#feels long reading it

[voidaxolotl]

🚨Warning: Rant incoming🚨

Strange take, I'm not the biggest fan of playing Jackbox.

To be clear, this is not really a review of the games themself- Jackbox is fun and I think people should play it. This is more so on my experience and feelings about playing it. It's nothing against the games themselves, they're fun and for the most part they're expertly crafted for late night gaming and every inside joke thats stemmed from those late night gamings are still hilarious, however that doesn't make my lack of enthusiasm about playing jackbox any better.

I'd say I'm a competitive person, but since I'm kind of bad at most things I've had years to figure out how to handle the negative emotions that come with losing (and oddly enough the negative emotions and guilt whenever I do win)

Im no master at it, but I've been able to communicate when a game is making me upset and I'm fortune enough to have friends who understand my reasonings and understand that in multiplayer pvps (mostly Dead by Daylight) I'm all for taunting but it grates on me way more if I'm on a losing streak.

I've connected that my inability isn't to the fault of others so I shouldn't be aggressive towards them when I lose, and that I just need to keep at it and I'll eventually become better at the game, which has come true for the most part. Im able to push aside the hurt I get from losing either because I know I have gotten better (DBD, Among us, etc) or its a team effort so I don't feel isolated in the lose (L4D, Among us, Phasmo, etc).

But Jackbox has a specific way of making lose feel... Worse.

For those who don't know, most Jackbox games have players pitted against each other to make clever or funny responses or prompts, the player with the most liked response or promot wins the game- a simple idea that for some reason makes losing continuously hurt more and more. It makes you feel like the least fun or entertain or even least interesting person in the group when you continuously land in 4th or 5th.

It's to the point that playing Jackbox takes a lot of my energy, each round making me feel more exhausted and overstimulated, making it harder to answer prompts in a funny or clever manner which ends in more lose and more exhaustion- a vicious cycle.

I have not brought this up to my jackbox loving group for many reasons (mainly because I'd feel like the only person at a drinking party who doesn't drink, with the other people of said party forgetting what non-alcoholic exist) as well as the games being enjoyable to watch.

This is something that I need to work through and perhaps one day I will communicate this to my group, but till thenI think I will change to just observing any future gameplay instead of actually playing for my own health.

I don't know of anyone elsefeels similar about playing jackbox orany other game, but either way I know losing sucks and makes its hard to want to get better at something, especially if it feels personal or targeted. What we can do in the face of those defeats is determin if continuing down that route would be detrimental to our health and perhaps take a step back from it, maybe till another time or never again, or keep learning from our lose and get better.

There is no shame in deciding that pursuing something isn't for you, and in this case pursuing Jackbox and trying to win would probably do me more hurt then heal so I know it's better for me to step away. Maybe one day I'll feel comfortable while playing, and maybe one day losing in it won't make me feel the way it currently does, but until then I'm going to keep myself safe and happy and you should too.

Anyways, congrats if you've made it to the end and thank you for reading!

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[amamamumumumu]

This has been a most worthwhile evening 🍽

[raynewolferune]

DC x DP Prompt: Bruce is bad at emoting but at least ghosts are empathic (too bad bat kids are not)

Was reading Twincognito on AO3 when I stumbled across this gem again:

~

" “Danny, Tim. I was just…checking in. Is everything alright?” Curse his inability to make meaningful conversation when it wasn’t a life or death situation.

They glanced at each other and shrugged.

Then Danny hauled himself out of the bed and walked over to Bruce.

Bruce tried not to let too much excitement show on his face. "

~

Now I really want to read a story where Bruce adopts Danny post Meta trafficking and is being his usual emotionally constipated self. His kids keep getting mad at him because he's treating their new meta brother who was trafficked poorly (generally being stilted in conversation with him, walking away hurriedly mid-conversation, avoiding Danny when he's feeling really awkward, etc). They think Bruce is discriminating against Danny for being a civilian, meta, dealer's pick, but really it's just Bruce being horribly socially awkward. Danny knows this because of ghost empathy and find the whole thing hilarious. The whole thing comes to a head with the Bat Kids staging an intervention in the Bat Cave.

[artkaninchenbau]

People keep on asking for more Baby Robin and Papadile so here is more Baby Robin and Papadile. Now never ask anything from me ever again

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[forgettable-au]

FORGETTABLE-AU (Page 61-64)

* I-I don't think we were talking about the same thing...

[BEGINNING] [PREVIOUS] [CONTINUE]

[ceilidho]

take me home, country road

[ao3]

You have nothing on your person apart from a hastily packed suitcase and the dress you came into town wearing, on the run from trouble back home. Too bad John's missing a bride that matches your description. Or: the 1800s (mistaken) mail order bride au (chapter 16 + 17) tw: violence, injuries, and misogynistic language

first chapter >> last chapter

-

Sinking into fear is the body’s natural response. You let it envelope you without putting up a struggle. It wouldn’t be one that you’d win anyway. Resistance already leaks out of you like tar, pooling around your quivering legs.  

It makes you feel lighter than air, almost buoyant; and conversely, heavier than lead. 

You can’t feel the cold metal of the gun through the layers of fabric separating it from the skin of your back, but you can feel its weight. And you can imagine it burning into you, burning a ring into the flesh, the muzzle leaving faint depressions behind, circular indents.

“Don’t feel so clever now, huh?”

Fear chokes as well as it binds. When the man you remember as Graves (appropriately named, you think, the gravity of the situation sinking into you as well) drawls the words into your ear, any moisture in your mouth dries. 

“Well?” he prompts, shoving the gun harder into your back, almost sending you toppling into the shelf still in front of you obscuring you from sight. “Got anythin’ to say?”

You open your mouth but nothing comes out.

“You a mute, girl? I know you ain’t deaf since you heard I’d been sniffin’ around lookin’ for ya. ‘Least I’m guessin’ you did, since you managed to give me the slip for the whole time I was in town.” He sniffs. “Took me a while to find out you were shacked up with the sheriff. Hiding in plain sight. Couldn’t believe I missed ya when Sheriff Price was damn near the first person I met in this two-bit town.”

You finally muster up the nerve to speak. “Y-you’re making a mistake.” 

The furled upper lip is audible in his voice. “I’d try not to piss me off too much, sugar. Lyin’ just rubs me the wrong way is all.”

“No, you—you really don’t—” 

He shoves the gun harder into your back, making you wince. “Now, I know you’re a slippery little bitch, so I’ll level with you, alright?” Graves murmurs, pitching his voice low to ensure that only you hear. “You make so much as a peep—so much as a fuckin’ whisper—and I’ll shoot. Wink and I’ll shoot. I am dyin’ for you to give me a reason to go with the better half of the dead or alive question.”

There’s no point in lying. It might’ve worked had it been anyone but the man holding you hostage; not a man as stubborn and mulish as him. You nod when he asks if you understand.

“Now get to steppin’.”

He doesn’t tarry long, leading you out of the shop with a hand on your shoulder and . You stare at Miles with mounting horror, wordlessly begging him to look up from the ledger open in front of him on the counter. Your prayers go unanswered though; he doesn’t so much as glance towards the door before it’s swinging shut behind you.

“Remember,” Graves says in a low voice as the two of you step out onto the porch, “not a word. I will shoot anyone that tries to interfere.” 

That kills the impulse to shout for help. 

The thought of letting Graves take you away without voicing so much as a single plea fills you with horror, but you can’t see any other way out. He walks you through the streets like an old friend, the pistol still wedged into your back obscured by his coat. No one seems to notice the wild look in your eyes or the strained edge of your smile. 

Your behavior infuriates you. Demural and soft and wretched. You’ve only allowed one man to put you under their thumb; only one has ever earned the right. 

The thought of your husband is an ache in your chest that doesn’t abate. It thumps with the terrified flutter of your heart. You half wonder if he’ll suddenly appear from around a bend and wrench you into his arms, gun already drawn and aimed at the man attempting to take you away from him. 

“My husband—” you start, tripping over your words. Almost tripping over a rock as well since your spine is too stiff to let you look down at the ground while you walk. “—He can—he can pay you.”

He laughs, a nasty, mocking sound. “I’m sure he’d like to, sugar. Jus' ain’t sure he’s got the cash to pay your price.”

“At least let me ask—”

At that, he jams the gun violently into the small of your back, making you wince agaun. Petrified. Sweat sluices off your brow and drips down your face. “What part of shut the fuck up don’t you get?”

That silences you. Hard to muster up the nerve to retaliate with a gun lodged against the base of your spine. Still there’s so much that bears asking. Why did he come back? Why here—why now? 

The town takes on a dull, listless quality as he steers you away from the more crowded areas. It’s almost like looking through muslin; a veil between you and the world. 

Your eyes dart from person to person as they pass by in the opposite direction, but even those that bother to meet your gaze only smile politely, a couple passing gentlemen chirping, “Morning, Mrs. Price” before sweeping by in a hurry. 

None question the wild, frantic glint in your eye, the look of a horse about to bolt. If they paid you more than a moment’s notice, they might, but even the lady who frowns curiously at Graves, his hand still resting gently on your arm as if he were an old, dear friend, abandons her momentary curiosity when her companion says something of interest, pulling her back into their conversation. The flicker of hope in your belly dies a soundless death. 

There’s something almost phantasmagorical about the entire ordeal. Almost like it isn’t quite happening, like you can’t quite make yourself believe that this is, in fact, real. Like you’re watching from outside of yourself. Though you can see the wooden facades of the nearby buildings and smell the scent of hay and manure from the livery stable, it doesn’t resonate within you as real. 

He meanders through town with you stationed in front of him. A meat shield. Collateral damage. Simply by the way he maneuvers you through the crowd, he reduces you to a body, stripping you of any semblance of personhood. You’re less than meat to him, less than human even—no more than a meal ticket. 

When you muster up the courage to open your mouth the next time someone passes you by, Graves’ hand slides up to your shoulder and he digs his fingers into the bone. A warning. 

“If you think I was kiddin’ before, just try me,” he sneers into your ear, thumb pressing into your shoulder blade until you wince. 

Again, his voice dispels any thought of getting someone’s attention. 

He doesn’t lead you towards the train station like you expect. Instead, he heads to an awning beneath the saloon on the periphery of town where a couple horses are leashed to a post, waiting for their riders to come untie them. The roof of the awning is strung with a dense cluster of overlapping cobwebs. A spider scuttles across the web and into the dark inner recesses of the canopy. 

This far from the center of town, there’s hardly anyone. When you give your surroundings a quick glance, you can’t find a single other soul within earshot, only a single man pushing open the batwing doors on his way into the saloon. Then you’re alone again. 

A tawny gelding chuffs when Graves approaches.  When he suddenly unhands you, it doesn’t click until he’s several paces away from you, running his hand down his horse’s neck and rifling through the saddlebags, emptying the contents of his coat pockets into them. You have to glance down at your shoulder just to be sure. He sheathes his gun as well, tucking it into the holster fixed to his belt. 

“Bought the horse off a drunk three towns back,” Graves explains while loading up the horse.

You don’t respond, still unsettled. It’s the first time since he led you out of the general store that his gun hasn’t been aimed at you. It wouldn’t be practical for him to dress and load the horse one handed. The sun beats down on you, burning the top of your head. This could be your moment—a moment to scream or run away.

But you don’t. You don’t scream and you don’t run because you are, above all else, a coward. Through and through. You’ve been running from your problems for months now, leaving someone else to take care of the mess you left behind. 

Fear paralyzes you; it makes you think too much or not at all. Even now, with Graves giving you the perfect opportunity to turn and run, you can’t stop thinking about the potential consequences. What if he were to shoot you? What if he were to haul you back into town and expose your sins to everyone who gathered around? What if the people in town that have come to see you as one of their own were to gather around your crumpled form and stare at you with vitriol and disgust? 

“How did you—” you start, then pause to breathe, the nausea building again. “I thought you’d left town.”

“You’d’ve liked that, huh?” 

You don’t answer that. You know better than to antagonize a man with a gun. 

He sighs when you don’t rise to the bait, almost pettish. “Wedding announcement. I saw it in the paper—by then, I’d moved on to Lexington, so it took me awhile to backtrack, but I just knew somethin’ about that bit in the paper about the sheriff’s wife hailing from the east coast didn’t sound right. Too big of a coincidence. Had to at least be sure—retrace my footsteps. Lotta money on the line, you know.”

You stare straight ahead at that. You ought to have known. 

(“In the paper. The county sheriff got hitched—of course it’d be a story.”)

“To be honest, that kinda cracked me up. Murderess marrying the county sheriff.” He snorts out a laugh, shaking his head. “Sorta thing you’d read about in a dime novel.”

A new emotion wells up within you. It simmers in your belly, hot and cold at once. Righteous fury. All this time, you’ve been betraying yourself with your silence, allowing men to read your fear as guilt. Complicit in your own ruin. 

“I’m not a murderer.”

The look he gives you is withering. “Sugar, I hate to break it to you, but you did kill a man.”

You open your mouth, but nothing comes out. Nothing ever does, it seems.  But the more you hold it in, the uglier the thought seems, until it erupts from your chest like Vesuvius, lava and tephra shooting out. 

“He deserved it,” you finally spit out, the words coming from deep in your chest. 

Graves doesn’t even pause in his ministrations, back to tightening the saddle straps. 

“He deserved it,” you repeat, spittle flying out of your mouth and landing in the dirt between the two of you. 

“That’s not somethin’ I usually concern myself with,” he finally says, looking distinctly unimpressed when he meets your stare. Bored blue eyes. 

You’re struck by the sense that your life means so little to him that the circumstances surrounding your bounty hardly merit more than a passing thought. If he could spare less, he would. 

It’s the vilest thing in the world to be regarded with such bored contempt. 

“He would’ve—he would’ve raped me otherwise. I didn’t have a choice.” 

At that, Graves pauses. When he looks towards you, his eyes are curiously blank. 

“Better that than what’ll happen now,” he says, the words so perfunctory that it takes a moment for them to sink in.  When they do, you have to swallow back bile.

His glibness shatters whatever hope you’d had left. 

In that moment, you finally acknowledge that appealing to his sense of decency won’t lead you anywhere because it simply doesn’t exist within him. You’ve known men like him before—those more concerned with lining their own pockets than taking care of the vulnerable people around them. The archetype is not uncommon. You should’ve expected it even, especially from a bounty hunter. 

There won’t be any bribing him or talking your way out of the situation you’ve found yourself in. Whatever facinorous end awaits you back east, he’s happy to shepherd you there so long as it earns him his thirty coins. 

How many times do you have to ask yourself if you’re brave enough to do something before you answer? 

When Graves turns to face you again and takes a step towards you, likely to urge you up onto the saddle, you recoil, stumbling away from him. His eyes sharpen at your movement, fulvous wolf eyes narrowing on you. 

“And here I thought you’d stopped pissin’ me off,” he says lightly, a hard edge underlying his words. His hand lifts to rest against the handle of the revolver tucked back in its sheath, thumb flexing over it. 

“What’s the point?” you retort, nostrils flaring. “You either kill me here or I die there.”

You sound braver than you feel, fear making you shake so hard that your knees almost knock together. 

Graves’ smile is all lip, no crinkling around the eyes. “Oh, I won’t kill you, sugar. I’m a better shot than that.”

Your heart pounds against your ribcage, stomach turning over at the thought of him putting a bullet through your shoulder or leg. 

“I’m surprised you won’t just come quietly. You think the sheriff wouldn’t hand you over to me himself if he found out what kinda woman he married?”

That’s been your fear from the very beginning. The one thing that’s kept you awake at night, the nightmare shaking you out of a dead sleep. You’d convinced yourself that him calling the authorities or even escorting you back east himself was an inevitability. That John Price, paragon of virtue, wouldn’t bend the rules for anyone, much less you. 

But the more you think about it, the less sense it seems to make. Every tender word and touch rises to the forefront of your memory. If John has shown you anything, it’s love. He’s proven his devotion a thousand times over, shown you time and again that were you to leave, he’d come running. 

Suddenly, the thought that your husband would let someone take you away from him seems preposterous. It doesn’t align at all with the man you know. He’d go to hell and back for you, would rip out a man’s tongue for speaking to you the way Graves speaks to you now. Hindsight makes that clear. 

You meet his eyes, intention set. “I’d rather just ask him.”

Blue eyes turn to flint, flat. Droll candor shed for ruthlessness. Silence before a storm. 

He’s on you before you even have a chance to whirl around and make a run for it, arm cutting into your windpipe when he wraps it around your neck. He drags you back into the shadows of the awning, out of sight from anyone on the street; your heels score lines in the dirt. You choke, wheezing on your next breath, but his arm tightens, trapping the scream in your throat. 

“Shoulda done this before,” Graves grunts, reaching into his back pocket and pulling out the pair of cuffs he had tucked away. 

When he unhooks his arm from around your neck, you gasp for breath, sucking in deep lungfuls of air. Panic swirls and rises in your chest. 

“Get your hands off—” you hiss, beating his arm with your fist to no avail. He yanks your arms in front of you until your wrists are pressed close together. Your blood curdles at the feeling of cold iron against your skin and the gut-wrenching sound of handcuffs being fixed around your wrists, tightened to the point of pain. You can hardly flex your hands with how tight they’re bound. “Let me go, let ME GO—”

He pulls you in close again. “Don’t think I won’t tape your fuckin’ mouth shut too,” Graves snarls in your ear. Nausea swells in your belly. 

“Please— please don’t do this—” you beg, a sob breaking from your chest now. 

He sighs, long suffering. “Lord knows I tried to warn you.”

Despite the threat, Graves doesn’t tape your mouth shut. Instead, he fastens a rough piece of rope around your head, fitting it between your teeth like a bit. You don’t have it in you to be thankful for small mercies this time. The hemp cord scratches the corners of your mouth when you try to move your lips around it. 

“There,” he says, giving you a rough shake, satisfied. “That’s better. Can finally hear myself think.”

The tears leak out of the corners of your eyes in big, fat droplets, clouding your vision. When he wipes your cheeks with a calloused hand, the nail of his thumb catches on the delicate skin under your eye, leaving a thin cut. The pain makes you flinch, staring daggers at the man in front of you, but he doesn’t apologize for his rough handling. 

Graves heaves himself up onto the saddle first, swinging a leg over with practiced ease. You yelp when he hauls you up after, setting you on the saddle in front of him. Heat crawls up your neck when your skirt billows around your waist, horrified. 

“Save your tears, sugar,” he tells you, gathering the reins in one hand. “You’ll need ‘em for later.”

The horse whinnies when Graves pulls upward and guides him towards the road leading out of town, hooves clopping against the dirt. Your heart shoots up into your throat. 

Galloping out of town, you chance a glance back, head spinning as the world blurs around you. A man stands under the awning you just left, his head cocked as if stupefied. He’s too far away for you to get a proper look at his face though, no way to tell if he’s someone that might recognize you and alert John. You try to scream or wave your hands—anything to get his attention, to let the stranger know that something is wrong. 

You watch until the figure melds into the surrounding town. 

You keep waiting for someone to appear from behind you. A tall figure to darken the horizon, blot it like the moon passing over the sun. 

The last bastion of your hope collapses into rubble the farther away you ride, no man nor horse following you in pursuit. And then a hand grabs a fistful of your hair and wrenches your head back around, cutting off your view.

The plan is to leave the horse in the next town you reach and take a train back east. Graves would’ve done that back in the town you just left, he tells you, but he wanted to put as much distance between you and the sheriff. 

“You never know with men who’ve gotten a taste of married life,” he says when he finally deigns to stop miles from town, sitting on a rock and having a drink while he leaves you tied to the horse by your wrists. You shift from foot to foot, a cramp winding up your legs. “They get themselves a little pussy and lose all sense of dignity or morality. Can’t be trusted to do the right thing.” 

Steam practically billows out of your ears. You have the good sense to keep your mouth shut though, cognizant of the fact that you’re alone out in the middle of nowhere with a man who’d be happy to bring you back dead or alive. Though he hasn’t been quite so explicit, it’s apparent in the way he doesn’t offer to untie you or let you rest as well. The skin under the cuffs on your wrists are rubbed raw from your attempts to free yourself, and from the journey itself, with all the jostling and the persistent cramp in your right shoulder. 

The animal awareness dawns on you during that first rest. He’d taken the rope out when you were far enough outside of town that it didn’t matter if you screamed or not. That’s what stays your tongue now—the creeping notion that you are far from anyone that would be remotely sympathetic to your plight. 

“How much was the bounty?” you ask, more out of morbid curiosity than anything. You balance on one foot to shake the cramp out of the other. 

“Now, I hate to be rude, sugar, but what does it matter to you? It ain’t you collecting the reward.”

Your lips flatten into a taut line, already regretting prying. It’s not like knowing would change anything. 

The break ends sooner than you’d hoped, Graves urging you back onto the horse before taking a seat behind you. It troubles you because you’re not far enough away from town that you couldn’t still be rescued. There’d be more of a chance of John or someone else—one of his deputies, perhaps—coming across you out here. But you don’t have much of a choice. 

Out here, the land stretches on without end. Only the faint blue of a mountain ridge paralleling your route breaks the horizon. The land is flat, sparse apart from the dense shrubbery and trees twisted and bent by the wind. Cottonwood and boxelder. Chokecherry. Dogwood and hawthorn. Lush blooming saltbrush. 

The clear blue sky overhead is almost mocking, the rain from earlier long since abated. There’s hardly a cloud in the sky now. It’d be scenic if you could abstract it from the circumstances. A perfect day for gardening or a brisk walk after being kept indoors because of the rain. You’re still damp from riding through the rain earlier. 

A few bison congregate in a small dip in the terrain, grazing on the wild grass. You stare at them wide-eyed as you gallop along the upper ridge, startled by the sight of so many in one place. 

Despite the sublime beauty of the land, you remain on edge, unable to take anything in or truly enjoy it. Panic and revulsion leave you as gnarled and knotted as the krummholz trees out in the middle of the open plains. Riding with Graves feels nothing like the few times you and John shared a horse. It’s impersonal; transactional. Entirely against your will. 

The sun has only just begun to descend under the horizon when you and Graves approach a ramshackle house situated by itself in the middle of the open plains. Barely more than a barn, and long since abandoned by the looks of it. Age has done the place no favors; wooden slats sag and separate from the exterior of the house, the gaps in between the boards letting in all manner of insects and rot. 

Graves dismounts his horse about a stone’s throw from the hovel. His brow furrows with dissatisfaction as he surveys the abandoned property. 

“Shit,” he remarks, sucking his teeth. “A local back in town swore a family still lived here. Don’t look like anyone’s lived here since Abraham.”

Part of you wishes the former tenants still resided here, on the off possibility that one might take pity on you, but a much larger part of you is grateful for the dwelling’s vacancy. You’ve heard stories before, of families living out in the middle of nowhere. Rumors. Not all bad, of course; it’s common enough for families migrating west sometimes to stop along the way for a generation or two, building more permanent dwellings than the caravans they began their journey in. Many such families were also known for putting up travelers passing through in exchange for goods or help with chores. 

But you’ve also heard other stories. Like the Riley family out near Cherryvale and their homestead just off the Great Osage Trail. They lived out there for more than two decades before the number of lone travelers vanishing off the trail within walking distance of their property pointed the finger of suspicion at them. When the authorities finally got around to procuring a warrant for their property, they found the house deserted apart from the furniture that couldn’t be loaded into the wagon and an infant boy, dehydrated and petrified. 

You shake the story from your head. “…Are we spending the night here?” you ask tentatively. 

He looks at you from the corner of his eye, nostrils flared. “Don’t go gettin’ any ideas in that head of yours. Jus’ because a man’s gotta rest his eyes, don’t mean I gotta give you a peaceful night’s rest. No, I’m leavin’ those hands of yours tied.”

Your hopes deflate at that. 

He helps you dismount before hobbling his horse with a pair of leather straps around its front legs to keep it from darting off in the middle of the night. You wince sympathetically; you have more in common with a horse now than any man. 

The inside of the cabin is just as derelict as the exterior. At the very least, he feeds you. A couple scoops of pemmican straight from the tin. The fact that he insists on feeding you instead of letting you feed yourself puts you on edge. Your spine is stiff as a board through it all, your mouth barely opening up to receive the spoonful of pemmican, the metal clanking against your teeth. You wince, the sound itself tasting of rust. 

At all times, you are aware of the precarity of your situation. You can’t imagine there were any stipulations in the bounty to bring you back unscathed. Though he hasn’t tried anything untoward so far—not so much as made a licentious remark—you don’t know how long your luck will last. You flinch every time he so much as twitches in your direction, sure at any moment his mood will flip and he’ll drag you across the floor and haul himself over you. 

It’s enough to make your stomach hurt, turning over itself. He doesn’t try anything though, and for that you exhale shakily, the tension running off you in rivulets. 

One hour drags into the next. Night blackens the sky, seeping in through the crumbling walls of the cabin. 

“Well,” Graves says, wiping his hands together to dust off any lingering crumbs. “I’m gonna hit the hay.”

“Do…do I get to sleep as well?”

He cocks a brow. “Not much I can do to stop you.”

“It’s just that…” You lift your hands as you trail off, silently pointing out the handcuffs still secured around your wrists, the implicit assertion being that you won’t be able to sleep with the metal digging into the bones of your wrists. 

Graves scoffs. “You can’t think I’ll just uncuff you ‘cause we ain’t in town no more. I got a little more sense than that, sugar.”

“You could use rope instead?” you suggest. 

The seconds he spends considering it are long. You hold your breath as you watch him weigh the pros and cons. 

Finally, he shrugs. “Alright.”

The relief that washes over you is almost palpable. 

He pulls a blanket out of one of the saddlebags to function as a makeshift pillow, setting it up on the floor in the center of the room. True to his word, Graves uncuffs you and loops a double knotted rope around your wrists instead, fastening the rope tying your hands together around his own wrist. Your stomach sinks as he pulls the knot taut. 

He levels a heavy stare on you after giving the rope one last tug. “I don’t usually repeat myself, sugar, but I will this one time. Don’t go tryin’ anythin’ stupid. I’m gettin’ a good night’s rest and so help me if you wake me up—” his eyes flash, gray going steely “—you won’t like the consequences.”

You nod. Swallow back the phlegm clogging your throat. 

True night plunges the old house into darkness, cricket songs slipping in through the cracks in the walls. The temperature also plunges with the setting sun. It gets cold at night, even in the summer months; the draft makes you shiver, the rotting exterior letting in the elements. 

You keep to the wall with the least amount of rotting boards, as far as the rope tethering you to Graves will allow you to go. It would probably be in your best interest to try and get some sleep, but you’re far too restless to calm down. The atmosphere in the house is far too eerie to settle your nerves either; you can’t help but wonder about the family that must have left this place to rot and fade away into memory. 

It’s all you can do to blink back the tears that spring to your eyes when you think about the memory of you that John will have to carry into the future now that you’re gone. It isn’t fair. After everything you’ve had to endure in this lifetime, you thought maybe that this might have been your reward. That John was your reward. 

Your hands drop from your chin to your knees, hopelessness plaguing you again. The thin, sharp whistle of defeat. High and reedy as a death rattle. 

Then your eyes drop to your wrists.

The cord is fastened in a bowline knot around your wrists, difficult to undo without considerable effort, but the material is softer than the cuffs Graves had you in before, and it gives when you pull one hand down while pushing the other up. Your skin bunches around the cord, but it doesn’t cut into you the way the metal did. 

Graves is still fast asleep when you glance over at him. He doesn’t snore, but the rise and fall of his chest under the blanket is steady. Stable. 

The fatigue dissipates from your body the second you put it together. That there’s a sliver of a possibility of slipping your hands out of the rope tying you to Graves. The exhilaration is almost overwhelming. You have to sit with it a beat before acting, wary of letting your guard down too fast.

Time passes slowly as you fiddle with the knot, reaching your fingers as far as they’ll go and gritting your teeth through the ensuing cramp in your wrist. You nearly groan in frustration when your hand twitches and you accidentally retighten the knot. A near crushing blow. 

Please, you mouth more than whisper, frustrated tears clumped in your lashes. Teeth sinking into the flesh of your bottom lip, pinching off the wail rising up your throat. 

Your heart skips a beat when the rope loosens around one of your wrists, enough for you to wiggle a pinkie underneath and slowly shimmy it up the length of your hand. A cramp makes your pinkie spasm, almost causing you to lose your grip. Sweat pools in the cup of your palm. 

When your wrists are finally free, the rope clutched in trembling hands and the basal joint of your thumb scrapped raw from the fibrous rope, you can only sit there, heart beating wildly in your chest. You have to force yourself to remain calm, wary of waking Graves up after all that effort. His eyelids quiver only with his dreams though. 

You glance towards the door on the other side of the cabin. It seems either farther away now that you know it’s within reach. You know better than to just run straight for it though. Weeks of being on the run before finding John have taught you to pace yourself, to push down the fluttering evocation in your chest to make a mad dash for the closest way out. 

Instead, you take a deep breath out, closing your eyes until you’ve calmed down. Then you rise slowly to your feet. 

Your eyes, having long since adjusted to the darkness, scan the room for any loose floorboards. Aside from one obvious corner of the house which has begun to rot away and collapse, it’s hard for you to discern at a glance which boards will groan under the weight of your feet. You have no choice but to guess.

Each step has you on edge, heart in your throat. Your focus shifts quicksilver between the floor and Graves. Waiting for any sudden movement. 

Halfway to the door, you take another cautious step forward and the floorboard creaks under your foot. Your heart stops, eyes flitting instantly over to Graves’ sleeping form. He doesn’t so much as shift. It’s another beat before you’re able to move again, confidence shaken by the noise. You keep imagining him suddenly shooting up from the floor, pistol in hand, the hammer striking the primer, the hiss of gas escaping the barrel. 

The door gives a faint creak when you push it open, so you open it only enough for your body to slip through, wincing when you twitch and accidentally push it open another inch, dragging out the creak. Still, he doesn't wake. You slip past the door, shutting it quietly behind you.  

The moon glows cornsilk gold in the sky. A vast, uncharted land stretches out around you, untouched by human hands, or so changed over the years that any human presence has long since been buried beneath the loam. But when you stare out into the distance, you realize that you have no idea where you came from. Everything looks the same in each direction, no landmark familiar enough for you to orient yourself. You’re out in the middle of nowhere and nothing looks right. 

If you had less strength, you’d fall to your knees. The despair is so immense that you hardly have the strength to hold it all at once. 

The silence lulls you into a false sense of security. You linger for too long, stuck contemplating your options. Coyotes yip in distant packs, their barks carrying across the plains. You shiver at the sound. It reminds you again that you’re on your own now. No husband to come chasing after you if things get sticky. 

Your first few steps away from the cabin are tentative, gliding your legs through the grass and staring up at the cornsilk moon. A combination of indulgence and bewilderment. If you knew the right way home, you wouldn’t waver, but these days, you have no faith in your instincts. They’ve only ever led you off course. 

The gelding that Graves rode in on sits in the grass with its hind legs folded underneath it. With its legs still hobbled, you know removing the leather will take more time than you'd like, but you figure it'll be easier to make your way across the plains on horseback, with the added bonus of leaving Graves stranded. If God were just, he’d starve out here and leave his corpse for the coyotes to feast on. 

You approach the horse cautiously, conscious not to make any sudden movements. Its ears angle towards you as you draw near. Attentive to your presence. 

“Hey there, honey,” you whisper, reaching out a hand and trying to show that you aren’t a threat. Its nose twitches.

Another step forward. Easy does it. One leg in front of the other.

“I won’t hurt you. I promise.” You try to mirror your memory of John in your voice, honeysuckle soft words. 

You aren’t John though. Not even close. You take another step towards it.

It brays when you get too close, skittish. The sound pierces through the night, louder than the coyotes in the distance. Louder even than the creaking door.  

The hair on the back of your neck raises, lips numb. Then the prickling awareness of movement in the house, like an itch on a phantom limb. 

Behind you, the door to the cabin bursts open with a bang, slamming off the wall and ricocheting back. You whip your head around to look only to find Graves’ towering form under the shadow of the doorway, his hair mused and clothes askew. And he looks enraged. 

“Hey!” Graves bellows from the doorway, breaking into a run towards you. “Get back here!”

There’s no time to sit with the regret, no time to bemoan the fact that you didn’t exercise enough caution, that for some reason without a gun leveled at your head, you allowed yourself to forget the very real danger this man posed to you. 

All you can do is run.

The grass whistles around you. You run so hard that your lungs burn, your arms pumping furiously beside you, dress swishing between your legs. You don’t have to look behind you to know that Graves is gaining on you. His body is built for pursuit. Still, you push yourself past your breaking point, not stopping even when you taste blood in your mouth. Mindless; directionless. No idea where you’re going—just away from him. You’d jump off a cliff if you came across one. 

He’s close enough for you to hear now, heavy breathing right behind you. But by then it’s too late. A heavy body rams into you, sending you careening towards the earth, the ground rushing up to meet you halfway. The dirt hardly cushions the blow. 

You hit the ground hard. Head knocked loose of thought, agony ripping across your face. The double blow of a body heavier than yours forcing you into the dirt, so solid that it crushes the breath from your lungs. 

Blood leaks from your lip, most likely split. When you breathe in to fill your lungs, you taste dirt and rust and earth. 

“Insufferable bitch,” Graves snarls, putrid breath wafting under your nose and making your eyes water. He grabs a handful of your hair and wrenches your head up before slamming it back down. Something crunches. Distantly, you wonder if your nose is broken. 

Your ears ring, the rest of his words drowned out by the blood rushing to your face. 

“Please—” you beg, blood dripping from your split lip. 

“Knew I shouldn’ta trusted you—conniving little cunt—c’mere now, get up—”

He rises to his feet over your body, big hand curling around your wrist. You hear your shoulder pop when he yanks your arm behind your back. A rush of cold. A sweat breaks on the nape of your neck. Shock sets in the moment after, adrenaline flooding your body. 

Then a sharp, focused surge of pain. It radiates from your shoulder outward, so intense that you can’t believe it at first. Your whole world reduces down to it. Feathering out down your back; irradiating waves of it. Thoughts scattering and then coming back together around the pain. If you scream, it comes out unbidden. 

“Ah, hell, I didn’t mean to do that,” he grumbles from behind you, likely staring at the unnatural jut of your shoulder. “Alright, sugar, one second—I’ll pop that back in.”

“Nononono—” you gasp, panic lancing through you, but he pays no attention to your words. 

The pain of popping your shoulder back in is excruciating. Relief follows shortly after, but the time between dislocating and relocating your shoulder is so short that it hardly comes as a balm to the pain.

“You…bastard…” you gasp. 

“Wouldn’ta had to do that if you hadn’t run,” he sighs, the sight of your pain subduing his rage. 

It doesn’t stop him from grabbing you roughly by the arm he just dislocated when he finally gets you on your feet though, steering you back towards the house. The pain that radiates up your arm is almost blinding. 

He drags you back to the cabin with a punishing grip. There’s no sympathy when you stumble. Moonlight illuminates the path back to the cabin and shows you the trenches in the wild grass made by your feet. Hardly more than a couple rods. 

The defeat that courses through you upon being dragged through the ramshackle front door is ten times that of earlier. When he lets go of your arm, you collapse in a heap on the floor, aching and sweating. A bag of bones and blood. You’d rattle if someone shook you. 

“I hate you,” you mumble from your spot on the floor, shaking through the pain. “Rot in hell.”

Graves doesn’t respond, but you can almost hear the way he grins.  

No rest for the wicked or the good this time. Graves wakes intermittently throughout the night to check up on you, wary now that you’ve tried to run. Your regret is palpable. You should’ve waited. Bided your time. There won't be another chance now, not after you played your hand so soon. 

The ache in your shoulder keeps you from finding sleep. Every time you get close to it, the pain radiates down your arm and it slips from your grasp, your hand closing around the empty space it leaves behind. Teeth grit, breathing through the pain. Loosening your jaw and panting because the pain overwhelms you when you so much as shift onto your side, the hard floor digging into your elbow. 

Right on the edge of sleep, just as you're about to latch on, a boot catches you in the ribs, jostling you back into the realm of pain. You wheeze, breaking into a coughing fit. 

“Get up,” a hoarse voice grunts above you, empty of sympathy. “We got places to be.”

He has the two of you back on the horse as soon as dawn breaks. Your escape attempt the night before must have spooked him, and you regret it now in the light of day because you know he won’t let you out of his sight again. The metal handcuffs digging into your wrists assures you of that. 

There’s no time for breakfast or time to wash up. Graves makes it a point to be back on the road as fast as possible, repacking his bedroll and stuffing it back in the saddlebag before dragging you up with him. 

The pain is a dull throb after sleeping most of the agony away. It comes back when you move too quickly though, which is hard to avoid on horseback when each gallop echoes through your sore bones and joints. 

The arching sun immixes with the heavens above, rising higher as the hours pass. You ache for a hat; something to keep the heat of the sun off your head. On the horizon, the mountain ridge sits like a spine bursting out from the earth. It’s all wastelands and portents. Evil omens. 

Your heart feels swollen and bruised, like something trampled under elk hooves. 

“Cheer up,” Graves says, tipping your chin up when the sun reaches its peak around midday, the gesture making you so uncomfortable that you almost shudder out of your skin. Your face still throbs with pain. “You should be glad I didn’t jus’ shoot you.”

Your lips pull back, baring your teeth to nothing. 

A shot rips through the air at that, his words commanding it into being. Your head instinctively ducks and even the horse under you staggers, spooked by the sound. Graves curses, tensing up behind you.

"What in the hell—"

You whip your head around to stare behind you, looking for the source of the gunfire. When you find it, your eyes widen.

[magicomens]

Happy Merlin finale anniversary to those who celebrate :)

I'm taking a small break from the comic for the holidays, see you in late January with Part 8 and a new story arc!

First >> Prev >> Next

[sakuravalelp]

Don't eat anything else - Part 2 - DP X DC

Previous part

Masterpost

This is the only chapter where I'll tag people. Please, if you want to follow the story from this point on, follow the master post :).

-_-_-_-_-_-_-_-

"You both should stop eating the food." Came Babs voice through the comms. "Danny asked Tim to not eat anything else. We suspect the food may content poison."

Bruce subtly shared a look with Cass before returning to nodding at Masters' proud rambling about his latest contract. They had both stopped eating long ago. The soup was good; Masters’ words about Danny being a good cook weren’t a lie. However, Bruce couldn’t identify the chunks of meat in the soup.

He initially thought it was pork, though the texture seemed somewhat similar to veal. By the fourth piece of meat he ate, he could confidently say he didn't recognize it. When he looked at Cass, he saw her using her spoon to play with one of the pieces of meat on the edge of the plate, a frown hidden behind her polite smile. He was sure then that the meat couldn't be one they had tasted before.

Bruce has tasted every kind of meat that should be available to Masters. He has even tasted exotic meats that Masters would probably never encounter, having represented humanity in intergalactic meetings as Batman. Not being able to identify the meat discouraged Bruce from eating more, and it seemed to have had the same effect on Cass. They had kept their food mostly untouched, using the excuse of waiting for Tim and Danny to return before eating. It was a good call; the meat being poisoned could be the reason it was unrecognizable.

"If any of you feel any symptoms, turn off your comm." None of them made a move to do so, and after a couple of minutes Babs continued, "I'll call Bruce in 10 minutes to create an excuse for you guys to leave."

Bruce would have liked to think that they had not yet consumed enough poison for it to affect them, but there's always the possibility of it being a delayed-effect poison. If Masters' plan with the poison was to kill them, then a delayed-effect poison would allow Masters to avoid being immediately connected to their deaths.

However, Masters shouldn’t have a reason to kill Bruce Wayne and his wards. Unless the man had discovered that they were investigating his contracts, which Bruce doubted. It was more likely that the poison was some sort of chemical restraint or chemical submissive, which would explain why Masters' contracts always seemed to end ridiculously in his favor. It would be easy to make such deals with someone who was drugged to be more agreeable with you.

Not that Bruce would be willing to take the risk to find out, especially with Cass having also ingested the tainted meat. He was glad he had brought the poison antidote kit with him. Despite this, Bruce wasn't sure about cutting the visit short, at least not for all of them. Tim had been gone with Danny for a while now, and if Danny had informed Tim about the food, they were probably exchanging information at the moment. Maybe Tim was in the process of offering Danny help, and Bruce didn't want to interrupt that.

"Renovations will be starting next week, and I'm sure the place will end up being quite popular," Masters finally finished his rambling.

"It sure sounds like it will. You certainly got yourself a great deal with Kensington, Mr. Masters. I'm curious, what is your negotiation method?" Bruce asked, hoping to gather more information.

Masters had been surprisingly adept at avoiding any conversation about the negotiations themselves, always sidetracking the discussion or giving half-answers. Drugs in the food was a good hypothesis and would be the best outcome for them, as such substances usually shouldn’t take too long to get out of their system.

Yet, it didn't explain how Masters' business partners seemed to stay committed to their contracts long after they were made. The furthest they had gotten from them was confusion about how they had reached the point where they accepted the contract's conditions. However, they all seemed convinced they had gotten the best outcome possible, despite obviously getting the short end of the stick.

It pointed to something besides drug usage. Maybe Masters got blackmail material from them while they were drugged? It would be easier to draw conclusions if Masters had even the smallest slip about it.

Masters smiled, taking a sip from his wine. "Ah, it takes years of practice, Wayne. It isn't something one can learn in a day, and only those with the capacity can master it," he said. Then, before Bruce could ask any follow-up questions, he continued, "Now, Daniel and young Mr. Drake sure seem to be taking their time."

"Oh, that doesn't surprise me," Bruce said, shaking his head with a fond smile, playing farther into his "Brucie" persona while lamenting the lost opportunities to get more leads on what Masters was doing. "They're around the same age. Surely they got distracted talking about whatever is of interest to kids their age these days."

"I would be glad if my godson got along so well with your son, Mr. Wayne," Masters said with a practiced smile, though a hint of calculation flickered in his eyes. He gestured vaguely with his wine glass, his tone deceptively sympathetic. "The loss of his family hasn't been easy for him, and building a connection with someone like Mr. Drake could be beneficial. However, it is quite rude to leave the guests waiting. As his guardian, I must address this. I’ll go search for them." Masters stated, standing up from his seat.

Luckily, Bruce didn't need to interject to stop Masters from interrupting his son's conversation with Danny, since the two boys appeared by the door as if summoned by Masters' comment. Danny visibly tensed the moment he spotted Masters standing in his place.

"Daniel, it's good you're finally back. I was about to go search for you," Masters said, throwing Danny a stern look.

Danny opened his mouth, probably about to apologize for the wait, but Tim beat him to it.

"So sorry, Mr. Masters. I had to take a shower before changing clothes."

"Oh, don't worry about it, Mr. Drake," Masters said as he looked Tim up and down, evaluating if what Tim was saying was true. His eyes lingered on Tim's wet hair for a moment, and the tension in his eyes relaxed a bit. "It is Daniel's fault for throwing the soup on you. Now, shall we continue with the dinner?" Masters sat once more on his chair.

"Should—" Danny started, slightly stuttering when Masters' eyes returned to him. "Should I serve new portions? Since the ones on the table are probably cold by now?" the intensity of Masters gaze increased with every word Danny said. In response, Danny lowered his gaze to the floor, and shifted nervously.

Danny's voice was way too small by the end of his sentence, but Bruce could sense some hidden urgency in his tone. Remembering that Danny was the one who had warned them about the food, Bruce could infer that he was trying to further prevent them from eating it. It gave Bruce the impression that Masters had also caught onto that fact, given how tense the man was.

He was grateful for the kid doing their best to protect them, but lamented putting them in a position where they had to risk confronting their abuser. Bruce really hoped Tim had convinced Danny to leave with them. It shouldn't be difficult to create a reasonable invitation for Danny after Masters' comment about how he was isolating himself.

"Good idea," Cass said with a gentle smile directed at Danny before Masters could make any move.

Masters' eyes narrowed slightly, but then he nodded. "Very well. Daniel, go ahead."

As Danny hurried to the kitchen, Bruce shared a subtle glance with Tim, who was retaking his seat beside Cass. Unfortunately, instead of the nod indicating that they could get Danny to leave with them if they created the opportunity, Tim just shrugged. It wasn't the sign for Danny refusing help, but the one for things being more complicated than they seemed. Bruce sighed, and before Danny returned from the kitchen, his phone rang. He excused himself to answer Babs' call, lamenting not being able to take Danny with them.

-/-/-/-/-/-/-/-/-

Bruce came back from his brief call with Babs with a worried face that Cass knew wasn't the one he made when actual "family emergencies" happened. It was exagerated and dramatic, it screamed "something terrible had happened," and was perfect for this kind of situations. Bruce quickly ushered Cass and Tim out, apologizing to Masters for the hasty departure. They barely had time to say goodbye to Danny, who had hurried back from the kitchen after Masters had shouted about seeing off the guests.

Cass noticed a subtle shift in Danny’s demeanor as they prepared to leave. His shoulders dropped slightly, and there was a fleeting look of relief in his eyes. However, that relief was overshadowed by the palpable fear that clung to him; his tense posture betrayed the anxiety he was trying to hide. It was hard to leave him behind, and Cass almost ran back when she caught sight of Vlad’s possessive hand on Danny’s shoulder and his venomous, angry eyes as she was walking out the door.

As soon as they were in the car, Tim immediately began checking the vehicle and himself for hidden microphones, with Bruce and Cass following his lead with little more than a raised eyebrow. Tim’s decision to search for bugs made sense once he explained that Danny’s room had been bugged,

"Honestly, Danny's so careful with his actions and words everywhere, I wouldn't be surprised if the whole property is bugged."

The drive back to the house they had rented was tense, the atmosphere in the car thick with unspoken concerns. Tim decided to use the ride home to update them on what he had seen. In turn, Bruce spoke about the dinner with Masters, detailing their regrettable failure to extract any additional information from the man. The evening ultimately boiled down to the suspicion that the food had been poisoned. Cass remained silent, not feeling up to talking.

She had her doubts about the food being poisoned; even if the poison hadn't shown any symptoms, her past training should have allowed her to identify it if she had consumed it. It seemed unlikely that Masters possessed a poison so sophisticated that she couldn’t detect it, and the thought only deepened her unease. She though back to how their hosts acted at the start of the dinner.

Danny looked like he was carrying the weight of the world on his shoulders. His eyes darted nervously between them and Masters, his hands trembling slightly as he served the food. The guilt and fear radiating from him were almost palpable, as if he believed he was committing an unforgivable sin by offering them the meal.

Masters, however, didn’t seem like he was planning to poison them. He behaved more like Damian’s classmates had when they once tried to trick him into eating non-vegan food at a gala. His smile was too easy, his gestures too casual, like someone who thought they were pulling off a harmless but cruel prank. It felt like he was purposely feeding them something he knew was outside their comfort zone and ethical beliefs, testing their reactions with a detached amusement.

From the very beginning, Cass had felt a deep discomfort about the food. The way Masters and Danny acted around it had set off her internal alarms. When she took the first bite of the meat, something immediately felt off. The texture was unfamiliar, and the taste was oddly unsettling—not in a way that clearly indicated poison, but in a manner that was subtly disturbing, she didn't know what she was eating. It made her skin crawl, and she couldn’t bring herself to take another bite.

The car coming to a stop in the house’s garage jolted Cass out of her thoughts. They all exited the vehicle, and Jason’s motorcycle was parked beside them as he opened the door. tightly clenched jaw. Like the rest of them, he was frustrated by their inability to take Danny with them, but he wasn’t vocalizing it because he was also worried about what they had eaten.

Once the door was opened, Bruce was ready to rush into his bedroom to get the poison antidote kit, but Jason stopped him,

"Hold on old man, I want to know what the note the kid gave Tim says. It may even say what poison was used; save us time."

"Mnn" Bruce said with a slight nod, and Tim started unfolding the paper in response.

The folded paper was as small as a pinky, but once unfolded, it revealed a full letter-sized sheet, and the text filled at least half of it. Tim skimmed the text as he usually did before reading aloud, but his face quickly drained of color. His eyes widened in horror and disgust. Instead of reading aloud, he kept running his eyes over the first line repeatedly, his gaze darting between Bruce and Cass. His jaw was clenched tightly, and he struggled to keep his composure, fighting against the bile rising in his throat. Cass couldn’t help but frown deeply, a growing sense of dread settling in as she wondered what the paper could possibly contain.

"Forgot how to read, replacement?" Jason said, his tone lacking its usual edge. He stood beside Tim, his expression a mix of uncertainty and concern, unsure whether to reach for the paper or not.

Tim takes a shudering breath, and Cass herself can't help but shift in her place, her anxiety growing, as they all wait for Tim to gain back his voice and finally read what Danny's note says.

"The meat on the food is human meat." Tim finally says with a strained voice.

There's a moment of silence in the room. Cass keeps her eyes on Tim, hoping, pleading, to find any signs that what she heard is wrong, but Tim only repeats the sentence. Her stomach churns violently as bile rises in her throat. Without effort, she sinks to the ground, her legs giving out as she begins to vomit. The pounding of her heart fills her ears, as black dots fill her sight and her hands tremble uncontrollably. She is dimly aware of Bruce doubling over beside her, and the sound of Jason hitting the wall.

She ate human meat. It may have just been a bite, but she ate human meat. The dinner had been made from human meat. Her mind recoiled at the abhorrent thought. The thought of the soup they were served makes her vomit once more. She gasps for air, her body shaking as she fights against the rising tide of revulsion, desperately trying to rid herself of the lingering taste and the horrifying realization of what they ingested. She feels Tims hand doing smalls circles in her back and realizes that tears had been falling from her face.

/-/-/-/-/-/-/-/-/-

Danny's hands trembled as he injected himself with another dose of ectoplasm. The shaking made the syringe jab painfully as he withdrew it, causing drops of blood and ectoplasm to fall to the floor while the injury quickly healed. Ten minutes of continuous electrical shocks wasn’t the worst punishment he had received from Vlad, but it had the most severe drawbacks. His body had a harder time recovering from electrical damage than from any other kind of harm, and Vlad often exploited this weakness.

He took a deep breath as the last of the Lichenberg marks disappeared from his legs and arms, leaving only the ones he’d gotten from his death. He sat on the bathroom floor, staring at the ceiling, his legs and arms still trembling. He wasn’t sure if the tremors were from the electrical aftershocks or his own anxiety. Vlad had been furious about his little stunt with the soup and had once again reminded him that they weren't eating Danny’s friends because he was such a "compassionate guardian."

The reminder had thrown Danny into a couple of panic attacks once he was allowed to return to his room. He thanks he's advanced dissociative abilities for not having those panics attacks in front of Vlad. He doesn't wan't to know how the man would try to exploit that.

But even as his whole body trembles and aches, he doesn’t regret his decisions. This is his only chance for things to change. The Waynes are a powerful family with connections to the Justice League. While the League has not interfered with what has happened in Amity Park up till now, they might get involved if the Waynes reach out to them. It’s wishful thinking, and he’s risking a lot, but this gut-wrenching dinner has become the first glimmer of hope he’s had since his family’s death, and he’ll hold onto it with his half-life.

Once he's body stops trembling and he's head feels a bit clearer, he needs to text Sam and Tucker. He'll depend on them for this to not backfire on all denizens.

[bacchuschucklefuck]

soon it'll be dawn again

transcript under the cut ⏬

page 01

Fig: no way? - you're still up?

Riz: Wh– yes?

Riz: Why'd I not be.

page 02

Fig: I me~~ean - that took.

Fig: whole day.

Riz: Yeah?

Fig: 'm beat.

Riz: you should sleep.

page 03

Fig: nah. my guy's still up

Fig: I wanna hang out.

page 04

Riz: That's really nice.

Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.

Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.

page 05

Fig: yeah, but you do it…

Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.

Fig: That's right… - though. Yeah.

page 06

Fig: sometimes it's someone else who - doesn't want the same thing to happen.

Riz: … - mm.

page 07

Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.

Riz (off screen): to anyone too, not just. - the people you /love/.

page 08

Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.

Riz: So I'm doing as much as I can now… 

page 09

Fig: Hey.

Riz: ?

Fig: Go dig some dirt with me.

page 10

Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)

Fig: o yea.

Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.

page 11

Fig: here u go

page 12

Riz: uh

Fig: now we make a thing! - 'm pretty good at freehanding a bowl.

Fig: I'll show u

page 13

Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try

Riz: uh - What. do I carve?

Fig: anything!!!

page 14

Fig: and– yep just seal the inside uh. seam?

Fig: yep that works - okay time's up! all contestant hands up

Riz: [blank speech bubble] - okay - wh. what's next?

Fig: haha - watch this.

(sound effect text): FWOO—MP

page 15

Riz: WH– DON'T JUST DO THAT???

Fig: Now it's fired!

Riz: THAT WAS NOT SAFE

Fig: (actually it's just dry. if u add water rn it'll dissolve)

Fig: ok catch!

Riz: [blank speech bubble] - careful!!

Fig: dw no need haha

page 16

Riz (thought bubble): oh - it's warm…

Fig: now I want you to throw this.

page 17

Fig: u gotta do it - c'mon

page 18

Riz: wh– - It's like 3AM right now

Fig: oh it's not /fired/ fired it's not gonna make a loud noise

Riz: And then just? leave a pile out here?

Fig: pour water over it & it'll be gone I told u

Riz: but

page 19

Fig (off screen): RIz.

page 20

Fig: I've done all this before.

Fig: Can you trust that at least?

page 21

Riz: no, I– - I do. - I trust you.

page 23

Riz: okay what happens now

(sound effect text): glob

page 24

Fig: we do it again!

page 25

Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)

Fig: see! you're already learning

Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.

Fig: Things change.

page 26

Fig: I've learned my lessons with "forevers". - But - as an artist

Fig: I can give you one thing: - You can always do it again.

page 27

Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.

page 28

Fig: So?

page 29

Riz: Yeah. - Yeah! - let's make another one.

[obsob]

bedtime story with my love !!

[idiotsonlyevent]

it is completely understandable to be uncomfortable with the sexual assault in dandadan. it's important to discuss how it's framed, whether it's handled poorly, or if it could be been portrayed better. but the number of people - even fans - stating that it is only fanservice, irrelevant, or could be removed is frankly bizarre to for SO many reasons, starting with the fact that this parallel exists.

the anime made it even more obvious by interpolating cuts from the first scene into the second one.

i thought this scene showed that momo gaining her powers by believing in her relationship with her grandmother gives her the strength to fight back against what is basically a horrific, much more aggressive and abstract (maybe even absurd?) representation of her shitty gross ex - who was demanding she 'put out' and pay for the love hotel in very first scene.

while the escalation from one scene to the next is surprising, it's not something that comes out of nowhere. this first scene is meant to be a set-up to what will happen later. it sets the tone, though significantly more lighthearted at this point. it tells you that sex, sexuality, etc. is something dandadan will touch on - though you don't know what the scope and depth will be until later in the chapter.

i cannot recommend this video enough, as it discusses some interesting interpretations of what the serpoians and turbo granny represent in their respective assault scenes, as well as how right now the treatment of both scenes is unfortunately uneven.

more notes about plot and thematic relevance below the cut. spoilers for anime-onlies (up to chapter 8, will probably be covered in episodes 4/5).

momo was assaulted, and almost cut up by the serpoians, much like the other victims turbo granny appeared around. this is an intentional parallel. turbo granny goes to momo because that is what she does. again, SUPER unclear how that factors into turbo granny's assault of ken, but if we keep the video's interpretation of cynicism in mind, it could be related to that; maybe turbo granny has a cynicism toward men - similar to momo in chapter/episode 1 - and this is why she chose to attack ken. unfortunately, it's still too early to really understand and explain a lot of her motivations.

again, completely understandable to not like how the sexual assault was handled or portrayed, and it's important to keep discussing it. but this is what dandadan does for many different types of trauma and difficult life experiences. this is a huge part of dandadan's identity. if you don't like it, that is fine, but calling the sexual assault 'just fan service' is blatantly untrue.

[sincerelybubbles]

"spence?"

"hm?"

"when did you get home?"

a more awake you would be squealing, thoroughly excited he came home early from his trip, but the early hours have hardly begun to bring light and you're struggling to even open your eyes to look at him. your cheeks still widen into a pleased smile though, turning into his warmth and humming, confused, when your hands find the rough fabric of his coat.

"a few hours ago," he says, voice rough, eyes still shut. one arm across his eyes, blocking the minuscule light, the other a vice around your waist. his voice is slow, deep in his chest, caught on the sleep he obviously wishes to keep. but he still turns his face toward the sound of your voice, smile creeping up at the corners of his lips, willing to entertain you despite his fatigue.

"are you still wearing your shoes?" you ask, voice teasing, scooting up in his arm to nudge your nose against the curve of his jaw. you press a kiss there, the point where his bone hits a right angle, lips tingling from the stubble you find.

"no," he says, voice honest, "i know better than that."

"no shoes, but your belt is still on?" you tease, fingers dragging across the leather. you don't care, not beyond a genuine concern for his comfort, but you enjoy teasing him in this way, skimming your lips across the rough skin of his chin in not-quite kisses.

"i took my gun off," he complains in a half-hearted groan, lifting his arm to peek at you out of the corner of one eye. "hi," he says, voice still soft, somehow deeper with affection, dimples the star of the show on his cheeks.

"hi," you say, tilting your head back and lifting your arm to cart your fingers through his mess of hair. "welcome home."

he smiles, reaching around with his other arm to gather you up and drag you across his chest in a bear hug, chuckling at the squeal you let out, sighing against your hair. he presses a firm kiss there, right above your ear.

"we will have to wash the sheets, though. it was really gross for me to not change, i was just exhausted, sorry."

[hoshiina]

pairing: hoshina soushirou x gn!reader (no prns)

summary: in which he realizes you were the one for him

warnings: none i think !

wc: 1100

Hoshina wasn't a player. He wasn't one to say yes to everyone who came his way nor was he one to lightly pursue just about anyone who slightly interested him— not to mention he didn’t fall easily to begin with. He was a busy man in a dangerous line of work so having a relationship simply didn’t make sense most of the time.

However, this is not to say he hasn’t had a few relationships here and there. He loved those he dated, he really did. He did not believe in dating for the fun of it nor did he believe in starting a relationship he knew would end at some point, but subconsciously he tried not to get attached. He kept his distance and locked away his heart to keep from getting hurt. Was it unfair? Well yes, but he was scared. Everyone has something that terrifies them greatly, this just so happened to be Hoshina’s.

Yet, recently he could tell that something was different with you. It had only been a few months since you started dating, but he feared the shift in his feelings. He knew what it was— he knew very well, but as soon as he admitted it, it would be over. There’d be no going back for him. He knew he was being rather irrational, he knew that if he sat down and confronted these emotions he’d realize they weren’t that big of a deal, but he couldn’t. He’s never been able to.

However, while fighting this kaiju, it became plain obvious that he was simply in denial. 

It upset him how important you were to him, but more than that it upset him that he knew he was important to you. You had made it so painfully clear that he meant the absolute world to you and that broke him to pieces every single time.

To him it was easy being alone— he just had to make sure his job was complete before he died. If he could ensure everyone’s safety or at least help Mina out, there was nothing more he wished for. Yet while fighting Kaiju no. 10 today, when he saw his life flash before his eyes, his immediate thought was of you. If he died you’d cry. And that alone was going to get him home alive.

He’d rather die than make you cry. Especially not alone.

As he stood up again, he could see his blood dripping from his wounds and immediately it made him chuckle. You’d cry anyways when you see the state he’s in. 

I’ll have to be around to wipe your tears at least, he said to you in his head.

He was incredibly lucky that you didn’t work on the battlefield, his heart simply would not be able to take it. But he did, and for you he’d have to get home safe. Even if no one else cared that much, not even himself, he knew you would.

All of a sudden, it was easy to admit. He was hopelessly in love with you, in a way he didn't know he was capable of. He wished that he would spend the rest of his life with you and he hoped you would spend the rest of yours with him. Perhaps he was just afraid and a little flustered to admit that he was important to someone, especially someone special to him too. He had seen how painful it was for those left behind, a little too often. 

But there was an easy solution to that, he’d just get back to you safe every time. He just won’t make you worry and he’ll be there for you. This was supposed to be a dilemma, something he thought he'd stress over, but in the moment he felt eerily relaxed, definitely not like he was fighting an identified grade kaiju. The rest of the fight was a blur, he couldn't remember much. His head was clear but the fatigue had taken over at that point, but before he knew it, the kaiju laid in front of him still.

He was faintly conscious as they rushed him into an ambulance and patched him up. Once he was properly treated and awake, they had warned him to stay put and take it easy, but all he wanted to do was see you.

As soon as he left his assigned room, he immediately bumped into you. You had been waiting to be let in to see him. You took one look at the way he was patched up and tears welled into your eyes. He could tell you didn't mean to, you didn't want to worry him.

“Please don't cry,” he said softly, wiping your tears away. He couldn't help but smile at the sight of you. “I'm perfectly fine.”

“I'm not crying,” you said with a scowl on your face, but the way your voice cracked was not very convincing. “I'm so glad you're back.”

“Can't live without me?” he teased. He knew you couldn't live without him, but he couldn't either. Yet, now he even hated the thought of you living without him, let alone with someone else, so here he was. And here he always will be.

“Shut up,” you said. “You know I can't.”

He knew, but hearing you say that still made his heart flutter. He reached out with his right hand to grab your left and held it carefully. He leaned in to kiss you, but it was so much sloppier than the careful ones he usually gave you. Forgive him, he was terribly exhausted.

“I can't either,” he said, snuggling his face into your shoulder.

“You can't?” you asked, a little surprised. It broke his heart that he had possibly made you feel such way.

“Not for a second,” he said, still avoiding eye contact. “I'd rather die than wake up without you next to me, actually.”

You wouldn’t reply, so he brought his head back up to look at you.

“Oh, don't cry,” he said and chuckled a little, wiping your tears away as he kissed you again. “I didn't mean to make you cry.”

He hadn't let go of your hand and although he was gentle, he held it firmly. He didn't say anything, but he vowed to himself that he'd put a ring on it someday. He wasn't letting go of you ever.

You were the one for him.

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]