#experimental art spaces

[jetleparti]

First release now live:

Album/LP: Surface to Air

Genre: experimental, ambient, neoclassical, techno, liminal, tape

By: Jet Le Parti

Album Artwork: L.S. Toy

Base 36. 2024.

[m0rbs]

Trials and tribble-ations deleted scene

[postpunkindustrial]

Sun Ra’s application to NASA’s art program.

[sharkylass]

Okay, before I talk about au stuff-ART FIGHT HAS OFFICIALLY ENDED!!

This year I was super busy, and yet this has somehow turned out to me my most productive year on artfight to date with 24 total attacks (and I wanted to do more, but again, this month had me in a chokehold) SO HERE ARE MY CONTRIBUTIONS!

In order, credit for character designs goes to: First two are for @rose-petal123 next is @princess-self-shipping , @clawcakes , @sweetkiller690 , @camilieroart , @anixolt , @artilite, @krdrawsnext two are both for @kazehita @bleeding-fairy-helmet , Curb Animates (on youtube), @donniipao , @wonder-of-the-stars , @bluesgras , @feloplip , @princemonarchempress, @tfrost , @tealgoat , @sketchz42 , @saltyhibiscus And the last two are for @sharoo

(For some reason the tags aren't working, but if you're curious, I mentioned everyone in the notes in the same order!)

[tangramkey]

i love my Basketbot Portal AU

[gayaest]

[ID in alt-text] commission for @/mokuhchi on twitter! 🪐♿️✨

[kaspers-kanvas]

aaauaooooooaaa i love thinking about them and drawing them sm,,,,, they mean the world to me <3

also i love @flamingoinkart's hc sm that space kickers have patterns n stuff,,, it's so fun but I never draw them consistently so maybe I should make a ref or smth

[zeldasadork]

amoral space socialite lizzie and her smug space pirate husband. I think they bail eachother out of the consequences of their actions like all the time

[th3-0bjectivist]

“Black Dwarf” - Animated painting

[cultofgalaxy]

Been working on the N.E.X - specifically the 'Alienpedia' which we have renamed to the Codex.

How it works is like this: the species you've scanned will be registered into the N.E.X. It works like a Pokedex but instead of automatically registering creatures when you encounter them for the first time, you have to manually scan them. I'll explain some of the functions Hovering over a registered alien will give a brief description, a name and their image. if you click on it, it will take you to a more detailed page about that alien, showing details such as what planet they are found on, their diet, the biomes they are found in etc. If you have not registered an alien and hover one of the ? ? ?, no info will appear.

The 4 icons at the bottom seem trivial but can be helpful during your travels. Eggs are planned to be a collectable in our game, so finding the eggs of each species will also be registered into the N.E.X. Diet is just a trivial lore, but abilities can tell you more about that alien's powers/characteristics. For example, if you scanned the starsprites and then hover the starsprite's ability, a pop up will show about their powers, in this case, the starsprites ability will be 'enchantment'. The last of the 4 icons is called 'guide' and this is the one we're most excited about.

If you ever played Super Smash Brothers or Kid Icarus uprising then you might be familiar with this mechanic. During gameplay your character will often have a conversation with the npcs which usually has some fun dialogue and tells you more about whatever you're doing during that part of the game. In this case we plan to make it so Melodia and Kinoko have a conversation about the species they scanned. Melodia will often educate Kinoko about the species or if its an aggressive mob, will teach you how to counter it.

We're always interested in feedback as we want to make this as good as it can be, so if you have any thoughts on these interface designs, let us know!

(keep in mind that the images are just placeholders.)

[rhapsodynew]

#history of rock music

On November 13, 1970, Syd Barrett's second studio album "Barrett" was released.

Note that the work was generally in a hurry: the Floyd team continued to work on Atom Heart Mother, touring interfered with the studio schedule every now and then — there was simply no time to hone the songs, and Barrett himself, as we remember, was against long rehearsals. Sometimes haste led to serious mistakes — for example, one day Dave took home master tapes with two songs to listen and decide whether these options would be included in the album; the next day the band went to a concert, and Gilmore simply forgot to return the tape to the studio. As for Sid, sometimes they played absolutely magical things, and sometimes they were unable to give out anything meaningful at all (for example, the song Gigolo Auntie Gigolo was recorded only from the 15th time). He phrased his comments as if he were describing paintings rather than music: "Maybe we could make the middle darker and the end a little noonday. It's too windy and frosty right now."

I must say, the record begins intriguingly — with a long solo by Sid before the song Baby Lemonade ("A little bottle of lemonade" is an outdated expression). Subsequently, it turned out that Sid was just warming up — the solo had nothing to do with the song, David had already added it there, considering it quite suitable. The lyrics are full of extravagant phrases like "I sent you an iron cage by mail" or about "A watch washed in a washing machine" — but overall the song sounds pretty strong. The solo is simply brilliant — what kind of shape Sid could be in and how at ease he could play!

It is followed by a downright beautiful and almost Beatle Love Song, decorated with stylish Rick Wright keys - a love song in which there are no fabulous, witty or scabrous lines (except that "I'll lower my head and see what I see"). The musicians also succeeded in Dominoes, a meditative story about how Sid spends time with a certain girl, to whom the song is dedicated, playing dominoes. The song has a distinctly bluesy undertone — there is something of Doors in it - and besides, it is decorated with a reverse solo by Sid. However, everything is not so simple: it turned out that at some point Gilmore was so exhausted that he naturally felt like his roof was going away, and automatically started recording an almost finished song backwards. The next thing he remembered of that evening was Sid playing a delightful solo and never getting it right, and pressing the record button. That's how it was included on the album — because Barrett didn't squeeze out another note about it. Against this background, the fragment forgotten in the finished mix, where Sid clears his throat, is already taken for granted.

Alas, the feeling does not last long on the album, as if this time Sid's associates had found an approach to him and solid ground under their feet. It Is Obvious ("It's obvious") is an extremely loose song in which Sid plays exactly two chords and recites lines in an incredibly low voice, which still have a hint of something magical, but in general the text is saturated with longing and despair. Rats ("Rats") It grew out of jam, to which Sid came up with a somewhat manic text on the go. To be honest, maybe it would have been better if she had remained a jam. As well as the closing side of Maisie, there is another, now blues jam, over which Sid speaks, sniffles, giggles and makes other inarticulate sounds. All that can be said about this track is look at Sid playing the blues (which is not surprising, knowing the origin of the band's name), while Pink Floyd quite rarely turned to this genre.

Suddenly, on the second side (how many people got there), a quite tolerable Gigolo Aunt is discovered. The lyrics here, of course, are nothing more than sweet carefree nonsense, but at least it feels like a song. I would like to comb my hair a little and... but at least stop. Unless it's unknown why it's been going on for so long — is it really just to preserve the priceless fragments of Sid's game on film as much as possible?

Waving my arms in the air — well, while Sid is waving his arms in the air in another song, mine are sinking, because it's impossible to describe. This is a good preparation for a cute song about this and that, in which there is a minimum of certainty ("no one will strain too much, there will be many things that we can do") and the obligatory naive question at the end ("Why am I here? What is destined to happen?"), but no more.

I don't know if it's worth saying anything about the remaining recordings. I Never Lied to You ("I Never Lied to you") is another song about longing and separation, in which the musicians frantically try to play along with the author of the album, as if on the move. Wined and Dined ("Dined with Wine") is based on a cute riff that Sid handles quite confidently throughout the recording. Gilmore is known to play solo here. In general, we must admit that it is quite neatly recorded — the instruments complement each other well, and the omissions in their parts form a complete sound picture. The song Wolfpack ("Wolf Pack") Sid named among his favorites — perhaps the lyrics are really good, but the sound ... hug and cry. He is perfectly described by a comment from a certain fan of the song:

— Sid: Trying to sing normally — The pack in formation

— Little gremlin in a side head: thE PACK IN FORMATIIIOOOON!

Oh, Sid, which one of them is the real you?

And this piece ends with a song called Effervescing elephant ("Effervescent Elephant"). Here we must honestly admit that we have a brilliant text in front of us. This is an absolutely delightful fairy tale, quite in the spirit of Sid's enthusiastic English absurdity — but it also sounds like a demo at best; and it's great that Vic Savell played the tuba here. It was very convenient.

It's a painful feeling, isn't it?

Maybe it was worth choosing more or less finished things and putting together one of the two albums. Who knows? What is destined to happen?

So that's what happened when the talented English kid Syd Barrett returned to the studio to record some songs a few trips later. This time, Sid's own drawing is used on the cover — he painted these charming creatures a few years earlier during his studies. If you look closely, it turns out that all these winged creatures are beetles. On the reverse side, a picture of Mick Rock with the same Pontiac Parisienne is used. Interestingly, Mick Rock is not listed in the credits of the album, and in general Hipgnosis's involvement in this art is not noted anywhere, but pay attention to the inscription of the author's name and the album title on the backdrop! Practically Bond)

The album was released on November 14 and was met with restraint, if not coldly. He did not manage to become a little more afternoon, as poor Sid wanted. The album did not hit any charts and achieved nothing — the more surprising that even after such a result, Sid had to comment on rumors about the third album and new singles for some time (however, oddly enough, Barrett became more successful from a commercial point of view than Madcap). Answering reporters' questions, Barrett reasoned unexpectedly sensibly: he dismissed all rumors about the third album, saying that the songs for recording must meet a certain standard — and if there are a couple of decent ones on "Madman", then on the second album there are only echoes. Perhaps there is nothing more to add — after 1970, Syd Barrett did not record anything.

As for the rest of the Floyd's, Roger Waters, for example, continued his collaboration with Ron Gisin and recorded the soundtrack to the film "The Body" with him. In particular, there is a composition called… Breathe!

Let's just note that all four Floyd members took part in the recording of the final song — Give Birth To A Smile ("Give Life To a Smile"); this is the rarest case when one of the other band members went to participate in Roger's activities unrelated to the band (not to mention the whole band — by the way, the participation of David, Nick and Rick is not noted in any way in the design of the album). In general, we mention this work because we need to fix it: in 1970, the Floyd's, despite the release of the first album in the band's discography, which took first place in the charts, were engaged in very different things. Nick Mason, thanks to Ron Gisin, immersed himself in producing, Wright and Gilmore, too, but thanks to Sid. Gilmore, Wright and Waters wrote one track per year for their own band — the title suite does not contain many personal contributions from Floyd's band. So, while the others were producing, Waters wrote songs: there are four of them on Music from The Body — Sea Shell and Stone, Chain of Life, Breathe and Give Birth to a Smile. He also released a concept album in which the tracks merge into each other — and this album was even released on vinyl with a transparent anatomical mannequin on the cover.

Pink Floyd spent the rest of the year on endless, exhausting tours. Therefore, when they returned to the studio in January 1971 — it was time to make a new album — the four guys found that they had absolutely nothing to record.

[vixymix101]

Petey boy

[ofishialy]

If I forget to set the alarm and sleep on through the dawn, don't remind me.

[guerrilla-operator]

PINK FLOYD ON BOUTON ROUGE. PARIS, 2/20/68.

[laurelnose]

“Just what is it that runs in your veins, Jedao?”

“You’re welcome to cut me open to find out. Knife’s on my left hip if you forgot yours.”

“Oh, I intend to.”

spent most of my Sunday on @figuwhump day 12, which dovetailed really nicely with a couple of MoE thumbnails I was saving. ‘this looks like consensual kink, is this actually whump,’ you might be asking, and to that i say, with Kujen & Jedao it can be both

[20ctrl]

i love these types of pictures but I can’t stop giggling at just the “I wonder” next to an eldritch horror of glued together dogs