#exposition paris
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Tom Wesselmann : L'Immersion dans le Pop Art
RĂ©trospective regroupant 150 des Ćuvres de Tom Wesselmann, lâexposition devient immersive au fur et Ă mesure de sa dĂ©couverte. ComplĂ©tĂ©e par 70 Ćuvres de trente-cinq autres artistes, elle permet le dialogue entre ses rĂ©alisations et les Ćuvres qui les ont inspirĂ©es. Tom Wesselmann dans son atelier Tom Wesselmann (1931-2004), nĂ© Ă Cincinnati aux Ătats-Unis, a commencĂ© par le dessin humoristiqueâŠ
#art#Bric Ă brac de culture#Chroniques#Chroniques cultuelles#Expo#Exposition#Exposition Charlotte Perriand Fondation Louis Vuitton#exposition paris#Expositions#Fondation#Histoire de l&039;art#Images#Peintre#Peinture#Pop-Art#Sxulptures#Visite
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Ma participation au salon EXPO4ART du 13 au 15 dĂ©cembre 2024 sous la Halle des Blancs Manteaux en plein cĆur du Marais Ă Paris. Vous pouvez retrouver toutes mes Ćuvres et mes prochains Ă©vĂ©nements sur mon site d'artiste https://www.yaume-c.com/
#exposition paris#expo4art#salon d'art#art actuel#art contemporain#artistes#paris#paris by night#le marais paris#le select montparnasse#artiste français#Youtube
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Palace of Electricity sculpture. L'Exposition Universelle de 1900 : détails de sculpture. 1900.
Internet Archive
#paris#1900#world's fair#exposition#architecture#sculpture#art#ornament#radiating#nemfrog#early 1900s#1k
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Construction de la Tour Eiffel à Paris, France en 1888, un an avant l'Exposition universelle de 1889 dont elle était le symbole principal. - source Memorable Videos.
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Watch and Chatelaine
Case maker: Hippolyte Téterger, Paris, France
Chatelaine gold chased by Jules-Paul Brateau, French ca. 1875â78
Medium:Â Chatelaine: partly enameled gold and platinum set with diamonds; Movement: gilded brass and steel
Dimensions:Â Overall: 6 1/4 Ă 2 3/8 in. (15.9 Ă 6 cm); Diameter (back plate): 1 1/16 in. (2.7 cm)
This exquisitely crafted display piece, decorated in a historical revival style inspired by sixteenth-century âgrotesqueâ ornament, was shown at the 1878 Paris Exposition Universelle. While the watchcase is signed by TĂ©terger, the movement is unsigned, suggesting the prestige of the jeweler surpassed that of the watchmaker. Its high-quality movement nevertheless features up-to-date technology for the time.
#watch#chatelaine#hippolyte teterger#1875#1876#1877#1878#1870s#late 1800s#chased#jules paul brateu#french#france#paris#gold#enamel#platinum#diamonds#diamond#grotesque#paris exposition universelle#guilded brass#steel#jeweler#jeweller#jewelry#jewellry#unknown watchmaker#figural
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Destroyer - Blood Ties
(Masterlist)
Paris clutched his head, his nails tapping patterns against his skull. It made a thick, hollow sound in his ears. Not pleasant, but he had to keep his own motion up. He hasnât slept all week.
âJust bring him up,â He called to the guard, âWhatever the protocol is. I donât give a shit.â
His guards left dutifully. Paris stood up from his desk, moved to pace the floors. He was still working out of his own bedroom. He didnât have the heart to go into the master bedroom just yet. A lesser man mightâve found this undignified, but Paris had worked out the opposite conclusion. He really didnât give a shit, Paris. He had other things to worry about.
The deadliest weapon this side of the galaxy knocked at his door.
Paris opened the door with the same violence of action he did practically everything with. Delta flinched back from the sound. Simon stood beside him, only to be instantly dismissed. Paris pulled Delta into the room and immediately slammed the door shut.
Delta knelt down without being asked. It was for the best, really. He felt unstable. He did not want to fuck around with Paris.
Paris, luckily, seemed content just to have him there. He went back to his business without much more acknowledgment of Delta, flitting in between the bedroom, the bathroom, and the closet. The room was truly overflowing with junk. No wonder Paris was so frenetic. He clearly didnât know where to start.
Delta played with loose strands of carpet.
Paris was standing in front of his bathroom sink, splashing water into his face. He rapped his knuckles against the porcelain, then up by his head.
âYou can talk, you know!â He cried out.
Delta looked up. Paris didnât enter; he wasnât even sure he was speaking to him. It was only when Paris crossed the threshold again, still barely looking at him, that he decided to take the risk.
âI was sorry to hear about your father, Paris.â Delta said quietly.
Paris froze. He let out a soft sigh. âYeah. Me too.â
It was quiet.
âStand up,â Paris ordered him. Delta did so. He held still as Parisâs hands moved to his collar, undoing his shirt. He stripped the suit off so that it hung idly by Deltaâs waist. Tugging his wrist, he spun Delta around. Delta felt his fingers tracing his spine. Paris examined the fading burn scars up and down Deltaâs shoulder-blades. Apparently satisfied, he ordered Delta to redress. Parisâs gaze was intense, cold. Delta was careful to avoid meeting it.
He didnât have a choice, though. Paris tilted his head up to force eye contact. It was a bad thing; Delta knew he was being studied. He was watching Paris watching him. But from years of training, he had no reaction. Without warning, Paris slapped him hard across the face. He reeled. As he straightened, Paris took a fistful of his hair close to his scalp and forced him up against the wall. Delta winced, exhaled, but did not speak. Parisâs gaze remained analytical; his anger seemed forced.
âDonât be cute,â his grip tightened, âYouâre mine now, by right. You are going to show me the same respect you showed my father and I expect you to behave as youâve been taught. You wonât speak until spoken to. Youâll do as I say, when I say it. And youâll take any punishment I give you without complaining. Do you understand?â
Delta was pressed tight against the wall. Parisâs body didnât quite touch his, but blocked off any possible movement. His hand was still wrapped up in Deltaâs hair, knuckles digging into his scalp. Whatever. Those were the same rules heâd already been following.
âYes, sir.â He kept a level tone.
Paris slapped him with his free hand. âTry again.â
âYes, Your Highness.â Delta choked out, pain radiating through his jaw.
âGood,â Paris pulled him forward and then down, forcing him onto his hands and knees. Delta fell roughly to the floor, trying to regain his breath, before crawling back upwards into a kneel. He brushed his own hair out of his face, lightly touching the tender skin where heâd just been slapped - twice.
Paris walked away. Delta relaxed, slightly. He wasnât truly phased by the roughness; heâd been expecting it. It was just what people did when they wanted to show they meant business, as cursory as any other introduction. As long as he gave Paris no reason to repeat it, he should be fine. He waited eagerly to be dismissed.
But unfortunately, Paris kept talking.
âWe arenât staying here. Iâve already got a ship chartered. The war is coming to us and we need to be proactive. Theyâre going to train you to deploy more frequently.â
This did not bode well. Those powers were a bad thing to use, a display of force that was seldom ever necessary for the job. It was risky, but it was extremely inexpensive. Exactly Parisâs style. He went on.
âI donât think the security measures theyâve been using for you thus far are necessary. I donât mind you having free reign of the ship. Itâs not like you can walk off it.â
Delta looked at him quizzically. He had never been outside the castle for more than a months span. Now it seemed as though heâd never return. But heâd have free reign. That much was unimaginable. Paris looked to him for a reaction. Deltaâs ambivalence mustâve shown on his face, but Paris didnât press the issue.
âThatâs all. You can go now.â
Delta stood up wearily, head spinning. He walked out of the room half in a trance. Simon was waiting down the hall; the older man perked up as he saw Delta approaching. No doubt, he saw the inflammation on the left side of his face.
âAll good, kiddo?â Simon asked with truly eked out enthusiasm.
But Delta was at a loss.
#whump#whump community#living weapon#living weapon whumpee#delta#simon#paris#whump scenario#manhandling#i got too excited writing this aaa my baby#sorry theres so much exposition in these parts lol
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Exposition Internationale de Paris, par Eugene Beaudoin, 1937
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Bustier de Madonna par Jean-Paul GaultierâŠ
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Taekwondo Paris2024 Grand Palais
Présentation d'épreuves de Taekwondo lors de Paris2024, les Jeux Olympiques, au Grand Palais rénové de Paris. Magnifique !
DĂ©couvrez la transformation du Grand Palais lors des Jeux Olympiques 2024 Ă Paris Ce fut une excellente surprise dâassister aux Ă©preuves des Jeux Olympiques dans les endroits mythiques de la capitale parisienne. Lâescrime et le Taekwondo se sont dĂ©roulĂ©s au Grand Palais. Jâai eu la chance dâassister aux combats des seconds. Cependant, la surprise fut Ă©galement de dĂ©couvrir ce palais, entiĂšrementâŠ
#Architecte#Architecture#Architecture contemporaine#Bric Ă brac de culture#Centre des monuments nationaux#Chronique#Chronique culturelle#Chronique de voyage#Chroniques#exposition paris#Jeux Olympiques#Monument#Sport#Sportif#Sportifs#Sports
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"All Sunsets Risen" in Paris, Justin Liam O'Brien, Precisionism (Semiose, Paris -Â May 04, 2024 - June 15, 2024)
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Paris, 23 juillet 2023.
#bizarre au havre#photography#contemporary art#exhibition#artist#ron mueck#fondation cartier#skull#black and white photography#paris#dark#photographie#art contemporain#exposition#artiste#crĂąne humain#noir et blanc
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James and Matthew having a series of dates at the Exposition Universelle (World Fair), tho.
#it's a months long exposition on ART and SCIENCE and MODERNITY#no one can't convince me Matthew wouldn't want to go to every one of them#they were a bit too young for the paris one tho sadly#but they can go to the milan or brussels one#heronchild#james herondale#matthew fairchild#tlh#the last hours#tsc#the shadowhunter chronicles#headcanon
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yesterday someone asked me how it was that The Hunchback of Notre Dame felt so alive.
Let me count the reasons! The main one, for me, is the combo of 1) universal & timeless messages, and 2) layered & personal symbolism.
1: Notre Dame represents the protection that humanity should provide to the outcasts of society.Â
2: Notre Dame, at the time the book was written, was falling apart, often vandalized, and visually considered grotesque, outdated, & out-of-place. It wouldâve probably been torn down if Hugoâs novel hadnât gotten popular.
The main location and the outcast main character are interlinked through both of these symbols, strengthening the point the story is trying to drive home. Outcasts protecting outcasts, silently acting out the will of God in defiance of the villain guy who thinks heâs doing Godâs will by burning everything down.
Slap an awesome soundtrack on top of it and it canât help but feel alive.
#I COULD GO ONNNN#I started reading the book Notre Dame de Paris and im happy to see that I picked up on so many unsaid things in the movie#that are given like 30 pages of exposition in the book (this speaks more to the talented animation team than my observation skills)#dude rambles about how beautiful and terrible the cathedral is for an entire chapter#It symbolizes Esmeralda also. but thatâs a ramble for another post#I especially liked the scene where Quasimodo talks to the bells that was lovely#The hunchback of Notre Dame#wowwwwww#tx post
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L'inauguration de la tour Eiffel lors de l'exposition universelle de 1889. - source Danny Fernandez Jimenez.
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