#fandom is really a different world sometimes

[raven-at-the-writing-desk]

Now don't throw tomatoes at me but I'm actually really excited to finally see malleus again— I've always loved malleus since we met him in the story, but I'm also sooo curious about what's gonna happen next,, I'm wondering the obvious thing, about whether or not we might get a parralel scenario like what happened with the KoD and silver will have to "slay" malleus or at least be the one to land a killing blow, but I also saw a really interesting post focusing on how magic is a manifestation of dreams and deep desires and imagination,,,, in that case, I may (VERY delusionally) hope that Yuu finally gets to be a major part of the story for once??? Even reading the novels, there HAS to be something bigger for yuu— while the idea of crowley simply being an incompetent airhead is fun and more comfortable, haven't you thought that meybe he pulled them into this world deliberately??

All to say, what if at some point, Yuu somehow manifests magic in a very dire moment ?? You know lol?? Agh idk. I just want yuu to finally make impactful choices but that IS too much to ask, as far as we can see for now,,, (but hey, that part leading up to ace getting is UM, and the convo between him and yuu,,, it *does* give one a sliver of hope, doesn't it? :') )

Don't worry, no tomato throwing here! 😅 I may not care for certain characters, but I’m not going to shame anyone that does. You’re free to think however you want about Malleus!

dbjsvsJcwhj My personal feelings about him aside, I am actually glad he’s finally relevant to the main story again. He’s missed out on so much of his own book OTL In the time he’s been gone, the fandom has been left to speculate about both his and Lilia’s potential death flags. I really doubt Twst will have the balls to kill off one of them, but it would be cool to at least see Silver delivering the final blow to knock some sense into (not necessarily kill) OB Malleus.

Yes, it’s true that Silver states in the recent update that magic was originally considered “a miracle borne of strong desires from the heart.” But 💦 I don’t think that means Yuu would randomly manifest magic in the final fight?? It feels more like a “let’s save the day with the power of friendship” to me, but I could of course be wrong.

I understand being frustrated that Yuu’s participation in the main story seems to fluctuate a lot, with most of their activity being books 3, 4, and segments of 1, 6, and 7. That’s not much, especially considering how long books 6 and 7 are. Sometimes (even in events) it feels like Yuu is barely there, as most dialogue options don’t involve different reactions from the characters. Even Yuu's quest to find a way home is barely addressed or taken seriously until early in book 7. Yuu hasn't gotten "real" development unless you count them realizing their Disney dreams are prophetic in book 5, taking the initiative to save Grim in book 6, and that dialogue option about them being worried they're not contributing + the related convo with Ace in book 7. All very short moments in the grand scheme of things. And honestly, I think that makes sense for the kind of character Yuu is. A blank slate, a self-insert, an outsider that's easy to exposit information to, someone with which to view the story, characters, and world through. Yuu is primarily there to be the POV character, the lenses, the camera that we see Twst through. They're not really meant to be a traditional "main character". It's possible that Twst gives them a slightly bigger role at the very end (especially with what went down in the dream in book 7), but I doubt it will be a huge triumphant moment where they and they alone save the day or deal the final blow in a crazy act of self-sacrifice. Twst has always been a story that puts the NRC boys first, while Yuu is the observer.

I've noticed that the complaint of Yuu not doing a lot in the story comes mainly from English speaking fans?? And I guess that makes sense, given how western culture tends to emphasize independence and standing out. They want Yuu to reflect that. They want to be the ones to make a difference. I don't even remember ever seeing these same comments from the Japanese speaking fans; it's definitely a less common sentiment for them. The Japanese fans seem pretty content with Yuu being an observer and taking on more of a minor or supporting role. Again, this fits in with what I understand of many eastern cultures. They're demurer, not wanting to stand out too much from the crowd and instead prioritizing group harmony. Very interesting cultural difference to note!

It's a common theory (with many variants) that Crowley intentionally summoned Yuu to Twisted Wonderland for his own nefarious motives. People found him pretty sus right away due to how he seems to not put in any real time or effort into investigating a way to send Yuu home. Plus, there's that ominous opening monologue of his to consider. However, I don't think he summoned Yuu because of their (potential) great magical capabilities. The Mirror of Darkness tells us that it doesn't sense a shred of magic in Yuu, and Leona smells zero magic on them (though that could be because it hasn't technically manifested yet, as some fans claim).

The idea is that Yuu is supposed to be plain. They are supposed to be magicless. Why? To humble the NRC students and to show them that asserting yourself violently or with great magical power ISN'T the way to go. To show them value in strategizing (which Yuu does in the prologue by helping Grim aim at the ghosts), of camaraderie. What does it say about the story's themes if Yuu, the person who is supposed to be showing them the worth of mundane things, is suddenly... "secretly ultra-strong, actually/“just like you guys” (even if it's only a temporary hope-fueled magic)? It might contradict what has already been set up. It also breaks the self-insert appeal of Yuu, since developing magic would also mean Yuu would later have to further develop things like proficiency in magic, best/worst subjects, and an unique magic/signature spell... meaning Yuu HAS to become better "defined", thus losing their blank slate nature. This would surely upset some fans who deeply project onto Yuu, have a Yuusona, etc.

Yuu can still make an impact on the characters and the world--and they have, judging by how much closer the boys are with each other--without having to be The Most Special One or like everyone else. I think it undermines what Yuu has already managed to achieve to say that they haven't made an impactful choice at ANY point in the main story when I believe they definitely have. Yuu made the choice to sign the contract with Azul. Yuu made the choice to approach Malleus. Yuu made the choice to go against Crowley's orders and go retrieve Grim from S.T.Y.X. Yuu made the choice to get Leona’s help with the contracts. Yuu made the choice to stand with Adeuce against Riddle in book 1. Yuu made the choice to let the VDC/SDC tribe train at Ramshackle. Yuu has done a lot, and all without needing to seize the spotlight or to do anything big and flashy. I don't think Yuu needs to be big and flashy. There is pride to be had in simplicity and being humble too. There is pride in representing the 90% of humans in Twisted Wonderland that are ordinary and without magic.

(An aside: so if Yuu wasn’t able to manifest magic in many other extreme instances, does that mean their desire to save Grim in book 6 wasn’t “enough”? That their desire to save Ramshackle, their one and only home in this world, wasn’t “enough”? It implies that Yuu didn’t wish hard enough for these other things they clearly care about and want.)

I think a good way to give Yuu a decent role while staying true to their design as a blank slate would be for Twst to really lean into the whole "beast tamer" aspect that was introduced all the way back in the prologue. This would work well with their deep connection to Grim as well. Assuming that Grim ends up being the final OB... We could easily have the NRC students and staff on the ropes, Malleus at his wit's end after exhausting himself with his own OB, a rampaging Grim about to end it all. And then... one lone figure shakily rises from the rubble and confronts Grim. One human. Magicless, defenseless. A human lost in an unfamiliar world, a human who believes they're useless and don't contribute much. A human who is always in need of being protected by others. But not anymore. This time, it's Yuu's turn to protect what they love--their friends, this world they've come to love, Grim. Ace and Deuce yelling at Yuu to not be stupid, to get back--but Yuu just advances, calling out to Grim and begging him to stop. And maybe it's Yuu's wish that rallies everyone and/or gets OB Grim to hesitate. That's when they can strike. Is that corny? Yeah. Does it sound like the ending to a Disney film? Sure. But it still grants Yuu, a magicless human that is supposed to be there to teach everyone about friendship, cooperation, and humility, their big moment to shine. The best of both worlds, I'd say.

[utilitycaster]

jumping off of that other ask: how do you think religion in Exandria should have been implemented?

honestly? I think this is the wrong question to ask. I think it is, ultimately, fine if religion in Exandria is only organized within the confines of Vasselheim and is otherwise a highly individualized affair; indeed, it even makes sense in a world where the gods can directly interact with their followers (even across the Divine Gate). In fact, the lack of organized religion now is a fascinating setup for it likely coming into existence in some form in the absence of that direct communication - like, every prime deity/betrayer god religion in Exandria is about to enter a cycle of once-per-lifespan messianic events. Some kind of organized practice will probably spring up around this!

My problem is that the PCs, to an extent, acted as though there were full religions in the world and that they were systems of oppression when that was never the case. So actually the implementation should have been taking Laura, Marisha, and Taliesin aside and being like "so your character's position is totally fine and valid! It is, objectively, exceptionally self-centered, in that you are basically just mad that you didn't get the benefits of a L20 cleric after calling up a god once or twice. Do you want to play them this way, or do you want to approach this differently?" And, of course, a lot of fans projected their own experience of religion as a vehicle for oppression - and to be clear, religion in our world frequently can be that- onto a world where that isn't the case. That's less preventable; you should never try to please the fans, let alone the dumbest fans.

On some level, however, a lot of the lore of C3 in the end failed to hold up to the plot of C3 and it wasn't even religion that was the problem. Like, Ruidus as a mystery and dark threat to the world was established before campaign 3, but the concept of Ruidusborn was rather weakly set up. The level of knowledge people had surrounding the Calamity and the gods varied wildly from "pretty decent" in C1-C2 to "what's an Asmodeus" in C3. Tharizdun was very much teased as a concept in C2 and now occupies a rather incoherent space of "it's on the same level as the primes and betrayers and was included among the betrayer gods whereas lesser deities are not; but it's also not The Divine Of Tengar and seen as food for Predathos (but the Raven Queen and presumably Vecna are); and also it's still shackled and THOSE shackles will apparently hold the OTHER devouring void without any problem even while the other gods are mortal and unaware of themselves and that's not an existential threat to be dealt with, it's fine to leave THAT bound," which thematically clashes with the entire story.

As a doorstopper fantasy fan/very casual comics fan/person who came to Dragon Age the Veilguard without much knowledge of the world to a fandom mad at a number of changes/person who has has a lot of critique of C3, this post says it more eloquently: in an ongoing work, sometimes you write yourself into corners and have to decide what to do about it. This is made even more complicated by actual play's unpredictable nature*. I think that Matt had a vision that the previous worldbuilding could have supported if the characters in C3 wanted to save the gods from the jump, but once they strayed from that the lore began to buckle under its own weight and here we are. So really it comes back to my point before: religion doesn't need to be implemented in Exandria and if it had been it should have been done in like, mid-C1, and as for how, that depends on the story Matt wanted to tell, but maybe he should have tried to tell a different one with Campaign 3 that was better supported by the lore we did have.

*to be clear I've already addressed why the "it's improv" defense fails to hold for Campaign 3 given that it failed to properly build on previous choices, but also, and I cannot stress this enough, the DM still makes the calls, and allowing a die roll (or not allowing a die roll), setting a poor DC, failing to establish something prior to a character asking about it, poor planning, and more are all poor choices that make for a weaker story. Actual play can in fact simply be bad, and nothing makes me immediately think you're stupid than trying to argue the mere possibility of criticism itself is invalid. Address the argument, accept that people will disagree with you, or leave; those are your options.

[atori-matriarch-of-ram-fam]

I agree with the "Ram person" assessment. 😆 You've caused me to do a lot more Thinking about Ram and the rest of the world of the ENCOM system than I ever have before. (My relationship with any fandom as an INFP has always been imbibe the thing, bask in the glorious feels, and sometimes look at other people's analyses and see if they resonate).

In my actual Thinking for developing my own headcanon about circuitry, I've thought the same thing...that the unitards the actors wore translates to programs' "skin" and not clothing...and that the pauldrons, gauntlets, and boots can be removed. (I know this is different in Legacy because Rinzler pulls down Quorra's clothing to expose a tattoo on her skin, but in my head, in '82 they have no skin under what we see).

I also think that programs' appearance is similar to a video game avatar and that they can be changed but only if they have a terminal like Yori has. In my mind those terminals (at least in what we see in '82) are very difficult to come by and means most programs during the MCP's reign aren't able to change their appearance.

Now...I did NOT know that the novelization talked about Yori being "completely herself again" when she changed into what we see in her apartment. (I really need to read the novelization 🤨). That gives me even more to Think about in terms of Ram's circuitry outside of his "warrior form."

Onto the less headcanon-y, more practical part of my contribution.

A photo was recently posted to a Discord server that shows the circuitry of what I assume all User-loyal programs who wear the chest armor Ram wears looks like:

Here are reference photos of Ram and Crom showing parts of this circuitry peeking out:

Again, from a practical standpoint, it makes sense that the costuming department would repeat these patterns to save time and energy.

Here is a red warrior shot showing the bottom rib portion of the same circuitry...with much simpler circuitry on the legs:

So basically, to me, this is the circuitry of all chest-armored warrior programs who don't have access to a terminal. I'm still pondering what exactly is underneath this skin or "shell" though, as I said, I don't think there's another layer like User-like skin.

Side note: Why does it look like they doodled a sad MCP sketch on the ribcage part? 😂

I noticed that you're essentially the resident RAM person on Tumblr and, first of all, you're fascinating and I love you (in a non romantic way) and second, do you know, or have ideas, about what RAM's circuitry looks like under the armor?

Oooh!!!!!!

First of all I appreciate the compliments very much -- it feels weird to be considered a Ram expert since I've only been in Tron fandom a little over a year, and I really don't want to take away from the voices of fans who have been here for ages... but, I do admit I have spent that short time in an abnormally intense state of hyperfixation, and I LOVE talking about my headcanons, especially about Ram...

so... here we go!!

Okay, so, in my funhouse of a brain this thing about Ram's circuitry is probably a more complicated question than it'd seem to anyone else. Several different interpretations and answers here.

On the one hand, there's my understanding that clothing in the Encom system doesn't actually come off, just gets shifted from one outfit to another-- with the same sort of animated effect you might get when changing the outfit of a video game avatar.

Generally, asking what's under a program's suit is a kind of meaningless question.

I think even if they have a "naked" option for how they can appear, it's not "underneath" the others in any meaningful sense, it's just another outfit. Nor is it their "true" appearance in any way -- one program could have several different naked renders with different anatomy!

But:

your question was about armor, and I do imagine that some of the armor pieces worn by warriors in the Games can be taken off. Although we don't see proof of it onscreen, my own feelings tell me that the helmets and gauntlets and shoulder pads can probably be "removed" pretty much like clothing. On the code level of things, I imagine the code for those is more similar to "object being carried" than "outfit being worn."

Interesting little side detail here! Apart from the very dramatic change of outfit that Yori does in the Deleted Love Scene, there are a couple instances of small costume changes being made between scenes-- with known behind-the-scenes reasons for it.

Like how Yori wears a warrior helmet while on the Solar Sailer, because Cindy Morgan insisted on taking a break from that tight headcap and the painful glue that held it onto her head.

But then, it's fairly straightforward to theorize in-universe reasons why a helmet may be more proper solar-sailing attire than a headcap.

It's harder to explain an in-universe reason for the sudden change in appearance in both Ram's disc and his hands, between two frames of the disc-trick scene:

The out-of-universe explanation is that the disc tricks were done by a double, instead of by Dan Shor. Which could explain the shift from bare hands to gloves-- it's probably hard to do those tricks with gloves on (though it doesn't quite explain why Ram has to wear gloves the whole rest of the scene, or why a whole different disc was needed.)

In-universe, anyway, I like to imagine that Ram was calibrating or testing his disc in some way-- and this involved running a subroutine that temporarily changed the appearance of both the disc and his hands, simply as a graphic interface to show that the routine is running.

....Okay, that was a long side detail! Back onto the question of Ram's armor.

I've also posted before about how I view the armor of game warriors. Basically, I see it as functioning less like actual armor, and more like a set of symbols to represent which programs do what. (Like how the toga indicates novices, and so on.)

Anyway, whatever Ram's vest means, I think that it does come off, and would reveal a different set of circuitry on the "bodysuit" portion of his render underneath that.

But, to be honest, I think that pattern would be pretty standardly similar to the one on Flynn and on a few of the other conscripts. The parts of it that we can see-- that little arrowlike thing below his neck, for instance-- are pretty much the same. So I'd guess it's all part of a design that's just one of a few standard render patterns that get used and reused for warriors.

However.

Ram could still have a secret, unique, cool and interesting appearance of his own! The whole outfit of Ram in the games is a render chosen by the MCP, and is not necessarily what Ram considers "himself."

I think programs can have specific appearances that they consider to be their "true form"-- the way they appear when they get to be fully themselves. This is what Yori seemed to be shifting into for the Love Scene.

It's even more clear in the novelization's version of that scene, which also gave Tron a transformation of his own, in which his circuitry "took on a flowing look."

I imagine it's possible that many programs have a "true form" with patterns that look less angular and more organic. The parts of the System that are "free" and the way things naturally "should" be (...the I/O Tower.... Yori's creative decorations in her quarters...) do tend to have more flowing, curvaceous lines.

....And now I do feel a bit inspired to draw something like that for Ram.

I think he'd love it.

[tippenfunkaport]

When I first started in fandom, for whatever reason I decided making fankids was like… too cringe for me. Like that was the arbitrary line I drew of what was too deep into fandom for me.

Anyway, think of this when I post my fankid drawings later because they represent me surrendering what is left of my dignity and fully surrendering to the cringe.

[biblically-accurate-dca]

KILL!!!!!!!!!

[wraithsoutlaws]

you know i had a fun little vp idea i wanted to do for the cyberpunk anniversary but i haven't had the energy to even touch it recently so i'll just settle with saying that this game impacted me in ways i never thought it would when i first picked it up 3 years ago. i knew i would enjoy it, i had been looking forward to it for a long time, and despite a ~controversial~ launch, i had a fucking blast from day 1 (on ps4 no less). regardless of bugs and memes and public dunking, the story grabbed me like nothing else could at the time, and it reignited so much of my passion and motivation for art that i had lost in the clutches of mental illness and i'll always be grateful for that. it introduced me to so many wonderful people (some whom i carry very close to my heart), and maybe most personally surprising, it gave me an outlet to understand parts of myself that i had been too afraid to acknowledge for a long time, the courage to accept and embrace myself as non-binary, and allow myself to just BE without trying to convince myself i'm crazy. that's not what i expected from the get-go but it's been a really fun journey to be on ngl

[edge-oftheworld]

one thing I love about following celebrities/artists who are honest and proactive about their mental health struggles etc is I can’t count the number of times someone I know is going through something and I’m like ‘I’ve got a song for u’ and how much of my life involves telling myself ‘if [redacted] can do something/get better/etc then so can i’ (and having actual real evidence of it in front of me) and I can’t understate how much I appreciate these things.

but at the same time it involves a whole lot of watching people I care about suffer and you learn to read the signs and infer between the lines in songs and interviews, and yes we can never fully know what they don’t share with us, but when they do share things it’s not a big stretch to be like ‘this seems like it’s what life is like for you and I have taken encouragement from it but you deserve so much better’. and it’s easy to find ways to get angry at a predatory industry and realise things that could be hurtful if you’re already fragile.

and we can advocate for some things and help ourselves and the people around us feel better but it’s hard to meaningfully reach your faves as an individual. and there are things we can’t say on the internet in too much detail, speculation becomes the harmful kind of gossip, and so sometimes it’s a whole lot of internally saying ‘you’re doing incredibly well to have gotten to where you are but I wish for your sake things would get better faster’

[qoldenskies]

I know you said you are a Donnie enjoyer yeah he’s awesome I love him. I love all the guys actually it’s just the sunset duo are my favs. What’s your opinion on the sunset duo I mean Raph and Mikey as individuals or as a duo

I AM VERY MUCH A SUNSET DUO ENJOYER THEYRE GREAT!!!!! i have a sep!au fully plotted out that centers them as one of the Big Dynamics (ive been waiting for an excuse to ramble about it so maybe later. wears button that says Please Ask Me About My Work),,, i dont have a ton to say but i feel bad for people who favor them because this is a very disaster twins centered fanbase from what i've observed LMAO. raph and mikey enjoyers you deserve more food i am so sorry......

(more in the tags because that accidentally happened and im not transferring it over to here LMAO)

[pyrriax]

ANYWHO goodnight tumblr i'll be back on the art grind tomorrow i think 🙏

[chuchayucca]

Discussions of implied fictional CSA & SA

I recently been wondering if there’s a chance Richard thinks Roy’s aggressive and distant behavior is normal and not a sign of CSA because he acted similarly to Roy when he was younger

Reasonings in the tags

[chromotps]

The thing about Ace/Sabo is that the ship is less about them being brothers but more like them sharing a childhood friendship? That had the potential of becoming something more in the future. Except it didn’t, for obvious reasons. And yeah not everyone’s a fan of that, but people also like the raised by wolves/son of a noble dynamic they had as children. While I agree Sabo does kind of feel like he was stuck to Ace&Luffy as an afterthought, with a piece of chewed-out gum — his existence doesn’t… I don’t know, feel out of place? I also enjoy how kinda tragic his character is, and how he carries that tragedy with him? In the form of Ace’s devil fruit (Sabo also canonically hallucinates and there was an instance where he admitted to hearing Ace’s voice, during his fight with Burgess? so yeah, not everyone’s cup of tea again but I’m a huge fan of hurt/comfort so having a character go through a psychotic depressive episode because of the insane guilt he feels? Just, yeah. Plus there’s something really poetic about him literally eating Ace’s DF and still considering it „Ace’s powers” etc) and the way I see Sabo/Lu is through Ace/Lu (and partially Ace/Sabo) anyway. Because Sabo is trying to fill out the role of an older brother/friend for Luffy that he’s well aware is impossible to fill — because nothing ever will be the same for Luffy. Nothing or no one could even come close to making it up for Ace’s loss to Luffy, and Sabo knows he’s kind of a cheap copy of that (figuratively and literally lmfao, as I know people have been calling him low-budget Ace), but still he tries to? And the fact that Luffy is technically his only remaining family (or at least someone he willingly considers family). And I kind of see it as a parallel to how Ace’s approach to Luffy changed after Sabo’s „death”? Because Sabo was the „kinder” brother, the nicer one, the smarter one, it was usually him who took Luffy’s side whenever Ace was annoyed with him? And the one who explicitly asked Ace to look after Luffy — which then was one of the direct reasons why Ace changed the way he treated Luffy, forced him to be more patient/learn to love and eventually led to Ace willingly becoming the „older brother” figure for Luffy. I’m in no way trying to convince you to like Sabo, don’t get me wrong!! I’m just trying to show an example how Ace/Sabo isn’t necessarily brotherly either (like, I don’t know, Sabo/Luffy seems to be?). And it’s just that while I’m first and foremost a huge Ace/Lu enjoyer I also think Sabo did have a significant impact on their relationship both before and after Ace’s death.

((!! sorry i took a while to reply! i made that post before work on Friday and then got slammed until just now fdghjgk)

the odd thing is, I mostly agree!! I think I had to vent bc i saw ppl (a few specific sabo fans haha) on twitter acting like luffy would feel nothing toward ace but be obsessed with sabo. and, lol, no. but what YOU said makes total sense. like, yes, Ace + Sabo definitely has a different, more involved feeling to me than Ace & Luffy. I've had some ships in the past that fit the raised by wolves/runaway noble trope... the charm of the noble feeling like "this is the only person I feel like I can really be myself around" and the wild one thinking "i like spending time with this noble—they're tougher/kinder/funnier than i gave them credit for" AND/OR "society has always rejected me, but this 'cultured' person accepting me heals that pain a little bit"—all of those things are really charming.

Maybe if we'd seen more about how ace and sabo became friends, or if there were more emphasis on sabo's acceptance being what helped ace's anger (instead of, just from how i saw things, it being mostly luffy's unconditional warmth toward ace that did it?) then I'd personally be more feral about that dynamic, haha. But it's like you said, I guess it all depends on what we each connect with. I dont find tragedy alone compelling... I'm depressed enough already as it is LMAO!! if I think too hard about how viscerally sad Sabo only remembering Ace after he'd died is, my brain just shuts down. But I've got really good friends who would EAT THAT UP. Like, yeah, it is beautifully poetic... hahaha now i'm laughing thinking about my friends who were really into Hamlet and Romeo & Juliet finding out about Sabo & Ace and being obsessed, ahaha (they're not so into One Piece tho, only jjk... at least, for now!! 😈)

it's hard to put into words, but there's something about Sabo being a revolutionary vs. ace and luffy being pirates, that kind of explains why my brain sees A+L as very very very different than A&S or L&S. But like, that's just my brain and how my heart likes to focus on characters with really codependent relationships/dreams/themes, hahaha...

[m0e-ru]

annual realization where this gas station’s operations and my life owe it all to visualive i’m serious

[ser-zoras]

every time i start thinking about how we as a fandom should deal with gender identity and beauty standards and gender roles i get a headache before i even post

[renthony]

Every now and then some discourse pops up around a queer ship consisting of a pair of fictional characters who are not blood related, but refer to themselves as "brothers" or "sisters," or are in some way, according to the fandom, "sibling-coded."

Every time I see that discourse, all I can think about are the very real queer men I once knew, who, before their deaths, lived their lives posing as "stepbrothers." The only way to avoid suspicion for being two older unmarried men living together in a rural conservative area was to pretend they were from the same family, even though the truth was that they were lovers.

They were never out in life. Their relationship was a strict secret to nearly everyone. They never knew that I knew, and sometimes it fucks me up inside that they never got to come out to me. It fucks me up that they had to hide behind a fake "brotherly" relationship for their own safety. It fucks me up to look at a gravestone that reads "beloved brother" and know what it really means, and what it could have said if they'd lived under different circumstances.

In another world, they could have been husbands, but they never had the opportunity. The world will remember them as brothers, because, even in death, that is what was safest.

The freedom to declare queer love openly is something that not everyone has. And I think more people could stand to remember that.

[kathaynesart]

Real talk. I think the above image is a very good example of the subtle ways fans try to gaslight and manipulate others in a fandom. You don’t have to be verbally harassing the person to still be putting them down.

People should never belittle or demoralize a person simply because they have a different opinion on a fictional character. Regardless of how canon or head canon a character’s orientation or interests may be that gives no right to harass another living human being. It especially does not give the right to make judgement calls on the worth of their character and claim them to be homophobic or worse. It’s for this reason I normally keep my personal opinions quiet simply because I do not wish to gain the attention or ire of those sorts of individuals.

Long story short please be respectful to everyone, especially creators who put so much time and energy into their work. Just because their work does not match your “optimal vision” does not give you the right to judge them. Thank you!

My friend sent me the link to my art on pinterest (a person who uploaded it added credits so they're good, just in case), and after seeing this comment, I decided to vent a bit and let people know something, because it's not the first case like this for me.

Do not comment my art with these kinds of "fixes". My art is my art. You want Leosagi or Leo with male characters? Go and find artists who does it. There are plenty of those out there. I'm not one of those and won't ever be.

When you do something like this you devalue a person's work and simply trespassing their safe space. Not to mentions this is simply rude and feels insulting.

I'm not going on a constant crusade and leaving comments under Leosagi art, telling people to change it into Leo x Y/N or Fem character, so, please, have some respect.

I've been getting comments like this and after seeing this one on pinterest decided to make a post to make things clear, because

Have some conscience.

[playingonedchess]

lucky this blog only goes back to when id already finished school or id have to go and delete everything