#fandom conspiracy board

[moodlesmain]

Hi. Look at this.

I just spent two days straight making a digital conspiracy board trying to piece together my favourite genre that isn't really a genre and more just a very particular niche which doesn't really have a name.

If you want to look I reccomend downloading and zooming in on the image to read everything LMAO, I want to try and convert it to a page on my neocities at some point so its easier to view but for now you guys just get a big ol' jpeg. You're welcome :)

[crowtrobotx]

so does anyone else constantly imagine Karl ranting about Miranda with the full body twitches à la Mr. Crocker hollering "FAIRY GODPARENTS" or are you normal

[keefechambers]

KELVIN GEMSTONE & KEEFE CHAMBERS in THE RIGHTEOUS GEMSTONES SEASON 2

"You didn't have to make it weird." "Yes, he did."

[fenkko]

cant believe i reached 30 tags in prev post rambling about homestuck i didnt even know there was a limit

[the-gt-fairy]

Day 26: Tangled

--

A meeting between two of my ocs, Nina (left) and Midori (right)

I don't actually do a whole lot with my ocs, they're mostly just placeholders for various scenarios

[hollow-dweller]

Talk Shop Tuesday: as someone who is involved in a lot of fandoms (and has seen a lot of horrors), has there been a significant shift in how fandom is today compared to the “good old days” as much as people say?

there are. SO MANY.

to start and to be entirely clear, there is no good old days of fandom. there are things i miss about fandom tendencies of the past, which i'll get into, but as many many many marginalized fans have and will continue to say, Ye Ol' Fandom was as much if not more of a cesspit of racism, misogyny, and queerphobia as it is today. because fandom platforms were more diversified, they were also more gatekept--and i mean actually gatekept, not just "people are mean about this thing i like" gatekept. to an extent this was necessary--fandom itself was much more culturally stigmatized, and existed largely in a legal gray area, so fandom spaces needed to be semi-closed communities for their own protection. however, if you were a fan who tried to bring up systemic fannish issues--such as racism--you could and would be kicked out of whatever fannish space you were in, and there would very rarely be other places to turn.

also as a caveat: this is not anywhere CLOSE to a comprehensive view of the changes in fandom nor the myriad factors that contribute to those changes. fandom is a cultural ecosystem existing within a broader cultural ecosystem, and the ways those things interact with and inform one another are literally innumerable. anyone who claims they know the One Thing That Ruined Fandom is oversimplifying the issue. anyone claiming they know the Twenty Things That Ruined Fandom is oversimplifying the issue. fandom is a living system, and living systems exist in a constant state of change.

but broadly speaking, i think there are two major changes that have informed The State of Fandom.

Consolidation of Fandom Platforms

as mentioned, fandom used to exist as a variety of closed or semi-closed forum spaces, blogs, archives, and other websites, each dedicated to its own fandom or, more often, subsets of a particular fandom. authors/artists had their own sites, particular ships had their own sites, fic had its own sites, art had its own sites, discussion/meta had its own sites, and any or all of these could be hosted in any combination across any number of websites depending on the fandom. some of this was the result of the structure of the early internet, and some of it was, as mentioned above, a function of necessity.

as the internet evolved and fandom platforms became consolidated, this necessarily changed fandom norms and behaviours. the way we write fic is different because of the advent and dominance of ao3, the way we construct meta is different because of the nature of sites like reddit and tumblr, the way we build community is different because of sites like discord, etc. notably, most of the changes we've seen are not created by social media or mass fandom platforms, but rather enhanced by them. ship wank, whether masquerading as legitimate analysis or not, has always been a cornerstone of fandom--it like all things is simply much more accessible to people now than it used to be. the subdivision of fandoms into different subgroups, even within a ship or media, has also always been a thing--people form friend groups with like-minded people and that's normal, actually. the types of conversations and conflicts fandom has have not changed that much--just the places and manner in which we engage with them.

modern fandom platforms are both more accessible and more comprehensive than they ever have been--so fans can more easily than ever be exposed to different corners or subsets of fandom. but also. fans can more easily than ever be exposed to different corners or subsets of fandom.

The Scarcity of Long Running Media and the Dissolution of the Monoculture

the type of media that fandom now orients itself around has changed drastically as a result of changes in the broader media landscape, and this also changes fandom norms and behaviour. it is increasingly more rare for a fandom to develop over the course of years, because long-running serialized (or even episodic) narratives are becoming less common. tv shows especially are released with vanishingly short promotion cycles, and with less and less certainty of continuation. creators have to therefore hedge their bets--the binge model means there is no room to pivot mid-season if things aren't working out, and the lack of certainty around renewal means that seasons have to be relatively close-ended in order to try to deliver a satisfying experience. similar trends affect book publishing--we are seeing fewer and fewer multi-part series being released, and fewer books dominating cultural discussion in the way blockbuster series of the past have.

thinking of cornerstone megafandoms of the past (and present), we tended to see a couple essential elements that contributed to both fandom engagement and sustained fandom activity: they were released over a longer period of time, and they took up a larger portion of the dominant cultural landscape. the Harry Potter books were released over a period of ten years and were, of course, a huge cultural moment. Twilight was released over a shorter period of time, but was similarly a cornerstone of the monoculture, enhanced by the immediate and almost-eclipsing (heh) release of its movie counterparts. The X-Files was released over the course of, again, a decade, and they will be releasing new Star Treks until the mountains crumble into the sea and the stars turn to dust. these fandoms all have greater and lesser degrees of longevity and output, but they and fandoms like them all had the benefit of time and cultural dominance in order to enable the development of the fandom.

this is not universal (nothing i'm saying is universal), but fandoms nowadays tend to be a lot shorter-lived and migratory simply because they have less material to work with and less time in which to work with it. Voltron, as one example, was a megafandom that developed rapidly and burned out quickly, and while it had a decent amount of material, its eight seasons were released over the course of two and a half years. fannish momentum can only be sustained on so much material for a certain period of time, and fannish investment is necessarily going to be curtailed if fans live in uncertainty about the continuation of their favourite media.

this also is reflected in the type of fanworks that we see proliferating. while AUs were not absent from Ye Old Fandom, i do think they were a lot less common/prominent. the longer release cycles and difference in structure between releases (open-ended finales as motivation to hook viewers into the next installment that they knew/were pretty certain was going to happen vs close-ended finales that hedge bets if a series is cancelled) led to a lot more speculative fanworks set within the canon, imagining what was going to happen next. a famous example is of course the HP fandom's Three Year Summer--the period of three years between the release of the fourth and fifth Harry Potter books that was intensely productive for that fandom. fanworks in that period were famously long and plotty canon divergence/canon speculation works branching from the return of Voldemort in book four, and that tendency towards long and plotty canon-based or canon-adjacent fanworks persists within the HP fandom to this day.

fandoms nowadays do tend more towards works that are stripped from their canon contexts (the infamous coffee shop au, media fusion aus, modern setting aus, no powers aus), and while these works did exist in Ye Old Fandom, they were both more rare and their reach was more limited.

Some Kind of Conclusion Because This Is An Essay Now I Guess

to present a synthesis scenario: a particular trope is generated and popularized by one fandom. due to its presence on consolidated platform sites, it becomes ubiquitous within that fandom, spawning further derivatives, copycats, reimaginings, and variations. as people migrate from fandom to fandom, both as a result of the media landscape itself and the ease of doing so on social media/multi-fandom sites, the trope or AU spreads to other fandoms, and is again further transformed by those fandoms. this continues ad infinitum.

this pattern is not limited to tropes in fanworks--it is applicable to every element of fandom, from discourse to meta to creative works to behavioural norms. the state of modern fandom is interconnected to the platforms on which fandom is hosted and the media on which it is based. no longer is the one common unifying element of fandom the source media--the unifying element is fandom itself. this is why we see, for example, people stating they get involved in fandoms for media they have no experience with--they do not know the source text, but they know fandom.

i could literally go on and on--i didn't even touch on things like the destruction of the fandom fourth wall, or the relationship to the practice of filing off the serial numbers, or the existence of BNFs (actual BNFs not people like you seek who just Have Friends and Make Things), or the connection to nostalgia, or the relationship to commentary and analysis-based fandom outlets such as rewatch podcasts, or-

there are literally so many elements here. i could talk about this forever. i probably will be talking about this forever. please god someone let me out of here HELP-

[raayllum]

gotta say one of the most validating things as a speculative meta writer isn't necessarily introducing a possibility to people that they enjoy (although yes, that is an undoubtedly fun process!) but seeing people reach the same conclusions/predictions of their own accord

[kanyniablue]

also while i'm on the fandom thought-train: is andre (blond liberty spikes raver in the drug tent/church dance club) a narc

because he seems like a narc

(spoiler-y evidence gathered below)

-he's significantly older than the other anodic dance music group (skill check points out that he's balding & if you ask his age he says he's "not twenty")

-constantly sucks up to harry like he doesn't want to get on his bad side (because he is himself an undercover cop who doesn't want to complicate his operation?)

-just breezily reveals that yes it's going to actually be a drug lab & yes they'll stop now officer since you asked so nicely--wants to throw you, fellow/rival officer, off his operation

-can't dance

-seriously, he's starting a club for anodic music--a dance club for anodic music--and he can't dance? ඞ

-talks like...that

-kim never directly interacts with him (that i've seen)--possibly he'd recognize another juvenile division undercover officer if he did???

[agerefandom]

Top 10: Tumblr vs. AO3

Just felt like doing some statistics with my work!! Comparing AO3 popular fics vs. tumblr popular fics and seeing what I found out: thought other people might be interested as well! Ramblings about patterns and causes are under the ‘read more’ :P 

AO3 (by kudos): 

Class Outing: BNHA, regressor!Izuku (1247 kudos) 

Only Heaven I’ll Be Sent To: Resident Evil, regressor!reader, caregiver!Lady Dimitrescu (759 kudos) 

Cold Palms, Warm Heart: Twilight, regressor!reader, caregivers!Alice and Jasper (573 kudos) 

The Doctor’s Office: Twilight, regressor!reader, caregiver!Carlisle (403 kudos) 

Kitchen Friends: Marvel, regressor!reader, caregiver!Steve and Bucky (336 kudos) 

Sound and Silence: BNHA, regressor!Aizawa, cg!Hizashi (321 kudos)

Restrained: Death Note, regressor!Light, caregiver!L (309 kudos)

A Story For Sans: regressor!Sans, caregiver!Papyrus (278 kudos) 

Home Sweet Home: caregivers!Carlisle and Esme, regressor!Cullens (273 kudos) 

To Weather The Storm: caregiver!Tamaki, regressor!Haruhi (238 kudos) 

Tumblr (fics only): 

Class Outing (167 notes) 

Cold Palms, Warm Heart (159 notes)

The Playtime Solution: Sanders Sides, regressor!Logan (159 notes)

The Doctor’s Office (150 notes) 

Sugary Sweet: Twilight, regressor!reader, cg!Jasper and Alice (150 notes) 

Kitchen Friends (125 notes) 

Only Heaven I’ll Be Sent To (116 notes)

What Family Is: Harry Potter, regressor!reader, cg!Remus and Sirius (116 notes) 

Just Plane Overwhelmed: Sanders Sides, regressor!Virgil (111 notes) 

Golden Slumbers: Harry Potter, regressor!reader and Harry, cg!Fred (110 notes) 

Overall Tumblr Top 10:

Caregiver Valerie Frizzle headcanons & moodboard (409 notes)

Writing Prompts 2019 / 2022 (290/365 notes)

Caregivers Tiana and Naveen headcanons (244 notes)

Caregiver Jack Skellington moodboard (229 notes)

Caregiver Morticia Addams moodboard (224 notes)

Regressor Wybie Moodboard (205 notes)

Caregiver Bruno Madrigal headcanons (201 notes)

Caregiver Jack Skellington headcanons (191 notes)

Caregivers Sundrop and Moondrop headcanons (189 notes)

Caregiver Belle headcanons (182 notes)

This was really interesting!! 

Re: overall tumblr top 10: I think it’s funny that my throwaway moodboards are often some of the most popular content on my blog. Things I’m just like ‘ooh I gotta make this’ are mixed in with requests, I think that’s interesting! Ms. Frizzle just blowing away the competition, that’s amazing and I love it. Nothing is even close to how popular she is, and she deserves it. Jack Skellington coming onto the list twice? Come through king, I would love to write a full fic in Halloweentown sometime. 

Generally, the more ‘alternative’ characters seem to get a lot more attention on my blog: The Pumpkin King, Morticia, Wybie, Sundrop and Moondrop... Tiana and Naveen really snuck up there though! 

Moving onto the more direct fic comparison: 

....well this made me realize that I never published my Sanders Sides fics from this blog on AO3, whoops 

Setting that aside, fics with angst and plot tend to do better on AO3, while fluffy stories do better on tumblr: Sugary Sweet doesn’t even hit my top 10 on AO3 and it’s one of the fluffiest fics I’ve ever written, coming in at #5 on the tumblr list 

On the other hand, Only Heaven I’ll Be Sent To is by far one of my best performing fics on AO3, but comes in at number 6 (tied with another fic) on tumblr, probably because it features a lot of action and gore alongside the fluffy agere elements, same for Restrained showing up on the AO3 top but not tumblr’s. 

My Harry Potter fics do way better on tumblr, which is interesting? Maybe Harry Potter fans are still reading their fics on independent forums? Or Harry Potter folks on AO3 don’t cross over much with the agere crowd. (Or maybe they’re just overloaded with /reader fics) I haven’t been actually into the HP community since around 2011 so I’m not sure what’s up there. 

Big shoutout to Class Outing for dominating the top of both lists: BNHA is such a big fandom that it makes sense, and I wrote that fic on @agere-fandom-time, which I think got more interaction than this blog: it seems like people are more comfortable interacting with a group-run blog, rather than an individual writer. Or maybe that’s a natural consequence of more writers putting out more consistent content, letting the blog get bigger. I’m not sure! Either way, even if I’m not into BNHA anymore, I feel like it’s a good piece of my writing, so I’m happy for it to be my top spot. 

[eyeshields]

Sign-ups for the ES21 Winter Gift Exchange have closed; thanks to everyone who signed up! I'll be working on gift assignments over the next couple days and will send them out via DM when I'm done.

[seapiglet]

she was 19 not 20 you fucking stupid lying terf eat shit

okay well this is clearly about the gaiman accusations and you seem to have a real bee in your bonnet over something I've said, given that you felt the need to send not one but three(!) variations of this

(and once again, I am LITERALLY TRANS so the terf thing isn't going to work here)

so, firstly, at no point have I even mentioned the ages of the women involved, beyond calling them young so I'm guessing that in your fury you might have sent this to the wrong person

however! let's continue

secondly,

you know how companies will price something at 3.99 because they know consumers will look at it and think "3.99? that's 3 dollars!" instead of sensibly registering that it's actually 4

and everybody walks around the store completely certain their superior brain won't interpret it that way? and yet...

here you are, making sure I know that one of the women neil gaiman (allegedly) sexually assaulted was TWENTY and NOT nineteen!! as if there's some appreciable difference between the two when it comes to appropriate conduct between a 60+ year old famous, influential man and the young woman he hired to work in his house

because of course a 19 year old is young! there's a ONE in front of the nine! it's got the word "teen" in it! but a 20 year old? well that's an adult who can make her own choices, thank you and, frankly, it's infantilising to suggest there may be some kind of power imbalance there

you am very smarmt ⭐

[jazzzzzzhands]

Just wanted to pop in and say I adore seeing your art still after all these years! I love how colorful everything you make is!! Keep up the great work 😊💙💙

OOHH AWAAAA!! Holding up one of my oldest fans to everyone! I can't believe you followed me all the way from the KG fandom truly. All the way from DA too! Those silly little frogs are still very funny to me Thank you, thank you for sticking around!!

you know i loved this bastard

[ticktockteapot]

Me with my Mad T Party: Looking Glass Legends AU. . . I got the basic outline stuffs. The plot twists, emotional character arcs, relationships, different settings (Underland,wonderland,Disneyland,Times Realm, Dream Dimension, Las Vegas) BUT PUTTING ALL THESE IDEAS IN ORDER TO MAKE SENSE IS STOPPING ME FROM ACTUALLY HAVING ANYTHING TO POST 😭😭😭😭

Do yourself a favor and just write everything out of order. That's legit what's stopping me from updating my WIPs because the back of my head is demanding it has to be consecutively written in order or else it won't make sense.

....which is kind of dumb because when I came up with the plotlines they were from scenes right in the middle lol

[mindovermuses]

Dear Critical Role Production Team,

You are sitting on a veritable GOLD MINE of content that should be part of your Beacon exclusive lineup, like yesterday.

After a pretty much perfect 4-Sided Dive, starring ultimate fangirls and voices of so many in the fandom- Aabria Iyengar & Aimee Carrero- the gears started slowly churning away in my head.

Give these ladies a monthly podcast! Call it "Critical Tea" and, with the assistance of the beautiful and ever-present Dani Carr (filling in for Cadeucus as Tea Master), they can bring on various guests and gush about everything that drives the fandom wild. Bonus points if you have Cadeucus voice overs for tea related stuff.

Collect fan-submitted questions, theories, and art for the show. Give them a big conspiracy board with red yarn so they can discuss everything.

They can keep track of random things. Is Vax still an orb? How much party gold do they think Chetney actually still has in his possession? Campaign couple/shipping vibe checks using a different unit of rating each episode based on some joke earlier in the podcast. Bonus points if they pull two party members randomly from a tea kettle and rate their current opinions on the possible shipping between them.

Think of the merch possibilities. Representing the tea company you've licensed with, if they'd like to be a sponsor for specific episodes.

We need to spill the Critical Tea.

Throw a big old disclaimer about nothing in the show being canon, the ladies just want to gush about whatever moments in Critical Role history need fangirled over with whatever cast member, former guest star, or famous friend wants to join them at the couches for Critical Tea. Oh, and Omar cameos.

As proof of concept, please note the following, attached screenshots:

Yours faithfully,

-a fan

[brucewaynehater101]

K so I just found a YouTube channel of these dudes being able to skateboard on normals boards at like 60 mph

this is what Tim would become if he was never Robin

Yes, but Bernard and Tim appear on each other's channels.

Bernard is a huge YouTuber famous for his conspiracy theories and Tim is known for his skateboarding/daring stunts. They run on opposites sides of YouTube but will help each other/show up in the other's videos.

Tim is better at camera shit. He can edit video clarity, figure out what camera/camera settings to use, etc. Bernard is better at the overall appeal/selling (extra effects, names, merch, promotions, etc). They aren't bad at any part of it, but they tend to help each other.

It's just weird for the two fandoms to see a guest appearance by some from a complete different type of YouTube channel. They also tend to increase the chaos of each other, which is fun for the viewers

[Bernard suggests daring places to skateboard, and Tim asks really bonkers questions]

[merwgue]

You thought I forgot? @naravelia

The Tamlin Mandela Effect: How Fandom’s Misremembering of Key Events is Turning into a Haters’ Anthem

There’s a peculiar phenomenon in the A Court of Thorns and Roses (ACOTAR) fandom that echoes something you might find more commonly in conspiracy theories or internet forums. It’s the Mandela Effect, named after an odd cognitive twist where people collectively misremember or distort facts—like a whole generation swearing that Nelson Mandela died in the 1980s, despite him actually living until 2013. But we’re not here to talk about Mandela (no, this is not that essay). We’re here to talk about how Tamlin, our misunderstood High Lord of the Spring Court, has been subjected to this exact effect. And it’s spiraling into disastrous consequences for his reputation in the fandom.

If you’ve spent more than five minutes on any ACOTAR discussion board, you’ve probably seen it. Tamlin haters, pitchforks in hand, rattle off the same tired arguments, claiming that he’s the worst villain in the series. “He sold Feyre’s sisters to Hybern!” they say, even though that literally didn’t happen. “He sexually assaulted Feyre Under the Mountain!” they continue, though that scene plays out very differently if you actually read it. It’s becoming a Herculean task to correct these misconceptions every single time someone drags Tamlin through the mud, but here we are, doing the Lord’s work.

Let’s dig into the mess, piece by piece, shall we?

The Non-Existent Sale of Feyre’s Sisters to Hybern: The Misinformation Continues

Here’s a hill people are dying on that is as fictitious as it is frustrating. There is this collective belief that Tamlin, in all his "evilness," sold Feyre’s sisters to Hybern in some dramatic betrayal. Let’s be real: if Tamlin were a sleazy car salesman in another life, he wouldn’t have any buyers. Because he didn’t “sell” anyone.

Let’s revisit the facts. Tamlin teamed up with Hybern in A Court of Mist and Fury out of desperation to get Feyre back. Was it the smartest move? No. Did he expect things to go smoothly without Hybern’s penchant for destruction taking the reins? Probably. But nowhere in the text does it indicate that Tamlin knowingly offered up Feyre’s sisters on a silver platter.

In fact, Tamlin seemed to have absolutely no idea that Elain and Nesta would be dragged into the mess. The King of Hybern double-crossed everyone, Tamlin included. Feyre’s sisters being thrown into the Cauldron was Hybern’s decision—not some malicious masterstroke from Tamlin’s end. This narrative where Tamlin is painted as the orchestrator of their suffering is wildly inaccurate. It’s like saying a passenger in a car crash is guilty of the accident. Was he complicit by being in the metaphorical car with Hybern? Sure. But did he plan for it to happen? Absolutely not.

And yet, despite this being pretty clear in the text, people still treat it as canon that Tamlin personally wrapped Feyre’s sisters up in pretty bows and delivered them to Hybern like Christmas gifts. The Mandela Effect strikes again.

The “Tamlin Assaulted Feyre Under the Mountain” Lie That Refuses to Die

This one is probably the most egregious example of people twisting canon to fit their own narrative. Now, look, I get it—Under the Mountain was a dark time for everyone. Emotions were high, trauma was rampant, and it was one hell of a mess. But this claim that Tamlin sexually assaulted Feyre during her time there? That’s not just a stretch—it’s an Olympic-level leap of inaccuracy.

Here’s what actually happened: Amarantha had Tamlin under her thumb. He was powerless, trying to bide his time and keep himself (and others) alive. Was he the best emotional support system for Feyre during this period? Absolutely not. Did he make questionable decisions? Yes. But at no point did Tamlin assault Feyre or take advantage of her.

The argument stems from a scene where Feyre, reeling from her third trial, is given a brief moment of respite with Tamlin. They have a charged, emotionally heightened interaction. It’s not comfortable, but it’s also not what people are accusing it of being. Tamlin is desperate, Feyre is desperate, and they’re both stuck in a situation with absolutely no control. If anything, it’s a moment that reflects the trauma of being trapped Under the Mountain—not a moment of assault. The fact that this narrative continues to be twisted into something more sinister is a disservice to both characters and to the complexity of trauma and survival.

Moreover, Feyre doesn’t feel violated by Tamlin in this moment. She doesn’t reflect on it later as assault. If Feyre, who narrates the entire series, doesn’t see it as such, why are we putting words in her mouth? The Mandela Effect here is just baffling—people are conflating Tamlin’s flaws with things that never actually happened. It’s like misremembering the plot of Titanic and insisting that Jack could have survived if only he’d kicked Rose off the door sooner. Except, you know, worse.

The Constant Gaslighting Narrative: Feyre’s Love for Rhysand Suddenly Erased All Else?

Perhaps the most absurd consequence of the Tamlin hate train is this retroactive gaslighting of Feyre’s own character. By the time we get to A Court of Frost and Starlight, Feyre casually drops that she’s loved Rhysand since Under the Mountain. Excuse me, what? Let’s go back to the text, shall we?

In ACOTAR, Feyre is doing everything in her power to save Tamlin—not Rhysand. In fact, Feyre hates Rhysand for most of that book (and rightly so). She is willing to sacrifice herself for Tamlin, to endure Amarantha’s torment because of the deep love she feels for him. The entire climax of the book hinges on Feyre’s determination to free Tamlin, not Rhysand.

But suddenly, we’re supposed to believe that she’s been in love with Rhysand this whole time? Yeah, no. That’s like claiming you’ve loved pizza your entire life but spent your formative years swearing you couldn’t stand the taste of cheese. It doesn’t add up. The revisionism here is frustrating because it attempts to erase Feyre’s complex feelings for Tamlin, reducing them to some passing crush while elevating her relationship with Rhysand to an almost predestined love story. It’s not only inaccurate; it’s unfair to the nuance of Feyre’s journey.

And for those who claim that Tamlin was manipulating Feyre from the start: let’s not pretend Rhysand wasn’t manipulative as well. Rhysand, for all his brooding High Lord charm, was hardly honest with Feyre at first. He didn’t tell her about the mate bond until after she’d fled the Spring Court, allowing her to suffer through an emotional tailspin in the meantime. If we’re going to talk about manipulation, let’s talk about it on both sides of the equation.

Tamlin’s Villain Arc: When Did Fandom Decide He’s the Devil Incarnate?

Let’s get one thing clear: Tamlin is not perfect. He has anger issues, control issues, and makes some boneheaded decisions. But turning him into the ultimate villain of the series is not just a misstep—it’s a full-blown mischaracterization.

Tamlin’s actions in A Court of Mist and Fury—his attempts to lock Feyre in the Spring Court, his alliance with Hybern—are not the actions of a villain, but of someone who is deeply flawed and unable to cope with the trauma he’s experienced. He is desperate to hold on to the one thing he thinks he can still control: Feyre. Is it right? Absolutely not. Is it a classic case of toxic masculinity and overprotection? Yes. But that doesn’t make him an evil character—it makes him a tragic one.

The fandom has somehow turned Tamlin into a one-dimensional antagonist, ignoring the deep trauma he’s endured and the complicated reasons behind his actions. People seem to forget that Tamlin genuinely cared for Feyre—enough to let her go at the end of ACOTAR. That’s not something a villain would do. Villains don’t sacrifice their happiness for the well-being of others, but Tamlin did. He wanted Feyre to be happy, even if it wasn’t with him.

But thanks to the Mandela Effect of the fandom, Tamlin’s complexity has been erased, replaced with a caricature of a monster. Every time someone falsely claims that Tamlin sold Feyre’s sisters, or assaulted her, or that he’s some irredeemable villain, it becomes harder and harder to pull the conversation back to reality. The narrative has been hijacked by misinformation and misremembering, and the truth is becoming increasingly difficult to find.

The Lord’s Work: Fighting Misinformation One Comment at a Time

At this point, defending Tamlin’s character feels like doing the Lord’s work. The sheer volume of misinformation being spread about him is staggering. And every time someone presents an accurate, well-reasoned argument about what really happened in the series, they’re met with a wall of denial from those who have bought into the Mandela Effect narrative.

It’s exhausting, and yet it’s necessary. Because if we don't keep correcting these misconceptions, the narrative only gets more distorted. The truth gets buried under layers of fan-driven exaggeration, selective memory, and willful ignorance. It’s as if every time someone tries to present a factual argument, they're drowned out by a chorus of “But Tamlin sold Feyre’s sisters!” or “He assaulted her!”—as though saying it louder makes it more true.

Yet, here we are, repeating ourselves like broken records, diligently doing the work to remind people of the actual storyline. Is it thankless? Sure. Is it worth it? Absolutely. Because when the truth is at stake, when a character as complex and tragic as Tamlin is being reduced to an easy-to-hate villain, it’s our responsibility to keep the conversation grounded in fact.

Why Do People Cling to These Misconceptions?

Here’s where it gets a bit more philosophical. Why, despite the evidence in the text, do so many fans persist in demonizing Tamlin and clinging to false narratives? The answer, I think, lies in the very nature of fandoms themselves.

Fandoms are not just about the source material—they’re about how people feel about the source material. And feelings, as we all know, are not bound by logic or facts. For many readers, Tamlin represents a particular archetype of toxic masculinity—one that they’re all too familiar with in the real world. When they see Tamlin’s controlling behavior, his anger, and his mistakes, it triggers a visceral reaction. He becomes, in their minds, the embodiment of every harmful, controlling man they’ve encountered or heard about.

Rhysand, by contrast, is portrayed as the perfect “feminist” male hero—someone who respects Feyre’s autonomy, who lifts her up instead of controlling her. It’s easy to see why readers gravitate toward Rhysand and against Tamlin, even when the actual story is far more nuanced.

The problem, of course, is that Tamlin isn’t just an archetype. He’s a fully fleshed-out character with his own trauma, motivations, and flaws. But once a fandom has decided that a character is “bad,” it’s incredibly hard to change that perception, even with cold, hard facts.

The Real Tragedy: A Missed Opportunity for Redemption

What makes this whole Mandela Effect situation even more tragic is that it closes the door on one of the most interesting possibilities in the ACOTAR series: Tamlin’s redemption.

Tamlin is a character who has made mistakes, yes—but so has every major character in the series. Feyre herself is no saint; Rhysand’s hands aren’t exactly clean either. Yet these characters are given the chance to grow, to learn from their mistakes, and to become better versions of themselves. Tamlin, on the other hand, is left to wallow in his misery, largely abandoned by both the narrative and the fandom.

Imagine if the fandom allowed Tamlin the same grace they allow other characters. Imagine if, instead of reducing him to a one-note villain, they embraced the possibility of redemption. Tamlin’s arc could be one of the most powerful in the series—a story about a broken man learning to rebuild himself, about a leader who learns to lead with compassion instead of fear. But as long as the Mandela Effect continues to distort his actions and his character, that possibility remains out of reach.

Conclusion: The Battle Continues

In the end, fighting the Mandela Effect surrounding Tamlin is an uphill battle. It’s frustrating, it’s repetitive, and at times it feels hopeless. But it’s also necessary. Because Tamlin, for all his flaws, deserves better than the treatment he’s received from large swaths of the fandom.

He didn’t sell Feyre’s sisters. He didn’t assault her Under the Mountain. He’s not the devil incarnate. He’s a deeply flawed, deeply human (or, well, fae) character who made mistakes but also showed moments of love, sacrifice, and growth.

So here we are, doing the Lord’s work, repeating the same truths over and over again, hoping that someday the message will finally stick. Because Tamlin’s story is not one of villainy—it’s one of tragedy. And it’s time the fandom started treating it that way.