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[clairabow]

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[timandbash]

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[jokeroutsubs]

ENG SUB: JokerOutSubs x RADIOaktivno collab: Joker Out – Šta bih ja

Audio + CC link here

We want to thank once again Boštjan Najžar from RADIOaktivno podcast (Facebook, YouTube), for collaborating with us for a third time. We’ve previously worked with him on the English subtitles for the 'Umazane misli' album presentation and 'Demoni' album presentation. Please check them out, if you haven’t seen them yet.

We’d also like to extend our sincere gratitude for the shout out during the interview! Acknowledgements of our hard work and positive comments like this keep us going, and the whole team was so pleasantly surprised! It is very much appreciated!

Credits: Transcript and translation by @kurooscoffee and an anonymous member of JokerOutSubs, proof read by IG GBoleyn123, captions by @kurooscoffee and X pastellibianchi.

Transcript below the cut👇

Host: Bojan from Joker Out is with me. Hi.

Bojan: Hi, hi!

New songs are slowly trickling towards completion, or not?

Bojan: Let's say 'slowly trickling', is a very good expression, yes.

So is the creative process also slower because of all your other occupations or not?

Bojan: Yeah, these concerts are a bit of a distraction, the heat outside certainly doesn't have the best effect on working before four or five in the afternoon, so the pace isn't the fastest, but I still think that it's the right one for this moment.

And if you also look at last year, would you say it was a great year?

Bojan: Yeah, that year was… Really, to say dreamlike would be an understatement, because even when we were dreaming, we couldn't have imagined that, so, truly unbelievable.

After all, 'Carpe Diem' was the most played Slovenian song?

Bojan: Yeah, yeah. It's true.

And then there's the golden record in Finland.

Bojan: Yeah, we never imagined that we'd get a golden record in Finland before we got it in Slovenia, but here you go, anything can happen.

And you have also literally taken Slovene around the world.

Bojan: We have, yes. Which is a very interesting phenomenon, that can't be fully grasped either by the locals in the places that we visit, nor by us, but it's beautiful and very magical to come to a new place every time and to hear the people, whom you actually can't differentiate, while they're in the crowd, from the Slovenian audience, in terms of singing.

The 'See You Soon' tour is also behind you. That was an actual, real, tour. How did you experience all this?

Bojan: Yeah, now we've actually experienced this, let's say, a tour as we imagined it from music documentaries and films from abroad and I have to say that it was a really good mixture of intensity and pleasure. We went into all of it, I'd say, quite maturely and professionally, so that we could make it through all the concerts healthy, and get one hundred percent out of ourselves at each location. So it'll forever be one of those very, very, very beautiful memories.

I guess it all requires quite a bit of physical fitness as well?

Bojan: Yeah, which, honestly, I'll speak for myself, I don't have, but cardio at concerts somehow meets at least the basic needs.

But it looks different on stage. You're always in good shape there, when I see the various clips online.

Bojan: Yes, exactly! I'm somewhat in shape on stage, but offstage, (laughs) unfortunately, not so much.

You've already played new songs on the tour and one of them has now become a single. It's the song 'Šta bih ja'.

Bojan: Mhm.

This time in Serbian.

Bojan: Yeah. 'Šta bih ja' was basically the first song that we did in London, when we went to make music for the third studio album and somehow, already in the rehearsal space, it suited the band the most. And the first time we played it live, it was apparently also very well… it had a very good response from the audience and we stuck to the song and we recorded it in the studio as the first one and released it as the first single, because it was kind of expected by the fans.

Considering the activities that you all have in the band, or that you have yourself, then you don't have either a house or an address?

Bojan: Unfortunately, no. (laughs)

In that case, maybe you prefer to offer or give out hotel addresses to everyone?

Bojan: Yeah, yeah. You could find a lot of hotel addresses because we've tried out plenty this year.

There's also an animated video that accompanies the song?

Bojan: Yes, the music video is… actually the work of one of our fans. On his Instagram profile, for each of our songs, he posted 15- to 20-second video animations which we always thought were, I'd say, original, different, and we decided that we wanted to do something different for this one and something that we haven't tried before, so we contacted our friend and asked him if he could make a music video. Fortunately, he responded with a positive answer, so we are very satisfied with how this came out. And again, involving the fans in our work somehow completes the picture and gives it an overall conclusion.

You mentioned earlier, Bojan, that you're preparing a new album, when can we expect it?

Bojan: You can expect it, let's say, by the end of October at the latest, I hope, and if not, certainly by the end of the year.

Will you be switching between languages on the album as well, Serbian, Slovenian, English?

Bojan: Absolutely, yeah. All three languages. will be present on the album.

When will there be a song from you in Finnish? Considering the fact that you did pretty well with Finnish?

Bojan: Oh! It's not in the plans as of yet, but I'd say that if things continue developing the way they are at the moment, something like that could happen very quickly, yes.

Because Käärijä's latest single is also a collab, or rather, a 'featuring', if I remember correctly. It was released not long ago.

Bojan: Yeah, yeah, yeah! He recorded the latest collab with Joost Klein, a Dutch musician, so, I don't know, well, maybe, like I'm saying, there may be some kind of a collaboration, or even an independent Finnish project in the future.

We'll say more when the album comes out, so we don't break the tradition.

Bojan: Right

By the way, the two interviews that we've done (T/N: 'Umazane misli' & 'Demoni' album presentations), have already been translated into English by a team that also works for you, or rather supports you.

Bojan: That's right, JokerOutSubs, who diligently review the materials about us on a daily basis, as they come out, and translate them into English and many other languages, so one huge huge hello to them, and a big thank you.

As I said, the song 'Šta bih ja' is now released. When is 'Bluza' coming?

Bojan: 'Bluza' is coming in the near future, but to be completely honest, I have no idea when we're planning to release it.

But now, on the air, we'll hear the recent one, 'Šta bih ja'. Bojan, šta bih ja radio? ('Bojan, what would I do?')

Bojan: Šta bih ja u ovoj crnoj noći bez tebe radio? ('What would I do in this black night without you?')

ŠTA BIH JA

Everyone: We are Joker Out!

Bojan: And you're listening to RADIOaktivno.

[reality-detective]

Patriots in the Netherlands are walking the streets dropping flyers at the homes of citizens in hopes of awakening the people. According to Rem64 it is having great success. He sent me the flyer and I translated it to English so everyone can read it. 👇

Message to the population The information below is distributed worldwide by hundreds of scientific, legal and political organizations to inform humanity. Evidence for the stated facts can be found in the detailed evidence reports on StopWorldControl.com

The World Economic Forum wants to shape your life The world's richest come together at the World Economic Forum in Davos, Switzerland. The founder of the WEF, Klaus Schwab, is known for statements such as: We determine the future and We infiltrate governments. The WEF trains Young Global Leaders who are positioned in governments around the world. French President Macron, Canadian Prime Minister Trudeau and German Chancellor Merkel are Young Global Leaders of the WEF. The Netherlands and Belgium also work closely with the WEF and serve their agenda. Part of this agenda is to replace privacy with transparency. They want every detail of your life to be known soon: what you do, who you meet with, what you eat, what you buy... The WEF announces that new technologies will record everyone's thoughts, feelings and dreams in the cloud , where governments have access to this intimate data. To combat climate change, the WEF wants to abolish all private property. You will have to rent everything: houses, cars, work tools, etc. The WEF calls for blocking sunlight by massively releasing chemicals into the air. The WEF encourages the normalization of pedophilia, while the UN and WHO instruct all schools to teach sexual techniques to small children in kindergarten, so that they start having sex as young as possible, with people of any age or gender. As absurd as these plans sound, they are promoted by the WEF, the UN, the EU, the WHO and companies such as. Google and Facebook. They are part of the sustainability goals of Agenda 2030, which are supported by governments worldwide. All evidence of this can be found on StopWorldControl.com

The World Health Organization wants to rule the world The World Health Organization is being legally restructured as an effective global dictatorship, able to impose binding mandates on all countries whenever they declare a pandemic. However, the WHO is a private organization that operates outside any democratic process. One of the WHO's main backers is Bill Gates, who has no medical training whatsoever, yet is promoted as the medical authority around the world. As the world's largest vaccine dealer, his health advice is to inject everyone all the time, making him billions of dollars. WHO Director-General Tedros Ghebreyesus also has no medical training. Yet Gates and Tedros dictate to all the millions of medical experts worldwide what they can and cannot do. Article 18 of the proposed Pandemic Treaty allows the WHO to shut down any source of information that does not align with what they want all of humanity to believe. This means censoring millions of experts in every field. Only what the WHO and Bill Gates say should be heard. Do you want undemocratic organizations to become dictators over your life and over all humanity? Do you want all objective scientific and medical information to be hidden so that you only hear what a single private institution wants you to believe? Do you want to be forced to receive dangerous injections for the rest of your life, without being informed about the risks? If you do not agree with this course of action, we invite you to inform yourself carefully at StopWorldControl.com

The news is determined by investors Many people do not know that all major news agencies are owned by a small group of investors, who determine what can be said in the news. In addition, billionaires such as Bill Gates and George Soros donate hundreds of millions of euros to news organizations around the world, to determine what they broadcast Udo Ulfkotte, an editor at one of the largest newspapers in the world, the Frankfurter Allgemeine Zeitung which is published in 148 countries well-known I have been a journalist for 25 years and I have been trained to lie, betray and never tell the public the truth, journalists) are being bribed worldwide by the CIA, billionaires and governments to manipulate the public The world's best-known political commentator, Tucker Carlson, she The news you consume is a lie of the most insidious kind CNN technical director Charlie Chester said: There is no such thing as objective news. All newsreaders are told what to say. He admitted that CNN deliberately creates fear to manipulate their viewers, whether it is about a pandemic or climate change. Texts from Matt Hancock, British Health Secretary, read: We are making everyone scared? The World Economic Forum, the World Health Organization, the United Nations and the European Union, which are owned by the same financial entities that control the news, are calling on governments worldwide to censor any information that does not follow their narrative. Any investigation that exposes their criminal operations should be labeled conspiracy theory or disinformation.

Vital information is hidden Thousands of scientists, doctors and medical organizations are sounding the alarm as millions of people have died and hundreds of millions of people have been disabled after being injected with the experimental vaccines for COVID-19. Data from the US CDC shows that in the US alone, one and a half million people suffered from side effects including death, stroke, heart failure, brain disorders, convulsions, life-threatening allergic reactions, autoimmune diseases, arthritis, miscarriage, infertility, rapid onset muscle weakness, deafness, blindness, etc. Worldwide there is an explosion of turbo cancer and sudden death. Harvard Pilgrim Health Care's famous Lazarus report revealed that overall, only 19% of vaccine side effects are reported. According to this study, the number of adverse events and deaths must be multiplied by a factor of 100 to understand the true prevalence of serious vaccine injuries. COVID-19 has a 99.7% survival rate, comparable to the seasonal flu, and there are many effective medications, such as hydroxychloroquine, ivermectin, budesonide, chlorine dioxide and many more. These have hardly any side effects, are completely safe and available everywhere in the world. This means that no vaccine is needed. However, the WHO instructed governments worldwide to ban these drugs for the treatment of corona and to censor any doctor who spoke about it, that vaccines are the only answer.

What's going on in the world? Why are governments controlled by private institutions like the WEF and WHO? Why is vital information hidden? These are not conspiracy theories as claimed, but facts that can be verified on the international website StopWorldControl.com. We work with world leaders in the fields of law, science, medical care, journalism and politics. Our network consists of more than 100 organizations that jointly inform humanity. They include Nobel laureates, presidents and presidential candidates, former generals of the US army, organizations of police officers and investigators, as well as top officials of the United Nations, the World Health Organization and the European Union. We encourage every right-thinking person to inform themselves carefully Visit the website StopWorldControl.com Pass this flyer on to others.

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[bcacstuff]

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[p-redux]

Had no idea cherylecheryl was bootsaucepunk but makes perfect sense as both are pathetic, nasty, malicious bullies. Thanks for the interesting info.

Hi, Anon. Sorry it took me a few days to put this together. This post is gonna be a long one. So, grab a beverage and get comfy.

For those who don't know, Tumblr blog Bootsaucepunk has been around for years and has cemented a reputation as a Sam Heughan and Caitriona Balfe hater. As far as her being the Instagram troll cherylecheryl, well, we know Bootsaucepunk's name is Cheryl. How do we know this? Because she OUTED HERSELF and her FULL NAME, Cheryl N. on her OWN, now deleted Twitter account. Everyone who was around back then knows Cheryl's last name, but I won't post it in its entirety since not everyone may know it. Cheryl doxed HERSELF, and I'll show you how down below, but I won't repost her last name for obvious reasons. After Bootsaucepunk revealed her own identity, of course, people easily found her info, including that she's from New Brunswick, Canada. But this is because SHE HERSELF posted her full name and a pic of herself on her Twitter account. Here's the backstory of how she DOXED HERSELF a few years ago...

Bootsaucepunk gloated that she would repeatedly harass Sam on social media, he would block her, and then she'd create new accounts. She also badmouthed Caitriona Balfe, her husband, Tony McGill, and bragged that Cait blocked her too. On the left side of the screencap below, you can see her as Bootsaucepunk talking about Sam reporting her to Twitter, Twitter suspending her accounts, and then she would create new ones. She even joked that she's playing "whack a mole" with Sam. Harassing Sam and Cait is a GAME to her. On the right side of the screencap, she posts a LONG diatribe talking crap about Cait, after Cait blocked her. 👇

Bootsaucepunk continued to boast that Cait blocked her and showed the proof of this. 👇 I've also attached the PROOF that Bootsaucepunk is Cheryl N., provided by HER. 👇 You can see that Bootsaucepunk is asked by another hater, Cant-Resist-Temptation, what Bootsaucepunk Tweeted that caused Cait to block her on Twitter. And Bootsaucepunk replied by posting what she said to Cait WORD FOR WORD. Basically, Cait blocked her for talking shit about her husband, Tony McGill. The thing is those EXACT words were posted on her real life Twitter account, CherylN_____89 (now defunct). 🤦‍♀️ Either she didn't think people would make the connection, or she was so arrogant she thought no one would call her out. (Click on the screencap to read it better). Oh, and notice in the second paragraph, Bootsaucepunk takes the opportunity to continue to talk negatively about Cait.

Let me show it again so that everyone is VERY CLEAR that Bootsaucepunk posted on Tumblr the Tweet that got her blocked by Caitriona Balfe (she's responding to another hater, its-mootpoint). 👇

And it is VERBATIM what Cheryl N. posted on her then Twitter account! 👇

AND Cheryl/Bootsaucepunk was either dumb enough, or arrogant enough, or both to post it on her Twitter account with her FULL NAME and REAL PICTURE. 🤦‍♀️

After that, everyone in the fandom knew EXACTLY WHO Bootsaucepunk was on Tumblr. Bootsaucepunk tried to say that the pic she used on her Cheryl_____89 Twitter account wasn't really her. But, after she posted her full name, the fandom had no problem finding her on social media. 👇 Obviously, the avi pic on her old Twitter account is from YEARS ago, so she looks younger, but the pic matches her Facebook account. There is NO denying it's the same Cheryl N. And I have other pics of Cheryl N. from N.B., Canada proving this. But Tumblr only lets you post 10 pics or collages total. I'm not posting her full face, she did that all on her own, but trust me, it matches the pic SHE POSTED as her avi on her CherylN_____89 account. Same face, same person, no room for doubt. Bootsaucepunk IS 100% Cheryl N. from New Brunswick, Canada.

Again, this is NOT ME doxing her, SHE handed her identity to the fandom on a silver platter...and MANY other people in the fandom then called her out publicly as Cheryl N., and as a Sam Heughan and Caitriona Balfe hater. Here is just a small sample. 👇

Cheryl deleted her CherylN_____89 account on Twitter, but we know the approximate date when she posted the Tweet that got her blocked by Cait...because another person responded to her on February 12, 2020, calling her out for the Tweet. And also chastising for touting herself as a journalist. 👇

Guess WHO else was stirring the pot, harassing Sam, right around the SAME TIME on Instagram? 👇 Instagram troll, cherylecheryl commenting on an Instagram post, stating that besides trolling Sam on Instagram, she would also troll Sam on Twitter. That particular cherylecheryl comment was dated March 20, 2020. And CherylN_____89 was called out on Twitter by the account Fans of Sam Heughan on the SAME DAY--March 20, 2020!

Instagram troll cherylecheryl has DIRECTLY harassed and bullied Cait, Tony, Sam, and EVERY woman Sam has ever dated. This is well documented for YEARS. But here's just a small sampling of cherylecheryl harassing Sam's ex, Anna Modler and most recently, the Brazilian fan who got a pic with Sam in London, and inadvertently posted a video of Sam and rumored current date, Sarah Holden. 👇

And those are the MILD comments, she's said some horrible stuff to Sam's ex, Mackenzie Mauzy, Gia Marie, as well as many others.

Something else that's of note. An ex-shipper who got sick of Cheryl's bullying, DMed me and showed me cherylecheryl's Instagram account and something very interesting on it. Here's the content of cheryelcheryl's Instagram account. 👇 It's all faux shippery Sam Heughan and Caitriona Balfe pics. Fake, fake, fake, fronting as a shipper, yet we KNOW all the crap she's said to Sam and Cait, and about them. The cognitive dissonance is staggering. And she also follows all the hater accounts that mock Sam's dates and Cait's husband, Tony. Her oldest post is dated January 10, 2022, in it, she attacks another fan, she attacks actress Hannah James directly, and boasts the fan blocked her. BUT, if one checks her account info, it shows the account was started in March of 2018! It's not logical that she created an account in 2018 and didn't post anything until 2022. No posts at all for 4 years? NOPE, she obviously posted from 2018 to 2022, and then DELETED posts that would identify her as Cheryl N. This is also why the account shows she's changed her username 2 times. Lemme guess? Was it originally CherylN_____89? 🤔😊 👇

For those saying cherylecheryl isn't Bootsaucepunk, um, I just PROVED to you beyond a shadow of a doubt that Bootsaucepunk IS Cheryl N. And Cheryl N. has an extensively documented history of saying horrible things about Caitriona Balfe, her husband, Tony McGill, Sam Heughan, and EVERY woman he's ever dated. Cherylecheryl on Instagram has an extensively documented history of saying horrible things about Caitriona Balfe, her husband, Tony McGill, Sam Heughan, and EVERY woman he's ever dated. And I showed you in a screencap above that cherylecheryl on Instagram talked about going go harass Sam Heughan on her Twitter account. Just like Cheryl N. aka Bootsaucepunk. Gee, what are the odds that there's another Cheryl who's a horrible troll and isn't Cheryl N. aka Bootsaucepunk? C'mon, now.

Regardless, there is NO doubt WHO Bootsaucepunk is = Cheryl N. And not only is she a Sam hater, but she's also a Cait hater. Let that be known to newbies who aren't aware of the history. I'm shown accounts who claim to be Cait fans but they associate with Sam hater accounts who interact with Bootsaucepunk, comment on her posts, let her comment on their posts, and mutually reblog. In your disdain for Sam, you're inadvertently commiserating with a Caitriona Balfe and Tony McGill hater.

So if the hill you want to die on is proving that Bootsaucepunk on Tumblr isn't cherylecheryl on Instagram, that's on you. BUT, do not forget that Bootsaucepunk IS a PROVEN Cait hater. There are MANY other examples of her hate toward Cait, but the ones I showed you up above should be enough to distance yourself from her. Make NO mistake, Bootsaucepunk hates Sam Heughan AND Caitriona Balfe, and has gloated about her disdain for them BOTH for YEARS. There's no justifying or excusing Bootsaucepunk/Cheryl N.'s behavior and anyone who associates with her is guilty of condoning such behavior.

I rest my case, your honor. Case closed, Edith.

[usafphantom2]

There is nothing that amuses me more than a secret inside of a secret.

Here’s an article that I wrote that my friend Dario Leone owner of Aviation Geek Club shared about the YF 12 and the secret SR 71 tail number 951.

Most people when they think of the YF 12 think of it as an experimental airplane that never really flew, but that is wrong. It did fly for many years. The last flight was in 1979 when it was flown to the Air Force Museum near Dayton, Ohio you can find it next to the XB-70.

The so-called YF-12C was really the SR-71A 61-7951, modified with a bogus tail number 06937 belonging to an A-12.

Taken in 1975, the interesting photos in this post show NASA Blackbirds carrying the ” Cold wall” heat transfer pod on a pylon beneath the forward fuselage.

The Blackbirds portrayed in these photos are usually referred to as YF-12s, but actually one of them was an SR-71 as Linda Sheffield Miller (Col Richard (Butch) Sheffield’s daughter, Col. Sheffield was an SR-71 Reconnaissance Systems Officer), who runs Born into the Wild Blue Yonder Habubrats Facebook page, told to The Aviation Geek Club: ‘In case anybody asked the pictures with the two NASA Blackbirds the one on the top is a YF-12 but the one on the bottom is an SR-71!

‘Another interesting thing about those pictures is that NASA was not allowed to have an SR-71 but they did and they passed it off as a YF-12!

In fact, the “YF-12C” was a then-secret SR-71A (serial no. 64-17951, the second production SR-71A) given the NASA tail no. 60-6937. The reason for this bit of subterfuge lay in the fact that NASA while flying the YF-12A interceptor version of the aircraft, was not allowed to possess the strategic reconnaissance version for some time. The bogus tail number actually belonged to a Lockheed A-12 (serial no. 60-6937), but the existence of the A-12 remained classified until 1982. The tail number 06937 was selected because it followed the sequence of tail numbers assigned to the three existing YF-12A aircraft: 06934, 06935, and 06936. Isn’t that amazing?’

The Coldwell project, supported by Langley Research Center, consisted of a stainless steel tube equipped with thermocouples and pressure sensors. A special insulating coating covered the tube, which was chilled with liquid nitrogen.

Given that the US Air Force (USAF) needed technical assistance to get the latest reconnaissance version of the A-12 family, the SR-71A, fully operational, the service offered NASA the use of two YF-12A aircraft, 60-6935 and 60-6936.

Eventually, with 146 flights between Dec. 11, 1969, and Nov. 7, 1979, 935 became the workhorse of the program while the second YF-12A, 936, made 62 flights. Given that this aircraft was lost in a non-fatal crash on Jun. 24, 1971, it was replaced by the so-called YF-12C SR-71A 61-7951, modified with YF-12A inlets and engines and a bogus tail number 06937.

The SR-71 differed from the YF-12A in that the YF-12A had a round nose while the SR-71 had its chine carried forward to the nose of the airplane. The SR-71 was longer, nearly 8 feet longer as it had an extra fuel tank that the YF 12 didn’t have. There were other differences in internal and external configuration, but the two aircraft shared common inlet designs, structural concepts, and subsystems. Also of note the SR 71C is really a combination of a static display of the SR 71 for the front half and the back half is the crashed YF-12!

In my study of all the Blackbirds, I have found other secrets inside of secrets. Such as the test SR-71 plane the 955. Everyone was told often that this airplane never left the United States, but that is not true.

When it comes to reconnaissance airplanes and War, even if it was a Cold War, Rearranging the facts is fair.

There will always be mystery in the SR 71 program.

Don’t believe that all of the secrets have been told.

I know that is not true.

Linda Sheffield, Daughter of a Habu

@Habubrats71 via X

Tap Title bar to view👇

[blueeyeddarkknight]

Val kilmer food preferences! 🍲

First of all Val's a self proclaimed terrible cook 😂

Here he is attempting to cook what seems to be stuffed grape leaves... At least he bought the baklava 😆

✅ Val's favorite foods 😍 :

Pizza 🍕! (his absolute favorite)

Bagel chips (yesss! Me too) 🥯!

Here's a comparison between Val and Elizabeth shue 😅

Asian food (sushi, rock grilled steak etc) 🍣

❌Least favorite! 😂 :

Stewed tomatoes (not sure if it's just this form or tomato sauce as well)

Pineapple pizzas 🍍🍕

Chocolate chip mint ice-cream 🍦

( child Mercedes is a brutal queen 🤣😭)

Related posts :

Sources : youtube, kamp Kilmer on discord, vkn, planet kilmer, pinterest, val's Facebook, Gettyimages, Val's old MySpace

@dahliaghostface thank you for the idea ❤️

What are y'all favorite food? 👇

Mine are bechamel pasta and Egyptian koshari.

[chaosgremlinmunson]

As inspiration for this douchebaggery in my DMs on Facebook, here's Steve being a bitch to someone who clearly paid zero attention and had no respect for his relationship.

👇 The inspiration is below 👇

Steve opened his laptop while he let his newest niece nap away on the new ottoman. She'd grabbed her tiny stuffed turtle, toddled up to him and said, “night, night” in her adorable munchkin voice, and Steve was done for. His ovaries, though long forgotten, wanted to explode immediately. He wondered if the hormones would affect the possibility of him carrying his own child for he and Eddie.

Speaking of Eddie, Steve looked back to his laptop and saw a notification for Facebook, the one social media he frequently used to keep in touch with his found family after they'd scattered to their colleges and new lives. He opened it curiously thinking maybe one of the kids had messaged him and found a girl he didn't know instead. He clicked her photo looking through her profile to see she was friends with about half the people he knew, so he chose to be friendly.

Eventually the messages veered from asking how he was doing, and how nice it was to meet him to flirtatious messages. He cringed reading it as he'd already mentioned his husband a good twenty times within the beginning of this conversation. To get a message saying, “so..are you single or happily married?” Made him want to reach through the screen and shake this girl. Hell, his profile has a profile picture of him and Eddie making out, his bio stating his infinite love for both his wonderful husband and their fur babies, Roscoe, Angel, and Thresher. How and why did this girl not realize he was happily married? In true mean girl Steve fashion he answered the video call she tried to send, his face that haughty mask he shone in during King Steve's reign in Hawkins high.

“Hello?” He said, sounding annoyed, “Is there a reason you called me?”

“Yeah, I thought it'd be nice to see your handsome face.”

“Look, sweetie,” he started, the absolute disdain clear in his voice and on his face, “If you used the last two brain cells you hadn't fried with all the bleach in your head, and actually, I don't know, read my bio on my profile or even my messages, you'd realize that A) I am happily married. B) I have mentioned my husband literally everywhere. C) My husband is absolutely the one for me, and way hotter than any bleach blond bimbo in my inbox, and D) which is rather appropriate for this, I prefer dick to pussy, so unless you're hiding something under that street walker wear in all your photos I wouldn't consider you even if I was single. Now, have a blessed day and lower your expectations when you speak to people. Or hell, pay attention to the signs around you.”

The girl was staring at him, her jaw dropped as he ended the call and blocked her. Eddie walked in just a moment later to Steve glaring at his laptop like it personally offended him and leaned down kissing his neck as Dustin and Erica followed behind to collect Stefania aptly named for the best big brother the party could ask for.

Once they were alone Steve pushed Eddie down into the couch straddling him, his tiny shorts riding up as he ground down on the sizable bulge beneath him. Eddie grinned up at him, he knew Steve was frustrated about something, but for now he'd take him apart in all the best ways and put him back together. If he wanted to vent about it later Eddie would be all ears.

[jokeroutsubs]

🎈🍰Nace Birthday Special🍰🎈 ENG SUB: JokerOutSubs x RADIOaktivno collab: 'Demoni' Album Presentation

Audio + CC link: https://youtu.be/4plC7TteUGw

We are once again very happy to have been able to collaborate with Boštjan Najžar from RADIOaktivno podcast (Facebook, YouTube), with whom we already worked for 'Umazane misli' subtitles. He very kindly reuploaded the deleted Demoni album presentation video on YouTube and we were able to provide subtitles for it!

Below you can find the transcription of our translation of the interview, which originally aired on 23.11.2021, on Radio Prlek/RADIOAktivno YouTube channel.

Cr: Translation by drumbeat, @varianestoroff, and another member of JOS. Proof read by TWT klamstrakur, Anastasia and @flowerlotus8

Transcript 👇

Everyone: We are Joker Out.

Bojan: And you're listening to Radioaktivno.

Host: 'Katrina' by Joker Out, all the members are with me today on Radioaktivno. New member Nace, Kris, Jure, Bojan and Jan. Hi!

Nace: Hello!

Kris: Hi, greetings.

Jure: Hi, hi.

Bojan: Good morning.

Jan: Same… also from me.

Well, even though it's already evening, I see your days are short or they turn immediately into mornings.

Jan: Yes, we usually wake up at 8pm, and stay awake for two days, and then we go to sleep.

Isn't 8pm already the end of the day, or is that when the soundchecks are over?

Bojan: We basically call it vampire rotation. So… We skip the soundchecks and then, when we wake up, we get out of our coffins and go straight to the stage.

So you don't like the light?

Bojan: No, we're not really comfortable with light, yes. Sunglasses are mandatory.

Kris: That's why we live in Ljubljana, where it's never really bright anyway.

I disagree. I was looking at some photos today, and when the sun was out over there, here it was still foggy.

Kris: See, that is why we are here today.

Bojan: Well said.

'Katrina'

Jure, we started with 'Katrina', with the single that launched your new album.

Jure: Yes, it's true. 'Katrina' is the first single we released at the end of August, before the album was out. What can I say? We also made a video for it with Mark Pirc.

Bojan: Maybe the most energetic, or one of the more energetic songs on the album. It kinda feels like this album is maybe a bit calmer compared to the first one, or more oriented towards, how should I say, yes, frustrating, restless moments. So 'Katrina' is, and let's say, 'Ne bi smel', which we will hear later, kind of represent the high point in terms of rythm, we think.

Today we also have in our company a new band member, Nace. How did you integrate into the band after a few weeks?

Nace: I will say, musically, I never doubted it, but as mates, or, rather, band-mates, we've been slowly growing into a little family, I think. We've spent quite a bit of time together now, in the span of a month, and I have to say, they've grown on me so much, like, yes, a family, right?

Have you passed all the tests, taken all the exams?

Nace: I mean, I had the last one yesterday, but, I have to say, that I didn't quite get an A, right?

Kris: And what was that test?

Nace: Well, about the history of Joker Out.

Kris: Oh, yes.

Nace: So I learned something new as well alongside the mistakes, right? But I've still got time.

I see though you have integrated into the band well, you've already got your sunglasses on.

Nace: It was a must-have, right away, as Bojan called me at the time, he said, "Do you have (sun)glasses?" I said, "I do". And that was it and he said, "I think we've found the one."

Bojan, do you have difficult admissions exams, then?

Bojan: Well, I wouldn't say we have difficult admissions exams. Rather for the reason that there are practically no admissions exams, the same thing happened with Jure and Nace. Basically, when we kind of said, we want him, it was more based on this energy that they were radiating, not so much just on musicality, or whatever you want to call it. And in both cases we made the right decision. Now, I believe that we are done deciding.

The next one will be 'Ne bi smel'.

'Ne bi smel'

Jan: Yes, 'Ne bi smel' is a song that we "should have" written, and it's actually, along with 'Katrina', quite a bit, it's the second most most energetic one. I think we had, I mean that Bojan, had maybe the most trouble with the writing of its lyrics, but…

Bojan: The most and the least trouble simultaneously.

Jan: Yes.

Jure: But I think the least work we had was with the instrumental, it got put together really quickly.

Bojan: This song is, well, good thing Jan took the microphone, because I wrote the lyrics for 'Ne bi smel' practically as they are today, crossed them out completely and Jan came into the rehersal space very upset and said to me, that I had to go back to the old lyrics, and I'm really…

Jan: You shouldn't have changed it.

Bojan: Yes, but I didn't know how else to…. So, yes, well, that song was just a big frustration for me, actually, because I've changed the lyrics so many times and ended up going back to the first version. But yes, enjoy.

'Ne bi smel' and Joker Out with their album 'Demoni' on Radioaktivno. Fresh from 'Umazane misli', you've released a new album.

Bojan: Yes, our ghostwriter was really diligent, so we were able to get the new material out very quickly. No, actually, we can't believe it ourselves how quickly the second album came to be. Especially because the first album was quite a torturous process, at least in the finishing touches, when it came to mixing, and we all thought that we got tired of making music and that there wouldn't be an album at least for a while. Then we really reached a moment when…

Jure: You know what happened? We set up the rehersal space.

Bojan: Yes.

Jure: And we announced Križanke, and then we were like, "Okay, now what? Maybe we need to go to Križanke…" Yes, we announced Križanke earlier than we started the album.

Kris: We sold it out before we started the album.

Jure: Yes, well, that too. We went to Križanke and we said, yes, well, we gotta release a new album, right, for Križanke.

Jan: But we've also sold it out promising this… the debut of a new album that hasn't even been made yet.

Jure: Yes, yes, we haven't done anything yet!

Bojan: When it hadn't even been planned yet.

Jan: Not one song, nothing.

Bojan: Nothing. We were like, "Hey, ten really sick songs, that for now don't exist yet, but we'll handle this later ."

But then these songs were created very quickly, because Križanke was in September of this year?

Kris: Yes, they were created quickly. I mean, if we're being completely honest, some have been in the making, even when we were making the first album, because, you know, you can't frustrate yourself with only ten songs, that you've been twisting for two and a half years, and Bojan in particular and I have written a few songs in between, or outlines. Then we built from that, when we started, the first draft. For the first draft.

Bojan: A first draft and an outline.

Kris: Right, a first outline.

Which means that things have been happening very fast for you lately?

Kris: Yes, things are moving quite fast, maybe, maybe even too fast for some. [someone gasps dramatically and Kris laughs] No, but in my opinion, we're all excited about it, and we're basically happy that everything can evolve so dynamically.

Can you all keep up?

Jure: I think so far yes, we have a great team around us, who really help us a lot. So, yes, we're keeping up with everything so far. A problem would arise if we didn't, right?

Bojan: And then we would break up. And in ten years' time we'll have a reunion and sell out some venues again and then break up again.

Jan: No, we must not disband now, because there's one Instagram page, a page called Joker.Out_nesmerazpadt [Joker.Out_ shouldnotbreakup]. So, let's not disappoint our fans.

Do you follow social networks well?

Jan: Yes, we must. Because, I mean, as someone who deals with social networks in the band, I feel like I spend a lot more time on my phone, doing whatever it is I'm actually doing, than making music. Which is a bit of a shame, but it's just how it is today, if the band itself promotes a brand of its own, its own image, you have to take care of the other things as well, that are not music.

Bojan: I think you should be grateful for all these references that you're going to be able to put to good use in PR and strategic management…

Jan: What, you mean if I wanted to get a job at Telekom?

Bojan: …when we break up and you'll be looking for a real job as a TikToker.

Someone: Manager.

'Plastika'

With the second one, we'll undergo surgery. It's time for 'Plastika'.

Bojan: Yes, 'Plastika' is a song that was written in the studio a few days before the album was released, basically. I didn't know what to write about, and there was an article in Delo about how 1/3 of Slovenian teenage girls want plastic surgery, and producer Žarko Pak looked at me from his chair and said, "Write a song about this." And I did.

Joker Out, 'Plastika', album 'Demoni' which we're playing today. You're not the luckiest with electricity. And if we connect this to Ormož.

Jure: Oh yes, yes, I mean, at our place we installed the wiring ourselves, so we're good electricians. But if the fuel runs out in the generator, it's not our fault, right.

Bojan: Yes, Ormož was such a lucky-unlucky situation, because we ran out of electricity during the concert, but luckily, that's the lucky part then, we were so, I would say, in the right mindset, that we went to stand on the speakers in front anyway, and sang and strummed on the acoustic guitar, until the power came back on, so it was actually one of those special little moments, and the flashlights and the lighters were on, you know, romance, people kissing, dancing, hugging, so, nice.

Does that mean you are also working on an acoustic repertoire?

Jure: Not yet.

Jan: Only in Ormož.

Jure: [laughing] Only in…

Bojan: Ormož special.

Jure: No, not yet, I think it's a bit early for acoustics. We'll do it later, in our old age, when we don't know what to do anymore.

As the older musicians say, when you go to their concerts, or like when you start playing around 5 or 7 PM at the latest.

Bojan: Yes, yes, that's it. Acoustic. Have a seat, and we'll be done at five.

Jure: Then let's go home and watch the news, you know, at seven.

Anyway, you have a lot going on right now, you sold out Križanke not long ago.

Kris: Križanke was just now, yes, actually, they seem… Even though it may be, we've been on holiday and I don't know, I think we did ten concerts in between, so Križanke seems like a long time ago. But now we're basically already heading to another bigger venue, Stožice, on October 6th, 2023. Yes, exclusively, exclusively for Radio Prlek. On the other hand, especially now with our latest single 'Demoni', we also have our eye on the Balkans and we're waiting to see if anything happens.

How do sold-out venues affect you?

Nace: I mean, I'm looking forward to Stožice for now, right, which I have no doubt will be sold out. So, anyway I don't know, I wasn't with them in Križanke, so I can't say that I've experienced it, but let's just say, that I look forward to everything that is coming.

Does this give you extra motivation to practice more?

Nace: I mean, if I may be a little cocky, I think I don't need to practice, right. But if you don't believe that, I recommend to come to a concert and listen to me play.

I see you have a good new member.

Bojan: Yes, yes.

Jure: Good at lyings, good at lying.

Bojan: Nace is a few years older than us, right, and he's…

Jan: Just by 30 years, right.

Bojan: 30 years older. …that he has quite a lot of experience. and he's a professional musician, so we're really just a bunch of amateurs compared to him, right, as far as practice is concerned, so I think, that Nace is quite right at this point, that if anybody needs a little bit of practice, it's us, and maybe me most of all, well, but let's move on.

Kris: To be completely honest, since being in the band Nace has requested to reherase the most. And even then we were like, "No, no, we don't need to", so… It's not entirely true, this facade that he's put up.

Nace, how much musical experience do you have, then? In which bands?

Nace: Me? I mean, oh… This question surprises me every time. I mean, with time, when you play so much you tend to forget people and I always find it hard to put a spotlight on people because I know, I will forget someone and I don't want for them… Well. What should I tell you?

Jan: About the cruise ship.

Nace: Oh, yes, as a fun fact, I can tell you that as an 18 year old I already went into the world, on a ship, on a cruise ship, to play where I spent half a year, I saw a bit of the world I came home and started to get a bit more involved in the Slovene music scene. So, maybe it's one of those things that most people have seen and I'm still a member of the 'Diamanti' band. RTV Slovenia programme 'Friday Evening'. And I was an accompanist for quite a lot of Slovene artists, I also recorded some things. So, I think that I've already left a mark, but it's far from final, and I think I will also leave one with the band, I'll bring something new to the band and show that… Who is, not who is Nace Jordan, but that I deserved this spot.

I almost heard, who is Nace Junkar?

Nace: You're not the first, well, but… as much… I'll say that Nace is a great person, right, as far as I got to know him, but I don't want to be mistaken for him. Jordan and Junkar, there is a slight difference

'Demoni'

The next one is 'Demoni'.

Jure: Oooh, little demons.

Bojan: Mhm.

Jure: The first one in Serbian. Bojan, I think it's best if you tell us more about it.

Bojan: Well, 'Demoni' is actually one of the first songs that I've written in Serbian in my life. The reason behind it was mostly or rather, let's say that the reason can be split into two parts. The first part is because we share the aspiration to go out of Slovenia's borders, to the Balkans, which are familiar to us. And the second part is that my roots are Serbian and I always wanted for my grandma to understand what I'm singing about because she always tells me "Yes, it's a lovely song," but if you don't understand it completely then it doesn't have that much meaning, right I've always wished for her to be able to understand so now she understands. Though she wasn't that excited about…

Jure: Right, she wasn't, I was just about to ask…

Bojan: No, that there're demons, it confused her. Why demons, is there something wrong with them, like that. But nothing is wrong, grandma, everything is all right. Everything is all right, grandma.

Demoni' from Joker Out on the Radioaktivno show. Exit was this year. A Serbian festival, world renowned, with a lot of people. Did you have fun there?

Kris: We had a lot of fun. Above all it was our first non Slovene concert experience for us. Before that we played in Poreč but more for Slovene students. So it was our first time introducing ourselves to the international crowd. And one might say that the majority of the crowd were Slovenians, but I was under the impression that a few foreigners were also impressed by our concert and that we left a mark, now we're hoping to be called back to Novi Sad because we had so much fun during those days when we were there.

Bojan (in Serbian): Brothers, call us, we would very much like to come back.

Have you then made a grand enough entrance through the doors to the Balkans?

Jan: Yes, we rang…

Bojan: With a club.

Jan: …with a hammer on the door. I don't know, I mean… I think that after a concert in Stožice the band that does it, also needs something new, something fresh. So, outside of Slovenian borders, there are many ears who want good music. So I think that Serbia is a great destination.

Nevertheless, the title of the album is after a song that is in the Serbian language.

Bojan: Well, that isn't that relevant. The title of the album was actually chosen because we thought that the word demons sums up all these elements we were surrounded with from Cvetličarna onward pretty well. Demons represent good responses bad responses, demons were sleepless nights, a lot of concerts, demons are the new songs that aren't made yet, demons were Križanke, that we sold out without having an album. Basically, a lot of demons were keeping us company we were each other's demons, because we were together all the time, maybe we were fed up with each other in some moments maybe we missed each other in some moments. So we really thought that this very short and clearly defined word that covers a broad spectrum of things that were happening to us. Not just negative but also positive, but yes.

Are you ever asked why Serbian and not English? Because the majority of artists create in English to break into the international market?

Jure: Well no, I think we aren't asked this much but I think that each one who starts working in English in Slovenia comes back to Slovene at the end.

Kris: We'll come to that. We have …

Jure: But yes.

Kris: We have a more long term tactic than most Balkan artists. First, go to the South, then through the South to the North, through the diaspora. So, first we have to conquer Serbians and Croats and all the others and so…

Bojan: and Bosnians and North Macedonia...

Kris: …and all the nationalities in between then we can go to whichever German, Swiss Austrian club to play.

Bojan: Well, no, you know what, being an author and wanting to stay authentic it's beneficial to stay in the language that suits your creative process and Serbian is my mother tongue which I think I expressed myself quite well in, right. Especially considering it's my first try. We'll see about English, I need more practice. I listened to an interview and I am pretty stiff... In English I mean.

Everyone: [laughter]

Practice makes perfect, they say.

Bojan: It wasn't planned. Yes, practice makes perfect.

Kris: You mean, have you listened to that interview yet?

Bojan: No, I haven't. I lied. But It's not like anyone can tell.

'Padam'

Next one is 'Padam'.

Kris: 'Padam' may be the first song that we envisioned for the new album to me it seemed that it defined the direction and vibe for the album very well. But when Bojan was playing it to us, it was very, very different. It was more suited to a band format than it is now. Do you remember?

Jure: Yes.

Kris: Yes, it had a demo with drums and that. Yes, I think so. I was sure then, that, that it would be, because it was a strong song lyrically and melodically and I was sure that it would be the biggest single of the album. But then, over the album making process, we somehow changed it and stripped it down and turned it into some kind of an acoustic ballad that really forces you to listen to the lyrics. Maybe it's not a banger as it used to be but it stands out more.

Bojan: So if someone says that Joker Out is a band that only wants hits it's just not true. This is a lie.

Also ballads.

Bojan: Also ballads.

Jure: That are hits, of course.

Bojan: Yes, yes. Right, that's a given, it's a given, god willing.

This time you offered us ten songs. It's interesting that you haven't released singles before but you first offered the album and 'Katrina' at the same time. Different approach than with the previous album where singles were combined in an album.

Kris: Yes, well in an ideal world we could release a few singles before the album release but we wanted to have two whole albums released in such short time that we actually didn't have time to deal with the process of releasing singles before the album release. But we'll definitely release a lot of singles from this album after it's out. So, 'Katrina' is released and 'Demoni', and then a lot of things can come. Also, for example, a song that to many didn't look like a single from the album could be released with a music video. When we released the album, there were I wouldn't say mixed responses but different people liked different songs. Now they maybe figured out which ones are more favourites and which aren't. But anyway, there's something for everyone on the album every listener can find a song or two on the album that are their favourites. And it's not as if it's so unevenly distributed.

Nace, how many times have you listened to both albums?

Nace: To both? I mean, I listened to the first one more for sure, since it has been out for longer, right. Otherwise, I listened to the second one immediately when it was released, I started listening to it in order to learn it. So I practically listened to it at least once per day for a month when the boys were vacationing. And maybe I might have gone over the guitar part as well, while driving, so, out loud, through Ljubljana, windows down, you know how it goes.

Bojan: You were driving, you were driving with a guitar in your car. Are you insane?

Nace: Look, I knew that I couldn't come there and not know, so I took advantage of every minute. I'm driving from Kranj, you know that is half an hour every day, when you go to Ljubljana, and it comes in handy. You know, a rush hour and you can… At least that bit of 'Padam' where tha bass comes in you know, I can practice it in between.

If we focus on sound, can you compare it to the debut album?

Jan: No. I mean, in some aspects, yes we're still us, the same people that also created the first album but the first album was recorded very sporadically. First, we recorded some drums, then the bass three months later, then we were recording the guitars for half a year every day, for a few hours and it dragged on, the thought process wasn't connected but it was more fragmented. So yes, I think that this album because for the most part we recorded it all together it works more coherently, in regards to sound.

Kris: If I may add, besides the whole process that influenced the sound, with this album we paid much more attention to the sound in post-production and instead of Žare who mixed the first album we found Todd Burke from LA this time who is a mixing and recording engineer there and he actually contributed a lot and he elevated the professional level of the whole product.

It means that you went from disorder to order?

Jan: We went from a mess to a blooming meadow, yes.

Who is the main author, or rather how do you create?

Bojan: Well, I'm the main author but this album was really like… What can be heard… What can be heard on the album was really a product of all of us because it was actually being made at the rehearsal space Songs were changing a lot from day to day from moment to moment. We tried a thousand and one versions for each one all ideas were welcome so I think that we truly found what everyone liked the best for each song.

As can we can see, now your rehearsal space is pretty nicely done.

Bojan: Yes, our rehearsal space is actually like our holy temple that we built ourselves. And we are immensely proud of it. Here, I think Jure is the most suitable to talk about it because he was, I'll say, the main author.

Jure: Installed the wiring and… Yes. Yes, we have a lovely space now, yes. It's nice, it's nice to come to the space and feel at home. Because it's a different energy and you can be more creative. I remember the beginnings, when we made the space when we first played there, do you remember it?

Bojan: Yes, yes.

Jure: When it was like, "Oh, sick."

Bojan: And then Maček, he thought it was so sick that he slept there for a week.

Jure: I do that even now.

Bojan: The rehearsal space influenced the album's creation a lot. Really, so I would say that a space is one of key elements for the band.

'Vse kar vem'

The second part is the lyrics, who's in charge of those?

Kris: Yes, again, for the most part, Bojan. although on this album one was written entirely by me, and one was a collaborative effort, between me and Bojan. That's actually the very next song, 'Vse kar vem', which we basically, I had an outline of the chorus, when last year, in March 2021, we went…

Jure: That's almost two years ago then.

Kris: Right, no, a year and a half. A year and a half.

Jan: Where were we?

Bojan: You've already had that in Šentjernej

Kris: I'd had it in Šentjernej already? Okay.

Bojan: Yeah, you've already revealed a bit of the chorus.

Kris: Oh, okay, interesting. Well, but we worked it out in March 2021, when we went to a hunting lodge in Lower Carniola and we took the chorus, Bojči changed the vocal melody slightly, we kept the lyrics and we made it into a whole song, which is basically based on these four chords. And he wrote segments of the lyrics, from the verses and the stanzas and the song grew spontaneously. I don't know if either of us even really knows what it means, because the stanzas are kind of in contrast to the chorus, but they come together very well.

On the album cover you are surrounded by mirrors and flowers. Except Nace, you are not there yet.

Nace: That, you asked the wrong person. It's just, when I look at the album cover, ah, the cover's pretty wicked. If you look at all the details in the background, how the guys are positioned, take your time, because I think you should dig into it at least a little bit and admire.

Kris: The album cover, if I may add, basically, if you'd like to see more details of how it was made, or what it all looked like, our new video 'Demoni', which was released a while ago, was basically shot on the same set and the same day, as we were doing the photoshoot for the album cover and it kind of visually supports the title track of the album.

Jure, is there something you wanted to add? For the album cover?

Jure: That they should buy the CD if they wish to see it.

Bojan: I would just add, that we are extremely happy and very grateful for the team, that was responsible for this creation. There was Primož Lukežič on camera along with Mark Pirc on the conceptual design, Andraž Drobnič on the graphic design and Damir, or Ponorelli, who did such a good job of styling us.

Who is in charge of your image?

Jan: Partly ourselves, for…

Bojan: Partly our parents.

Jan: Partly the parents, yes, they take us to Nama occasionally. Well, for the big concerts, for the videos and for the album cover, for the videos 'Katrina' and 'Demoni' and for the concert in Križanke, Damir Ponorelii handled the projects for us. Damir Raković Ponorelii. A good name. Well done, Damir.

Bojan: Rakičan.

Jan: Yeah, I think he, sometimes it's good to have a sixth eye. When we try to style ourselves for a concert and things don't…

Bojan: You mean the 11th and 12th eye?

Jan: Yes. Yeah, I mean, yeah. Right. He's probably got a 13th eye as well, right.

As you mentioned, you also filmed the most recent single, 'Demoni', in the same style?

Bojan: Yeah, we shot the video on the same day, as Kris said earlier, the same day that we shot the cover photo. So, it's seemed quite logical for us to make the most of this set, that's been set up in the studio, the guys have brought from the Ljubljana Marshes the whole covering, the mirrors were set up and it really kind of encapsulated the mood of the song of 'Demoni' and the album itself. And I believe we were pretty much done in two hours. Actually, the post-production was probably more complex for Mark. As you can see in the video, it took a little bit of video-shop skills as well, or whatever they're called.

Kris: Uh, if I may comment, you haven't actually heard this before. A while ago, when Jure and I were guests on the radio, the host said that when he first looked at the video, he was genuinely frightened. That he was a little bit thrown off, right, when he watched it. So in my opinion, we've achieved with the video what we set out to do.

Today, actually, video production is a necessity.

Kris: Yes, it is. Especially for the Balkan market, I believe, a song doesn't exist if it doesn't have a visualization, right, and a video is your way in if you want to. In Slovenia, we still have this way of life, where one would indeed listen to an album or buy a CD, which is nice to know, no.

'Ona'

'Ona' will be next, also in Serbian, and Bojan curses in it. How so? Or is it coincidental?

Bojan: Yeah, you know what, this cursing infiltrated itself very spontaneously in the lyrics. And I'm not the biggest fan of that kind of thing in principle, but it seems to me that in the whole context of the song, that phrase was very fitting, it's just an expression anyway. The thing that you really don't give a * for something, is just part of everyday vocabulary, including me at home. and when I showed it to my parents, they thought it was pretty amusing, not vulgar, and I don't think it's vulgar either, so yeah.

Jure: I'm interested in what your grandma said.

Bojan: But Grandma was mor… Okay, here we go. Grandma was slightly offended the first time she heard it. The deal is, she couldn't quite imagine how anyone could just put something like that it in a song, right. But she told me a month ago, that she really, really loves listening to this song now and that she thinks it is hilarious.

Jure: Yeah, well, come on.

See, now Bojan is no longer a nice little boy.

Jure: Now grandma knows what you're up to, right.

Bojan: Now he's a nice little girl.

How did the listeners respond to the second album?

Jan: According to the interactions we had with them live and through social networks, I'd say pretty good, right. I mean, maybe it wasn't what they were expecting, it definitely wasn't, they weren't expecting techno, bangers and what else we've got, yeah, the Beatles on acid, but I think we've intrigued them, that we kind of poked them, which I think is quite welcome.

The reviews are also positive, as you can read online?

Kris: Well, you know, I've read two so far. One was Croatian and one Slovenian. The Croatian one was maybe even a little bit more positive. The Slovenian one was, basically, based on it still being Shagadelic rock'n'roll or not. See, I don't know, maybe it is, maybe it isn't.

Bojan: You know, how you can ask the creator…, anyway, we invented Shagadelic rock'n'roll, right, so, whatever is made by the one who invented it, it's just it.

Jure: It just is.

Bojan: You can't…

Kris: I mean, yeah, okay, I totally agree with that, but you know, they've just based their impression of what Shagadelic rock'n'roll is on our first album, and maybe for most Shagadelic rock'n'roll is, what 'Umazane misli' was. But you have to allow for the possibility, for it to develop, because if you don't you're going to be listening to 'Umazane misli' 2, 3, 4, and 5 for the rest of your life, and we wouldn't want do that. We have decided for the morning after 'Umazane misli' and that is what 'Demoni' is.

What about the initial reactions from the Balkans?

Bojan: Last time we were backstage with Buč Kesidi, who are, let's just say that, at the moment the most active band in the Balkans from the younger generation and they were very, very, very, very, very excited about the album. And for Demoni, they said, "This, bro, is such a bomb, bro, it's gonna be a megahit, bro. I mean, literally, it's killing it, bro."

I mean, Bojan, this sounded very authentic just now and exactly as they'd say it.

Bojan: Yes, yes. That's exactly how it was, right. I didn't make a thing up.

Kris: He basically played the recording just now, since the listeners won't be able to tell.

Probably. Nace, are the listeners the main critics then, underneath the stage, in front of the stage.

Nace: I mean almost certainly. I mean, that's who this music is being made for, they're the reason we go on the road and perform. So I think it couldn't be any other way.

How have they received you as the new member? Is there more buzz around you now?

Nace: I'm not sure if I'm in the spotlight. And I think that neither they nor I, or anyone else for that matter has tried to thrust me into it. But it seems to me, just moving from concert to concert, that they're warming up to me, and so on… They're already shouting, "Nace!" and it feels really nice.

Kris: Has anyone approached you for a photo?

Nace: Yes, they have…

Bojan: They already have.

Nace: They have, they have.

Kris: Oh, great. This is a good sign.

'Tokio'

Next one up will be 'Tokio'.

Jure: Oooh, 'Tokio'. We love playing that one at concerts. I dunno, it's such a vibrant song, really. I'm lost for words…

Bojan: You're full of fun ideas…

Jure: No, you know what, it's 8 PM and my mind's blank.

Bojan: Okay, okay, yeah, we just woke up. Well, the reason is, 'Tokio' is actually… 'Tokio' because my first demo was in English, it was a bunch of gibberish, but in between was 'Dancing in the Streets of Tokyo' and Žarko insisted that this catchphrase has to stay. So, then we were making jokes a bit, about playing in Japan, and that's why I included two sentences in Japanese. And it was really cool, because when we were recording the vocals, we were like, "Okay, what's the Japanese pronunciation now?" and then we called Jan's ex-classmates who are studying Japanese studies, to tell us how to pronounce it, and we called a Japanese lady, someone Žare knew…

Kris: Some Slovenian man, married to a Japanese lady, no idea really, but, Mami Narita…

Bojan: Yes, yes, Mami Narita…

Kris: Yes, yes, yes it's not a joke at all. It's, it's, maybe you should leave this out, so it's not on record, but, it was actually her name, Mami Narita.

Bojan: Don't put this in in, please.

Jure: Yeah, well, whatever, it's a name. Whatever?

Bojan: I mean, she could be the only one in Slovenia.

Or, if you know the singer Stella, you can get in touch now, she's just gone to Japan to study.

Jure: Really?

Bojan: Well, here we go.

Jure: We've met Stella, haven't we?

Bojan: We know Stella, yes. We haven't been in touch for a while, though, but, right, Stella's a great girl. We've met Stella, but, yeah, we're probably not going to be hanging out that much, obviously, if she's going to Japan.

She's already there.

Bojan: She's already there? Maybe we'll visit.

Kris: Maybe the song is about Stella.

You've had a vacation since Križanke, was it an active one or not?

Jan: Yeah, I went to Littoral Slovenia for a week, with a tiny keyboard , among the goats and the hills above the Vipava Valley. And then Jure and I went caravanning around Germany, where our tyre blew up twice, but let's leave out the details. And we bought some new equipment, so, yeah, it was spent actively in part and in part, we did rest.

What about you Bojan?

Bojan: I've spent a few days at the seaside, a few days in Banja Luka at my grandma's, lounging on the sofa all day, eating čevapi and drinking Coca Cola. One day I literally got up from the sofa in the evening, and my grandma said, " Where are you going?" And I said "I'm going to grab something to eat." "No, I'll go!" So I literally wasn't allowed to do anything.

Jure, besides Germany?

Jure: Besides Germany, a week at the sea and afterwards we went to the seaside together, for a couple of days. I don't know, it was nice, but we haven't vacationed in so long, it was a bit weird to go on holiday, right. It's not my usual mode.

Kris?

Kris: Yeah, I've had, let's say, the least, the least laid-back kind of vacation, because on the same night after Križanke, I flew to Peru, where I spent three weeks. We hiked and travelled and basically got very little sleep. All in all, it was a good experience and it basically was the only time when I could make a trip like that possible, a kind of collective vacation, but we had a chance to relax a bit when I got back, we went to Pula for a couple of days, as the guys have already mentioned. and that was my, let's say, my actual time off.

Nace, all you did was practice?

Nace: I did, for the whole month basically, like I've mentioned, and when I didn't practice, I was driving around in the car, and then I practiced in the car.

Bojan: What about the fish?

Nace: That's it, right. And then we went to Pula together that week, that was, what, the last week? Before the first concert, we got to know each other…

Kris: That was the first week of October.

Nace: …a little bit better. The first week of October, yeah. So we had a good time. And then straight to the gig, it was well, yeah. And the fish… Actually, yeah, Bojan and I got a new hobby, we took up fishing, but we've spent a fair amount of time fishing and I have to say, so far, without success. But it's nice, so if anyone knows, a serious fisherman, Bojan and I are really looking for someone, who would take us to a place where we could catch a fish. Even if it's to an aquarium. Just so it happens.

Did you set the wrong bait?

Nace: No, we've tried every bait in the world.

Bojan: I mean, really, we Googled it, we did everything right in theory, but we really didn't catch more than two seabream, and even they were really the size of this microphone I'm talking into. And a fun-fact, just a quick one, Nace took me to a pond, to go fishing, right, because that's where you catch fish. We got to the pond and the gentleman who manages the pond said…

Jure: Fish farm.

Bojan: I mean, yeah, he said… We said, "Where do we buy a ticket?" and he said "Well, no need, there aren't any fish anyway. You can just go for free." Naturally, we didn't catch a thing.

The interview will proceed a little differently, I'm not the one asking the questions anymore, you'll get a new interviewer. Last week I hosted Slick, a rapper from Velenje, with his album 'Sveža plat' ('Fresh Side'), and he asked you four questions. The first question is:

Slick: If you could collaborate with any musician in the history, who would you choose?

Jan: Well, let's say Vivaldi.

Jure (?): Oh, that's what I was going to say…

Jan: Imagine, you know, he shreds on a violin, I shred on a guitar… brrrrrr…

Bojan: I'd say, from the top of my head, Maček, you. Tell me.

Jure: Oh, I guess The Beatles.

Kris: David Bowie.

Nace: Led Zeppelin. To be fair, I've already got Bonham in the band, I'm getting there I'm getting there.

The second question:

Slick: How often do you tell yourself that you don't have time and is that really the case?

Nace: I mean, I say that to myself every minute, but I don't know if it is true. I mean, we all like to whine a little bit sometimes, don't we.

Kris: Yeah, I say I don't have time a lot, but I know that for certain things, that you want to make time for, you take the time.

Jure: Yeah, I agree with Kris, yeah. But our profession is such, that we're not home on the weekends and when someone asks you if you wanna go to a party, or have a drink, you just say you don't have time, right. So, yeah, we don't have time. That happens a lot.

Bojan: I would say, that if … I'd say I don't have time, I'd be lying at some point. But during the summer I actually didn't have time to even think about whether I had time or not. So I am glad that the summer is over.

Jan: Yeah, sometimes you have to put your feet up, so, sometimes I use that excuse to be able to…

Jure: Lie down.

Jan: To lie down, yeah. I mean, I don't actually have much time, but not to have time at all, well, there's that. And stil.

The third question Slick asks you is who in your family has had the biggest impact on the person you are today?

Jan: Probably my mother and my brother…

Bojan: You can't name more people, hey.

Jan: Oh, just one? I guess, as far as music goes, definitely my brother, because he's also a music producer and he was the one who first introduced me to music, and without him I doubt I would be heading in this direction.

Bojan: I would say my father. He's kind of also the biggest supporter of what's going on in my musical head, and whatever's going on with us and he's actually really, really, really happy with all the success. And even when there's failure, he knows just what to say to calm me down.

Jure: You know what, I've been locked in a cellar, and my dad's always said I was made for a pick and a shovel, so…

Bojan: And he wasn't far from the truth.

Jure: Well, yeah, yeah, parents, naturally, right. That's it.

Bojan: Why parents, you have to choose one person…

Jure: Well I can't choose one.

Bojan: How come?

Jue: I can't.

Bojan: Come on.

Jure: They come together.

Bojan: Break someone's heart, won't you?

Jure: Yeah, then I'll say my sister.

Bojan: Here, good one.

Kris?

Kris: For me, I would think it would be quite hard to tell, who has influenced my musical career the most, right, but it is definitely going to be my dad, who was the first who put a guitar in my hands when I wished for one.

Nace: For me, in music, it's must be my cousin, right, because we essentially grew up as brothers. and he brought the guitar to our house, and that's what made me… And he had a band and then I wanted that too, except he's a few years older than me.

And one last question, Did you eat cheese?

Nace: I did.

Kris: I did.

Jure: Yes, I like it very much.

Bojan: I love cheese, too.

Jan: Yes, I've eaten it many times.

Then afterwards you have the same task, so you can start thinking about it, each of you will ask one question to the next guest.

'NGVOT'

The second to last one we're going to play today will be 'Ne govoriva več o tem'. also known as 'NGVOT'.

Kris: More specifically Ngvot. We have chosen that title because, I think that when I first brought the song to the rehearsals in 2018, I already had it spelled out that way. And then, when we wrote it on the setlists it was always 'NGVOT', because it's just too many words, to cram them all into one setlist. But, what's the story behind this song? Because it's a bit different in atmosphere and maybe more naive than the rest of the album. It's a song, as I said, that was made in 2018 and which we kind of, we never really liked it very, very much, but we played it because we needed to be fill our setlist. And then, fortunately or unfortunately for us, it really clicked for us in the concerts, our fans really took to it as one of their songs, and they sang along beautifully at concerts and we basically couldn't imagine doing the second album without the song. So, then we got creative, and we adapted it a little bit into a form that fit us, that was very different from what we played before the album came out. But actually, it fits very nicely now, I think, right. It comes in handy.

Joker Out, to round up this conversation, I see you have very busy days what challenges lie ahead, besides Stožice next year? It's just around the corner.

Jan: We have quite a few plans for the future, which… I don't know if I'd give them away yet, no. But it's… Maybe, at this point it looks like we're going to Hamburg to record the English versions of our songs. That's also a partial answer to the previous question, for Kris, or for anybody, why Serbian and not English. English is coming too.

Bojan: So, that we can join those bands, that go to English and then go back to Slovenian really quickly.

I see you still have CDs as a sound medium? Is that it?

Jure: Yes, and we have a LPs as well. They sell out even faster than CDs, actually, I think. They've made a comeback recently. It seems to me that you have to have this product. When you release an album you have to feel the CD in your hand to say OK, now we've got this.

Bojan: I am absolutely thrilled. I thought we were selling tea coasters all along. Bear coasters, you know?

But you don't sell ID cards.

Kris: Yeah, here we go. Yeah, buy our CD or LP.

Everything about how to get the LP on the website?

Kris: Absolutely, our website is the best guide sign you'll ever see, It's all clearly visible on it, come and have a look.

Bojan: www.allyourneedsunderoneroof.com

And there's a mention of Joker Out somewhere.

Kris:Yeah.

Bojan: Yeah, somewhere at the bottom.

Kris: In sidenotes, right.

Bojan: Yeah, yeah.

You mentioned earlier that there's going to be more singles from the album, not just the two that are already released?

Nace: I think there will be, right. It's just a question of when. Well, 'Demoni' have arrived on Halloween, and now to the next step.

Kris: Yeah, so, well, what should I say...

Jure: Something else might be released, live from Križanke.

Kris: I'm sure there'll be some more live footage, but for now we've got a couple of songs coming out as singles. For me, maybe, I'm not saying it's going to be a single, but I feel 'Ne bi smel' is very much singlelike, the second song on the album. And maybe the others should share which one they see as a single.

Nace: I mean, I also see 'Ona' as a single, right. Definitely. If nothing else, when we play it live, it's it for me. It could be.

Bojan: Honestly, I'll say it like this. Let's give it time, but I think, sooner or later, every single one of these songs is gonna have its singlelike moment. So, keep your eyes open for the videos, the video material, let's not restrict ourselves, you can also find on our website a couple of nice pieces of furniture or home accessories, so you're welcome to visit.

And then in a few more sleeps, it will be the 6th of October 2023.

Jure: Yeah, that'll be quick.

Bojan: What happens then?

Jure: Yeah, Stožice, right. That's it, quick, get the tickets, because they're going to be sold out. I don't know, I feel like we can't wait. Although, we've been waiting six months for Križanke, and it's been pretty exhausting. Now we have to wait a year, so it's only going to get more exhausting.

Bojan: Yeah. Well, the problem with Stožice is, is that truthfully they're so surreal, that, I mean, I really remember the first time we ever set foot in Stožice, when we played at Ritem mladosti (Rhythm of Youth), as an opening band at 7pm, and we said, "Wow, hey, can you imagine everyone coming here because of you, can you?" And now, like three or four years later it's going to happen and it doesn't feel real yet.

'Novi val'

I think we tie this to the last track 'Novi val'.

Bojan: 'Novi val' is one very, very special song for me, because it emerged, from one, how should I say, direct impulse from nature and that was when the fires broke out in the Karst. That's when this phrase came, "Where shall we go from here if we are already setting the horizon ablaze?" and the song was built around that. We kind of felt, that there was a generation, a few generations younger, and maybe a couple of generations older than us, entagled in it, in this preconception that maybe we don't know quite what to do with ourselves or that we are not a good enough contrib… What do you call it, a contribuator to society? I've just made up a word for that. Basically, this song is a bit like I would say an expression of any young person at the moment, who knows that they matter, who knows that their voice counts. and who wants a better tomorrow.

'Novi val' to wrap up this conversation, Jan, Bojan, Jure, Kris and Nace, thank you, for being guests on Radioaktivno and may you be successful and hard-working on your journey. And see you again in a year with the new album?

Bojan: Absolutely, thank you very much for having us, we had a great time last year as well, we remember that interview as a nice one, next year we don't know if there will be an album, but we'll be fresh out of Stožice, really.

Jan: Yeah, thanks for the invitation, we'd love to come again. I agree with what Bojan said.

Jure: I wish everybody a good night, right.

Kris: Good night everyone, the third album may not be next year, but I'm sure there'll be a lot of things to listen to and see.

Jure: But it will be the next one.

Kris: It will be the next one.

Nace: Same from me, right, see you in Stožice. I'm Nace. Still, something like that.

All: We're Joker Out,

Bojan: and you're listening to Radioaktivno.

[reality-detective]

I think we're nearing "End Game" "Checkmate" where things are about to get real crazy? 👇

Black Swan Event! The World’s Most Powerful Families Are Crafting Global Chaos – Trump Is Leading the Fight Against a Globalist Cabal!

In the clandestine corridors of power, a sinister plot is unfolding—one that mocks the very democracy and freedom we hold dear. This is not just another historical manipulation, but a shadow war waged by a cabal of power-hungry elites, tracing their bloodlines back to the darkest realms of the Illuminati and the counterfeit AshkeNAZI lineage.

The Rothschilds, Rockefellers, and their ilk have orchestrated every major catastrophe of the 20th and 21st centuries. From the World Wars to economic collapses and the recent pandemic, each disaster serves their ultimate goal: total global domination through chaos and despair.

The United Nations and Israel? Not geopolitical strategies, but key pieces in their grand chess game. Under the guise of international cooperation, these institutions enable the elites to conduct heinous crimes—from human trafficking rings to covert biological warfare on innocent populations. The CIA is merely a puppet in their hands, enforcing their will across the globe, with Ukraine becoming the latest battleground where their twisted agenda plays out.

But it doesn’t stop there. The elites have infiltrated every corner of society—from the financial crashes they orchestrate to the dictators they install. Even Google, Facebook, and YouTube are weapons in their arsenal, controlling thought, manipulating reality, and silencing those who dare to speak out.

As these elites sense their plans unraveling, they retreat into private banking and cryptic financial channels, but their ultimate aim remains clear: the collapse of global economies to establish a new world order under their absolute control. They think their plan is foolproof, but they didn't anticipate the rise of counterforces.

Trump and General Flynn have been laying the groundwork for a massive counterstrike, executing covert operations to dismantle the Deep State from within. The Quantum Financial System (QFS), a revolutionary technology, is their secret weapon, designed to overthrow the corrupt financial structures of the elites and bring about a new era of transparency and freedom.

As the world teeters on the brink of a Black Swan event, engineered economic meltdowns and social chaos are distractions from their true aim: the Great Reset. This terrifying new world order would mark the end of monetary privacy and the final tightening of their iron grip on the global populace.

But patriots worldwide, take heed! The storm is here. This battle for the soul of humanity is not some far-off conflict—it’s happening now. Trump’s coalition is fighting on the frontlines, preparing to activate the QFS and dismantle the elite’s centuries-old network.

Stay alert, stay vigilant. The Great Awakening has arrived. This is our moment—resist, or be swept away in their final bid for tyranny. The truth is your weapon, and awareness your shield. The endgame is here.

This is why I have been saying there won't be an election. It's going to get ugly! 🤔

[thisbibliomaniac]

I have one facebook friend who is a qanon shill, and now he says every road is shut down in Europe. All of them. No cars, no trains, no public transportation. We are very sure of this because somebody posted it on twitter. No, there are no photos, but the only photos we trust are ai generated images of Brittany Spears worshipping Satan, so this is actually better.

"READ THIS THREAD 😎 🍿 👇"

The thread is one tweet. It claims the beaches are also closed.

[girlactionfigure]

Many Palestinians are excited and happy (!) about the announcement by the military wing of Hamas about the return of suicide attacks in Israeli territory.

Here is one of the examples on Facebook by the veteran Gazan journalist, supporter of Hamas, Safinaz al-Louh.

I'm attaching a link so you can report her account on Facebook (not just the post itself)

And all those who are celebrating in the comments...

👇👇👇