry but i have to be pretty one last time and say that I kinda had enough of seeing so much from the crew around or even in Jikook's shots and angles. It breaks the fourth wall a little too much and ruins the whole bubble idea. Ok I'm done lol

~

Returning to the issue at hand, the "seeing the beds for the first time" scene keeps getting funnier and funnier. As if they don't already have designated sides of the bed 😏

~

Ah the never ending bickering gives me life. Peep the half korean half english talk when they playfully get on each others nerves 👀😂

I better not speak on the scuzzi jacuzzi shenanigans cause otherwise.. Let's just say the photo speaks for itself..

NO YOU KNOW WHAT IMMA SPEAK. We all know that jacuzzi time is always intimate, relaxing and personal for people that's why I wish Jikook had enjoyed it fully without cameras. Yes I'm pissed on their behalf, that they had to film the whole thing with 382929 different angles. lol

His face is literally saying "oh so you're really gonna make me do it huh? if I was in your place I would've folded immediately and would've never let you go through with it!!" 😂

~

No one ever:

Jikook every 2sec : HONEY OH HONEY

(I was actually listening to the song while writing this and idk why it's so funny to me even tho it's a sad love ballad)

~

They must've loved getting the chance to at least see one episode of the show, plus the idea of watching it together..

Jungkook being so entertained by it meanwhile Jimin being mortified about half of the things that happened. HILARIOUS

HAHAHHAHAHA all parties were concerned if they'd be able to pull it off, I can't

BEST BELIEVE they're always gonna find a way to touch. Consciously or unconsciously.

~

This show made me realize that my favourite thing ever is Jk making food for Jimin, then making him hysterically laugh and therefore getting to hear Jimin's adorable giggles.

~

"Hello it is I the one and only, the only one who can touch Jimin's head ble ble ble ble" - JK

Jk was like: How can you imagine Jimin without me in your dream? Are you crazy? What is this delusional dream world you live in Jin hyung??

~

Tbh it's so meaningful and a huge thing saying that these trips were literally the best trips of your life. I think the statement almost went over people's heads.

I can't get enough of Jimin looking pretty and cuddly and Jungkook's immediate thought being: I HAVE TO FILM YOU

Them saying they can do a reboot when they come back gave me some hope that maybe just maybe this is not the end of AYS 😭

The ending bonus clip left me fulfilled but also sad and with goosebumps all over.

Thank you Jimin & Jungkook for letting us peek into this trip and getting to witness some of your precious moments.

Signing off, J&J 🥹

Ps. So I'm guessing the 52 minute video that comes with the photobook is probably the 3 bts videos combined that they've been reviewing for 48392 months right?

[namelessdumbass]

Rite Here Rite Now

It was amazing and funny. Copia girlies and boys fucking won!

I expected different outcome, tbh. Tobias managed to surprise me and also made me a tiny bit sad (reasons will be explained in the spoilers below).

The film consists of like 95% of concert footage and 5% of off stage/plot stuff. The quality of sound and editing is just 🤌 I expected the live of Twenties to be good and gosh Ghost delivered. And Mummy Dust...Tobias let Mary Goore out! But i honestly prefer Terzo's version (CaD) better. Sorry not sorry haha. Ghouls/Ghoulettes footage. Everyone who loves them will be very veeeery well fed!

Dance Macabre live...i was'nt wrong when i called it a satanic gay party 😁

The movie is worth watching and i do hope Ghost releases it as soon as possible for all those who were not able to go.

The spoiler free review ends here. Don't read further if you don't want to spoil it for yourself. And please, don't copy them and paste it everywhere for the sake of ruining other people's fun! Seriously, don't fucking do that!

If you accidently clicked here, don't worry! spoilers will be below and you still have a chance to avoid them :)

Alriiiiight:

Movie starts with Saltarian who tells fans to record for the first 2 minutes, to show how happy they are etc and posted a qr code for fans to upload those recordings. I guess it will be put up on RHRN website. We'll see. There were also photos of fans who attended LA ritual. I fucking loved the person who showed up in a giant Plushia suit. I LOLed! Then fans were asked to put down the phones and enjoy the movie. The beginning was narrated Star Wars kinda style (a little bit) with the small recap of the chapters and about Copia's worries that he might die. And yes, it literally began in space lol. The movie is basically is like what we saw in small snippets Ghost posted earlier. Plot mixed with a really good show.

And the plot: -Short footage of Copia and Ghouls arriving. ALmost the whole set was the same as any other concert from Re-Imperatour + a few awesome exceptions. -Dews does that annoying thing with guitar, Rain stops him, takes his pick and throws it into the crowd and Dew...he freaking showed him YouSuck sticker on the backside of his guitar. Peak Dew moment! -Copia asked the right question about the Clery. He also does not quite understand what it does, why and where it goes. I suppose Tobias decided to thicken the Ghost lore a bit and will have more clarity in the nearest future. -Remember when Copia jumped at the end of the Watcher in the Sky? He ended up in one of those stage boxes (for equipment or something) and is taken to the stage B. While he's carried to it by Kevin he has a chat with Nihil's ghost. Nihil says he recorded not 2, but 3 songs. That probably means that we'll hear a new one. (UPD: the new song we heard during the credits, "The Future is a Foreign Land" is Nihil's 3rd song! Confirmed by Tobias himself in a new interview). He also tells Copia to breath in deep and then farts. -On the Stage B Copia sings "If You Have Ghosts". 3 Ghoulettes played piano and violins and the 4th one did the haunting ghost-like opera vocals. It was beatiful. Copia kissed her hand. -He then wore boxing robe and went next to crowd. Almost the whole scene was shown in the trailer. -Btw, remember that silly moment when Nihil's eyes were crossing? Well, Kevin was also included in that staring contest. -Twenties live. The skeletons, the performance and one of those skeletons who crawled between Dew's legs...that's hot. -Nihil calls Copia "son". Copia calls Nihil "Dad". Cardi will insult him later, don't worry. -Nihil/Seestor cartoon during MOAC. Yes, that's when Sis hit him with the car. Basically it's what happens after "Kiss the Go Goat" mv. Sister leaves and Nihil runs after her. "I'll never let you go". They end up kissing in a coffin on a graveyard , later Nihil wakes up naked in a bed in a motel and we see Sister leave. -There was a moment in a movie when we see Ashley (stage crew) bring Copia a new pair of shoes and put the on on his feet. Tobias, goddammit what the hell was that? :D -Seestor was a in wheelchair all the time -She and Nihil encouraged Copia throughout the whole movie and gave him a piece of advice. -About the baloon from the poster. Copia flies on it after finishing the set...or he imagined that because a few moments later after Nihil/Seestor flashbacks he ends up on the floor and watches Seestor die. All of the Ghouls and Ghoulettes also stood right next to her. -Copia has a twin brother -Copia didn't die and became the head the Clergy (Father Imperator or something like this). He found out about his new position from a letter Seestor left for him. -New song during credits (credits show dictators, assassinations, wars and the use of nuclear war). Years 1984 and 2024 mentioned. The song is not heavy. -Ghouls/Ghoulettes real names mentioned in the credits -Funny post credit scene with Copia. He had no piant on and had a new cool drip (with black jacket and red and black cross). Seestor is also a Ghost now. Tobia's children cameo. They're also Ghosts. -Papa V is teased the same way Copia was teased in a chapter 1. They even used the same music (Pro Memoria). No face reveal. Either he will be revealed in new Chapters or at some point during the new tour???

-aaaand my biggest disappointment: no footage of Primo, Secondo and Terzo. Literally ZERO.

I mean, Nihil is a Ghost, Seestor also became a Ghost, even Tobias' children made a cameo as Ghosts, but nothing for previous Papas? Really?! The same could have been done for them, but i guess Tobias doesn't care about them anymore :( And it hurts. I know that's my fault that i had so many expectations and hopes, but holy shit :( As a newbie who never saw previous Papas, i'm so sad i'll never get a chance to see them and there won't be any new footage of them. Being Terzo widow is so hard. Guess that's why i'm a bit salty Copia lives (sorry, guys, i like him, but i also hate him haha)

And yes, as it turned out the twins theory from Square Hammer was true...but not for Terzo 😭

I enjoyed the movie nevertheless. It's fun and kinda gives you an opportunity to see the band "live" if you've never been to a ritual before. And yes, the movies was'nt just about Papa IV and his fate, i believe it was also Tobias' message for us to enjoy the life rite here rite now! As i said, Copia's girlies and boys truly fucking won. Congrats, lads, your Papa lives and will live! I bet that feels amazing. Thanks for reading! P.S. since you know the plot, don't spoil it for the others please.

[flownwrong]

chaotic ckr c6d squee propaganda (?) post

This, started half a year ago for @ds30below, was initially a general c6d short reviews post but kinda skewed majorly towards CKR's repertoire and wasn't too review-y. So I gave up on making sense and on including the non-CKR works. I don't know who the audience for this is, because I never give basic details for people who don't know about this stuff but say too much for those who do. I giffed what I could and tried to avoid what I know a lot about but haven't actually seen. Here goes.

Frank's Cock (1993)

Not much to say. It's only 8 minutes, it's beautiful and you should see it if you haven't. I won't spoil the subject, but you can likely guess. Watch it, cry a little. Then go watch some more of Mike Hoolboom's stuff, the vimeo link above is from his channel.

Two X-Files episodes (1994 – 1995)

Well, I haven't actually seen X-files since I was about fifteen and watched the like two seasons, and I remember none of it. I rewatched the two early episodes CKR appears in and they were fun. I did not watch the, the movie or whatever where he's doing the evil gay thing. But really, this one is on the list so I can show you this self-indulgent gif of him being Very Long:

Double Happiness (1994)

You shouldn't watch this one for CKR. I mean, you absolutely should see him here, looking like he's barely out of his teens and playing up the insecure act and having devastating chemistry with devastatingly beautiful Sandra Oh, but this is not why it's great. And it's really, really great. It's touching and funny and sincere. If you wanna have some feels about complicated family relationships and identity and growing up (at any point in life), you'll find them here.

Curtis's Charm (1995)

Don't regret watching it, can't recommend. Not gonna lie, I was emotionally affected. But I usually am by things as in-your-face bleak as this. Mostly, it's trying very hard to be smarter than it is, I think.

However: CKR's One Wild Curl is everything to me (see above, on the right. It was, like, actually curly. I was rendered speechless). And like two seconds of Hugh Dillon made me do a double-take, lol. Incredibly weird knowing this was shot like half a year before HCL began shooting. Feels like it must've been a decade earlier.

Hard Core Logo (1996)

I could make three separate posts about this one, so of course I have no idea what to say.

This one, you should watch for CKR, actually, he's something, but so is every single other aspect of this film. I wouldn't change a thing about it. It hits you like a 16 wheeler. Perfectly cast, unimaginably beautiful, hysterical and melancholy and disgusting and compelling.

Related recs:

A wonderfully fun article/retrospective/interview for its 20th anniversary a while back.

You should also absolutely read Hard Core Roadshow if you enjoyed the film. It's a book documenting the whole thing from conception to release. It touched me for its own sake, not just a backstage glance, full of love for the craft and the people and carrying this tangible bittersweetness about the heightened and fleeting nature of this kind of work.

(here, I feel compelled to include a quote from another c6d-related interview on Slings & Arrows, which I read after the book and went like man, it's really a universal experience isn't it.

Coyne: <...> But I also think, and this is my experience, what we were all experiencing, because we were all talking about our lives, our life in the arts — there’s something very melancholy about doing something you love, because it will never be good enough, it will always break your heart.

McKinney: Or it will be fleeting.

Coyne: It’ll be fleeting. You come together with people you feel passionately connected to and two weeks later they’re tearing down the sets.)

Quotes from the article and the book respectively include:

McDonald: So there was a kind of mutual dependency society with Hugh telling Callum, “Don’t worry, man, I got your back, I’ll tell you how high or low to wear your guitar, I’ll tell you how you should dress, I’ll tell you what you should drink…” and Callum was like, “I’ll tell you what hitting your mark is, I’ll tell you why they pull out fucking tape measures, I’ll tell you why you have to do it again, I’ll tell you about not overlapping dialogue..” and you know they clung to each other, like the other one was gonna fucking save them.

And:

A final gathering at the back of the tour bus with Bruce, Callum, Hugh, Bernie. We listen to the tape of HCL songs, all the way through, one last time. And we belt the words out. Bernie sings loudest, performing for Salerno's camera. Hugh and Callum sit back, looks of sadness. I get the sense that if they could do it, they'd chuck their lives and be Joe Dick and Billy Tallent forever. Callum leans to Bruce and says exactly what everyone else is thinking: "I don't want it to end."

There's much more to both texts than *gestures* the whatever those two had, but it certainly doesn't hurt.

And Xeriscape is the best HCL fic I've read. Granted, I read very few because it's not a source that creates in me a craving for fic. But this one perfectly matches the film's fucked up beauty with its language while also adding a quieter, more fraught layer of humanity that we only get glimpses of in canon and that perfectly fits John. 10/10, would recommend.

Anyway. Watch it. Read it. If you haven't. Otherwise, come scream with meeee! And go reblog my gifs or something. Idk.

Letters From Home (1996)

Mike Hoolboom strikes again, with another short. This goes into the "don't watch it for CKR, watch it because it's great" box. Yes, you will cry.

For Those Who Hunt The Wounded Down (1996)

Another bleak one! It sucked to watch, I mean, on purpose. There were a couple of very effective scenes. I really enjoyed the opening. They say the book is decent too, I haven't checked that out.

Actually, let's just switch back from coherent thought to undignified staring at his mouth with this one. What the fuck is that cigarette thing. I couldn't help myself.

Last Night (1998)

These gifs are not representative of the whole movie. There is more happening than CKR kissing or hugging people. He's also doing more than just kissing and hugging. It's all very... impressive.

Guess who's also here again? Sandra Oh! And say hi to Don McKellar, who is an absolute champion for writing/directing/starring. You'll be seeing more of him.

Another one for the "watch it for its own sake" box. Seriously, that late 90s indie stuff is banger after banger. It's so beautiful! Look at those colours! Look at those shots! It's very uneasy and charming and melanchioly and itself in the best way.

Twitch City (1998 – 2000)

Don McKellar is back to murder you with discomfort! Bruce McDonald lends a hand. Molly Parker is also here. And Daniel McIvor, who'd go on to direct, for example, Wilby Wonderful. It's a party. If you watched some stuff from above (or below) on this list, most faces and names will be familiar to you, tbh (another Hugh Dillon double-take happens).

If you liked Spaced, you'll love this. You might also love it because it commits to its weirdness with an admirable resolve and is genuinely hilarious. (Honestly, CKR's outfits alone warrant a watch.) The idiosyncrasy is definitely Don McKellar's doing 200%. It couldn't be more different from Last Night, but if you've seen one, you'll recognise the other.

Battlestar Galactica (2003 – 2009)

I don't think a person should be allowed to look this pretty in the sweaty-and-dying makeup in that light (this sentence probably looks very weird to those not under the CKR magic spell).

I don't know what to say about BSG because I really, really enjoyed early it initially, but by the middle of S2 it got... well, whatever that was. If you know you know, if you don't, still give it a go. You might get invested enough to suffer through it all, as I have been, slowly.

The unfortunate thing is that CKR got to be there mostly in the "what the fuck" years and not the "wow that's so cool" years. That, as you might be aware, is a pattern with him. But! When he was here, he was so genuinely, wonderfully creepy not in the typecast-baddy way, but in this slow, half-absent way, which really worked. You can also see him tortured a little, as a treat!! <3

Also, a wild John Pyper-Ferguson appears! If you're looking at him thinking you know him from somewhere but not immediately remembering, you'll figure it out, I believe in you. I was very happy to see him.

Wilby Wonderful (2004)

Another win for the put CKR in more good shit team!!! Guess who's here again? Sandra Oh! Also, Paul Gross. Don't watch it for him either though haha.

Another one for whoever wants to look at pushing against the weight of others' (or your own) expectations and growing into who you are or reconsidering who you are or finding meaningful connections with others even when you're kind of a mess and they are too.

Not nearly the first time CKR's gotten to play a queer character, but man, this one really is the heart of the in-universe community, and, through that, of the film. A rare chance to see him so far out of the prickly persona! He's just so solid and calm and there for others in this one and, and soft, ough. It's awesome.

By the way, if any of you have the commentary track or know someone who has, please drop me a line here or on discord (emotionalrisotto), I really wanna hear that.

Supernatural (2005)

I love Supernatural a lot. It was a formative experiences (albeit a very late one) and I owe a lot of my favourite stuff about fandom-ing to the buddies I met through it. I can't believe I'm telling you this (because who hasn't seen it, not because I'm reccing it), but you should really try it if you haven't. It's pretty rad.

I had no idea who this guy was when I saw that episode (the second ever one!), though. I simply cannot fathom what @nigeltde-fic felt when she first saw it. I think I personally got very lucky she didn't combust on the spot. It would've been unfortunate.

On a sillier note, CKR's character has weird tension with both Sam and Dean in this episode, which is par for the course. I personally think they should've... no, I shan't say it. You can probably imagine.

Californication (2008 – 2013)

I haven't actually seen it, lol (and I suspect I won't enjoy it, but I'm very curious and also CKR looks really really good).

The real reason for this one on the list is to share a fic rec. Really, it's a due South F/K fic featuring Lew Ashby. It's ridiculously hot and very satisfying in its romantic resolution, too (but then, I'm kind of big on selfcest. And consensual voyeurism. And pretend relationships when done like this. And sublimated yearning. Erm.)

Shattered (2010 – 2011)

I wish this never happened. I badly, badly wish this never happened. I can't turn back time, but I can warn those luckier than me: do not go there. Yes, even for this dude. You'll sleep better not knowing just what it is he was the EP on. And the only important part — the mascara — can be seen above (yes, the show does look that bad, it's not just the gifs).

Just kidding — I watched it, didn't I? You'll have fun hating it! Just prepare for industrial grade cringe, lower your expectations (No, lower. No, still lower than that. And just a bit more.) and you'll have a great time!

Star trek: Discovery (2024)

Or, as I call it, Star Trek: The Mediocre Show. Discovery S5 was... what it was, but it was a wonderful viewing experience — mostly thanks to the gang (@kittkatk and @feroxargentea especially!)

What a joy it is, to follow a show week by week, yelling and laughing and discussing the whole time. And giffing, too. I was very happy to contribute to the Disco fandom from my own little obsessive corner, and I was glad to see people adoring Rayner, haha.

He's a pretty neat character — very much a stereotype, yes, but with CKR's usual twist of odd vulnerability and weirdness. Also, I loved the ears. I miss the ears. The ears were great.

I even wrote a fic! Although it's not within my usual range to write for canons and universes I don't know well — and back then, I'd only seen S5 of Disco. It was a lot of suffering, and a lot of fun.

Closing thoughts

I'd really love the dude to get a better agent. And possibly better taste, but I realise that's a tougher ask. Seriously, it's been too long since he was in something majorly cool. I'm grateful to him, at least, for not making terrible music on the side. And I still have a lot of his back catalogue to get through, some of it even good, so there will be more insanity. Until then!

[p-clodius-pulcher]

I will write a long winded review, but I wanna start by saying that the movie is bad. The movie is just straight up, not good not because of the directorial choices in the actual filmmaking, but because the message of the movie is bad and it betrays, I think a lot of, biases from the film maker, in a way that is actively detrimental to the message it is trying to convey. The message is both heavy handed and done poorly, and I fundamentally disagree with it, AND it is actively undermined by the implications of the movie.

The core of this movie is about some dog shit like the future is important and only by focusing on the future can we improve the now and blah blah. He tries to sprinkle in some stuff about art being eternal but it falls flat. The whole message falls flat. The movie tries to use the imagery of the late Roman republic, and explicitly calls to the fall of the republic due to the ambition of a few men, but in its actual execution proposes a utopia that is created by the will of one powerful man who disregards all others and that is? Good? I guess is what the film actually conveys?

It also has a lot of really bad statements on immigrants and the ‘downtrodden’. Everything about what he tries to do with Clodius’ popular politics is just bad and I’m not just being biased here.

There’s also a lot of like, genuinely extremely transparent misogyny in how the movie handles women’s sexuality and the view of purity. It’s definitely trying to make a statement on perceived purity and whatever but again it just falls flat because of how the rest of the film explicitly goes against that lol.

Again, I will write a really long winded review of this movie but like yeah. I have to get in front of myself and say I am really disappointed w both the politics in this movie and how it constantly unintentionally (I think) undermines itself. Which makes it a bad movie on both fronts

AND THE WOMAN NAMED JULIA WHO IS THE DAUGHTER OF CICERO GETS PREGNANT AND DOESNT EVEN DIE IN CHILDBIRTH LIKE WHAT WAS THE POINT GENUINELY HUGE MISS

[genericpuff]

I don't know the term for creators who became popular outside the traditional steps to "make it" in their profession; then when people started taking their work seriously and giving them criticism, these creators saw it as an attack because they are not used to mentors and studies.

Smythe's professional training is vague at best, being a folklorist. Then there's the creator of the popular hell cartoon that became her own executive producer and director in her 20s (I'm not going to say her name since it tends to attract her rabid fans) and becomes reactive to any kind of criticism on Twitter. Then there's that TikToker Devon Rodriguez, who became popular for sketching people on subways, and when an art critic gave a mild review to his art gallery, Devon unleashed his fans on him.

Like am I seeing a pattern here for artists? And I guess, what do you think we can learn from it.

Ah, so this is a very interesting (and broad) topic that we've touched on in discussions in ULO and other webtoon-related communities. So buckle up, it's time for an ✨essay✨

I think the best way I can sum up my thoughts on this issue is: the vast majority of people who become paid content creators don't seek out a job as content creators, a job in content creation is just something that happens to them.

I say "content creation" because this is something that applies to a lot of other platforms and online mediums as well, such as the examples you included (TikTok, Youtube, Twitch, etc.). And don't get me wrong, it's not like every successful content creator out there didn't work their asses off to get to where they are, but for many... it still involves an element of luck. People don't go to school for it, people don't "apply" to become influencers, and much of it relies entirely on just making stuff until it gets seen and propelled into success.

I think a lot of these issues arise with the creators themselves and how they view their own work. The reality is that many of us artists have been treated as the "rejects" of society, we constantly feel like we're misunderstood and have some deep inner pain that we express through our art, and instead of going to therapy, we come up with OC's. It's a lot more fun and it's a lot cheaper LOL Webcomics naturally wind up being the perfect lightning rod for people who feel that way, where we can pour ourselves into the characters, the world, the narrative, in a way that perfectly mixes our talents for art and our need to express our innermost thoughts and feelings about ourselves and the world around us. So when our art gets criticized or rejected ... it can be hard for a lot of artists to not feel like it's a criticism of the self, a rejection of our identities, an attack on our feelings and experiences, because we've tied so much of ourselves to our work. And this can make that transition very difficult for people who are trying to go pro, because being professional demands separating yourself from your work, at least enough that you can view it objectively, recognize its flaws, seek out pathways to improvement, and not take every bump in the road personally.

A lot of successful creators are people who just never made that transition. It's led to an abundance of professional creators who know how to film themselves or react to content or, in the case of webcomic artists, write stories about their OC's, but don't know how to actually navigate the industry at a professional level. They don't know how to read and negotiate contracts, they don't know what deals are actually good for them and which ones are better left on the table, they don't know how to manage teams of people, they don't know how to react to the attention, praise, and criticism of their audience - they're just doing what they've always done, but now they're making money doing it.

None of this is to speak ill in any way of the creators who've found success and are still just doing what they've always done for money. None of this is meant to be a slight on the creators who are using webcomics and art as an expression of their deeper selves (I do it myself, it's very cathartic!) because ultimately that's what makes your work your work, the fact that you made it, with all your good parts and bad. Many of these creators are capable of running their platform without any issues because they've learned how to play the game, or because their platform is made up of people just like them so their audience is more like just a social circle.

But many of them still also can't operate on a professional level and those are the ones we often see getting called out and held accountable when they do shit like, I dunno, scamming their audiences for money or making alt accounts to manipulate user reviews or plagiarizing from other people's work or just being really REALLY shitty to their own audience.

Often times these are people who are just doing what they'd normally do as a hobby, became well known for it, and managed to turn it into a living. But they never actually learned how to turn their hobby into a job, and themselves into professionals.

And artists especially are prone to this because, let's face it, a lot of us are just weebs having fun drawing our blorbos, so of course if we get a chance to monetize that, we're gonna! We should! We should want to be paid for our work and time and efforts!

But we also have to remember that it's a different ballgame, especially if you're turning your audience into customers. "I'm just a baby creator doing this for fun" doesn't and shouldn't apply anymore once you start signing contracts, selling your art as products, taking people's money to fund your projects, etc. because now it's not just your art, it's what you're expecting people to pay for so you can eat and pay your bills and live.

As much as our art is often personal and should be cherished as such, you can't expect people to want to pay for it if you're not setting a bar and meeting it, or if you're not treating your audience with any amount of dignity or respect.

I'm not saying you're not entitled to having feelings or still wanting to treat your art as art, but the line between art and products is there for a reason, it's to set people's expectations and ensure that both sides are having those expectations met. Webtoon creators suffer from the same thing that a lot of Youtube creators and other types of content creators suffer from in this transition, and I feel like HBomberGuy summed it up best:

"In current discourse, Youtubers simultaneously present as the forefront of a new medium, creative voices that need to be taken seriously as part of the 'next generation of media' - and also uwu smol beans little babies who shouldn't be taken seriously when they rip someone off and make tens of thousands of dollars doing it."

It's not gatekeeping a medium, it's not telling people they aren't allowed to have feelings or to want to still have that personal connection to their work in spite of the professional level it's achieved, it's simply just expecting people to actually live up to the label of 'professional' that they're using to make money.

And this especially goes for someone like Rachel, who claims to be a 'folklorist' despite all the contrary evidence that says otherwise. This is the same person who copy pasted the first result on Google as her source on a simple word definition:

There's a second part to that HBomberGuy quote that also actually applies to Rachel really well in this discussion, concerning how she labels herself a "folklorist" and how that's affected and influenced the greater discussion surrounding Greek myth:

"But on the opposite end, Youtubers who act like serious documentarians gain a shroud of professionalism which then masks the deeply unprofessional things they do. We just saw that with James. I think [James] partially got away with what he's doing for so long because he acts so professional about it, so people assume, 'there's no way he could just be stealing shit!' so they don't check. And on top of that, a lot of James' videos contain obvious mistakes and made-up facts... but because they're often presented next to well-researched stuff he stole, no one questions it. I've seen James repeat a lie in his videos, and then other people claim it's true, and link his video as the proof. He has helped to solidify misinformation by seeming like he's doing his diligence."

There's always going to be discourse over what's legitimate and what isn't when it comes to Greek myth, there are loads of things we still don't know simply due to the knowledge being lost to time. But there's something to be said about a white New Zealand woman using her self-insert romance comic and platform to build a veneer of professionalism and legitimacy around herself, as if she's the authority on the subject, while simultaneously relying on first result Google searches and citing works that have no real foothold in the way of scholarly or "folklorist" discussion.

All that's to say, you're right, her professional training is vague at best. She's never completed a longform comic prior to LO, she's not doing her due diligence in actually engaging with the media she's trying to "retell" and exposing herself to the voices of those from the culture that's tied to it, and she's not holding herself to any sort of standards when it comes not only to being a professional, but a professional who's been held on a pedestal for all these years. She's still operating the same way she was 5 years ago - drawing and writing whatever pops into her head and sending it to her editor for uploading, with next to no intervention or guidance. Except now it doesn't have the benefit of being new and having "potential", it's getting noticed and called out more now than ever because it's been 5 years of this shit and it's been getting worse on account of her clearly being burnt out (or just giving up/not caring) and the readers can't be sold on "potential" anymore.

And that's all I have to say on that.

[fruitgummies01]

Thoughts on Jimin's name on JK's stomach and these moments right here from the behind the scenes content?

https://x.com/myhomeisjkjm/status/1841186841187258434

https://x.com/My2SeaOtters/status/1840806210783830207

Interesssssssting.... I feel like I should wait until I receive my photobook and see it all for myself before I actually review any of it, but since you asked lol.

Sucks that there is zero context for that picture of Jimin's name being written in sunscreen on JK's chest. Seeing how there was a short scene (was it episode 5?) of Jimin and JK playing with the sunscreen on their faces, I will just go ahead and assume that the same thing was happening behind the scenes in that picture too. If Jimin wanted to claim his man, who could blame him lol. I find it way more fascinating that most of the armys that are so quick to post shirtless pictures of JK, somehow did not get around to posting the one with Jimin's name on his chest. 🤔

And speaking of Tae. Those two clips, specifically the one with Jimin explaining how Tae suddenly joined the trip says so much tbh. I think it was sweet that Jimin at first tried to smooth it over by saying he knew Tae was busy with his solo activities and him not extending an invitation was not done intentionally (although um, I kinda think they did it on purpose, but won't get into that). Jimin specifically mentions asking the other members to come saying they were welcome, which weird because Namjoon would've been the only other member not enlisted at the time, so maybe that's what he meant? IDK, but if we follow their timeline, Tae found out two days before by seeing it on the group schedule/calendar, Jimin spent the night before Jeju at JK's house, and then all three came on the trip. I wonder if Jimin broke the news to JK during their sleepover that Tae was joining them haha. Also interesting that Tae specifically mentions being hurt by Jimin and doesn't say anything about JK, who is just kinda sitting there quietly not saying anything. I could read more into that, but I won't. 😅

If I had to guess, I would say I don't think Tae knew what show he was signing up for lol, hence why he asked why Namjoon didn't also come during dinner. He probably only saw that they were filming a show in one of his favorite places, didn't ask any questions about what the show was since he just wanted to be included, and just insisted on coming by calling up Jimin and saying he didn't want to be left out. Reality probably hit him once he was there what the vibes were (a lot of him feeling like a third wheel), which would explain him being on his phone a lot and going to play golf. Tae was probably grateful for the time they all spent together and the memories, but was very much over it by the end, and in his words was just trying to get to the plane 😭. Which I wouldn't blame him, it would probably be very annoying to be around two people with so many inside jokes and who talk in memes constantly lmao.

Again this was way longer than I was actually planning on writing (sorry lol), but I can't wait until my copy of Are You Sure photobook comes in the mail!!!

[communistkenobi]

ok conclave thots (spoilers)

trying very hard to set aside my feelings on the Catholic Church to evaluate this movie. It’s quite beautiful, everything has a very solid physical presence, big wooden doors thunking, columns of stone and marble, thick robes, luxurious physical sets. Really enjoyed the cinematography. The cast was all really enjoyable aside from Stanley Tucci, not bc he’s a bad actor but I could not be sold on him being a cardinal. he seemed generally out of place. Although he was clearly there to be a bit ‘out of place’ as a figure for liberal Catholics, like definitely the type of guy who would think creating an anime girl avatar for the Catholic Church would be a good move to modernise the church. Actually maybe he was good in that movie I change my mind.

He did also demonstrate the complete failure of liberalism to respond to right wing rhetoric - all he says in response to Tedesco’s islamophobic rant about the need for religious intolerance is “you should be ashamed of yourself!”, just totally unable to address Tedesco’s fixation on conducting religious warfare. The film is centred around the church’s need to manage its public image, making multiple references to the recent international outcry over the church’s systemic sexual abuse problems, its homophobia & anti-abortion views that are increasingly falling out of favour, and the general trouble the church has with the press. There is a clear emerging clash between tradcaths and liberal Catholics that are fighting for dominance in the church. The film ultimately finds synthesis between these two poles in Benitez, a man who conducted missions in ‘war torn’ countries such as the Congo and Afghanistan (thus having a more genuine connection to religious intolerance than privileged, out of touch conservatives like Tedesco) but despite that still desires to promote unity and tolerance, and at the last hour is revealed to be an intersex man who was counselled by the pope to get a hysterectomy (and decided against it), as if literally embodying the tension between these two positions within the church. Not sure how I feel about that lol, intersex characters are so rare and he’s not treated as a punchline, they even do the “born this way” thing with it as like god made him intersex. so like props for that I guess.

overall a very goofy person’s idea of power and politics but it was a fun watch and I had a good time. Kinda soured on how ridiculous it is that Benitez would pull a super-majority from a single speech to Tedesco about him not knowing anything about “real war” and the need for unity - like idk I remember learning about Mehmet Ali Acğa’s assassination attempt of the pope and how virulently Islamophobic the response was from the public & media, the idea that there would be a “Muslim terrorist” bombing (they leave it vague in the movie but that’s clearly what’s being evoked) in Rome that damaged the building or church or wherever the cardinals were, and the cardinals didn't all immediately side with Tedesco is pretty mind boggling lmao. Again trying very hard to set aside my thoughts on history and religious politics and just have a fun time with this one, but it’s hard to distance those things when the history being dealt with is so recent.

Ralph Fiennes owns in this movie though, great job from him and just what I wanted out of a Ralph Fiennes character. I really liked this review of it on Letterboxd

[autoantonyms]

Käärijä Cologne Gig Review

Starting off strong with me not sleeping enough. I literally went to bed at 10 pm, but couldn’t sleep until around 1:15 am and I had to get up at 4 am so- yea. 💀

But my dear friend Jenny and I were determined to get barricade so we just did what we had to do. We arrived at around 7 am at the venue and there were thankfully not many people there already.

Then the queuing began. I was so happy to see some of my mutuals again and got to spend so much amazing time with them! I also met so many new people in the queue and thats really one of my favorite things about these fandoms. 🫶🏻😭

At around 11 am Jere just showed up. All of us were like, aware that the tour bus was nearby but i don’t think anyone really cared or actively kept an eye on it. So I guess he just decided to see what we‘ve been up to???

Most of you will probably have already seen some pics (but I have to say it again) he decided to see us.. without any pants on. He was just standing there 🧍🏻‍♂️ greeting us, in this ugly sweater and he took his time to talk to us and take pics with us etc.

Also: I‘m pretty sure everyone who was there and knows me is already tired of hearing it BUT i was just like: „hey do you wanna sit with us?“ and he did. And then the whole Santa thing happened and I‘m still like „?????????? How did ANY of that happen???“ What possessed me to be like that. Anyway, as a friend of mine pointed out, I made him laugh so I will take this accomplishment and make this my new Roman Empire. I am so sorry for everyone who has to hear this story again and again and again🫣

We were also lucky enough to get an opportunity to hear some of the new songs. Because he came back to us a second time and played them for us on his own speaker (it’s battery was fighting for its life lol). And this was honestly the most wholesome thing ever. We were all just standing around him, listening to those songs and some of the others were asking him questions and he was just chatting with us about the album and the songs. He also asked us to not film any of it and I believe all of us just put our phones in front of him on the floor to show him that he can trust us. And he honestly looked so touched by that?!😭 He then asked us if we could film a tiktok with him for Häärijä‘s song and we did 💀

After that we went back to normal queuing and with the progression of the day more people showed up (i mean, that’s how it works haha).

My friend and I did make it to barricade and really had the time of our lives. It was my second time seeing him (last time in Berlin in 2023) and I honestly think both of these concerts are on my top 3 list. I was kinda disappointed that Rock Rock isn’t on the setlist anymore since it is one of my favs but having HHH, Trafik! and Ruoska is already so amazing that I can get over it (still missing my baby tho).

His whole interaction with Anna was so sweet. She was right in front of him and she also had to open his bottle for him and he just made her so happy, it was all so sweet omg.

We were dying of heat tho. It was so fucking hot and all of us were sweating like crazy. Some people in the middle of the crowd got him to splash water onto them and me and @peri-peri-sauce were also trying to get at least some drops onto us but he was just like „no, enough“😭 The security guy then gave us some bottles! He eventually did splash us as well but it literally evaporated 5 seconds later cause it was so fucking hot 🥲

Honorable mentions: the whip during Ruoska??? Sir?? Sir?? Weird way to propose but YES!; him laying on the floor before Cha Cha Cha and us chanting his name while he‘s fingering the air encouraging us to keep going; and hearing Trafik! live for the first time (this song is so good omg); Jenny and I during ICIP (we went crazy); me giving him my „Cologne“ sticker at the last possible moment, him looking at it and kissing it 🥹

All in all, that was such an incredible day. The queuing and the concert were literally perfect and i had so much fun! Nothing could ever beat this day I fear. I am still so overwhelmed by everything that happened and I am so grateful that I could have been there and experience all of it.

Sending love to everyone I met because all of you were amazing! 🫶🏻