#favourite uncles

[shurikthereject]

Uh oh looks like i procrastinated and made a new sketchbook spread, welp. Behold the fluffiest uncles with their adorable nephews and tiny Frodo with crazy bed hair.

[fuckyeahchinesefashion]

Cnetizens: 'OMG TV shows in the 90's were much better than today''We were so well fed in the past'

[skipblebee]

Happy Pride Month!

[ringosmistress]

[wilcze-kudly]

I do find it annoying how a lot of Zutara fans tweak the character's stories, personalities and even the timelines to suit their own needs.

Once again, there's nothing wrong with fanon and headcanons, however if looking through the lense of canon, you're objectively wrong.

I ended up stumbling on a post from a Zutara shipper. (At this point I'm regretfully considering not following the tags for Zuko or Katara because I get way too much Zutara content lol) I'm not replying directly to her because I don't want this to turn into an argument, and I know she doesn't take criticism very well.

Ok, So let's break this down.

The character who was first out of the group to trust Zuko?

I'm quite sure this is referring to the scene in Ba Sing Se's caves. And yes, that is a very important scene. I think it's a very important scene preceeding Zuko's 'relapse'. It shows how he's matured during his time in Ba Sing Se and therefore it serves to add to our dismay when he joins Azula. I adore the fact that Zuko's journey to redemption is not linear, it certainly adds a lot to the character and shows us how his trauma affected him.

It's also a horrific moment for Katara. To have her worldview on Zuko and firebenders as a whole challenged, and then for it to go blowing up in her face. It rips open old wounds of her childhood. It refreshes her resentment of Zuko and the Fire Nation as a whole. It parallels the death of her mother when Aang dies due to Azula's lighting and she is unable to do anything about it. It places her back in that spot of helplessness. Even though she's grown up, even though she's a master waterbender, she still comes a hair's breadth to losing one of the most important people in her life.

No wonder she hated Zuko so much after this.

It's an important moment for both characters, but I wouldn't say it is that in a romantic sense. It's a sweet, hopeful moment that then turns absolutely horrific and visceral for both parties.

I could argue that there are other characters who could be given the title of 'first to trust Zuko'. Funnily, Appa being one of them lol.

But other characters trusting Zuko dovetails nicely into the next point.

The character who emotionally connects to Zuko?

Well, technically, I'd argue that most members of the Gaang connect emotionally on one level or another with him?

But I'd argue that Aang is the person Zuko connected with the most. Aang is Zuko's parallel. Aang is the first person to reach out to Zuko. Aang is the person who showed mercy to Zuko, multiple times. Aang is the person who valued Zuko's life, the life of someone whose whole life goal is to capture him.

This was also an incredibly important moment to Zuko. This is the thing he brings up when trying to convince the Gaang to let him join.

Zuko: Why aren't you saying anything? You once said you thought we could be friends. You know I have good in me.

The character Zuko feels safest letting his guard down around?

It's Mai. Love her or hate her, her relationship with Zuko is incredibly important to him. Maiko isn't my favourite Zuko ship, in full honesty. But even platonically, Mai and Zuko are one another's reprieve from their respective shitty lives.

People often talk about Katara touching Zuko's scar while discussing healing his scar, however one could argue that she did so as a medical examination. Mai touching Zuko's scar is a casual thing, neither of them really make a big deal of it and that's the beauty of it.

I'm mainly talking out of my own personal experience, as someone with a huge amount of burn scars, but there is a world of difference between someone inspecting my scars like Katara did and simply accepting them as a part of me, like Mai does for Zuko.

With Mai, Zuko isn't the scarred banished prince, Ozai's son or Azula's brother. He's just Zuko. And they speak freely with one another, arguing like real people do. Often, being comfortable having arguments is actually a sign of being comfortable with one another.

The character who helps Zuko heal from his trauma?

Once again, this is a bit of a flawed question. By the end of the show, Zuko isn't even fully healed, in my opinion. He has made leaps and bounds on the road to recovery, but when he will truly heal if ever is yet to be seen.

Zuko's journey to recovery includes plenty of people. This includes Iroh, Aang, Song and Jin. People who show him the error of his coping mechanism. Who challenge his worldview, who coax him out of the his shell of pain and anger.

The character known for showing most compassion to others?

Yes, Katara's compassion is a huge part of her character. Her need to help and protect those who cannot do that for themselves cannot be understated.

But Aang's compassion for others and all beings is just as great, if not greater than Katara's. Compassion and nonviolence are huge parts of his culture and his own philosophy.

Aang: Wait, we can't just leave him here. Sokka: Sure we can. Let's go. Aang :No, if we leave him he'll die. Aang airbends himself off Appa and retrieves Zuko, bringing him to Appa. Sokka: [Sarcastically.] Yeah, this makes a lot of sense. Let's bring the guy who's constantly trying to kill us.

Friendly reminder that Aang could've absolutely wrecked Ozai, but held back because his own moral compass was so powerful. Hell, he was friendly and nice to Azula, the woman who literally killed him.

This is why Aang and Katara work so well together. They're both incredibly compassionate people who will immediately jump in to help others in need. Like they did during the Painted Lady, destroying the factiry together.

The character who primarily bears the burden of having to step up into a parental role?

I think "parental role" is an incredibly vague term. There's a lot of things that go into a "parental role". Katara plays a stereotypically "maternal" role, while someone who plays a "paternal" one would probably be Sokka.

Katara deals with very "homemaking" tasks like sewing and cooking, etc. And Sokka often takes on the role of leader, hunter, gatherer and also protector, despite being a nonbender.

This coincides nicely with their core childhood traumas. The loss of Katara's mother impacted her greatly, leading her to have to step up into a motherly role. While Sokka was clearly heavily traumatised by his father departing and the crushing responsibility of having to care for his entire village.

Sexism also probably played a part in this dichotomy.

The character who represses their emotions to be strong for others?

I'd argue that this could apply to all the members of the Gaang in some capacity.

Aang's pain is something most of us will never experience and cannot hope to understand. The complete horrific destruction of his culture and home followed him through the entire show. He was entitled to his grief and rage, yet he supressed it. We see during Appa's kidnapping, how easy it would be for Aang to rage, to let himself be destructive. And yet, he wakes up every day and chooses to smile and goof off, because his friends need someone to remind them how to be children.

Sokka puts on a very impressive bravado, despite having a lot of insecurities. However, as the oldest member of the Gaang (pre Zuko) he puts on a facade of the confident and unbothered older brother. Even if he's the butt of almost every joke, he still keeps that demeanour up, letting it slip only a few times.

I'd actually argue that Toph is the person whom this label fits best. While we know Toph as witty, callous and strong, we have to remember that she kept up the facade of her parents' good, helpless little blind girl for no reason other than her mother and father's comfort. She actually hides a lot of her hurt, covering it up with a prickly exterior.

I want to do longer think pieces about Toph and Katara so apologies if this isn't complete.

I'm actually baffled by the idea of Katara repressing her emotions. She's actually quite straightforward and open about her feelings. She yells and feels a lot of emotions and lets them be heard. She gets angry and sad. She's actually kinda bitchy sometimes and that's honestly why I love her so much.

The whole inciting incident of the show was her getting so pissed off she somehow pulls a giant iceberg from the bottom of the sea.

She is anything but repressed.

She is angry.

She's angry at the fire nation, at Sokka, at her father, at men, and with good right to be so.

This is what makes her an amazing character and one who broke the mould of a lot of female characters at the time. Her anger and unrestrained emotions rang true with a lot of watchers at the time. I'm not sure why this is being taken away from her rather than celebrated.

I reiterate the point I made at the beginning of this post: there is nothing wrong with headcanons and fanon interpretations for one's enjoyment. I do find it a bit odd when it changes a character too much (because then, why not just create an oc?) but it's all in good fun. However, you shouldn't push that onto other people and how they perceive canon and you certainly shouldn't use it to take away from other characters. It's a very unfair way of entering discourse.

[ksturf]

a tribute to the one and only david keith mccallum [19.09.1933-25.09.2023 ∞]

[technicallyfriendly]

I love the fandom nickname "the pearl of driftmark" for lucerys, but since I like him sassy and unhinged and mean I think there might be another one that'd fit him. One that aemond sees in every smirk lucerys shoots him over yet another unworthy suitors shoulder. One that is only whispered not fit for polite company. They call him "the siren of high tide" in those instances. Because sirens are as dangerous as they are beautiful and they are apt at luring unsuspecting men to their death. Suitors and political opponents alike seem to vanish one after another around lucerys velaryon who just smiles mysteriously and dangerously beautiful revelling in both his nicknames echoing through the realm.

[tapeworrmart]

Yankton Trevor

[amgroscoe]

lewis & willow 🥺

[lazylittledragon]

kit's drawings of his fam are impeccable lmao

he’s v talented

[lainalit]

You are all wrong Elain & Lucien won't have 3/5/6/7/8... children, they are immortal + Lucien has autumn court fertility, so they would have 20-30 children over many years and it will always happen the same way

Elain: *looking at baby photos from their kids* maybe we could try for one more? 🤗

Lucien: You said that the last time and we got the twins🤨

Elain: Yeah but weren't they so cute with their matching outfits? please One more wouldn't hurt🥺

Lucien: If you really want to have a baby who am I to stand in your way🥴

Elain:*unbuttons Lucien's shirt* okay let's go 😊

[arthursfuckinghat]

There's thousands of details in rdr2 that I really love, and I say it all the time, but if I had to pick one as my favourite? It would be the campfire interactions.

From chapter one to even the epilogues, there's always something going on around a campfire.

It's always touched me in an emotional way, but the vulnerability, honesty and silliness that comes out of gang members during late night/early hour campfire conversations? It's truly a beautifully written and well executed feature that I spend a lot of time paying attention to.

The campfire is almost like the gang's communal safe space. They're free to talk, vent, sing or play instruments, and the others around will simply sit and listen or sing along. They bond over sharing these funny stories and tall tales, you have the opportunity to learn so much from the gang members by just listening around the campfire.

Lenny will talk about his father and their hardships, Hosea will talk about how much he misses Bessie or how special Dutch is to him, Reverend Swanson will be open about his addiction and the relationship he has with religion, Abigail will voice her frustrations about John, Bill will talk about how he got discharged from the army, John will talk about his worries regarding Dutch's leadership, Micah will talk about damnation and being prepared for hell, and Javier will be open about Mexico or his mother passing away and not being able to bury her.

There's plenty more, there's hundreds of different campfire interactions, but on a rare occasion - Arthur will talk. He'll sit down and begin apologising for how things have turned out, he'll admit how he's struggling to find a way forward for everyone and that he doesn't want to die but is willing to, then he'll ask for their forgiveness and excuse himself shortly after.

I find it hard to describe how despite gang members having differing options of each other, there's an unspoken mutual closeness that they share whilst talking around the fire. They'll jest and laugh and quip, but they'll also simply listen when they need to.

It's so wonderful.

[imasillygooose]

✨Wilbur Cross appreciation post✨

[poorly-drawn-mdzs]

Remembrance and Forgetfulness

[First] Prev <–-> Next

[jcs-singular-slut-strand]

People in this fandom grossly over estimate how much influence w*ngxian would most likely have on Jin Ling's life post-canon

[billsbae]

evan: you can have them when you get a little bit taller if you want

harry: i'm never gonna go trough puberty

regulus: of course you will mon cœur, but we're a family of late bloomers. i didn't until i was 14, nor did sirius

harry: why does that matter? i'm adopted!

barty: WHAT?!

barty: oh my god— WHO TOLD YOU?!