#fic plot bunny

[oldfangirl81]

Daytime, I'm fine

Everything is back to normal, Last night, I thought I would die, I had nightmares, I was so scared, Thank God you are by my side, To hold me when I cry

I want to be strong, But I don't want to be alone tonight, I want to believe that I can save the world, And make it right, but I'm only human, And you've got a hero's face, Right here in your arms, Is the safest place, the safest place

[libraryofgage]

I realized Steve is absolutely that kid whose parents put him through piano lessons solely so they could have another way to show off at parties and shit. And then that thought morphed into a little Steddie plot bunny and here we are lol:

Steve doesn't know it's the last time he'll sit at the grand piano, the last time he'll press down its keys and let music fill the empty room before bleeding out into the empty house.

He doesn't know that when his parents next come home, his mother will notice how horribly out of tune the instrument is. He doesn't know that it will be sent off somewhere for repair (his parents won't tell him where, no matter how he asks, and he'll never quite understand why) and lost to him. He doesn't know his parents won't bother buying another one; it was only ever there to impress party guests when Steve sat down and played some Bach. Without those parties, company or otherwise, there's no point in getting another one: both the piano and Steve will have outlived their usefulness.

He doesn't know that he'll be storing away his sheet music, carefully placed into folders and in a waterproof box for safekeeping. He doesn't know that he'll soon become too consumed by high school and dating and monsters to idly write down notes on a staff. He doesn't know that when he's swinging a nail-ridden bat in the future (to destroy monsters, sure, but destruction is destruction, right?) he'll ache with the pain of missing the act of creation as a means of stress relief.

He doesn't know any of that, so Steve sits down at the grand piano with a soft smile, gently trailing his fingers over the keys before lining them up in the Middle C-position. He runs through a few warm-ups, letting muscle memory take him away, so he doesn't have to think. Without another thought, he seamlessly transitions into idly playing, bits and pieces of everything he remembers and songs he's heard blending together.

Mozart's Air morphs into Beethoven's Fur Elise into Queen's Bohemian Rhapsody. It doesn't all sound good together, but that's not the point when Steve plays by himself. All that matters is letting his brain shut off for a bit, letting the notes and echoes mingle together to create something new and joyful.

After two hours on the piano, his wrists are aching; he always forgets to hold them in the proper position when he plays alone. But it's a good ache, one that reminds him of the music still dancing around in his brain.

Steve takes a deep breath and slowly releases it, feeling the last of his tension dissipate. He lets his hands linger on the piano for a little longer before standing and leaving the room, tragically unaware of his imminent and unavoidable loss.

--------

Steve is sprawled across an old couch in Gareth's garage, reading Eddie's well-loved copy of Lord of the Rings. He'd promised to at least give it a go, and he had to admit he was looking forward to finally understanding some of the references Hellfire Club and the kids make. His progress is slow, but he's almost halfway through after two weeks of work. Reading while Corroded Coffin practices helps; the background noise of their music is perfect, letting him ignore all other sounds and focus.

Of course, that's provided they actually play continuously instead of starting the same song over and over only for Eddie to stop them halfway through. When it happens for the sixth time, Eddie growls in frustration, tugging harshly at a lock of hair. "It still sounds wrong!" he cries, dropping into a crouch while cradling his guitar close.

"Stopping us halfway through isn't helping," Gareth points out, idly twirling a drumstick as he watches Eddie's lament.

"Do you know what's wrong yet?" Asher asks.

Steve can longer focus on Lord of the Rings. Instead, he places the book on his chest and looks at the band to watch how this plays out. Eddie scowls and looks up at Asher. "Unfortunately, Ashy Baby, no."

Jeff, meanwhile, has locked eyes with Steve. And because Jeff knows the perfect way to get Eddie off their asses is to get him on Steve's instead, he says, "Why don't you ask Harrington what he thinks?"

Eddie whips around to look at Steve, eyes wide and hopeful. He doesn't even bother standing from his crouch, instead waddling his way over to Steve and testing his ability to hold back laughter at the sheer ridiculousness of the sight. "Stevie, baby, sweetheart, lover boy, please tell me that wonderful brain of yours has an idea so your favorite boyfriend can finish this rocking song."

"You're my only boyfriend."

"Which automatically makes me your favorite," Eddie points out, grinning as he leans closer. With Steve still laying down, Eddie's the perfect height in his crouch to kiss him. He lingers for a few seconds before pulling away, and Steve knows his own smile matches the dopiness of Eddie's.

"Have you considered adding a piano?" Steve asks.

"None of us know how to play," Asher says, and Steve would look at him if Eddie's face and hair and shoulders and everything weren't filling his entire line of sight.

Without thinking, Steve hums and says, "I do."

"Do what?" Eddie asks.

"Know how to play piano."

There's a silence that follows his sentence, one that makes Steve's stomach lurch as he wonders if he's maybe fucked up the shaky peace and friendship he's finally managed to build with the other members of Corroded Coffin. He doesn't know how his words might have done it, but he's scrambling to somehow take them back when Eddie slaps a hand over his mouth, the bands of his rings pressing against Steve's lips.

"Gareth, you still got that keyboard?" he asks, keeping his eyes locked on Steve. There's a light dancing in them like he's just discovered magic is real, like Steve has amazed him beyond imagination.

With a grunt, Gareth gets up from his drums and steps into his house. The rest of them stay in silence while waiting, Eddie refusing to remove his hand no matter how much Steve licks his palm. When he finally gives up and just glares at Eddie, his boyfriend grins brightly back.

"It's a little dusty, but it'll work fine," Gareth says when he comes back, and Eddie finally moves his hand and body, allowing Steve to see Gareth setting up a keyboard a few feet away from his drums.

"Okay, sweetheart," Eddie says, taking the book from Steve and carefully setting it aside before pulling him off the couch, "you've heard the song enough. Play what's missing."

Steve hesitates before walking over to the keyboard. Eddie sticks to him like a shadow, sliding his arms around Steve from behind once he's standing in front of the white and black keys. An odd nervousness churns in Steve, tugging at his spine and making his palms clammy, but he knows it would be much worse without Eddie there. If he had to play in front of the band without feeling like anyone was on his side, he'd probably just throw up instead.

"It, uh, it's been a while," he says quietly, easily falling into the muscle memory of tracing the keys and finding Middle C and dancing his fingers through warm-ups despite his words.

Eddie squeezes him tighter as Jeff asks, "Since you've played? Why?"

Memories of his grand piano rise in Steve unbidden, overwhelming him in a rush of longing for the instrument itself and the relaxation of playing. "My parents paid for lessons and had me play at company parties. They, uh, sent it off to be tuned, but it got damaged, and they didn't get another one."

"That sucks, Stevie," Eddie murmurs, soft and reassuring and Steve suddenly feels far more confident.

He looks up at Jeff. "Can you start playing again?" he asks, flashing a grateful smile when Jeff nods and starts strumming the song's opening notes.

Steve listens closely, breathing in the tune he's heard so many times and letting it take hold. He doesn't allow himself to actually think, letting Jeff's guitar and Eddie's arms and hair and scent drown out everything else. Before he knows it, he's playing a hesitant tune that grows with confidence as he follows the song laid out before him. He's always a measure behind, chasing the guitar's echoing notes as they fade.

He and Jeff make it through the whole song without Eddie telling them to stop. When the final notes of guitar and piano echo together, the latter still chasing the former even at the end, Steve is shaking with excitement and anxiety and grief and joy.

He lets out a slow breath, feeling tension he didn't even realize had lingered for so long finally draining from his shoulders and dissipating. Steve can also feel Eddie's face pressed against his neck, a smile searing into his skin as Eddie squeezes him even tighter.

"I love you so fucking much, Stevie, that's exactly what was missing," Eddie says, his words the only warning he gives before pulling Steve away from the keyboard and off his feet and spinning him around. His surprised yelp quickly morphs into laughter that still lingers even after Eddie has set him down again.

Gareth and Jeff and Asher have already started discussing how the other parts of the song might change with the addition of a keyboard, but Steve is too busy turning in Eddie's arms and kissing his smile away to pay them any mind. He can worry about inevitably being roped into the band's practices later, after he and Eddie are breathless and flushed and smiling bright.

[insanescriptist]

To be fair, Dan did not intend to save Krypton. For a definition of "save," it must be argued.

That was an accident.

He had been stopping by to uh, convince them to cease tossing their criminals into the Zone and reclaim those they had banished into parts of the Infinite Realms that they tore into with each banished criminal.

For a ghost, being in parts of the Infinite Realms it didn't matter too much if part of the Realm passed time irregularly. What were they going to due of? Old age?

Dan would normally not give a shit about them tossing criminals into the Zone, except...

They were drifting into his lair!

Hence the aggravation worthy of actually leaving his lair to return all these criminals back to their own world and dimensions.

Dan didn't intend to save a whole planet's worth of population -their actual planet being fucked-

But just as Dan has finished settling the mishap in his mind, Clockwork sends him one of those damned cryptic notes.

Dan broke atmosphere just to yell in space.

[ineedtherapydesperately]

desperately wanna write a childhood friends to lovers au w chloe and red in the timeline where bridget never goes evil and is still besties w ella

like imagine all the hangouts and sleepovers they have, crying and whining when they have to be separated because red, dear, we really must return home or chloe, love, we've been in wonderland for a week already

imagine little chloe bursting into her parents' bedroom declaring that she'll always be red's knight in shining armour, because every princess, especially a crown princess, needs a knight to protect her and ella and christopher just KNOWING that chloe is gonna stay by red's side forever and ever

so they start planning the wedding with bridget, thrilled to have the opportunity to bring their families even closer together. they're gonna be in laws! a family, just like they've always dreamed.

imagine little red telling her mum that chloe has a really pretty smile and really pretty eyes, and it makes her happy to see chloe happy, and that chloe is the bestest friend in the whole wide world and bridget has to stop herself from squealing and pinching red's adorably flushed cheeks, because her daughter was so in love already, even if it was just puppy love. that doesn't stop her from screaming gleefully into her pillow later that night tho

imagine them growing up together, attached at the hip, never straying from the other's side. imagine them going to auradon together, everyone already knowing that red and chloe, chloe and red, are a package deal. you can't get one without the other, a known fact since the duo were old enough to travel through the rabbit hole on their own

imagine chad walking in on them cuddling, watching a movie and cooing at them, snapping pictures on his phone before they notice him, yelling at him to leave them alone. alright, alright, I'll leave you lovebirds alone and red flushes in mortification and shut the fuck up chad, we're completely platonic and you know this because little miss goody-goody would definitely be rougher around the edges, growing up with red, and she'd definitely cuss up a storm at chad, but she loves him, she swears, just maybe not as much as she loves red

imagine them going through all the motions of a romantic relationship, cuddles, cheek kisses, hand holding, cute dates and all that, but insisting that it's just platonic, and that's how they've always been because they're best friends and their parents are so very done with them, just praying for them to get together, and chad has even started a betting pool for when they'll realise they love each other. he thinks it'll take them until at least their second year at auradon prep - at least, it'll take chloe that long

imagine chloe and red having matching lock screens, and having each other set as their home screens as well. imagine red baking chloe anything she asks for, like peppermint cookies and flamingo feather cupcakes and blueberry muffins, because chloe, her princess, her knight, has a raging sweet tooth that red can't help but indulge every time. imagine chloe taking red on ice cream dates, because red LOVES ice cream, and refusing to let her pay for it because red was a princess and deserved only the best treatment, thank you very much and red has to point out that chloe, you're a princess too. but, red, you're the crown princess and im your loyal knight <3

imagine red finally realising her feelings and ranting at the council of parents because holy shit aunt ella, your daughter is so dense?? and christopher can't help but cringe because he knows exactly who chloe got that trait from and he's like I'm sorry but while we charmings are quite, charming, we're also quite oblivious, especially to matters of the heart and bridget can't stop laughing because darling, you may need to hit her with glass shoes for her to figure it out, which makes ella blush because that's exactly what she had to do that night at castlecoming

god I have so many feels about this I am totally normal about glassheart. final part absolutely inspired by @strugglingsapphic's recent post bc I love the idea of oblivious chloe not knowing shit

[darthkote]

[gh0stbeeee]

lawlight fic where they just run away.

They're in a position where they could utterly destroy eachother but decide not to. They put their weapons down, because it's not worth it anymore. They reached the end of the story, and they don't want to close the book.

Light keeps the note and L has help at the press of a button. They ignore the what ifs, what they were expected to do. Misa gives up her note after a lie, and Rem is satisfied to watch over her from afar. They leave without a word in late November, the sound of bells growing fainter the further they drive in their SUV.

They left nearly everything. Minimal clothes, toiletries, momentos, some laptops and new cell phones. They take a road trip through Japan, up north to more rural and traditional areas. They sleep in the trunk of their car some nights, seats folded away. They cuddle up on their foamie under a thick quilt and watch the stars through their sun roof.

They get married at a small shrine before they leave the country.

They travel to the islands, then to different Asian countries, they take to backpacking for awhile, after all, L has enough money to buy anything they need.

They go to Europe, and Africa, then the Americas. They see all the world has to offer, see it together through eachother's eyes.

They'll settle again, many years later, in England at Wammy's. They visit Light’s family every new year after Christmas, and everyone who knows them agrees their elopement was for the best after they smile at eachother.

[dustofthedailylife]

Jing Yuan x (gn!) Reader

A/N: Plot bunny time?! Randomly got this idea under the shower. Tempted to make a full fic...

Thinking about a Reader who is Jing Yuan's first love. You spend countless years of your young lives together and are basically attached at the hip. Unspoken feelings linger between you two for aeons knew how long - but neither of you had acted on them.

You decide to become an adventurer one day and began traveling to planets all over the universe. But one day, your spaceship malfunctions and you crash, leaving you stranded on this deserted planet far away from home.

The damage is too great so you are unable to send off a rescue signal back to the Luofu. So all you can do for now is sit and think.

After about half an hour you are rescued already however. You begin to wonder how they found you so fast, but as soon as you arrive back at the Luofu you realize what was amiss.

While Jing Yuan hugs you with tears streaming down his face you begin to understand that in those 30 minutes on that planet, 500 years had gone by on the Luofu.

[catofadifferentcolor]

Terrible Fic Idea #92: Percy/Apollo, but make it The Trojan War

Into every fandom, a time travel fic must fall - or in this case a second one, because I somehow got to thinking about the delightful PJO trope of Percy being thrown back in time to The Trojan War and realized that doing so misses out on a fantastic opportunity.

Or: What if post-TOA Percy Jackson and Apollo time travel to shortly before The Trojan War?

aka the Tried To Change The Ending fic

Just imagine it:

Everything follows canon through TOA, with one exception: rather than struggle to catch up in the mortal world following the Second Gigantomachy, Percy elects to stay at Camp Half-Blood. There he can homeschool at his own place with programs tailored towards ADHD children and still visit his family on the weekends - and not get into any more ridiculous situations in the mortal world when one of the gods kidnaps him or sends him on a quest to find their sneakers.

This, naturally, stresses his relationship with Annabeth - who, now that she's no longer living at camp full time, calls it the easy way out. But Percy is tired and struggling in mortal high school where everyone thinks he's a delinquent idiot when another option exists seems foolish. Percy and Annabeth break up and drift apart.

Enter Apollo, fresh from his latest stint as a mortal. He's trying to do his best by his children, which includes popping by camp as often as he can get away with - which in turn means spending a lot of time with Percy, who at this point is unofficially running CHB because it's not like Dionysus or even Chiron have done a brilliant job of it in recent times.

(First aid, strategy, and mythology classes are made mandatory. Percy personally ensures every demigod knows enough about self-defense to be able to survive long enough to run away or for help to arrive. Bullying is cracked down on so hard that it's this, not Percy's generally parental nature, that has people calling him Camp Mom.)

Percy and Apollo become friendly. Enough so that some of Apollo's kids assume they're dating and keeping it on the down-low so as not to draw Zeus' ire. Or Poseidon's. Or anyone else's. It's on one of their not-dates that they're yeeted into the past, without warning or explanation.

And so 19-year-old Percy Jackson and post-TOA Apollo find themselves in Ancient Greece c. 1220 BCE, roughly thirty-five years before the destruction of Troy.

The time travel is immediately obvious, as Apollo becomes the closest thing a god might experience to being high the moment they land in the past - being a powerful god in modern times is nothing like being a powerful god at the height of his power in ancient times. It's overwhelming (and somewhat alarming from Percy's POV, but kind of funny in retrospect.)

The specific date is harder to determine, but made clear when Hermes shows up and starts going on about you'll never believe what father's done now: he seduced the Spartan queen as a swan and she's laid an egg. Hera is furious - especially as they're saying the girl that hatched from it is the most beautiful in the world, even though she's only a few days old. It's nuts. By the way, where have you been? You missed the last two council meetings. Do you want Dad to punish you?

Apollo at this stage is very high. He's also been USTing over Percy for quite some time and is worried what the gods of this era might do to Percy without divine protection (smiting or seduction, it's all on the table). But mostly he's very high, and so to keep Percy close and safe he declares he's been off having the dirtiest of dirty weekends with his latest lover and that Hermes' presence is ruining the mood. So if he would kindly leave, please and thank you, he'd really rather get back to it without an audience.

This, naturally, is a surprise to Percy, but he rolls with it because 1) he doesn't have any better ideas on how to get rid of Ancient Greek Hermes so they can figure out what the hades is going on and 2) he's been USTing over Apollo ever since he recovered enough from Tartarus to start feeling attraction again.

Fueled by mutual UST, they put together a cover story that should hold the next time a god with too much prurient interest shows: Percy is now Prince Persē of Gadir - a Phoenician colony that will grow into the future Cadiz - well past the edge of the Greek world at this stage but not beyond belief for Poseidon to have visited, as it's obvious who his father is. They claim his mother is the King of Gadir's youngest sister and as such Persē had a royal upbringing, but was far enough down the line of succession that he was free to chose to sail east and explore his father's homeland. Apollo caught sight of him on his journey, one thing led to another, and here they are.

(Are there easier, more sensible cover stories? Possibly. But the UST refuses to let them consider any of them now that a fake relationship is on the table.)

Deciding what to do about The Trojan War is much harder. On the one hand, it's a lot of senseless death and destruction. On the other, without it we don't get The Iliad and The Odyssey - two of the most influential works of literature in western civilization - and Aeneas doesn't go off to Italy (leading to the founding of Rome, which would change the history of western civilization a lot). In the end, they decide to let the war happen but do their best to mitigate the worst parts of it.

And so Percy goes off and becomes a hero of Ancient Greece while pretending to be in a relationship with Apollo.

This stage of things is filed with angst from both parties, as both Percy and Apollo want a real relationship with each other but think they're abusing the other's trust by eagerly faking their relationship. There's a lot of PDA, a lot of feelings, and limited communication. It goes on for quite a while and would probably exasperate quite a few people if everyone in the know didn't think they were already in a relationship.

It's also filled with modern day Percy being confronted by realties of life in Ancient Greece. It's not just mortals knowing about - and interacting with - the gods: it's everything. It's food and clothes and language and culture and housing and travel. He can play a lot off it as being a traveler from the edge of the known world, but some of it has him asking Apollo if he's being rick rolled.

Apollo, meanwhile, is having troubles of his own. He is not the god he used to be and it's hard pretending otherwise. He tries to walk the line of doing enough to be believable and holding back enough not to despise himself, but it's a fine line, he fails often, and he spends a not insignificant amount of time worried he's backsliding.

And so it goes until 7-year-old Helen of Troy is kidnapped by Theseus to be his wife.

This, naturally, does not fly with Percy, who by this time has built up something of a reputation as a hero. He teams up with the Dioscuri to rescue Helen.

One would think this would earn him Zeus' favor. It doesn't. Instead, Zeus sends monsters to harry him for refusing to let Castor and Pollux take Helen's captors' loved ones captive and raze Aphidna for Theseus' crime. Percy manages to hold his own for quite a while but eventually, exhausted from the near-constant fighting, is gored and left for dead by the reformed Minotaur.

...and when Apollo arrives, frantic, to heal him, Percy ascends instead, becoming the greek version of Saint Sebastian - a minor god of heroes, strength in the face of adversity, and athleticism; sort of halfway between Hercules and Chiron.

Then and only then do Percy and Apollo finally get their act together, confessing to each other how much they care for the other and how much they don't want this to be fake any longer.

History proceeds apace - albeit with Persē being a second immortal trainer of heroes.

24 years after their arrival in the past, 16 years after Percy's ascension, The Trojan War begins. Despite their best efforts, there's only so much they can do - war is war and gods are gods. They are able to stop some of the worst excesses on both sides, but in the end Apollo still sends the plague that causes Agamemnon to take Briseis for his own, which caused Achilles' departure from the field, Patroclus' death, &c - not because Apollo was trying to maintain the timeline, but because in the instant he sent it he was angry and reverted to his old ways.

Troy falls...

...but when Zeus tries to use this as an excuse to ban gods from interacting with their demigod children, Apollo is able to say that's a bit extreme isn't it? with enough backing from the rest of the council that Zeus is forced to amend his ruling so that the gods are only allowed to freely visit their children on the "cross quarter days" that fall between each solstice and equinox (1 February, 1 May, 1 August, and 1 November).

This changes everything and nothing.

Time continues its inevitable march. Greece has its golden age before being conquered by Rome, which splits apart under its own weight and forms several smaller countries, which eventually spread their cultures around the world...

Apollo and Percy are there for it all. Persē is a minor figure in mythology, but never forgotten. He is ever-present in Apollo's temples - though the Church will later try to rewrite their myth so that they were merely sworn fighting partners, rather than lovers who eventually had a quite lovely wedding on Olympus (and then, at Poseidon's insistence, an even bigger ceremony on Atlantis). Percy takes over day-to-day operations of CHB from practically the moment the Trojan War ends.

...and so Persē is there the day Sally Jackson tries to get her son to camp, and is able to intervene when the Minotaur attacks on their border. He's able to meet her and her young son, Perseus ("Mom named me after you and the guy that killed Medusa since you're the only two heroes to have happy endings!"), and guide him through the trials that come with being a child of prophecy.

One day that Percy will hand Luke - who was never happy with the limited attention the gods were allowed to give their children - a cursed dagger so that Kronos can be defeated. That child will be offered godhood, turn it down, and go on to have a happy life with his eventual wife, Annabeth. He will never have his memories erased and be sent to Camp Jupiter. Gaia will not rise until long after that Percy's grandchildren are dead, and Zeus will not be quite so bullheaded when the proof of it is brought before him. That Second Gigantomachy is swift, well-coordinated, and fought without another Greek/Roman war brewing in the background.

And when they finally arrive at the day Apollo and Percy were originally sent back in time, Percy admits that while he is happy some version of him was better prepared for the war he was asked to fight in and allowed his peace afterward, he would change nothing about his own life, for it brought him to Apollo. The sunrise the next morning - on the first morning of the rest of their lives - is particularly spectacular.

Bonuses include:

Gaslighting Poseidon into believing that he's met Percy before the first time they're introduced. ("What do you mean you don't remember me, Father? You were present when I came of age! You gifted me this trident! Have I displeased you in some way?") It's an absolute masterclass that eventually manages to convince Poseidon that, yes, of course he knows Percy - and, maybe, he should check in on all his other demigod children to make sure he's not missed someone. (Two. He lost track of two of the others. Maybe he should be more careful about siring children in the future.) Apollo practically has to stuff his fist in his mouth to keep from laughing.

As much historical accuracy as can be crammed into the Percy trying to make sense of Ancient Greece chapters as possible. Think Of a Linear Circle - Part III by flamethrower levels of historical research. As much as can be shoehorned in without bogging down the plot.

Percy and Dionysus bonding over their mutual dislike of Theseus, though Percy generally gets along with his other half-siblings, especially the ones who come to camp young enough to keep from getting big heads over being the children of Poseidon.

Though Percy adores all the children in Cabin 7 (most of whom are born via blessing this time around), he and Apollo have at least one child of their own - maybe a demigod born before Percy's ascension to sell their fake relationship? Maybe a minor god who's later attributed a different parentage by mortals? Dealer's choice on details.

It never being made clear who, or what, or how, Percy and Apollo were sent into the past. All of Percy's oddities are attributed to him being foreign or formerly mortal, all of Apollo's to the fact that he's in love with someone who didn't die before their first anniversary, and no one ever guesses time travel is responsible for their eccentricities. Or that time travel was ever an option.

And that's all I have. As always, feel free to adopt, just link back if you ever decide to do anything with it.

More PJO Ideas | More Terrible Fic Ideas

[sequinsandfins]

Oscar loves watching lawn mowing videos.

Carlos overhears him say he loves edging, and he can’t get the thought out of his mind until he has Oscar laid out beneath him and begging.

Oscar loves watching lawn mowing videos and he does like watching the edging… he just needed some plausible deniability in his attempt to push Carlos into making a move.

He finally confesses after six months together, crying into the bedsheets, desperate to come after Carlos has brought him to the edge four times in the last two hours.

Carlos kisses him softly, thanking him for the truth but doesn’t let him find release for another hour.

[itsthatlake]

Ha! Look at you, so young and happy... where did they years go?

[adhd-coyote]

General Kenobi was antsy. It was hard to see, but vode were excellent at observing and translating body language. Something was making the General nervous.

Should Cody ask? The General wouldn’t keep something from them, right? He seemed to care for the clones, at least from what Cody had observed.

Cody would ask. It should be fine.

“General Kenobi, sir?”

The General startled—just barely—and looked his way. “Yes, Commander?”

“Are you…” Cody searched for the right word, “…alright? You seem… anxious.”

“Oh.” There was that smile, the small one General Kenobi used when he was trying to be reassuring. “I’m alright. I just…” His smile dropped, and his gaze turned distant. “I have a bad feeling.”

-

“I have a bad feeling.”

Cody looked to his left, where Fox always stood. Fox, who had a furrowed brow, a small frown, and a distant look in his eyes.

Cody tilted his head. “What kind of bad feeling?”

Fox’s frown deepened, before he sighed and shook his head. “I dunno. Just… bad.” He looked to Cody, relaxing ever so slightly when their eyes met. “Be careful during today’s exercise, yeah?”

“‘Course, Fox’ika,” Cody smiled and pressed their shoulders together. “I’m always careful.”

Careful didn’t account for a malfunctioning speeder bike. Cody was lucky the crash hadn’t taken his eye out, but he’d be laid up in medbay for a few days and have a wicked new scar.

They all started paying more attention to Fox’s bad feelings after that.

[fuckyeahisawthat]

I was thinking about an alternate ending to Furiosa that I would have found more narratively satisfying, that dealt with the two third acts problem without radically altering other parts of the movie.

Imagine if you will:

The climactic action sequence is the one at the Bullet Farm and maybe a bit of the chase after. Same setup. Furiosa has the best chance she's ever had to get home, but she can't make herself leave Jack. Goes back to fight for him. He still dies--not in the same horrible drawn-out way, but Dementus kills him. Furiosa gets caught in a wreck or something with her arm pinned. Echoes of Max leaving the guy handcuffed to the burning car in Mad Max 1. He can live if he chops his arm off. And chop she does. Not in time to save Jack, but in time to kill Dementus. That's not long and drawn-out either but he is very clearly dead by her one remaining hand.

Maybe that's when the backup from the Citadel that they called for when everything went to shit arrives. Furiosa gets brought back to the Citadel, probably without much choice at that point because she's barely conscious due to rapid unplanned disassembly of arm. She is welcomed by Joe as a hero for slaying his enemy. Promoted to Imperator and told she will lead the War Rig crew when the rig is rebuilt new and better than ever. She was Jack's second-in-command after all.

Everyone is treating it like a victory for her but we feel it as a defeat, because she still lost the one person she cared about, and in the aftermath of that it seems like she has given up on trying to get home. Accepted that a high-ranking position in Joe's armada is the best she's gonna get. Maybe we even see her planting the peach tree at the Citadel as a sign that she's accepted she is never going home.

(We know she'll try again in Fury Road, but it doesn't look like she knows that.)

In this version of events, I think Joe would gift her the prosthetic arm. You are part of my war machine now. She has proven herself valuable enough to be taken care of, like the History Man advised her. Valuable enough to be repaired instead of discarded.

I am chewing on the parallels. At the beginning of the movie she has a chance to escape, but she can't leave her mom. She goes back and watches her mom die and gets trapped by Dementus. At the end she has another chance but she can't leave Jack. She goes back and watches Jack die and gets trapped by Joe. It's the kind of dark ending that works for a prequel when we know she is going to have her moment of victory in Fury Road.

I'm imagining the image of her being brought back to the Citadel in hollow triumph after killing Dementus. She's half-dead, one-armed, riding on the front of a car like the end of Fury Road but she's being kind of propped up like a trophy. Versus the end of Fury Road and its moment of real triumph--a return she never intended but this time to a place that maybe can be a real home for her at last.

[it-finally-happened]

Batfam fic idea

So I put this in a tiktok comment but it'll probs be picked up here better.

I love one of the Batfam being a rescued Talon and bird/ bat language and them all chirping so my brain came up with an idea that I wanna see fleshed out.

Alfred has been looking for Bruce for years, he was taken at some point and we find out that the Court of Owls did this to make him a Talon or the Talon, idk.

Alfred has finally tracked him down and is going full red room to get his boy back (I'm an avid pennywayne shipper but you don't have to be to make this work). He finally find Bruce, only to have the Bruce done what he had always done and that's adopt kids, or in this case chicks, who are now also talons. You of course have Dick, Jason and Tim but the rest are up to you based on the main chunk on the fic which I'll get to later. Damien is either there as well or with Talia cuz the Court sold off Bruce's "stuff" to the Al Ghuls, if he is with Talia then make it a misson to get him cuz Talon Bruce is protective of what is his.

For the main chunk of the fic, have Alfred trying to tame his very feral kid and grandkids, who might keep increasing depending on your plot. He keeps trying to get them to speak instead of churping and he's feels himself getting older my the minute (but not really cuz he stand immortal Alfred) when he tries reintroducing them to society be it through school, work, clubs or super team bonding.

The JL can be an established thing if you want and Alfred got Bruce to be the bat and the others their monikers as a let out, queue an eventual batfam reveal cuz shenanigans and all the super teams having a feral bat with claws that hisses. Also want supers introducing their partners but also like, the batfam was in a cult and none of them know what is happening but apparently their friend shaped (I like Superbat, Birdflash, JayRoy and Timkon but again dealers choice). Also nests and cuddle piles and cute identity reveals but also glowing eyes from the dark, clawed hands, fangs and snarling. Alfred having to babysit cuz what do you mean I'm not allowed to unalive people and that it's wrong?

Maybe they try to remember life before they were taken, maybe they don't. Everyone ignoring high society and going yes this is grandad Alfred, he is our grandpa. Damien calling Bruce baba and everyone having a way of calling Bruce dad. Bruce learns about calling your kids nicknames and tries to act human and teach his kids human customs like that high five meme.

I just like this idea a lot.

[ineedtherapydesperately]

I was listening to the Cyclops saga and more specifically My Goodbye and like tell me why is that song so Red and Queen of Hearts coded?? like a Red and Queen of Hearts coming of age kinda scenario like imagine QoH is all demeaning and condescending towards Red and then Red just snaps?? straight up loses her shit?? like hear me out it's so them

like this is absolutely something QoH would say bsffr especially considering the books as well and girlie is here like I raised you to be the Princess of Hearts?? blah blah we're meant to be evil rulers together in the future for the sake of Wonderland

then the lecture would absolutely turn into a 'why are you such a disappointment' rant and then QoH goes on a whole ass tirade against Red again like

and Red just snaps, thinking about her friends like Chester and Ace, thinking about what QoH did to them and thinking about how she was so utterly powerless against her own mother

so she screams, she yells, she cuts QoH out of her life for good because she's so SICK of her mother constantly telling her what to do, how to act, who to kill. she's so sick of living her life under some Queen, ruled by some Queen

but ofc QoH has to slip in her own little off with their heads reference but surprisingly doesn't put up too much of a fight?? like she just lets Red walk out, which surprises Red until she realises that it's a sick ploy because who can Red turn to now?? she just alienated the RULER of Wonderland, their absolute Queen, their tyrant but Red can't find it in herself to care because she's finally free of her mother

and Red being Red can't resist one last quip at her mother before she leaves the court for the final time, packing her bags and headed off to wherever (probably Chloe) and leaves QoH to wallow in this parting shot because Red was right?? she's all alone?? first, Ella left her, and now her daughter and she's all alone??

idk this song got me thinking things but yeah Red is so Odysseus coded and QoH is so Athena coded

[allgremlinart]

[ Do NOT be deceived. Zuko's guards ARE on orders to let him in for booty calls. ]

post-canon jetko. Zuko isn't a rail-thin angry refugee anymore. Jet isn't hurting as bad as he did. He even finds himself new purpose after the war - hunting down still-rogue Fire Nation mercenaries and war criminals, housing orphans, and being occasional bounty hunter for hire (he's not as good as June, but he has his ways). And, of course, hitching a ride on the ship taking the Earth King's diplomatic embassy to the Fire Nation. The Avatar may have refused to kill the new Firelord if he steps out of line, but that doesn't mean Jet wouldn't. It's his job to go over there from time to time and remind certain people of this. If he so happens to have almost-civil discussions and intercourse with a head of state when he does so, that's purely incidental, and does not distract him in the slightest.

full pic ;]

[ Jet really DID visit Zuko's chambers with the intention of debriefing with and analyzing him, this time. To see if he could manipulate some more aid out of him, maybe, (Jet could play him like a fiddle, it wasn't hard,) or to wheedle him for lodgings and food for himself, or to see someone that he knew was just as restless as he was, regardless of peacetime, regardless that he shouldn't still feel like that. However, he caught Zuko right after he had a... meeting. With an Earth Kingdom noble. And, well... when you grow up deprived you learn you don't turn down leftovers. Or sloppy seconds, as it were. ]

[gh0stbeeee]

Thinking about ballet dancer Light.

Preteen Light choosing a sport and taking up ballet because he's always loved the grace, the power, and the emotion in the way the dancers move, because maybe this could be a momentary freedom for him, from the pointless competition that is his life.

Light being asked hundreds of times if he's sure, if he wants this, if this will distract him, if he can work hard enough to catch up to the other kids that have been doing this for years.

Light walking into a ballet class for the first time, one of the few boys, and leaving at the end ashamed at how clumsy he was in comparison.

Light working himself to the bone to catch up, for the first time determined to finish his homework as fast as he could because he found something he wants to really do, staying for hours at the little studio every day and leaving with screaming muscles and blisters on his feet.

Barely able to feel the pain in comparison to this burning passion he felt for the first time.

Quickly catching the attention of the teachers, they tell him if he keeps at it he will have a very promising future ahead of him.

He never tells Soichiro this might be more than just an extracurricular for university.

His first recital goes spectacularly, even though he was only a supporting role, he caught the eye of a recruiter from a prestigious ballet company who told his mother they would keep an eye on him, as his future was bound to be successful (his father was too busy to come.)

The drive home his silent, his face rubbed raw from removing the stage makeup in the bathroom before leaving, when Sachiko says she can talk with his father, if this is what he really wants to do.

Light smiles, saying he'll think about it more before they commit in the future.

The girls start learning on pointe, and Light is intrigued. His instructor says the boys can learn as well, and it would make them better dancers for it.

Light and one other boy agree.

It's an extra layer of work, the stiff shoes feel somehow too much and too little as he stands in a pair for his first fitting, alone as he hadn't told his parents.

But he feels a warm flutter in his chest when he sees himself in the mirror, on his toes like Odette in Swan Lake, his first ballet.

He takes to it even faster than when he'd started. Even when the basic lessons ended, he continued to dance on pointe in his own time. He learns the girls' lead choreography alongside the boys, who were mostly supports for the lead ballerina.

He adds his own twists on it, every movement he makes sharp yet graceful, makes it look effortless yet full of power.

His instructor is amazed, watches as he dances better than the girl who got the lead.

"It's such a shame," she says slightly regretfully, "if you were a girl, I think you would've had a real chance at being made a prima ballerina. That being said, at this rate, if you get picked up by a professional company, I'm sure you'd make premier danseur in no time." She laughs as she says it, a kind joke to highlight his incredible skills and potential, and Light laughs too.

When Light is fifteen, his school is putting on a production of Swan Lake.

And for a brief moment, his heart is over the moon, it has always been a dream of his to dance the ballet. It sinks immediately the next moment, when they call only for girls to audition for Odette and Odile.

He still puts his name in to audition for Prince Siegfried, he learns the choreography, but he can't stop himself from putting his pointe shoes back on and dancing Odettes parts when he is alone. Male point dancers were only used as a joke in classical ballet, he had no hope for the part, but for a while, he dreamed.

He danced Odette, and he danced Odile's Variation, twirled with more grace than a human should have, and he felt like he was flying.

It was after he'd perfected Prince Siegfried's parts to know, and danced Odette's death as his last run for the night, that as his fluttering wings stilled for the last time, he felt trapped again.

The audition was in a day. If he got the part, he was nearly guaranteed a spot in the nationally top company. And he would dance as a man was expected, and he would never dance on pointe on a stage.

He packed away his pointe shoes for the last time.

The next morning, the day before the auditions, he handed them his resignation from the school. He would never forget the despair on their faces when they looked into his eyes and saw that his passion had died. (He'd murdered it in cold blood.)

"Good." His father had said. "A healthy phase, but it was time to get serious about school. You made the right choice."

Light just smiled blankly. His mother pretended not to notice the tear stains on his face when she brought him some apples that night.

(It wasn't until midnight eyes, raven hair, and a chain that he danced again, twirling gleefully to hide the blood stains on his feathers as he showed the detective his old passion.)