#fictional duos

[violet-fluff]

Other fictional duos’ that remind me of Jean and Connie’s bromance 👬🫰🏻

Jake & Boyle (Brooklyn 99) 🫰🏻❤️

Raj & Howard (Big Bang Theory) 🫰🏻❤️

[dysfunctional-doodle]

“It’s not a choice, it’s a lifestyle!”

A very quick comic about my hc that 2003 Mikey is the most reckless out of all of them and frequently comes back from solo missions looking like he was dragged through Shredder’s stronghold when he was only supposed to be getting milk lol. I mean, have you seen Christmas Aliens? His attention span is lethal.

-> Commissions || My Kofi || Tip Jar :) <-

(I do sketches, character sheets, digital art and comics)

[grlanmc]

found a drawing i forgot to finish of @xmaruu11 & @kitsuneisi DDVAU!!

might finish it someday!!

[kdctrin]

Missin' You Already

Synopsis: You're finally getting the time to spend with your girls after you all planned a long-awaited trip away for the weekend. But how will ony take being away from you?

pairings: semi-clingy!ony x black reader

warnings: nsfw, more suggestive, use of the n word, not proofread fr (lemme know if I missed something)

"Onyyy!!" you whine, irritated, while pacing around the room. where the fuck did you put it? You JUST had it no way it could be gone just like that.

"hm?" he says more interested in the game than you. this just makes you more irritated. You have somewhere to be in not even 30 minutes.

You and your girls have been planning to go on a weekend getaway after you all agreed to the stress of jobs and life. This was the one time you could see all your girls in one place and relax all at the same time.

"Ony did you see my phone? imma be late!" you say flipping the sofa cushions up and down.

"Nah ma, i ain' seen it. did you check the dresser?" ony asks nonchalantly while still keeping his focus on the games screen not even sparing a glance. Of course you checked the dresser, that was the first if not second most obvious place to check.

You let out a sigh knowing he'd be no help in your search. You end up finding it in the bathroom on the sink. "how'd it get here?" you think, but you have no time to fully process it and give ony a quick, "I found it." before rushing back to the bedroom to gather the rest of your things.

Rolling your suitcase out to the living room you ask "Baby can you take me over to shy's place? I don't wanna be late." he looks over at you while removing one side of his headphones. "Yea ma don't worry bout it. I'll take you over there... just after this match" placing his headphones back on and refocusing on the game.

He cannot be serious. You've told him about this trip for weeks and now he's making you late.

"Baby please! everyone's probably already over there and im gonna be the only one that's not!" you pout in hopes of him immediately taking you to your destination.

"cmonn mama. just sit on my lap here" he pauses the game and pats his thigh and you hypnotically make your way over and place your self on him. He was dressed in his signature black sweats and his black compression shirt. Dont know what it is but it gets you everytime. "you're gonna be gone all weekend just give me 5 more minutes witchu baby. I know you're gonna miss me too" he gives you a peck on the cheek. you sigh and say,

"but I don't wanna be late" you whine hoping he'll just get up and take you.

He gives you this confused look while saying "but baby you're always late. it don't make a difference now." you look at him shocked. "fashionably late" he's quick to save himself.

"I know that's right, don't try to play me" you both laugh at each others antics. "but for real let's go, you know how long this has been planned I wanna go like now ony." you tell him as you start to get up but he wraps his arms around your waist to keep you on him.

"but maybe I don't want you to go mama." he teases. damn he's too cute. how can he switch up so fast? what happened to 5 more minutes?

"ony" you say his name in seriousness. nows not the time for this you gotta go he promised to take you.

"I'm serious mama, I don't want you to go" his tone is whiney but alluring all at the same time. he leans up to kiss you pouty glossed lips. it'd almost be sensual if it wasn't for how quick it ended. "you don't love me no more so you tryna go away wit yo friends for the whole weekend?" he says smirking. he knows what he's doing. "I know what yall doin there anyway, bouta be flirtin wit other niggas n shit tss" he shakes his head and pushing you off jokingly. "I guess I can take you."

You smile "Baby I'm not. you know you my only one" you bring your finger to brush his nose, a little habit you developed to show your affection towards him, and kissed it right after.

"yea I believe you ma" he chuckles. You stand up out of his lap and start to gather your things again to get ready to leave.

"wait baby, shit. why you in such a rush? s'not like they gonna leave you here. damn" hes gripping his arms around you harder to keep you in place but now he's kissing up on your neck. you know he's trying to be slick and get you to stay. "how can I let my pretty baby go when she looks this good hm?" he breaths into your neck and keeps kissing on it.

you let out a soft moan and started to lean into his affection forgetting all about your plans. he starts to tease you, kissing you everywhere but your lips. he knows exactly how to get to you.

"cmon mama, just let me say goodbye to her." rubbing on your clothed pussy. ony whispers in your ear, "just a quickie I promise." you're hesitant. you know it's never a quick fuck with him. he loves to make you feel good inside and out. so there's no way he'll ever leave you dissatisfied. which is why you say:

"Fine." with a playful smirk on you lips.

Because what would he do without you?

[bajaja-blast]

i can’t explain it but these characters are so autistic imo

EDITED BECAUSE I FORGOT TO ADD

[twynte]

Hiii could you put together a fic rec list for scarian superhero au, please? There's so many of them, I would really appreciate it!

heyy of course nonnie this is my fav au for them <3

❥ hero material by Nine_of_Diamonds [T, 7.7k]

He knows Cuteguy can’t really dislike him; if he did, why would he choose to be his sidekick? From what Scar’s seen of him, Cuteguy would be more than capable of striking out as a solo vigilante. Void, he’d probably fare well as a hero if he wanted. Hero recruiters would be fawning over his combat skills and flight—and no, Scar is not fighting back a pang of jealousy over that—but instead, he volunteered to be Scar’s right-hand man.  In which Scar is trying his best to be the vigilante Boatem needs—though he might need to work on his situational awareness while he's at it.

❥ hold on when you get love by inevitable_acceptable [N/A, 8.3k]

The Hermit League faces a new villain equipped with a 'Love Ray,' made to force its victim to fall in love with whoever they next see. Grian is hit with the ray, and the first person he sees is Scar.

❥ rule number one (gotta be the first to run) by Odaigahara [T, 7.7k]

“Scar’s approaching from the left, by the way,” Mumbo said, and Grian’s stomach flipped, crushed-glass nerves cutting into his insides. He’d been used to struggling to avoid Hawkeye, who popped up whenever Grian least wanted to see him and had always been stupidly hard to shake off, worse once they got to know each other’s patterns, but when it came to Scar– well, but of course Scar would be the same way–.

❥ keep your enemies close (wait, not that close) by Nine_of_Diamonds [G, 12k]

“Grian, when people say ‘keep your friends close and your enemies closer,’ that isn’t an invitation to move in with the hero trying to arrest you,” Mumbo sighed. “Technically, he moved in with me,” he quipped, trying not to think about the dozens of ways his situation could go south. In which Grian and Scar are roommates secretly playing both sides of the law while unknowingly trying to catch each other, and Mumbo is on the verge of heart failure every time Grian opens his mouth

❥ lodestones by setworldspawn [ongoing, M, 107k+]

Scar saves the city’s most dangerous criminal, makes him his roommate, falls in love with him, and then also saves the world with him. In that order, with various setbacks along the way.

link to more recs!

[hyakunana]

Sponsor Switch!

[qsmpficsarchive]

The loveliest platonic (?) husbands on the island! The death family is like no other 🖤

Nominate your favorite death duo fics here !

Today is your last chance to get your favorite fic in the voting!

Art by user k4r1m-p1nt

[mon-moonfae]

An old one

[rpfshippingpolls]

⚠️ DON’T START DISCOURSE ABOUT RPF IN THE NOTES!! YOU WILL BE BLOCKED IF YOU DO SO ⚠️

Do you ship it?

Reason:

“Soulmates in every universe...”

[djarins-cyare]

The Long Goodbye

Din holds Grogu carefully, not wanting to wake him yet.

Just a little longer.

With tender thumb touches, he memorises his boy’s tiny hands, wishing he knew how it felt without his glove.

He’ll have to take him to Ahsoka soon.

Just a little longer.

GIF by a7estrellas

➤ MAIN MASTERLIST

[autism-autobot]

Flower of a Poisonous Seed Story Facts!

Will be called FloaPS Facts!

Wukong carries his blanket everywhere with him now.

Nezha can tell when Wukong's pretending he's fine but really isn't. (Most people can't tell when Wukong is having a bad day)

Nezha found out that Wukong loves flowers and gets them whenever possible.

Spicynoodles and Freenoodles are canon in FloaPS

Red Son still doesn't know what happened between MK and his uncle Wukong.

MK seemed angry and quite nearly lashed out at him when asked, and Wukong just stared into the distance like he was having flashbacks and started crying. Red Son never asked either of them again.

MK and the rest of the crew don't know Wukong is sick. What they do know is that Wukong's house is covered in blood, smashed in picture frames, origami dragons, and drawings of various flowers.

Nezha was never able to fully wash the blood out of Wukong's house, and he stopped trying. Wukong didn't like seeing his house in such a state as it triggered him further. They've stayed at Nezha's house since then.

DBK carries Wukong around in a swaddled blanket. Even when Wukong could still walk on his own unhelped, he still did this.

Macaque hasn't seen Wukong's house yet, but noticed Wukong's heartbeat hasn't been at his house in a long time, and it concerns him.

MK didn't tell Red Son about Wukong's house because he didn't want Red Son or his family to worry about him.

Nezha has a list of planned babysitters for Wukong: 1. DBK + fam 2. Erlang Shen 3. Xiaotian Quan (Erlang's dog, who is very capable) 4. LITERALLY ANYONE ELSE 5. Li Jing

Most of heaven is aware that Wukong is sick. Some people don't care, others gossip about it, and some leave "get well soon" gifts for him, i.e., medicine, blankets, balloons, flowers, food (not peaches, not again), etc.

The initial reason Nezha didn't immediately take Wukong to a doctor is that hardly anyone in the medical field knows anything about stone monkeys.

Wukong's first pica incident left him without three of his limbs (arms and a leg), they grew back.

Nezha sometimes cries himself to sleep after Wukong has an incident and is asleep himself. Wukong doesn't know this.

DBK + fam aren't much better off, they worry too, but they're able to comfort each other.

Sometimes, Wukong gets overwhelmed and overstimulated and gets very quiet. Nezha has learned that quiet is rarely a good thing when it comes to Wukong.

Wukong likes to cuddle the closest person he's comfortable with when he's overstimulated. He'll smell their scent and get comforted by it.

Red Son once caught Wukong sniffing his hair and thought he just liked his conditioner. Wukong was just trying not to have a meltdown.

Wukong's only had a meltdown once since getting sick, and it caused him to be bedridden for a few days afterward.

Macaque can't hear Wukong's heartbeat when he's in heaven.

Wukong's favorite mobility aid is his cloud (which he also considers a pet), but it comes and goes as it pleases. He doesn't want to guilt-trip his cloud into staying with him 24-7.

@swkbiggestdefender @starrclown! @ainnur

Part 2

Masterpost

[jttwlmkaddiction]

Ok here y’all go it’s 21 minutes of pure Macaque thoughts.

DAY 247

[mythmerth]

every time I pick up another section of loaded march I feel the need to talk about how good it is. most well written well choreographed shit ever with such CHARACTERS like ohhh they’re good but you hate them and love them but I’m at the edge of my seat the whole way through

[hephaestuscrew]

“This has both our names on it”: Viewing Fleet and Clara’s relationship in Victoriocity through a queerplatonic lens

TL;DR: By Season 3 of Victoriocity, Fleet and Clara have developed a committed emotional partnership that certainly moves beyond the purely professional. Whilst very much operating as a duo, they can be interpreted as often rejecting or subverting romance-coded elements in their relationship, instead embracing a unique dynamic that can be read as resonating with the concept of a queerplatonic relationship (QPR).

Buckle up because this is over 2,500 words long! If you'd rather read it as a document, you can access it here: Fleet & Clara QPR Google Doc

Disclaimer: I'm not making any claims about creator intent, nor about how anyone else ought to interpret Fleet and Clara's dynamic. It's also worth acknowledging that queerplatonic relationships are inherently defined by the people in them and any attempt to apply such terminology to a story set in 1887 is obviously anachronistic (although whether that should matter when said story also contains a cyborg Queen Victoria is up for debate). 

With that said, if we define a QPR as a committed personal partnership which is not entirely captured by the typical expectations of either friendship or romance but may contain some elements typically associated with either (other definitions of QPRs are available), I enjoy viewing Fleet and Clara's relationship through a QPR lens, and I want to talk about some of the reasons why I think this reading works.

***Spoilers for all three seasons of Victoriocity and the novel High Vaultage***

Detective duos

Even before we actually get into Fleet and Clara's particular bond, detective / crime-solving duos as a general concept have QPR energy to me (which probably predisposed me to this interpretation). It's the Holmes-and-Watson legacy. It's the use of the word 'partner' in a non-romantic context (‘associate’ or ‘companion’ can also serve a similar purpose). It's the intense trust and reliance on each other. It's the sense of being a recognisable pair, always appearing together, known as a duo, with skills and attributes that complement each other. 

Romantic assumptions

Moving on to Fleet and Clara specifically, one aspect of their relationship that can be read through a QPR lens is how they are often in situations where other people believe or imply that there is a romantic relationship between them. Sometimes this is a deliberate strategy of theirs, and sometimes it’s imposed upon them by others. But I’d argue that there’s never a point where they both simultaneously seem entirely comfortable with that romantic narrative for their relationship. Usually one of them will actively deny the assumption or react negatively to the implication:

When Mrs Hampshire interprets Clara and Fleet as a couple experiencing “young love”, Clara might be happy to adopt this as an effective cover story, but Fleet seems unsettled and keen for them not to be perceived this way: “No. No. You’ve misunderstood, we are not, that is to say I am…” (S1E2)

When Warden Hughes assumes Fleet is the new Warden and Clara is the new Warden’s wife, Clara says “I am certainly not”, with emphasis on the ‘certainly’. (S2E2)

Fleet definitely doesn’t sound enthused when he realises Clara has gone for a married couple as their cover story at the Grand Salcombe: “I am sure I’ll regret asking, but by any chance am I [Mr. Theasby?]” (S2E2)

When Titus Byrne tells the pair “I take it you're happy sharing [a room]”, Clara responds with a horrified “What?” (S3E4) (Obviously sleeping in the same room isn’t inherently romantic, but it is often perceived that way.)

Of course, fake dating and external assumptions of romance are very common tropes in romantic will-they-won't-they dynamics, and these moments could definitely be interpreted that way for Fleet and Clara. But I prefer to read these instances as reflecting a different kind of closeness between these two characters. They have a sense of emotional partnership that allows a marriage cover story to seem plausible to others and that other people sometimes automatically assume to be romantic (obviously with some period-typical heteronormativity at play). But to me, it doesn't seem like either of them are fully comfortable with their relationship being perceived in a directly romantic way. Perhaps they are a couple in a different sense…

Proposal via door plate 

The way that Fleet asks Clara to be his business partner has always seemed to me like a platonic version of when people find personal ways to surprise their romantic partner with a proposal:

CLARA: You bought me a door plate for your office? [...] This has both our names on it. FLEET: What do you think? CLARA: I like it. (S2E7)

Fleet could have just asked Clara outright, without going to the trouble of buying a sign that would have been useless if she’d said no. If it was purely a professional business proposition with no emotional meaning behind it, I think he would have just asked verbally. But instead, he gifts her a sign with their two names paired together: Fleet-Entwhistle Investigations. There's something so intimate about that to me: about Fleet asking Clara whether she would like to be a duo with him in a more formally-defined but still non-romantic way; about him choosing to present this offer in the form of a gift; about the way he presents her with their two names joined together etched into metal and asks what she thinks; about the significance that this gesture attaches to their partnership; about him having enough trust that she'll say yes that the effort and vulnerability of presenting her with that sign seem worth it for him. And the gesture means an awful lot to Clara:

She thought about the door plaque he’d had engraved with both their names on it as his way of inviting her to be his business partner – typical Fleet, refusing to tell her so much as his favourite breakfast food and then to go and do something like that. It was the nicest thing anyone had ever done for her. (High Vaultage, p187). 

Anniversaries

In the special episode ‘Murder in the Pharaoh's Tomb', Clara says “And you know what else is a big occasion Fleet? It's our one-month anniversary.” She wants to celebrate the anniversary of Fleet-Entwhistle Investigations. Their partnership holds a significance for her that means key dates associated with it are worth remembering and remarking upon. 

When Clara first mentions their anniversary, Fleet nearly chokes on his drink, which seems like an instinctive reaction to the usually romantic connotations of an anniversary (see my point above about Fleet not being comfortable with their dynamic being perceived as romantic). But when Clara clarifies what she means, Fleet seems much more cheerful about the notion of their anniversary: “Ah, so it has.”

“Miss Clara Entwhistle, my partner”

I get extremely strong QPR vibes from this moment, when Fleet introduces Clara to the sailors at Grave End:

FLEET: This is Miss Clara Entwhistle, my partner - in business, my business partner. CLARA: I'm also his friend, but he doesn't like to say it. (S3 E3)

Fleet and Clara are partners, but not in the way the average person might assume from that word, which Fleet realises mid-sentence here. This is another instance of Fleet reacting negatively to the idea that their relationship might be interpreted romantically (see above). And yet, 'partner' (rather than, say, ‘colleague’) is the word that comes naturally to him in this moment to describe who Clara is to him. He then frantically emphasises the professional element of their relationship so as to avoid the romantic implication, but Clara is keen to proudly assert that there is a personal, emotional aspect to their dynamic too. They are first-and-foremost partners, and they are friends, and they do not want to be seen in a romantic light - this post basically writes itself... 

“Her ridiculous detective.”

When Clara fears for her life at the display of the Lanterns, the narration tells us:

“she thought of her brother, her sister, her parents... Her ridiculous detective.” (High Vaultage, p172) 

The fact that Clara thinks of Fleet in this moment of fear clearly indicates his importance to her, but I think the phrasing of this quote is particularly interesting. The narration lists Clara's immediate family: two of whom are dead (her sister and father), one of whom is publically mourning Clara's life choices (her mother), and only one of whom we have any real evidence of her having a positive relationship with (her brother). And then, separated from these complicated familial relationships by an ellipsis, the narration tells Clara also thinks of Fleet, “her ridiculous detective”. 

Parents and siblings are familial relationships that tend to come with established expectations, in which the use of a possessive pronoun (i.e. her brother) to indicate the relationship is a norm. ‘Detective’ does not fall into this category; unlike ‘brother’, ‘sister’, ‘parent’, ‘friend’, ‘partner’ etc., ‘detective’ is not a word that inherently implies a relationship or that we'd usually expect to see preceded by a possessive pronoun. The idea of ‘her detective’ therefore stands out, giving the sense that there is a unique relationship being indicated here. The way in which Fleet is ‘hers’ is something that Clara has chosen for herself, something that they have shaped together. Who they are to each other can't necessarily be fully expressed using standard phrases that traditionally describe relationships between people. But Fleet is Clara's detective, of which she only has one, and who she'll think of in the midst of “the screaming of the heavens at the end of the world”.

Fleet is also the only one in this list of Clara's loved ones who gets an adjective - her love for him has detail. And while “ridiculous” might often be perceived as negative (it's certainly not a classic romantic endearment), it seems to me like there's such fondness in it in this context: the recognition of and affection for eccentricities, the idea that his importance to her is not (purely) based on his professional strengths but on Fleet as a whole - perhaps at times ridiculous - person.

“Settled”

When Clara and Fleet talk about Clara's mother’s expectations for her, they have this exchange:

"She's still living in hope that one day I'll settle down."  "You're not settled?" asked Fleet. "I am." (High Vaultage, p259) 

By ‘settle down’, Clara's mother of course means ‘marry’, ideally into “at least a minor baronetcy”. But Clara already considers herself "settled", just not in a way her mother would understand or appreciate. She's not looking to "settle down" into a lifestyle other than her current one. She is settled in a situation where Fleet is certainly her closest personal connection in London (and perhaps anywhere), and where the two of them work closely together, operate as a duo, and then go back to their separate homes. And this partnership with Fleet is a comfortable set-up that feels right for Clara exactly as it is, rather than being a precursor to, or a distraction from, the marriage ambitions that her mother wants for her.

I think this exchange also contains an implicit sense of the commitment between the two of them. Fleet wants to check that Clara is ‘settled’ in her current situation, of which working closely - and platonically - with Fleet is obviously a major element; Clara confirms she is. There's a subtle indication of their shared intention to be in this for the long haul.

As a sidenote, Fleet and Clara’s implicit assumption that their partnership is a long-term one can manifest itself in joking contexts as well as serious ones. Look at this exchange from S3E5: 

FLEET: We're not bandits, we're just going to flag it down. CLARA: We'd be terrific bandits! FLEET: Let's just see how our current line of work goes.

I think it’s notable that, in this joking speculation, both Fleet and Clara use ‘we’ and ‘our’. The joke could have been phrased just as effectively if they were imagining only Clara becoming a bandit. But the suggestion is that, if either of them was a bandit, they’d be bandits together. Even if they changed their lives entirely, they'd still approach life together.

Inseparable 

Fleet and Clara have become a nearly inseparable duo in a way which is noticed by others. For example, after Clara and Fleet fall out in High Vaultage, Fleet meets with Keller, who says: 

"You're here with me instead of barrelling across town with her, so I'm just assuming there is some thickheaded puffinry for which you need to apologise to Miss Entwhistle" (p335)

Keller, hardly the most emotionally perceptive man in Even Greater London, automatically infers from the fact that Fleet is on his own that he has had a falling out with Clara, rather than that they just happen to be in different places. When all is well, Keller expects to see the two of them together, whether or not they are in a position to be actively working a case.

Going back earlier in their partnership, Keller makes a similar assumption about Fleet and Clara being inseparable in S2E6. When Clara shouts her name amidst Keller's anti-Vidoc booby traps, Keller asks "Entwhistle? Which means… Fleet?" Again, there's this idea that if one of them is there, the other is likely to be there too - they come as a pair. (It's worth noting that this scene takes place less than two weeks after they first met.)

“Like a friend might?”

At the end of S3E7, Fleet suggests that he and Clara go to the theatre together. It would have been easy for this invitation to have been explicitly framed as a romantic proposition, or even for the nature of the offer to have been left more ambiguous. But Clara says "Archibald Fleet, are you inviting me to a social activity? Like a friend might?" The use of the word 'friend' directly labels this as a platonic interaction. And it's with that platonic lens on it that Clara is extremely excited to spend non-work-related social time with Fleet.

“Maybe it'll just be my good luck charm.”

CLARA: My grandmother's ring, I don't suppose you managed to hold on to it? [...] FLEET: Oh, it's been crushed.. I'm sorry Clara [...] CLARA: No, you keep it. FLEET: What? No... CLARA: Keep it. Maybe it'll remind you not to run towards trains. FLEET: Maybe. Maybe it'll just be my good luck charm.

In S3E7, Clara gives Fleet a ring, which - as a gift from one person to another - is traditionally a symbol of a particular, legally recognised, kind of personal commitment. But when Clara tells Fleet to keep the damaged ring, down in the Underground tunnels after the destruction of the beast and Fleet's latest brush with death, it is quite a different situation to a wedding or a proposal. A married man would traditionally wear his wedding ring on his finger for all to see, but Fleet won't ever wear this ring like that. The ring itself has been bent into a different shape between the wheels of their misadventures, subverting the usual associations of a ring given from one person to another. (In a heteronormative world, those associations are particularly strong when the two people in question are a woman and a man.) 

That ring is not an engagement ring, but it is Clara’s grandmother's ring, an inheritance from the blood family she never really felt she belonged in, now given to the man who might be a very different kind of family for her in London. That ring - with which Clara saved Fleet's life - is a symbol of their bond. And it therefore serves as a reminder for Fleet “not to run towards trains" and as a “good luck charm”. I like to think he'll carry that ring with him, perhaps in his jacket pocket - a little piece of his partner, kept close to his ticking heart…

Thank you for reading all of this!

If you’ve read all of this, I'm assuming you also enjoy the concept of Fleet and Clara as a QPR (unless you're really a glutton for punishment) and that makes me very happy! This was long because there's so much to say about them… And I wrote all of the above without even getting into: the potential to headcanon Fleet and/or Clara as aspec (which I don't think is necessary for QPR headcanons, but which is also fun); Clara's baggage around and discomfort with marriage in general; the speed with which Fleet and Clara become a ride-or-die duo; and the many other demonstrations of care, understanding, trust, respect, and affection between them that didn't feel as directly QPR-coded to me but are nonetheless wonderful. Please do feel free to share your own thoughts!

[kadextra]

“You are important.”

“I’m really worried about you. You need to take care of yourself, because you’re not okay, we can see it. are you drinking water and eating?”

“You’re scaring me. cause I know that you’re not okay, but I can do nothing.”

“Every day I hope to find something about the eggs because I can’t stand seeing q!Bad sad anymore”

“He’s changing every day, turning into something like a ghost… I’m so worried, it’s like at any moment he could just disappear.”

“I feel powerless. I think q!Bad is suffering a lot, but he doesn't admit it. I really want to help him, I've been thinking really hard about how to help him”

“He took me around, we hang out, he helped me a lot and gave me items. He is my best friend. I don’t know what I should do…”

ough q!bagi. every time she talks about q!bad it makes my heart break, she is so kind. they’ve known each other a week, but she says with her whole chest that this is my best friend and I Will find a way to help. she is the only person q!bad has straightforwardly admitted not being ok to. I’m so….