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By considering factors such as the range of services, expert essay writers, customer reviews, customization, customer support, pricing transparency, and sample essays, you can make an informed decision that best suits your needs.

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HOW TO DEVIDE YOUR TIME BEFORE AN EXAM

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Pulmonary Edema

Introduction

Pulmonary edema is a condition that results from the abnormal accumulation of fluid in the lungs, leading to impaired gas exchange and respiratory distress. This comprehensive discourse aims to provide an in-depth analysis of pulmonary edema, covering its pathophysiology, etiology, clinical manifestations, diagnostic modalities, treatment strategies, prevention strategies, and associated complications.

Pathophysiology of Pulmonary Edema

Pulmonary edema develops when there is an imbalance between the hydrostatic and oncotic pressures within the pulmonary vasculature. This imbalance leads to an increase in capillary permeability and the extravasation of fluid into the interstitial space and alveoli of the lungs. Several mechanisms contribute to this process, including increased capillary hydrostatic pressure due to heart failure, increased vascular permeability due to inflammation or injury, and decreased oncotic pressure due to hypoalbuminemia or capillary leak syndrome.

Etiology of Pulmonary Edema

The etiology of pulmonary edema can be categorized into cardiogenic and noncardiogenic causes. Cardiogenic pulmonary edema occurs secondary to heart failure or other cardiac conditions that result in elevated left atrial pressure and pulmonary venous congestion. Noncardiogenic pulmonary edema, on the other hand, is caused by factors unrelated to heart dysfunction, such as acute respiratory distress syndrome (ARDS), aspiration, sepsis, or neurogenic pulmonary edema.

Clinical Manifestations of Pulmonary Edema

The clinical presentation of pulmonary edema varies depending on the underlying cause and severity of the condition. Common symptoms include dyspnea, orthopnea, paroxysmal nocturnal dyspnea, cough, frothy sputum, cyanosis, and crackles on auscultation. Severe cases may progress to respiratory failure, hypoxemia, and hemodynamic instability.

Diagnostic Modalities for Pulmonary Edema

Diagnosing pulmonary edema requires a thorough clinical evaluation, including a detailed medical history, physical examination, and various diagnostic tests. Imaging studies such as chest X-ray, computed tomography (CT) scan, and lung ultrasound can provide valuable information about lung parenchymal changes and the presence of pulmonary congestion. Laboratory tests, including arterial blood gas analysis, brain natriuretic peptide levels, and electrolyte measurements, may also aid in the diagnosis and assessment of disease severity.

Treatment Strategies for Pulmonary Edema

The management of pulmonary edema involves addressing the underlying cause, relieving symptoms, and preventing complications. Initial treatment often includes supplemental oxygen therapy to improve oxygenation and reduce respiratory distress. Diuretics, such as furosemide or bumetanide, are commonly used to reduce fluid overload and alleviate pulmonary congestion. In cases of cardiogenic pulmonary edema, vasodilators, inotropes, or mechanical ventilation may be necessary to improve cardiac function and gas exchange.

Prevention Strategies for Pulmonary Edema

Preventing pulmonary edema requires a broad approach aimed at managing underlying risk factors and promoting healthy lifestyle habits. Patients with known cardiac conditions should adhere to prescribed medications, maintain a low-sodium diet, and monitor fluid intake to prevent fluid retention and exacerbation of heart failure. Individuals at risk of noncardiogenic pulmonary edema should avoid exposure to toxins, practice proper respiratory hygiene, and seek prompt medical attention for respiratory infections or injuries.

Complications of Pulmonary Edema

Untreated or inadequately managed pulmonary edema can lead to several complications, including acute respiratory distress syndrome (ARDS), cardiogenic shock, acute kidney injury, pulmonary hypertension, and death. Prompt recognition and intervention are essential to prevent progression to these life-threatening complications and improve patient outcomes.

Conclusion

Pulmonary edema is a complex and potentially life-threatening condition that requires prompt recognition, accurate diagnosis, and appropriate management. By understanding the underlying pathophysiology, etiology, clinical manifestations, diagnostic modalities, treatment strategies, prevention strategies, and associated complications of pulmonary edema, healthcare providers can optimize patient care and outcomes. Continued research efforts aimed at elucidating the mechanisms underlying pulmonary edema and identifying novel therapeutic targets are essential to further improve patient outcomes and reduce the global burden of this condition.

Embarking on your journey in the field of medicine is both exciting and challenging. As you navigate through your rigorous study period, it’s essential to seek guidance and assistance whenever needed to ensure your success.

At Expert Academic Assignment Help, we understand the demands of medical education and are here to support you every step of the way. Whether you require assistance with assignments, research papers, or exam preparation, our team of experts is dedicated to providing you with the help you need to excel in your studies.

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The 5-Hour Workday: Time Management Strategies for Efficient Studying

The traditional 9-to-5 workday doesn't always translate seamlessly to student life. Between classes, extracurricular activities, and personal commitments, finding time to study can be a constant struggle. The idea of a 5-hour workday, inspired by forward-thinking companies that prioritize productivity over long hours, presents an intriguing shift in time management.

The premise is simple: Rather than spending countless hours studying inefficiently, students can condense their study time into focused, productive sessions. By adopting this approach, you can make your study hours more impactful and reclaim precious time for other pursuits.

Time Management Strategies for Efficient Studying

Set Clear Goals: Before you start studying, define your objectives. What do you want to accomplish during this study session? Setting clear goals helps you stay focused and on track.

Use the Pomodoro Technique: The Pomodoro Technique involves working in short, focused bursts (typically 25 minutes) followed by a short break. This method can help improve concentration and prevent burnout.

Prioritize Tasks: Identify the most important and time-sensitive tasks, and tackle them first. This ensures that you address your highest-priority assignments during your peak concentration periods.

Eliminate Distractions: Find a quiet, distraction-free space to study. Turn off your phone or use apps designed to block distracting websites and notifications.

Time Blocking: Allocate specific blocks of time for different subjects or tasks. This can help you manage your schedule more effectively and ensure that you give adequate attention to each subject.

Active Learning: Engage actively with the material by taking notes, asking questions, and discussing concepts with peers. Active learning enhances retention and understanding.

Quality Over Quantity: Focus on the quality of your study sessions rather than the quantity of time spent studying. A productive hour of focused study can be more valuable than several hours of distracted effort.

Implementing the 5-Hour Workday for Studying

Now that you have a set of time management strategies at your disposal, let's apply them within the context of the 5-hour workday:

Hour 1: Goal Setting and Planning

Start with a clear understanding of what you want to achieve during your study session.

Review your assignments and prioritize tasks based on deadlines and importance.

Create a study plan for the day, allocating time for each subject or task.

Hours 2-3: Focused Study Session 1

Dive into your first study session with full focus and minimal distractions.

Apply the Pomodoro Technique, working for 25-30 minutes followed by a 5-minute break.

Use active learning techniques like note-taking and summarization to engage with the material.

Hour 4: Short Break and Review

Take a 15-20 minute break to recharge.

Use this time to review and reflect on what you've learned during the first study session.

Stretch, hydrate, and clear your mind before the next session.

Hours 5-6: Focused Study Session 2

Begin your second study session, following the same focused approach as the first.

Apply active learning strategies to enhance comprehension and retention.

Stay committed to the task at hand, knowing that you have a productive schedule.

Hour 7: Wrap-Up and Reflection

As your 5-hour workday concludes, take time to wrap up your study session.

Review your accomplishments and progress toward your goals.

Make note of any questions or areas that require further attention.

The Benefits of the 5-Hour Workday for Studying

Adopting a 5-hour workday approach to studying offers several advantages:

Increased Productivity: Condensing your study time promotes focused, efficient work, reducing the likelihood of procrastination.

Improved Time Management: By setting clear goals and prioritizing tasks, you become a more effective manager of your study time.

Enhanced Work-Life Balance: With a structured study schedule, you can allocate more time to other aspects of your life, including relaxation and leisure.

Incorporating the 5-hour workday into your study routine requires discipline and consistency. Over time, you'll refine your approach and find the balance that works best for you. For additional support and resources to enhance your academic journey, consider exploring the services offered by EssayMarket. Visit at EssayMarket to discover how they can support your educational goals!

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Enhance your memory with the "Method of Loci." 🧠 Associate study material with specific locations or objects to recall information better during exams. 💡

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🎓 November is a time of reflection and progress. Take stock of how far you've come academically, celebrate your achievements, and set new goals for the future. Remember, each step forward is a step closer to realizing your dreams. Keep reaching for the stars! ✨

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Monday Study Motivation

It's a brand new week, and we're here to kickstart it with some inspiration and positivity! 🚀

Inspirational Quote of the Day: "Your education is a dress rehearsal for a life that is yours to lead." - Nora Ephron As we dive into another week of student life, remember that your education is not just about exams and assignments; it's a journey of self-discovery, growth, and preparation for the incredible life ahead. 📚 Now, let's delve into the story of a remarkable individual who faced adversity during their student years and emerged stronger than ever.

The Success Story of Oprah Winfrey 🌟

Oprah Winfrey, a household name known for her influential talk show and philanthropic work, faced numerous challenges during her student years that could have derailed her path to success.

Born into poverty in rural Mississippi, Oprah grew up facing economic hardships and a difficult family situation. Despite these obstacles, she developed a passion for learning from an early age. However, her educational journey was far from smooth sailing.

In her teenage years, Oprah attended Nashville East High School, where she faced discrimination and bullying due to her socioeconomic background. She not only dealt with the typical challenges of adolescence but also had to overcome racial prejudice.

Oprah's academic struggles led her to transfer to a different high school, where she joined the speech team. This pivotal moment marked the beginning of her journey towards becoming an exceptional communicator.

Oprah's tenacity and dedication to her studies eventually earned her a scholarship to Tennessee State University. While in college, she continued to face financial difficulties, often wearing dresses made from potato sacks because her family couldn't afford new clothes.

Despite these hardships, Oprah excelled academically and honed her public speaking skills. Little did she know that these experiences would pave the way for her future success.

Her breakthrough came when she landed a job in radio and later transitioned into television broadcasting. Oprah's natural charisma, intelligence, and empathetic nature quickly made her a popular talk show host. In 1986, she launched "The Oprah Winfrey Show," which became a cultural phenomenon, running successfully for 25 years.

Throughout her career, Oprah used her platform to inspire, educate, and uplift millions of viewers. Her journey from a disadvantaged background to one of the most powerful women in media is a testament to the power of perseverance, education, and self-belief.

So, as we start this week, let's draw inspiration from Oprah's story. No matter what challenges you face during your student years, remember that they can be stepping stones toward a brighter future. 💪✨

Whether you're struggling with exams, juggling work and studies, or facing personal obstacles, know that you have the resilience within you to overcome them.

Stay tuned for more tips, facts, and inspiration throughout the week to help you on your academic journey. Remember, you're capable of achieving greatness! 🌟📖

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[peter-pett]

Academic Burnout and How to Beat It: Strategies for Overcoming Student Fatigue

Academic burnout is a state of physical, emotional, and mental exhaustion caused by prolonged exposure to high levels of stress related to academic work. It can manifest in various ways, including:

Physical Symptoms: Fatigue, headaches, and changes in sleep and eating patterns.

Emotional Exhaustion: Feelings of cynicism, detachment, and a sense of ineffectiveness in academic pursuits.

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Common Causes of Academic Burnout

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Excessive Workload: Overcommitting to coursework, extracurricular activities, and part-time jobs can lead to overwhelming stress.

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Lack of Support: Insufficient support from peers, family, or academic advisors can exacerbate burnout.

Inadequate Time Management: Poor time management skills can lead to overwhelming deadlines and pressure.

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Time Management: Develop effective time management strategies, such as creating schedules and breaking tasks into manageable chunks.

Say No When Necessary: Learn to decline additional commitments when your plate is already full.

Practice Mindfulness: Mindfulness techniques can help reduce stress and increase resilience.

Utilize Academic Resources: Take advantage of academic resources like tutoring and counseling services.

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Introduction

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Effective communication and support are vital throughout the thesis writing process. Choose a service that offers responsive customer support to address any queries or concerns promptly.

Expert Academic Assignment Help: Your Trusted Partner in Thesis Writing

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Inclusive writing, also known as diversity-conscious writing, is the practice of intentionally using language and framing that respects and includes all individuals, regardless of their background, identity, or experiences. Here's why inclusive writing matters:

Representation: Inclusive writing ensures that underrepresented groups are acknowledged and represented in academic and creative works.

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Empowerment: Inclusive writing empowers marginalized voices, allowing them to share their experiences and perspectives.

Fostering Inclusivity: It fosters an environment of inclusivity and respect in academia and creative fields.

Strategies for Inclusive Writing

Use Inclusive Language: Avoid gendered language when unnecessary. Use gender-neutral terms like "they/them" when referring to individuals of unspecified gender.

Avoid Stereotypes: Steer clear of stereotypes and assumptions about race, gender, or other characteristics.

Cite Diverse Sources: Incorporate a diverse range of authors and sources in your work to reflect varied viewpoints.

Respect Cultural Differences: Be sensitive to cultural differences and customs, especially when writing about diverse topics.

Consider Your Audience: Think about your audience's backgrounds and perspectives to ensure your writing is relatable.

Ask for Feedback: Seek feedback from peers or colleagues from diverse backgrounds to identify any unintentional biases or exclusions.

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