#fatherly snape
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squid1442 · 7 months ago
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I love their dynamic so much🧎
Just a quick severitus sketch to boost my mood lmao
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purple-iris · 11 months ago
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There is love, it doesn’t have a place to rest
… but it would have buried you if it had settled on your shoulder - Never love an anchor, The Crane Wives
Where Harry’s memories of that faithful Halloween night in Godric’s Hollow reveal much more to him when the Dementors get too close. He hears his mother’s screams, but not just, and he just can’t figure out who is crying in his memories…
AU where somewhere in Harry’s subconscious is the memory of Severus weeping over Lily’s body, and where in his grief, Severus couldn’t help but to pick up and comfort the weeping, injured child with Lily’s eyes. But what will happen when Lupin directs him to Dumbledore's pensieve to sooth his running mind?
Im writing a one shot during winter break, hopsefully I will finish it before my uni class resume in January
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polartyrant · 7 months ago
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THIS IS NOT SHIP ART!!! SHOO SHOO.
Cat-ified Harry and Severus Snape!! >:0
I just wanted to draw Snape and Harry, especially with Snape being protective over little Harry.... I just like the idea of Snape being fatherly to Harry. Mom said its MY TURN WITH THE AUs!!
Enjoy!
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sneppu · 28 days ago
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ok so hear me out
I see a lot of sentiments about The Slytherins appreciating and seeing Snape as a father figure of some sort and even doing nice things for him on fathers day (very cool and good) BUT CONSIDER AS WELL:
it becomes just general knowledge that Snape has a grumpy "I'm not your dad" disposition even as he very much does all the fatherly parental things (because he's just grumpy and contrary like that even when he cares so so much and they all know it)
SO NOW CONSIDER ACTUALLY:
To be cheeky, the Slytherins dont give him father's day gifts. They give him MOTHER'S DAY gifts
they really do appreciate him so much, and The Sneep is OH so annoyed, and DEFINITELY not holding back tears, as he quietly cherishes all his mother's day cards and puts them away safely in a little box which he will keep forever. He's a single mother
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muiitoloko · 23 days ago
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Hi, first of anything I love and ate up every single thing you wrote. That said I NEED a story where Sev is about to be a dad, they are both in the last week of pregnancy just waiting for the moment the little girl (why do we all see him as a baby girl dad tho?) and he's just reflexive on how his life is right now after suffering so much and thinking he would die alone. If you want to add the birth and baby birth that's even better 💔 thanks.
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Title: The Twin Stars in Snape's World
Summary: Severus's world shifts entirely with the birth of his daughters, filling the shadows of his past with light and love that he never thought he’d experience.
Pairing: Severus Snape × Fem! Reader
Warnings: None
Author's Notes: It’s not exactly what you asked for, but I was already working on a third chapter for my fanfic Daddy Snape's Dilemma, and your request totally nudged me to finish it up and post it! Hope you enjoy it as much as I did writing it!
First, Second and Third part here.
Also read on Ao3
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The final week of your pregnancy arrived, and Severus Snape was, without a doubt, more nervous than you had ever seen him. Over the past months, his protectiveness had gradually intensified, but now, as you neared the end, it had reached an almost comical extreme. He refused to let you out of his sight, shadowing your every move with the intensity of a hawk, his tall, lean figure looming close no matter where you went.
At Hogwarts, his vigilance took on a new form. Snape had all but bullied Dumbledore into hiring a temporary teacher to cover your Ancient Runes classes. You could tell Dumbledore found the whole thing rather amusing, indulging Snape’s demands with a patient, almost fatherly tolerance. As for Snape, there was no humor in it—his determination was fueled by what seemed to be genuine, bone-deep fear.
Instead of teaching, you were relegated to a bedroom at the back of the Potions classroom, with Snape popping in between his own lessons to check on you. You had never seen him so anxious, his usual stoic facade cracking more with each passing day. He would pace outside your quarters, shoulders tense, the dark circles under his eyes deepening. Despite his best efforts to hide it, he was deeply stressed, behaving as if he were the one about to give birth.
You noticed that this worry manifested in another unexpected way: the matter of naming your daughters. Every day he would bring you lists, scrolls of parchment filled with options he had painstakingly compiled, poring over the names with the same scrutiny he’d apply to brewing a delicate, dangerous potion. Each name had to be perfect, meaningful, and worthy.
He had presented you with everything from mythological names to obscure, poetic words he’d found in ancient texts. You, however, had a different approach. “Severus,” you said one evening as he handed you yet another list, his expression serious, “I know you want to have everything planned, but… we’ll know their names when we see them. Don’t you think?”
Snape’s gaze turned sharp, his dark eyes narrowing slightly as if the suggestion was almost sacrilegious. “And what if we don’t?” he retorted, his voice low and pointed. “What if we look at them and realize we’ve failed to give them names that reflect who they are meant to be?”
You bit back a smile, reaching out to touch his hand, feeling the tension radiate from his slender, calloused fingers. “Severus, we won’t fail them just because we haven’t decided on names yet. They’re our daughters—they’ll be extraordinary no matter what we call them.”
He sighed, his shoulders relaxing a fraction as he looked down at you, the intensity in his gaze softening. “I’m merely trying to… prepare. It is my responsibility as their father to see to it that they have everything they need—even a name that will protect them from the start.”
His protectiveness tugged at your heart, and you squeezed his hand. “You’re already giving them everything they need, Severus. They’ll have you.”
Snape’s expression shifted, a rare vulnerability flickering across his angular face, though he quickly hid it. “Yes, well…” he muttered, glancing away. “I still believe we should at least shortlist a few options.”
Over the next few days, you managed to narrow down the lists together, though every time you thought you’d settled on something, he’d return with yet another alternative he deemed equally worthy. It became almost endearing, watching him struggle with his need for control over something as uncontrollable as birth.
You chuckled one evening, teasing him, “You do realize, Severus, that the girls might decide their names for us? They could arrive and look nothing like any of these.”
His frown deepened, though a hint of amusement flickered in his dark eyes. “They will look like you,” he replied, his voice almost possessive, as though that was an immutable fact. “And if they resemble you, then any name I choose will be worthy.”
In the quiet moments, you could see past his impatience, his need for everything to be just so. He was terrified. The great, imposing Severus Snape, who had faced dangers most wizards could scarcely imagine, was terrified of this unknown journey. And though he hid it behind his meticulous planning, his anxiety was evident in every line he wrote, every name he researched.
One night, as he sat beside you, poring over yet another scroll, you couldn’t help but place your hand over his, stilling his movements. “Severus,” you said softly, your voice gentle, “it’s all right to be scared.”
He didn’t pull his hand away, but he didn’t meet your eyes, his jaw tight. “I am not afraid,” he replied, though his tone lacked conviction. His voice was softer, almost strained. “I simply… cannot afford any mistakes. Not with them. Not with you.”
You placed a hand on your belly, feeling a gentle kick as if one of the babies could sense his unease. You guided his hand to the spot, letting him feel the movement.
“They’re already telling us they’re fine,” you whispered, smiling as his eyes softened, a faint blush creeping up his pale cheeks. “And you’re going to be an incredible father.”
For a brief moment, the tension melted from his face, replaced by a rare, unguarded expression. He watched you, his hand lingering on your belly, his thumb tracing small, soothing circles over the spot where he’d felt the kick.
“Two girls,” he murmured, almost to himself, his voice filled with a strange mixture of awe and dread. “I don’t know if I’m prepared for this.”
You leaned forward, pressing a soft kiss to his cheek, your heart swelling with love for this man who had, against all odds, become so much more than you’d ever dreamed possible. “You’ll be ready, Severus,” you assured him, your voice full of conviction. “They’re already lucky to have you.”
In that moment, as he held you close, his face buried in your shoulder, you knew that no matter what names were chosen, no matter how unprepared he felt, your daughters would be loved beyond measure. And for Severus, that was the truest magic of all.
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Snape sat at his desk, his gaze flickering over the rows of students carefully attempting the day’s potion. A faint curl of distaste tugged at his lips as he caught sight of Potter, who, as usual, seemed perilously close to ruining his cauldron’s contents. Snape had already reprimanded him once that morning, his words slicing through the dungeon air with the sharpness he reserved for the boy. Yet now, as he sat in silence, the other students barely daring to breathe, his attention drifted elsewhere, pulled toward thoughts far removed from the dungeons of Hogwarts.
Just behind him, a faint rustle and creak filtered through the door to your shared quarters. The faint sounds of movement as you stirred from sleep. A warmth crept into his chest, breaking through the stoic shell he maintained with such precision.
As his gaze returned to the students before him, he felt the familiar, bittersweet pang of Lily’s memory—his first love, and his greatest regret. For so long, her shadow had been his constant companion, filling him with a cold, unrelenting ache. Protecting her son had become his purpose, his penance. And after her death, he had accepted that this mission would likely be the only meaning his life would ever have. There had been a time when he thought he might die carrying it out—perhaps even hoped for it.
But then you had entered his life.
A sigh escaped his lips, almost inaudible beneath the simmering of potions and the scratch of quills. The world had shifted when you came into it, and now, with the prospect of your daughters’ arrival in only three days, he felt that shift more acutely than ever. A sense of purpose, something wholly separate from his debt to Lily, had taken root within him.
You had given him a reason to live that went beyond atonement. The life growing within you, two delicate lives entwined with his own, felt like a redemption he had never believed possible. For the first time, he could imagine a future not defined by sacrifice and solitude, but by something richer, something gentler.
Snape’s hand tightened briefly around the edge of his desk, and he watched his students, their heads bent over their cauldrons, oblivious to his thoughts. He had spent years mastering his emotions, transforming them into weapons, shields, armor against the outside world. But now, he realized that he could no longer afford to wield that armor so thoughtlessly.
These children, his daughters—they would be born into a world fractured by war, a world where he had a role to play in the coming darkness. Yet for them, he could not allow himself the luxury of despair or surrender. For the first time, he couldn’t imagine simply fading away into the shadows after Voldemort’s defeat. It was no longer an option to leave this life without knowing that his daughters would grow up strong, safe, and surrounded by the kind of love he had never known.
As the thought took root, Snape’s jaw tightened, a new resolve settling over him like a cloak. He would survive this war. He would survive, not because of some duty to the past, but because of a responsibility to the future—to his family. He would see his daughters grow up; he would teach them, protect them, stand by their side as they learned about the world and perhaps even found their own places in it.
For once, the prospect of living beyond the war held something other than pain. A faint vision of two young girls, with bright eyes and curious minds, drifted through his mind. His daughters, growing up, asking questions about the stars, about potions, perhaps even about love. And you—by his side, guiding them with the warmth he could only hope to echo.
The shrill sound of a student’s cauldron hissing sharply brought him back to the present. He narrowed his eyes at the offending student, who paled under his glare and quickly adjusted the heat, stammering an apology. Snape stood up abruptly, his dark eyes narrowing as he prepared to address the room. But before he could say a word, a loud crash echoed through the dungeons as the door to his quarters burst open.
He whipped around, dark eyes narrowing, but whatever sharp retort had been on his lips vanished as he took in the sight before him.
There you stood, gripping the doorway, your face flushed, one hand braced against your lower back and the other cradling your rounded belly. The look on your face was equal parts determination and alarm, but it was the words that followed that sent his heart racing.
“It’s happening,” you gasped, your voice shaky but clear.
For a moment, Snape stood frozen, your words echoing in his mind, the meaning of them almost surreal. Happening? He glanced down, his mind racing. Surely not—
His thoughts halted abruptly as Ron Weasley’s voice, loud and tactless, filled the silence. “Why’s she peeing herself in front of everyone?”
Hermione’s horrified gasp quickly followed, and she smacked him on the arm, whispering furiously, “She’s not peeing herself, Ron! Her water’s broken! She’s giving birth!”
That was all it took to snap Snape out of his stunned stupor. The babies were coming—now. Much earlier than planned. His eyes widened, and he lunged from behind his desk, moving to your side in an instant, his usual composure nowhere in sight.
“Merlin,” he muttered under his breath, one hand hovering awkwardly near you, unsure whether to support you or hold back in case he only made things worse. “You… you’re sure?” he stammered, though he immediately realized how absurd that question was.
You managed a small, pained laugh. “Quite sure, Severus.”
His mind raced as he attempted to regain his bearings. The portkey to St. Mungo’s—they’d had it prepared weeks ago, but it had seemed more like an overcautious precaution at the time. Now, with the urgency of the situation hitting him, he felt his calm shatter.
He shot a look around the classroom, and his gaze landed on the nearest student—Hermione Granger, who was watching with wide eyes, clearly understanding the seriousness of the situation. “Miss Granger,” he barked, his voice laced with barely concealed panic, “fetch Professor McGonagall. Tell her to cover this class immediately.”
Hermione jumped to her feet, nodding fervently as she dashed from the room, her own nervous energy amplifying the urgency. Meanwhile, Snape turned back to you, his heart racing as he tried to mask his worry.
“Severus,” you breathed, clutching his arm. “The portkey—”
He nodded quickly, releasing a breath he didn’t realize he’d been holding. “Yes, of course.” His hand moved to his robes, fingers fumbling as he retrieved the small, inconspicuous glass vial enchanted to transport you both directly to St. Mungo’s.
He held the vial up to you, and you grabbed it, your other hand gripping his arm tightly as the room around you vanished in a whirl of colors. The bustling noise of Hogwarts faded, replaced by the sterile quiet of the St. Mungo’s ward as you both landed in the reception area, nearly stumbling from the sudden shift in location.
A Healer rushed toward you both, her eyes widening as she took in the scene. “Mrs. Snape—oh my, it’s early!” she exclaimed, gesturing to an available stretcher as she signaled to her colleagues. “Let’s get you to a delivery room.”
Snape’s hands hovered near you, his face a mixture of worry and focus as he helped you onto the stretcher. As the Healers moved you down the hallway, he kept pace beside you, his long strides easily matching their quick pace. He reached out to take your hand, gripping it tightly as you squeezed back, the intensity of the contractions beginning to set in.
“You’re doing fine,” he murmured, his deep voice steadier than he felt. “Just breathe.”
A faint smile crossed your face despite the pain. “Severus Snape, giving breathing advice. Now I’ve seen everything.”
He quirked an eyebrow, though his expression softened. “Mock me all you like, but keep breathing.”
The Healers moved efficiently, ushering you into the delivery room and setting you up as Snape hovered close, his dark gaze flicking anxiously between you and the medical staff. He could feel the old fear surfacing—the fear of the unknown, the helplessness of standing by while others took over. But your hand in his grounded him, your presence reminding him that he was exactly where he needed to be.
A Healer turned to him, her expression calm and reassuring. “It may take a few hours, Professor. These things are rarely quick, and with twins…”
Snape’s jaw tightened, but he nodded, settling into a chair beside you, his hand never leaving yours.
Hours passed, though they felt like mere minutes to him. He was acutely aware of every moment—the sound of your breathing, the tightening of your grip during contractions, the reassuring words from the Healers. He remained silent, his face a mask of concentration, his own discomfort forgotten in his focus on you.
The hours stretched, each contraction increasing the tension in the room. Severus remained by your side, his hand firmly gripping yours, his dark eyes watching every move the Healers made with suspicion. But the moment the lead Healer suggested you get up and walk to help progress the labor, his calm snapped.
“Walk?” His voice, usually controlled and low, rose sharply, filled with uncharacteristic alarm. “You expect her to walk in this state? Are you out of your minds?”
The Healer, a kindly-looking witch with graying hair, gave Severus a reassuring smile, accustomed to nervous fathers. “Professor Snape,” she began gently, “encouraging movement can help speed things along. It’s quite common, especially with twins.”
Severus’s mouth opened and closed a few times, his face paling even more. “Common?” he echoed incredulously, his gaze darting from you to the Healer. “My wife is in labor, Madam, with twins, and you want her to walk about like she’s merely out for a stroll?”
Despite the contractions, you couldn’t help but chuckle at his outburst. “Severus,” you managed between breaths, reaching out to squeeze his hand. “It’s fine. I can walk a little.”
He looked at you, his dark eyes wide with concern, clearly torn. The thought of you enduring even the smallest discomfort was driving him nearly mad. “If—if you’re certain…” he muttered, though his grip on your arm was firm as he helped you out of bed, as if preparing to catch you at the slightest misstep.
The Healer guided you both down the hall for a short, careful walk, Severus muttering under his breath with every step, shooting fierce looks at any Healer who dared suggest you keep moving. When you paused, wincing as another contraction hit, he practically growled at the Healer. “If there’s any risk to my wife or our daughters…” He let the threat linger, his face a mask of furious protectiveness.
Finally, you were able to return to the bed, and though the labor continued slowly, Severus remained at your side, holding your hand and murmuring soft reassurances. His fingers trembled slightly as he brushed back your hair, the love and worry in his gaze evident even as he tried to keep his composure.
It was nearly dawn when the sound of footsteps echoed down the hall, followed by a cheerful voice that could only belong to Albus Dumbledore. The headmaster entered, his arms laden with trinkets, including tiny stuffed owls, a miniature cauldron, and a set of rattles that jingled softly. He looked as though he had raided the entire children’s section of Diagon Alley.
“Severus, my boy!” he called warmly, his blue eyes twinkling as he approached. “I heard there was a new arrival or two on the way. Ah, and Minerva!” He turned, gesturing as Professor McGonagall entered, a faintly amused smile on her face as she took in Severus’s tense form by your bedside.
Dumbledore began to hand out trinkets, placing the little toys on the table near your bed, each accompanied by a soft hum and a lemon drop he popped into his mouth with relish. “The finest wares from Diagon Alley,” he declared, his tone bright. “Only the best for the future Misses Snape!”
Minerva moved closer to you, her expression softening as she reached for your hand. “How are you holding up, dear?” she asked, her Scottish accent laced with warmth. “Severus here has kept us all quite informed on your progress. I daresay I’ve never seen him in such a state.”
“Nor has anyone else, I assure you,” you replied, managing a tired smile. Severus shot Minerva a look that could have melted cauldrons, though his hand never left yours.
Dumbledore continued to rummage through his collection, holding up a small toy wand that emitted a shower of harmless sparks. “I thought this might suit,” he said with a wink. “We must start their magical education early.”
Finally, after what felt like an eternity, the Healers gave the signal. Severus held your hand tightly, his face a mix of awe and terror as the final stage of labor began. You saw a single tear slip down his usually composed face, his grip tightening as he whispered, “You’re incredible. I— I am so proud of you.”
The Healers wheeled you down a quiet, dimly lit corridor, Severus’s tall, shadowy form looming beside you, never letting you out of his sight. His dark eyes, usually hardened and calculating, were softened with a mixture of awe and profound vulnerability as he took in every detail of the room being prepared for the birth of your daughters.
The faint echoes of magical murmurs from the Healers filled the room as they adjusted the equipment and spells needed. Severus moved to your side, his long, slender fingers brushing against your hand with a tentative gentleness. You could feel his nervous energy, the intense worry that he tried so desperately to mask beneath his stoic exterior.
As the contractions intensified, he bent down, his pale, angular face close to yours, his hair falling forward to shield his expression. His deep voice, usually sharp and guarded, softened as he whispered, “I’m here. You’re not alone, amore.”
The Healers instructed him to step back slightly, readying themselves for the delivery. Though he complied, his piercing gaze never left you, as if he were willing every ounce of his strength to help you through this moment.
Moments later, the room filled with a powerful, almost sacred silence as the first cry rang out—a thin, wailing sound that sent a tremor through Severus. One of the Healers approached, cradling a tiny, wriggling form swaddled in soft white fabric, and extended her towards Severus. His expression froze, and for a split second, he seemed almost paralyzed by fear.
The Healer’s voice was gentle. “Would you like to hold your daughter, Professor Snape?”
He nodded, though his hands trembled as he reached out. Carefully, she placed the baby in his arms, her tiny face peeking out from the blanket, her features so delicate and small they seemed otherworldly. Severus looked down at her, his dark eyes filled with a mixture of wonder and disbelief. His usually cold demeanor melted away, replaced by an intense, overwhelming tenderness that softened every line of his face.
“She’s…” His voice faltered, thick with emotion. His eyes glistened, and he swallowed hard, blinking back tears as he took in every detail—the soft curve of her cheeks, her tiny fingers curling into fists, her miniature nose. She was perfect, and in that moment, he realized he would do anything to protect her. He bent his head, his deep voice a reverent whisper. “You’re perfect.”
Just as Severus seemed to settle into the awe of holding his daughter, your voice cut through, strained yet filled with strength as the next contraction began. He looked up, his dark gaze flickering between you and the tiny life cradled in his arms, torn between staying with his newborn daughter and being by your side.
“Severus,” you managed, breathless, a smile breaking through the exhaustion, “go on… be there for her.”
He nodded, his gaze lingering on you for a beat, his expression raw with admiration, before he gently passed the baby to a nearby Healer, ensuring she would be safe. He crossed the room quickly, his dark robes sweeping behind him as he returned to your side, his long fingers slipping back into yours. You felt his grip, firm and unyielding, grounding you, as he whispered encouragements, his voice unsteady yet filled with pride.
Minutes later, a second cry filled the room, high and clear, and you saw Severus’s shoulders tremble with relief and elation. One of the Healers brought over the second newborn, a twin as delicate and perfect as her sister, and Severus stared at her, his heart swelling in his chest.
“She’s beautiful,” he murmured, almost to himself, his voice choked with a depth of feeling he rarely revealed. He took her into his arms, his slender fingers cradling her small head, his thumb gently tracing her cheek. His usually cold, intimidating face softened into something unrecognizable, a fierce love that lit his dark eyes with an intensity that left you breathless.
As he held her, the first Healer approached, bringing the other twin over to you, her tiny face nestled in the blanket. Your heart filled as you looked down at her, at the small, precious life you had brought into the world. In that moment, the room felt full of magic, not the kind that could be taught or brewed, but the kind that was born out of love, pure and unconditional.
Severus looked over at you, his expression softened beyond recognition, his piercing gaze filled with an almost painful tenderness as he watched you holding your daughter. For once, his stoic mask was gone, replaced by the vulnerability of a man who had finally found something worth living—and dying—for.
“They have your eyes,” you whispered, noting the dark lashes and tiny features, a hint of his unmistakable presence in them already.
He nodded, speechless, his voice catching as he tried to speak. When he finally found his words, they were barely above a whisper, his voice thick with emotion. “They’ll have your spirit… your kindness. And they’ll know they are loved.” His gaze met yours, a profound, unspoken promise shimmering in his eyes.
He reached out, his long fingers gently touching your cheek, and for the first time, you saw the walls he had so carefully built around his heart crumble, replaced by the love he had tried so hard to hide. Here, in this room, with his daughters in his arms and you by his side, Severus Snape had found his redemption. And it was more beautiful than he could have ever imagined.
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dufferpuffer · 3 months ago
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Dude, I need someone to simp over David Thewlis with and I have no one to go to. I have a feeling I know your opinion about David Thewlis as Remus Lupin (and I think it's a positive one? correct me if I'm wrong, I know some people don't think he did the character justice).
To be honest, I don't think the movies did his character justice, but I think David Thewlis was THE cast for him. The movies made him too soft, too gentle, too perfect. Book Remus is a lot more polarized than that. For every soft quality, he has a YIKES counterpart that is never shown in the movies. The only time we truly see this "yikes" counterpart is the Shrieking Shack scene when he smirks menacingly at Sirius and you think he's a villain. David pulled that off really good. I saw the movie before reading the book (I was a young kid at that time and PoA was too much to read for me) and I felt cheated, I suddenly didn't think I could trust him anymore.
The thing David Thewlis pulled off best, imo, is the fatherly quality of Remus. I know, Remus is a pathetic man with an avoidant personality, but we can't deny he is fatherly. And I feel that, no matter what movie I watch with David in it, the fatherly vibes just radiate from him. In a way I am glad it is like that in the movies because I use PoA as a coping mechanism in life. Stressed? PoA. Sad? PoA. Crisis? PoA. David absolutely nailed the comfy professor aura. Everything about him in PoA is inviting, it draws you in. His voice, his smile, the way he carries himself, his quiet strength. Who could've done it better? I love him.
Enjoy this young David Thewlis edit that I'm obsessed with. Cheers my tumblr friend <3
https://www.tiktok.com/@.dearlupin/video/7410813583577091334
David Threwlis is a fucking GEM and the PERFECT pick for the character in every aspect, yes. I can't think of how anyone could actually think otherwise. He looks perfect and acts perfect.
To the point where I would actually be happy if he played Remus AGAIN for the TV series or whatever - even though he looks so much older. Play up the fact he looks 'older than his age' or do some makeup, I dunno, I don't care. I would be alright with it.
I don't think any of the movies do anyone justice, TBH - ignoring the fact that of course things will have to be trimmed and simplified. I think most people agree though that the way they chose to do so was destructive and missed the point of the overarching story.
OotP and HBP were enjoyable as individual movies - but cut out so, so much that it damages the series as a whole. OotP especially should have been two movies, to REALLY get to know the Order Members, the adult world harry desperately wants to enter - revisit Lupin and Sirius, get attached to the real Moody - set up Tonks... maybe end the first one with Dumbledore leaving...?
But some actors pulled through wonderfully with the limited time they were given to portray their role, Alan Rickman of course being one - and I think David Threwlis is an underrated other. He did fucking BEAUTIFULLY and it made up for imo a half-assed performance from Gary Oldman as Sirius. He has perfect aesthetic and his fatherly moments with Harry were gorgeous... but most of the time he felt like his heart wasn't in it.
Remus, in the movies, HAD to be soft... but always carry a touch of coldness. A comfortable room but the heater isn't on. A cup of tea but you're asked to leave right after. Gentle eyes that pierce. Slightly odd expressions that feel kind, but also... off. He nailed that. Absolutely. That softness that makes you want to cozy up close, but a constant distance that makes you wonder why. Also the mustache was absolute genius. If only they gave him greys...
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THIS LOOK? Underrated. SO MUCH PACKED INTO IT. Displeasure, surprise, 'oh shit im in danger' - but then forced innocence, a bit of weariness, a cheeky idea...
How he came out of the darkness, too - Snape specifically calling Lupin to show him the map was meaningful in the books, but Remus walking out of the pitch black was symbolic in the movies. It was a decent change. THIS is when I felt a 'Hm...' about Remus. (I saw it as an adult though, first time last year. I had no idea I'd love him so much.)
I LOVVEEEE going on and on about Remus being a wet tissue paper - because he is so often mischaracterized in so many different ways... but he IS good. He IS strong, compassionate, wise, clever... Fatherly. He will put himself aside to comfort someone in need. He just can't do that for himself. He will punish himself for the things he is gentle with in others.
"His voice, his smile, the way he carries himself, his quiet strength. Who could've done it better? I love him." YEAHYEAHYEAH David can pack layers of depth into every movement he makes. His little head bobbles, the ways his eyes pin on something and stare, his control of exactly how he smiles... ITS SO GOOD AHH
Normally a link to tiktok earns an instant vaporization but you get a pass aight I wont kill you God he's so wonky looking, look at him, he is delightful, I am going to spread him on toast with my vegemite
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forestdeath1 · 8 months ago
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Magnum Opus or Great Work: Alchemical Codes in "Harry Potter"
"I've never wanted to be a witch, but an alchemist, now that's a different matter. To invent this wizard world, I've learned a ridiculous amount about alchemy." JKR. By the way, it seems JKR never became an alchemist because you can't be that evil an alchemist, Joanne. Something went wrong.
The first part about Lily and James
Voldemort – an occult alchemist, Lucifer. Snape – a Seeker who chose the wrong Path. Dumbledore – Keeper of the Tower. Hermione – Hermes Trismegistus. Harry, Hermione and Ron – the three principles for creating the Philosopher's Stone.
Alchemy is the universal path of spiritual transformation. In a literal sense, universal, this code is practically everywhere–from ancient myths and the Bible to the philosophy of Nietzsche (though in his understanding) and Jung's books. Harry Potter himself is a complete alchemist's path, but there's also a well-displayed second path–the path of the occult alchemist.
True alchemy tells us that God is in everything, like a seed present in every person. Through alchemical transformation, a person can be reborn – and become golden, divine, immortal.
Many famous people were fascinated by these ideas – from Newton to Goethe, from Walter to Mozart. Yes, Walter and Mozart were freemasons, but freemasonry is built on the Magnum Opus, it's its foundation. Who has seen the opera The Magic Flute? A completely masonic opera: the surface layer was for the people, and the deeper layer – for the spiritual elite of that time. In this opera, the power of love transforms people and makes them divine. Oh, it seems to resemble Harry Potter, hehe... Harry Potter also has two layers – one as a fairytale about a wizard for teenagers, the other – for those who can "feel" the symbols, even without knowing them.
Each symbol can be interpreted in several ways, that's the complexity of alchemical symbolism. For example, Albus Dumbledore. He symbolizes (in JKR's own words) Spirit ( he's white), and Rubeus Hagrid – Soul (red) – and they're both like two fatherly figures for Harry, distant and warm, judicious and understanding. But all this is at the character level. Dumbledore has other meanings – much more important ones. As I've said before, the symbolic level and the character level are different levels. In interpreting symbols, you don't need to interpret every line, you need to take the context as a whole. Characters operate on one level, symbols – on another.
So, alchemy is an extension of the universal idea – to be reborn, you need to "die." Like Jesus died on the cross, Orpheus on the banks of the River Gebre, and Osiris in the coffin prepared by Typhon, in alchemy, until all the elements (parts of the old personality) die, the work cannot be completed.
The stages of this alchemical process can be traced in the lives of almost all world "heroes" and in the mythology and legends of many cultures. This is a universal code.
“Very truly I tell you, no one can see the kingdom of God unless they are born again” John 3:3
Alchemy proclaims that without decomposition, the Great Work cannot be accomplished.
The past Self dies on the cross and in the retorts and becomes black during decomposition. The new Self rises from hell, like a phoenix. The phoenix is a pure alchemical symbol.
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This is the creation of the Philosopher's Stone.
It is symbolically described in "The Chymical Wedding of Christian Rosenkreutz". The book presents an allegorical story divided into "Seven Days" or "Seven Journeys," which tells how its author, Christian Rosenkreutz, was invited to a castle full of wonders to help with the "Chymical Wedding" of the king and queen. Harry also receives a letter in a storm (like Rosenkreutz) and goes to the castle for 7 years, chooses one of the four paths (Gryffindor), and so on.
Alchemists called the creation of the Philosopher's Stone the Great Work – Opus Magnum. This process consisted of three stages: decomposition (nigredo), rebirth (albedo), and final perfection (rubedo). Each of these stages corresponded to a specific colour: black, white and red.
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Nigredo. Albedo. Rubedo.
In Harry Potter, these stages correspond to Sirius Black, Albus (white) Dumbledore, and Rubeus (red) Hagrid. The end of each stage is marked by their death. In the seventh book, it's Hagrid who carries the "dead" Harry.
There is a fundamental difference between "true alchemists" and "occult alchemist."
Tom Riddle is an occult alchemist. For him, the Great Work is also self-creation, but what kind? For him, it is complete mastery of his abilities and his future, and especially the complete liberation of his will.
Tom is a will, but his will not submissive to the will of God. It's a Luciferian will. The will of a fallen angel who began to oppose his own free will to the influence of Divine Love-Light. Instead, he sought and loved his own power outside Divinity, in himself.
"Better to reign in Hell, than serve in Heaven" John Milton, "Paradise Lost"
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Baphomet, or the Sabbatic Goat, drawing by Eliphas Levi, on its hands are inscriptions "Solve et Coagula." This is an alchemical principle. JKR, by the way, also has such a tattoo.
In occultism, it is believed that magic is control of one's will, and a will can control matter. After all, what did his followers choose for their motto? Magic is Might. Harry never defeated Voldemort with such magic. Because he doesn't need it.
What does Tom boast about? Tom boasts that he has mastered the deepest depths of dark magic. He went so far in it as no one before. Dark magic requires an iron will, and Tom achieved incredible heights in it. He even achieved immortality in this material universe, literally cursing his soul! Only Tom doesn't understand that Dumbledore (a true alchemist) is not interested in all this. Because true immortality is not there. True transformation is not there. Because their paths are completely different – Dumbledore is going to the "God and divine immortality," and Tom is going to "material immortality."
In general, fans of occult alchemy, the Left-Hand Path, and Nietzschean philosophy probably consider Tom a much more interesting character because here he is – the king of matter, a man of incredible will and strength who destroys the slave Christian morality and proclaims that God is dead, long live the ��bermensch (homo superior)! (Nietzsche would have been proud of him…) By the way, Bellatrix is most likely symbolically – Lilith, Adam's first wife according to Kabbalistic apocrypha, who rebelled against Adam. God created them equal, and Adam wanted to have power over Lilith... In short, Lilith is the first feminist in human history, hehe.
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The Fallen Angel by Alexandre Cabanel. Lilith.
In short, Tom Riddle is such an adept of broken alchemy. Where Tom is his own personal will, Harry is Faith and the will of the Spirit. Harry is also very strong-willed, but his will is different, it's not individualistic. It's a will of sacrifice, a will of love, a will of mercy, a will of trust. The main theme of the seventh book is a crisis of faith. And what kind of will does one need to show to continue the quest for Horcruxes and not go for the Deathly Hallows? Simply put, the will of Harry and Tom is completely different.
And Tom will never understand this. He's an individualist. He's a Nietzschean Übermensch. He's reached the limits of human capabilities. But for what? From dust you are and to dust you shall return, Tom...
Severus Snape — a Seaker who chose the wrong Path
And Snape, by the way, initially turns away from Lily (Lily is love of God, represented in the world). Because he's obsessed with becoming dark magic, his ego and desire for secret knowledge and being proud are very great.
Btw, Lily is a mudblood. In the sense that God is not in shining beautiful armor. This is Lucifer's mask – to be pure, to shine, to sparkle. But the real God can be found by seeking, under the feet of the poorest and "dirtiest" person. After all, for God, everyone is equal. It's the Devil who divides.
And pure-bloods, for example, the Blacks, are "false purity." Luciferian purity. Material purity, purity of shining gold. It's division. And where there's division – there's the Devil.
In short, Snape turns away from Lily because this path is difficult, he doesn't understand how to approach her, he already uses dark magic, has a lot of knowledge, and delves into various secrets, and shows what "bad" paths other seekers (the Marauders) take... (The seeker is not my term, it's from the Rosicrucian manifesto, alchemists call themselves seekers) But Lily still refuses to unite Spirit and Soul. And he calls her a "mudblood," insulting her. For Lily, this is a sign that this soul is almost lost. And there's no sincere regret in him when he asks for forgiveness. He asks her to forgive him, but his soul is still on the old Path. Lily isn't angry with him, it's not about anger or offense. Snape's soul is almost lost at this moment, closed to the divine spark and love. After all, for love to enter your heart, you first need to open yourself to it.
Only when Snape sees true face of Tom's "alchemy," in which Tom is ready to kill Love, the divine spark, essentially kill God in the souls of all people, then Snape, as a real Seeker, realizes that he's going the wrong way... And he runs to the main Alchemist, Dumbledore, to ask to preserve this love, this manifestation of God on earth.
But you can't preserve it without preserving the seeker of the right Path in your soul (James) and without preserving the possibility of the emergence of the transformed soul (Harry).
This is a very important moment, not only because you can't kill people in principle. Dumbledore literally tells him that you can't save love of God, the divine spark in your soul, if you kill in yourself the one who reaches out to God (the deer) and if you kill the POSSIBILITY of becoming this new transformed soul (Harry).
For Snape, this becomes a turning point, and he decides to switch sides to true alchemy. Dumbledore asks in return for Snape's soul, but not in the sense that the Devil demands it, he asks for loyalty to the Path. Below I'll explain the symbolism of Dumbledore and what he means in terms of alchemical symbolism (I don’t think he is God).
Snape becomes loyal to Dumbledore. But Lily is killed, as is James. The world, despite the fact that Voldemort temporarily goes into hibernation (and the Savior is alive), plunges into despair. Sirius (as a divine symbol of light) is in captivity, Remus (a symbol of a seeker with a "good but not brave" soul) is somewhere wandering the world, and Harry lives very poorly with the Dursleys... Harry doesn't know any God, and the seeker in him is also "dead". And Voldemort will soon rise again, he's just gathering strength.
Harry's path is the path of returning to God through Mother of God (Theotokos). Because it is Mother of God who is the true Spirit. That's why he meets Lily only at the end of the seventh book, when he's almost completed the alchemical transformation. For Christians, this is heresy, but for alchemists, it's not. The Son and Mother of God are one whole. The Virgin Mary is part of the Trinity, because only through the spiritual unity of the Mother and the Son is the salvation of humanity possible.
And who does he meet her through? Through Snape. Who dedicated his entire life to transforming his Soul, merging it with the Spirit, ultimately coming to God.
He spent his whole life hating James, as a Seeker of a different kind, not like him—Snape always leaned a bit towards Nietzschean stories. And James always hated Dark Magic and all dark things (although this doesn't make the souls of this type much better, they can also be egocentric). Snape teaches Potions, he knows how to bottle up Love, Death and Luck... So much power, so much pride in this...
Recently, I reposted a very interesting post. Snape wanted to recover his soul, because he was guilty of Lily's death. A very beautiful meta, but I see a bit different alchemical meaning. His soul is broken not only because Lily partly died because of him. His soul is broken overall because of the Path he chose - that of an occult alchemist, and he remains a "spy" to the end of his days, playing two roles, constantly "here and there". He dies at the hands of his former master.
Snape takes Lily's letter because he needs Lily's love (like people wear crosses), while there isn't enough understanding of where to go (Dumbledore is already dead)
Snape always yearned for Lily. And Dumbledore asks for us, the readers: "After all this time?" And Snape answers for us "Always." You must love God always. And that is salvation for the soul.
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In general, Snape only understands towards the end that you cannot love Lily without Harry and even James. Only one Path leads to Lily - the same as James’s path. The path of Ego, pride, thirst for power, secret knowledge, occultism, malice, hatred must finally dissolve. Snape fully exposes himself to Harry, although he shouldn't have (he should only pass on information about death), revealing the good (and the bad) that he always hid. His revelation to him speaks of his complete acceptance. He shows him his soul, literally bowing his head to him - here I am, here is my soul, in some things I have no excuse, sometimes I have justification, but I've been seeking God, seeking love all my life.
Will you accept my wounded soul?
This is confession. The realest confession.
And Harry accepts. Of course, Harry accepts. He looks at him with Lily's eyes.
Because no matter how "bad" you are, if you truly love God in your soul, if you truly seek Him, there will always be a place for you in the City of God. Snape is the constantly replayed plot of the Prodigal Son's return.
At this moment, all the "black" in Snape dies – the nigredo. Tears - the white stage, purification – the albedo stage, purification. Blood – naturally, the red stage. The alchemical transformation for Snape is complete.
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(But geniuses from TikTok will still say that Harry shouldn't have named his son Albus Severus, because Snape was baaaad. Ofc he was bad sometimes, that's the point!)
Dumbledore is the embodied Path and Plan
As I mentioned before, Dumbledore asks for Snape's soul in return, but not in the sense that the Devil demands it, he asks for loyalty to the alchemical Path.
Dumbledore, as an alchemist, besides embodying the completion of the albedo stage for Harry with his death, is also the embodied Path. Dumbledore is the highest Guardian of the Tower, who watches over the Paths of others, he is the Man of Spirit, he is the Principle, he is the Master. What is the difference between Dumbledore and Lily? Lily is a more important symbol, she is like pure divine power, God = love, as in what all souls dissolve. Dumbledore, on the other hand, is the Guardian of the Path through which everyone must pass. In short, Lily is the answer to the question "where", and Dumbledore is the "how". And Dumbledore is just a man who also underwent his alchemical transformation and who can also succumb to temptation. But Dumbledore is not GOD, imo. To personify God in a book is too much (even for me, although I’m not religious at all). I don’t like the idea of him being God and... really, where? God is transcendent and pure divine love emanates from Lily that’s why she almost an empty canvas. Dumbledore is a principle. He is the answer to the question "HOW". That's why he asks to believe in him, believe in the ALCHEMICAL PATH AND PLAN. FOLLOW THIS PLAN TO THE END. Ascend the tower, as I once ascended it. After all, he lives up there in the tower. He observes.
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For Snape, Dumbledore is so important because Dumbledore is the Path, a new Path that he did not have. And Dumbledore's death is so important for everyone because now no one points them towards the Path. But they must find this Path within themselves. Because the answers are inside them. You cannot become a true Alchemist if you constantly rely on external help. It's time to see the Path independently.
"You must kill me."
There was a long silence, broken only by an odd clicking noise. Fawkes the phoenix was gnawing a bit of cuttlebone. (HP and DH)
After Dumbledore says that Snape must kill him, there is silence and a very clear symbol - the phoenix and the bone. It's time for their souls to go independently, to eat away all the old to come to rebirth. Meanwhile, they also need to save Draco, who, by "Lucifer's" order, is about to kill the Path (although you can't outplay God's plan...). And then Dumbledore reveals that Harry must die.
This shocks Snape. Like any alchemist on the Path. How so, to die? After all, we all do everything to become closer to God, to immortality, and you say – just die? What kind of Path is this?
"I thought…all these years…that we were protecting him for her. For Lily.”
After all, we were protecting Harry for Lily, because as I've already said, only through the spiritual unity of the Mother and the Son is the salvation of humanity possible. Snape is protecting the son for the mother, and Dumbledore wants to kill him? For what?
Simply put, Snape doesn't understand that no one can save Harry until he dies and is reborn. It's painful, but all heroes go through this path for rebirth.
Dumbledore knows that there is a "seed" of "evil" in Harry, as in any of us. After the fall, we all carry Luciferian part within us. This is the last thing that must die in Harry, and he himself must die for it.
No one promised that the path of the alchemist would be easy. It's understandable why not everyone loves Dumbledore, he seems too cold and manipulative, but there is no other way for Harry on the symbolic level.
The Great Work
There are three stages of the Great Work: decomposition (nigredo), purification (albedo) and ultimate perfection (rubedo). These stages for Harry culminate in the deaths of Sirius Black, Albus Dumbledore, and his own death, where he is carried out of the forest by Rubeus Hagrid.
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And the result of his alchemical work should be Rebis — essentially the alchemical philosopher's stone, an androgynous being. In the collection of dialogues attributed to Hermes Trismegistus, God is depicted as androgynous. (Hermes Trismegistus is essentially the one who created the corpus of Hermetic texts).
Rebis is the unity of opposites. Day and night, Man and Woman, Good and Evil, Light and Darkness. All is one. There is no division. The wholeness of God. After the fall, we are all divided. And after the alchemical transformation, we can finally become whole and find ourselves and God.
In the form of merged men and women, sometimes depicted as the Virgin Mary and Christ, because They are one whole. As I have already said, for many alchemists, the Virgin Mary is part of the Trinity because only through the spiritual unity of the Mother and the Son was the redemption of original sin made possible. As I have already said, although Harry suffers more for James (his father turned out not to be as ideal as he thought), Lily is the main symbol in "Harry Potter".
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The Nigredo stage literally means "blackness" - it signifies complete breakdown, decay, descent into the underworld, the trance of grief. It's a descent into the deepest fears, disbelief, denial, loss of self, anger, aggression. And through this - a return to the prima materia. This is what happens to Harry, "The Order of the Phoenix" is a very dark and depressing book, and with Sirius's death, this stage for Harry is completed. Sirius himself also undergoes transformations, but about this in the next part. The nigredo stage, during which a person's ego dissolves, is agonizing but necessary for further development. After the "I" meets its "shadow" and disintegrates into parts, it will need to be purified and recreated.
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Albedo ("whiteness") symbolizes purification, transition to another world, change of life priorities, awakening, enlightenment. In alchemy, the transition from nigredo to albedo is achieved through the process of washing. The whole sixth book is misty, "white", "wet". "Washing" (albutio, baptisma) directly leads to whiteness (albedo). Purification. It's also silver, a lunar state. In Harry Potter, there is a character named Luna, which means moon in Latin. In different parts of the books, Luna also symbolizes this stage. With Dumbledore's death this stage for Harry completed.
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Rubedo ("redness") - the final stage of the alchemical Great Work. The alchemist must establish a kind of sacrificial relationship with his inner essence. At the final stage, the so-called "alchemical marriage" takes place: the marriage of the Red King and the White Queen - Soul and Spirit. Harry (soul) and Lily (spirit) are united. With Hagrid carrying Harry this stage for Harry completed.
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Bu the way, the Golden Snitch is an alchemical symbol also.
Firstly, Harry's position is called the Seeker. Alchemists also called themselves that. Secondly, the winged disc is a very ancient symbol, meaning the sun (God) and immortality.
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The Snitch reveals to him the Resurrection Stone, and Harry "encounters" his main symbols, but the main one is Lily. It is her he asks not to leave him.
Harry's death here is read by everyone as the well-known plot of Christ's crucifixion. The path to this death is also a reference to the agony of Jesus in the Garden of Gethsemane before the Crucifixion. After all, Harry also wanted to end up somewhere, but Hogwarts is his home, and he accepts his fate.
My Father! all things are possible for Thee: take this cup of suffering away from me: and yet not what I desire, but what Thou desirest. Mark 14:36
He wanted to be stopped, to be dragged back, to be sent back home... But he was home.
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Lily's Eyes
To be honest, I can assume that her green eyes was chosen at random. But what if they weren't? Her green eyes may seem illogical, as this is the colour of the snake, the colour of Slytherin, the colour of evil. But this is the occult Luciferian snake, the erroneous snake. Originally, green also dates back to Hermes Trismegistus – the god who gave the knowledge of alchemy. The most famous of the old hermetic-alchemical texts is inscribed on the "Emerald Tablet". According to legend, this document was left by Hermes Trismegistus on a plate of emerald in an Egyptian temple.
"The Emerald Tablet" is very important for alchemists." According to legend, a large emerald fell to the earth from Lucifer's head when he was cast out of heaven. From the same emerald that fell from the crown of the fallen Lucifer, angels made the Holy Grail (which is also the philosopher's stone, and the Snitch...). Emerald is a sacred green stone, and the heavenly divine world - the homeland of the emerald - a precious stone in which information about the heavenly homeland is encoded.
There is also the Ouroboros - a snake that devours its own tail - a symbol of infinity and immortality.
And the Snitch, which is a reflection of Hermes Trismegistus' staff (which has two battling snakes - two opposites, Spirit and Soul, Good and Evil and so on, and Hermes establishes unity between them with his staff).
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Occultists, of course, interpret these symbols in their own way.
Hermione is Hermes Trismegistus. Mercury. Ron — Sulphur. Harry— Salt.
Hermione (Ἑρμιόνη [hermi. ónɛː]) is a feminine given name derived from the Greek messenger god Hermes. As I said, Hermes Trismegistus is the main figure of Hermetic teaching, he is also the one who predicted the coming of the Savior (traditional Christianity should not be confused with Gnostic teachings, the Church has always been against Gnosticism). In addition, Hermes is Mercury, and that is knowledge. Hermes Trismegistus shares "secret knowledge" with the world, which forms the basis of many Gnostic directions - from alchemy to Kabbalah.
Hermione is a little alchemist, she shares knowledge. It is Hermione who insists on complete trust in Dumbledore, it is Hermione who often leads Harry in the right direction when Dumbledore is not around. It is through Dumbledore and Hermione that "moral lessons" are often sounded, which often seem completely out of place. Like when Dumbledore says that James would forgive Peter. At that moment, I always want to say, "Are you out of your mind?!" although I understand that it is described on a symbolic, not personal level.
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Mercury (Hermione), Sulphur (Ron), and Salt (Harry) were necessary in the alchemical transformation and were the main components. To create the philosopher's stone, all three elements had to be combined, and Harry is next to them throughout all the books.
Both Hermione and Ron are equally important in Harry's development.
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Mercury is the more fluid primary principle, more rational, the feminine principle, while Sulphur is dynamic, expansive, unstable, acidic, unifying, masculine, paternal, and fiery principle. Sulphur is emotional, it is desire and passionate impulse that motivates life. Sulphur is desire. And according to Jung's reflections, it can also be foul and dangerous. Complete transmutation depends on the correct application of this variable principle. Sulphur must be of quality for transmutation to occur. And Ron achieves this quality.
Also, in mystical alchemy, Sulphur is crystallized inspiration of Mercury (Mercury).
Mercury and Sulphur are simultaneously antagonists, like the male and female elements, but at the same time Sulphur is crystallized Mercury.
So I have always been and will always be for Romione! Hehe. They were made for each other!
And as for Salt - that's Harry. It's the body. Sometimes it is called earth and body, salt is the essential body (corpus).
Alchemists say that salt was the first substance created by fire, emanating from God. In salt, all creation is concentrated, in salt the beginning and the end of all things.
Salt is associated with the ultimate elevation of matter - with matter that has acquired consciousness, achieved through the unity of opposites, including the unity of fire and water, the unity of what is above and what is below. Salt is the ultimate Philosopher's Stone, representing transcendence and ultimate knowledge.
Thus, salt symbolizes consciousness (thoughts, feelings, material, etc.), which must be elevated through alchemical processes of dissolution and recrystallization. Well, that's Harry himself.
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Just love this stupid moment
Well, that's it, I think I've said everything, and from the next part, we can move on to the Marauders themselves :D
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cherry-pop-elf · 11 months ago
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Father Figure Snape To Fred And George Weasley Snippets
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Snape originally hated the twins, with a passion. Seeing nothing but James in them. These pair of students who wanted to cause chaos and destruction. That goofed around, were Casanovas, and over all a burden to him
But as time went on, he started to see alot more Lilly in them. He noticed them be there for the younger kids. Making rules on who to prank and who to not prank. They even apologized when a joke went too far. They had a moral code, and a clear passion for potions. They weren’t James, and they weren’t Lily either. They were their own beings, and he admired it
He had to keep up his scary aesthetic, for a number of reasons, so he tried to hide his fatherly affection from public eye. But he would slip up, now and again. And it was REALLY noticeable during Umbridges time. Given she was out for blood at the twins
Rumor has it that he was the one to even unlock the closet that had their brooms in, when she took them away from the twins, so that they could make their grand escape from school. There is no proof, besides some strange slashes at the lock on the closet. As if someone made multiple slashes.
Don’t lie. Molly is a good mom, but was verbally abusive. Especially at the twins. One of his ways to show his fatherly affection was that no matter what, he never raised his voice at them. Even when in class. When he had to yell, he made sure to make it clear it was either at a certain person or the class as a whole. So the twins didn’t have to be scared
When Snape passed on, that’s when the twins could be open about his affection. Knowing he wouldn’t be at risk of any punishment for it. They named him after muggle candy they make even, to let him have pride in his muggle blood. Along with other cute things. Like named his favorite flavor after him. Much like how they sold muggle things, in honor of their dad, they would even make mini potion kits for the honor of Snape
Snape 100% would talk to the twins about muggle things, and it was mentally healing for him. These two red heads that were so fascinated by muggle things, and ready to hear him about it. He’s able to see hope for the first time in a long while. To heal. To have some pride in his muggle blood, and comfort in the fact he had these pranksters genuinely be super invested
He even went as far as to be involved in pranks with the twins. Especially at Umbridge. It was healing to be part of the making of pranks, and even didn’t mind when the twins pranked him. Because the twins respected his trauma, and never did anything super extreme. Like they normally would. Silly things, like muggle pranks. Like invisible ink, and rather harmless jokes. Snape never got hurt by them, and it was comforting to know he could be treated normal like that. Normal, and with out pain
Snape so taught them how to perform muggle pranks, and no wizard was able to escape them. Given it’s a muggle thing, so they had no way to know what to expect. Made Snape hold pride in his half blood
Snape is able to be a little more sane, all because of the twins, and he makes sure that it’s known when he passes. That the twins are in his will, and inherited his things. Spinners End would end up becoming like a muggle summer home. That it’s now a home for joy, for the next bundle of Weasley kids, compared to pain that his family had. There was love in that house
It becomes a good safe haven, for George, when he needs to process Fred’s death. Which is very important for him. Somewhere different, but still familiar at the same time. Just away from it all. Somewhere safe, and in the muggle world. Away from anything that reminded him of Fred, but still a comfort of someone familiar. The man that helped raise them
Snape, in general, was a dad to all the Slytherin’s. Duh. So it catches the dorm off guard at seeing the twins inside now and again. When a party isn’t being thrown
Father figure Snape to Fred and George is my blood fuel. Thank you. One of the few students to ever get perfect grades in potion class, while still being goofballs
Probably one of the last few things Snape did, before the Dumbledore Moment was go to the Weasley Shop. To tell them in person he was proud, and maybe even show support in buying something. The twins, unaware, that these were the final acts of a dying man
George would also tell Daniel how much he reminded him of Snape, and that it wasn’t a bad thing. Happily sharing with him those special moments with the newest potion master to be
Snape was there for the moments Molly couldn’t, and uh. Yeah. That’s the post. Fight me. Father Snape
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snail-pot · 4 months ago
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So. I don't know bout you guys, but I get excited when I reach these "bookmark milestones" (ex. I've bookmarked 200 fics, I've bookmarked 300 fics, etc etc). ANYWAY, I was thinking, to celebrate my 400th bookmark, why not make a list of Harry Potter fics I've bookmarked throughout my time on Ao3?
Gen: [AKA General Relationships, Little to No Romance]
"riding up the wrong path" by ashen_key [Lily Luna Potter, Character Study, Oneshot]
When Lily is eighteen, she cuts her hair and joins the army. The British Army. The British Muggle Army. Despite what the gossip papers say, she leaves her wand at home. She's not a complete idiot. – – Oh, right. Maybe take a few steps back.
"The Statute of Secrecy" by Shairanna [Muggle POV, Muggles, Crack Treated Seriously, Oneshot]
They were, of course, just Muggles, and as such had no idea that magic was real, and that wizards and witches lived hidden among them. Or so the witches and wizards thought.
"The Time That Wood Didn't Play" by HPfanatic12 [Oliver Wood, Percy Weasley, Humor, Oneshot]
Due to an injury, Oliver has to stay off the field for a bit and Lee Jordan offers him the opportunity to be the quidditch commentator. Professor McGonagall allows it Only to discover that Wood is much worse than Jordan ever was
"In Which Lucy Despises Sundays" by HPfanatic12 [Lucy Weasley, Percy Weasley, Next Gen, Family Issues]
Lucy didn't like Sundays all that much And it all has to do with how people treat her dad
"Home Alone: The Battle of Hogwarts" by Kosaji [Crossover, Kevin McCallister, Crack Treated Seriously, Multi-chapter, Completed]
Based off this prompt from writing-prompt.tumblr.com: Harry, Hermione, and Ron are killed interrupted early in their search for Horcruxes. Voldemort orders a full invasion of Hogwarts to find the remaining ones. In a panic, Hogwarts is evacuated. One student slept through the evacuation order: 4th year American transfer student Kevin McCallister.
"'Hope' is a Thing With Feathers" by PeachyKeener [Percy Weasley, Weasley Family, Family Issues, No Bashing, Oneshot]
A coward in the eyes of his family he may be but if he had the chance to save even one life he would take it. What Percy Weasley did during the war, in brief moments, and the reconciliation of his family.
"Ron Weasley, Dad of the Gryffindor Tower" by likes_koolaid [Ron Weasley, Gryffindor Boys, Fatherly Advice, Oneshot]
5 times Ron acted like a dad. Aka 5 times the boys in the dorm (minus Ron) didn't have fathers
"Consanguinity" by StygiasCanes [Percy Weasley, Weasley Family, Angst, Content Warning: Sexual Assault, Multi-chapter, Ongoing]
The Second Wizarding War ends, but Percy is nowhere to be found. Six months later, a traumatized Percy is rescued from a Death Eater hideout. How do the Weasleys put their family back together when Percy never had the chance to redeem himself at the final battle, and will they be able to help Percy recover?
"You're Not Supposed to be Here?" by pretty_scary_vampire [Muggle Shenanigans, Crack Treated Seriously]
Muggles can't see Hogwarts in all its glory. Instead, they see smoking, crumbling ruins that they avoid at all costs in fear of being crushed to death. What happens when a young woman decides that she's going to explore Hogwarts? Chaos, an annoyed Severus Snape, Minerva McGonagall being ignored, and never ending giggling, that's what.
Percy Weasley/Oliver Wood: [Romance]
"Oliver's Obsession" by orphan_account [Teen]
The Gryffindor Quidditch team is fed up with Oliver constantly pestering them. They decide to do something about it.
"Still think he's the weakest" by Hhhhhheeeeeelloo1 [Not Rated]
Based on that b99 scene where Jake jumps into Terry’s arms when he was holding coffee. You know the one. But with Percy and Oliver.
"Strip poker (and other dangers" by SquaresAreNotCircles [Teen]
“Strip poker?” Oliver offered with a suggestive wiggle of his eyebrows, just as the compartment door slid open. “Er,” Percy said. Or: Oliver and his best friend are bored, Percy has incredible timing and everybody keeps their clothes on.
"The Hottest Weasley" by orphan_account [Teen]
A notice appears in the Gryffindor common room, asking a very important question: Who Is The Hottest Weasley?
"Preparing" by orphan_account [Teen]
The Gryffindor quidditch team prepare their captain for one of the most important events of his life.
"It's the truth" by SquaresAreNotCircles [Teen]
Fred and George refuse to believe Percy has a girlfriend. Oliver seems to know more. It's all very mysterious, until it isn't.
"good old-fashioned loverboy" by aeoneskova [Teen]
Due to a slight mix-up in calculations, Percy Weasley ends up sharing his dorm with only one other person. Unfortunately, that person just so happens to be the complete opposite of Percy himself. In order to avoid the inevitability of strangling Oliver Wood by seventh year, Percy moves their beds to opposite sides of the dorm. However, over their years at school, circumstances gradually bring them closer together. or; Percy Weasley being irritated for 7 years straight. Ironically, it’s very gay.
"In Which Fred and George Weasley Go Through the 5 Stages of Grief Because their Brother is Dating Their Quidditch Captain" by apollospec [Teen]
[NO SUMMARY AVAILABLE]
"At least he has great abs" by Irisen [Teen]
There's nothing quite like waking up to your mother texting you a picture of your soulmate's abs.
"Burn Across the Sky" by MoonytheMarauder1 (beforethemoon) [Teen]
Suddenly, Oliver stopped speaking. His brown eyes had locked onto something on the other end of the Quidditch Pitch, and a grin overtook his features—completely unlike the serious scowl that had been sitting there before. Wide-eyed with shock, the Gryffindor Quidditch team turned as one to find the source of Oliver's distraction. The only thing that could have caused it, however, was the person walking briskly past the stands, a stack of books in his arms and a worn Gryffindor scarf wrapped snugly around his neck: Percy Weasley. Harry turned around just in time to watch Fred, George, and Ron's jaws drop as one. The three Weasleys glanced from their captain to their brother, then back again. Fred was the first to speak. "You're shitting me," he breathed. o.o.o Or, When Oliver Wood stops talking about Quidditch to stare at Percy Weasley, Ron, Fred, and George know something is up.
"The Exploding Charm" by perilouspursuits [Teen]
It's funny the things that come back to hurt and help you. In the end Percy chooses a side and it doesn't take long for him to know he's chosen right.
Seamus Finnigan/Dean Thomas: [ROMANCE]
"It's Tough to Have a Crush" by obliviateme [Teen]
Dean Thomas has had a crush on Seamus Finnigan since second year. Four years later, Seamus kisses him on the way back from a Hogsmeade trip. A week after that, they still haven't spoken about it. Dean struggles to bring up his feelings, and he's not sure if Seamus will let him down about this.
"The Perfect Vows" by KillianJones32 [Gen]
“You’re okay with writing our own vows right?” Dean had asked him over three months ago. Dean had looked at him with those big brown eyes and wide grin and really how was Seamus supposed to say no? But now the time had actually come to writing those vows and Seamus was struggling, quite a bit actually.
"Painting Seamus" by KillianJones32 [Teen]
Dean is an artist who hasn’t submitted anything for his portfolio in weeks and he ends up doing a painting of his roommate Seamus who he's had a crush on for over a year.
"Breakfast in Company" by Anemone_nemerosa [Teen]
Prompt: I run a bed & breakfast and you showed up for your reservation alone. Do you understand what the purpose of a b&b is? It's a bright and sunny day mid-October when Dean meets the most peculiar person to ever enter his life.
"Doodles" by fandomgalore [Gen]
Dean likes to doodle to keep his hands occupied. Over the years, his doodling subject range narrows down to one.
"(Star)Gazing at You" by Three Guesses (Thr3eGuess3s) [Gen]
It's Christmas and all Seamus wants to do is get Dean alone under the mistletoe, but Hogwarts and it's mysteries may just get in the way of that. (Yes, btw, I am indeed aware that I'm posting a Christmas fic in July don't @ me)
"A Slight Pyromaniac's Guide to Love and Potions Class" by Anonymous [Gen]
Seamus Finnigan is Potions partners with Dean Thomas. They're making Amortentia. What an inconvenient time to be in love with your best friend. // Inspired by a tiktok by @mariuslee! It's where I got the dialogue for the actual Amortentia scene from, and it inspired me to write this whole fic in the first place!
"Write on Me" by orphan_account [Gen]
At the age of 17 everyone gets a tattoo of their soulmates name in their hand writing. Or the one where Dean won't tell Seamus who his soulmate is until Seamus's birthday.
"ní bhíonn toit gan tine" by fallthroughtimelikeme [Explicit]
Dean is staying over in Séamus's house for part of the summer holidays. Stormy nights, cuddling in bed, awkwardness, and sex ensues.
"Lost Bed, Found Love" by NearlyHeadlessNicci [Explicit]
A Prank War amongst the Gryffindor Eighth Year Boys gets slightly out of hand. Dean ends up suffering some undeserved consequences, but does he really suffer?
"Hiding Scrawl, Licking Freckles, and Other Average Wizard Things" by tamerofdarkstars [Gen]
Someone out there is obsessed with his freckles, and damn it, Seamus Finnigan wants to know who. - Uselessly fluffy Soulmate AU where the thoughts of your soulmate inscribe themselves on your skin in an shifting magic tattoo
"The Truth in Black and White" by brokenbottleaurora [Teen]
Seamus and Dean are already best mates- but could they be soulmates? After the first 6th year potions class, the answer is clear. Pure Deamus fluff. Not canon compliant (shifted timeline).
"watch the stars burst into light" by anonymous_koala [Gen]
After Dean's 18th birthday, he's finally able to communicate with his soulmate. Who are they? Will he ever get to meet them? A soulmates can see everything written on the other's skin AU.
Marcus Flint/Oliver Wood: [ROMANCE]
"darling, the mess is half the fun" by slyther_ing [Teen]
In retrospect, the twins probably could've gotten their answer by just asking Oliver whether he and Flint were a thing - but when have they done anything the easy way? (In which the Gryffindor and Slytherin Quidditch teams attempt to get their captains together, and Marcus' reputation suffers.)
"Your feet above the ground" by Phantomato [Explicit]
And if he’d attended potions, and couldn’t remember anything, and was now groggy and prone in front of multiple professors in the Hogwarts infirmary, that could only mean one thing: potions accident.
"Come a little closer" by MInnie0503 [Teen]
Marcus Flint gets engaged. Oliver Wood starts a fight. They both end up with ten shared detentions and it all goes tits up from there. Or: How many detentions does it take for two boys to admit they like each other?
"The Inked Snitch" by your_token_trophy_wife [Teen]
While Oliver’s quidditch days may be over, his quidditch supply shop is near perfection. Perhaps he’s a little lonely and a tad sheltered too, but Oliver would much rather keep to himself than have his heart broken. That’s not too much to ask for is it? Though when a magical tattoo shop opens up next door, Oliver’s in for a lot of surprises, including bad flirting, third-wheeling and the return of an old rival. Alternatively: A shop!AU where both shopkeepers are hopeless at flirting, great at drawing conclusions and absolutely inept at talking about their feelings.
"Adversary" by RoemaencePartnaerr [Teen]
Oliver was pretty sure he had shaken hands with every other person in the school, yet he still hadn't met his soulmate.
"chalk this one up as a win" by tamerofdarkstars [Teen]
Oliver Wood wakes up in the Hospital Wing a week after his first Quidditch game ever with a head injury and his soulmate's thoughts wound around his left wrist. Frankly, he's more concerned about missing the Quidditch game.
"rolling with the punches" by sadie18 (orphan_account) [Gen]
no matter what- the era, the age, the universe, muggle or wizard- oliver wood was always there - alternatively, marcus has a long dream, he wakes up in a different reality every day, and he just can't get away from oliver wood note: the plot isn't apparent from the very beginning, so stick with it please! it clicks into place
"you're good at quidditch" by ramathorne [Not Rated; FANART]
A 4 page comic interpretation of a scene from chalk this one up as a win. slightly unfinished. still made with love.
"Does it smell like bleach to you?" by Surperb [Teen]
Oliver Wood overhears a private conversation while cleaning the broom shed.
"what my hands were made for" by hexiewrites [Teen]
There had been a small silver Quaffle inked into the skin on Oliver’s right hipbone since before he knew how to walk. His mother had gasped delightedly the day it had appeared, shimmering onto his skin as if by magic.
OTHER FICS: [The ones that don't really fit into a specific category, but I love and appreciate them regardless]
"Ottery St. Catchpole" by Erisah_Mae [Teen]
Tumblr Prompt from accio shitpost: "i wanna see a muggle who goes stealth among wizards purely by having a ridiculous aesthetic" A muggle moves to Ottery St Catchpole a few months after the Battle of Hogwarts, and there's a slight misunderstanding.
"A Touch of Mystery" by Edie_K [Teen]
At their weekly lunch, the Weasley brothers learn some surprising new information and the balance of power shifts. Canon compliant, set two years after DH.
"A Crown of Lilac Fingertips" by wickersnap [Teen, Harry Potter/Ron Weasley]
When they’d shaken hands on the train and Harry had pulled back with a bright, grass green imprint on his hand, he had gasped, excited, and asked Ron what it was. At thirteen years old green becomes lilac, and at fourteen lilac becomes red. At seventeen it's both, and they wouldn't have it any other way.
"The Sign" by Hang_In_There_Baby_Crookshanks [Gen, Justin Finch-Fletchley/Ernie Macmillan]
Justin Finch-Fletchley thinks he has zero chance of being asked out for Valentine's Day. Is he about to be pleasantly surprised? Or will the irritating muggle song that he seems to be the only one able to hear drive him crazy first?
"why not both" by varnes [Mature, Hermione Granger/Ron Weasley/Viktor Krum]
“Small baby,” Krum diagnosed, sounding delighted by this. “World too big, yes? Wants back in small, warm place, yes?” Ron realized that he was holding his breath. He glanced over at Hermione, who was looking at Krum like she was definitely, absolutely going to leave Ron for him, and honestly, at this moment, Ron felt that was fair. Ron was going to leave himself for Krum. Ron was going to rob all the banks in the world to get Viktor Krum back his money as long as it meant he’d keep their beautiful, perfect, angelic monster of a screaming baby quiet. “I want to be in a small, warm place,” Hermione muttered, and then squeaked a little realizing she’d said it out loud. Rose giggled. “Shidole,” she whispered, looking pleased and interested, smacking at Krum’s chest. “Rose, don’t call our guests shitholes,” Hermione scolded, and then said, “Viktor, you can stay as long as you like.” - Or: The Ron/Hermione/Krum fic that absolutely nobody was hankering for in the year of our Lord 2020.
"can take the sting (if you heal my bruises)" by oliverwvvd [Teen, Cormac McLaggen/Ron Weasley, Marcus Flint/Oliver Wood]
Prompted by peachpety for Quidditch Fest 2021. I hope this fulfils what you hoped for to some degree! Cormac McLaggen and Oliver Wood hold the record for the two Keepers in the Quidditch league with the most injuries to date respectively. Oliver plays it risky and ends up in the hands of an exasperated Marcus Flint, ex-Montrose Magpies player turned Healer. Cormac, on the other hand, has a persistent crush on Ron that everyone knows about...except for Ron, who is oblivious, right up until the moment that he isn't. [Original prompt/request: Person A plays professional Quidditch and is prone to injury. All the more reason to see the team physician, his secret crush. Person B is the exasperated team physician at his wit's end with the only player for whom he pines. UST OUT THE WAZOO & happy endings, please.]
"Petunia Evans, a Retelling" by HouseElfMagic [Teen]
Petunia remembered magic. Being young and making things happen--strange things, impossible things--and then the pain when that man took it all away, locked it inside her. She doesn't get it back until Lily's started Hogwarts already and by then she's old enough to decide she wants to keep her own magic a secret. She didn't know that this would ultimately lead her on a quest to raise her nephew and defeat an evil megalomaniac calling himself Voldemort. But, well, here she is. She will do whatever it takes to keep her nephew safe. And hey, if she gets a pseudo father, rescues a convict, makes friends, becomes an almost permanent babysitter to two additional children, and writes books along the way, then that's a definite bonus.
"Like a Dream" by orphan_account [Teen, Viktor Krum/Ron Weasley]
Ron's life had been in a routine for so long. He did his job as an Auror even though he didn't love it, he lived alone but decided he was okay with it, and he ignored that his soulmate was a person who felt more like a fantasy than a reality.
"Loopholes" by orphan_account [Gen, Fred Weasley/Lee Jordan]
To prank his well despised DADA professor, Umbridge, after she put up a decree that prohibits boys from being too close to girls, George Weasley ingeniously finds a loophole and eventually gets his twin brother and his best friend to fake date. Which, however, wasn't going to last long in the first place, especially due to Lee's annoying crush on Fred.
"the art of bending rules" by orphan_account [Gen, Fred Weasley/Lee Jordan]
Umbridge thinks the only way to control the rebels at Hogwarts is to put up rules — and more rules, and then a few more rules after that. Unfortunately, what she doesn’t understand is that there is nothing most rebels are better at than bending the rules. It’s an art to perfect, as Fred says.
Happy reading! Don't be afraid to ask for recs and I'll do my best to answer them :))
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darkenedreaper · 1 year ago
Text
The Pain of Patronus [3]
Pairing: Professor Severus Snape x Female!Professor Reader
Warnings: Mentions of deaths, bloody description
Summary: After finding Snape after Nagini's attack, you go to great extents to get him help. When he recovers, you've changed. And to find more information Dumbledore makes a decision, one you're unhappy with.
A/N: I changed the story plot because Deathly Hallows traumatised me. Enjoy.
Part 1 Part 2
"Where is she?", the voice of the love of your life finally spoke. You didn't have much time to treasure his voice as Albus spoke, "You'll see her soon Severus".
You stood outside the hospital wing that occupied the few people. You knew what Albus was about to do. He was about to show Snape and the others your happiest and worst memories in order to find any missing information. You hated the idea, and you didn't hide your opinion from Dumbledore when he discussed it with you. He tried to soothe you with his reasoning and his fatherly figure, but he knew you'd stand your ground. You watched with shaky and fast breath from around the corner as Dumbledore was now holding an object that had the appearance of a crystal ball. Harry, Hagrid, McGonagall and even Snapes eyes glistened and glittered as Albus whispered a spell, slowly levitating the crystal ball that held you worst moments. It lifted itself up into the air and popped like a giant bubble, it was like the movie began. Minerva had told Severus what he'd be seeing and hearing, the attack on him committed by Nagini. He tried to shake it off, tried to shake off the nerves and the tears that were building up inside of him as he realised he's been forced to sit and watch your most painful moments. You watched the ball with a careful eye and when it burst you shut your eyes tight.
-memories-
You and the young boy were sat by water, making daffodil chains... well daffodil chains with old, dead, and withered daffodil heads and stems. You spoke quietly to the young boy, "You'll stay with me forever won't you?", "Always", Severus replied with a smalls smile on his face. As soon as you made the chains you decided to fly them over to one another. From afar another young girls eyes with ginger hair saw the face that belonged to the boy with the black hair and eyes. She decided to skip over to the Severus and... and the girl next to him. Whilst you and Severus were still messing with the ones you had both made, your attention and his was yanked away when the girl shouted his name whilst skipping up the hill to him. You watched the interaction between Lily and Severus; he handed her an old and dead daffodil chain he took back from you, and she gave him a bright and colourful daisy chain, she even put it around his wrist.
----
It was a few months later now and somehow Severus and Lily had grown even closer, and so had Lily and James. It was wrong and you knew it was. She was either leading one or both of them on or playing a cruel game with Severus just so James would bully him even more. You were sat opposite Severus and Lily, well you were sat next to him but she asked if she could have your seat. You couldn't say no to her she was too polite, and he was infatuated with her. So you sat opposite the wo students with your head resting on a closed fist as you mindlessly flicked through a book 'revising'. It wasn't long before you were left in the library by yourself as Lily had offered Severus to view the stars outside, to which he accepted her offer, didn't give you a second thought, and left. The memory showed you, a teenager, sat on the library table now after hours with an open book and staring off into space.
----
It was drawing to the end of the year, you and Severus hadn't spoken for weeks. You assumed he learnt his lesson with Lily as her and James walked Hogwarts grounds holding hands. You had gotten so lonely and withdrawn from your classes, eating, even reality; that Mr Filch and even Mrs Norris began to feel pity for you. As everyone was leaving Hogwarts for the final time as a student you wished to see Severus, and you did. Just the back of him. As he walked further and further away from you until you couldn't see him anymore.
----
You'd been working at Hogwarts for a few years now and Dumbledore had ordered you to become a Deatheater, for his own benefit. You soon discovered that Voldemort was going after Lily and James Potter, and you knew you had to do something. If Lily died it would kill Severus, even if they didn't talk for all of this time. So you were standing with Albus in your younger years of teaching begging him but not before he asked, "Why do you need the protection of Lily Potter so badly?", you ignored him and said, "Albus please, I beg you, hide them. Hide them all. Keep them safe I beg of you", to which he replied; "And what will you give to me in return Y/n?". "Anything", you quickly replied. You agreed to spend your life serving Albus and Hogwarts whilst being tied to Voldemort as a Deatheater. Snape and yourself had no idea you practically had the same double-sided job. Even at the Dark Lords meetings, you never once spoke, took your mask off. You never even moved. You found out the boys parents had been killed and that Severus found out and wept at the news, and of course at the sight he walked into at Godrics Hollow; you forced Dumbledore to tell you. "You promised me you would keep her safe!" "You came to the wrong person to give protection Y/n, I'm sorry". Of course during that difficult time period, you and Snape somehow grew further apart got more miserable and moody, and more vicious with the comments at one another.
----
Things at Hogwarts were getting tense, Potter was having more trouble with his sleeping, his visions and head pains of Voldemort, Hogwarts was being attacked by Demontors for what seemed like every 5 minutes.
----
You speedily walked to corner and question Albus. You had just finished a spell on Dumbledores hand that would keep the physical sight and damage of the spell hidden, but not for long. "How long do you think it will hold off?", he asked. "Not long, a year a least". You said with finality before dropping his hand and moving to walk away, "Don't ignore me Y/n". You halted, waiting to see what he wanted to say. "We both know Lord Voldemort has ordered Severus to murder me. But should he fail... I should presume the Dark Lord will turn to you. You must be the one to kill me Y/n". The memories showed your view of Dumbledore falling to his death. You slowly hung your head and shut your eyes, you didn't show or express any emotion hut inside you were crumbling, you were shutting down, the thought of killing Albus with everything else going on; it seemed impossible. "It is the only way. Only then will the Dark Lord trust you completely". You sighed and opened your eyes again letting him continue. "There will come a time when Harry Potter must be told something, but you must wait until Lord Voldemort is at his most vulnerable". You lifted your head up when you heard the boys name and because of the history you were immediately concerned for his safety and so you replied, "Must be told what?" Albus took a deep breath and started to move closer to you, "On the night Lord Voldemort went to Godrics Hollow to kill Harry, and Lily Potter cast herself between them... the curse re-bounded. When that happened, a part of Voldemort's soul latched itself onto the only living thing it could find... Harry himself"> Dumbledore stalked his way closer to you, "There's a reason Harry can speak with snakes, there's a reason he can look into Lord Voldemorts mind. A part of Voldemort lives inside him". You had braced yourself now and straightened yourself up, "So when the time comes, the boy must die?" You questioned with severity, "Yes. Yes. He must die", Dumbledore replied with his head down.
--
The memory was now showing Albus, Minerva, Harry, Hagrid and Snape the moment you fell to the nearest wall, where your emotions came crashing down, as Snape lying in the hospital bed, saw himself lying half dead against the Boating House glass with blood spattered all over it. He saw your breakdown as you were rushing over to him and he felt himself welling up.
--
The memories now took them back to the office where you were clearly displeased, angry and upset at Dumbledore. You were concerned for Harrys safety and Severus' wellbeing, "You've kept him alive so that he can die at the proper moment?... You've been raising him like a pig for slaughter." You voiced, strongly with anger clear. Albus quickly turned his head to you, seemingly shocked as you despised the boy, "Don't tell me now, that you've grown to care for the boy?". Your face dropped and you knew you had to spill your secret. In quick motion you took out your wand and cast a pratronum, "Expecto Patronum...". From your wand, a raven that had beautiful markings glided softly and eloquently throughout Dumbledores office, you both tracked it"
--
As they were watching the memory, Snape was crying, the tears were rolling down his cheeks and he didn't once bother to wipe them. Harry was upset, Hagrid and Dumbledore had their heads down. Minerva was wiping her nose until she made a noise and pointed at the memory. Your Patronum flew out of the memory and flew around the hospital wing and as it got nearer to the window it flew around Severus' head before flying out. He shut his eyes tight for a second, fully aware that your Patronus was his. He was the thing you love most.
--
As the raven finished its gliding around the room, Albus turned to you, shocked and he turned to completely face you as everything seemed to click in his head, "Severus". The memory suddenly flashed to you holding Severus' lifeless body with his cloak securely wrapped around him to keep him warm. The blood off the both of you was washed away by the torrential rain and your cries and screams were drowned out by the thunder. Back in the office, you put your head down as the tears began to roll down your cheeks. "After all this time?", he questioned and the pity and guilt was evident in his voice. "Always", you replied strongly.
--
Severus was silently sobbing, he put his hand over his eyes, not wanting anyone to see him cry. His tears had fell down his neck and wet the bandages that sat around his neck, covering the healing wounds from the snake. His arm brushed the bandages and he was instantly remined of the pain he went through, the pain you went through. He was reminded of how soothed and at ease he felt when you came to his rescue, when you stared into each others eyes, in the Boating House and each time at the dinner hall table. He finally knew the truth, he saw it. You risked your life every day to save Harry Potter because he was Lilys son, and you knew how much Lily meant to Snape. There was guilt, remorse, sadness, love, and anger at himself tingling throughout his still weak body. He knew what he had to do. And he told himself he was going to do it. Even if he had to crawl on his belly to the ends of the earth... he promised himself he would see you, and tell you how much he loved you, how you were his world, his everything.
Part 4 coming soon
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lupinmoonlight · 7 months ago
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prof! lupin is everything and I’m addicted
I'm so obsessed with him it's unhealthy. I have a folder on my phone with 800+ edits of Remus.
I've also been re-reading the books recently (last time was back in 2017) and the man is SO FATHERLY!?!
In PoA when Harry faints on the train and Remus excuses himself...he doesn't go to speak with the driver...he goes to SEND AN OWL TO MCGONAGALL TO TELL HER HARRY FAINTED so when Harry arrives at school he gets swarmed by Poppy and McGonagall.
In OOTP he literally writes a letter to Mr and Mrs. Dursley to let them know that Harry was going with him and to not worry about him. He leads the entire mission to bring Harry safely to Grimmauld place. He stands up to Molly to tell her they all care about Harry. He tries to calm everyone down and starts serving dinner, telling Molly it looks delicious. He comforts Molly when she sees her boggart by PETTING HER ON THE HEAD GENTLY!?!?! He lectures Harry about letting Snape help him in Occlumency. He accompanies the trio to visit Arthur at St-Mungo's during Christmas!?!?! He goes over to sit with a werewolf to make him feel less alone and more human!?!?!
This man makes my heart melt every single day. I'm in a constant battle with myself, wondering if I want him to be my dad or my husband.
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lostdrarryfics · 5 months ago
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Heyyy, so I read this fic in around January of '22; in the fic harry is raised by wolfstar and they're a very loving family and all
The only scene ik of is when in second year harry breaks his arm during G v/s S quiditch match and lockhart tries to fix it but instead turns it boneless; snape is furious and shouts at him in front of everyone, turns out its because he doesn't wanna "subject himself to remus lupin's fatherly warth unduly". Harry thinks that snape is mistaken cuz clearly its sirius you should be worried about, but later its actually remus who loses it (not in front of harry ofc). Snape is good in this fic, not really close to wolfstar but respects them.
It's a multichapter au fic on ao3; that's all I remember. Please help me find it, thank you.
We believe you are looking for Nearly by gonattsaga (434k, NR)
Don’t forget to bookmark, leave kudos and comments!
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smilingformoney · 1 year ago
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Does Snape stress over raising the twins since he doesn’t have experience raising babies like Sephy? Or does he have fatherly/parental instincts?
he is reading every parenting book he can get his hands on
if even the slightest thing concerns him he’s getting worried and Sephy has to assure him that it’s perfectly normal for babies to have a soft spot in their skull etc
he brews as many potions as he can think of that they might need, with reduced strength to make them safe for babies
the first few nights after they’re born, he doesn’t sleep. he wouldn’t anyway because of the crying, but he doesn’t even try, he’s watching them like a hawk - partly out of “they are so cute and I love them so much I don’t want to tear my eyes away” and partly out of “if I look away for one second they might somehow fall out of their cots”
meanwhile if Sephy doesn’t sleep at least eight hours a night he’s shoving sleeping draughts at her because “you just gave birth, you need to rest!”
basically he’s overprotective father and doting husband to the max
meanwhile Abbie’s like “damn now I’m glad you didn’t raise me as a baby, I’d be terrified if I woke up and you were staring at me from the end of my bed”
but despite all of his worrying he’s a natural with them — just as with Abbie, he turns out to be a good caregiver if he loves the children he’s caring for
(thanks anon now I wanna write a one shot of Sephy waking up and finding Sev wide awake guarding watching the girls sleep 🥺)
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muiitoloko · 2 months ago
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Hello! Are your requests open? If so, can I request an Alan x child actress reader? Like they're staring in a tv show or something as father daughter. I kinda want some fluff goodness 🥺. Since Alan never had children but I know he's great with kids and he's a method actor if I remember correctly. Not sure about the plot tho so you could have creative freedom with it :)).
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Title: Lights, Camera, Fatherhood.
Summary: Alan Rickman reflects on the emotional power of acting as he auditions with a young girl to play his on-screen daughter, forming a bond that promises to shine in their upcoming series.
Pairing: Alan Rickman & Fem! Reader
Warning: none.
Author's Notes: Hello! Yes, my requests are open 😄, and I have to say, this idea is absolutely adorable! 🥺 I can already imagine Alan being all fatherly and sweet on set while staying in character. Thanks for trusting me with the creative freedom—this one’s going to be fun! 😄✨
Also read on Ao3
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You sat on the edge of a worn leather bench in the waiting room, your small legs swinging back and forth nervously. Your hands gripped the sides of the bench as you glanced around at the other children and their parents, all of them looking just as anxious as you. Your mom sat beside you, offering a reassuring smile every now and then, but you could still feel the butterflies swirling in your stomach.
This was the final audition. You’d already been pre-selected, and now you were here, just one more step away from possibly landing the role of the daughter in a TV series—a role that had the entire cast and crew abuzz. But what made your heart race even more was the fact that the character who would play your father was none other than Alan Rickman, Professor Snape himself.
You’d been dreaming about meeting him for weeks. In fact, you’d secretly practiced your lines in front of your Harry Potter books, imagining Snape’s voice responding to you. It was funny, really, that you would be auditioning with someone so famous, someone you’d seen in movies—and now you had a chance to be his on-screen daughter. But that also made it ten times more nerve-wracking.
“Mama, what if I mess up?” you whispered, your voice barely audible over the hum of the other families in the room.
Your mother squeezed your hand gently. “You won’t, sweetheart. You’ve worked so hard for this. Just be yourself, and everything will be okay.”
You nodded, biting your lip as you glanced at the closed door across the room. Every few minutes, it would open, and another child actress would come out, either smiling brightly or looking close to tears. Your heart raced every time the door moved, knowing your turn was getting closer.
And then it opened again.
A little girl walked out, her face a mix of relief and excitement. Behind her, you caught a glimpse of the tall figure of Alan Rickman, standing with the director, his hooked nose and sharp features unmistakable even from a distance. He looked just like he did in the movies, only without the long black robes. He was dressed in a simple, dark suit, but it was the same serious expression you’d seen as Professor Snape.
Your stomach flipped.
“Next, please!” the casting assistant called, her voice crisp as she glanced down at her clipboard.
Your mother gave you an encouraging nudge. “It’s your turn, darling.”
You swallowed hard and slid off the bench, your legs feeling a little wobbly as you walked toward the door. Your hands were clammy, and you had to remind yourself to breathe as the assistant led you into the audition room.
The space was larger than you expected, with cameras set up around the edges and a few people sitting at a long table in the back, watching intently. But it was Alan Rickman who caught your attention. He was standing near the center of the room, his hazel eyes sharp but kind, and he gave you a small, almost imperceptible smile as you walked in.
"Hello there," he said in that deep, unmistakable voice of his. It was softer than Snape’s, less stern, but still had that same gravitas that made your heart skip a beat. “You must be the next potential daughter of mine, hmm?”
You blinked, unsure if you were supposed to laugh, but your mom had always told you that a joke deserved a smile, so you grinned nervously.
Alan chuckled, his eyes crinkling at the edges as he took a step closer. “No need to be nervous. I don’t bite—unless the director insists upon it, of course.” He winked playfully, and that little gesture somehow made you feel a bit more at ease.
The director, who had been flipping through some notes, looked up and smiled warmly at you. “Okay, sweetie, we’re just going to run through a scene with Alan here to see how you two work together. Nothing to worry about, just have fun.”
Alan gave you an encouraging nod and gestured toward a couple of chairs that had been set up to mimic a living room. “Shall we, then?” he asked, his voice kind as he waited for you to join him.
You took a deep breath and nodded, moving to sit across from him. Your hands still trembled a little, but Alan seemed to sense that. He leaned in slightly and whispered, just loud enough for you to hear, “It’s just pretend. We’ll make it up as we go along.”
You nodded, and the director called, “Action!”
Alan’s whole demeanor changed in an instant. His posture stiffened slightly, and his expression became serious, though not in the intimidating way Snape might have been. He was now a concerned father, his eyes soft as he looked at you.
“Darling,” he began, his voice deep and measured, “why didn’t you tell me what was bothering you earlier? I thought we had agreed to talk about these things.”
Your heart thudded in your chest, but you remembered your lines. “I didn’t want you to be disappointed in me,” you said softly, doing your best to look down at your lap as if you were sad.
Alan’s brow furrowed, and he leaned forward, his voice full of warmth. “Disappointed? In you? Never. You’re my daughter, the most important person in my life.”
The words were simple, but the way he said them—so sincere, so full of emotion—made you feel like they were real, like you really were his daughter, and he was trying to make everything better. You glanced up at him, and for a moment, you forgot you were in an audition room.
“Really?” you asked, your voice trembling slightly, a bit of your real nervousness slipping into the scene.
Alan smiled softly, leaning closer. “Really,” he said. “You could never disappoint me. Not in a million years.”
Alan was a method actor, and you could feel him fully becoming the father character, his voice deep and filled with quiet emotion. He made you believe in the world of the story, and soon, your nervousness was forgotten.
But then, in the middle of one of his lines, Alan suddenly made a subtle, funny face—something that was out of character but just small enough for only you to catch it. Your eyes widened in surprise, and you almost giggled. He was playing with you, testing to see if you could keep your composure. You bit your lip and kept going, fighting the smile threatening to break across your face.
When the scene ended, the director nodded approvingly. “Very nice, both of you. The chemistry is really strong.”
Alan grinned and leaned down slightly, so only you could hear. “You didn’t laugh. Impressive. I might need to raise the stakes next time.”
You giggled softly, feeling lighter than you had before. "I can handle it."
As you left the room, Alan called out behind you, “Good luck, young lady. I think we’ll make a good team.”
You turned back, beaming, and gave him a little wave. “Thank you, Professor Snape!” you blurted out, and instantly regretted it, your cheeks flushing with embarrassment.
But Alan just chuckled, his smile warm and kind. “I think you’ll find I’m a bit nicer than that particular professor.”
As you walked back to your mother, you couldn’t stop smiling. She pulled you into a hug, her eyes twinkling with pride. “How did it go?”
“I think it went well,” you said, still beaming. “Alan Rickman’s really nice. And funny! I almost laughed during the scene, but I didn’t.”
Your mother smiled, brushing a piece of hair behind your ear. “That’s my girl. I’m so proud of you.”
As you sat back down on the bench, the nerves from before had completely disappeared, replaced by a warm glow of excitement. Whether or not you got the part, you knew you had just shared something special—a moment with a legendary actor who made you feel seen, comfortable, and brave.
And maybe, just maybe, you would get to spend more time working with him. After all, who wouldn’t want Alan Rickman as their TV dad?
Inside the audition room, Alan Rickman sat down with a sigh, running a hand through his silvering hair as the director approached him with a clipboard. His expression had shifted now that the young actress had left the room—no longer the warm, fatherly figure, but the methodical, critical professional that Alan embodied when it came to his craft.
The director, a man in his late forties with wire-rimmed glasses, flipped through a few pages of notes before looking up at Alan. “Well, Alan,” he began, “we’ve narrowed it down to three final candidates for the role of your on-screen daughter. All of them are talented in their own ways, but I wanted your take on them. You’re excellent with children, and frankly, I trust your judgment.”
Alan crossed one leg over the other, a thoughtful expression settling on his face. He had always approached his roles with meticulous care, and that extended to casting decisions. As much as he enjoyed the charm of working with child actors, he knew that the right choice here could make or break the emotional core of the show.
The director handed him a sheet with notes on each of the three candidates. Alan adjusted his glasses and skimmed through them before glancing back up. “Let’s start with the first one,” he said, his voice as smooth as ever but now tinged with a more professional edge.
“Emma, age 8. Strong presence, very polished. She’s already done a few commercials, so she knows her way around a camera,” the director explained, leaning back against the table.
Alan nodded, recalling the audition. “Yes, she has a natural confidence,” he agreed. “But I worry she might be too polished. Her delivery felt rehearsed, as if she was performing a routine rather than reacting naturally. With children, especially in this kind of intimate father-daughter dynamic, you need someone who can live in the moment. Emma’s a talented girl, but I didn’t feel that raw connection.”
The director pursed his lips, jotting down a note. “Fair point. And the second one, Sophie, she’s 9.”
Alan leaned back in his chair, crossing his arms as he thought. “Sophie,” he repeated, his hazel eyes narrowing slightly. “Sophie has presence, no doubt about that. But I sensed some hesitation. She’s got potential, but there was something... withheld in her performance. I’m not sure if it’s nerves or something deeper. It might come out with the right direction, but she’ll need more work to access her emotions fully.
He paused, looking directly at the director. “And in this role, the father-daughter relationship is crucial. If she’s holding back, it’ll create a distance that the audience will feel.”
The director nodded thoughtfully, flipping to the last candidate. “And then there’s the girl who just left, our youngest at 7 years old. Her name is—”
Alan cut in with a slight smile, “Yes, I remember her. The girl who almost called me ‘Professor Snape’.” His tone was laced with a dry humor, the kind that always softened the edge of his critiques.
The director chuckled. “Yes, that’s the one. What did you think?”
Alan took a moment, his fingers drumming lightly on the arm of the chair. “She’s got something,” he said after a pause. “She was nervous—understandable, of course, given the situation—but she didn’t let it control her. There’s a natural vulnerability there, and that’s what we need for this role. It’s not about delivering a perfect line or knowing how to hit your mark, not with a child this age. It’s about honesty.”
He leaned forward slightly, his voice lowering as if sharing a secret. “She made me believe she was genuinely afraid of disappointing her father. That’s the kind of performance you can’t teach. It’s instinctive.”
The director raised an eyebrow, clearly intrigued. “You think she could carry the emotional weight of the role, then?”
Alan nodded firmly. “Yes. She’s not as polished as the others, but that’s exactly why she works. She’s real. She reacts, she listens, and she’s willing to be open. With a little guidance, she’ll give us the authenticity we need. The audience won’t just see a performance; they’ll feel it.”
He paused, his eyes flickering with a warmth that belied the seriousness of the conversation. “Besides,” he added, his tone lightening, “I’m rather fond of her resilience. I tried to throw her off with a bit of improvisation, and she didn’t crack. That tells me she’s quick on her feet.”
The director smiled, clearly valuing Alan’s opinion. “That’s a good sign.”
Alan leaned back, his features softening as he reflected on the process. “One thing I’ve learned over the years, especially with children, is that you have to give them space to be themselves. If you try to shape them into what you think they should be, you lose what’s unique about them. She’s got that spark, and we’d be foolish not to let her run with it.”
The director nodded slowly, absorbing Alan’s words. “So, you think she’s the one?”
Alan smiled, his eyes twinkling with the kind of affection he reserved for special moments. “I think she’s more than capable. She’ll need encouragement, of course, but she’s got what the others don’t—a raw, emotional honesty. That’s something you can’t teach. And frankly,” he added with a wink, “I quite like the idea of having a daughter who’s not afraid to stand her ground against me.”
The director laughed. “Alright, I’ll make some notes. I trust your instincts, Alan. If you’re on board, I think we’ve found our girl.”
Alan nodded, his smile fading into a more serious expression as he leaned back in his chair, crossing his arms over his chest. “Yes. I think we have. And I’m looking forward to working with her.”
As the director scribbled down his thoughts, Alan glanced back at the closed door where the little girl had exited moments before. A part of him, deep down, had always longed to experience fatherhood, to guide and nurture a child. And while that part of his life had never materialized, acting—particularly in roles like this—allowed him to explore that side of himself in a way he never could in real life.
It was a bittersweet feeling, but as he prepared for what was to come, he knew one thing for certain: this was going to be a rewarding experience, for both him and the young actress.
"Let's make this happen," Alan said quietly, a hint of satisfaction in his voice.
And with that, the director nodded in agreement, sealing the fate of the young girl who would soon share the screen—and many memorable moments—with Alan Rickman.
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moonsnightowl · 1 year ago
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Anyway Sirius Orion Black deserved a love interest! Everyone else did! Even Snape with his impossible love to Lily! All except for the poor guy who first was rejected by his family then lost his friends whom he considered his found new family, spent 12 years in Azkaban for a crime he didn't commit and lived all this time with an unbearable feeling of guilt!
You'd think that was all but no! To complete the misery, he got killed no more than two years after his escape from prison even before getting his name cleared💔 It's awfully unfair to make him go through all this without a love interest or any happy moments except for the few fatherly ones he had with Harry
@hudson-bay-girl 🥺
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dufferpuffer · 4 months ago
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Hi it's me again sorry to spam your inbox. I had PoA in the background while working and it just hit me: how was Remus immediately so good at teaching? As far as we know, he never was a teacher before. He worked little odd jobs to survive that he barely kept for a few months. Yet, he starts at Hogwarts and immediately his first lesson is a success. The students love him so much to the point they still talk about him books later, actively defend him (in front of Snape and Umbridge), to the point that Hermione, who figured out he was a werewolf, decided to trust him and defended him as well.
How did this happen? It also didn't seem like Remus wanted to teach so much, it even sounded like he was coerced into it by Dumbledore who tracked him down. Yet, he came prepared, with his neat little suitcase he carefully repaired and sewed together, he even stamped "Professor R.J Lupin" on it (ACTUALLY CANON OMG). He even received praise from Madam Pomfrey "So we've finally got a Defense Against the Dark Arts teacher who knows his remedies?". He was PREPARED. He gave hands on lessons (there is a whole paragraph in the beginning of Chapter 8 describing how good his lessons are), a fun practical exam, he always deflected conflicts (regarding Malfoy's snarky remarks and rage baits), he immediately spots Neville as anxious and puts him forward in the first class to give him a little confidence boost (literally the first professor to ever praise Neville), he had a subtle but funny humour (I'm referring to the time Harry had tea in his office "I've only got teabags, I'm afraid -- but I daresay you've had enough of tea leaves?"). The CUTEST THING is him giving Harry a set of very nice, useful books for Christmas in OotP along with Sirius. Like, how thoughtful???
We often refer to him as "grey" but to me he seems more polarized. Like he is ALL or NOTHING. Fatherly yet cold, caring yet distant, supportive yet absent. Tbh sometimes I just wanna grab his shoulders and give him a shake. How does one spot a student like Neville so easily, boosts him up, and then just goes and does exactly what Neville is doing (cowarding away, throwing self-confidence out the window).
He makes me so mad. I love him so much. Sorry I didn't mean for this to turn into such a rant (expect another msg on Remus' interactions with Severus in a near future).
no this isn't spam this is delicious yum yum yum I've thought for awhile that I wanna go through Remus and Severus' teaching methods. I'm reading POA right now, a chapter a night or so to my boyfriend (He was 'a bit too old' for HP when it came out, so he's enjoying it now) So I'm paying attention lol
Whether Remus didn't want to teach and Albus had to beg him - or teaching did appeal to him but he thought as a werewolf it would just never be a possibility... he really took to it, didn't he? His suitcase AAHHHH how can one man be SO FUCKING CUTE
I think it's down to being a good mix of skills for him:
He manipulates people to like him. He makes himself pleasant, helpful, positive, charming... that's a good quality for a teacher! To be able to control a whole class of kids takes some sort of manipulation - and Remus is already practiced. He is good at reading people, who they are and what they need... His best quality as a teacher is the fact he can connect to his students emotionally - a rare quality for Hogswarts staff.
That and he just seems to like the kids. He is a bit of a kid himself at heart - while also enjoying being a mentor. Being nurturing. Impressing them. Learning all their names. Showing off his skills. Helping them. Making class fun and engaging. A practical as their first lesson: where he shows them they are capable of handling even their worst fears...
DADA is a good subject for him - he is a strong spellcaster (can cast a patronus effortlessly), Was a spy amongst dark creatures and Death Eaters in the first war - and has a father that specialized in the field. Lyall studied boggarts, poltergeists and dementors - what does Remus do on his very first few days...? Scare off a dementor, show off against a poltergeist - and teach the kids how to deal with a boggart. Just like his own dad. Probably where he knows the chocolate remedy from too, imo Also was the dementor there for him because it could sense he was a werewolf?
Snape mentions later that Lupin lacks organization, is 'hardly over-taxing' the class teaching them first year stuff - that the class is very behind. He might be exaggerating because he hates Lupin (though why say anything at all...?) - but Snape is a good teacher. Not perfect, but despite demanding a high bar for his NEWTs classes they are always well populated. He is good at his job. If he says Lupin is disorganized, behind and focusing on the easy stuff, I believe him at least partially. Maybe his standards are just too high, made worse by hating Lupin and being desperate in the one class he might have with the third years to get them warned about werewolves.
But if those are Lupin's only failings in his first year...? Lupin's a natural at teaching. He is just a bit behind and disorganized - when he spends multiple days a month disabled. And he excels at the area Snape struggles most in: Being able to alter how he teaches to support struggling students. Considering the fact the classes last two teachers were a very distracted Quirrell (underrated character) and an incompetent Lockheart - teaching first year stuff and going easy is probably the best option. He has assessed the level of the class and matched it.
Calling Lupin all-or-nothing is... pretty apt, really. I often think of him as lukewarm, but you're right: It's not that he mingles around half-doing things. he does shit 100% or he is gone. Teacher, 'mentor', Order member, spy, partner... all either done brilliantly - or he is someone Albus needs to track down.
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