#expanded from my discord musings

[zykamiliah]

shen jiu is ashamed of his past

it's interesting because shen jiu concludes that by abandoning him yue qinyuan wants to put his past behind and remake himself but the one that actually does that is shen jiu.

Once the peak lord gave their head disciple new names, their original ones would be discarded (…) of the thousands of possible names in this world, the peak lord had just happened to name him “Qingqiu.” But no matter how laughable, no matter how it made him gnash his teeth, Shen Qingqiu still wanted that name, for this name represented that from now onward, a shining new life was his. “That name irritates me whenever I hear it. I’ve long forgotten it. So please, Zhangmen-shixiong, you should also discard it.” Yue Qingyuan said, “Then the day you respond to it would be the day it no longer irritates you?” A pause. Shen Qingqiu sneered. “That will never happen. Yue Qingyuan, allow me to say it once more: never let me hear that name, ever again.”

he's projecting his own thoughts and self-worth issues on yqy. yqy doesn't want to let the past behind. he's the only one sad the new sqq doesn't remember it. he's the one that tries to use sj's old name and nickname. he's the one asking "Are you determined to never call me Qi-ge again?"(Chapter 21: Always Together) and every single time yqy tried to call him xiao-jiu sj would shut him down.

he'd rather have the "Qiu" character reminding him of his old master and abuser than be called by his old name, because he doesn't want to be shen jiu anymore.

he lets people like liu qingge think he is an young master from a wealthy family rather than tell others he was a poor orphan. he'd rather let people think he's similar to qiu jianluo than admit his true origins.

[novantinuum]

Pink Onyx AU- An Analysis and Theory Post, Part 1

[Part 1- You are here!] | [Part 2] | [Part 3] | [Part 4] | [Part 5]

~

Howdy! Those of you who have followed me for a while have probably been seeing my reblogs of the @pink-onyx-au comic made by @ceephorsshitshow. Well, today I wanna share with you something a little different than my usual SU meta… because today I’m gonna analyze this really cool fan work with the same level of seriousness as I do canon. (Like. Seriously. This first post alone is really, really long. I put most of it under a cut.)

This particular comic is a very special one for me to watch unfold, because it’s evident that a lot of deep care and attention to detail has been poured into its creation. There’s fascinating bits of expanded character development to chew into here, as well as plenty of mysteries and lingering questions for us readers to muse and theorize over. If you follow me for Steven Universe and haven’t read this AU yet I highly recommend you check it out. The most basic pitch is that it explores what a fusion between Steven and Jasper might look like, and does a LOT of deep-diving into the similarities and differences of both of those characters’ psyches.

Here’s the episode masterpost on tumblr.

And you can find it on Tapas, too! 

(Note: For the purposes of these posts, I was given permission by the comic artist to post screenshots of various pages where relevant in this discussion. For each frame used I will list the episode and page number for easy reference. Additionally, this post and all future ones on the topic will contain full spoilers for the comic thus far.)

Now with all that introductory stuff out of the way, here we go!

__

So, on the final page of the most recent update, we get one hell of a visual plot bomb for Steven as ol’ Onyx unfuses:

(Episode 9: Page 22)

He’s now visually expressing remnants of his corruption, where before he was not.

And it’s this mysterious plot point in particular that got me wanting to analyze this comic more deeply in the first place. This is completely new for him in this story. Thus far, he’s never expressed any of these remnants when he’s just himself- not in the way Jasper does. So it made me wonder… how might this shift in his appearance play into the ultimate trajectory of the plot? How does Steven suddenly showcasing corruption scars integrate into the larger story that is being spun here about him and Jasper and how they relate to each other?

Well, there’s a lot of comic details and story lore we need to unpack first before I can take my best theorizer’s stab at this. Let’s dig right in.

__

Prelude: The analyst’s treasure is in the speech bubbles

Anyone who’s been a fan of this comic for a while has probably noticed these fun visual details already, but I’m going to take a moment to break down what I believe each speech bubble style signifies for folks who may not have context. It’ll make some of my analysis later a bit easier, too, ahah.

So. Speech bubbles. What kinds do we have here? 

(Episode 1: Page 6)

Style number one: Solid with black text

This style is standard for non-fused characters, and is also utilized when a fused character is speaking whilst in a state of internal harmony.

Steven is pink and Jasper is orange, of course. Onyx’s speech bubbles are a distinct darker pink, and the main three Crystal Gems get their own colors as well. More minor characters get white bubbles.

(Episode 1: Page 10)

Style number two: Scribbly pink lettering overlaying black text

Whenever you see this type of speech bubble, it’s a sign that there is some level of internal discord going on within Steven or Onyx that is related to their diamond side. It usually shows up when one of the two is in pink mode, but from what I can tell this is not a solid rule.

(Episode 2: Page 12)

Style number three: Pink/orange mixed bubbles

This is how we see Onyx talking for a good portion of the early comic. Their speech bubbles are a clean mix of Steven’s pink and Jasper’s orange. And most vitally, the color on the top and the tail signifies which of them is “fronting” at that moment.

(Episode 3: Page 11)

Style number four: White bubble with solid pink text

So far, this style has only been used to represent dialogue that is being spoken by Steven’s gem half exclusively. Which makes things very interesting, as in Steven’s own remembrances of shattering Jasper on the very first page of the comic, the line “I have been holding back!” is shown in this specific style, instead of the scribbly pink lettering that signifies internal discord.

There is one additional sub-style here- and this is the one moment where we get Onyx’s mixed bubble but WITH the solid pink text. 

(Episode 3: Page 11)

I believe these two styles pretty much mean the same thing… only, the white/pink text is either viewed within memory or a metaphoric fusion mindscape where we the viewer are actually ��seeing” Steven’s instability, and thus can “see” his gem half as a separate entity there. While, in reality, this is an argument Onyx is having with the disparate pieces of themself.

(Episode 4: Page 9)

Style number five: Pink/orange tye-dye mixed bubbles

When you see that darker shade of pink start dappling into the standard mixed bubbles, this indicates that there are small whispers of Onyx’s true personality beginning to surface, instead of them constantly being wrested back and forth between Steven and Jasper’s conscious control.

(Episode 4: Page 16)

Style number six: Pink/orange mixed bubbles, but with a darker pink tail

From this page onwards, Onyx’s speech bubbles always have their darker pink shading the tail no matter who is fronting. Sometimes there are little lines of another color etched out of it, and sometimes the tail is solid dark pink. I like to believe that when it’s solid, it means that Onyx is just a little closer to reaching a fully harmonious state than when it’s not.

(Episode 9: Page 6)

Style number seven: Onyx speech/thought bubbles with a hint of pink/orange underlying

This style seems to signify moments where it’s still Onyx fully in control of themself and their actions/words/thoughts, but they’re taking subtle influence from their components or accessing their memory a bit.

These are all of the distinct styles I have caught so far, but quite honestly, it would not surprise me if I am missing something. All of this to say… pay close attention to the speech bubbles. They can tell you a lot about Onyx’s state of mind throughout the story.

Now with all this established, I’d like to finish off this first post with my first big discussion point.

__

Question One: What does Jasper actually know about Steven’s “meltdown,” if anything?

The AU author recently solidified this comic’s placement in the SUF timeline in an ask response, saying that the first episode takes place just a week after Steven’s corruption event.

I’m glad this point was clarified, because it was super vital information which deeply influenced the way I analyzed Steven’s actions and responses in my recent re-read… it means this experience is still super raw for him. This is VERY important and we’ll get back to this in more depth later in future posts. But first, let’s explore what Jasper knows of this event.

The full extent of her knowledge is unclear-

(Episode 1: Page 6)

In Episode 1, Steven briefly alludes to his corruption as seen above… referring to it as “[his] meltdown.” Notably, Jasper does not seem to ask any questions about this stray comment. This COULD suggest that she knows what happened to him a week prior via hearsay, but given the context of the rest of the scene and the fact that she’s as isolated as she is out here I genuinely wonder if she thinks Steven’s so-described “meltdown” is his shattering of her.

This idea would make a good deal of sense, as she doesn’t start to make any commentary on the topic of corruption at all until they’re actually fused- with Steven bringing it up first.

(Episode 2: Page 14)

On this page, Steven takes note of Onyx’s very visible spikes (which are Overtly in the same placement as his own when he was corrupted), and initiates the musing upon his own corruption himself.

With the way Jasper phrases her response, the vibe I get is that she somehow gleans a bit of ambient shared knowledge about what happened to him through their fusion.

(Episode 2: Page 15) 

“That human form you wear must have been hiding your markings.” This quote is SUPER vital. We’ll come back to this later on in this post series, too.

(Episode 2: Page 15)

It’s clear that Jasper doesn’t REALLY understand what he went through or what caused it, since she then outright mistakes the casual woes and body pains of organic life as corruption. (As seen above.) 

(Episode 8: Page 4)

But later on, she outright relates to him over their shared experience of past corruption, so she must at least know enough from mere ambient thought-sharing by this point to recognize it happened.  

It’s obvious that she’s barely scratched the surface on fully understanding her fusion partner, though. Neither of them have. It’s gonna take a lot of fusion, comedic mishaps, and genuine conversation to get there. All in good time, I’m sure.

__

Please do join me tomorrow at 7am PST for the next post in this series! This has been a blast to write up and muse upon.

[xnewromantics]

30, est on the lookout for new discord rp partners ( preferebly 25+ but 21+ is a MUST). i'm back from a year long hiatus and the seasonal depression is about to hit, so let's get creative folks. big big fan of long-term plots w heavy development and world building. im a little more selective when it comes to mumus but always down to discuss. big on inspo boards, playlists, headcanons, drabbles, etc. i'm always here to have fun and scream about whatever we create first and foremost. i write all pairings ( mxm, mxf, fxf, nbxany ) somehow i've pigeonholed myself into writing predominantly male/masculine characters. i'd like to expand past that, so please don't take advantage of the fact my muses will tend to run male heavy. i normally try to match my partner's length when it comes to replies, i'm good with everything from one liners to half formed plotting thoughts with dialogue to full on novella-esque paragraphs. again, i'm here to have fun, we just need to match the vibe. anyways. wanted plots and muse pages to come once i get my new blog up and running. feel free to like this post or send me a message if you're looking for someone to fill some plots and i'll do my best to get back to you asap!

[thebardbullseye]

“Philosophical and Personal Musings on the Wizard Stone and the Axiom of Proliferation” – An Essay and Divinations for Arc 3 of “The Wizard, the Witch, and the Wild One”

From the Desk of The Bard Bullseye

Happy Birthday, Worlds Beyond Number!

Spoilers abound! This is an essay discussing the actual-play podcast “The Wizard, the Witch, and the Wild One” from the fine folks at @worldsbeyondpod It is an expression of my analysis of and engagement with the content of the second arc of the show and also contains some speculation about future plot and current themes. These interpretations are my own, include some reflections on my personal philosophy, and are written in a mostly academic style of writing (be warned, it’s around 3,000 words!). If you do read through it, I hope you find my points interesting and thought-provoking regardless of whether or not any of it turns out to be true (and I have done my level best to adhere to the facts of the story thus far, with transcript pages and timestamps cited when available/applicable).

Abstract (TL;DR, or I ain’t reading all that, but I’m happy for you):

The Wizard Stone’s discovery that the Axiom of Proliferation is untrue has major implications for the overarching story and the direction of the next arc. Herein, I explore my reaction to this moment in Episode 19 and how my experience and own philosophy potentially align with Stone’s. Then, I examine the logic of her argument and its implications for the greater worldbuilding in Umora. Specifically, there is a fundamental problem with the way that wizards are using the lingua arcana that is affecting the link between the Spirit and the Mortal worlds (i.e., the “greater binding”), and this is leading to detrimental effects. This, I believe is ultimately what Grandmother Wren (and now Ame) and Coven of Elders (and possibly the Man in Black?) are concerned with, though they have come to vastly different conclusions about who is at fault and how to solve this problem, which are yet to be revealed in the forthcoming third arc (see footnote 5).

Introduction

Something has piqued my interest and scratched a deep philosophical itch for me in the second arc of “The Wizard, the Witch, and the Wild One.” While the first arc introduced the characters, explored ideas of ‘quest fever,’ and masterfully wove in lore and character motivations for reclaiming Eursulon’s sword, Wavebreaker, the second arc has expanded upon the characters and their relationship to the greater philosophy of the Citadel and Umora.

I don’t usually speculate where stories might go next or craft my own fan theories. Especially for ongoing projects (i.e. TV shows, actual plays, books in a series, etc.), I tend to be along for the ride, and I spend time analyzing the story being told and the characters within. And rarely do I put these thoughts to paper, at least not coherently; I am more likely to ramble endlessly to a friend or lurk on Discord for others’ opinions, chiming in occasionally. However, I have noticed some things brewing in this arc that I wish to discuss at-length and even speculate upon: my perspective and analysis of the philosophy of the Wizard Stone, and the possible implications for the forthcoming third arc.

I don’t often see myself in stories. Not to say that I don’t see myself or parts of myself represented in media: i.e. demographically, socially, politically, etc., but rarely do I find a specific character or character motivation that ‘snipes through the duplex door’ where I go “oh shit that’s me” or “I relate to this on a deeper level.” This happened to me in Episode 19, when Suvi is investigating the records of her mother’s early time in the Citadel: her expulsion from the College of Divination and readmittance to the College of Abjuration because she had accused one of her professors of “treason against magic itself.”

Upon her dismissal from the Citadel, Stone wrote a dissenting missive to the Archmagi of the Citadel regarding one of the three metaphysical axioms, the Axiom of Proliferation, and how this particular axiom “does not describe any actual truth of the lingua arcana, nor does it more broadly describe any facet of the greater binding” (Ep. 19, transcript p. 12). She goes on to posit that not only is it “pure intellectual technology,” but that its continued acceptance as fact is a “danger to the future of wizardry” and “[a] stain on the face of magic itself” (Ep. 19, p. 12). An axiom in this context is described as “simple… laws that are given to young wizards about broad truths of spell casting in general… that are true across spells [and], … different schools of magic” (Ep. 19, p. 13). That is, “the Axiom of Proliferation is essentially that the more times a spell is written down … the weaker the spell becomes” (Ep. 19, p. 13).

An axiom as defined in philosophy is a statement that is self-evidently true and serves as a starting point for reasoning. Therefore, any argument against its truth would call into greater question the philosophical foundation of the Citadel itself. If Stone’s claim that this was not a true axiom had not been dismissed swiftly and discredited, it is possible (though highly unlikely, given the power of empire) that this would have led to a redefinition of the philosophy of wizardry in Umora.

This is what struck me like a bolt of lightning while listening to this episode. I did almost this exact thing when I was in grad school!

Stone is… me? Faulty logic and its effects

As part of my master’s degree, I took a philosophy seminar on bioethics, which covered some polarizing subjects and more fringe points of view. Most of these topics cannot be directly studied or supported by scientific evidence, so the conversation and academic debate is largely conceptual or theoretical (i.e., conducting research to investigate these ideas have varying states of legality and moral acceptability) (see footnote 1). This course was excellent and a bit out of my comfort zone, but it challenged me to think critically about fundamental logic and accepted ideas that often go unexamined until they are taken to the extreme. At one point in the semester, we were discussing a particular topic and the current state of debate surrounding it. Immediately, I was perplexed by some of arguments made to justify it, and at first, I didn’t have the language to express why. Much like Stone, I found myself screaming (internally) “you’re all idiots!” or “you’re missing the point/the bigger picture!” or “that’s not how that works!” Essentially, I had arrived at the conclusion that if this idea were to be implemented broadly in society, it would likely have major negative ramifications, and furthermore, not even achieve the desired and purported effect that they were arguing for! 

Eventually, I figured out what the underlying problem was: a logical fallacy inherent and unidentified within the current debate. Since scholars had just accepted the argument at face value and moved on, most of the debate was concerned with its future implementation or theoretical follow-on effects on individuals and society at large. I did find some existing papers that danced around the idea of fallacious reasoning (i.e., that the theoretical benefits were greatly exaggerated, if not a zero-sum game, or that the negative long-term effects may outweigh the short-term benefits), but none named it specifically or even examined the logical argument the entire debate was predicated on. So, for my term paper, I researched and wrote about this fallacy, and in it, I discussed how the discovery and acknowledgment of it would reframe the debate and perhaps even bring about reform to existing systems!

In the process of writing and researching, I felt incredibly isolated intellectually (this was also peak-COVID so that didn’t help either). Now that I had put the pieces together, it seemed quite obvious to me, but it was difficult to find supporting evidence or other similar arguments to mine (even if they weren’t breaking the logic down so specifically). Was this thing I had reasoned actually true? Why had no one pointed this out before? What if I’m wrong? What if they’re right and I’m a fool for daring to challenge them? What does my professor think? They’re an expert and approved the topic, so I know I’m not entirely off-base, but do they agree with me? I knew that if I wrote a strong, supported, and persuasive argument, that I couldn’t fail, but I deeply cared whether or not I was actually right. It was also probably one of the first times that I wrote with passion (and specific planning ahead of time!), rather than churning out yet another good-enough research paper (that I may or may not have written days ahead of the deadline or the night before).

Thankfully, unlike Stone, my fears that I would not be taken seriously, or worse, told that I was flat out wrong (and be silenced) did not come to pass—my professor agreed wholeheartedly with my argument that this fallacy is pervasive in the current literature. (Though I feel must disclaim that I still could be wrong in some other aspect of my argument, and that simply arguing the existence of a fallacy can be treacherous! In philosophy, no one ever has the only or complete answer—if they claim to, they are either lying or ignorant.) As part of the course, we did a mock peer review in class and my professor sent us further feedback on our papers after we submitted our initial draft of the term paper.

One particular piece of feedback stands out to me upon reflection and comparison to Stone’s experience and the philosophy of wizardry. It said something along the lines of ‘We think that is a very admirable and unique take on this subject. No one found any fault in your logic; however, it is important to consider the practical implications of identifying this fallacy.’ Point taken, of course, that the mere identification of a flaw in logic is not the end of the conversation—it is merely the start of a new discussion and opportunity to surface new arguments.  

In my case, the identification of the fallacy was the concrete thing I felt I could verifiably yell about (academically) to explain why I disagreed so vehemently with current literature (and some truly wild propositions made by certain scholars). Of course, one should not commit the ‘fallacy fallacy,’ which is that simply pointing out a fallacy invalidates the argument. Instead, it was a means to discuss practical implications: some less harmful methods, some overlooked existing solutions, and to pull knowledge from other related disciplines that had not yet been considered because this fallacy had yet to be identified (see footnote 2).

The philosophy of Stone’s accusation of ‘treason’ and treatise to the Archmagi

In listening to and reflecting upon this episode and the conclusion of the second arc, I wonder if Stone felt similarly to me: that she had a fundamental disagreement with the way that wizards (and the Empire) conduct magic. I wonder if she learned about the Axioms and something didn't sit right with her, so she dug into the philosophy or history of it. Moreover, I find it particularly striking that her original specialization was divination. Although it has not been stated outright, I think it can be plausibly inferred that Stone divined some kind of knowledge about the fundamental ‘wrongness’ of current wizardry and the disastrous follow-on effects it would have. She may have been unable to fully convey her revelation in the moment, and so just shouted ‘treason against magic’ at her mentor. As was the case with me, the Axiom of Proliferation was just the most concrete thing that Stone could point at to explain herself.

But beyond my own biases and affinity for Stone, it follows that she may well have examined or done a proof on the Axiom of Proliferation which led to her discovery that the premise of the Axiom was false. Let’s examine the argument that Stone may have made (and the one that Suvi may have done a poor proof of, by her own admission). The argument is as follows:

All Axioms of magic describe a truth about the fundamental nature of magic

The Axiom of Proliferation states that the more times a spell is written down (proliferated), the weaker the spell becomes, which is a truth about the fundamental nature of magic.

Therefore, the Axiom of Proliferation is an Axiom of magic.

This can be simplified:

All A’s have property B

C has property B

Therefore, C is A

This does not necessarily lead to a false conclusion, and while the argument may be valid, it may not always be logically sound, see for example:

All people are mortals.

John is a mortal

Therefore, John is a person.

In the Citadel’s view, there is no flaw here, because they teach (and presume) that the Axiom of Proliferation is true in the lingua arcana. Wizards, of course, are known by their secrets, so it follows that in their philosophy of magic, they would have some kind of justification for keeping magic limited to the select few. But, if one of the premises is false (in this case, premise 2), then this justification is in jeopardy. It stands to reason that Stone must have had serious evidence to declare that premise false, and as she was studying divination, it was likely a vision or prophecy of some kind. Presuming she is correct, then it also speaks to her incredible intelligence (although she did not have the social grace at 19 years old to deftly navigate this accusation) (see footnote 3a).

Although (as far as we know), Stone did not make another public ruckus about the Axiom upon returning to the Citadel, I don’t think this caused her to abandon the belief that the axiom was erroneous. Upon her readmission, she joined the College of Abjuration, specifically studying “counterspelling, dispelling magic, [and] sort of metamagic, … the magic of magic itself” (Ep. 19, p. 11). This might seem to be an odd choice for a backup specialization, but Stone’s issue with the Axiom and metamagic are deeply intwined philosophical concepts, as metamagic is essentially the equivalent to metaphysics in our world.

Wizardry and the nature of magic in Umora

Wizards are defined in Umora to be people that can use a “language of magic” the “lingua arcana” to cast magic, and importantly, that “they believe [the lingua arcana] is the language the universe uses to understand itself,” which was only coined about 250 years prior to the present story (Ep. 19, p. 16). At the end of the first arc, Suvi discovers from her father’s notes that the reflexive indicative, which was taught to her as a necessary component of the lingua arcana, is in fact entirely unnecessary for spellcasting. And further, Stone also doesn’t use the reflexive indicative, which is demonstrated through her unique casting of Mending in the very first episode. It is unclear so far in the worldbuilding (to me, at least) if the lingua arcana is the language the universe uses to understand itself, or if it is a construct used by people to explain, communicate, and more importantly cast magic in Umora (much like math and science are ‘constructs’ that describe the nature of our world, though the fact that it is constructed does not mean it is not true). If it is the latter, then there is likely to be forces at work, be it the components of spell casting (such as the reflexive indicative), the casters themselves, or others yet to be revealed, that are manipulating and restricting the nature of magic in Umora (see footnote 3b).

Thus, I would posit that there is some issue in the way that the restriction of the lingua arcana is affecting the “greater binding,” which is “the theory of magic, that magic is the interplay between the Spirit and the Real—or the Spirit and the Mortal” (Ep. 19, p. 14). Essentially, the lingua arcana describes the nature of the relationship between the Spirit and the Mortal world, while the greater binding is the metaphysical link between them. Stone all but confirms this in her letter to the Archmagi, that if the issue is left unresolved, it would endanger the future of wizardry (Ep. 19, p. 12).

Other pertinent wizarding history and context

Stone and Soft were also part of a group called the Acadator, which was dedicated to rooting out corruption and bad actors within the Citadel. We don’t really know too much else about them, the exact specifics of their philosophy, or if they still exist as a group (given that Steel and Eiorghorain were members). There is also some history surrounding two early wizarding groups pre-Citadel, the Antivoli and the Accordati, that had a philosophical disagreement about accepting the help of the Saraz Imperium for building the Citadel (specifically related to the sharing of magic), which led to a civil war called the Cataclysm of Carrow (Ep. 19, p. 16). In terms of timeline, the lingua arcana was coined in 1423, the term ‘wizard’ was coined in 1456, the Cataclysm of Carrow was in 1467, and three years later, in 1470, the Erien (Citadel) was built. The current story with the three protagonists is taking place in 1670, so it has only been 200 years since the Citadel was created, and the lingua arcana coined only 47 years prior to that (in less than a human lifespan).

Further, the creation of the Irulian Desert, the Erien, and the Citadel is a destructive history—wizards razed a verdant forest and turned it into a hot, unlivable desert with a miles high glass tower at the center. Additionally, the Wizards of the Citadel pool their magic beneath the Erien in an ‘Aerith,’ into which they deposit magical reserves and draw upon its combined strength when in crisis (see footnote 4). Mechanically, we see Suvi ‘donate’ unused spell slots at the end of the day.

We do know that Grandmother Wren’s cottage is located on top of a source of great magical power and serves as her sanctum. Wizards also use the towers of the Citadel as their sanctums, and I believe the following is speculation, as I do not think it has been canonized yet, but it is possible that the Aerith serves a similar purpose as a source of great magical power that previously belonged to the Spirits that wizards alone now use and control. This control is the key difference that may be contributing to, or even causing, detrimental effects on the greater binding.

The Witch(es)’s and the Wild One(s)’s perspectives

Additional evidence to support this theory of the Aerith's origins and purpose comes in Episode 23, when Eursulon meets the Man in Black and discusses their opinions on mortals, particularly wizards and their desire for control. Specifically, the Man in Black states, “that tower is the handle of a knife plunged deep into the heart of this world, a heart that is responsible for… a murder to the world of Spirits” (Ep. 23, 0:09:45-0:10:07).

Later, in a flashback with Mirara and Grandmother Wren, Mirara argues that “the world has burned before” (perhaps in reference to the creation of the Irulian Desert), that “[wizards] cannot be allowed to do this thing” (still unclear what that thing is), and the coven must make some kind of decision before it is too late (Ep. 23, 0:58:46-0:59:00). Wren pleas for another option, points this out as a false dichotomy, that they must not “be forced to choose between one slaughter and another,” and they should work to find common ground and coexist (Ep. 23, 0:59:07-0:59:33). Mirara retorts that she could never imagine the day that she would see “the will of wizards debase themselves” (i.e., that wizards would ever lower themselves from their current position of power) (Ep. 23, 0:59:39-0:59:52).

Wren then asserts a key point that correlates directly with Stone’s perspective: “There is nothing I have seen in the world of Mortals or of Spirits that shows me that there is a path that is wrong to tread” or anything that proves the pursuit of wizardry as inherently wrong (i.e., the lingua arcana), only those who “tread paths hurtfully, with cruel intention” (i.e., those abusing the lingua arcana for political purposes and imperial gain) (Ep. 23, 1:00:08-1:00:28). Wren also questions Mirara’s stance of wizardry as “an abomination against the natural order of the world” (Ep. 23, 1:00:40-1:00:47). Mirara then challenges her to consider her point of view and insists that even Wren cannot deny that “the poison of wizards does not spread so quickly as to choke the life from this world” (Ep. 23, 1:01:03-1:01:09).

My pure speculation and fan theory:

From this conversation, I postulate that Mirara and the Coven has taken an extremist and doomed perspective on the harm that is resulting partially from the Axiom of Proliferation (and perhaps the Aerith as well), while Grandmother Wren took a reformist stance. This would put her and her position as the Witch of the World’s Heart at odds with whatever plan the Coven intends to enact. Given what we know of the Witch Class and the other domains of the Coven, their plan is quite possibly violent, retributive, and holds little to no concern for the Mortals or people of Umora.

The third arc will begin with Ame’s meeting with the Coven of Elders at the North Pole, where they will attempt to destroy her station as the Witch of the World’s Heart. For all of the reasons above, I believe this event will connect directly to Stone’s declaration of “treason against magic itself,” but I will just have to (patiently) wait and see (see footnote 5).

Footnotes:

(1) I am well aware that I am being quite vague and obtuse regarding this subject and what specifically I was researching. Mainly because a) that’s not really the point of these musings, this is just some background info and context to explain my philosophy which is already longer than I would like, b) it would be impossible to do justice to an overview of this complex subject in an essay about something that resonated with me in a D&D podcast (and which does not engage with that subject directly, at least not in this context), c) I’ve already written a paper on this subject and am not interested in regurgitating it here, and d) Nunya Binyess (i.e. I could still be wrong about this fallacy and I’d rather discuss WWW than start a tangential IRL philosophical or political argument on this forum).

(2) Though on a deeper level, I partially disagree with the idea that I needed to account for the practical implications of the fallacy within the paper. I disagree that when challenging the fundamental nature of something (e.g., an erroneous argument, a misinformed policy, or an unjust system), there must be an immediate remedy or solution offered up. In my philosophical opinion, once a fallacy like that is identified for something that we hold to be fundamentally true, we need to sit in that revelation and undo the thought processes created by the incorrect assumptions. You cannot flip a switch and suddenly reverse all of the justifications that have gone into supporting a flawed, ingrained argument. To undo a pervasive, incorrect fundamental idea that has been implemented, internalized, or proliferated, first it must be fully examined for all its flaws, rescinded, and only then do we start from square one and think about practical changes (in a perfect world, of course, I am fully aware that the world does not work this way). I do often wonder about this reactive nature in society to demand immediate alternatives and solutions when norms are challenged, though I recognize this is a result of different lived experiences and worldviews. After all, this reactionary nature is true in Umora as well, and the wizards of the Citadel “tend to be a lot more about praxis and practice” (Ep. 19, p. 14).

(3a) Perhaps Stone rolled a nat 20 on some kind of intelligence check for the vision, but rolled a nat 1 on her Persuasion check against Sleep!

(3b) There is another essay I could write here about the history of science and empire (another grad school course) and the reflection of this in the Imperium, its taxonomy, and the (anti)-democratization of knowledge, but perhaps another time.

(4)  Something that occurred to me when piecing together the Erien and the Aerith was the similarity to Morrow’s derrick that harnessed Naram’s power in the first arc. Both serve similar purposes as well, of generating magic and magical items. It makes me wonder if it was intended for the derrick to be Morrow’s poor attempt at recreating the glory of the Citadel, or if this is just a happy coincidence/connection between the arcs.

(5) I do want to briefly acknowledge the nature of improvisational storytelling in this situation, and that anything can change, be clarified, canonized, etc. at any point. This is partly why I don’t like to speculate much myself, because I trust the creators to tell the story the way they want to and follow the paths that appear, without projecting my own hopes or prescriptions when I listen to their wonderful creation that has been crafted with such care. It is also why my theory in the end is limited to the meeting with the coven- truly anything could happen at the beginning of the next arc, and whatever I might come up with is likely less interesting than what will happen. (NB: There is nothing wrong with fan theories or head canons! It’s just not usually something that interests me!) I merely saw a connection and through-line that deeply resonated with me in this second arc and felt compelled to write about it. Also, Worlds Beyond Number and WWW is just so fucking great, and it truly astounds me that this story is so deep that I have somehow written a 12-page essay analyzing essentially a 20-minute segment of one episode. I pray to Enzo that there are no grievous errors or spelling mistakes, but I wanted to post this on WBN’s first birthday! 🧡

[hebiejebies]

hi there! putting up an ad to look for 1x1 rp partners on discord. i'm 23+, she/her, and in the kst zone 𖹭 i'd like to find writing partners who are 21+!

about me:

i prefer to write ocs and i'm open to all ships! my current roster of muses is mostly female with a few male faces, but i like creating muses for plots instead of having preset ones!

good with lit/semi lit and prefer 1-3 paragraph threads (200-300 words). i prefer to mirror writing styles and tenses too, comfortable with nsfw if you like writing that

my activity usually ranges from one to three replies a week. i'll send a message if life gets busy, so i'd appreciate if you do the same! i usually check in after ~2 weeks of inactivity, and i won't drop an rp without letting you know first

i like plotting as much as i do writing, it helps me with muse! i love sending headcanons, sharing music/muse inspirations, and chatting about our muses or life ooc too

plots & tropes i'm looking for:

angst, fluff, drama, mutual pining

enemies to lovers, exes to lovers

best friends or childhood friends to lovers

sneaky links, friends with benefits, enemies with benefits

relationships that are reaching their end or on the brink, rebound relationships

contract/fake relationships

codependent/toxic relationships

celebrity tropes of pr stunts, secret relationships, reality/dating show contestants

the i can fix him/her/them experience

ceo x secretary

rebel x royal, rebel x rebel

hero x villain, superpowers

time travel (based on lovely runner/a time called you)

i'm comfortable writing nsfw & darker topics with discussion

these are some but not all of the plots i'm interested in writing and we can expand on them together with what you're looking for too! if you'd like to write, please heart this or send a message and i'll get back to you soon 𖹭

[saturnine-saturneight]

Writerly Questionnaire

@davycoquette posted this up and it looks fun :)

About You

When did you start writing?

I started writing poetry somewhere in my early teens, then expanded to short snippets when my school had a creative writing workshop as part of a week long retreat. I did some minor roleplaying on the [Country redacted] version of Facebook, then started roleplaying on a fandom specific forum at 17... Started running with a group on Discord and Tumblr and learned how to write well with a dictionary always open in another tab. It's how I learned the majority of both my conversational and my writing English!

Are the genres/themes you enjoy reading different from the ones you write?

There are themes I really don't like to watch or read, but love to write, for example medical horror and body horror. I get squicked out when I'm not in control of those. I also adore detective fiction, especially Poirot, but don't have an interest in putting together a murder mystery myself.

Is there an author (or just a fellow writer!) you want to emulate, or one to whom you’re often compared?

I think the way I write is very conversational and very stream of consciousness. I'm a child of the internet, and you could make an easy comparison to other people writing indie online, but I'm not sure the comparison is as easy when you're looking at bigger, traditionally published authors. I think about the way I write in comparison to the Realism art movement sometimes. I want to emulate how people really talk, and I want to get deep into the nitty gritty of a psyche.

Can you tell me a little about your writing space(s)? (Room, coffee shop, desk, etc.)

Laying down ✌️

What’s your most effective way to muster up some muse?

Daydreaming! Dozing, napping, taking a walk, doing the dishes; anything that lets my mind wander.

Did the place(s) you grew up in influence the people and places you write about?

Not really. See above, child of the internet, but I'm also not sure I can capture what my country is really like. I never feel all that informed or all that "with it" here.

Are there any recurring themes in your writing, and if so, do they surprise you at all?

Come back with a warrant, lmfao.

Your Characters

Would you please tell me about your current favorite character? (Current WIP, past WIP, never used, etc.)

This is hard for me to decide because I really do love most of my characters equally when I just spend enough time with them. Of course it's Ron right now, I'm writing his story and he's living in a bigger corner of my brain than usual. I never really figured out what he had to say until pretty recently, he's always been a very taciturn narrator and loathe to talk about his feelings in dialogue. Throwing him into a fully moving plot and inflicting The Horrors on him really makes him react, and it's endearing him to me a lot.

Which of your characters do you think you’d be friends with in real life?

Matcha! She's goofy and sweet and she has a lot of things to talk about. We'd just need to set boundaries early because I'm not a fan of being flirted with. I also think I could get along with most of the rest, at least on friendly terms.

Which of your characters would you dislike the most if you met them?

Nat is an amalgamation of the worst traits and tendencies that I see in other people and myself. They're also a bully, which is something that personally makes me see red. They can go be a sympathetic villain somewhere else.

Tell me about the process of coming up with of one, all, or any of your characters.

So the very first one of the bunch was Teo. He was originally a pirate, and I made him to be weird and angsty and complex, but also kind of a liar who'd just boast about things unfounded. I thought this was easy to figure out, but I started noticing people taking him at his word, so I made Haru to call him out on his shit. These two were good foils, but didn't talk that much, so I made Rabbit who can never shut up to deliver some exposition.

When I make a character, they fill a niche in a dynamic, and/or have behaviors and beliefs that I want to write about. The rest is vibes.

Do you notice any recurring themes/traits among your characters?

I try to make them pretty diverse from each other, but there's always a general sense of overcoming and survival that I think is fascinating and write a lot about.

How do you picture them? (As real people you imagined, as models/actors who exist in real life, as imaginary artwork, as artwork you made or commissioned, anime style, etc.)

I don't have 20/20 vision in my imagination, things are pretty fuzzy. Real people, but stylized, I think.

Your Writing

What’s your reason for writing?

To create a space where I can really dig into the things I like and the things that are on my mind. I'm also pretty competitive towards myself. I always want to be better at something than I have been so far.

Is there a specific comment or type of comment you find particularly motivating coming from your readers?

I love comments that really pinpoint which moments or beats a reader enjoyed...

How do you want to be thought of by those who read your work? (For example: as a literary genius, or as a writer who “gets” the human condition; as a talented worldbuilder, as a role model, etc.)

Just some guy, please.

What do you feel is your greatest strength as a writer?

Character depth and dialogue.

What have you been frequently told your greatest writing strength is by others?

Dialogue also, and a certain sense of... chaos? Urgency? My longer form stuff has been described as 'one long rollercoaster'.

How do you feel about your own writing? (Answer in whatever way you interpret this question.)

Eh. I'm happy when it turns out well.

If you were the last person on earth and knew your writing would never be read by another human, would you still write?

Oh that's a mean question. I do have a little bit of a "what's going to be my legacy" thing going on. Yeah, I think I would still write, though. I really do it for the fun of it as well. It's just a lot less fun when I can't bounce it off other people and see what it turns into where it meets their lives and their experiences.

When you write, are you influenced by what others might enjoy reading, or do you write purely what you enjoy? If it’s a mix of the two, which holds the most influence

On a line by line basis, I have an issue of trying to write to a worst faith reader that I'm trying to work through, but the larger picture is completely just what I enjoy and not written to a specific genre, reader, or market.

I am tagging @marlowethelibrarian @fortunatetragedy @paeliae-occasionally @lychhiker-writes @rotting-moon-writes and YOU 🫵

[sheenanigansxo]

ENHYPEN RP REQUEST

Hi ! I'm going to try and keep it brief :)

My name is emery, I'm 21 which means I will not write with minors, be +18. I don't mind any timezones (mine is CET) but I do enjoy consistent replies. Then again, I do understand they cannot always happen.

I rlyyy wanna write Heeseung or Jungwon rn but I can write anyone from the group.

Fave ships? Jaywon and Heehoon, but again, I love em all!

Keep in mind that I’m alright from writing muses from different groups as side characters, as in their friends etc.

I don’t rly do ocs as I’ve had bad experiences with them in the past. I like to keep the idol’s name and put them in an AU.

I am, literate - advanced literate to novella. my minimum of words is 350.

My rps tend to be a mix of different genres, from adventure to dark topics. What I need the most in them is some magic! Romance, fluff, smut is welcome also :) However, PLEASE, be able to write switches for smut. I do not want to write the same dynamic all over again.

To add, I like writing multiple characters, multiple ships, to make the universe we create feel more alive. Please, be willing to collaborate into it as well!

As of now, I do have a few vague ideas in mind, yet I'd prefer to expand on them as we plot in dms.

For more + writing sample visit my carrd: https://emeryrpstuff.carrd.co

DISCORD WRITING ONLY!<3

leave a like, comment, or dm me directly if you're interested!

[bloodedhearts]

MUN MONDAY WEDNESDAY: GETTING TO KNOW YOU

Respond to the following prompts out of character, then tag others you'd like to get to know a little bit better.

ROLEPLAYER NAME: Sam

ROLEPLAYER PRONOUNS: She/her

MUSE NAME: Astarion Ancunin & Shadowheart from bg3!

PREFERRED COMMUNICATION: Discord, always discord! If we're mutuals you're always more than welcomed to add me! I think it's easier to plot and to chat in general, and I love talking with my RP partners. I always try to reply quickly on there, unless I'm very busy!

EXPERIENCE: I started roleplaying in maybe 2009 or 2010 on a Pokemon forum, and on tumblr I started in 2014 or 2015. It's been a while! I had many muses and was all over the place LOL Now I keep it smaller!

PREFERRED ROLEPLAY TYPE: I'd say it depends ? I love working around the canon story and expanding it. I like when my characters are deeply feeling something, and any kind of feels. I love to explore their complexities, if thar makes sense.

PET PEEVES & DEALBREAKERS: Being pressured to reply quickly or guilt tripping in general or manipulative behavior. We're just here to have fun, so I don't want to feel any kind of stress because of that. And also godmodding in general or assuming I agree with a popular fandom headcanon. I'd also add people sexualizing Astarion in general because it's something he clearly doesn't want. It bugs me probably as much as it bugs him LOL

PLOTS OR MEMES: Memes are a good way to start things, I'm not that good at plotting but I like doing it for the general points or the base of our plot.

LONG REPLIES OR SHORT REPLIES: I love both! I guess it depends on my mood and on the time I have, but I love long threads! Short threads are better when I'm tired and when I have less time, but long threads are always so interesting to write!

BEST TIME TO WRITE: Weekends for sure, especially now that I'm starting to teach again very soon for the semester. But I try to write a bit in the morning sometimes and in the evening. Sometimes I'm too tired though, so it really depends.

ARE YOU LIKE YOUR MUSES: I think I have similarities to both of them and relate to both of them in some ways, but I wouldn't say I'm LIKE them. They both have their funny side and I surely do too. I think I'm more like Astarion, though. I'm not manipulative, but I don't open myself easily and I tend to wear my playful and confident facade in front of most people; vulnerability is for when I REALLY trust the person in front of me 😂

TAGGED BY: @galefcrce, thank you 🥰 TAGGING: @palespawn @infernaliscor @p-aladin @murderreign @iron-hearts-ablaze @fereldensheroes @umbralined @karmints & YOU ;D

[crestlecovehq]

🌟 Crestle Cove's Custom Plot Drop 🌟

Hey everyone! We're excited to announce our upcoming Plot Drop Event. This is an opportunity for your characters to get involved in Crestle Cove's main plot with plot drops designed specifically for the event. And it means everyone gets the chance to be included!

Read the details below!

Here's How It Works:

React To This Post: If you want to receive a custom plot drop for your character, simply react to this post with an emoji in Discord (or a like on the tumblr dashboard). This will let us know you're interested in participating in the plot drop event.

Open Your Submit Boxes: Ensure that your submit boxes are open so our team can deliver your plot drop directly to your inbox.

Receive Your Plot: You will receive a personalised plot prompt tailored to your character.

Respond or Expand: You can respond to the plot directly and write your character’s reaction, or take the plot forward to create new threads and interactions with others.

Rules:

Limit of Two Characters: If you have multiple muses, please choose a maximum of two to receive plot drops. This gives everyone a chance to engage, be included and keeps things balanced.

Active Participation: Make sure you’re ready to actively participate. These plots are crafted to encourage interaction and development, so dive in and have fun!

Share the Spotlight: While you can receive a plot for one or two characters, leave some of your other muses available to respond to plots from other players. We don't want people feeling left out.

A Note on Triggers:

Communicate Your Triggers: If you have any specific triggers or content warnings that you would like to avoid, please make sure to inform an admin beforehand. We will do our best to tailor your plot accordingly and ensure a safe and enjoyable experience for everyone. But this is a mature roleplay, so there may be mature themes. We will use appropriate TWs.

Respect Others’ Boundaries: If you encounter a plot or thread where another player has flagged a trigger, please respect their boundaries and proceed with caution.

Request Adjustments: If you receive a plot that contains elements you’re uncomfortable with, let us know immediately. We can adjust the plot to better suit your preferences. We want this to be fun.

Notes:

Engage with Others: Feel free to take your new plot and interact with other players. They are yours to explore.

Creative Freedom: While the plot drops are tailored for your character, you have the creative freedom to take them in new directions. Make the story your own!

We’re looking forward to seeing the directions your stories will take.

Happy plotting and remember, have fun!

FAQs:

Q: What if I can’t participate after receiving a plot? A: Life happens! If you receive a plot but can't participate, please let an admin know as soon as possible. We are all adults and we understand that real life comes first.

Q: Can I trade plots with someone else? A: Plot drops are tailored specifically for your characters, their background and things that may be happening in your current plot. If you think another character would be better suited, discuss it with an admin first.

Q: What if I don’t understand the plot I received? A: Reach out to an admin! We’re here to help clarify and ensure you’re comfortable with your plot. We want the roleplay and plots drops to be a fun experience.

Q: How do I communicate my triggers? A: You can either message an admin privately or use the dedicated trigger preferences channel to let us know your concerns.

[zykamiliah]

this is a half formed thought, but one of the biggest themes in svsss is agency and how the characters should

be aware of their own agency, responsible and aware of the impact their actions have in the world and the people around them, and

respecting other people's agency and acknowledging they are their own persons and should make their own decisions

you see it in how sqq isn't aware of the impact he has in the world around him and how he disregards lbh's agency before their resolution in maigu ridge. you see it in how zzl disregards sqq's agency, thinking he's doing what's best for sqq.

and we see it in how sj blatantly denies he has any agency over the things that he does and the things that happen to him.

he victimizes himself. constantly. "lqg makes him angry. it's lbh's fault that sj abused him. yqy makes him angry. the world makes him angry." it's really sad because he never escapes the slave mentality (he's a thing and things happen to him, he's a victim of the world around him, and everyone deserves his hate and derision), not until the last moment where he somewhat acknowledges his own agency and that he basically dug his own grave, and that he is who is is, a person that enjoys other people's unhappiness.

[iobartach]

GET TO KNOW YOUR ADMIN !!

name — Nix

pronouns — anything at all tbh, i don't mind!

preferred comms — leaning more towards discord than tumblr; i am just a slow replier / not available at times. so gimme a shout if you ever wanna share discord usernames!

name of muse — miguel o'hara / spider-man 2099

experience in RP — coming up fast on 18ish years this july, i think? 🥴tumblr's been the platform i've used the most, i came over from bebo, the original version, way back in the day, and also gave forum and discord server rps a go, but eh, i just like the format of tumblr more? especially for being able to make themes and stuff.

best experiences — fortunate to have had plenty of 'em! with miguel though, i have to say it's been especially fun? i really missed the whole aspect of meeting new people and crafting plots / crossovers when it comes to RP, as i had slowed down on writing for a while to get my career started. but now, i'm so glad to be back at it , more often!

pet peeves/dealbreakers — ahhh, let's see, i've gotten laid back af the longer i've been writing? the things that i appreciate nowadays are when folks take the time out to read over my guidelines, headcanons, bio (it's so poorly written, i am so sorry) etc, but i'm not gonna be a hardass about telling you to do so, either? like, someone taking the time to read my hcs is cool! going the extra mile and mentioning them in threads / plots? damn, kudos to you, i can't thank you enough! and if someone has any questions? my door's always open, i will ramble at you until the crack of dawn about miguel if you give me the chance 😂 but yeah with all that said, i'm not gonna hassle or bother folks if they don't read my stuff or ask me questions.!

that said, though, i do wanna point out that there are some specific things to my flavour of miguel that i'm trying to be consistent about? which, for anyone who's known me for years shouldn't be surprising to hear. i've been meaning to add them to my pinned post for my own / other's reference, and 100% accept that i don't call or jot them down as often as i should, it's all kinda just sitting in my head! oops!

and well... to that end, i'd also like to tentatively say... please don't automatically make assumptions / presumptions about my take on miguel, either? 🙏 yes, he's arisen from the atsv version, which i acknowledge can attract certain... notions. but, at the same time, please respect that he's not a soundboard or a thirst trap. he's a guy that, in my telling, fucked up, royally and is trying to deal with that, in his own way.

same also goes for no meaning no. both in-character and out-of-character. miguel will be blunt / react accordingly to things he doesn't vibe with (physical touch, dehumanising comments [deliberate or otherwise], etc), especially with strangers / unfamiliar people -- and for myself, i've been in enough rpcs for long enough to not allow myself to be strongarmed into doing certain things. i'd expand more about my previous experiences, but a munday post ain't the place for that, so yeah. i just would be grateful for any acknowledgement of this. all i wanna do is write one spidery guy, in relative peace, at my own pace & leisure. cheers !

muse preference ( fluff, angst, smut ) — i'm a glutton for a bit of everything, but i kinda lean lately more towards action and slice of life. fluff is good, but i try to approach it so that i don't overdo it -- same with angst, i thrive on it, but again, all things in moderation ! and of course, if mutuals ever feel like i'm leaning hard towards a particular genre (which i've a tendency to do!), feel free to pull me back a bit, i won't mind!

plot or memes — memes are the balm for my soul, i stg <3 i love how they can be icebreakers, as well as the perfect thing to spark some muse inspiration after spending the weekdays working. i do love to plot, too, and i've been thinking of doing a lot more of it lately, especially as i grow to learn about another mun's muse, but i'm also a bit of a slow burner when it comes to that, largely because of how much of my week is taken up by work (a blessing and a curse :() . so if you're fine with plots & long form threads progressing over months, absolutelyyy hit me up! 👀

long or short replies — cackling me + short reply is rarer than hen's teeth🤣 i can't do one-liners for the life of me, so you'll always get a small paragraph or two. i love doing long replies, especially if my writing muse is thriving, but never fear about matching reply length or anything! i just ... can't shut up, sometimes, lmao.

best time to write — weekdays are a huge hit or miss 🥴 sometimes, i'm able to write, more times, i'm not. so weekends, when i have the time to chill and relax, not stress about things, is when i find my motivation to write thrives the most

are you like your muse? — in one very specific way maybe; little patience for assholes 🤣 . i'd love to be able to take things on the chin, but eh, stupid stuff can get to me at times. if anything, i feel i'm more like miguel's brother gabriel, and i both love and work in tech rather than in science. worked a two-year stint in a medical corpo and i came out the other side vowing to never again do that. 🥴 i'd also love to be a smartass and have miguel's dry wit, but alas i'm just a funky irish potato.🤣

Tagged: @pzfr

Tagging: anyone who wants to steal this!

[ferinehuntressmoved]

𝘒𝘕𝘖𝘞𝘐𝘕𝘎  𝘠𝘖𝘜𝘙  𝘗𝘈𝘙𝘛𝘕𝘌𝘙  𝘞𝘌𝘓𝘓  𝘊𝘈𝘕  𝘗𝘖𝘛𝘌𝘕𝘛𝘐𝘈𝘓𝘓𝘠  𝘔𝘈𝘒𝘌  𝘞𝘙𝘐𝘛𝘐𝘕𝘎  𝘛𝘖𝘎𝘌𝘛𝘏𝘌𝘙  𝘈  𝘓𝘖𝘛  𝘌𝘈𝘚𝘐𝘌𝘙.

NAME :　Panda

PRONOUNS :　She / Her

PREFERENCE  OF  COMMUNICATION :　Discord. While I can use tumblr dms, I most likely might miss them. Discord is the best form of communication for me.

NAME  OF  MUSE(S) :　Primary muses are Caitlyn Kiramman & Ahri. Secondary are Mel Medarda & Aloy. Tertiary are Elora & Vi. By Request is Nidalee & Janna

EXPERIENCE  /  HOW  LONG  (  MONTHS  /  YEARS? ) :　Holy shit, you want me to count that far back. You want me to tell you how old I really am!?! So, I started to roleplay when computers were pretty new to houses. YES! I was one of those kids that was graced by the first computers in houses! I think my first computer was a IMB one or something, but I started playing on a computer with internet back in 2000. My parents didn't have a lot of money so we couldn't get an earlier computer; this was a gift from a friend at church for me. It had Windows 98 I think or something. I don't know.

Anyway, got distracted, but when that  came around, one of the first forums every I think that had roleplaying on the web was called Avidgamers. I played Pokemon as a self insert character. One liner diaster writer I was. So yeah, I've been roleplaying for about 23 years now, but in terms of writing, I have been writing stories since I was 9 years old, so that is about 26 years (I use to also write self insert stories in Sailor Moon or Pokemon or things like that XD). Anywho, I went on a tangent, anyone who reads this your amazing.

BEST  EXPERIENCE :　Oh man, I'm not sure. There are so many things that could be my best. I use to own forums before, I had some amazing partners. I miss them dearly and I hope they are doing amazing things now. Honestly, I think its just the level of growth I've had over the years. From going to being a self-insert writer who could only write a line or two, to now trying to expand my writing and doing more. To be more quality then quantity, but also meeting partners who absolutely challenge me to write better and be better. I want to be good for people, but there are those partners that absolutely push me to try even harder and be even better.

RP  PET  PEEVES  /  DEALBREAKERS :　I'm not saying this is a pet peeve? but I typically stray away from one liners or massive purple prose writing that I don't understand what I'm reading. While I never deny anyone's choice of writing, these are the things I tend to stay away from because I personally cannot write them. I  can't really say what my pet peeves are? I probably have some but I don't know of the top of my mind.

MUSE  PREFERENCES  FLUFF,   ANGST  OR  SMUT :　I am, hands down, an absolute fiend for angst. I know it might be overwhelming for some people but I really find it carthatic for myself? and have a double enjoyment of angst that turns to fluff. I like to call it Angsty Fluff, or Fluffy Angst. The bonding of two people in difficult moments whether that is fighting to survive death or helping someone through a rough period. Two people, bonding and encouraging each other is something I really enjoy to write. I also don't mind writing smut, I actually enjoy it but I do tend to write smut with people who I heavily plot with often.

PLOTS  OR  MEMES :　Plots. While I post memes a lot, I do try to create a plot line to those memes too. I need some kidn of foundation. I am not looking for a written out script we have to follow to a T, that's not what I mean. What I am looking for is just like this idea to build around, maybe even talking about our muses connections and waht they are dealing with at the time. That kind of foundation and design really helps me feel more connected to our msues and the writing. I love memes, but I tend to only continue memes with people I plot with a lot.

LONG  OR  SHORT  REPLIES :　I love long threads. like you don't have to apologize for anything because I thrive on really long replies. I have had replies go up to 1.5k words, which absolutely thrills me. The shortest replies I can do is maybe 2 paragraphs. Any shorter then that, and I tend to loose interest and have to drop it.

BEST TIME TO WRITE :　Honestly, no idea. I am far more productive at night my time (CST). I tend to stay up til 2 or 3am.

ARE  YOU  LIKE  YOUR  MUSE(S) :　Caitlyn is very much my muse, so much so we relate on many different levels. I understand her deeply and I'm very connected to her. As for my other muses, yes and now. But caitlyn, hands down, is almost like a part of me that I get to write fully.

➤ 𝐓𝐀𝐆𝐆𝐄𝐃 𝐁𝐘 [ : ] @knifvd - Thank you dear ♡ ➤ 𝐓𝐀𝐆𝐆𝐈𝐍𝐆 [ : ] @shimmerbeasts, @hexcoremagician, @goldenfists, @futureforged, @goldusk, @gauntlets-shot, @blackrosesmatron, @angelicxlly, @dynaisms, @decidentia, @demacianhcart, @jynxd, @piltover-sharpshooter, @powdied, @ofspvrta, @undercity-prodigy, @torntruth, @tricoloredillusion, @realmyths, @weavertali, and anyone else who wants to.

[kirkewrites]

looking for more rp partners on discord!! would absolutely love another small town mumu (multimuse) or two, extra info about me & what i'm looking for under the cut!

hiya, thanks for clickin!! my name is mo! i'm 28, she/her, and i'm in the PST timezone! i'm exclusively looking for rp partners who are at least 21+ please (but preferably closer to my age)! i write on discord only in a private rp server (with tupperbox!) i'll make for us!! i looove organization and will make us some character & ship categories, as well as a town worldbuilding section, i'll also keep track of things like the in-game calendar and timelines in reference to our threads!! once i get invested in an rp, i'm IN THERE in there

i write all genders, but i only write f/f, m/f, and nb ships! i'm looking for writing partners who are similar in enjoying and wanting to write all genders (and who have equal muse for all their characters regardless of gender) as i'm interested in exploring multiple ships and characters! i am also looking for a partner who likes to write a wide variety of ages, as I enjoy writing characters anywhere between the ages of 20s-50s! i prefer using & being opposite by faceclaims with resources from films & tv (i'm not interested in opposites such as sabrina carpenter, harry styles, madison beer, and the like)

i'd love an rp partner who loves to worldbuild, plot, write headcanons (or do little rp memes), share inspo stuff, and chat ooc! pinterest boards and playlists are a bonus! i really enjoy building a friendship with my rp partners as well as a fun, collaborative writing experience! i would absolutely LOVE to create a small town with a new partner and come up with its location, the names of shops and other places, some NPC names, maybe plot up some town lore & history, ect, and fill it up with a bunch of diverse characters and relationships we can continue to add on to over time! i'm interested in exploring relationships of all kinds, including romantic, platonic, familial, antagonistic, ect! for example, new budding romances, exes on good and/or bad terms, toxic exes or relationships, old high school sweethearts, best friends, friends who fell out or grew apart, close siblings, sibling rivals, and just other fun and/or complicated connections ahoy! i just love multi-muses and being able to write a living, breathing town filled with characters who can all freely interact with each other!

because i'd love a slowly expanding cast of characters (maybe start with 2-3 characters each and go from there?), it's very preferable to me that replies stay on the shorter side, as in one paragraph or less (unless the thread is really plot significant or intense/emotional! ik those can get away for us length-wise LOL) this way we can prioritize quality over quantity, and actually get to see relationships & plots evolve over time in many threads rather than spend weeks or months on a single thread and never actually get to all the good stuff we've plotted. in my experience, it's way more fun to have an evolving mumu where replies take maybe 5-10 minutes to write, and it also allows us to keep the progress of the rp going at a continual pace, which keeps it fun, exciting, and fresh!

i am happy to write smut when the relationship/thread calls for it, and i also enjoy nsfw headcanons alongside sfw ones! i'd say i prefer a 80/20 story to smut ratio. i am also comfortable with most dark or complicated themes, but this will probably be case by case basis. i'm looking for a soap opera inspired town mumu, basically! a good variety mix of drama & intrigue, angst & fluff, smut & sweetness, tragedy & other dark themes, ect, but nothing too intensely or consistently dark or taboo

i'd consider myself to be a pretty active rp partner for the most part (i'm in college plus i work sporadic hours as a private tutor) and when replies are on the shorter side, i can usually do at least one set of replies (if we are writing multiple threads at a time, i personally enjoy writing 2 at a time!) a day, but likely more, and i'm down for rapid-fire sessions as well when i can! i prefer my partner to have similar activity (it's difficult for me to stay invested in an rp when it mostly just consists of hcs & shared inspo, and when there is very little actual writing happening), though i don't at ALL want my partner to feel pressured to write replies!! it's just a hobby, not a jobby! things happen & life gets busy! but i really appreciate communication and transparency with rp friends! just lmk what's up and i'll do the same for you! and if you can't do replies for some reason, i'm always happy to just chat ooc or do some inspo chatting or plotting!!

this got so long, if you read all of it ily! if you have any questions or are interested in all this shit by me, please send me an IM!! or if you like or comment on this ad, i'll reach out to you! ty!! if i don't reach out it's because i found something in your guidelines that i don't think is compatible with this plot ad (usually has to do with desired reply length being multi-paragraph/novella, listed low activity, if the blog is heavily smut-centric, or rules state exclusively wanting to write one gender or kind of ship) but if your guidelines are out of date pls feel free to reach out anyway!!

[findyourrp]

💋 hello ! i'm looking for new longterm writing partners for a wlw / sapphic plot on discord. i’m slowly getting back into writing and i need more partners. now for a quick intro: i'm female, 20+, she/her and i only write with writers aged 20 and over. i would prefer to write with people in their 20s, i feel like i don’t mesh well with anyone older than 30. sorry! men & minors dni.

i currently only rp on discord, 1x1 in a private server using tupperbox. it’s optional but preferred. i consider myself to be a literate writer, and my replies range from para to multi-para. i love nuanced characters, developing said characters, dramatic storylines and dark undertones. while i do love darker plots and enjoy nsfw, i’m not a fan of salaciousness. i want to deal with topics such as r*pe, for example, in a respectful manner and do not want to write with writers who romanticize it.

so, now to the plot itself. i have a plot in mind loosely based off of daphne du maurier’s rebecca, specifically the dynamic between mrs. danvers and rebecca, before her death, BUT with a twist. you do not need to have read the book or watched any of the adaptations to write this with me. muse a (rebecca) is this wealthy, beautiful woman, on the surface a devoted wife and perfect hostess, but manipulative, cunning and selfish on the inside. she uses her charm to get what she wants, men fall at her feet. she is a closeted lesbian. muse b (mrs. danvers) is the head housekeeper, obsessively in love with muse a and the only one who can see through her façade. muse a is her whole world, and she is everything muse b is not. she would do everything for muse a. they are both a little bit .. insane but !!! they are insane together.

i would absolutely love to expand on this with a writing partner. i just want something dark and deliciously smutty. i heavily prefer writing muse a for this! the ideal age of the muses is between 26-45. perhaps even a lil bit of an age gap if we want to make it spicier? 10 years or so? optional, of course! sjhdjssk please i’m begging.

.

[ocxcanon-rpsearch]

🗡️Lucanis Dellamorte enthusiasts... I yearn for you🗡️

yeah, we're all there right now, am I right? Dragon Age bender, falling for a certain crow, etc. hence I, too, have come searching for someone to write Lucanis against... well, SOMEONE. here's the gist;

I have a few Rooks, OCs and a collection muses I'd love to write against your Lucanis, depending on your preference, characterization and feedback. honestly, I'm looking for like, a 70-30 divide on mostly focusing on Lucanis' story, character, personality and inner workings over whomever I end up writing. I want that man cherished, licked, topped and loved!!! I do have a Rook I'd love to pair up with him (M, elf, Shadow Dragon; details expanded upon if you're into it) but I'm very open to brainstorming with you. heck, there's a variety of canon characters or cross-fandom characters I'd consider writing against him even, if that's your preference.

I'm close to 33, so I’d love for you to be 25+. I write in third person, past tense, I’m super descriptive and write anywhere from minimum two paragraphs to, idk… dozens??? I’m pretty much guaranteed to hit the discord limit most of the time, though I do obviously put effort into matching my partner’s style and length. I can be nitpicky about correct characterization and grammar so if you’re not looking for deep analysis and character studies on, y’know, characters, I’m not the best fit for you. I’m always quality over quantity. I appreciate good communication even when we’re not writing and hope there’s mutual understanding in that neither one of us can be or should be available 24/7. having said that, I’m more than happy to befriend my partners! I love sharing memes, art, music, whatever you have OOC. super open to multiple threads, multiple ships and plots and AUs with a single partner! depending on how life's going, my reply speed can be anything from several times a day to a few a week. if you do not pester me, I will always get back to you eventually!

does this sound like your cup of tea at all? great! please like this post and I’ll come fetch you. we’ll talk, we’ll hopefully make some dudes kiss, we’ll chat about whether it’s a good fit.

look forward to hearing from you! ★

.

[rphunter]

🗡️Lucanis Dellamorte enthusiasts... I yearn for you🗡️

yeah, we're all there right now, am I right? Dragon Age bender, falling for a certain crow, etc. hence I, too, have come searching for someone to write Lucanis against... well, SOMEONE. here's the gist;

I have a few Rooks, OCs and a collection muses I'd love to write against your Lucanis, depending on your preference, characterization and feedback. honestly, I'm looking for like, a 70-30 divide on mostly focusing on Lucanis' story, character, personality and inner workings over whomever I end up writing. I want that man cherished, licked, topped and loved!!! I do have a Rook I'd love to pair up with him (M, elf, Shadow Dragon; details expanded upon if you're into it) but I'm very open to brainstorming with you. heck, there's a variety of canon characters or cross-fandom characters I'd consider writing against him even, if that's your preference.

I'm close to 33, so I’d love for you to be 25+. I write in third person, past tense, I’m super descriptive and write anywhere from minimum two paragraphs to, idk… dozens??? I’m pretty much guaranteed to hit the discord limit most of the time, though I do obviously put effort into matching my partner’s style and length. I can be nitpicky about correct characterization and grammar so if you’re not looking for deep analysis and character studies on, y’know, characters, I’m not the best fit for you. I’m always quality over quantity. I appreciate good communication even when we’re not writing and hope there’s mutual understanding in that neither one of us can be or should be available 24/7. having said that, I’m more than happy to befriend my partners! I love sharing memes, art, music, whatever you have OOC. super open to multiple threads, multiple ships and plots and AUs with a single partner! depending on how life's going, my reply speed can be anything from several times a day to a few a week. if you do not pester me, I will always get back to you eventually!

does this sound like your cup of tea at all? great! please like this post and I’ll come fetch you. we’ll talk, we’ll hopefully make some dudes kiss, we’ll chat about whether it’s a good fit.

look forward to hearing from you! ★

.