#fallout show negative

[rad-x6-88]

my actual gripes with the show, based only on the first two episodes (after this im done, prommy)

thot the directing and writing was shite, as well as weird cuts that seemed incredibly clunky. in short, the artistic merit fell short. it doesn't have to be this way. maybe im too picky but this kinda stuff hampers my enjoyment every single time. the actors did a fine job, no complaints there.

too many things had the typical "cheap" look that has become so common in shows on streaming platforms. it constantly reminds me that im watching a show and it just ruins my immersion. maybe i should have watched it on low res on my laptop instead? idk

the opening scene made me feel absolutely nothing at all!

the gore didn't even feel, like, interesting. it was just "oh, okay then".

the humor was forced and weird. some parts were fun, like lucy's vault dweller personality/politeness, but then there's "haha, this guy tried to fuck that guy's chicken. please laugh!" 🤨

we already all know how i feel about the ghoul. what even was that introduction??? (or rather, re-introduction) and that shootout scene was a joke. there was no flow, nothing. the dialogue was especially stupid in that scene. and ofc, again, it all looked like such a cheap set. i dind't buy it one second. additionally, i actually feel his acting is the worst of the lot.

the bos was shitty, which is accurate and okay, but since when

a) do they brand the squires 🤨 (especially with maximus being black. wtf!)

b) are the squires literal adults who carry around "their" knight's (🤨) shit

c) do the "squires" call "their" knights "my lord?" 🤨

d) would even the shittiest most useles bos knight be scared of a yao guai????????????????????

and the whole religious aspect to it all was too much. yes, they are cultish, but not quite like that. and what was up with the voice distortion from the power armor helmet?

ofc im also not a fan of retconning/making certain things canon (im assuming that was the prydwen?) but i ciould ignore it if i genuinely enjoyed the rest

that's all i can think of rn. i wish i wasn't so bothered bc i ofc didn't expect much but i love fallout so this is all still disasppointing to me.

whatever!

im glad so many other people managed to enjoy this slop.

my mother also had fun but she has only played some parts of fo3 and knows enough not to be confused. plus she likes the music ofc. i think she's gonna keep watching and enjoy it so that's good. that's the one good thing: i had a nice little afternoon with my mother watching telly and eating junk food :D

[tinfairies]

I JUST FINISHED FALLOUT

Omg I am losing my mind!!

I knew vault tec was gonna be the main enemy but damn they really took over which makes sense especially in corporate America. It's very reflective on real life.

ROBERT HOUSE BEING AT THE MEETING

Repconn. West tek with the mutants. Big Mt reference

I was losing my mind

AND THE SHOT OF NEW VEGAS AT THE END

Ahhhhh. I need season 2 like rn. Immediately. Pleaaase I hope it's greenlit.

I love all the main characters, I didn't think I'd like max bc I'm not a fan of the brotherhood but he's so fucking good as a character I was pleasantly surprised.

Was it a masterpiece? No.

Was it still good and enjoyable and made me happy? Absolutely

I thoroughly enjoyed this show and although I'm not too pleased about some of the plot changes from the games (fo1 2 and NV) I can still see them as an in universe thing.

It's not like things were just moved and changed around with no thought. It's just rewritten history and events and honestly I'm okay with that.

I don't consider the show to be canon as far as plot goes. I see it in the same way I see fo76 but that's just my personal view.

Anyway, I highly recommend this show. Especially if you've played the games and even if you haven't it's still fun and a good intro to the series!

[thewastelandlosers]

There she is

There's my girl 🥹💖

[oldworldwidgets]

DID YALL SEE THAT POWER ARMOR AT THE GAME AWARDS OR.............

[notimminent]

.

[luckycaricature]

Just finished the fallout show. That ending was bullshit :/

[floral-hex]

Thought I’d get out for the night, so I’ve been sitting in this gaming lounge for the last hour and it’s… meh. Ordered an overpriced milkshake, just kind of hanging out. Honestly, I’d rather play games by myself at home than deal with whatever’s going on here. Well… it was worth a shot 😒

[vault81]

regarding prev: I could literally make my own entire post about that

I probably won’t but I do have a lot of opinions on it!!!

[marypsue]

So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."

I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.

Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.

And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.

The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.

(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)

[liveontelevision]

Okay, this started as a rant about Lucifer lore and turned into an argumentative essay on why Lucifer is a bottom. My b.

18+ Smut ahead, lots of angst

•••

Here's the thing about Lucifer. He was an awesome dreamer, fell in love with Lillith, and was banished to Hell. Literally forced to see what the gift of good will can do at its worse. Unless he's made some personal contact with a sinner to get like updates about what the gift of good will did right, he had to be stuck in a depression for centuries, at least until Charlie was born. And while that would've definitely given him a new passion, he'll never feel confident in dreaming again.

With how much he dislikes sinners and what they represent, i wonder if there had to be some strain on their relationship when it came to Lillith taking control? They never really talk about if they had a fallout or if she just disappeared, but i dont think they really got divorced either.

When Lucifer looks at that family picture and winces, does he feel bad about not contacting charlie? About something he did to make lillith leave? Or maybe he feels bad about being upset at lillith for leaving in the first place? There's so much to umpack there i live for the lore.

Love Interests:

But when that comes to potential love interests in the future, Lucifer hasnt had to court anyone before like ever. Not in the circumstances that they live in a big city like Hell. So when he finally ends up catching feelings, he has no idea. People around the hotel literally need to pick up on context clues for him and have an intervention to tell him he's in love again.

Even if he hasnt seen lillith in 7 years, their relationship had to be a drastic change compared to new love. I think that his love interest would also pick it up before he does, and you would let him work at his own pace. Fuck, it is so important that he goes through this process at his own pace.

With so much strain on his past relationships with loved ones, he fully gaslights himself into thinking he doesnt deserves and isnt allowed to feel affection anymore. I hate making characters i love suffer. But i feel like in his state of mind he'd go through depressive episodes and panic attacks, maybe some night terrors. Theyed be about his past and his subconscious would essentially tell him he has feelings again, and he shouldn't act them in case he scares you away and abandons you, like heaven. Or drives you away like lillith. Or purposely blocks you out like charlie. Mans is struggling i swear. He needs some comfort.

After finally coming to terms, hes a nervous wreck about every decision he makes. He'll constantly stare in the mirror in the mornings, making sure he looks his best, would plan mental scripts before even having a conversation with you, and would become a bumbling mess just trying to make jokes out of the situation, some base level actions, like how we saw in the show. He'll manage to finally ask you out, but all he really knows how to do is profess an undying love (i feel like his confession to lillith was hella dramatic) so it was a little awkward, but still cute. And of course you said yes.

So let's say its been 5+ years since he moved into the hotel, met you and finally managed to confess his feelings. When it comes to the actual relationship? You give him reassurance and support him through his mental episodes, and laugh at his jokes and praise him for everything he does. He has such intense imposture syndrome though, that even other demons have to reassure that theres no way you dont love him with all your being. Because it is literally obvious to everyone but him.

He's pretty good at doing the romantic fluff stuff in public, he loves to make a big show out of treating you like royalty and even trying to embarrass you when you become close enough. He's always more charasmatic in public, it seems easier than doing that alone.

Not in a negative way, but Lucifer is so never to be alone with you. You take the lead a bit more in those scenarios, suggesting ideas like movies or just coming up with small talk yourself. He needs someone who'll be patient with him. Being alive for millions of years AND being left or shamed by all your loved ones during that time is literally the definition of Truama.

Of course he's been bottling all that shit up, he has no one to confide with. There's no one who's been alive and witnessed it all the way he has. So bless you for loving and caring for him even without understanding all hes been through.

You'll have some rough patches, where this emotional side locks him away from you and everyone else. It might be a few days before you see him. He'll lock himself in his office, pumping out ducks by the dozen just to keep himself from sleeping, because he's scared he'll have night terrors if he feels asleep. He's in a constant loop;

"what if i fucked up?"

"what if i try to talk about it and then they realize how bad i fucked up?"

"what if that's enough of a reason for them to leave me?"

"what if i scare them away?"

"what if that fucks this up?"

"what if i fucked up.. Again..?"

After he leaves his office, youre excited to see him out and about, but you cant make a big deal out of it. You have to speak to him calmly, make sure he's physically okay before talking to him about his thought process. It might take awhile, but he'll eventually trust you enough to open up. And of course it'll never be bad enough for you to leave him, he's just struggling.

Physical Contact:

It takes him an even longer time to become physical with you. He hasnt been intimate for over a decade at this point, but as soon as he becomes comfortable with little affections like hand holding, cuddling, wrapping his arms around your waist, and kissing? Hoo boy, he melts after your first kiss. It couldve been even a small peck and he would still become a nervous wreck just trying to ask for more.

He'll ask for physical touch more than provide it at first. You'll give him a quick kiss and he'll look up at you super eager just like, "another?" He'll grow into tastful pda's, linking arms, quick hugs and smooches, holding hands all that.

He becomes putty in your hand when you're alone though. You'll nudge him to lean against your shoulder or even lay his head in your lap while youre lounging or watching movies. He becomes so relaxed in your presence, that you'll want to suddenly peck him just to see his suddenly flustered reaction.

You'd give him massages that he would always be hesistant over. He was always a little nervous that he wasnt giving enough to you, but you were quick to assure him that wasnt the case. You'd straddle his hips while giving him a slowww massage. It starts with light touches, tracing your fingers over his shoulder blades and spine. You'd trace your fingers over his chest when you would cuddle too, depending on the position. Or stroke his back sweetly. It was enough of a distraction to keep his mind occupied, away from any spiraling thoughts he might be having.

He purrs. Convince me that he doesnt purr. (You cant)

Being secluded for so long probably means that he doesnt fly as much as he used to. It was probably a passion of his, and he was especially delighted to share it with lillith and charlie.

So during those 7 years he barely flew, he also didnt take care of his wings. I feel like theyre something to be summoned, so they arent constantly tucked into his back. You'd basically scold him sometimes to just let you clean his wings.

You'd do it in like a spring-type bathhouse that Lucifer would have in his castle somehow. It was one of the first intimate moments he's experienced in years, so he was generally going insane. Feeling your hands and a little comb rake through the feathers on his giant wings? You'd have to tap his shoulder sometimes to keep him from falling asleep to the relaxation alone. After the first time, the water you used was pretty dirty and he had a lot of loose feathets that were combed out. Damn, he needed this.

Intimacy:

After awhile, you sit down and would have a discussion about being intimate in bed. Lucifer would be absolutely nervous about overstepping by asking this, (even though you've been together for about a year at this point). He would use his mental scripts and basically practice what he wanted to say.

It would mainly be him saying he wants to do this because he loves you and youve done so much for him that he wants to give back to you in this way. It would consist of him saying its okay if you dont want to, or if you ever want to stop to just say so. But of course you want to, how could you not?

It would start slow, he actually tries taking the lead in this specific situation. He would kiss you first, his lips trembling at the thought that this is actually happening. Feeling his nerves, you'd cup his face and stroke his cheeks with your thumbs lightly. That will help him ease up enough to start letting the passion take over more.

He'd become more confident in slipping his tongue into your mouth and placing his hands on your hips to pull you closer to him. Lucifer would get lost in the moment, pulling you to straddle his lap as he kissed and licked and bit his way across both your shoulders and down to the softeness of your breast. After leaning back to look at the damage his eyes would become increasingly wide, looking up at you with a flustered expression. Seeing you losing it as much as he was, gave him enough courage to keep up at it.

He would almost hesistantly take a hold of your breasts and would massage them softly, running his thumbs across your nipples and becoming absolutely delighted at the reaction you gave. The adrenaline from the pleasure would make you start grinding against his lap, which would make lucifer's hands on your hips pull away for a moment and make his breath stutter. Lucifer would look you up and down as if he didnt know what to do next, studying your body with darting eyes. You'd press a small kiss on his forehead before guiding his hands back onto your hips with yours, keeping your eyes on him the entire time.

"Are you okay, Luci?" He would gulp before nodding his head and turning ridiculously red across his face, maybe from the idea of what was to come, maybe just from your voice alone. You'd keep your hands ontop of his at your hips as you'd keep moving, letting out breathy moans. He would be holding his breath without realizing, an absolute nervous wreck just from the view.

He would already be hard just from the previous make out session, so this would cause him to lean his back against the bed, his strength giving out. You'd keep up at it, feeling his hips jolt up to meet yours at times.

He was a sweaty, twitching mess in front of you and you hated to admit how much that excited you.

His scripted plan was immediately forgotten, but he was quick to remember that he wanted to please you.

He'd snap out of his state of intense pleasure, to carefully switch positions, him looking over you with your back against the bed.

You both discuss it, of course, attempting to set boundaries before hand. Even just the tender discussion would get him riled up. So he'd lean foward and kiss you again, showing off his forked tongue before peppering kisses down your entire body, until he was close enough to let his hot breath heat up your folds.

You'd feel his nervous breath on you before delving in. He would be hesistant of course, but would be quick to get used to your entrance after running his tongue across your entirety multiple times. Lucifer loves providing pleasure this way, so his brain immediately knew what to do once the nerves past. He was quick to take a tight hold onto your thighs to keep you in place as he entered you with his demonic lengthy tongue. He would look up at you as he sort of aimlessly dug around at first, waiting for a reaction. Once he'd see you dip your head back with a muffled moan, he would close his eyes to focus all his attention to that one spot. He'd reach his thumb around to circle and massage your clit that he would find far too quickly. You'd arch your back and try to get more friction against his tongue, but it's easy to forget that he is quite literally the strongest being in Hell. You weren't going anywhere.

He'd love feeling your hands in his hair and would absolutely lose it feeling you pull hard when he'd hit just the right spot. As soon as he set a steady thythm and was hearing your voice become more unhinged, he'd speed up to an extent that you didn't realize was possible after going for so long. You discussed cumming before and he made it very clear that he was okay with you finishing on his face. Fuck, he wanted it. You still warned him, moaning out his name to get his attention, "I-I'm almost there- K-Keep doing that.. like that..! Luci-" you'd almost direct him though the whole process, but were quick to become a moaning mess unable to communicate with words. You'd reach your limit and he would let you buck up into his face this time, loosening his grip on your thighs. He'd pull away after licking you clean, sending overstimulated pleasure across your entire body, with a line of your juices following his tongue as he lifted his head. He would pant with his tongue still sticking out of his mouth, and even through hazy eyes you loved seeing his demonic tongue and thinking about how it just drove you to climax.

Things would switch up again, and you'd sit him against the back of the bedframe. you'd have another quick discussion before seating yourself slowly on his length, which had been throbbing for any contact since the night started. The first few times, he'd do his best not to cum immediately. He hadn't been touched like this in a while, after all. You'd only begin to move once you made sure he was okay since his struggle was written all over his face.

The moment you began to keep a steady space, he would jut his hips upwards, becoming needy to feel this sensation he hadn't felt in over a decade. The first time didn't last long. It was sweet, and he would constantly moan out your name and babble on about how much he loves you. The entire time, you'd be praising him through every move until he was going too fast for you to get a sentence out.

He'd cum inside of you, another previously discussed topic. You essentially had to beg to convince him it was okay. You'd collapse onto his chest, a position he didnt see often. While the two of you always cuddled, you were so focused on making sure he was comfortable, Lucifer realized you didnt often get the chance to just relax on top of him. So after realizing that? Aftercare was amazing.

He'd let you sit with him inside you for a while, before pulling you off and immediately cleaning you up. Some nights, when he felt especially dominant, he would lap up his own cum from your incredibly sensitive cunt. He would swallow some of it, but was mainly pushing anything that dripped out back into your entrance.

After cleaning you up, he would wiggle his way back underneath you and pull you onto his chest, enjoying taking care of you the way you took care of him.

After the first night, lucifer would be much more confident. He'd have that healthy glow, but would be more assertive during meetings, more communicative and wouldnt shut others out as often. It really helped him realize how much you gave to him, and he was determined to give all that and more back to you.

[drmajalis]

"Le standard rpg moralistic choice™️" is one of the most boring tropes in western rpgs imho.

What I prefer and what I think pretty much everyone enjoys more are choices based on ideology and how you want to do things, not "do you wanna be good? or a mass murderer?"

I'm talking "choices" like disarming the nuke in Megaton in Fallout 3, or, fucking nuking the entire town. Or more recently, do you save the tieflings and the druids from the goblin army bent on wiping them out? Or do you decide to just slaughter them all?

Like, Bioware had data from the Mass Effect series which showed that less than 10% of players went Renegade on a first playthrough, when all you do is offer people a choice between being good, or bad, most people will just choose good, because that's usually what makes most sense for the story.

Compare that to (take a shot) Fallout New Vegas, just one quest, that being fixing the Helios One solar power plant and deciding who should get the power.

Should you distribute the power equally among the region, even if that means nobody really gets a lot?

Should you send it to Camp McCarren and the Strip since they are vital to protecting New Vegas from the Legion?

Should you send it to the slums in Fremont and Westside since that might help their situation the most?

Or should you use the power plant to fuel a giant space satellite laser, just for yourself!

New Vegas is filled with actual choices like this, and, if you can't even do that, you coulds try what (act surprised) Knights of the Old Republic II does and make meta comments on the futility and bizarreness of binary good/evil choices.

Early on when you arrive on Nar Shaddaa in KOTOR II a beggar asks you if you can spare some credits, and no matter what your choice, give them to him, and he gets mugged later, refuse him, and he goes out and mugs someone else, with Kreia commenting negatively on either choice you make.

Anyway I'm just really sick and tired of the boring binary morality choices and wish we had more actually intellectually debatable issues, the very fact that even 13 years later people argue over what the best ending to New Vegas is should be proof enough that it's way of doing things is objectively better.

[scintillyyy]

the steph brown conundrum aka the problem with steph being a character with hugely divergent doylist and watsonian readings

okay, so like. there is always a part of me that feels that to this day, didio kind of won when it came to the destruction of steph's character. like she wasn't a toxic character like he thought before he got his hands on her, but since he did & there was fallout from it, it has completely destroyed dc's desire to do anything potentially interesting with her, even as they've brought her back. like. she will always just kind of be a shell of her former self, doomed to stay uncontroversial and in the background. because when it comes to steph, and the problem with utilizing steph as a character now, you have to acknowledge two things

steph from an editorial and out of universe perspective was treated horrifically. the nonsensical and terrible things they made her do to move along the plot of post-crisis are awful and excessively reckless to the point of intentional character assassination & it was all done to justify her fridging for bruce's (and tim's) manpain which is awful

but the things that steph did as a result of the above are extremely load-bearing and important on plot and character dynamics and motivations from war games all the way to reborn era & to try and remove or minimize things that happened as a result of those actions just because they were arguably out of character from her has the unfortunate result of completely and intentionally warping the characterization of everyone who interacts with her to the point where it negatively affects almost every single other character instead.

so in order to show this we need to start at war games, talk about what happened, & go into how this affects things & why her character assassination is not as easy to fix as cass's or leslie's

so war games. ah war games. you know, having recently reread it, war games is frustrating because it's arguably a semi good event for most everyone except steph and leslie (especially leslie--now that was character assassination.). so let's get into the bare bones of what exactly happens in war games (war games being the three main events of this time: war drums (the prequal), war games proper, & war crimes (the follow up & worst part of the event)) (and i'm not saying i necessarily agree with this, just. this is what we have to consider.)

war drums:

this event has two main stories - the bruce & leslie story and the steph becomes robin story

in the bruce & leslie story (which is definitely racist), we have a young teenage pregnant girl who shows up at leslie's clinic having been shot. leslie attempts to save the girl and baby, but is left in a precarious situation where only one can be saved. she reluctantly calls bruce for help finding the girl's family, who finds out that the girl in question is popstar l'shea's sister--the popstar and her entourage in question kidnap leslie & the girl & bruce finds them, where it's revealed the girl is actually l'shea's daughter (like i said. racist.). l'shea makes the decision to save the baby, which kills the girl. leslie tries to get bruce to see that he can't save everyone, and ultimately gets upset about the cycle of violence she feels he perpetuates when he goes to take mr. freeze back in. she later comes to talk to bruce & it ends on a positive note fairly consistent with the bruce & leslie relationship--one in which leslie wishes he could devote himself to saving lives nonviolently & hoping he could see her as an example. my only quibble is that bruce responds as "ha-ha" leslie when if you compare to the batman chronicles #18, bruce absolutely counts on her to challenge his worldview & be a shining example of what he cannot be.

we do start to see the seeds of character assassination for leslie here imo, though this part is the best understanding of her by far--she's always been a foil to bruce as far as her pacifism and her determination to try and show him that there are other ways than his crusade, but traditionally she's always been defined as well by her immense love for him & he for her. she fundamentally disagrees with his crusade, but she's going to be there for him because she knows there's good in him that's worth saving--because to leslie, every life, including bruce's, is worth saving. anyways, read the batman chronicles #18, where she's determined to use O- blood on zsasz because of her firm commitment to the belief that every life is precious & she and bruce talk about their differences in opinion but how she's determined to keep showing him there's another way & he wants her to do so. this leslie who has, up until this event, been troubled by his crusade--but has decided it's tireless, but worth it to show him the good in people, suddenly seems a lot more, hm. overtly hateful of how batman operates & the fact that he puts criminals back in prison just for them to break out and the cycle to continue & has a sudden desire to not work with him if at all possible because of her total disagreement with his methods. which is. hm. somewhat but not entirely consistent with leslie's motivation. leslie would have no problem asking bruce for help if it meant saving an innocent & the fact that he believes in the redemption of criminals is something she inherently believes in. anyways i digress-

the other main story is, as we all know, the steph becomes robin story. and while you do not have to agree with how it is written wrt stephanie, the barebones of what exactly transpires is thus: tim has quit robin for his dad. he is attempting to live a normal life--go to school, hang out with friends, & not do the vigilante thing even when he sees people in need. he meets up with steph, who tells him of her determination to return to spoiler now that her broken leg has healed & he tells her that it's very hard for him to leave the house on account of jack always being suspicious that he's going out to be robin & be involved in anything vigilante again (it is implied that this is the first time he had been able to get out in a while because of his dad, as he didn't know she got her cast off). one day, when tim is at school, darla aquista, who has a crush on him, kisses him out of the blue. this happens to be seen by steph, who is now officially active again & chooses to be active during the day as a result of wanting to avoid batman as she doesn't have his approval, has gone over to tim's school to check on him because she's suspicious he's hiding something from her other than he's basically under house arrest from his dad atm since it had been so long since she had seen him. it, of course, looks terrible to her and she flounces off--deciding that she's going to become robin. bruce agrees, which everyone--alfred, barbara, eventually tim, etc completely understands to be a scheme to lure tim back. steph proceeds to completely ghost tim for the next two months--he calls and leaves messages, and she never calls back or comes to see him at all--she is completely radio silent & avoiding him and he doesn't know why but he is worried. bruce tells stephanie that she will not be privy to any secrets & the minute she disobeys an order she's out (a double standard, yes, but completely consistent in that he, again, is using her basically only to lure tim back). meanwhile, scarab is hunting tim, killing boys in his age range with dark hair and their families in an attempt to kill robin as there is a contract out for his life. tim then finds out through the newspaper that the reason steph has been avoiding him is because she became robin & calls the batcave to finally talk to steph & ask her to meet so they can finally talk in perso. about what exactly happened and how on earth steph became robin. cassandra comes instead--steph doesn't show up because batman and robin are busy hunting scarab who is trying to kill tim/previous robin & tim needs to be put under protection. steph gets a tracking device on scarab. day 49, bruce and steph go to get scarab, bruce goes in while steph is let behind for support in the batplane, bruce gets blinded, steph disobeys bruce and comes in to help, steph gets caught by scarab, scarab gets away in the batplane because steph forgot to arm the security system. steph officially gets fired 3 weeks later for disobeying an order on day 71.

yea, it's something. but it is what it is.

war games:

so we get to war games proper. overnight, a gang war has erupted & set the city ablaze and into chaos after a letter was sent out calling all the crime bosses to the harbor where a firefight breaks out on account of the main player who was supposed to be there if those letters were sent out, matches malone, not showing up. since tensions are high, it's easy for then to start shooting and killing each other & in doing so creates an immediate and widespread vacuum of power in the criminal underworld of gotham that people leap to try to fill & wipe out their competition in the meantime. innocent people are caught in the crosshairs.

nightwing (who is already having a terrible time) shows up to help (with tarantula) & is personally dealing with the emotional fallout of letting tarantula kill blockbuster amongst other things.

barbara is doing her best to help out and triage people to help, but there's really only batman, batgirl, nightwing, tarantula, & orpheus against a whole city. and at this point, tarantula has taken over a gang under batman's command to try and control things and can't overtly help & orpheus was already in control of a gang under batman's command in an attempt to protect women & children and exert some control over the criminal underbelly of gotham and also cannot overtly help out.

stuff with hush is happening in gotham knights but i don't care aj lieberman, by god, i do not care.

tim is doing his best to go about his day and keep his promise to his dad and not go out to help despite the fact that the city is falling apart. this becomes harder when a rival gang comes to kill his friend darla aquista at their high school, on account of her father being a mob boss. the kids are panicked and run into the school for sanctuary and safety, but are followed in and darla is shot.

what happens next is that tim's school is taken over by gangsters--the ones who came to kill darla, and the ones who see the opportunity to kill the ones who are trying to kill darla--and the kids are trapped in there with them, doing their best to hide, but some are taken hostage & are at the mercy of their captives (kids are killed). tim shelters in the nurses's office & does his best to go out and help who he can bring to safety, alone with getting a lay of the school (which gang is where).

meanwhile, bruce, cass, & dick have been informed that tim's school is taken over and kids are dying. along with all their other current trauma, they have to go find tim in an active shooter zone where he could very well be dead. dick gets to be the one who finds him (such a traumatic time for dick btw), and he's thankfully okay. they get control back of the school and free the kids. batman comes out on live television holding darla's body--she's not dead yet, but she's close.

we find out where steph is. selina finds her and we finally find out why this happened: upset at getting fired and frustrated that she's never been able to truly land their approval, steph lashed out & stole a plan designed to unite the crime families in gotham under batman's control hoping that if she was able to set off a plan for batman & it worked he would take her back and she'd finally have his approval. however, the main man didn't show up and it fell to pieces--doomed to fail. and the reason that this all happened is because steph was never told that batman is matches malone. there's actually a ton of 'bruce what have you done' here. catwoman shelters steph & tells her to stay put. steph does not do so, she leaves so she can try to find orpheus & help get the situation under control because she knows he's key to the plan.

tim, unable to stand by any longer despite his promise to his dad after the thing at the school, returns to the manor where he is greeted by alfred & returns to being robin.

batman finally also realizes that what happened is his war game contigency plan/hypothetical/thought experiment just as a citywide blackout hits--a plan he never intended to implement, it was one of his hypotheticals. & they also start looking for orpheus, as he's the key because they need to keep him alive as the plan was for the criminal underworld to reform united under his, and therefore batman's, rule.. steph finds him first, just in time to see his throat slit--by black mask.

steph gets into a one v one altercation with black mask and is overpowered and at his mercy. he tortures her. it's gross, we all know.

tim tells his dad he's returned to being robin. we get what is probably some of the best jack drake charactetization. tim meets jack and dana so they can go help out at leslie's clinic to help the injured.

steph, eventually, after being tortured, finally tells black mask that the plan required orpheus and is now obsolete because orpheus is dead.

cass is looking for steph because she's probably the only one aware that steph is out as spoiler & she knows that the last time she saw steph steph was lying to her about something

leslie is currently acting extremely out of character. and she's kind of a jerk to cass when cass comes looking for steph & is downright hateful about his mission. (which. is ooc for leslie--while she's never agreed with bruce's mission she's always, always, loved and respected them all--consider her in NML vs here. she wants to end his crusade and him to do something better, but she's always looking to be a beacon of hope that there is another way. every disagreement should be steeped in her love for them).

hush is still here for some reason and will tell black mask where the batcave is

catwoman is concerned about steph--who has passed out from the torture--calling her "the kid you messed up so badly she started this whole mess"

batman takes over oracle's & the police's system by force. we're really in it now. steph wakes up, determined to get to batman to tell him about orpheus's death.

black mask, however, has taken over orpheus's identity and is contacting batman, ostensibly to continue the "plan". and darla officially dies, meaning her father is out for revenge and wants everyone killed.

batman meets up with black mask as orpheus & figures out spoiler was there, but he assumes she fought zeiss. he leaves, black mask is planning...something as orpheus.

batman has barbara take over the police waves once more. barbara is getting really sick if this shit.

gotham city is starting to rail against vigilantes as a result of the widespread chaos of war games, calling for them to turn themselves in.

batman has orpheus call a grand meeting. ostensibly to end things and ensure peace in gotham with everything unified under orpheus's commands. orpheus is, however, dead. black mask uses the meeting to set everything ablaze again & barbaba has to call off the vigilantes from helping to protect the gcpd to go help batman--this is the straw that breaks the camel's back of this causes an official break in the uneasy alliance between vigilante & gcpd and comissioner akins gives the order to shoot to kill vigilantes on sight (as also, as a result of the plan failing due to orpheus's murder it seems as if batman et al are on the side of the villains causing mayhem)

at this point the game it out of control & they have to focus on stopping it. cass finally has a chance to talk to batman and tell him her suspicions that steph was the one who set the entire thing into motion, which he has now figured out (on account of him finding traces of spoilers's at orpheus's)

dick gets shot in the leg by the police while fighting firefly

tim meanwhile is happy to return to robin, and actually has bunch of nice things to say about steph's time as robin--that she kept things light for bruce, that he's not too proud to learn from her--even if he did admittedly resent her a little bit for how it all went down. he's also currently in the middle of a breakdown over darla's death and is pretending everything's okay by just go go going.

steph has freed herself from her bonds and gets into it with black mask, finally overpowering him when she realizes "this isn't a game". she gets a gun to his head & wants to pull the trigger and end him for good, but can't--as that would mean betraying everything she's been taught. the hesitation costs her and black mask gets the gun and shoots her in the shoulder & kicks her down the stairs & leaves

she manages to get herself up despite her extensive injuries and escapes by rooftop, where she's finally found by batman, who brings her to leslie and begs her to save steph. he then tells her she did good & that she did everything she could & that the city owes her after everything she went through.

and black mask is still causing trouble--hush supposedly told him the location of the batcave & he plans to solidify his reign as the undisputed crime lord of gotham by sending everyone there--it's not the batcave, however--it's the clocktower. all the criminals are now converging on and headed for directly for barbara. they get in and make it past all her defenses and invade her safe space, black mask making it to her control room & taking her hostage. the gcpd also descend upon the clocktower.

batman goes ham and almost kills black mask, saying it'd be worth it to end everything that's transpired. tim creates a diversion by lying saying they'll turn themselves into the police. barbara blows up her clocktower so that bruce has to make the decision between saving her & killing black mask. bruce chooses to save her & it's over. bruce gets called to leslie's clinic, where it turns out steph had too much internal damage to save her. steph tells him that she started it all, and bruce says he knows but that they took care of it. he tells her that tim isn't mad at her and that the baby she had won't want for anything ever. he lies and says that taking her on as robin wasn't just to bring tim back, that she was really robin & that he'll be watching over her. she dies. black mask takes over as the new criminal overlord of gotham city.

as a result of all of the above, we get the following: gotham is no longer safe for vigilantes to operate. tim has been set in motion on the path of loss from darla to steph to his dad in another event that will eventually lead him to the mental space he needs to be in to become red robin and leaves for bludhaven. cass follows in her grief of all that transpired. dick is out of commission due to his gunshot wound & dealing with the fallout of working with bruce while feeling like he doesn't deserve to, but is also the only one left to work with bruce. barbara, whose safe haven was trampled upon and destroyed, feels gotham to go be with the birds of prey in another city. bruce is operating all but alone, save for a couple of other distant vigilantes.

we find out that bruce didn't--couldn't--tell tim steph had died until hours after the fact, and that's when tim was finally able to hear the whole story as to how steph became robin all the way to how the gang war got started. this is also when dick finds out the whole story as well.

and thus, war games ends

war crimes:

so we make our way to the epilogue of this storyline. the very aptly named war crimes

the public is still railing against vigilantes. it comes out publicly that stephanie brown was spoiler, then robin, and that her injuries were not thus that should have killed her. batman finds out and goes to leslie's to find out who leaked stephanie's information, only to find out leslie has resigned and her chief resident left with her. batman finds the resident, murdered in a clear attempt to set batman up. (it's black mask setting him up). a man named aaron black is railing against black mask, batman, & the gcpd for the gang war

we find out that treatment was deliberately withheld from stephanie and she was purposely left to die. we find out aaron black is the not so dead arthur brown. & we find out that crystal knows something and is prepared to spill it all. black mask comes dressed as batman to attack crystal brown on live tv. we find out the joker is after black mask for killing robin. the joker gets arrested, black mask gets arrested (and escapes), a tv reporter gets indicted, the leader of the odessa mob gets indicted, commissioner akins and athur brown don't get indicted, and batman has finally figured out who killed stephanie and goes to africa where she fled to.

in, quite possibly, the greatest moment of character assassination in this entire gd event we find out it was leslie who let stephanie die because she was tired of batman's crusade, destroying everything she once stood for just to prove a point to bruce about the senselessness of it all and to try and put an end to it. congrats to dc for this horrific epilogue.

so there it is--the entire event. it certainly is a thing that happened. and that's the problem--it happened. and it was very, very much intended as a personal fuck you and goodbye to the characters of stephanie brown and leslie thompkins. and that's terrible on so many levels. but unfortunately the fact of the matter is, despite that and regardless of any personal feelings about it, war games became a load-bearing event to batman canon.

because war games had so much influence on fundamentally upheaving and changing the status quo of the characters involved and storylines following this could not happen without war ganes existing. without war games, tim does not become the tim that will eventually become red robin. without war games, dick is not injured and out of commission and does not flee to new york and the mob, leaving bludhaven for tim and cass and on his passively suicidal mission that will eventually lead to infinite crisis and the one year boat ride. without war games, barbara does not leave gotham because she needs to leave it behind, only to return during the reborn era & all the tension that entails. without war games, bruce doesn't end up alone & isolated as needed for the red hood storyline. without war games, stephanie is not killed and thus can't be evolved into batgirl as an apology for the way she was treated. the dynamics caused by war games are essential to the stories that come after it. and then you're left with two very, very uncomfortable truths:

one, war games was a horrific fuck you and. fridging to a female character solely because of the evil sexism present at dc editorial at the time and of course you want to delete anything that had such awful intentions behind it

two, war games happening is essential to the trajectory of every single bat characters' story that comes after it including hers. and so it had to happen. and the thing with war games is that steph, while not completely to blame for it transpiring, was humongous part of it transpiring no matter what. because we end up with what it seems to me, the grand circle of blame. it goes as follows: war games never would have happened if bruce hadn't made his contingency plan to begin with -> yes, but. even if it is one of bruce's toxic traits to do that, he never intended for the contingency to go into effect and it was more of a hypothetical than anything and the only reason it ever saw the light of day was because steph stole it and put it into action -> yes, but. if bruce had been less of an asshole and told steph the basic information of matches malone is batman she wouldn't have made the mistake -> yes, but. to completely blame bruce is to remove any and all agency from steph, because nobody put a gun to her head and forced her to implement the plan, that was entirely her decision. and as much as we would have liked her to have decided she no longer needed batman's approval, the fact of the matter is she did want it and she did make the decision to send those letters -> yes but, if bruce hadn't had a contigency to begin with she wouldn't have had such an awful plan to steal -> yes, but having contigencies for plans that will never come to fruition is honestly a normal thing for them and bruce planning out a hypothetical is just another tuesday, and it was steph who set it into motion -> yes, but... and so on and so forth endlessly until the end of time. like, whether things were out of character or whatnot is a valid discussion (though all comics characters are doomed for stories where they're out of character), but putting that aside: the fact is, for every character's trajectory into the reborn era, war games had to happen. and for war games to have ever seen the light of day and happened, steph had to make the decision to send those letters.

and so we're left with this. steph made those decisions because of horrificly sexist behind the scenes decisions. if steph didn't make those decisions, then no other character trajectory makes sense. and that's how we end up with a steph conundrum that is so much harder to fix than any other character assasination of the time. because cass's was easy to retcon as brainwashing, it makes sense for slade being involved. leslie was easy to retcon as faking steph's death, that removes her intent to kill a child and restores her original characterization of every life is sacrosanct. but war games? war games does not and can not happen unless stephanie decides to send those letters. things with tim and barbara and cass and even through steph becoming batgirl don't happen unless steph sends those letters. and when she sends those letters, hundreds of innocent people die and even though bruce is largely to blame (and is blamed, by the narrative), there is a culpability of steph's active decision in the entire mess that exists.

and if that culpability exists, if she sent those letters and war games happened, and innocent people died and barbara had to blow up her home and tim had to do cpr with darla's blood pouring over his hands and dick got shot in the knee and had to find tim in an active massacre, and cass lost herself to grief, then from an in-universe perspective while it's easy to for them to blame bruce for the majority of it, it also is true that every single one of those people has the right to question whether she is capable of making good judgements because of the extremely bad one she made that had so many in-universe consequences & they were all victims of it. from an out of universe perspective, it is so, so, so hard to put that kind of culpability on her, though, because of the sexism involved in deciding to make her make those decisions.

(as an aside. you also get this same issue that occurs as a part of the last arc of the robin series--wherein in order to justify steph no longer being spoiler and graduate her to batgirl, they need her to make a mistake so bad it would justify the idea that spoiler is a tainted mantle & she can't go back to it--so they decide that she needs to hire assassins to try and kill tim under batman's orders. now this is stupid & nonsensical, and she makes a mistake like that due to writer sexism thinking that that was the way to go. but her making that mistake and hiring those assassins is essential to the overall self isolation of tim & him being unable to trust her amongst everyone else that he needs to be in the headspace to kick of red robin & steph needs to have made a mistake that taints the spoiler mantle & makes people not want her to be it otherwise why would she become batgirl... it's messy. very messy.)

but because of all the horrific sexism out of universe behind the decision to write her to do these things, you're left with. hm. it is hard to want to make her have any culpability because that would just be entrenching the sexist writing she's had & she was the biggest victim, but to just completely throw it out is to make every other character appear completely irrational and unreasonable when it comes to dealing with steph. and that's truly hard for dc--who, once they make her a headlining character in her own right as batgirl, now has to be a lot more careful when dealing with steph. because if any other character does have reasonable concerns about steph continuing to exist as a vigilante after the decisions she made that sparked off war games, or hire assassins for tim, or etc etc etc then you risk people being like "no, maybe these people have a point. maybe these people shouldn't have to work with her if they feel at all uncomfortable by decisions she made that resulted in truly terrible times for them."

so you end up. dc finally has to do something grand, something triumphant for stephanie's character to make up for the completely atrocious way she was treated before. and you get batgirl 2009, which is a triumph for her character, it's the approval she's always deserved but never given, she finally gets to show all her naysayers that she's worth it--that they were all wrong about her and she deserves to be there just as much as them. and she does deserve a big doylist apology--she was treated terribly & cruelly & it wasn't right for dc editorial to do so. but you run into. hm. this problem of in order to make this big doylist apology work, you need everything that came before it to have happened. because it's a big doylist apology you can't actually have it that those things to have happened because if steph has to prove herself to the naysayers, the naysayers have to be completely wrong about her.

and that's hard given we're in reborn era and bruce is "dead". because in that case, steph's naysayers have to be barbara, tim, & dick. and while steph shouldn't have to prostrate herself for forgiveness & they shouldn't blame her for everything ever (they've all had their own issues where they've made mistakes, some with tragic consequences, and therefore can't call the kettle black), the problem with having to make them her naysayers is that you have to make them unreasonable about her & that's hard to do when they were all victims of something that occurred in part due to a decision she made. you have barbara, who should be able to have reasonable concerns about whether steph is fit for the job because she had to blow up her own sace space because steph sent those letters. but you can't acknowledge that because that would be entrenching the sexism behind that decision. so you make it so barbara is the one in the wrong about her. you have dick, who should not be able to look at stephanie without remembering his little brother calling him, wanting to commit suicide over everything that's happened, without remembering the tim at the edge of the pit, without remembering getting the call-code 619-and realizing that tim's at the site of a massacre occurring at his school and could be dead, and he gets to realize he was completely wrong about her with no consideration to what complicated personal feelings he may have about her on account of his own most precious relationships. you have tim, who does have things to apologize to her about, to be sure, but has to be cast as completely in the wrong despite the things she did having to have happened such as hire assassins & everything he had to endure as a result of her sending those letters. and that's not to say that any of this means that she shouldn't be a vigilante of course, you can't have a double standard where male characters are allowed to make mistakes and continue on regardless of mistakes made and not afford that same grace to female characters. but at the same time, it's uncomfortable to cast barbaba, dick, and tim in the role of naysayers to be overcome because that erases their victimization by the events that had to have happened in order to make it to this point. and again, they don't have to blame her to feel like it's her fault to have reasonable discomfort because discomfort =/= blame, necessarily.

and you get into this entire mess solely because of the decisions didio made because he hated her character and was determined to destroy it. and it's gross! we hate didio! but like. way back to my original thought, in a way, he did succeed a little. because of the horrific things that happened to her due to cruel and gross out of universe editorial decisions, you do have to be extra delicate with the character. you've lost the ability to show steph making any sort of mistake that has significant ramifications because to do so is to go back to war games & all the baggage that that entails. you need to play it incredibly safe with her. she can't be shown to be in the wrong because of the horrific way she was treated. at the same time, you need things to have happened, but you need things to not have happened. it's just a lot of baggage for a character, and there's probably a reason why they still play it safe by sticking her with tim (until they broke up) and now cass. it's uncontroversial after everything she's been put through. idk. i think current continuity is the best chance to finally really do something interesting with her again given that the mistakes of the past are so softened and don't need to be forefront to the character anymore because we are in an era ripe for things happened but they didn't happen, but will they? i don't know.

[garr9988]

I say this as a big SU fan: If I had to give Steven Universe one glaring L above all else, while fully recognizing that it may be at least in part due to the final season & Future being so rushed:

It’s having Rose and her death be so heavily suicidal-coded (the art books went in on how much she loathed herself and thought she was incapable of changing, so) and yet ending the series with Steven being so irreconcilably angry with her and the impact of her death that he locks a reminder/representation of her away in a place he doesn’t visit so that he doesn’t even have to acknowledge her existence.

Granted, the finale ended with Steven getting therapy and clearly improving his relationships with the Gems, Greg, and Connie that were similarly causing him grief, but Rose in particular is a very specific case in that we don’t see whether he improves his feelings on her, and because she’s dead she isn’t an active presence in his life that he’s compelled to reconcile with. Greg is his dad and Connie is his girlfriend, he has to like them to keep them around, but there’s no incentive with Rose.

There’s also Greg, Pearl, and Volleyball still loving Rose even with the full picture, but to me that feels barely there anyway, a half-hearted tack-on.

I still have a big gripe with the movie for tacking on Rose’s treatment of Spinel and making Rose seem even worse than before, purely because neither the movie nor Future remind the audience of the ways she eventually improved. It felt like the writers went too far when they had already given us Rose’s story in reverse and already had the characters react negatively to the news she was Pink Diamond in the original show.

There’s obviously room for audiences having to remember these things themselves and that a narrative doesn’t have to point these out all the time. But a narrative bears responsibility for the way it frames things and the way it wants or expects an audience to view something.

Rose’s redemption arc being shown in reverse IS cool, in concept! But when the audience insert protagonist and a lot of other characters get this reverse arc and act like the terrible things are the conclusion of her self, that these secrets aren’t her past that she left behind but the mask being ripped off and the true evil monster being revealed for who she is… it doesn’t leave a good taste in my mouth.

That’s certainly part of why a good chunk of the fandom hates Rose the way they do, bc to a non-negligible extent the show is fostering their view, playing it out on screen without actually correcting it.

It’s obviously realistic and possible and downright good & compelling for someone to have a very negative response to another character’s death (suicide) and the fallout they’re left with. But a character who dies in such a way, especially Rose. deserves to be given sympathy and respect within the narrative.

[datura-tea]

i noticed something. there's a trend in fandom where people dismiss black characters as boring and useless no matter how much they enrich the narrative, right? we've seen it with preston garvey, with wyll ravengard, with maximus in the fallout show, with countless other characters... but as a years-long ulysses enthusiast i've never seen anyone call him boring. he's been called many things, of course: obnoxious, annoying, difficult to understand, confusing, insufferable, a bitch, to name a few. people have come into my askbox to tell me they kill him every time, someone replied once that they want to set him on fire, etc etc. in short, people hate him

what i'm wondering now is... why is that? what is it about ulysses that makes him not boring but rage-inducing instead? is it because he's not a main companion (who you can simply leave at camp), and you can't ignore him if you want to know the whole story? is it because he, as a character, dares you, the player, to confront your actions? is it because he's pivotal to the dlcs, arguably the main game, and you have no choice but to engage with him, and on his own terms?

and anyway, why is the fandom fate of a black character either ambivalence and dismissal or straight-up hate and violence? sure there are small and vocal pockets of love for these characters, but those are small islands in a sea of negativity. i mean, we had to make a separate "preston positive" tag, for god's sake. what gives

[trippingontheescalator]

Curious about the direction the HP fandom has gone

Okay, so as an old HP fan from way back when the books were first coming out, and then getting hit with the nostalgia and decided to return after years and years of not interacting with the fandom at all, the changes are truly mindboggling and I'd love to get to the bottom of some things.

Like, the disappearance of Blaise Zabini. Blaise was a fan favorite way back when we only knew his name but now I barely hear a whisper of his name. Now, the obvious answer is racism, which I think is the #1 reason why Blaise-pairings have dropped of significantly. Back then we all thought Blaise was a hot Italian girl, and then we found out he's a black man and suddenly people stop writing about him? Hm, yeah, seems the obvious answer (especially considering the popularity of other characters who are just a name on a page *cough*regulusblack*cough*).

Or the rise in Snape-hate. Like, Snape used to be the fan favorite. Everyone loved Snape. The meaner he was, the more we liked him. Being mean to children was a plus, not a negative lol. And this was back when we all thought he was a pureblood who came from a wealthy family like the Malfoys. Now by the time the 7th book came out I had pretty much moved on and so I didn't really see the fallout of readers discovering his actual background, so I don't know if his drop in popularity is classism and learning that he isn't a palette-swapped Lucius Malfoy or not, but honestly I would figure his impoverished background would be a plus in these times. Like Snape is obviously one of JKR's least favorite characters, and considering how she-who-must-not-be-named has destroyed her reputation with her increasing radicalization you'd figure the poor, abused, author-hating character would become more beloved instead of the rich, white, heteronormative bullies who barely even show up in the books. Like with our increasing knowledge of social injustice, I just don't understand why the fandom would want to latch onto the Marauders? And I just can't believe Snape's handful of snippets with Lily is the cause of his downfall (like what's there is barely enough to fill up a few pages, and there are certainly more toxic relationships in the series that are still beloved), or the fact that he was a Death Eater or that he inadvertently caused the deaths of the Potters (we already knew that in GoF and HPB respectively and he was still beloved, and this was when we assumed he didn't give a shit about the Potters or if they died when he went snitching). Draco is still popular. DRACO who doesn't give two shits about slinging around the word "mudblood," as opposed to Snape who actually changed for the better.

Am I just too old to understand? Is this like 90s fashion coming back in style (no, I won't do it again, I don't care if it's cringy I'm sticking with my millennial styles, I did the platforms and the slip dresses and the cargo pants in high school and I'm not putting myself through that again lol you gen z's can pry my comfortable mom jeans from my cold, dead fingers, I don't care if it makes me look old, that's the point, I AM old). Like, in addition to 90s fashion, has the 90s obsession with luxury athletic fashion like Lacoste come back in style? All those fashion ads of rich white people on yachts with popped collar polos? Are people starting to obsess over the Marauders because nouveau riche conspicuous consumption is coming back in style? It can't all just be young kids who have only read AtYD and have never actually opened one of the books, can it?

There also seems to be a trend of treating characters as if they're real people. I mean, we've always done it (Snape Wives, I'm looking at you), but now it almost feels as if the crimes characters commit are treated as if they're real crimes and that liking them is somehow a moral failing on the reader's fault. If you were to say "I don't like Snape, his douchy actions anger me, I'd rather skip all the parts he shows up in" I'd say, cool, I get that. That's normal. But "Snape is an abuser, a racist, and an incel and if you like him you're probably those things too" is fucking weird. Like, Harry and Hermione are not real children. Snape is not a real person. The things that happen in this book have as much influence on the real world as me imagining ninjas breaking into my workplace on a slow day. And that "media does not exist in a vacuum" pisses me off because it's blatantly misused. The pieces of media that have had serious consequences? Jaws, The Birth of a Nation. One resulted in the culling of sharks, the other helped restart the KKK. Do you know what those two pieces of media have in common? They're not about fucking wizards and magic schools. They instead paint a target on real groups. After twenty years nobody has ever tried to hurt a marginalized group of people because of a harry potter book (except for JKR herself).

Anyway, these are just some random thoughts, feel free to chime in with your own.

[sprunkrat]

I have some thoughts about Amazon's Fallout TV Show.

The show is of course disrespectful to West Coast Fallout, but in a more insulting way than just having the many iconic elements of the classic games be reused over and over again. You start to really feel as though that Bethesda resents the success and continued interest in New Vegas, and while that may be true, it doesn't explain the mountain of references to both the classic Fallouts and New Vegas.

I assume there was need to appeal to the fans of the West Coast, as the TV show is a large event and they would make a portion of viewership. There's all sorts of things sprinkled in, the Brotherhood is fashioned to be more medieval with monk robes and rituals, one of the props used for a pistol is a recreation of the stupid Hard Boiled magazine-fed revolver from Fallout 1. These references are all just borrowing from the aesthetics from prior games, though. It was probably expected that FNV fans would be happy with this representation alone.

Maybe they didn't see that there would be such a negative reaction to flattening all that has been built up in the West Coast, people would just be happy to see the NCR and New Vegas, even though they were nuked or left in ruin. Maybe people would point at the screen when they saw Robert House, not caring that his inclusion contradicts his ideology and goals in FNV. Why would they change the West Coast so much? Well, maybe they don't know what to do with it after FNV. Or that the fact that the West Coast has actual nations and progress doesn't fit well with Bethesda's view of the series of just being a perpetual apocalypse where you can explode raiders' heads while listening to 50s music. There is another reason I haven't seen discussed, but I need to first write about another part of the show that bothered me.

There's definite anti-capitalist themes in this show, as there is in all of Fallout. The Fallout show is different in the way that they aren't particularly background, just told in old world terminals and other storytelling. They are front and centre to the final few episodes of the series, but told in a very bad way. It's not the general system of capitalism caused America to keep declining to it's eventual fall anymore, it's rather disappointingly been changed to simply a shady cabal of evil capitalists that decided to drop the bomb because it would be profitable. And don't worry, the group trying to fight back against this aren't actual communists, they are rich Hollywood actors, so it's all good, they aren't like actual communists who deserve how they are treated under this America. It's rather a boring way of going about it.

It's the use of the line "War never changes." in the scene where this is all revealed that made me realise a potential reason why the slate in the West Coast was wiped clean. I think they are interpreting "War never changes." as "The world will always be in a state of perpetual war, new societies will arise but they will always fall as violence and cruelty is innate to human existence." rather than "War doesn't change despite how it's fought; no advance of technology or reasoning will change how pointless it is and the end result of suffering and destruction."

To demonstrate this, the NCR must fall. Just have Vault-Tec nuke it like they did for the old world, no matter how unsatisfying of a fall for the NCR that may be.

With the Marvel-esque sequel stinger of New Vegas being a setting of season 2, I'm morbidly curious if they will continue to mess up further, but maybe it's time to just let go and stick to the old games that I actually enjoy.