#fht

[too-tired-omg]

I do not give a shit anyome, if you are going to Conan's concert tomorrow London hit me up/reblog me/ find me and kidnap me, I dont care anymore, i just need to enjoy this w someone

[webvampzz]

shoehorning my interest into practically anything i say or do because why not

[sunshinechay]

So weird theory but

Is it possible that Blue is in a coma? Or was at one point? And is still in the hospital because of it?

More than once the friends talk about him in the present tense (or at least they do in the subtitles) but the way they talk about him, the words and tone they use, makes it sound like he’s dead.

So coma? Or near-permanent hospitalization?

[integratedmanualmedicine]

Spinal & Peripheral Joint Manipulation Course 2024

[tiredf-o-u-r]

Reading this old diary like it’s a manga cuz this is so wild so many twists and turns with the hindsight I have now. Got me on the edge of my seat.

[zoobus]

I don’t want to get too political but I really cannot overlook South Korea’s absolutely insane misogyny and I definitely believe it plays a large part in why there’s more female lead het romance. (As in; it’s a power fantasy for women where they can take full control over a man)

Re: South Korea and the Female Hetero Top in romance fiction

I do wonder if and how that factors, but I'm hesitant to just take it at face value for a few reasons

I'm not Korean, I don't have ties or insight into Korean culture beyond what i read in the news or see in fiction (though like. If you read Korean fiction aimed at girls, you know how difficult it is to not speculate about the fucked up S-ranked, capital M Misogyny that seems to permeate every genre in ways that seem extremely distinct)

Calling the Female Hetero (or male-attracted, but let's keep it simple) Top in Korean fiction a "power fantasy" does her a disservice. "Power fantasy" reads to me as a reactionary thing to prove women are Enough or a coping wish fulfillment done more to get back at men and less out of actual desire. It's like when you ask for similar in english focused areas and everyone's like "oh, you mean a story where the girl is a badass who takes no shit? A sarcastic and feisty woman? Sassy? You want a woman who's sassy?" No. I am talking about a story where the girl leads the relationship in the way guy usually would. The FHT isn't necessarily any more of a power fantasy than any other romantic dynamic is. See You in My 19th Life - a webcomic popular enough to get a TV adaptation - is a great example of the FHT. Poweful, sure, but the love is sincere.

If their culture is so misogynistic, why isn't this kind of character quietly censored or flattened down? I doubt SK is any different in the competitiveness of the publishing industry - why aren't publishers telling writers "hey that's cute and all, but no one wants to read about aggressive women and submissive men unless we're reversing the roles." I'm pretty sure writers are told that here.

We have misogyny in our countries too. Maybe not to South Korea's degree. In fact, almost certainly not to South Korea's degree, it seems really bad there. But my country has sexism in it too and, strangely, I can't find a fraction of the same fantasy.

Rather than believing enough Korean women crave female-dominant romance out of spite/cope to carve a market out for them, I think it's more likely that a non-insignificant proportion of women around the world organically prefer that dynamic and - for reasons I'm unlikely to learn - SK is incentivized or at least more open to publishing this dynamic than fiction industries elsewhere

[rippedpatches]

NO FHts literally YOU.

[keen-eye]

how long do you think it would take dean to notice that sam started FHT

[nessieartss]

I dnt know why but, I feel like yujii has very subtle face tattoos and it's the ones beneath his eyes (like where curse Sukuna's eyes supposed to be). He shrugs it off as scars until he confesses to his brother fht he got a tattoo years ago because he looked up to him so much

Oh thats a great hc! Funny thing is, i made sukuna got a face tattoo because of a truth or dare game (he got dared to get a face tattoo while drunk), and yuuji was bewildered like r u for real rn that looks stupid

But yeah, i can see yuuji changed his mind later and got himself one, not too much tho

[twipsai]

MY GIRL MY SPECIAL GIRL HAS RETURNED TO ME AFTER ALL THIS TIME YES YES YES YES YES YES YES YES YES YES YES YES MY DARLING GIRL YESSSS!!!!! SHAHRA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! AHHHH!HJKH!GHJ!JH!GJHK!LK:!KLJG!JHG!JHGF!H!FH!!!!HGF!HGFH!!UIKYYU!FHT!FV!HGF!!!!HGF!HF!!UYJ!YHY!FHJ!!JUK!JHG!YG!!!!OOOOHHHHHHHHHH MY GOD SHES S O CUTE LOOK AT HER AND HER TALL HAIR,,,,,,, MY GIRL,,,,,,,,,,,,,,,,,,,,, AHHHHHH

[sometimesthereishorse]

FHT Prediction prize 1/3

Lady Amalthea from The Last Unicorn

[marta-bee]

Every time I see people talking about @fandomtrumpshate my mind swaps those last two words. I mean, FHT too but that's not actually what's being said, is it?

FTH Calendar FTH 2025 Groups to Donate to

Can't wait to donate to some of the groups they selected. I've not decided if I'll join the auction or just donate to some of the groups, but either way I'm looking forward to seeing all the fanworks that come out of it.

[marsixm]

hearing theres a new pop song out now about thijnking all your friends are secretly mad at you when they just got their own problems going on MOVE OUT FHT HE WAY its my time baby

[spacetimewithstuartgary]

First lunar far side samples collected from the other half of the moon

A Chinese team of scientists has undertaken a study of lunar samples retrieved by the Chang'E-6 mission. These are the first samples studied from the farside of the Moon. They mark a significant milestone in lunar exploration science and technical exploration capability. The study was published in the journal National Science Review on September 17, 2024.

"As the first lunar sample obtained from the far side of the Moon, the Chang'E-6 sample will provide an unparalleled opportunity for lunar research," said Prof. Chunlai Li, National Astronomical Observatories of the Chinese Academy of Sciences. This unique sample helps to advance the understanding of several key aspects of lunar science, including the Moon's early evolution; the variability of volcanic activities between the nearside and farside; the impact history of the inner solar system; the record of galactic activity preserved in the lunar weathering layer; the lunar magnetic field and its anomalies and duration; and the composition and structure of the lunar crust and mantle. "These insights are expected to lead to new concepts and theories regarding the origin and evolution of the Moon, and refine its use as an interpretive paradigm for the evolution of the terrestrial planets," said Li.

Adding together the lunar samples gathered from the six Apollo missions, three Luna missions, and the Chang'E-5 mission, scientists have collected a total of 382.9812 kg of lunar samples. These lunar samples have provided scientists with critical information on the formation and evolutionary history of the Moon. "Returned lunar samples are essential to planetary science research, as they provide key laboratory data to link orbital remote sensing observations to actual surface ground truth," said Li. The samples have contributed to the development of hypotheses, such as the Moon's giant impact into early Earth origin, the Lunar Magma Ocean, and the Late Heavy Bombardment. These earlier studies of lunar samples, all of them collected from the lunar nearside, have significantly advanced the discipline of planetary science. From a sampling perspective, the farside has remained unexplored until now.

"Nearside samples alone, without adequate sampling from the entire lunar surface, especially from the farside, cannot fully capture the geologic diversity of the entire Moon. This limitation hampers our understanding of the Moon's origin and evolution," said Li. Scientists gained the much-needed farside lunar samples when the Chang'E-6 mission collected 1935.3 grams of lunar samples from the South Pole-Aitken basin on June 25, 2024.

The samples were gathered from the lunar surface using drilling and scooping techniques. The team analyzed the samples' physical, mineralogical, petrographic, and geochemical properties. Their analysis showed that the collected samples reflect a mixture of "local" basaltic material and "foreign" non-mare material. The rock fragments in the Chang'E-6 samples are mainly basalt, breccia, and agglutinates. The primary constituent minerals of the soils are plagioclase, pyroxene, and ilmenite, with very low olivine abundance. The lunar soil in the Chang'E-6 samples is mostly a mixture of local basalts and non-basaltic ejecta materials.

The lunar surface is divided into three very distinct geochemical provinces based on variations in geochemical characterization and petrologic evolutionary history. These are the Procellarum KREEP Terrane (PKT), the Feldspathic Highland Terrane (FHT), and the South Pole-Aitken Terrane (SPAT).

"These local mare basalts document the volcanic history of lunar farside, while the non-basaltic fragments may offer critical insights into the lunar highland crust, South Pole-Aitken impact melts, and potentially the deep lunar mantle, making these samples highly significant for scientific research," said Li.

The lunar samples collected from the nearside by the Apollo, Luna, and Chang'E-5 missions included samples from the PKT and the FHT. Until now, no samples had been collected from the unique SPAT on the lunar farside. Scientists believe the South Pole-Aitken basin was formed 4.2 to 4.3 billion years ago in the Pre-Nectarian period. It is the largest confirmed impact basin in the Solar System.

IMAGE: The Topographic Map illustrates the landing sites of the Chang'E Missions, Apollo Missions, and Luna Missions. Credit Image by NAOC

[eso-tericas]

Eso's Guide to Minecraft Fashion I

Women in the 1300's

[Originally posted to the LOTC forums HERE. Ported to my blog for record-keeping. All digital art and skins used in this post are my own.]

Before we begin

Why am I writing this?

Many LOTCers take inspiration from from real-world historical aesthetics, but I’ve heard many people express a general lack of knowledge about historical fashion in particular. I generally believe that having more knowledge about a topic can help you do better roleplay inspired by that topic, so I figured I might as well share what I know! That said,

LOTC is a fantasy server first and foremost, and I am absolutely not advocating for absolute historical roleplay, or for bashing on people who choose to create more fantastical skins. I do, however, think generally it’s best to know the rules before we break them, and I think understanding how garments are layered, and how they fit the body, will be useful to everyone. 

Skin availability?

Every skin I make for this and future installments of this project will be FTU. I will post the final outfits on my PMC, which I will link at the bottom of this post. The elements and underthings will be included in the description of the skin post.

Notes?

I. This project will contain drawings of semi-undressed female figures, alongside detailed descriptions of the way various garments affect the female body. It is not intended to be at all salacious, and I will only provide detail where I think it may actually be helpful. That said, if anyone finds anything I’ve included here to be inappropriate, I will happily censor whatever needs censoring.

II. Everything in these posts will focus on Western European fashions. This is my own area of expertise, and the area I find most interesting. If people want me to cover other locations, please let me know, and I’ll try my best to do so!

III. I have chosen to leave out the Houppelande from this post, as I’ll be talking about it in the 1400’s edition. While this garment was worn in the 1300’s, it was only near the very end of the century, and it’s one of the hallmarks of the 1400’s. Hope you understand!

Finding an accurate reference?

Artwork from the 1300's is characterized by flat colors, black linework, simple anatomy, and a general lack of perspective. There aren’t many surviving paintings from this period that I could find - instead, most of what we have are illuminations and illustrations from manuscripts. Look for those trademarks when trying to identify artworks from this period. The 1300's are also the last period in which religious art features “modern” clothing - generally after this, religious art features clothing from the 1300's or earlier.

While in theory I recommend using only actual historical artwork as reference for skins, I and many other skinners also like to use Victorian artwork from the Pre-Raphaelite movement as inspiration. This artwork is not reliably accurate in terms of style, colors, or garments, but it contains much more information than Medieval art. Choose wisely! I also highly recommend taking inspiration from the garments of historical reenactors, especially when looking at how garments fit, and how people accessorize different outfits. Please avoid using AI-generated images as references.

I recommend avoiding vague search terms such as “Medieval dress” or “Renaissance outfit,” as these generally bring up less specific references, or more fictionalized artwork. Instead, if you’re looking for general inspiration, I recommend searching for “14th century artwork” or “1300s fashion.” This post will also include an extensive list of the names of various garments if you’re looking for something more specific. 

Helpful resources?

While I hope that what I write in this post will be enough that you don’t need more information, here are some of the sources I used! They contain lots of good reference pictures, descriptions of garments, and explanations of the functions of various things. FHT and Postej Stew are some of my favorites, and will be turning up again down the line. They’re especially good for finding references. The FHT articles for the 1300's are low on information, but as you progress through the timeline there’s a great deal more content available on each page. All of these sites will also include some helpful descriptions of the types of images they reference, which can help with searches. Codex Manesse is especially useful for image references, I highly recommend checking it out.

FHT 1 | FHT 2 | Medieval Shoes | Medieval Headwear | Codex Manesse Illustrations  Epochs | Medieval York | Wikipedia | Postej Outfits | Postej Headwear

I have also linked a Pinterest board in Section V with all the inspiration I used for creating this post. I will continually update it. If you need references, look there.

I: The Basics

Chemise or Smock

This lovely lady is Model Mary, who will be showing off each garment in our 1300's ensemble. I’ve given her a curvier figure, to help demonstrate how garments will affect the shape of her body. 

The first element of Mary’s outfit is the chemise or the smock, which is a basic under-dress, worn to keep the outer layers of clothing clean from body oils. Smocks are generally made of either linen or wool, and are form-fitting, but loose enough to pull over the head, without the need for buttons or lacing. The smock is usually anywhere from knee to ankle length, and is always unadorned. This garment is essentially underwear, and should never be seen by the public. They are usually white or undyed. 

Hose & Poulaines

Under her smock are Mary’s hose and poulaines, which keep her legs warm and protect them from mud, rocks, and rain. 

Hose are woolen socks, and are usually about knee-length for women. Since elastic isn’t going to be invented for another 500-ish years, the women of the 1300’s instead use garters to keep their hose from falling down. These are usually thin strips of cloth or ribbon tied just under the knee.

Poulaines are ankle-height, sewn from soft leather, and pointed at the toe - sometimes so pointed that they stick out over a foot, although those are only on the poulaines worn by the very fashionable, as they’re rather impractical. Even commoners, however, have a little bit of a point to their shoes. Shoes of the 1300’s are much more flexible than modern ones, and don’t have stiff soles. Instead, they fit more like a very sturdy sock, allowing the foot to more easily flex and move. Likely only the soles or toes of the poulaines would be visible when creating a skin, but those who wish to might want to try using Figura in order to create the pointy-toe effect. 

Kirtle, Cote, or Cotte

The kirtle is the main dress worn over the top of the smock. It can be worn loose around the chest, but by the 1300’s, most women lace theirs either at the sides or at the front of the chest. This lacing provides the primary bust support in this period, and generally presses the chest flatter and upwards, smoothing out its shape. Kirtles are usually tight in the sleeves, which is achieved by buttoning up the arms, either to the elbow or all the way to the shoulder. Sleeves are at least wrist length, but might extend down over the hand if desired. Kirtles are usually solid-colored or patterned with simple, geometric patterns or floral brocades. Practical kirtles are made of wool or linen, and fancier ones can be made of silk or brocade. 

Because of how the kirtle affects the bust shape, consider shading both above and below the chest, to highlight its “pressed flat” appearance. Generally, the kirtle’s neckline should never be lower than what I’ve done with Mary’s skins - dresses in the 1300’s are quite modest, and necklines are high and flat. 

II: Overdresses

Overdresses are any type of dress worn over the basic kirtle. As cloth is extremely expensive in the 1300’s, overdresses are generally reserved for cold weather, or for the wealthy and fashionable. They can be made of any of the same materials as a kirtle, and are often brightly colored, patterned, and feature the most trimmings. These might be colorful necklines, trimmed skirts, contrasting pocket detailing, etc. Overdresses can be tight to the skin or loose and flowy depending on preference and age - generally, younger women wear tighter clothing, and older women wear looser clothing. Scholarship is conflicted on what to call the various types of overdress, but I’ve separated them into two general categories. Keep in mind that searches with these terms may turn up items that don’t fit the descriptions I’ve used here. That’s fine! 

Surecote & Tippets

The surecote is an overdress much akin to an ordinary kirtle, although Mary’s here has shorter sleeves, and features extra tippet sleeves. Short sleeves are common on surecotes, although not required, and sleeve length can vary from shorter-than-a-t-shirt to about mid-wrist. Surecotes are laced or buttoned down the front, either to the waist or all the way to the hem of the garment, and may be either floor length or shin length, to show off the kirtle beneath. 

The tippet sleeve is a detail unique to surecotes, and is a white oversleeve attached on above the elbow, with a long trailing panel. Tippets can vary in length, but can even reach down to the floor in extreme circumstances. They may also instead be made as part of the main surecote sleeve, not attached separately, in which case they will be made from the same fabric as the surecote.

Cotehardie & Pelice

The pelice is a sleeveless overdress worn attached to a yoke over the shoulders. These overdresses can vary in coverage and in tightness - Mary is wearing a cotehardie, which is a version of the pelice with large cutouts at the side, to show off the kirtle. This is a fashionable but scandalous version of the more conservative pelice, which generally only has gaps for the arms to fit through. Like the surecote, the pelice is a fashionable extra layer, and generally isn’t worn for any practical reason. The yoke around the top is often either gold or a contrasting color of fabric.

III: Headwear

Hairstyles

Most women of the 1300’s don’t cut their hair. Children tend to wear their hair loose, or in simple braids down their backs. Adult women almost always wear their hair up, and married women always cover it. (Though in Italy and other warm countries this is more of a guideline and less of a rule.) Women of the upper class do so for modesty, but it also serves a practical purpose for lower-class women who have to work. Covering the hair keeps it clean, and protects it from damage and the elements. As far as I’m aware, most hairstyles of the 1300’s don’t have particular names, but they all generally consist of symmetrical braids, pinned to the head to frame the face.

Crispinettes, Crespines, or Cauls

Cauls are a pair of circular metal cages, or soft nets, worn on either side of the head. The hair underneath is braided into two buns, and pinned into circles, giving a sort of “Princess Leia” look. This look is also seen on Padme in that one scene. The more fashionable cauls are often paired with a circlet, and decorated with pearls or precious gemstones. Many women also choose to wear a veil over their cauls, as an added layer of protection and modesty.

Barbet (or Barbette) & Fillet

A pair of accessories almost always worn together, and which are already fading out of fashion by the 1300’s. The barbet is a linen band that goes under the chin and over the top of the head, and the fillet is a matching linen band that goes around the front and back of the head, with the top left open to the air. Barbets can also be worn with cauls or crowns, although they are most often seen with fillets. 

Hoods

Hoods are probably the most common hair covering, available in a wide variety of shapes, colors, and styles. They’re generally worn to protect the head from the winter cold, and are usually made from wool. Some cover only the head, some also cover the shoulders, and some feature the iconic Medieval point at the end, leading down into a tail over the back. 

IV: Not Pictured Here

Wimples

Wimples are a more conservative style of veil, which covers both the top of the head and the neck and chin. These are generally only worn by women of the Church and matronly older ladies. Younger women may remove the lower half of the veil to show off a bit more skin. 

Belts

Belts are generally an accessory of the common people, worn high on the natural waist. The low-slung hip-belts often seen in Medieval-inspired artwork date from more like the 1200’s, and would be outdated by the time the 1300’s roll around. Belts can be made of metal, leather, cloth, or rope, and are used either as fashion accessories or to hold up purses. 

Pockets

Another option for holding things, pockets are occasionally sewn into dresses. Their openings are usually lined with contrasting fabric. Given the fashionable tight fit of a kirtle, they likely didn’t have much space, but it’s much better than nothing.

Clothing & Class

Contrary to popular belief, peasants in the Medieval era do NOT wear only brown unless they want to! Colorful dyes are affordable and readily available to almost everyone regardless of financial situation - richer hues are more expensive, but pastel or washed-out colors are available to anyone with a job. What is inaccessible for the poor is fabric, and therefore clothing. Many working women will have only a single kirtle, and only change their smocks from day-to-day. 

Women of the working class will often unbutton their sleeves and fold them up at the elbow, keeping their sleeves clean and away from their work. Similarly, they usually wear a linen apron tied around the waist to keep their (likely only) kirtle clean from mess. Women who work outdoors will usually wear some sort of brimmed hat to keep the sun off their face. All working women keep their hair tied up, and usually covered, to keep it clean and out of the way.

V: Inspiration

If you’re in need of references, inspiration, or are just curious about what I was looking at while making this post, check out my Eso’s Guide Pinterest Board! I plan to add a new section for each installment of this series, and each section will only contain artwork from the period, and high-quality reenactment costumes. 

The Model Mary 1300’s skin is available at my PMC here, and all the extra layers of her outfit are included in the page description. Thank you for reading! 

[eyebex]

I'm literally gonna be sick I'm literally gonna throw up everywhere [in a good way]

DID YIU GUYS SEE DID IM NOT GONNA TAG ANYTHING CAUSE KM JUST TALKING BUTBBUT BUT BUT GUYS GG G G GGUYS!!!!!!! DID !@!!, FHT THE THE IMA THE IMAGES THE !!#$;&$ SHE!!! THRTH THEY THEY THEY!! SHE CRIES!!! TO N!!!!!!!!