#faces of grief

[bunnisquivels]

🌾 “Am I still beautiful to you, Sophie?”

hello tumblr!! This is my first post, I don’t know if I’ll be posting here too often, but I’m glad to share my art! Im not really sure how to post on here honestly; I guess we will see how this does though! 🪻

[jdcyt]

🎶 I wish for the rain whenever you go

And I’m digging my grave after the show

Only drifting away 🎶

GOD TWF 5 is gonna kill me

SONG/INSPIRATION: I wish for the rain - Liana Flores (https://youtu.be/MstpRfvPZEU?si=GxmtMcHUR1x3jIC-)

I DO NOT CONSENT TO MY ART BEING USED FOR AI PURPOSES. PLEASE RESPECT MY WISHES.

[lxverslvts]

HOW WE FEELING AFTER THE FACES OF GRIEF TEASER

THE WALTEN FILES 5 AHHHHHH

[pimsri]

I make art about grief again

[bbbbbbbbatman]

timkon clone baby au where when bruce comes back he's furious to learn that tim made a baby bc what the fuck, tim? that's so irresponsible- and then he lays eyes on the baby and immediately falls in love and suddenly his lecturing is much less effective when he's bouncing a baby on his knees and pausing every 30 seconds to coo at it

[ummmmandy]

[swordmaid]

back to the shadows 🌑

inspired by the storm by pierre auguste cot, shri’iia and astarion running away from the sun bc he’s a vampire and she has sunlight sensitivity.

please zoom in to see the details! 🥹🫶

[bigfatbreak]

Birds of a Feather previous / next

[cry-ptidd]

” Am I not right to weep? O my children, cursed children of a hateful mother - ”

[tagerrkix]

rage.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x01 - “Heavy is the Crown” ↳ "I know you doubt your merit of your birthright, Caitlyn. There's wisdom in that. But remember: You're a Kiramman."

[jdcyt]

God October this year will be especially rough for me this year as well 😭

[persona-brainrot-real]

Sae Niijima is such a good character it drives me insane a little. She's not a mother nor a maternal or doting older sister but instead a twenty four year old who was thrown into a position of responsibility that she never asked for. She loves Makoto just as much as she resents her and its so apparent every time they talk up until November. "Are you studying?" (I want you to do well) (I need you to get a job and stop making my life harder) "I'll use any method necessary to get this promotion" (Life will be easier for us) (So stop distracting me with your problems) "Focus on your future" (I know that you're capable) (I can't afford to waste my time on you, so stop wasting time on others)

Makoto is not only the sole reason she pushes as hard as she does for a promotion, for success, and the reason that she loses herself in her animosity over her fathers death, but also someone she can't stand for so long. Makoto was 14-15 when their father died. Sae was 21. As soon as she got the career she wanted and things started to look up, her stability was robbed from her and she was disillusioned with the system that her father had taught her to rely on and completely adhere to. How do you manage, the daughter of a cop, following his footsteps towards law enforcement, when you're suddenly reminded of how unfair it is? You can't quit, your little sister relies on you and she's so young and struggling just as badly with this grief. So you pick yourself up and you get moving again. You push harder, press further. You abandon your morals and your ethics because punishing criminals (guilty or not) is almost like punishing the man who killed your father.

And the whole time she's fighting for promotions, going for drinks with the SIU Director to make herself more favourable for promotions, trying to navigate being a woman in a competitive, suffocating, male-dominated field, falling behind despite doing so much where others are promoted for doing so little - all the while your little sister comes back from school and her biggest issues are so small compared to yours.

Persona 5 revolves so heavily around grief and loss and change and Sae embodies all of that so well, all of the sharp and unpleasant and jagged parts of grief.

[theriverbeyond]

Always thinking about how TLT is in so many ways about cycles of abuse.... Mercymorn has spent 10,000 years being too emotional and too sensitive and wearing her grief on her sleeve (the feminine expression of grief versus Augustine's masculine repression of it) and she spends those 10,000 years being ridiculed for it. "Unlovable Mercymorn, critical Mercymorn" -- John denigrates her in front of her inferiors on the Erebos, Augustine has a constant, painted on expression of dismissal, etc until the point where Mercymorn herself just accepts it.

And then here comes Harrow, 17 years old and grieving just like her, and Mercymorn has a chance to help. She has spent 10,000 years as a live wire of grief, and she's given this broken baby who has torn apart her own brain, in many ways a mirror of Mercymorn's own grief, and she has the chance to help. But what does Mercymorn do?

She ridicules Harrow. She dismisses her. She perpetuates the violence that she herself has faced, and the cycle continues

[sapphic-and-stupid]

I just. There’s something to be said here about Eddie having Venom ride along with his every thought, every moment of his life, for the past year. Even when he gets angry and yell and tells Venom that he wishes Venom wasn’t around… when he wakes up (Multiple Times in the Movie!!) his first action is reaching out to Venom. God the transition from movie 2, Eddie “I don’t need you, YOU need ME” to movie 3 “But I need him.” Eddie tried so hard to be his own person and he is!! He is a whole human being of course but his life is so much better with Venom in it - not as a symbiote or as part of this crime fighting duo. But as his buddy! As his friend as his constant companion. Eddie and Venom, two losers who finally find belonging in each other. And now? And now Eddie is alone again