#femalemanipulator

[rottenvampyr]

[sad-girl-1995]

Vampira 🖤✨️

[invrfoundmel]

[bfmplc]

17 february 2023

[girlbloggerhoe]

I asked myself if I was the problem and we said no

[poppylikescoffee]

[som3daysoon]

This but for me it’s

✨these✨

🤭💋💅

[ph-cutie]

the 21st century sex symbol

[deli0510]

[incisedwound]

Keep seeing all these luteal phase memes on insta and i dont know why i hate it

[som3daysoon]

😌✨that’s me✨💅

💋🎀

every time I reach out to Lord Lucifer I have a gender crisis🤪✌️

[rottenvampyr]

[sad-girl-1995]

[hexjulia]

"An appeal to pity should never be lengthy. Not without reason do we say that nothing dries faster than tears. Time lessens real sorrows; no wonder the semblance of suffering that we fashion in speaking disappears so quickly. If we drag out our lament, the listener grows tired of the tears, takes a mental break and resumes the more intellectual approach which the emotional assault had curtailed. We must not let the effect fizzle out, but should instead abandon the emotion just when we have made it most intense. Nor are we to expect that anyone will weep for long over another’s troubles. In this portion of a speech, then, more than anywhere else, our eloquence must swell, because any expression that does not augment the earlier effect seems to detract from it, and emotion that grows weak easily vanishes.

Action is as important as speech when it comes to summoning tears. This is why defence counsel routinely have their clients appear dirty and ungroomed, along with their children and parents, while the prosecution will display a sword smeared with gore, bone-fragments plucked from wounds, blood-drenched clothing, unbandaged wounds and battered bodies stripped bare. The effect of such displays is enormous as they all but guide the minds of men into the event itself, as when the bloody toga of Julius Caesar carried at the head of his funeral procession stirred the Roman people to a frenzy. Everybody knew that he had been killed and that his corpse had been placed on the bier. But the robe drenched with blood made the image of the crime so vivid that it seemed not that Caesar had been killed, but that he was being killed right then and there."

from Quintilian's Oratorical Instruction: Appeals to emotion in Ancient Rhetoric by Thomas Habinek.

[bfmplc]

14 february 2023

[orphiclovers]

The conversations these people have are SO deranged. In the span of a single page

1.Han Sooyoung says she will seduce Yoo Joonghyuk, being delusionally overconfidant considering he has killed her once already but go off girlboss, live your #femalemanipulator #femmefatale fantasy

2. Kim Dokja looks her up and down and tells her she is 'so flat and so short being attracted to you is pedophilia & I know for a fact Yoo Joonghyuk is not a pedophile" which is SHADE that could only come from a gay man

3. They both recall the last time they met Yoo Joonghyuk. Kim Dokja casually says 'you know I beat him up last time I saw him so he probably wants to kill me lol' and Han Sooyoung strokes her neck and wistfully reminisces about her own beheading (??)

What I'm saying is that there's something very wrong with all three of them that is SO compelling. This is how you write character interactions