#except that isn't how it's going...at all

[spxllcxstxr]

Being in an Established Relationship with Jayce and Viktor • Headcanon

(Gif not mine)

Request: I am desperate for more Jayce x Viktor x Reader content! Would I be able to request headcanons for what an established relationship with them would be like?? 🥺 -- @spatialwave

Warnings: gn!reader, first time writing arcane and jayvik so I hope it's all good!!

A.N: Andy (@spatialwave) has inspired me so much so PLEASE go read their beautiful writing! You need to understand I got this request LAST NIGHT, I just had to bang it out I was writing like a FIEND. I loved writing this so much, I hope to write more in the future!! Hope you enjoy!

•

Being in a relationship with Jayce and Viktor is like being a part of an old married couple that simultaneously bickers all the time and is just falling in love all over again every day

Jayce is like a ray of sunshine on a summer afternoon

He's clingy--but not overwhelmingly so. Jayce just has to have some sort of body part on either of you at all times (except in the lab unless he's feeling especially in love that day)

He loves putting his arms around your waist, chest pressed up against your back and lips ghosting over your neck. Jayce is a bit more subtle with Viktor, since your other partner prefers smaller touches, so their fingers are always tangled together. Some days Jayce will even sneak his hand into Vik's back pocket, making the slimmer boy light up red from the neck up

Jayce is also the type of boyfriend that will always have you two on his mind. He picks a flower from someone's garden to give it to you because "the vibrancy of its color reminded me of your eyes," or buys a little knick knack for Viktor because "I thought you would find it hilariously stupid" (Viktor will put it on his already cluttered desk at the lab because Jayce was right, it is stupidly funny)

Jayce will always get an A for effort because even if he can't remember how you like your coffee or tea, it's the thought that counts

Has bigass puppy dog eyes and he fucking knows how to use them against you two

All he has to do is look between you and Vik with those golden eyes are you're both putty in his hands

Speaking of being putty in hands, Jayce is the cuddler of the relationship

Which is good because he is also the space heater of the relationship too

Will basically have Viktor curled up on one side and you on the other. His face will be buried in Viktor's hair, placing sleepy kissed on his scalp. His fingers will rub circles on the small of your back. Jayce is the best pillow and blanket in all of Piltover AND Zaun

Viktor, on the other hand, is like the moon at midnight

He loves the both of you in a slightly different way than Jayce

While Jayce is more touchy and exuberant with his love, Vik is certainly more subtle, though that doesn't mean he loves you two any less

He is actually exceptionally smitten with you and Jayce. It's like his walls come crashing down whenever you two are with him. He could come back from having a disagreement about a project with Heimer, with his jaw clenched and brows furrowed, and then he'll spot you and Jayce in your shared apartment and it all melts away

Viktor isn't carrying the world on his shoulders with his partners around him. He knows that you guys will lift the hefty weight from his shoulders

While Viktor isn't as touchy ad you or Jayce, he shows his presence in other ways.

Viktor will always have at least one eye on you at all times. It's not that he doesn't trust you two (on the contrary, you two are the only people he trusts with his life), he just needs to know his lovers are ok

Jayce could be tinkering with something in the lab and 50% of Viktor's attention will be on him. Making sure he doesn't shock himself or mix the wrong chemicals together. And if that does ever happen, Viktor drops everything to help him. He masks his worry with wit, but the mask is transparent for you and Jayce

Viktor is also the one with the extreme attention to detail. Your coffee or tea is always right and always the right temperature in the morning. A scarf is always hanging on the coat rack near the front door on chilly days for you. Puts a bookmark in the book you're reading when you unexpectedly fall asleep reading on the couch

He is so big on being a gentleman. Will open doors for you two, pull out seats during a nice dinner. Also is the type to lift up your hand so he can kiss your knuckles (he knows this drives you wild and he struggles to hide a smirk at your heated face)

The three of you are witty and biting and funny in your own ways, quips are basically thrown around every hour of the day. The day isn't complete without someone rolling their eyes. Teasing knows no bounds--the apartment, the lab, a fancy dinner, in front of councilmen and women--doesn't matter

Every day you feel lucky to have these two as your partners, you really hit the jackpot with them. They're caring and attentive and loving in ways no one else is

And they feel the exact same way

•

[perpetuallyfive]

God, I'm so happy with what they did with Maddie Nolen.

I'm sure there will be plenty of people mad because obviously there was a weird backlash over a character who has sex with one half a ship, so I'm sure some people worry this will lead those people to feel justified in their initial response.

But ignoring people who can't emotionally regulate for a second, because those childish impulses aren't worth dictating the fun things a narrative can do: Maddie is SO INTERESTING as a character and she fills in a lot of the questions people seemed to have about the rest of the season.

Consider for a moment that it wasn't Caitlyn who convinced Vi to be an Enforcer. It was Maddie.

I know that some people took this line to be about Zaunites, a sort of obvious connection to the very racist idea of "one of the good ones," but since Maddie is talking about Marcus and his betrayal of the Enforcers just before this, I'm pretty sure her framing here is something else. The point she's making is specifically targeted at Vi's own beliefs and weaknesses, her desire to protect. That seems clear to me now with all we know about Maddie's capacity for manipulation.

She's not saying, "You're good, for a poor."

She's saying, "Wow, I agree with you, the Enforcers are really bad; it's so upsetting. I think you might be the only one who can change it, but only if you join us." This is what convinces Vi to do something she never thought she would.

Well, this and the fact that Caitlyn believes in her so much which, again, is information she gets fed to her directly from Maddie. It even seems like Maddie seeks her out just to say this, which on first viewing felt oddly convenient. Wow, Vi just happens to meet this naive girl who just happens to say exactly what she needs to hear to do something so out of character.

Except obviously none of it was coincidence. Everyone already knew how much Vi meant to Caitlyn and getting Caitlyn under control would require either controlling Vi or removing her from the equation. This was a push in that direction.

Then there's her more obvious role as the spy in Caitlyn's bed, there to reassure her that the Noxians are only trying to keep all of them safe. Then when Caitlyn expresses larger doubts, she's immediately ready to lay out an alternative. You could just give up, Maddie seems to whisper gently in her ear. Just reestablish things as they were before.

But she knows Caitlyn isn't going to go for that. She's not going to go back to the council as it was, because it's only going to remind her of the empty place her mother left behind. Maddie knows that Caitlyn isn't going to take this offer, which is precisely why she suggests it. She frames quitting as the only clear alternative to going along with everything Ambessa wants because she knows that Caitlyn will refuse, which leads her right back into alignment with Ambessa. She makes continued obedience into an active choice that Caitlyn affirms she's making.

Even Maddie's comments that suggest direct opposition to Ambessa — "you're our leader... I follow you" — are designed to frame herself and her true leader in direct opposition, just as Ambessa's own warning about entanglements is there to further that point. They both make a point of reminding Caitlyn that they are her true ally, isolating her further from anyone who isn't the devil and (other) devil on her shoulders.

This way Maddie and Ambessa can both tug at Caitlyn, pulling in what feels to her like opposite directions, all so that she lands precisely where they wanted her all along but with the illusion of active agency.

And look, I'm not saying my read on her is gospel, because I think they intentionally gave us enough room to really speculate and wonder about her, someone who could have been just a background nothing character but ends up being such a huge part of the second season. That's so interesting!

I especially love that she comes across as really naive and innocent, just some poor little thing swept up in the fervor, when in reality she's a true believer who has been manipulating things to go her way from the start.

[gloomwitchwrites]

141 when a younger recruit has a very obvious crush on you (not dating yet)

Oh, anon. I had fun with this one. Simply because it's a "we aren't dating yet so why are you jealous" scenario just waiting to happen. That's where my mind went with this. The boys have zero claim on you but they are possessive and territorial as fuck. omg. Do you hear that? It's me standing outside screaming because I need to get a fucking grip. Anyway! Enjoy!

Presented in four double drabbles.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Reader (gn!reader except on Simon's)

Content & Warnings (per the warnings MDNI): hidden feelings, jealousy, possessive behavior, intimidation, crushes, suggestive themes, swearing

Word Count: 800

ao3 // main masterlist // imagines & what if masterlist

John Price

John is the superior here. He's the one in charge.

Yet he feels completely out of control.

This isn't happening. This isn't fucking happening. He has spent months—months gently putting himself before you. Jealousy and possession are strange to him. They don’t come easy. And yet here they are, eating him from the inside out, chewing away at his resolve.

Anger and irritation are starting to seep in.

A new recruit with an obvious crush shouldn't make him this irate. There isn't any competition, but John can't help himself. All he sees is this wanker making eyes at you, speaking softly and with such tenderness that it's driving John up the fucking wall.

Which is insane. Stupid. You do not belong to him. The two of you are not dating—not anything—but somehow that doesn't matter.

His feet are moving before he even realizes it. The recruit turns in John's direction and instantly pales.

Good. Fucking good.

You turn too, brow furrowed.

"Captain?" asks the recruit, straightening his spine.

John shoves himself between, staring the recruit down, all venom. "You're wanted elsewhere."

"Y—yes. Sir."

The recruit salutes and takes off, the primal jealousy purring softly with contentment.

Kyle "Gaz" Garrick

Kyle is going to grind his teeth into dust if he doesn’t unclench his jaw.

What the fuck is this bloke doing over on this side of the complex anyway? He’s a goddamn new recruit. Freshly arrived and still green.

Do you even realize he’s flirting? Kyle can tell just be the way he stands far too close, or the subtle way he touches your arm. His smile is stupidly large. The man is completely struck by you. You appear completely oblivious, having a conversation with him like there’s nothing amiss.

Nope. Kyle is pissed. Furious. Which is fucking ridiculous. The two of you are not a couple, even though Kyle wishes otherwise.

“You look right scunnered.” Soap appears at Kyle’s shoulder. “What’s wrong?”

“That,” he growls.

Soap frowns, following Kyle’s line of sight. Soap’s frown turns to a knowing smirk. He turns it on Kyle with a mischievous glint. “Want Ghost to scare the shit out of him?”

The rest of the team knows how Kyle feels about you even if they don’t comment on it.

“That would be great,” says Kyle flatly.

Soap lightly pats Kyle’s shoulder. Turning around, he cups his hands around his mouth. “Hey, Lt!”

John "Soap" MacTavish

"I could rig an explosive. Put it under his bunk. That’d be fucking brilliant,” murmurs Johnny.

"We're looking to scare him. Not to maim everyone in his immediate radius,” replies Kyle.

"What about a firework? Poppers? Oh! A stink bomb?"

"That’s fucking childish, Johnny,” mutters Simon.

Johnny isn't jealous. Really, he's not.

He's just...protective. That's what he tells himself anyway.

Kyle, Johnny, and Simon observe you from across the communal gym. A new recruit from the latest batch is hanging on the ropes of the boxing ring. His stance is casual, skin glistening with sweat as he gives you his best smile while he chats you up.

The lad is putting it on thick, and Johnny is having none of it.

You are not Johnny’s spouse. You are not dating. You are not his…anything.

But that hardly matters.

Because Johnny has stolen plenty of kisses from you. He’s put his hands on your body. He’s been far too close for the comfort of a coworker or friend. In that, there is a claim. Johnny can draw the line somewhere.

He is so close to making you his.

No one is getting in his way. Not even a charming new recruit.

Simon "Ghost" Riley (Female Reader)

"Don't do it, Simon. It's not worth it."

Johnny's words don't satiate the anger. Rage is boiling beneath Simon's skin. It is white hot—fierce. All of this emotion and yet Simon has no claim over you.

It still hurts. Still aches.

The two of you are not together—not dating. But it's Simon's name you scream with pleasure, and that counts for fucking something.

His fists clench, muscles coiled with wrought tension. Johnny places his hands on Simon's shoulders and shoves him back down in his seat. If Simon weren’t ready to flay his newest target alive, Johnny wouldn’t be so bold.

"Remove. Your. Hands," growls Simon, slowly.

Kyle grimaces, his gaze darting between Simon and Johnny. He looks ready to jump in if Johnny needs him.

"I'm doing this for you, Lt,” murmurs Johnny, even as his hands keep the pressure.

"She's mine."

"We know,” reply Johnny and Kyle in unison.

One of the new recruits is putting on his best performance, following you around like a lovesick puppy. Johnny is right. Simon can't go over there and knock the man to the ground, no matter how much he wants to.

"Take a deep breath, Lt."

"I'm trying."

taglist:

@glitterypirateduck @km-ffluv @tiredmetalenthusiast @miaraei @cherryofdeath

@ferns-fics @tulipsun-flower @miss-mistinguett @ninman82 @eternallyvenus

@beebeechaos @smileykiddie08 @whisperwispxx @chaostwinsofdestruction @weasleytwins-41

@saoirse06 @unhinged-reader-36 @ravenpoe67 @sageyxbabey @mudisgranapat

@lulurubberduckie @leed-bbg @yawning-grave81 @azkza @nishim

@voids-universe @iloveslasher @talooolaaloolla @sadlonelybagel @haven-1307

@itsberrydreemurstuff @cod-z @keiva1000 @littlemisscriesherselftosleep @blackhawkfanatic

@sammysinger04 @kylies-love-letter @dakotakazansky @suhmie @kadeeesworld

@keiva1000 @jackrabbitem @arrozyfrijoles23 @lovely-ateez @waves-against-a-cliff

@ash-tarte @marispunk @gingergirl06 @certainlygay @greeniegreengreen

[wttcsms]

sorry but im just thinking about best friend's older brother!character and you. you and your bestie got totally screwed over by your college apartments bc they found black mold in the complex & it's basically uninhabitable. however, this is the second week of the semester + every other viable housing option is taken. luckily enough, her older brother is successful and rich — his luxury apartment is way too big for just himself. he has spare rooms. so now you're living with your best friend's older brother, and you always knew he was cute growing up, but he's older than the two of you; you knew your crush on him was unrealistic. it's like crushing on a celebrity, really. except... people don't normally end up sleeping in the room down the hall from their celeb crush, do they?

he's fun to be around, but when your best friend is gone for periods of time (she'd rather spend her nights at her boyfriend's place), and it's just the two of you alone... things feel tense. like every otherwise innocent action is suddenly charged with some weird electricity. you're messing with the coffee maker and he comes up behind you to open up the cabinet overhead, effectively sandwiching you between the hard counter top and his muscular build (since when did he have the time to get so jacked?) he sleeps shirtless, and when it's nighttime, he'll walk around in just his gray sweats or plaid pj pants, abs on full display, making casual conversation with you like he doesn't look like a greek god coming down to earth. but as much as he's unknowingly taunting you, you're unknowingly taunting him.

since when did his little sister's best friend grow up? why are you walking around in cropped cami tops that are thin enough to wear he can see the buds of your nipples poking through the fabric? why does the scent of your body lotion drive him insane? why does the fact that you're facetiming his sister and interrupting her alone time w her boyfriend just so you can ask for advice on what to wear to a date bother him so much? when you hang up, he conveniently passes by your bedroom door to see what's going on.

you're wearing a tight, black mini dress and you're spraying on perfume — the perfume he gifted you a few chrismas'es ago. he thinks it's cute that you still use it; he finds it less cute when he realizes you'll waste the sweet scent on someone who isn't him.

"you could've asked me for help on deciding what to wear. my sister acts like she knows it all, but she doesn't know how men think."

you're caught off guard, embarrassed that he overheard your conversation. "i- i wouldn't bother you with something stupid like this. i asked her because i don't have any guy friends and-"

he's fully in your room now, a look on his face you've only ever seen in your wet dreams. "i'm a man. do you really not see me that way?"

right now, he's all you can see.

[lastoneout]

It really is kinda awful how many job listings will just straight up lie to you about what you "need" to be able to do to screen out disabled applicants. Like fucking Safeway will be looking for a cashier and the listing is like "you ABSOLUTELY MUST be able to stand for 8+ hours a day, NO exceptions" as if you can't do everything required to run the check out line sitting down. Old Navy is like "you must be able to understand body language and facial expressions and make eye contact" like sorry dude I think autistic people can sell t-shirts just fine without doing all that, like honestly what the hell does understanding facial expressions have to do with telling someone where the clearance section is. Don't really think the customers at TJ Max are going to go full Purge mode if one employee can only perform a task requiring fine motor skills 15 times a minute instead of 30, like idk maybe you don't need the lines to move thst fast actually. Maybe everyone can chill out and wait a second. I think the people at Starbucks will be okay if the barista isn't great at multitasking and can't make small talk with every single customer while also running the drive through and making 15 different drinks.

It's such horseshit, none of these job require these things but they can just lie and say they do and disabled people will clear out because we know it's just a big neon sign saying "crippled freaks need not apply", even if that sentence is followed by some fake ass fluff about you being an equal opportunity employer. Like you would not be insisting your underpaid cashiers be able to "make eye contact and understand body language" if you cared about not discriminating against disabled people, that wording specifically is straight out of the DSM-5, what you're doing is fucking obvious and pure goddam evil.

The best part too is then you get denied for SSI benefits because you "can" work, they don't actually care that every single job listing is tailor made to tell us to fuck right off. The potential to be able to work and actually being able to be hired are too different things entirely but sure. I can work. If I find an employer that doesn't care that I'm in a wheelchair and can't make eye contact or life heavy objects or that I need to only work 4 hours a day so I still have the energy to take care of myself outside of work and also have to take 10 days a month off for doctor's appointments and unpredictable health flares. And also crucially does NOT require a fucking degree or drivers license. Find me a job like that that and I'd be overjoyed to work.

But trust me, jobs that can accommodate me simply do not fucking exist, and unfortunately for all of us that is very much by design.

[aro-absol]

[ID: A digital comic with a simple drawing style. It consists of long text that is accompanied by small drawings, matching what is said in the text. The text reads as follows: "I've always been a big reader. I was treating earlier and faster than most of my peers my whole childhood. [Three books: one is titled "Magic treehouse" and has the caption "kindergarten", one is titled "Harry Potter" and has the caption "first grade" and the last one is titled "Percy Jackson" and has the caption "third grade".] and my tastes have alwaystended towards the magical. fairytales, myths, and fantasy have been longtime favourites as far back as I can remember.

As I got older, my tastes didn't change all that much. They did expand, to being ok with things like horror, violence (and mild gore), death... As children's tastes tend to do. But I still loved fantasy stories just as much. When I hit eighth grade, however, they noticed a bit of a problem. I was getting a bit old for a lot of the middle-grade fiction books I liked. I thought: "Okay, sure! I've read adult-level books with no problem before, I'll just head for the fantasy section!" I asked a couple of friends for book recommendations, and culture reading except… [A drawing of many different scraps from books, all clearly from romantic and/or steamy scenes] ... All of it was just so stuffed with sex and romance. [A drawing of a person shaking their heads in disbelief and saying "ew" while reading the book, with an arrow pointing to them saying, "14 and very aro/ace"]

Needless to say, I did not want to read those books (and haven't to this day.) Thought bubble of the person just described continuing: okay, this is probably just my friend's stuff. I know they like these kinds of things. I'll just look for myself! [A drawing of a person standing in front of a big bookshelf that is labeled "young adult and teen fantasy". There are many different phrases pointing to the box on the shelf. The phrases read: "sex scene on the first page", "sex", "twilight", "romance "' subplot'", viscerally upsetting description of making out", "fade to black sex scene", "no sex but only technically", "sexy elves", essentially a romance really", "insane amounts of kissing".]... you gotta be kidding.

Over the years since then, I've tried to find fantasy stories that I can actually enjoy. [A drawing of a list titled "typically good". The bullet point read: D and D based (sex jokes but party focused), comics, fanfic, older media (pre-90s), MG fiction (last resort)] I've had some success at finding patterns that work for me, but a lot of these categories are very digital. (At least for me.) And because of that, all the time I once spent reading is now on my phone.

I don't really know where this is going, or what the solution is. Most people do like sex and romance, and reading about them. And this is just a thing for making a terrible comic day. I think it's pretty common for aro and/or ace people to feel left out, since so often these are treated as universal ideals. But to anyone feeling that way: I promise you are not alone. Also, allos: get better writing material, seriously. And better friends, since yours are apparently so terrible you can't write deeply meaningful relationships without kissing. (Half joking.) / End ID]

Note: this image description is not fully complete, as I left out some smaller drawings that I couldn't add into the text in a way that makes sense and weren't crucial for understanding. Also, I apologize if this description isn't clear to people who use screen readers but I do not know how to make it any better. If you have any suggestions, tell me please.

My (late) contribution for Make A Terrible Comic Day! I've been going to the library more often lately so this has been coming up a lot, cause I want something to read but have had trouble finding anything that I'm comfortable with.

If anyone has recommendations please please let me know because I am struggling.

[robo-writing]

Hello!! I came from your single mom one shot and I am in love with how you write Logan. Could we have a worst!Logan and wife!reader at a bar and he’s getting hit on relentlessly by a girl who won’t take the hint even though he has stated that he is happily married MULTIPLE TIMES and then reader comes in and rips the girl a new asshole and Logan likes it a little too much and practically drags her home to fuck because of how hot he got from her getting angry and defending him?

How very Beth Dutton of you op! The girl that stands in front of him flashes him a smile—pearly whites, black hair that reaches down to her back, topped off with a low-cut shirt and a pair of jeans that draw the eye of everyone behind the bar—everyone except him that is.

He knows what she wants from him before she can utter a single word, eyes shamelessly moving across his body with not a hint of subtlety. A few years earlier and it might've worked, she's cute enough. A vixen, all doe-eyed and determined, if he was a younger man she might've been his type. But that's all in the past; she's cute, Logan thinks to himself, but she's not his wife. His eyes don't move from where you're standing at the bar, barely giving the girl more than a passing glance as she speaks. "Hey there, mind if I keep you company?" He almost rolls his eyes, but he keeps himself in check in hopes that he can resolve this without any trouble.

"I do unfortunately," he says, flashing the pretty gold band around his finger as he takes another swig of his beer. His fingers play with the ring around his finger, smiling to himself like a love-struck fool when he remembers what it symbolizes. He'd hope that would be the end of it, but unfortunately for him, it is.

The gal's either too drunk or too pig-headed to get the hint, so instead of backing away she leans in real close, too damn close—close enough that it starts to draw your attention from across the bar.

Suddenly your interest isn't in your drink anymore, and before you can walk closer Logan puts his hands up, mouths out lemme handle this, before speaking up again. "Listen, I'm a taken man." He says with a sigh, giving her his full attention. It doesn't deter her in the slightest, a coy smile tugging on the ends of her lips. "That's a shame. Your wife know you're here?" "She does," he nods with a smile, "and she's right over there." He points right to you, where you raise your glass with a thin-lipped smile, sarcasm evident in your body language. He can tell you're in a good mood tonight because you haven't dragged the girl by the hair yet, and he'd rather not ruin the night because she can't take a hint. Surely, she'll leave—except she doesn't. No, she does the exact opposite; she looks back and sees you, laser-focused on the two of them, and with all the audacity in the world, she fucking smiles back. You almost shatter the damn glass in your hand. "Oh, that's alright," she whispers with a wink. "Lemme go talk to her." His eyebrow damn near reaches his hairline, looking at the young girl as if she's truly lost her damn mind. Normally he wouldn't give a damn if someone wants to catch their death, but he takes pity on her for the sole reason that he really doesn't want to get kicked out. "I don't think that's a good idea." "Don't worry," she says, and to put the icing on the cake she puts her hand on his chest, loops her fingers around his dog tags and tugs him down. "I can handle myself." With that one gesture he knows she's just sealed her fate. No, you can't, he wants to say, but she's already making her way across the bar where you stand, looking like hell itself. You know he doesn't have eyes for anyone else but you, but it doesn't matter—someone else touched what's yours, so you have to remind Logan where home is. He's not really sure if he should feel happy that his girl is so protective of him, or sad that he's about to get kicked out of his favorite bar. Logan sighs and puts his beer down, reaching into his pocket and dialing 9-1-1 just as the telltale sound of glass shattering echoes across the bar. It really is a shame—he liked this bar too. The only good thing that comes from tonight—minus the visual of you with blood across your face—is the jaw-dropping sex that ensues the moment the two of you get home, remnants of rage seeping through every touch as you drag him upstairs by the collar. He's more than happy to let you take the lead, content in being your personal scapegoat if it means he gets to see you bounce on his lap like a woman possessed.

Lips intertwined, clothes askew and hair tousled. The taste of iron—a split lip, he remembers—then moans into your mouth when he remembers how you got it. Is it wrong to say you look your most beautiful when you're mad? He doesn't give a shit if it is, especially if his punishment is your pussy gripping him like a vice. He likes you like this—jealous, protective—it's what drew him to you in the first place, how you bite down on what's your and refuse to let go. From the moment you saw him you staked your claim and he was more than happy to follow you for the ride. "You like it when she touched you?" You mutter, lips pressed against his as you ride him for all your worth. Sweat beads off his brow, eyes closed in bliss, he nods his head no but it's not enough—you want to hear him say it. You teeth dig into the skin of his shoulder, a delicious groan erupting from him as you repeat yourself. "Answer me Lo, did you fucking like it?" "No, no—" he gasps, hands wandering across your body. "Wasn't even looking at her, swear to god—" "And who were you looking at?" you ask, and the answer makes your walls flutter across his cock. He lets you hear him loud and clear, giving you a lop-sided grin as he thrusts up into you.

"You, sweetheart, only you." "Louder," you moan, scratching at the expanse of his back, encouraging him. He repeats himself, fucking into your gushing cunt, his words bringing you to a new high with every thrust. His words are long, drawn out, caught in his throat as he struggles between speaking and catching his breath. "Only got eyes for you baby—fuckin' christ—" He speaks long after you've stopped, so engrossed in pleasure you can barely hear anything beyond your ringing ears and the slap of your ass against his thighs. "All yours baby, all fuckin' yours."

[kaivenom]

It's always one piece dilfs with a younger spouse and never OP DILFs with an even older spouse (possibly milf)

One Piece Dilfs x MILF!reader

Characters: Mihawk, Doflamingo, Crocodile, Smoker,Shanks.

Masterlist

Dracule Mihawk

He say he doesn't care about your age and it's mostly true but...

When you get mandatory, badass or just independent strong being, he just melts.

Normal life and normal behavior except that he gets a little submissive around you.

Even if he doesn't show, he is at your feet.

Feet massages, relaxing bathtubes, chatting with wine and reading in slience are ones of your favourites activities together.

He doesn't have the need to be extremely chivalrous but sometimes, when he gets jelaous, he can start carrying you in bridal style, getting flowers, putting his arm on your waist...

You both don't need to be chatty or noisy to express your love, you both are really experienced in subbtle affection.

Donquixote Doflamingo

A big simp.

At first he saw you as a threat, but like, for just a little amount of time.

Then he started to see you as some type of monument or muse, someone older and worse than him (in his good way).

He started following your steps really close, to the point you thought he was a stalker.

He justified that he was learning from you.

Plot twist, the moment you gave him a kiss and a smile, he never stopped asking for them, and know you are his spouse.

He likes to hoard all your attention and never leave you alone with any other person his age or similar, he gets really jelaous.

The best of everything is yours and you are the only one that can yell at him at public.

The excuse it's that your age and experience gives you the right to question his leadership, but don't worry, he gets payback later.

Sr. Crocodile

At first he doesn't know if it's cause you are more experienced that him or that you are powerfull and ready to challenge him, but automatically he feels driven to you.

Once he gets the signals right and knows that you feel it too, he would absolutely ask you out.

No shame, he is your sugar daddy, even though you are older.

He is just a simp at your feet (he doesn't show it in public).

He orders the best buffets, hotel rooms, dates, etc.

Only the best for the best.

You always say that you don't mind him spending money on you or not but he never stops giving you his money.

Nobody expects it but you both are really cuddly when you both are alone, sometimes he is even the little spoon (rarely).

Smoker

You were his superior, so everytime he could he would either melt under your orders/pressence or try to show his worth and question you.

His mind had the "chain of command doesn't allow relationships" mantra really sticked into his head but when he got promoted and didn't saw you that often, he started to realize things.

He went full gentleman mode, to impress you.

He did all the things by manual and finally, you accepted marrying him.

That didn't stop him from being flustered by your pressence and worried of you being ashamed of him on social meetings.

He beomes something like your leash husband, always close and disciplined, following your orders (hoping his crew doesn't find out).

Very manly and anxious, he really really doesn't want to ruin your career. This led to the point where you have to always reassure him.

Akagami Shanks

He is oblivious, since he doesn't care for a lot of things, he just thought that you were funny and beautiful, that's it.

Then his crew started to make him see his patterns: remembering special things you said, getting you specific things (a sleeping mask, skincare, clothes).

Small things that just demostrate how much he listens to you and how much he gets the details.

So, gifts are a must every day, even if it's just him giving you a plate of food.

He starts to get into skincare and what you both call now "A spa day off", when he isn't the captain and you are just a couple that spends the day eating and resting.

If you have an actual spa near by, then you go there. Most of the time, you both improvise something on the ship and nobody dares to go where you both are.

For Shanks, that are the best moments with you cause he can see you taking care of yourself, you can take care of him and he can take it for himself (especially for his ghost pain on the arm.

[captain-ashby]

All of this and more. I loved this game a lot, it had many strengths, and for me it stands next to the others in the series, if an inch or two lower. However this IS the heart of most of the problems with this game: the writers refused to allow conflict except with the antaam, the venatori, and the elven gods.

All the previous dragon age and mass effect games revolved around the fact that even the world's/galaxy's saviors are people who had one goal: save the world/galaxy, no matter how broken it is and how much you are hated. The HoF fought simultaneously against and for a nation that believed wholeheartedly that they were traitors. Hawke and his family/companions are made up of people that are considered the scum of the world. The Inquistor is wrongly persecuted as a heretic and has to fight against overwhelming religious and political pushback. Shephard CONSTANTLY is treated as little more than nuisance until the galaxy ending threat has already started, despite being one of the most decorated soldiers in the galaxy.

On top of this, their companions are a constant source of conflict. Tali/Legion, Jack/Miranda, Alistair/Morrigain, the entire da2 team, Solas/Sera, Dorian/Bull. Almost all the companions have centuries old prejudice baked into them, and more often than not they are willing to betray you and each other for their own goals. Where all of these games shine is leaning into that, working through the conflicts, and resolving them in ways that are satisfying.

Rook and his team face almost no pushback. Lucanis is a murderer and an abomination. Taash is Qunari, who are by and large considered zealous and violent conquerors. Davrin and Bellara have just had their gods almost destroy the world, and elves are almost always second-class citizens. Necromancy is not just accepted by the rest of the Thedas as just another school of magic.

In fact, mages in general no longer face any of the persecution they used to, despite the fact that Elgar'Nan, Ghilan'Nain and Solas are the most powerful mages to ever live and are responsible for almost all the major ills of the world. All of this isn't because the Veilguard has proven to the world that their prejudices are wrong, it is just... not addressed. Ignored. Rook is respected by everyone bar the comical villains (even then The Butcher respects you with no effort on the players part), with the exception of the people of the city Rook didn't personally go fight a high dragon for because they were busy fighting another one elsewhere.

And there's the crux. Theres no proving that you are the one in the right, or that there's a bigger evil to focus on. No political maneuvering. Theres not even really any conflict resolved outside of killing Venatori, Antaam, and darkspawn, all of whom are outcasts from any real society and as such have no real ramifications to being destroyed. The other BioWare heroes succeeded despite the world they were saving not wanting them, Rook succeeds because everyone puts their entire faith into one person.

Again, I enjoyed this game very much. But it forgets that "fighting against impossible odds" doesnt just mean mortal against deity, but also nation against nation, race against race, and ally against ally. Everyone in Veilguard comes across as a good person in need of a little therapy, when bioware as a whole thrives on stories about inherently flawed and tragic characters rallying together to do what MUST be done to save an ultimately ungrateful people.

TLDR: One line from the Inquisitor in Trespasser perfectly sums up the inherent frustration that permeates all other bioware games to create compelling stories, which I believe is the missing thread from Veilguard: "Dammit! We save Ferelden, and they're angry. We save Orlais, and they're angry. We close the Breach twice, and my own hand wants to kill me. Could one thing in this fucking world just stay fixed?!"

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[hwaslayer]

wildfire (cs) | seven.

—spotify playlist | series masterlist

—summary: assistant professor in bioengineering, incredibly attractive, lonely and divorced; that’s how most people describe san. but despite the events that have happened in his life, san has a lot going for himself. he’s a successful, sought out professor due to his brilliant contributions to science at just an early age of 32. he worked hard to get where he was now; head deep into his research, his publications, building his lab and creating a name for himself. everything was good and smooth sailing— until it wasn’t. because when he meets you, a bioengineering grad student interested in rotating in his lab, he finds himself ready to risk all the blood, sweat and tears he put in throughout the years just to keep you close— his need for you spiraling out of control like a wildfire.

—pairing: asst. professor!choi san x grad student!f. reader

—genre: (18+ - minors dni) strangers to lovers, grad school au | fluff, angst, smut

—word count: 5.3k

—chapter content/warnings: cussing, mature language/sexually implied content, girlies we are lying straight through our teeth.. 😭, we also got door code privilege so we can talk to professor choi about neuroscience papers in private more often!! 😙, making out, a shower together ouweeee, blowjob, handjob, swallowing his cum, more cute affectionate moments, watching a movie together and being domestic af basicallllly

—a/n: i just wanna say tysm for being down bad for prof choi as much as i am <33 ily!! there will be a 7.5! & tsbut!yunho will make his debut soon.. 👀

—FLASHBACK

The walk back to your building isn't that bad, especially when most people aren't quite up and about just yet. San drops you off in the same residential area, watching through his rearview mirror as you make the trek back. When he sees you enter through the side door, he pulls off and drives around to the usual garage he parks at for the day.

You make it back to your studio unnoticed, slipping in with ease and heading straight to the shower to get ready for your day. The events from last night replay over and over again in your head and you can't help but smile to yourself knowing how well San took care of you.

You long for him.

After a good, long shower to soothe your body, you try your best to go about your morning as normal as possible. You quickly dry your hair and dab on some blush, mascara, brow gel, and lip gloss— keeping it light before throwing on some baggy straight jeans, an oversized crewneck and a pair of 530 New Balances. The moment you slide your laptop into your bag, Felix comes knocking on your door.

"Morning sunshine!" He smiles. "What time did you get back from lab last night?"

"Not too late. Sunwoo dropped me off before heading to his place." You give him a toothless smile, hoping he'd buy it. And he does.

"Oh, cool. Glad it didn't seem too bad and that he was there to accompany you." You sling the strap of your back over your shoulder, swinging your door shut before locking it. You follow Felix down the hall and head down to the dining hall to grab breakfast; except, you aren't hungry.

"Eunchae and Jurin are still asleep, huh?" You nod.

"Yeah, they won't get up for breakfast anyway." You laugh, knowing the two will probably get up right before class, giving themselves enough time to grab coffee on the way over at one of the cafes. 

"Yeah, Jiung is fucking knocked out." You giggle. "Anyway, wonder what special they have for breakfast today."

"I'm actually not hungry."

"Not hungry? For breakfast?" Felix looks at you weirdly. "Since when? It's your favorite meal of the day."

"I dunno, I'm still full from last night. I ate pretty late." Felix shrugs.

"Well okay, then. I'm just gonna grab something real quick and eat it on the go."

"No, we can stay and eat. I'll probably just grab some fruit." Felix looks at you with a brow cocked up, watching as you fiddle with the strap of your bag.

"Are you sure you're okay?" He presses his hand to your forehead gently. "You're not feeling sick, are you?"

"No." You look at him with a small, reassuring smile. "I promise."

"Okay then." He shrugs, no longer questioning you about your appetite this morning even though the tiny change in mannerism is enough to have Felix wondering what's been going on with you. Maybe it's just a phase, maybe you are just overwhelmed like Jiung says. 

He won't ask, though. He'll let you come to him if you need him. 

At least, you look happy. There's a certain glow to you that he can't pinpoint.

—END

"School is awful." Jurin puts her head down to rest her eyes for a second. "I feel like I'm a robot, moving nonstop."

"Tell me about it." Felix yawns. "I have to TA in a few." Felix looks at his watch and hums. "Hm, I'll leave in like.. 5 minutes."

"You know, I actually enjoy TAing!" Eunchae pops a grape into her mouth.

"Honestly, I do too. It's pretty fun." You chime in, taking one of her grapes.

"Same, especially when the class knows how to interact. Otherwise, I kinda just stand there and look dumb." Jiung snorts. At this moment, your phone dings from an email. You furrow your brows when you notice it's coming in from the department, stating that your TA hours were gonna be split with Jeong Yunho's class.

To: yn@atz.edu From: bioeng@atz.edu Hi Y/N, Hope this email finds you well! I'm emailing you to let you know there's been a change with your TA assignment. Half of your hours will be split between Professor Hsieh and Professor Jeong, effective immediately. Professor Jeong's TA needed to take leave for a family emergency and will not be returning for the remainder of the quarter. He should be emailing you soon to discuss a little further, but please feel free to reach out in the meantime if you have any questions or need any clarification. Thank you, Erika

"What's wrong?" Jiung looks at you as you read through the email.

"Uh. Speaking of TAing, I just got an email saying some of my hours are going to Professor Jeong's class. His TA needed to take leave for the rest of the quarter cause of a family emergency."

"Oh, damn. Hope they're okay." Jurin says. "Isn't that cool to be helping him now too, though?"

"Yeah, I guess." You lie because no, it's not. You'll obviously keep it civil and do what you need to do. But at the same time, you don't respect him the same way you used to. You don't care if you're biased over San— you just don't do that to people you claim to love. "It'll be interesting." There's a slight pause in conversation until Felix chimes in again.

"It'll be fun, I'm sure you'll learn new things from him just like you're doing with Professor Hsieh and Professor Choi." Your heart skips a beat thinking about San, and you realize you really need to keep yourself under wraps better before you slip up and start smiling like a fucking idiot around your friends.

And knowing them, they'd never leave it alone if you give them even the slightest hint of something going on.

"Mhm." Is all you manage to say.

"What're you guys doing this weekend?" Jiung squints at all of you. "Should we head out if you're all here?"

"I think I'm gonna be gone on Sunday during the day, but I'll be back later that evening." Jurin says.

"I'm gonna head home tonight and just hang out with my mom for the weekend." You poke at your salad before forking it and taking it a bite. You also avoid eye contact because it's a lie, and you won't be seeing your mom. You'll be at San's.

"Okay, so we aren't hanging out this weekend." Jiung snorts.

"Yeah, I think my cousin is gonna come down to visit and sleep over." Eunchae says. "We'll probably go out and head around."

"Just us boys again! We should throw a little kick-it at the apartment and keep it lowkey." Jiung adds, with Felix nodding. "Eunchae, you can bring your cousin if you guys aren't too tired." 

"Yeah! We'll swing by if we have the energy." She turns to you. "What're you gonna be doing with your mom?"

"Just hanging out, relaxing." Jiung nods.

"Nice you're spending more time with your mom." You give him a toothless smile and quietly nod.

"Alright, I gotta head out. I might even be a little late." Felix laughs. "See ya'll for dinner later? Y/N if I don't see you before you go, please drive home safely and enjoy your weekend with your mom!"

"Thank you, Lix." You smile and tuck your things into your bag. "I should probably go too, actually. I should wrap things up sooner than later." Jurin, Eunchae and Jiung begin to pack their own things as well, waving their goodbyes as you all split to different ways; some going back to lab, to class, some going to the library to finish some assignments before the weekend rolls around so they don't have to worry about it.

You walk to the Harvey Center with a slight pout, unsure of how to feel being thrown into Yunho's class. Truthfully, it could be worse. You don't know what you'd do if you somehow had to work alongside of Iseul. You're still praying and hoping you don't ever have to collaborate with her, and this is probably all sorts of fucked up because it's based on your feelings for San. You can agree that they are both great professors— their work and contributions are widely known. You don't doubt that you'd learn something new from them. However, you just can't get past the idea that they did what they did to San. You can never fathom betrayal like that.

You sigh.

You can't wait to tell San about this.

As promised, Yunho emails you and asks if he can set up a time to talk and catch you up on everything that's been happening in class so far. He asks if he can see you before the day ends so that you're good to go by the time next week comes.

To: yn@atz.edu From: jeongyh@atz.edu Hi Y/N, I think you might've received the email from Erika already about the change in your TA hours. Thank you in advance for your help, and I'm excited to have you onboard! Do you have some time before end of the day to quickly meet and go over the course? I can bring you up to date on where we're at. I'm on the east wing of the Harvey Center, room E122. Let me know what's good for you and I'll carve out the time. Thanks! Yunho

"You look unhappy." Sunwoo says as he plops down in the empty chair next to your desk, watching as you stare at the email through your laptop. "What's wrong?" You snap out of it and chuckle.

"Nothing." You pause. "Well actually, I'm short on time today so I might not get much done. I'll come in over the weekend if needed."

"Dude, it's fine. Take your weekends." He chuckles. "Why, though? Is everything okay?"

"Mhm. My TA hours are just getting rearranged."

"Oh, more or less?"

"Hm. I'm cutting down on Professor Hsieh's since she has two other TAs, and those hours will go to Professor Jeong instead."

"Oh, cool. That'll be a fun class! I've heard good things about it."

"Yeaaaah. I have to go meet him before the end of the day." You start typing your response to Yunho, letting him know 4:30pm was the best time for you— that way, you still have time to get through some of your work before heading out. Coincidentally, at this point, San walks into the office area, along with three other people. They're conversing in good spirits, and they make a turn towards your direction to head to the small conference room situated near your desk.

"Yo, what's up Professor Choi!" Sunwoo nods.

"Hey Sunwoo." He smiles at him before looking at you. "Y/N." He subtly licks his lips and smirks, returning his attention back to the group as if it never left. You almost forget about Yunho entirely.

He'll be the death of you.

"I'm going to work on some data analysis before I see him. I don't think I'll have time to slice and image today." Sunwoo shrugs.

"All good. We have time next week in between surgeries."

"Don't remind me." You smile at him playfully.

"Assuming you'll listen and take my advice about not coming in on the weekends unless absolutely necessary, what do you have planned?" 

"Mm, just hang out with my mom. What about you?"

"One of my good friends is visiting so I'll be taking him around and letting him sleep on my couch." You snort.

"Sounds fun." 

"Alright, I'm gonna finish some imaging from the slicing we did earlier in the week." You nod and wave. "Have fun at your meeting with Professor Jeong, and have a good weekend!"

"You too, Sunwoo." You give him a toothless smile before returning your attention to the data on your laptop. You spend a good few minutes typing out your analysis, only turning when you hear San's voice as he passes by. He gives you a small, tiny smile before returning his attention to the group, walking out of the basement to who knows where. 

You continue to keep your head down, bouncing between small assignments and your data analysis up until the very end. When 4:20pm hits, you quickly pack up your things and head out, giving the basement one last look. San hasn't returned after leaving with the group, so you assume he's busy for the rest of the afternoon until he heads home. You let out a small sigh, power walking over to the east side of the building. You tap your badge and hold your breath, hoping the badge reader will turn green and pop the door open; which, to your luck, it does. You follow the room numbers until the end, finding Yunho's office in the corner towards the back end of the first floor. You press your ear to the door, making sure there isn't an ongoing meeting before you knock. Once it's clear, you give his door a good, hard three knocks, not even having to wait for Yunho to respond with a 'come in!' 

"Hey!" Yunho smiles at you as you walk in, and you give him a simple, toothless smile. "Nice to see you again!" He's standing, just about to slip a book back onto the shelf next to him.

"Hi Professor Jeong. It's nice to see you again, too."

"Please, take a seat. I'm just kinda fiddling through books right now."

"Are you working on something in particular?" You gently set your bag down and watch as he grabs another book off of the shelf and sets it down on his desk. The book has different images of the mouse brain— the anatomy, from different angles.

"Ah, I'm just trying to make sense of some images, that's all." He smiles again at you. There's no denying that Yunho is also very attractive. He's charming in his own way, very witty and outgoing. You see him bouncing around campus pretty often, with or without Iseul in tow.

"I see."

"How's your day been?"

"It's been alright. Had two classes before I finished up work in San's—" You pause. "Professor Choi's lab."

"That's right, you're rotating in his lab this quarter?"

"Mhm." 

"How's it been?"

"Amazing." You tilt your head and he nods.

"That's good. He's a good guy. If it's anybody you'll learn the most from, it's him."

"Yeah, I agree wholeheartedly." You chuckle to play it off a bit. "So.. I'm sorry to hear about your TA. I hope things are alright with them."

"Hope so, too. I'm just glad they're taking the time they need." He pulls out a copy of his syllabus and slides it over. "You're probably familiar with the format since Professor Hsieh follows a similar one. I usually do about 4 lectures and take care of finals at the end. I've got about three other professors doing guest lectures, and one of our postdocs handles the hands-on lab portion and some other classes." You skim the document. "My TAs usually handle journal club-led discussions. I'll pop in for a few if I can, but I let my TAs have the floor." You nod.

"Oh yeah, this is similar to Professor Hsieh's class. Shouldn't be too bad." You continue to flip through the syllabus.

"No. It shouldn't be." He chuckles. "I may need you to assist with one of my lectures and labs, too."

"Okay, no problem."

"I'll send you the journal club papers and add you to our discussion board. They'll submit assignments and post any questions there, and we can upload lecture or reading material there as well. You can set up office hours for however you'd like, whatever works easiest for you. Just let me know what day you decide to do it."

"Sounds good." You look at him, and he looks at you. You can see the way his brow subtly cocks up before he lets out a small laugh. He's probably unsure why it feels a little tense when trust, you're trying your hardest to not let it slip.

"Any questions? Feeling overwhelmed?"

"No, I'm—" The door suddenly swings open and it's Iseul. Her eyes land on you for a quick second before she diverts her attention back to her husband and apologizes for interrupting. "I'm good, I think we're all set here." You stand and grab your bag. "Thanks, Professor Jeong. I'll see you next week?" He nods. 

"Alright, well feel free to reach out if anything comes up. Have a great weekend, Y/N."

"You too." You give him a short and curt bow before slipping past Iseul. You feel her eyes on you as you pass by, up until the very moment you slip out the door.

And finally, it feels like you can breathe.

"Is that your new TA?" 

"Y/N, yes." He stands to give her a hug and kiss on the top of the head. 

"She looks familiar."

"Well, she's in the bioengineering department and has rotated in Christopher's lab. She's in San's now."

"Hm." She hums. "Interesting." There's something about you that rubs her the wrong way and she's quick to trust her gut. It's not that she doesn't trust you around Yunho, no. But, she doesn't know you and something already feels weird.

"So, hungry? Where should we go for dinner?" He sits back down while Iseul leans against his cabinet behind him, scrolling through her phone.

"I'm feeling sushi tonight."

"That sounds good. Let me finish this up real quick and I'll get you out of here, okay?" He squeezes her hip before returning his attention back to the images on his screen.

After you meet with Yunho, you walk back straight to your studio to pack up for the weekend. You wash up and grab a few things, changing into comfier clothes per usual. When you leave, you shoot San a quick text, waving goodbye to a few friends you run into on your way out.

you: i'm about to head to your house!

san: sorry baby, just wrapping things up but i'll be there ASAP. feel free to get comfy and do whatever you need to do. code to the door is 9583.

you: waoow i have door code access now 🤭

san: lol you sure do, pretty girl. i'll see you soon, okay?

you: mmkay, hurry ☹️

San smiles to himself as he sets the phone down and powers through a few more tasks. When you get to San's house, you park off to the curb and head straight inside, hoping to avoid any confrontation with neighbors at this moment. You slip in and step out of your shoes, sighing a sigh of relief when you've made it safely. You head upstairs to drop your things, noticing San's bed fixed nicely. Rings spread across the drawer, cologne lightly lingering in the air. 

You can't wait for him to get home.

You head back downstairs and turn on the tv for background noise, lighting up a candle on the island. You take a few moments to snack on some fruits before you [slowly] start prepping ingredients for dinner, scrolling through Instagram and getting lost in the social media rabbit hole. You lazily walk over to San's fridge and quickly skim the shelves to see if there's any ideas that'll pop up for dinner. He's got just enough groceries, but nothing too overwhelming. You walk over to the pantry, also taking your time to skim the shelves. The TV is unexpectedly playing a show on unsolved mysteries, which distracts you to a great extent as you hang out beneath the door frame of the pantry.

"Hm." You pull up random recipes in between glancing at the tv. It isn't long before you hear the garage door open, the soft, muffled audio creeping through the walls. San walks in shortly afterwards, airpod in one ear while taking a meeting on Zoom through his phone. 

"Yeah, I know. I agree. Maybe they should work on it together and try a different approach? Have you asked Russ to try some computational analysis on their data?" Is all you hear him say as he walks into the kitchen with a smile on his face seeing you there. You reciprocate the smile and wrap your arms around his neck, waiting for the right moment to kiss him and welcome him home. "Mhm." He says before muting himself. "Hi baby."

"Hi." You tippy-toe to kiss him, allowing San to deepen the kiss despite his Zoom call still going on in the background. "San." You giggle in between, pointing at his phone.

"They don't need me right now." He chases after your lips, hands sliding from the small of your back down to your ass and giving it a good squeeze. You squeal, indulging in a few more seconds of kissing San— fingers tangled in the ends of his hair, gently biting onto his bottom lip and causing him to hiss in response just as you pull away.

"Go finish up your meeting."

"Tease." He mouths out before unmuting himself. "Yeah, I'm here. I hear you." He keeps his eyes on you with a small smirk. He points upstairs, mouthing out a quick 'i'll be in my office.' You nod, giving him one last peck on the lips before he disappears up the steps. You rummage through his fridge to grab those mushrooms, bokchoy, and tofu he had sitting around to whip up a quick udon stir fry. Before chopping up your ingredients, you let the udon sit in a hot water bath while you pop in some shrimp tempura you found in his freezer in the air fryer. Once the noodles are ready, you toss them in as you fry the vegetables, along with your wet ingredients— whipping everything up in a matter of 25 mins. 

After his meeting, San quickly finishes some emails and follows up on a few pending items before calling it a day. He's trying to balance his time better now that you're around because the last thing he wants to do is make the same mistake again of unintentionally pushing someone he cares about away. And it's a little scarier this time, a little different, because San feels himself falling deep [and fast] for you. He doesn't wanna run you off or scare you in any way, and he surely doesn't want a repetition of his last, but he truly cares about you and wants this to work no matter how tough it might be.

He just wants you.

He sighs when the thoughts flood his head, locking his computer and setting his things aside. Since he hears you whipping up dinner, he heads to the room to change and quickly shower. He tosses his clothes into the laundry and steps in, leaving the bathroom door cracked open. When you head up the stairs after making dinner, you find San drenched underneath the piping hot water. Steam is rising out of the shower and into its surroundings, fogging up the mirrors. You watch for a few moments through his bathroom mirror— catching 'lil peeks and admiring his pretty, honey-dipped skin, wet black hair. You find the sudden urge to join him, to just be with him, and before you can even think twice, your feet are already taking you to San. You tread over in front of the shower door, San curiously looking at you with a small smile on his face. His eyes are glued to you while he watches you strip down in front of him, beautifully bare and raw. He pops the door open for you to step in, hands instantly coming to your waist to pull you flush against him.

"Wasn't expecting you to join."

"Thought we could save some water."

"Yeah?" He laughs. "I'm not mad about it." You tippy-toe to peck him on the lips. He doesn't let you go, though. He deepens the kiss, tongues fighting for dominance slowly, sensually. His hands are roaming all over your body, giving your breasts a good squeeze. You moan, the need, desire, to please San becomes overwhelming. He lets out a small sigh when he feels your hand wrap around his hard cock, his breathy moan causing goosebumps to rise on your skin. Your lips press chaste kisses down the column of his neck, tongue swiping across the surface before you gently nibble. You're careful not to leave any marks, softly sucking on the base of his neck, collarbone; just enough to make him feel a way without having the proof littered on his skin.

"Fuck, princess." He chokes out. "Feels so damn good already." You pick up the pace as you continue to stroke him, slowly crouching down to come eye level with his member— kissing and sucking away at his angry, red tip to start it off. Your tongue swipes from the base upwards, pressing tiny kisses across the surface. "Don't be such a tease." He pouts as he watches from above. You smirk, taking half of him inside your mouth. You work your hand at the same time you bob up and down, pulling back with a pop. The string of saliva connecting your bottom lip to his tip drives him insane, his hand coming to the back of your head to slowly guide you down his length the next time you've stuffed your mouth full of him. "Doing so well, love. You can take all of me, yeah?" You nod. He feels you gag when he eases it all down your throat, causing San to groan a little louder— the tone echoing off the bathroom walls. He keeps his cock down your throat, determining on his own terms when he'll give you time to catch your breath, take a breather. When he pulls your head back, you look up at him with those doe-eyes. And it goes from one moment of sticking his cock back down your throat, to the next moment of you constantly bobbing your head; sucking him off so fucking well. 

"Aw—fuck—" San hisses before moaning loudly. "So fucking sexy, baby. Made just for me." He breathes out. "Fuck, fuck— gonna cum—" It takes that one last moment of taking him fully before San keeps your head there as he shoots his cum down your throat. When he's finished, you slowly pull back and wipe at your mouth, throat feeling all sorts of sore and battered but you could careless.

As long as you made San feel good, that's all you wanted.

"Okay, maybe we need to finish up in here."

"Do we have to?" San smirks, hands rubbing at your waist. "Can I help you with anything?"

"Just wanted to make you feel good, Sannie." The nickname rolls of your lips so naturally San feels his heart soar. It just feels like you were meant to say it, like you're the only person on this Earth that is deserving of so. San doesn't even realize he's still smiling down at you until you kiss him on the lips tenderly and finally taking the lead with getting washed up.

When you get back downstairs, San still can't keep his hands off of you. You sit on the edge of the counter while San washes a few of his containers from lunch. After he finishes, he slots himself in between your legs, admiring you from where he stands. You wrap your arms around his neck while his hands are resting on your thighs. He presses cute, repeated kisses along your chin and jaw, causing you to giggle.

"So, I forgot to tell you. I got an email from the department today about my TA assignment."

"Is everything okay?" 

"I think so."

"You think?"

"I, um." You look at San. "Some of my TA hours are going to Yunho. I had to meet with him really quickly earlier."

"Oh. That's cool, baby." You shake your head and he chuckles. "No?"

"No."

"Don't think about the things that happened. He's still a great professor and someone you'll learn a lot from." You scoff.

"Like what, how to be a bad, homewrecking bestfriend?"

"Baby." He smirks a bit and gently pokes your nose. "Don't do that."

"You're right, sorry." You roll your eyes playfully. "He is cool, I guess." He chuckles.

"Promise me you won't let your feelings get in the way, hm? Look at him as a professor, not from what you know about me." Truthfully, San is a little afraid that you'll be working closely with Yunho now. Not because he's insecure, no. But, working with Yunho meant there was a chance he'd learn more about you. And obviously San wouldn't hide your relationship if he didn't have to, for the sake of rules, policy, his lab, Namjoon even. The fear is stemming from his past, coming back to haunt him all over again. He doesn't trust either of them one bit.

"I should be looking at you as just a professor too, you know?" You tease.

"Oh yeah? Wonder what happened there."

"Kinda like you better like this, though." You giggle, allowing San to swoop you into his arms. You cling on, wrapping your legs and arms around him while he walks you to the couch and sits you on his lap. 

"Damn, so the whole professor charm didn't do much?"

"Kidding." You laugh.

"Your laugh is so cute." San says, looking up to you all smitten. He rubs at your sides, kissing you sweetly before he's back to just smiling at you.

"What, no?"

"Yeah."

"Why do you keep looking at me like that?"

"You're just so beautiful, that's all." You smile. "Hm, so. What do you wanna watch? What do you wanna do this weekend since I have you all to myself?"

"Well, we can watch something cute? Because I've been watching this and it's making my mind work overtime with all the possibilities." You look back at the TV and San chuckles.

"I thought you liked stuff like that, baby."

"I do, but tonight, I just wanna relax."

"Fair enough. I'll watch whatever movie you wanna watch."

"Even if its A Walk to Remember or The Notebook?" He nods, bottom lip poking out.

"I don't mind."

"Wow, you're a little too perfect." He laughs.

"Far from it, actually." 

"And, I don't know. I'm down for whatever this weekend."

"I'll take you around some places away from here."

"Sounds good with me."

"Let's grab our dinner and watch a movie?" He kisses you once more before tapping you on the hip. "Thank you for making dinner, angel."

"Of course." You smile and hop off his lap. You fill your bowls with the udon stir fry and tempura you made, laughing and joking around mid-convo with San as you both walk back to the couch while he's telling you about his day. You pop on the classic Titanic, not really in the mood for anything else popping up on Netflix. San compliments you on dinner, smothering you in more kisses all over your face. You joke about how he didn't have much to work with, so maybe grocery shopping needed to go on your list for this weekend's festivities.

When you're done with dinner, San cleans up in the kitchen while you continue to watch away on the couch, answering to a few texts in between until San comes back to keep you company. Mid-movie, his phone dings, signaling a text coming through.

It's Jongho.

jongho: trying to play tennis this weekend? me and yeosang were thinking about going to the courts then hanging out at his house after. 

jongho: chris is gonna be busy with his sister this weekend so he's out 

jongho: and i asked mingi but i don't think he wants to play lol

san: sorry my guy! sounds fun but i'll be occupied with some things this weekend.

jongho: like what??

san: i'm just behind on a few things, needa wrap it up before the NAS conference.

jongho: hm ok, well the invite is there if things change!

san: thanks! have fun lol

And with that, San locks his phone and continues to watch the movie while your head is on his lap. He looks down at you and smiles a bit to himself, his hand coming down to thread through your hair and give you a gentle head massage. He feels a bit guilty for lying to Jongho, but at the same time, he doesn't.

He's content, he's happy.

Right now, things couldn't feel any more perfect and he'd be damned if he did anything to mess it up.

—read 7.5 here

—taglist: @asjkdk @interweab @woojirang @svintsandghosts @cheolliehugs @persphonesorchid @mxnsxngie @jycas @cowboydk @vcutparis @chngbnwf @struggling101 @sanhwalvr @angelqueendom @barbielibra @brown88 @choisansplushie @yunhoswrldddd @hyukssunflower @vickykazuya @lucid-galaxys-world @jaytheatiny @pommelex @thespiffynerd @vixensss @santineez @nopension @domfikeluva @in-somnias-world

[comfortingevanbuckley]

So everyone knows, I am 100% a Buck girl and I will always do my best to be levelheaded when it comes to him. The problem is even when I do that, because of the writing on the show, it is difficult to parse between what I think is actually being done versus how things are looking on screen. And I genuinely am wondering exactly what they are doing and if I am even looking in the right direction.

But let's say they are for whatever reason doing a similar thing they did in 5A with some storylines, like Eddie potentially leaving, Buck dealing with relationship issues, etc. Now, to be honest, I do not like the idea of this kind of parallel mainly because the way I've seen it used is as some sort of gotcha about whether or not a certain ship is happening. So this isn't going to be about that, it's going to be about Buck.

What I think Buck might be doing is he is overcorrecting and thinking that since this relationship is another one that has come to an end, that he shouldn't fight for it. He doesn't realize yet that he can because in his mind, if Tommy doesn't want him, then he shouldn't chase him. The only issue with my line of thinking is are the writers showing this? And if they are, are they doing it right?

I don't particularly think the dialogue is helping. At all. I thought it was cute at first to describe him wanting to call Tommy as craving him, but the more you use the words to describe it as an addiction, the more unhealthy it sounds. So if they are actually saying that Buck is trying to do anything except cling to a relationship he thinks he can't have, why are they saying it that way? Is that what they actually mean?

If Buck is trying not to cling to relationships anymore, then it would be an interesting journey to see him on in 8B. Because I think if he were to try to actually call Tommy while his sister is missing, Eddie is potentially moving, then he wouldn't be calling him for the right reasons. He would be clinging and I don't think he wants to do that. Or so he thinks he is doing when in reality, he just wants his partner to be there for him.

So if he does end up having a brief fling (paralleling Lucy but hey at least he's not cheating on anyone) and realizes that no, this isn't what he wants, he wants Tommy. I could see it eventually being good growth for him to see that just because his life might be a wreck, it doesn't mean at least talking to Tommy means he is trying to cling to something that doesn't work. Because it did work, the communication was just off kilter.

Idk these are just my thoughts on if they are paralleling s5 a little bit, maybe that's what is happening. But at the same time, I would prefer they do something better for all of the characters, especially Buck. Because after eight seasons, the cycle needs to stop. Just let him be happy.

[silverskyeline]

ੈ♡˳ 'birthday cake' - logan howlett x wade wilson

summary: logan buys wade a cake for his birthday and tries to convince himself it doesn't mean anything. (900 words) tags: kinda fluffy, kinda angsty, set a year after the movie, references to losing the x-men, feelings realisation, animal metaphors for logan, cussing, logan x wade. a/n: happy birthday deadpool!

birthdays. running a calloused hand across his stubbled jaw, logan eyes the cakes in the bakery aisle with disgust. when's the last time he celebrated a birthday? not since. . .

well.

not since.

he's not sure why he's here. except he is. yet he won't admit it. can't admit he gives a damn about that stupid red leather-wearing freak. isn't that what he's doing right now, though? a birthday cake, an admission of sorts?

logan grumbles, a deep rumble in the back of his throat. why was this so hard? why couldn't he just pick up a cake and go? or better yet, forget about this whole damn thing and go home?

home.

a word that still feels so foreign in his mind, a long-lost concept that's only recently begun to take root again despite his best efforts to weed it out. that's the thing with wade, he's persistent. fuck, he's extremely fucking persistent to a highly annoying degree. but it's funny how the things we want to deny the most are the things that turn out to be the best for us in the end.

there's a unicorn cake that catches his eye. an imperceptible smile tugs at the corner of logan's lips, a reluctant grin quirking up without permission. he can't help it. "god damn it," he mutters, letting out a soft exhale that could possibly be perceived as a laugh.

it isn't too late. he could back out now, snuff the candles out and toss the cake so hard into the garbage can that it explodes on impact, leaving no evidence behind. that'd probably be the best thing to do. because what the fuck was this?

the unicorn cake sits on the dining room table, a few candles placed carefully (yet still somehow messily) into the pink icing, thoughtfully avoiding the unicorn decorations and rainbows.

logan shuffles nervously on his feet, hands clasped behind his back. he can already hear wade's annoying squealing in his ear, fussing and yelling and talking and just always fucking talking.

he'd made a deliberate effort to ignore all of wade's incessant reminders, 'it's my birthday month peanut, gotta be nice to me', 'i made sure to cancel everything on your very empty calendar for my birthday'. but in reality, logan had it memorised from the moment he learned the date.

a key enters the door, and logan stiffens up, then forces himself to relax in an attempt to look nonchalant. he looks anything but, head tilted down with dark eyes glued to the door - watching, waiting, anticipating.

"holy fuck balls that traffic is ridiculous!" wade whines, closing the door and rolling his neck as though he'd been worked to the bone, "i swear, it's like none of those careless fuckers know it's my birthday - can you believe that? i was thinking about getting a tattoo, the date on my forehead, y'know, so that when anyone asks they-"

wade stops, finally looking into the open room, eyes landing on the flicker of the candles. then to logan, eyes softening. "you. . . got me a cake?" wade whispers in the softest tone logan's ever heard from him, voice thick with emotion. it hits him unexpectedly.

logan puffs his chest out, "don't make a big deal outta it, bub." he says firmly, eyes straying from wade's gaze. feels like his eyes are boring into him, he doesn't like it. doesn't like the way wade looks at him, really looks at him. that kinda look is dangerous, could make a man believe he deserves to be forgiven for all he did or didn't do. could make a man believe that he's allowed happiness, however strange or unusual that source of happiness may be.

when logan's eyes trail back to meet wade's, he's already in front of him, arms wrapping around him in a tight hug as he rests his cheek against his broad chest. logan huffs, making a sound of disapproval initially, yet makes no effort to move or push him away. instead, he settles, allowing it.

he knows wade must hear his heartbeat, the fact that it's fluttering in his chest. but wade only squeezes his arms around him tighter in response.

for once, the merc with a mouth is silent, basking in this moment the other has allowed. he's almost in disbelief. to some, and hell, maybe even logan himself, it looked like. . . well, just a cake.

but it symbolised so much more than that.

if wade has had his hand outstretched all this time, approaching the skittish animal threatening to lash out in learned survival instincts - then this is the gentle nudge from the animal's snout into his palm. a curious, tentative step forward. a willingness to let someone in, let someone help.

and god, wade won't mess this up, won't disappoint, despite the fact that it's all he thought he was good for, for a long ass time. if logan's taught him anything, it's that life is so much more than what you boil yourself down to. it's what others see in you, too.

wade's eyes pop open when he feels logan's firm hands hesitantly rest upon his back, giving a gentle pat. he bites his tongue, a mirage of sex jokes slinging through his filth-riddled mind. perhaps in a way, that was his own defense mechanism, push him away with just enough jokes to keep him guessing.

but not today.

because today logan bought him a cake. the same day that logan realised that he's hopelessly, ridiculously, disgustingly, annoyingly. . . in love.

[gretchenantwort]

the original post of this thread is all about the women the op kept finding about: women who only begin dressing androgynously after identifying as nonbinary. if you "don't see" the point in what op was saying, then i don't see why you replied to her in te first place.

you mistake what the wrong pronouns are. they are meant to refer to people by their sex. if your issue isn't your sex but rather your gender, whatever that is, then you have no reason to complain.

you're not getting mad over "being called steve when you aren't steve". you're getting mad over being called your name, over being referred to when others are talking about you and not talking with you. if your name is steve it's pretty fucking stupid to demand others call you john just because you prefer that name or whatever.

you were a little kid and everyone is supposed to take a child's delusional feelings as more important than reality? be for real.

language is meant to be in accordance with reality because that simplifies communication, the point of language.

if you think in reality we should call people what they want to be called no matter what reality actually is, then you think it's right to apply the wrong words to the wrong things. if we can call everything by something else, then communication becomes unusable and definitions lose their meaning. an attempt at communication turns into nothing. it's interesting how trying to break down the entire purpose of language is so useful! except, of course, for marginalized groups, who need effective communication the most.

i mean, must we really go back to the "what is a woman" question? perhaps we do, since you don't seem to acknowledge reality.

seeing women come out as nonbinary and then start just dressing a certain way. and I just want to tell them that you can not shave and have short hair and not wear makeup and wear androgynous clothes and still be a woman. and the fact that people are trying to sell you the idea that you can’t look that way and still be a woman is misogynistic

[da-man-si]

I agree with the people saying that both leads are horrible communicators and thus have their spoiled and cold relationship but, based on the first episode only, I put about 90% of the blame for that on Sa-eon. I obviously don't know the entire history between these two but what's clear so far is that— Sa-eon was supposed to marry Hee-joo's sister and maybe he liked her (or maybe not), Hee-joo used to admire Sa-eon (the intensity of the admiration being unknown for now), their families are in a typical political relationship where they scratch each-other's back, Sa-eon has developed some possessive feelings towards Hee-joo during their three year marriage which he is highly confused about and would rather punch his hand on the wall than admitting it and start treating her right. On the other hand, the three year marriage has Hee-joo feeling suffocated, depressed and unloved. I wouldn't have blamed Sa-eon for majority of it, if it had not been for that wedding scene and the term in the contract— "she must not show her face in the public". No matter how much Hee-joo admired him, all that is enough for her to not even want to look at him. Yes, she is at fault for not expressing her feelings but it's not like he would get it even if she does *cue that scene at the party when she signed to him and boy didn't get anything except that maybe she cursed at him*. Hee-joo's situation reminds me a lyric from So Long, London— "just how low did you think I'd go before I self-implode, before I have to go be free?"

To communicate is to sit on a seesaw and balance the weight so that both parties can have fun on it by having both the edges go up and down repeatedly. However, Sa-eon is sitting on one edge with his full weight and the seesaw isn't moving at all. It's only the first episode so my view will probably change with the revelation of more details.

Also, I do not mean I hate Sa-eon in anyway by saying that he is to be blamed for their bad relationship (this is not MDL so I don't need to clarify but just in case). In fact, his character is what I was hoping it to be lol. I'm loving both the main characters and am seated for them (especially Sa-eon) to catch up with their feelings and fall in a love spiral so much that they'd want to puke. I want the down-badism to be expressed and shoved down my throat.

[idkjustlemmedrownlikerab]

Why Regulus dying was crucial to the plot of Art Heist Baby!

It really pisses me off and people say "Omg it's so sad that Regulus never finished the heist, why did the author have to kill him?! He never finished his life's purpose" No it's not,  because that wasn't what he wanted in life, he achieved everything that he wanted.

The story doesn't work if Regulus lives. Art Heist Baby isn't about the heist. I mean it kind of is, that was what drew me into the fanfic, why I read it. But, as I read it, I realized that it's not about the heist, it's about love, it's a love letter from @otrtbs, the author, to art history and to the fandom, and about the love of found family, brothers reuniting, and falling in love and all the sappy stuff.

But Regulus and the readers by extension, have always thought that it's about the heist, that it's about the infamy and being remembered, and that's how he lives forever, the heist gets him his brother back, the heist lets him live forever.

But then in Copenhagen, when he's literally dying, he's having this internal monologue, like, maybe I failed this heist and it's not successful and I didn't do what I wanted and I wasn't the best person, but I was loved,  I am loved and I have loved back, he says that he knows he can take that love with him wherever he goes, even if he's a damn star in the sky, it doesn't matter. He's taking that love with him, it lives on, and that is its own form of immortality. That's what Regulus had been searching for this entire time and even after Regulus dies, James is still there, and Sirius and Barty and Evan hell all the others in the team, and it's like even death can't defeat that kind of love. We see James talking to Regulus every night and recounting memories and keeping Regulus alive in a way, which is what Regulus always wanted!!!! Just not in the way he thought he was going to get it.

I mean, otherwise what's the alternative? Regulus lives and he's happy with James, and maybe that's better than living on an infamy and better than the heist because, well, he's actually alive, but it's not just about love. Regulus and by extension, the reader wouldn't have this moment of realisation like, oh, it's love, love is the answer. Love is what makes all of us a little bit immortal for a little while. That's what it's all about in the end. Not the money or fame or notoriety. Just love. And Regulus dying feels like it was the best way Nat could have driven that point home. Like plz look past the heist, what else is there?

Because Regulus spent his whole life thinking that this was his goal. Just one more heist, that's what he'd always said right? One more heist, this is the last one. This is it. He'll have achieved everything he's ever wanted. Except, it's not what he wanted. Because throughout the story, he gets his brother back, he gets Sirius back in his life after spending years in silent mourning dangling just as precariously as the daunting Degas in the bathroom, he gets his brother back. He sees Barty and Evan who have spent their whole life going back and forth, finally getting together. He watches them grow up and grow together, and he spends his entire life with them. He brings together this group of strangers, this ragtag team of random people that applied via a fucking poster about a lucrative job and watches them bond. He watches relationships form, he connects with the Remus through annotations and books and a shared love for Sirius, he organizes dorlene's proposal and wedding!!!!

He bonds with all these people that he never would have met if he led a normal life, and then he meets James. He meets James Potter, who teaches him everything, who lets him borrow his bravery and shows him that life could be so much more if he wanted it to be, which he does.

"I love you, that's all." His last words, love, that's all. Not the heist, not the drop offs, not the money or the fame or the glory. Love, that's all. He started getting involved with the heists to feel loved, to get the attention that Sirius got from their parents growing up. Some superficial kind of love, and his life ends after he gets real love, platonic and romantic. Love, that's all, not the heist. He died with everything he knew he always wanted but never had the bravery to attain until then. That's why he said maybe he hadn't lived a long life but he lived the best life he could have.

Nat literally told us the reason with Regulus' last words and all of us decided to turn a blind eye to it, yes, yes ik it was heartbreaking to see him die and not live in the house in Brazil with James but we do see them meet again in the epilogue don't we? And let's trust Regulus and the author both when they said

"in every lifetime?"

"in every one."

[sagesturns]

Quiet Ache

Summary: Chris zones out thinking about old times, only to be hit with a reality check realizing he will never be able to to relive the past anymore.

Warnings: none. Angst.

Your soft giggles filled the low lit room, blending with the low hum of the movie playing on the screen. The room was comforting, like a warm blanket on a cold night, the lamp casting an orange hue in the room. Chris looked over at you, a smile tugging at the corner of his lips as you settled into the blankets, curled up beside him. You always loved just how comfortable and easy everything felt when it came to him. But the couch was a mess, covered with pillows and half-empty mugs and cozy blankets, but none of that mattered. With Chris, nothing ever really seemed to matter except his hand resting against your side, his warm touch, and the light of the TV glowing soft on his features.

"You're impossible," he teased, his voice low and playing. "How do you always laugh at the most random moments?"

You leaned in closer, resting your head on his shoulder. "It's just a funny scene. I can't help it."

Chris chuckled and the sound was low and mellow and you could feel the tension in his body melt away as he relaxed into the couch, his arm slipping around your shoulders. His touch was warm, familiar, the kind that made your heart skip a beat even after this long. You could feel his breathing, steady and soft against your hair. His presence, his scent, the way his body naturally curved into yours-it felt like home.

The movie kept going, but neither of you were really paying much more attention anymore. Every now and then, your laughter rises again, as you crack little jokes or notice silly stuff in the film. For Chris, these were the moments-quiet, without apparent effort, filled with your presence-that mattered the most.

His thumb traced light circles over your arm and for one brief moment, it was as if the world had finally set things right. In an instant, the peace found its place, then shifted just as fast. His thumb halted, his breathing slowing in a manner that grasped your attention. You raised your head slightly, looking up to him.

"Chris?" you asked softly, the slightest hint of concern in your voice. He doesn't meet your gaze straight away; his eyes stare at the screen, though it's obvious he isn't watching anymore. The distant look in his eyes matched his thoughtful expression. His thumb, which had been tracing soft circles on your arm, had stilled, and his entire posture had shifted to tense and distant, like his mind was somewhere far away.

You tilted your head slightly, watching him, waiting for him to snap out of whatever it was that had caught his attention. The silence was extended, and the unease in his body grew. It wasn't like him to zone out this way, especially at a time when you guys were so close, when you could laugh together, when you could enjoy each other.

Chris?" you called again, a little louder this time, with soft concern laced in your voice. It sounded like a faint whisper, reaching for him across a great distance, yet he showed no reaction.

"Chris!" The voice called again, this time louder, and Chris finally seemed to snap back into the present.

"Yo, what's up with you, man?" Matt asked; his voice codified concern and impatience. "You good?"

Chris rubbed his eyes, blinking rapidly as if trying to shake off the fog of whatever thoughts had swept through him. It had all happened so fast, and yet the emotions that flooded him felt so much older, like ghosts from the past.

The question came as a shock to him, the sudden turn back to reality. For a, he didn't know how to respond. He had been lost in thoughts-memories of times when life was so much simpler, when things felt right and you sat on the couch next to him, listening to some silly jokes and feeling like everything in this world was in its rightful place. But that was before.

Now, sitting in the car with his brothers, it all felt like a distant dream.

“Yeah, I’m good,” Chris said quickly, his voice more clipped than usual, trying to mask whatever had just taken hold of him. He forced a smile, though it didn’t reach his eyes. He didn’t want to talk about it, didn’t want them to know how far his thoughts had drifted.

Nick didn't seem convinced. "You sure?" he asked now softer. "You were, like, zoning out there. For real."

Chris's hand fisted on the seatbelt, his knuckles white. For a while, he didn't know how to answer him. He had been lost in thoughts-memories of times when life was so much simpler, when things felt right and you sat on the couch next to him, listening to some silly jokes and feeling like everything in this world was in its rightful place.

The moment held in a tight circle of awkward silence in the car, the tension palpable. Matt looked sideways at Chris, knowing that for some reason he had upset him, but didn't push. Nick shifted uncomfortably in the backseat, not knowing how to respond next.

Chris could sense the weight of their concern for him, yet it only made him feel more withdrawn. How was he to explain what was going on inside his head? How was he to put into words the heartache every time he thought about you, about the way things used to be between you two?

It has been months now. Months since everything changed. Months since the breakup. And no matter how many distractions he surrounded himself with—his brothers, work, the videos they filmed together—it would never seem to be enough. He could never forget what it felt like when you were there, how your laughter filled the room or how your touch made things feel just a little bit warmer, just a little bit easier. All he had now were pieces of his memory, scattered bits of what had once been.

Nick leaned in his seat, looking sideways at Chris. "You are sure you do not want to talk about it?" he asked, his tone softer and understanding. "You have been acting different lately.

Chris’s heart ached at the question, but he shook his head, trying to force the feelings down again. He didn’t want to burden his brothers with this—didn’t want them to see how broken he still felt.

“I said I’m fine,” he repeated, a little more forcefully this time, trying to convince himself as much as them. “Just… lost in thought, that’s all.”

Matt hummed thoughtfully, but the conversation changed course and they moved on to another subject. Chris didn't say anything for the rest of the ride, just looked out the window as the city lights whizzed by, the world outside going at a breakneck pace, yet somehow to him, time stood still. No matter how hard he tried to shake it away, his mind kept slipping back to you.

I miss you, he thought, but the words never passed his mind. They buzzed in the muffled silence of the car, in the silence of his heart-heavy, unspoken. He did not know, for one thing, how to move on, how to let go of something so right, so natural.

But it had passed, leaving him with only its pieces, jumbled like confetti in his head.

The car chugged forward, but Chris's mind remained lost in time, backward to that place when life was simpler and felt right.

And all that remained now was the quiet ache.

word count: 1.6k

tags: @sweetshuga

a/n: heyy! I got random motivation last night at 4am to write this. It's a bit choppy but hope its okay! As you can see my last 2 stories are aslo about Chris angst. Love breaking my own heart lmao. Anyways bye for now! Tysm for all the love, i appreciate and love you all!

@queenshet