#every time I have an issue it just becomes a bigger threat on my mind that I cannot improve myself and I really do just need to shut up and
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the mentally ill anguish of not wanting to keep hurting people and being a judgmental asshole but also not wanting to turn into a robot and slowly destroy my health with meds
#mentally ill#meds#meds are important for a lot of things but I just really don't like the way it makes me feel#but then I feel like an asshole if people tell me to take meds so im not abusive#I wanted to prove I can do it myself#and I probably can once I get more land and good crops from good soil#magnesium deficiency is a huge cause for anxiety#hangry#I really just need vitamins and protein and minerals#but there's not a lot of that in modern food#I want to just hang in there until I reach that place#but how many more times am I gonna fuck up before then?#every time I have an issue it just becomes a bigger threat on my mind that I cannot improve myself and I really do just need to shut up and#medicate myself until I cant think anymore#although I have been improving#tbh today's problems were caused by lack of sleep and food#I really have been getting better at preventing issues but not really#im getting better at hiding discomfort#but I should work more on calming down in the moment#first world problems#boohoo me and my miserable little mind#I feel so ungrateful but I also know that's not what I mean#I am lucky to have a family that didn't split#it was still painful to see how little they got along#but the stability is definitely a privilege#im an entitled piece of shit#no but im still kinda sad
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Blue Canvas of Youthful Days: BL is So Good When The Characterization Holds
I've been enamored with this show as each week builds on the actions and information we previously received. I am white knuckling through the end of this show, because we have caught up with the prologue just past the midpoint (@benkaben). I've been thinking a lot about this show, so I want to get some of my thoughts down before any unwelcome turns happen.
Qi Lu Feels Recognizably Gay
I've been thinking a lot about Qi Lu since we had the attempted first kiss with East Palace, West Palace (1996) playing in the background (@twig-tea). The fact that he has this film implies that he's known about himself for a while and has been looking for resources online to feed this part of himself. He pushed for that moment, and he recognized the attraction in Qin Xiao.
Later, he doesn't allow Qin Xiao to play coy about what's going on with them. He also doesn't fold in on himself and collapse because he faced a rejection. He's one of the rare characters who Knows himself that has the response that feels more real to me when they get rejected by a boy they know likes them: they get mad.
I loved that Qi Lu got defiant and demanding about Qin Xiao. He's totally wrong (@lurkingshan), but it was so correct for the position he's in. He's stifled by his dad, and beaten for showing any defiance. He's clearly lacking in other friendships. I completely get Qi Lu becoming possessive of Qin Xiao, and getting frustrated that Qin Xiao wouldn't return his feelings.
I'm also enamored with the way he seems to see past Qin Xiao's threats of violence. There's something so specific about a gay man who regularly suffers beatings from his father recognizing the false bravado behind Qin Xiao's own threats, and choosing to respond with gentleness to it every time. I'm still thinking about him kissing that man's fist in episode 8.
Like any young person caught up in their first romance, they're enjoying the honeymoon phase and promising things that will surely cause us immense pain. Still, Qi Lu is one of my favorite gay boys of the year, because he didn't get smaller when he faced rejection. He got bigger and stubborn. I love him.
Qin Xiao is a Great Romantic Lead
Zhang Xuan Yu is killing it as Qin Xiao. He is perfectly calibrated to be the kind of man any young gay would fall for.
He's a talented artist that has a strong moral center. He is willing to learn new ways to communicate to take care of the people that matter to him. He is caring for a sick grandparent. He's also so beautiful.
Even his rejection of Qi Lu is attractive. He's obviously drawn to Qi Lu, but this was not what he had in mind for his life. He's also leery of the big economic and social lines between them. He's got gangsters showing up at his place of work to threaten him.
But how can he stay away? As soon as he got a little bit jealous, he broke at the persistent kindness of Qi Lu. They let themselves feel what's happening between them and it looks so comfortable. I'm so ready for all of the drama to come, and I am crossing my fingers that we don't get a traumatizing ending to justify this getting past the censors.
Teacher Liu is a Mess and I Love Him
This man needs to get his shit together, but goddamn am I invested. He started helping a guy who reminded him of the brother whose death he feels responsible for, only to fall for that young man. Now his sensibilities as a teacher are clouding the issue for him, and he's lying to that boy. What a disaster of a man. I love him.
I was a teacher, and I have been in the position this man was in when he faced down Qi Lu's father. I've had to say the correct things to a parent to diffuse a situation where I was worried for my student's safety. I've also been in the position of having to tell gay kids between the lines to focus on their responsibilities over their relationship issues without saying anything that could be seen as me not meeting the responsibility of a teacher to report behavior. You have to maintain a level of plausible deniability that I find myself connecting to with Teacher Liu.
That being said, he's doing wrong by Tan Yin, and I'm glad Tan Yin is assertive about what's happening with them. I don't think this would work as a drama if the show didn't show us constantly that it knows Liu is a fuck up here.
We're Really In it Now
As we enter the final two weeks of this show, I remain cautious about how we'll finish. However, regardless of how this show ends, we've had eight incredibly strong episodes that show us that the people behind this know what story they're telling. If their ending feels contrived and doesn't make sense, I hope that it feels like something that was forced on them. In either case, I wanted to write about how strongly I've responded to the first eight episodes, because this is one of the most satisyfing experiences I've had as a viewer this year. I am amazed that we got this, Let Free the Curse of Taekwondo, and Love in the Big City all at the same time.
I clearly just need to hold out for fall every year.
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what are some moments you’d like to see or you think we *should* get together between bucktommy in season 8? ‘should’ - not as in must get! but moments you think would be important to their growth and establishing them as a long term couple and would be very good for the story they’ve built so far
Hi anon,
Sorry for the very late reply, I had to think about this a bit because I love this question! This will get long, sorry in advance.
I think first things first, we need some drama lol. Seeing how a couple overcomes conflict for the first time is seeing how the relationship can/will prevail in the long term. It's also important as a story element, conflict is what makes characters make decisions and take actions, what enhances the emotional impact etc. After all, what is more satisfactory than the sense of resolution that feels earned?
I think the first type of conflict I would like to see them navigate through would be something interpersonal. I don't really want a bloated case of miscommunication because so far they have been presented to do very well in that aspect (Buck is for once not just going with the flow but proactively pursuing this relationship, they both apologize, they both hear each other, they both reassure the other etc.) but the reality is every new relationship will have a stumbling bit when it comes to communication.
I don't know what they'd specifically deal with (like Henren had trust issues and Madney ignored talking about mental health) but Buck - despite his progress - has very well-documented issues around his self-perception and the concept of love and we know it took Tommy a great deal of effort to become the guy he is today (who's in tune with Buck and seem to communicate very well), he also has his own demons. So the right triggering event can cause a moment of unexpressed emotions on both sides. (Our fic writers have been great coming up with ideas for this and I've seen many posts speculating, so if anyone has any specific scenarios in mind please put in the tags.) What I would really really love to see in a scenario like this is an explicit, on-screen reassurance of each other about the root of their issue. I want Buck to have a love interest who with clear words say what Buck needs to hear and I want Buck to reciprocate. Like I said, we've seen BuckTommy be mutually really good at this so far, so I would love to see how it looks when they deal with something bigger.
The second type of conflict I'd like to see them handle would be a conflict caused by an external threat. Maybe not something as dramatic (and hurtful) as Madney dealing with Doug but anything that puts them through the wringer a little bit. This and what I said above wouldn't need to be mutually exclusive events obviously (Gerrard, for example, can be an external threat AND a trigger for individual insecurities, interpersonal conflict etc.) but this I specifically want because I believe to convincingly set them up as a long term/significant relationship, they should show us them being a team, a united front. Where my first point was about seeing how they would navigate their individual traumas together, this is about seeing how they'd deal with the world that throws them a wrench.
Now that the heavy stuff is out of the way, I think we need to see how they would act as a couple in a group setting. This obviously touches many of the points we've collectively made over the past few months about how there's so much potential re: Tommy interacting with the other 118 members. I think one of the biggest fails of Buck's previous relationships from a writing point was how little they existed within the rest of Buck's world. The first time I watched that scene of Buck, Taylor, Eddie, and Chris having dinner together I had to do a double take because so much of Buck's relationship with Taylor and Buck's relationship with everyone else felt like two different shows. It was cute when Buck said "You don't want to see a hangry Taylor" - it made them sound domestic, it made their relationship feel actually lived. This is such a little thing for BuckTommy to feel integrated and real imo. I don't mean they have to write BuckTommy as the center of attention in a group setting, what I mean is that they need to extend BuckTommy's existence as a couple to the broader context of the show.
Kind of building on this, another thing I think would serve very very well here is if we see Tommy interact with others when Buck is not there. If we want BuckTommy to exist beyond the context of their 1:1 scenes, we need Tommy as an individual to exist beyond that as well. Again, this is going back to how Tommy has the potential for these dynamics to feel organic in a way that didn't exist with prior LIs before. And I think one specific thing I would really like to get (and this is gonna sound ironic bc I said we need Tommy uncoupled from Buck just now) is Tommy talking about Buck to other people. As we need Tommy to exist in Buck's greater world, with his people in a way that his ex-girlfriends didn't, we also need Buck to exist in Tommy's world even when he's not there. The only comparison I can make here is Abby as she was the only previous LI who had her own relationships, but damn, did we ever see a love interest talk about why Buck matters to them, how he makes them feel etc. I wanna know how Tommy perceives Buck. This is like 101 if you wanna sell to the audience the love interest is actually interested too.
Couldn't find a place for this (maybe group-setting entry was more fitting love) but I also would really like to see them act casual. This is way more superficial than my other points but I was just watching some 911: LS scenes and I truly believe one of the reasons Tarlos is sold so well is because we get domestic, comfortable touches in every scene. Again, making a relationship feel actually lived. I don't think any of the 911 couples engage in this as much as Tarlos do but they certainly still do to a degree and I want and need that for BuckTommy.
Thanks for the ask anon!
#please tell me what you think in the tags or my inbox#im living for this type of stuff#bucktommy#kinley#kinkley#tevan#911#mimi talks#mimi.txt
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Saw people talk about the fact that the trio knows every single threat they have to face before they have to confront them in the show vs in the books they actually fall into traps and then have to find a way to escape it.
This is one of the main issues i have too honestly. I understand the choice of making annabeth pick up on the statues and the name of the place and obviously guess "oh that is medusa". It works bc medusa is important and connected to her mother and like the context clues are staggering.
But comparing that moment to the start of episode 7 (which i actually really enjoyed especially compared to ep6) makes the show lose most of the tension they could have.
Like why make it an immediate exposition dump on "oh you are this and you do that and we are here for this and that" i don't mind the change of making the shop the entrance of hell but why can't they just for once fall into a trap like? They are 12 years old trying to avoid a war and fix a situation way bigger than them, they are smart and quick witted but let them make mistakes and NOT KNOW some things.
I feel like a lot of the potential of the first scene went out of the window and it just became a "here's an exposition of a scene that happened in the book" and that way even if you cut it you don't lose anything really.
Changes are a GOOD thing and that is not my issue with the show at all! I have already said that I mostly enjoy the changes that were made and I am not expecting nor want a scene for scene copy but it does make it a lot less interesting imo if they go into EVERY SINGLE SITUATION knowing what they are up against for no real reason.
You can have them know some things and guess who they are up against but like if it happens every time the tension of the danger gets lost a lot and it becomes repetitive imo.
On the good side of things tho I think you can see in general that the trio has gotten a lot more comfortable in the characters and the improvement it's very visible. I already said how I really love the casting and I only expect them to get better at portraying the characters that is a no brainer.
The flash backs were probably my favorite part of the episode along with the way they decided to visually represent Hell.
I love that we get to see a peak of Sally and Poseidon's dynamic and how hard it was for Sally to raise Percy, not only bc of the risks his godly heritage brings but also bc she was a single mother and society in general tends to give up on people that don't fit the mold.
Small Percy thinking his mom wanted to get rid of him and saying "I would never do that to you" even tho she has spent every moment doing her best to protect him vs an older Percy having to choose to leave his mom behind so he can do the right thing even tho everything he has done has been fueled by the desire to save her. That was beautiful and tragic.
Casting in general is incredible bc even with the little we saw of Poseidon (I knew the actor from black sails so I knew he would be great) I think he really nailed it.
Hades is maybe a BIT too silly but I can live with it honestly. Like we'll have time to explore and make other characters deeper later on so i don't see this as an issue.
The decision to make them aware of Kronos and tell Hades is interesting and I do like that he offered to protect Percy if he believed to be at risk.
I understand that with how things are now you never know if a show will be renewed and if you'll get to actually finish your story so I don't mind them making certain stuff known sooner and sprinkling references to future events or call backs (MOA percabeth reference I am talking abt you).
Overall I think that the strongest suit of the show right now is the cast and the way they show characters dynamics and their potential.
Like I have said before my criticism stems from my love for the material and my wish for it to do well. I have opinions that maybe will not match with others and it's okay! Not everyone has to like something! I WANT the show to keep going and grow and evolve into a better adaptation with each step because I really love the basis they laid down, the story and the characters and I see the potential most of all. I can't wait for the last episode.
#pjo rant#pjo rambles#percy jackson#i really like episode 7 in general#i think it was a lot better than 6 like that one was maybe the weakest#i am excited for the last one bc i think it will be even better#most of all baby percy and Sally moments almost made me cry with each scene#he was so small and sally was trying so hard#love them#percy jackon and the olympians#pjo tv show#pjo spoilers#pjo series#pjo
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A Messy, Sedulous Necropsy of Zib Membrane
That’s what we call him right? Not Invader Zib? Hell if I know, we’ll let the tags decide.
Whatever he is christened by his author, enemies, or fans, this titular villain of the Zimvoid is such a mind blaster to me. I wish we had more time with him within the comics. I wish he had been a concept explored in the show. I wish he had a movie. I am having fun with a little hyperbole here, but I truly do find him just as interesting and potentially pivotal of an antagonist as Tak was, if not even more.
Both, of course, were so badly underutilized for sake of the series status quo. To that, Zib was a much bigger threat than Tak, and especially to that of the comics’ own. He potentially changes everything, and somehow absolutely nothing by the end. The TV show always had a more overt tone of cruelty and the macabre floating about its themes. These print issues? I don’t dislike them. It’s still recognizably invader Zim, and the more the merrier, content-wise, but longtime fans can feel that there was this change of essence in the transition. More obviously, in the art, but more subtly, there was an audible softening of that bluntly darker, cynical tone the show was made iconic for. To put it very generally, they lean a little more into the whackiness of this world, there’s a lot more dark comedy to be found in what I’ve seen so far rather than in your face darkness, and in the absence of the ost and voice acting the show accustomed us to, the comics leave a lot more room to be read as you wile. To me, they’re goofier and more episodic in spirit.
This all is not a critique or rating on the comics.. It’s purely, I feel, why Zib stuck out to me all the more jarringly in his context. His reveal was a genuine twist that brought forth stakes higher than arguably any other threat in the entire franchise. He represents a plausible while horrifying prophecy of our main characters if only they made worse decisions. The most interesting of all, for every piece of amazing information he fed to us, he bred dozens more questions about everything than he answered, from Irken machinations, to his ambivalent backstory, to the secrets hidden by the sum of his parts.
Though he was left evidently alive at the end of his story, I don’t see any chance for him making a return, so he is memorialized as another defeated one-off the writers have brisked past and left behind for good. Therefore, I’m here today to take what we got and present it on the metaphorical autopsy table. I want to really pull apart why this character alone pulled me back into the TV series, really just flay open the bits I can’t get out of my own head and dig harder until we find something or we run out of threads to tug at. Starting with the one already hanging out of my mouth, but
• B.E.F
“Bad End Friend” is a term I learned the meaning of within the last 12 hours or so of writing this, and I’m exuberant over that discovery. It’s a niche trope i didn’t know ive been a giant fan of since I was a child. Summed up, fictional characters from beloved media, typically, animated child protagonists… given the worst case scenario treatment. Their “bad ending”, whether that means a corruption arc, demonic possession, a lovecraftIan tragedy… usually something that’s anywhere along the lines of a fate worse than death to a full villainous turnover. As a treat. The concept is strongly associated with fanworks and AUs of popular media, but just as often this is something that becomes explored in the source material as well. A couple great examples I know would probably be Ice Prince Finn from Adventure Time or what happens in Undertale when you decide you want to run the most depraved playthrough possible. From a more mature story, “Evil” Morty is another validly arguable sample.
Besides a bit of a fondness I got going for certain dark or spooky themes in general, what I REALLY love about canonical BEFs the most is their utility as characterization tools. They’re the “having your cake and eating it too” option! The perfect way for an author to explore certain things about any character without actually committing to well… a bad ending.
Almost always, they are necessarily hypothetical or reversible. If they’re not reversible, they go often hand-in-hand with a little universe tampering to make happen. Sometimes, this means the story goes the way of time travel and branching off butterfly effects. Sometimes it means confirming multiverse theory, which can be the same thing depending on your semantical position.
And Zib crossed off the BEF qualifications by far and away. His implications are extremely dark given any pause think about them, and he’s a living, disturbing tragedy in aftermath. If you want to view a rigamarole about that aspect of his characterization as he appeared in the comics, someone else long beat me to that and I’m enthusiastically recommending a peek at their own work. I’m thrilled to do so and build a little upon that with those extended what-if-wonders.
• Lessons From a Lost Episode
Elephant in the room I haven’t seen someone ask yet, uh..
By show rules, isn’t Zib supposed to be a clear case of the writers committing the sin of retcon? By show I’m including the unaired scripts, including “10 Minutes to Doom”. In that one we had what looked like the potential setup for a Zib case, and it was deconstructed across the whole episode.
In short recap, Dib learned the hard and reckless way about the true nature of what Irken PAKs actually are. This is not an inventory bag, it is not “gear”. It’s the actual Irken entity- at least, the primary component.
Detaching it from the organic shell essentially caused a temporary split into two instances of Zim, desperately trying to connect back together under threat of obliteration.
Like let me be very clear about this,
The PAK is an autonomous instance of Zim’s consciousness, and it’s the main one. We’ve seen it act to save his life when his body has been out cold or flatlined, and he doesn’t appear the least bit disoriented or confused once “he” wakes and jumps back into the action. There’s no known separate computer assistant AI or security autopilot in there. That code, that program, IS Zim. As Long as the PAK is active, he is capable of staying fully conscious and able to react to what’s happening around him, and that’s what we’ve been seeing, his own actions.
Zim proved me right when Virooz tried to replace him and detached the PAK. Take note of his phrasing after the chair event™.
“I” activated the protocol. Immediately after Virooz ran off with my shell.
“I” Voluntarily chose to do so.
I don’t remember it playing out like that in “10 Minutes to Doom”.
Attaching to a new host wasn’t the first reflex. Dib was not the least bit aware that that he has literally holding the actual Zim captive in sense, and the latter was fighting like a cornered animal to escape him. Failing that, alongside the distance between him and his original body growing fast, he made a last desperate gambit, and he willingly connected himself into Dib’s body.
I can see why he thought this was better than nothing, no matter how repulsive the notion might have been. If he couldn’t fend Dib off physically, he could incapacitate him in some fashion by trying to overtake his will. Maybe give the shell a better chance to catch up, maybe in the longshot hope of being able to pilot dib in order to become whole with the correct host again. And you can say he succeeded, at least in dominating bodily control away from Dib, but at the cost of his already tenuously held sanity. This could be because of the interference of Dib’s own mind still resisting to fully submit, or malfunctions because of the biological incompatibility; however, the thing that Dib mentally becomes is only the basic idea of what “Zim” is. Instead of remembering it needs to reunite with its shell ASAP, the PAK mistakes Dib’s body for its own and goes through the manic motions of following the Invader mission. And it does this, weirdly enough, with almost no regard for blowing its cover.
When things are set right again, Zim’s later words near the episode ending revealed that he knew that was an unsustainable state.
Such a risk was not just accounted for, he was actually banking on it if that clock had hit zero. If Zim had truly lost, if he was really doomed to meet his end on this nasty rock in the middle of Nowhere, Space, then by every damned circuit in his being, he was going to take down this insolent fool boy and as many other humans possible with him. A dying act of vengeful rage.
• The Exceptional… Exception
Now, wouldn’t all of this be the definitive reason for Zib’s existence to be an aberrant impossibility? Yes, but actually no. Fun thing about multiverses is if something doesn’t work in one setting, you can just tweak a few dials and suddenly you have a world where the impossible becomes possible. But that’s a pretty cheap answer, isn’t it? So, what exactly was that crucial difference?
What happened in Zib’s timeline that went down so, so divergently from the events of 10 Minutes to Doom?
Because the only one who was in any position to explain it for us was Zib himself, and he’s proven to be one of the most unreliable of narrators. It’s as @dana-chan-the-control-brain already spared no effort to demonstrate, when he does tell us something about his past, his story is pocked with contradicting half-truths or outright lies. Ergo it helps to break down each recount of events to pick out the real facts.
Version 1: This is an alternate version of dib who defeated his complementing Zim (logically sensible) and went on to achieve all of the success and respect he sought after in his timeline (absolute bullshit). He kind of gestures and only implies about what has happened to his body while explaining that he came to his current understanding of Irken technology by studying it through Zim’s lab (a partial truth). He lets slip in passing that he has in fact fused with the PAK in order to learn how to alter and reprogram its coding, lessons he has applied to Number 2 in order to have a brainwashed pawn (also apparently true).
Version 2, when cornered and red handed: This is an alternate version of Dib who managed to specifically stop Zim's mission (Again, makes sense) but somehow could not convince the world of his findings or his warnings about the Irken Armada (*VERY eyebrow raising). Frustrated with the people’s lack of cooperation, he decides he has no choice but to physically merge with Zim’s PAK post-mortem (concerning and evidently mostly accurate), dominate the Earth himself, and enslave humans to help him in his efforts (highly troubling and probably true). The construction of his EMP super-weapon is successful, but ultimately led to the creation of the Zimvoid when the device was field tested (self evident, absolutely horrifying).
You know what I noticed was missing from both of these accounts? Exactly how his Zim was defeated. Which honestly could have been some beyond useful wisdom to pass along to the main Dib??? More than anything else? I’m not going to fault our boy for not pressing that matter better under the awing circumstance; however, there’s an implication I’ve been reading between lines.
When Zib mentions “defeating” his own Zim, he’s talking about something different than ours.
When our Dib has always talked about “defeating” Zim, he’s meant incapacitation and capture. Throughout the show he explicitly wants to present Zim before an audience alive and whole. Yeah, he fantasizes about other people torturing or disassembling him for study, but HIS role was supposed to be reaping the fame for an undeniable, ground-breaking discovery. Conspiracies and cryptids are all this kid breathes and lives by! And as long as pop culture has always been fascinated with the paranormal, and he has to know this full well, people keep bringing forward hoax after hoax after scam. I mean there’s a freaking current one or few still going IRL about this exact topic. Dib would want no room left for being dismissed as another one of those con artists.
Nonetheless, I actually doubt this is the reason Zib couldn’t get through to the scientific community. A genuine alien lifeform, even a dead one, could still be confirmed by any basic medical examination. The world thinks Dib is too crazy to listen to, but his father is still Professor Membrane. In "10 Minutes to Doom" OUR Dib got as close as having Membrane literally analyzing a PAK, or at worst, preparing to. “Ultimate Dib” gets his hands on the same thing and pulls a move I’d expect from an HP Lovecraft Protagonist instead.
We’re assuming way too much to what these two Dibs have in common, because this ^^^ is really what made the Zimvoid an outlier in the multiverse. That world didn’t only have a very different, more threatening Zim from the main timeline, it had the Dib who proved even more formidable, cunning, and ruthless, even before the fusion.
He didn’t obtain that PAK ala the “10 minutes to Doom” accident, it’s a personal trophy. This is extra strange remembering that capturing an Irken is realistically more easy than killing one. They’re seriously more tenacious than kudzu and will even fight back in PAK form alone. I’m convinced that whatever sort of final showdown made the Ultimate Dib the victor, there are two optional endings on the table.
Option 1: There was not a body even left intact enough to bring in to research. Maybe Dib’s fault, maybe an accident, maybe even Zim’s own luck running out and his incompetent antics finally swallowed him (and possibly GIR). This theory assumes that the PAK was the only sort of remains to come into Dib’s recovery/possession.
Option 2: Curiosity Killed the cat,
but satisfaction brought it back.
Or, the one I personally headcanon. Dib… all Dibs, I assume, don’t just hate the Irken species. They are mesmerized by them, and all that they represent from his perspective. Firstly, the epic villain he gets to roleplay nemesis to in order to feel his own worth and importance. Secondly, an unknown wonder from beyond the boundaries of the cosmos. He’s not really a ghost buster or a Men In Black agent at heart, but a scientist, like his father. Underneath his contempt for Zim’s plans to destroy the world is a genuine and appropriately childish awe for alien presence, especially for Zim’s technology. His silent, dopey smile when Tak’s ship ended up in his backyard said more than words ever will..
Earlier in the show, a great deal of Dib’s time and effort was spent on trying to infiltrate the lower levels of Zim’s base. Sneaking into the house was hard enough, but the computer security can’t be bypassed like the gnomes. Not even by Zim himself unless he really is all himself. Perhaps you’re starting to sniff where I’m going with this one when I refer back to “Bolognius Maximus”. I’ve another reference that’s a little more on the nose, and a lot more… dark.
Were an expired Irken husk before you, you too might take your victory and cash in then. Still, who knows what sudden impulse may run through the head of a less humble version of yourself, one some could call greedier, obsessive to a fault, a screw or two loose, yet, a hell of a smart cookie. Smart enough to see it for what it actually was, the keys to a whole world of discovery that went so many layers deeper than they could ever imagine. It’s possible the Ultimate Dib already learned beforehand the same hard lessons about the PAKs that our own did, and took that understanding toward not repeating the same mistake this time. What happened to Zim? I think he was murdered in cold blood, body, and entity. “10 Minutes to Doom” showed us a fight between 2 brains clinging to one body, struggling until one overpowered another, but that’s not what this is. Through whatever means of science were available to him, this Dib has probably tried to “disarm” the technology by either erasing Zim’s consciousness out of it altogether, or by forcing the autonomous code into a kind of dormancy. His intentions were to render it back to its basic hardware without losing its precious knowledge and usefulness, something like the brain-filled tank that was wired into Skrang’s head. Zim’s PAK doesn’t cling onto his body like a parasitic teratoma this time; it’s merged in a literal sense with his nervous and circulatory system. As well, he has fooled the device’s ability to detect and reject a foreign host shell, the exact same way he deceived the the base’s security AI. If an Irken biology is what these measures authorize to command them and their secrets, then he had the tools on hand to give them just that- in an atrocity I like to call
the darker harvest.
Within this theory, there is not as much room to wonder exactly what became of Zim’s organic remains.
But where Dib fucked up was, for the second time, in his ignorance to the true nature of what he was even playing with. That was a mistake that even the mighty Elder Brains of Judgementia lost themselves to; How much more vulnerable was the weak, human mind? Though Zim can be devoured, he can never be digested. In that fact was born this aberration against nature, sanity, and humanity alike.
"Have you ever heard of insect politics? Neither have I. Insects… don't have politics. They're very… brutal. No compassion, no compromise. We can't trust the insect. I'd like to become the first… insect politician. Y'see, I'd like to, but… I'm afraid, uh… I'm saying… I'm saying I - I'm an insect who dreamt he was a man and loved it. But now the dream is over… and the insect is awake." - Seth Brundle, The Fly, 1986
By fusing what is half-mad and what is utterly mad, neither being was cured, only assimilated into the birth of a new madness. The madness of the creature that snickers behind the curtain in the Zimvoid. I rightfully fear that lonesome thing, but not I think as much as I pity him.
• Dejavu, or Re:Plagarism
One more thing about the Zimvoid arc I find curious is the way it makes you question more and more just how much of the aberration is actually still Dib, and how much of it is Zim's infection haunting him. He does nothing with all of his intellect, his resources, and his time in the void doing anything but surrounding himself in everything he claims he despises. He decries alien tyranny in one breath while lording over a homemade, cruel dictatorship in another. He calls for eradication of the very race who's technology and physiology he has thoroughly appropriated. He laments feeling unable to protect the Earth from the Armada alone, yet sneers literally through Irken teeth to insult humans as inferior and of no value to him any longer. Our Dib spent the whole damn show longing for the support of other people, but Zib pushes away potential allies in his arrogance. His broken timeline never became a Dibvoid instead because while only half of his mind can't stand Irkens, both of the souls inside him remember that they loathe and look down upon a Dib, deep inside.
The corruption goes as far as even subverting his own creativity. None of Zib's plans are wholly original. His anti-Irken weapon was already a concept blueprinted inside of that PAK before the merge. Our Dib has several times shown a propensity for some DIY ingenuity, sometimes dipping a toe into the supernatural. Zib entirely calls upon, scavenges and regurgitates Irken designs with a few modifications or upgrades. The Dib Virus, I think is his most uninspired creation yet, for it's original form was always something inside of Zim, even if the latter himself was not aware of the fact. Like all else, it is a weapon he has plundered, customized, and turned around on everyone else for his own selfish ends. This brief point I will end on one  more reflection. The one kind of help Zim ever allowed at his side were the likes of GIR and his own creations. Unable to connect and cooperate with his peers and own kind, his ego preferred to be around those defective machines he related to- drones to be owned by him and always loyally at his beck and call. A slave to admire him unconditionally is the only companionship he's ever been willing to admit to desiring.
And what was Number 2's purpose again? What role exactly were the arena combatants auditioning for, when you think about it?
#iz#iz comics#zimvoid#dib membrane#iz zib#iz headcanons#invader zim headcanon#zib membrane#iz analysis#invader zim#iz comic spoilers#iz theory#scarlet talks about things#long post#absolute ramblings i mean holy crap#longass post
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i dont know if it is just me but i feel like art is dying. there’s like a lack of space for the artists to explore. a lot of limitation surrounding making art right now.
* I dont if i were able to articulate my thoughts well �� (english is not my first language)
oh no your english is fine, lovely, don't worry 💕
it's interesting to me because i think "art is dying" is a statement that is as old as art itself; it has existed in one form or another in every century--people have said this for as long as humans have been making art and for as long the art being made has differed from the art that came a few years before it, and also for as long as the societies it is being made in have changed. i don't necessarily believe that art is dying, because to me art isn't something that can die—it simply cannot be measured in that way; it's a fundamental part of being human and it is always going to be made, no matter what the external circumstances look like.
sometimes, when we talk about creativity and its current state in whatever society we're in, we tend to lose sight of the bigger picture because we measure so much by works and artists that are already "established" (often without examining what factors allowed them to be established): Art™, as we perceive it in its finest and therefore "purest" state, is what ends up in galleries, or the books that top the bestsellers or the "must read" lists, or the songs that become "anthems of the summer" or endure for decades. but for me those divisions aren't set in stone; i don't draw a distinction between the working father who gave up music and the established musician who didn't; one may only sing and play for his kids now and then and the other may get to sing and play for hundreds or thousands regularly, but the intent behind their craft is the same, the moment they create is the same: you are making something and it is reaching someone and it is, in that moment, binding you together and allowing a moment of joy (or relief or community, the possibilities are many). that is art to me: a moment where the world inside you finally becomes bigger than yourself.
that said, i do think there are growing threats to how art is made and to who gets to make it and how that art then finds its way into the world--creativity requires freedom, not just financial, but also psychological and emotional and you cannot make art when you are run off your feet with a zero hours contract, or living paycheck to paycheck, or grappling with mental health issues, or your mind is crowded with endless to-do lists that leave very little room for you to even just get back to yourself, let alone art-making. i can only speak for what i see in most anglophone western countries and in that regard i agree with you in that there is a lack of space for artists to explore, because that space is only available to those who can afford it: those who do not worry about finances because they have an established safety net, those whose time is not tied up in work commutes or full-time or part-time caregiving etc., those who have access to the resources / people / know-how necessary to succeed commercially in their chosen field, and so on.
art--and the freedom to make art, of any kind--are a necessity for our wellbeing but it is, right now, being made into a commodity that only a few people can have access to: this is not to say that someone lucky enough to be well-off cannot write a beautiful story or paint a beautiful picture or articulate a startling philosophy, but that when the only people who are able to put their art out into the world are all from the same world, or from off-shots of, or sharing in, an already similar experience (middle or upper class, for example), it narrows the potential landscapes that the art surrounding us can contain and the experiences it is informed by (i think it also sends a deeply disturbing message; art is the single most human activity, the single most enduring heritage we have as a species, regardless of race or gender--it has persisted for millenia and established the very notion of our humanity and all the facets of whatever a soul might be; so for it then to be cordoned off like this with the implication that something so primal and species defining belongs only to a chosen few, is deeply insidious). art can be a door or art can be a mirror, but what kind of a world will it be when those lead you, always, to the same place?
i'm deeply against the idea of art as something to put on a pedestal, so when i say that i don't believe art can die, i don't mean that i believe art is something too deep or eternal or transcendent to be affected by the world around it; i just mean that human nature is, quite frankly, stubborn (i don't even mean this in a conscious way, i think it's something that is just blindly instinctive): we will always find a way to make something and this something happens across a spectrum of circumstances--it happens in spite of censorship & totalitarianism, in spite of poverty and in spite of shackles, in spite of the dead-end job with the boss you hate and in spite of boredom in the classroom. in spite of and through all these things people have made art and they have couched it in metaphor, or dressed it up with humour or veiled it in irony, and some have been blatant in their refusal and others have been more circumspect and, yes, some of it has been public and enduring, but a lot of it has been private: lullabies passed down, origami roses made of napkins, a busker at a street corner you share 5 minutes of your life with as you listen to them and then never come across that musician again, a scarf knitted for a friend, a hole in a shirtsleeve stitched over in a heart shape and etc etc etc. some has been big, and some has been small, and some has been made, not for the sake of any kind of endurance or legacy, but simply because: because i am an i and i am in this world and it is what it is (grief-stricken, astonishing, painful, lonely, incomprehensible) and i lend my existence whatever shape i can, even if it's just drawing aimless patterns in the sand on the beach. when i say i don't believe art can die i just mean that, no matter what is happening in the world, someone, somewhere, will crack a dick or a sex joke or craft the most godawful pun known to man and it will still be hilarious.
this is longer than i intended but to sum up i think for me, more than anything, it's the structures around art, the mechanisms through which it engages, actively and widely, with its society as a whole, that are being limited or threatened (or are changing in order to do the limiting and the threatening). and even then, when you get down to it. i think that itself is about something more; i think the only real threat to Art, as it stands, is an existential threat which, ultimately, is not so much about art as a whole but the broader ramifications of what it means to be human, to be a collection of humans, bound together and interacting with the world we are currently living in, with the trajectory it currently has. i think the real focus of whether or not art is dying should be there, because it's not so much about art as an isolated activity: it's about us. x
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catching up on the kabsmp videos rn and i'm having normal person thoughts as usual anyway did you guys ask for a crazy ass idea on where i think the storyline is gonna go because i have a crazy ass idea on where i think the storyline is gonna go (this is gonna get long sorry in advance)
In Which I Lose My Mind Over Some Guy's Minecraft Persona In A Goofy Ahh Lore SMP
cover image for sillies
So. Hear me out. Clown is still the overarching villain of the series. Whatever's happening with Kyle and the void is still """""important"""""" n stuff, but (totally not because i'm biased or anything (i totally am)) that's all a red herring covering up the real threat. The idea I have rn is that Clown is biding his time and finishing up whatever research he had on the void, then when Kyle is defeated, he's gonna swoop in, take the void for himself, and become basically unstoppable which'll lead into season 3 or smth.
Bits Of Info That Makes The Pepe Silvia Meme Cover Relevant
Time to be insane and dump every single bit of potential evidence on why I think Clown's a bigger threat than the others think he is, starting at the very beginning (i'll try to keep this as chronological as possible but i'm busting my brain trying to piece everything together i watched this so out of order at first).
First, obviously, is the whole him killing Pyro bit and betraying him to get to Rae, then killing everyone in the commune. hoWEVER bro just casually tore open a portal to the nether and back and none of the other people in the group can do that. It's kinda hinting that Muu knows how to make portals but other than that the original s1 group has been stuck there since the start (which maybe suggests Muu isn't from this dimension also but that's another thing to unpackage).
a side note here: lincu came from an end portal that clown made for maddy and they NEVER BRING THAT UP AGAIN????????? WHAT
In the Pyro POV that came after that, it was heavily suggested that Clown was originally a conqueror or insanely destructive pillager (not the actual mob) (like come on, "bow before the scythe emblem" or whatever the words are? just write your name in the book you're practically screaming it at this point). Then, when Branzy showed up in that cameo episode, he didn't shut up about how Clown destroyed entire villages and killed a fuck ton of people (i will scream more about this point in a second 😁).
In the Season 2 opener animatic, he dropped his manipulative buddy buddy act the moment the void appeared, stabbed Kaboodle, and fucked off. He was also shown going full aggro on Magic, trying to get information about the void from her. A little while later, he's shown reading books on the void and finds something "perfect" for whatever he's planning (brain explosion).
Looping back to the Branzy cameo, it was revealed that he, Branzy, and Ashswag worked together in a laboratory somewhere in a different dimension researching and experimenting with portals. Ashswag said that Clown pushed him into one they made, which resulted in him glitched out and broken (WHICH OPENS UP ANOTHER CAN OF WORMS ARE THEY SUGGESTING THAT THIS IS ALL ACTUALLY JUST A SIMULATION/GAME LIKE HOW MINECRAFT ACTUALLY IS???????????? holy shit if i think about this for too long i'm gonna have another huge scream fest again).
and THEN in the most recent one as of today (aka A New Issue) it's revealed that Pyro had his suspicions that Clown is otherworldly and unnatural. Bro casually soloed a 100-Piglin invasion. I already had the thought of "oh yeah this guy's definitely not from any of the three dimensions" but the only contradictory thing that popped up for that was he and Pyro used to live together for a bit with the Waste Walkers. HOWEVER with this new information that Clown was just this anomaly that popped up periodically in their group, he's practically screaming that he's not from any of the three dimensions.
BASICALLY. I'M VERY NORMAL RIGHT NOW.
i love overcomplicating silly lore as a pastime
#hello lifesteal fans on my blog go watch kabsmp also 👍‼️#the guy in the cover image (besides tiny clown) is my silly jester oc goober#(i've been posting him a lot on my mainblog)#(i'd advertise but i want to keep them Separate As Hell)#he can be this blog's mascot as a treat#kaboodlesmp spoilers#kaboodle smp spoilers#kaboodlesmp theory#i hope these tags exist and have been used before scream cries#the jester speaks#the jester's writing#long post#yeah you know what? maybe i WILL character maintag to spread kabsmp propaganda#clownpierce#mwahaha
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It’s funny to see the things I cared about in the 2000s as a teenager but which were mostly ridiculed now be pretty much accepted by the cultural mainstream (like for example: LGBTQ people being worthy of respect and equal rights, climate change being a severe threat, mental health issues shouldn’t be taboo) and things I thought but which seemed unsayable become sayable (like the (very likely) incompatibility of industrial civilization and a long-term livable future, yelling at children being a form of abuse, hunter-gatherer societies not being cartoonish hellscapes of violence and starvation). Back then it seemed like I was talking to a wall and nothing I said or did made any difference, but in the past 15 years something must have happened that shifted cultural perceptions. A whole lot of somethings rather, some bigger, some smaller.
I thought about this a couple of days ago after I got insulted elsewhere on the internet for defending asexuality and some related concepts and criticizing someone for using “virgin” as an insult. I got exactly the same kind of blow-back I got in 2010 and earlier for defending LGBTQ people. Stupid, oversensitive, just trying to be offended, etc. I noticed that these insults didn’t really affect me anymore, exactly because I have seen things change over the years. It’s more clear to me now that an effort is not really wasted just because you don’t see an immediate pay-off. By which I absolutely don’t mean that you always win in the end or people always secretly change their minds and just don’t tell you - things might culturally very easily go into a different direction than I want in the future. My point is more that the effect of anything you do or say cannot be accurately measured just after you did or said it.
It’s the same in personal, non-political issues. I used to have this really terrible next-door neighbour. She was loud, she was rude, quite stupid and very inconsiderate. I think I’m pretty chill and accepting as a neighbour, I don’t make a fuss over every little thing, but with her there was often no way around an argument. She would put her garbage into my storage space in the basement until I started locking it. She would leave her baby’s soiled diapers in front of my door for hours, causing the smell to seep in. She would spill copious amounts of beer all over the staircase and make it sticky, then blame people who weren’t there for it, she would come home at 3AM and turn on loud music. Her friends (who didn’t know me) would deface my door while drunk. Every single time I confronted her about something rude she did, she’d deny everything with the most ridiculous excuses (”The music isn’t loud, it just sounds loud to you” is one of her many memorable quotes). And yet - every time I confronted her about something, the behaviour stopped or at least became a lot better. Even though she never admitted to anything, she still didn’t do the thing anymore.
I learned through this to not care too much what people replied to me when I talked to them about a problem but to look at the long-term development that followed afterwards. I think this attitude carries over to political and cultural developments. In real life, maybe what you want to hear when you criticize harmful behaviour is “Oh I had never looked at it that way. Thank you for pointing it out, I’ll have to think about this!”, but let’s be realistic, that happens very, very rarely. Not just because many people have this weird idea about “saving face” where never admitting mistakes or ignorance is somehow dignified and respectable, but also because, for example, they need to hear something multiple times to wrap their heads around it, they need to think about it on their own first, or maybe they need to have a certain experience in their own lives first, or for any number of other reasons. And a spontaneous change of mind that isn’t deeply considered is often temporary anyway.
So my point of this long-winded monologue is that speaking your truth is never a wasted effort - or rather, you can’t know whether it was until infinity years later because your actions and words continue to have effects as they combine with other words, other actions, other experiences in the minds of those who heard, saw, read what you said and did. I find that this takes a lot of the pressure off of me, personally, and I wish I had known this when I was younger because I wouldn’t have beaten myself up so much for failing to change things for the better, both in my private life and in the bigger scheme of things. I see now, in my 30s, that somehow a lot of things changed for the better anyway, and often in the ways that I tried to bring about.
#2nd long monologue today but i drafted this like a month ago#and i want it out of my drafts soooo#read all my words!#i have no idea whether this is a revolutionary insight or obvious to everyone else
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So long ago I had a Reddit account and deleted it after the bullying, harassments, and threats got so severe and so bad I just was forced to delete my account, all because I posted my cats in medical onesies after their spays.
Thing is, every time I get stuck on a game, need ideas, stuff like that, Reddit usually shows up first and is my go to. So, against what I initially decided I made a new Reddit account. Part of it was also to post in a specific Sub as with this Disney game, I wanted to share my creations and things I have done in game, and when I have those posts have gotten over 300 upvotes, tons of shares, and so many nice comments, like people really like my stuff in game.
But I made a post today, literally all I did was ask about certain features of the game in future, but also shared about how I get overwhelmed and am worried about when the game gets bigger. And although I didn't say it in the post, part of what triggered this is I saw multiple state how they also have been struggling with managing the game now it's gotten larger, and the devs do plan to add more.
This triggered a shit storm. I have been down voted to oblivion no matter what I say, people have insulted me, been rude, just fucking dog piled. But then beyond that, people have been blaming me, saying no one did anything, it's all on me, saying I was unprepared to make the post, I should have expected criticisms, like completely placing it on me, and acting as if they did nothing wrong and weren't the ones to start it by actually fucking insulting me and calling me names. Thing is, I even had one, just one person say I have been incredibly civil and respectful in my responses and they have no idea why people are dog piling me, then they joined and dog piled me!
Although this is an issue online, Reddit is the fucking worst for it. It's the fucking hive mind. Not a single fucking person has been able to say what I did that was so bad or deserved this, yet it's like bees, one person stung so they all decided to sting, no idea why, they just did it. I have seen this happen to so many fucking people have and had it happen to me so many times. Like I have literally seen people where someone randomly insulted one person, the OP has tried to defend themselves, then the people on Reddit upvote and copy the original person and just fucking dog pile the OP. I don't get why it's so fucking bad on Reddit in particular. Like so rarely have I been able to make sense of what triggers these attacks or why everyone just follows suit, it just happens sometimes and that's it. They're such fucking brain dead zombies.
By the way, just to show I really did nothing wrong, here's the post by the way, like, what the fuck did I say to deserve the hate and victim blaming I've received. What about this post would trigger such behaviour and make me deserving of it. This sub has been so lovely, everyone has been so kind, I've been in it for almost 2 months with no issues. Then this shit. I fucking hate this about Reddit. I literally got fucking down voted when someone said something, I asked if everything is okay now, and when they said yes, I said something like "Oh I am glad to hear you are in a better place now :)" and that comment's fucking down voted. They literally just decide to fucking attack you for no reason then don't stop. Fucking gormless sheep.
Also, I eventually stated multiple times I am most likely autistic and just struggle with getting overwhelmed easily, it's been a life long issue. Also, although my responses did eventually become nasty, initially, as someone said, even when people were being nasty to me I was trying to get a civil conversation out of it, didn't hit back, calmly explained why I disagree with their views and why I felt the way I did. All these comments got down voted. All these comments I got blamed or accused of starting shit or being the bad person. Yet their ones literally insulting me and being incredibly aggressive got support. Again. Fucking zombie hive mind. They start shit and just copy each other with no fucking logic or reasoning. They can't think for themselves and just do whatever anyone else is doing.
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Netflix Cowboy Bebop Review (From Someone Who Loved the Anime and Watched it an Unhealthy Amount of Times)
Kinda tired of seeing these reviews from the people who either A) haven’t actually ever watched the anime yet still want to compare the two or B) saw the anime once 20 years ago and think they’re an expert based on that alone or C) binged the whole show all at once and didn’t actually take the time to truly watch everything and digest the story. I watched this show every. single. day. for fucking YEARS. until Toonami finally took it off the air. And then I bought the DVD set and watched that constantly. I thoroughly love this series and very few animes have ever been able to be close to as good.
People are allowed their opinions, of course. Even true diehard fans aren’t always going to like adaptations of the original. But they can respect it, which makes a huge difference. Anyway, lets get into this shall we?
Obviously, there will be spoilers.
I’ll start with the Cons just to get them out of the way. There aren’t many.
Vicious: This is probably everyone’s biggest gripe and for good reason. He is the main antagonist of Spike (And kind of by proxy, to all the main characters) and even though in the original series he wasn’t actually on screen much, his presence was always very much there and very important to the plotline. Vicious is his name incarnate. He is cold, calculating, ruthless, smart as a whip, a man of few words, deadly in combat, and extremely level-headed to the point it may seem like he’s emotionless and unbothered by anything ever. Netflix’s version absolutely was not this. In any way at all. This version of Vicious was almost... comical. A parody of what a villain ought to be and it’s honestly a damn shame. The casting was so very wrong for him that it kind of blows my mind. They got it so very right with 99% of everyone else. Not only is his look completely off but it seemed like the hair/makeup department kind of gave up after dying his hair. The dark eyebrows and chest hair (also, why tf did he need to be shirtless so much. ugh.) were just a very weird contrast to the ratty silver hair. His personality is utterly wrong. This Vicious is hot-tempered, has anger issues, blatantly abusive (both physically and emotionally and like more in a wife beater kind of way rather than just a cold heartless killer kind of way), talks way too much, and is easily and frequently bothered. By like, everything. I would have much rather of had casting similar to Hugh Laurie, Jeremy Irons, Rhys Meyers, or Alexander Skarsgard. Rhys, with the right hair/makeup crew, could have been stunning as Vicious. But alas. Netflix’s version does not have the same lingering threat in the background. Nothing about him invokes fear. I’m so very disappointed with how hard they failed on such a hugely important character.
Ed: I only have a few issues with Netflix’s Ed. 1. She isn’t POC. Ed is brown in the anime, full stop. Ed’s father is HELLA brown. Ed is Brazillian-coded and this has been known pretty much since she made her first appearance. Sure, its always been ambiguous... but it’s ambiguously brown. And there is a big difference when erasing a POC vs adding one. 2. The actress tries a little too hard with the over-the-top Edness. It felt really... weird. Inorganic. 3. She’s older, or at least bigger, than Ed should be, which makes the forced wild-child behavior even more out of place. Idk, just feels like the casting for this one was a bit off? doesn’t ruin the character by any means, just feels a little clunky.
Gren: Idk what to say about this one. Gren has always been my favorite non-main character. I loved how tragic his story was. I loved how smooth and suave he was. I loved how he came to accept who he was forced to become. And Gren was the first time I had ever seen someone who could be considered intersex in any form of entertainment media. He was a very profound character at the time and very unique. I always wished he could have lived and joined the Bebop family - he would have fit right in. I understand that the trope of his character hasn’t exactly aged well, but that doesn’t take away from the fact it was a tremendous step forward in the 90s and I wish at least part of that could have been preserved. Netflix’s Gren... don’t get me wrong, I love that character as well! But it isn’t the Gren we know in the slightest. It’s just some dude with Gren’s name. I fucking adore him, but I’d rather he be a different character.
Fighting Choreography/Stunts: They could have spent a little more time on the fighting scenes. Some of them are a little clunky and obviously taken step-by-step. Not terrible, not fantastic. Really could have done a better job with flying stunts especially. I know it’s supposed to be campy to a degree but jfc they might as well have just left the wire in for some of those shots.
Camera focus: Not sure wtf was going on with the focus in most of the shots, but it was like, strangely blurry outside of the main focal point. Like if the camera was focused on Jet, but Spike was beside him and talking, Spike would be just sliiiiightly blurred/out of focus. Just annoying more than anything.
And thats it, really. Julia/Vicious bugs me just a bit, but not enough to really be a con. Just kind of like, ehhhh they could have gotten to the same ending place without that, yknow?
Now, onto the Pros.
Respecting the Source Material: I have never seen an adaptation done with so much care, diligence, research, and all out respect as this was. Say what you will, but everyone tried their damn best to not only recreate some of the most iconic scenes, but to do the series justice with the new twists and fresh stories. From framing the shots, to costuming, to set design, and of course to the music. This is how you honor the source material you’re adapting. I think, best of all, the campyness of everything remained. Bebop is a fucking cool anime, but you absolutely cannot deny how stupidly silly it can be as well. I enjoy they kept that alive. It’s hard for it to translate into live action without getting cringey (and certainly, in some parts it is) and I’d say on the grand scale they acheived just the right amount of camp.
Music: Bruh. What the fuck else can I say other than, as expected from Yoko and the Seatbelts... THIS FUCKS. I am 1000000% going to own this very lengthy soundtrack that I hope is going to be multi-disc like the original.
CGI: I’m actually very extremely pleased with the graphics. Yes, many times you can blatantly tell they’re greenscreening something but the level of detail that went into this shit is stunning. The ships are fucking spot on. The planets each feel unique and look realistic while honoring the original designs. The space shit like billboards and whatnot are badass. The astral gates look even cooler than the anime’s. Honestly, big fuckin kudos to the VFX team. My one and ONLY complaint is that they didn’t edit out Cho’s contacts in post production. Very small complaint, and most people don’t even know to look for them. But when you’ve worked in eye care before they stand out like a sore thumb.
Set Design: It baffles me how they made the interior of the bebop look EXACTLY like it does in the anime. like holy fucking shiiiiiit. I adore the mixing of real, actual, authentic 80s/90s technology into so many things. I can’t express how much I love how so much tech is still analog in some way. Every room we’re taken into feels like a place you could walk into today, or went to 20 years ago. It feels so familiar. And hell, even the outside scenes look cool as fuck. and as I’ve mentioned before, all the places we’re taken to feel very unique. Considering a huge portion of these sets were likely built in studios with only a handful of scenes being on location somewhere, I really gotta hand it to them.
Diverse Casting: Aside from our main characters, I love just how many side, minor, and background characters are so very diverse. Not just ehtnicities, but body types, age, all spectrums of gender, accents, ect. It really cements how intermingled humanity has become since leaving Earth.
Ein: I know it’s a little silly to sing the praises of a canine actor but listen. The fact they used a real dog instead of doing some bullshit cgi dog is worthy of praise. Not only that but that was a VERY well trained dog. You know how a lot of times you can very obviously tell there’s a handler directly behind the camera coaxing the dog into doing whatever it should be doing? Yeah, I very rarely got that from this pup. Very good job from a very good boi.
Spike, Jet, and Faye: Honestly there’s not much to say about them because they all fuckin kicked ass. They all felt so much like the actual characters. They had such chemistry and charisma. Loved everything about them. I know a lot of people got butthurt that Faye wasn’t the half naked femme fatale trope of the 90s, and they can die mad. I LOVED this Faye. She was every bit as sexy, fiery, witty, and cunning as the original. Plus she has the added bonus of having the mouth of a sailor. All of them being aged up feels... right, too. I mean lets be honest here. Even if Spike was in the syndicate from like age 15 to 25 and then goes 3 years on his own, I still cannot fathom him having the set of skills that he does. That kind of stuff takes decadeS to master. Or Vicious being 27 and somehow a katana master, top assassin, fought in a war for a while, ect. Shit don’t make sense. I don’t know if they actually aged any of them up but considering the actors they got, I’d assume yes. It would make way more sense for Spike to be late 30s and Jet somewhere in his 40s. Faye still looks and feels like a mid-20s something. idk man. It feels way more grounded and real this way. I could NOT imagine this same plot playing out by a bunch of baby-faced actual 20-somethings who are barely even legal adults, yknow?
Plot/Storyline: There wouldn’t be much point in simply remaking the exact same thing 1:1 throughout the entirety of the series. So, understandably, the story has some differences. I thoroughly enjoy being able to identify each episode and know which one of the anime it’s based on, yet still not quite knowing what’s going down. The overarching plot, however, takes a pretty drastic turn from the original and frankly I’m very curious to see where it goes. Julia becoming a villain (maybe??) isn’t something I expected at all, and yet it makes perfect sense after all she’s been through. And hell, maybe this is her way of eventually getting rid of the entire syndicate once and for all. No clue! Thats the wonderful thing about it! I don’t know what will happen next and I am interested in that! Furthermore, this series feels way more seamlessly connected than the original ever did. That was kind of the thing back in the 90s so that episodes could be watched independently without needing to know what was going on, but they tried doing both at the same time and admittedly it didn’t always work out. Netflix’s version does a fantastic job of making each episode have a unique thing they have to overcome while still dealing with the main plot. It seems like Season 2 is going to incorporate the Knockin’ on Heaven’s Door movie, which feels like a good move since that is about where it comes in on the timeline And dear god I hope they release it around Halloween. If we’re lucky enough to get a season 3, that will be the grand finale build up. They’ve done a great job with pacing, almost matching the anime’s. I can’t say it enough how much respect the showrunners have given to the original. You can honestly tell the writing is done to remain faithful yet give us something new. I really hope they can take the backlash with a grain of salt. Those of us who truly and honestly love this series can seriously appreciate the dedication that went into this. The story certainly feels like it was made for us, the original fans who are grown up now. I’ve been dying for more sci-fi that can be both dark/gritty AND fun/silly. Reminds me a lot of Firefly (which, lets be honest, took heavy inspiration from Cowboy Bebop) with the mixture of serious story and things that’ll make you laugh. If you can love Firefly, you can love this series.
Overall, this was a VERY enjoyable show to watch and I’ll probably watch it a few more times to try and pick up anything I may have missed in the background. I’d really recommend ignoring the folks out there whining that they butchered the show - most of them are literally basing it on clips and stills rather than, you know, actually watching it. And obviously it shouldn’t need to be pointed out that this is an adaptation and things will be different. Don’t go into it expecting everything to be exactly the same across the board.
I’d probably give this 8.5/10. There are definitely areas of improvement that I sincerely hope they work on in season 2, but this was really damn good. Mad respect to everyone who worked on the show!
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Force's Disney Geek Master Theory: Why Twisted Wonderland Is Called Twisted Wonderland
We have all grown to know and love various Disney characters over the years, correct? Yet, I believe a lot of us can argue that not many characters have the same effect on us even as adults today as the Villains do within their respective movies. In the game Disney: Twisted Wonderland as we all know and love, the select boys to Overblot are supposed to have the "souls" of their Villain counterparts, right? But...why is it called "Twisted" Wonderland, then? The truth may lie within something that has been right in front of us all along, my friends: the meaning of a mirror. Ready to buckle in for this one? If so, then here we go!
We have seen all of these guys share character traits, looks, etc with their Disney counterparts, correct? Well, what if I were to tell you that things in terms of the "main" guys that we are supposed to pay attention to aren't exactly what they seem? This could be analyzed in a few different ways, honestly, yet the most prominent way is this: the differences in their personalities- they are reversed. Let us take this bit by bit, shall we?
Ah, yes. The Queen Of Hearts. The ranting, raging, bundle of red, black, and gold we all know and love. (or else heads would roll, I'm sure) One of the things that everybody knows about her is that she's extremely hellbent on the crazy rules that she makes up and is prone to anger honestly very easily. Yeah, you can connect that to Riddle- but think about it for a second. While that rage and the rule thing is still there, it isn't as prominent with him as it was with her, is it? With the Queen of Hearts, her whole "issue" was that she wished to make everybody listen to her and follow her every command- but Riddle was essentially always following the rules of another- not his own. This seemed to make Riddle a little more calm most of the time in terms of how he handled and oversaw things. It wasn't until he actually Overblotted that the "listen to me and only me" thing came out- buuuuuuttttttt I'll get to that part in a bit.
Next: Leona and Scar. While we honestly didn't get to see a lot of what went on behind the scenes in the Outlands in terms of how Scar even met the hyenas to begin with at all, one thing can honestly be said- Scar worked very hard to get where he was. I mean, it's not like you can get an entire pack of rabid, hungry hyenas onto your side in the course of a single day, or maybe even a week (especially as a lion, no less). No, something to that extreme takes careful planning, wording, and stringing along to ensure that nothing goes wrong along the way. The way Scar spoke to Shenzi, Banzai, and Ed made it seem as though he had known them for a looooonngggg time before this- that's where that behind the scenes planning comes in. And then...you have Leona. Leona, from what we can tell in Chapter 2, planned the idea for the "endgame" alright- but he didn't actually act upon any of the plan for himself. Ruggie did. Even in the Lion King, we see that Scar had no problems whatsoever getting his paws dirty a little within his own scheme to take his "rightful place" at the head of Pride Rock- but Leona quite honestly did not a thing once Ruggie was in motion. See where this is starting to head?
Azul and Ursula. Ursula, the Disney baddie queen of my heart Ursula, the Sea Witch. She was known all around the ocean floor for helping out poor little merfolk in secret, wasn't she? Yet, nobody ever really seemed to catch wind of the whole "her turning those who didn't quite fit the bill into polyps" thing, did they? That was one of the things that made her such a honest threat to Ariel herself- because Ursula was cunning. She did things behind the scenes, and sure- we could catch onto it out in the audience (annnddd maybe Sebastian and Flounder as well), but nobody else really seemed to, right? Azul is the complete opposite in this standpoint. He instills direct fear into his "workers" and those even beyond and within his dorm. Like- basically most knew that this dude was bad news to begin with. Azul, mostly, seemed to hide his cunning facade behind a fake yet still seemingly "soft and genuine" smile and act. But all in all, he didn't really attempt to "hide" anything- hell, he even proclaimed his entire plan of what everyone with those things on their heads were gonna do for him in the open! At least when Ursula sang as Vanessa, she was in an almost perfectly enclosed room with nobody else around.
Jamil and Jafar. This comparison here, given what occurs in the movie Aladdin, is honestly one of the biggest possible indicators of this reoccuring theme I shall clarify in a bit. Jafar, while being sneaky, was known for being a more "out there" Disney Villain in terms of his personality alongside that of his partner Iago in the film. He would smile in a sinister way, he would crack jokes out in the open, and let us not forget his crazed yet oddly interesting laughter. Jamil? He's the exact opposite. Given his past and what he has had to dealt with growing up with Kalim, he is much more reserved and barely releases a chuckle or cracks a smile at all. His personality is a lot more repressed than that of Jafar himself throughout the film. Jamil has been so used to having to hold himself back thanks to his parents in favor of Kalim's family, he doesn't seem to know how to "let go" whatsoever. Yet Jafar, while still maintaining that sneaky side of him as well, has no problems whatsoever letting a little hang loose whenever he so chooses to.
Vil and the Evil Queen. This one honestly may be a bit more self explanatory than the others- but the difference between these two is their expressions of themselves. The Evil Queen was the very first animated counted Disney Villain within Disney's history- yet, she barely had any lines throughout the film at all. Her ranges of expression were almost little to none thanks to the era in which the movie was released in- but she always looked like she was pissed, huh? Vil is the exact opposite of her in this sense. He is able to fully express himself through his various facial expressions, theatrical abilities, musical experiences, fashion style, and even how he behaves. Vil is able to do so much more than the Evil Queen did or could do within that time period, that it's almost a little staggering if you fully picture it.
Idia and Hades. Now, now. We haven't honestly seen too much of the flaming blue boy yet in TWST, but one thing is apparent here right off the bat- in terms of his personality? He is the exact opposite of Hades. Idia is much like Jamil but to a more "geek" degree- he's extremely introverted, shy, a bit snippy, yet mainly keeps to himself and his gaming tech. Hades is most often renowned as the Disney Villain with the most personality- and the best humor. Hades has no problem whatsoever being "out there" with his crazy puns, sassy remarks, anger, and even mocking behavior. I mean, please, guys- I haven't been this choked up since I got a hunk of moussaka caught in my throat!
Finally, Malleus and Maleficent. Ooooohoooooooo boy. We have to count out the live action movie Maleficent for this one (sorry horned queen fans). One thing that basically everybody even with their toe in the water in that of Disney movies kind of knows this fact- Maleficent is c r u el. She's got a bizarre set of dark powers and an even blacker heart than that. Hell, we basically had to "soften her up" a little bit in Maleficent thanks to just how seemingly irredeemable her character is in that of Sleeping Beauty. I mean, c'mon now- cursing an infant? And we get no explanation for that in the original? C'mon, now. Anyways, Malleus? As we all can tell by now, this dude is the compleeettteeeeeee opposite. Sure, he has those repressed bits here and there too, but it is evident that this dude has a heart crying out for the MC and it is big, bold, and golden to the core once you look past how he looks. He sent the MC a card for winter break, for crying out loud. Yeah, let me know the next time you see Maleficent do that smh.
Now, I have avoided using a certain word up until this point to see if anybody could catch on to what exactly is happening here. Did you figure it out? Reverse. The boys that either have Overblotted already or intend to Overblot soon stop holding out on us, Chapter 6 have had the exact opposite personalities compared to that of their Villain counterpart- until one prime point in their "character arcs". Their Overblot.
Riddle wished to have all bow before him and obey his rules.
Leona led his entire dorm into ruin and nearly sanded away the entire school in the process.
Azul let himself finally free of his personal shackles entirely and "took what was his".
Jamil finally let himself go and opened up more in his personality, almost seeming to be driven insane in the process.
Vil wanted to become the most beautiful one of all and would kill anyone within the way of that goal without any hesitation whatsoever.
The moment that the boys' Overblotted, that was the exact moment when the "soul" of their Disney Villain counterpart took control. Keeping that idea in mind, that should mean that this will happen in the upcoming chapters and their Overblots:
Idia will show off all of the personality, powers, and intelligence that he has been keeping down within this introverted self of his.
Malleus will become so broken by being left out and alone in the cold for the final time that he will turn into a completely cruel Fae and possibly nearly kill either the MC or the representation of Prince Philip within that Chapter in the process.
(Hello, my dear Readers! Guess who is trying to get back into her bigger pieces of writing? This gal right here~ feel free to drop a comment and tell me what you think of this theory- I'd love to hear your thoughts! 💕)
#twisted wonderland#disney twisted wonderland#disney#twistedwonderland#force talks#twst#force gushes#twisted wonderland theory#twst theory#disney villains#malleus draconia#idia shroud#vil schoenheit#jamil viper#azul ashengrotto#leona kingscholar#riddle rosehearts#maleficent#disney hades#evil queen#disney jafar#ursula#disney scar#queen of hearts
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RE8 Ladies + S/o with chronic pain HCs
Type/cause of chronic pain is kept ambiguous, but some of the hcs might seem geared towards migraines, since that's the main thing that I personally struggle with (and these are very definitely comfort hcs). Features Alcina, Bela, Cassandra, Daniela, Donna, Mother Miranda, and as a 'lil bonus Ava. Not particularly long, but the combined length of every character is enough to be put under a read-more (About 2,500 words in total).
Alcina:
It’s difficult for her to know that you are suffering, but be unable to deal directly with the source of the problem. Chasing off unwanted nuisances or hunting down threats to the castle was one thing, trying to solve complicated medical issues was another thing entirely. If only she could tear your condition asunder without tearing you asunder.
That being said, she’ll still support you endlessly, however she can. It doesn’t matter how expensive or hard-to-access possible treatments are. If there’s something you haven’t tried, and are interested in trying, she’ll find a way for you to get it.
The biggest, and arguably most helpful, thing that she does is set up a space for you within her office. She spends quite a lot of time there for her family’s business, but doesn’t want to leave you alone on bad days. So this was her idea of a nice compromise.
There’s a very comfortable sofa that folds out, a cabinet filled with the softest blankets, and several pillows of a few different sizes. Servants are instructed not to interrupt Alcina’s work without good reason, but she has a couple who ensure your snack cabinet is always well stocked.
If there are certain environmental factors to your condition, such as sensitivity to light and sound, she does her best to reduce their effects. Lights remain dimmed (or she’ll rely on candlelight), her music will be kept quiet enough to be soothing, and she’ll refrain from taking any calls while you are with her.
Bela:
To think that Daniela once tried to claim that Bela would “never need to know any of that (medical) stuff”! Sure, there haven’t been many people who have needed (and received) treatment from her, but that didn’t mean the skill was useless. Admittedly, she doesn’t know enough to replace one of your doctors, or try to create her own version of a cure, though no one really expected that much from her.
Still, she knows enough to help soothe your pain. Obviously there are different techniques for different kinds of pain, and she does research before trying anything specific. Bela’s also aware that you’ve been dealing with this for far longer than she has, meaning that you probably wouldn’t be pleased if she came in, acted like an expert, or assumed that you hadn’t really thought about the most popular remedies. So she’s tactful with how she approaches things, always checking if you’re familiar with a subject before she tries to explain anything.
Bela ends up surprising you with a lesser-known skill of hers: Massage. Studying anatomy has given her a decent idea of the body’s more sensitive spots, and the rest she’s figured out through her own, ahem, experiences. Regardless of where you’re in pain, your girlfriend can help reduce your suffering. Okay, well, if your pain is more internal than external, it’s a bit harder for her, but she can still help you relax.
One of her favorite things to do after giving you a massage is to just pull you in close for some cuddling. Preferably you’ll be in her lap, with her arms around your waist, her chin tucked on top of your shoulder. Then she’ll do her best to whisper you praises, reminding you how strong you are, and that she’s incredibly proud of you.
Cassandra:
She’s, uh, not great at this. At least not at first. Maybe she’ll never be more than good at it, though. But she’s definitely trying! And learning! By Jove, that’s something, right?
First things first, she’s always ready to try to distract you, primarily through kisses and gentle touches. Fingers softly trailing over your skin, lips tickling your neck, featherlight in all the right places… It’s not inherently sexual (though it can quickly go that route if you ask), just intimate. It’s harder for your brain to process pain when you’re also processing pleasure, so there is some science behind Cassandra’s methods, even if she herself isn’t entirely aware of that.
While she’s not great with words, there are certain things that she manages to articulate well enough. For one, she makes sure you know that you aren’t a burden. Taking care of you- no, helping you take care of yourself- is a labor of love, if a labor at all. More than that, she knows full well that you probably don’t like feeling pitied, or coddled. That, over time, being sick ends up being beyond frustrating. She never wants you to feel like your condition defines you, or like it puts any strain on your relationship.
That said, she’ll avoid telling her family any specifics unless you do first, and ensures that the staff know how to accommodate you (without telling them why, because it’s none of their fucking business, and she’s their boss, and for fuck’s sake it’s their job to do what she tells them. Maybe she gets a lil bit overzealous with it). At no point will she ever complain about helping you, or otherwise indicate that your needs are “troublesome”.
At the end of the day, the best comfort she brings you is her presence, simply being near you, endlessly loyal, tireless in her affections. Especially considering she gets clingier the worse your symptoms get.
Daniela:
Hope you enjoy cuddling. Seriously. There’s nothing Daniela loves more than curling up with you, and that goes double for bad pain days. Some adjustments will be made position-wise if you need, but she’ll still hold you as close as possible, for as long as you need. Although she might eventually fall asleep (because damn are you comfy), she’ll play with your hair or run her fingers along your scalp until she eventually dozes off.
If you want a little more from her than light snoring, or if she feels like going above and beyond, or honestly just if she’s thinking about how much she loves you (so all the effing time), she’ll do something she’s always loved in movies/books: Reading to you! She’ll pick special books that neither of you have read before, so you can experience them together on your sick(er) days. Which does, of course, mean that it might take months to finish even a single one. Surprisingly, Daniela won’t even briefly consider reading any without you. Even if the plot is really good.
But, uh, if you wanted her to read to you on a day where you aren’t bedridden? Hell yes, my friend, she’s absolutely down for that!
On days where she’s too busy to spend hours upon hours in bed with you, or days where her ADHD is just particularly bad, she tries her best to leave you with a “substitute”. AKA a massive fucking teddy bear, in a reddish brown color, with a green bowtie. Custom ordered (The Duke did not dare tease her for it). There’s a heart stitched onto the stuffed animal’s chest, which features your first initial alongside a D for Daniela.
Additionally, she has a blanket she only brings out for you, which she periodically sprays with her favorite perfume. That way you can hold it close when she’s not around, as if you were cuddling her. For her sake, though, don’t hold the teddy bear or blanket too tightly when she is around. Homegirl here will get jealous of inanimate objects, even ones that she gave you.
Donna:
“I think I have a tea for this…” Damn right she has a tea for this. Donna has a massive garden, with dozens if not hundreds of different plants, including a variety of herbs/spices. At least one of them has to be a little helpful for you. Whether it relieves pain, helps you nap off some of your misery, or just distracts you by tasting bloody-well delicious! Besides, few things make you feel quite as loved as holding a cup of freshly brewed tea in your hands, knowing your lover made it just for you. Like a hug in a mug, it is!
Similarly to Alcina, Donna will also try to create a comfortable space for you, but isn’t likely to put it downstairs with her workshop. Instead she’ll let you take over one of the larger guest rooms, customizing it to suit your specific needs. There will be some easy to care for plants for decoration (ones that won’t mind potentially missing out on natural sunlight), a couple relaxing paintings, and a shelf near the bed with things to help you pass the time, mainly books.
Furthermore, she’ll do her best to keep you company as often as possible. She’s naturally a fairly quiet person, so you won’t have to worry about sound if that’s something you’re sensitive to. While she prefers using a sewing machine, she’ll do things by hand while you’re in pain, just to reduce the chances of you getting irritated by the sound.
Speaking of potentially irritating sounds… by god can Angie be difficult to be around when you’re ill. Thankfully, Donna is perfectly understanding of this, and, as the only person Angie ever listens to, makes sure to give the doll a stern talking to about your health. To your immense surprise, it actually works. You’re not exactly sure what was said, but Angie certainly becomes a lot more compensating afterwards. She’ll keep her antics to herself, and usually even on another side of the house from where you rest, but only for as long as you’re tucked away in your room. As soon as you set foot outside, her restraints are metaphorically removed. All hell breaks loose (as is her universe-given right as the physical embodiment of both Chaos and Entropy).
Mother Miranda:
If the two of you weren’t lovers, there’s a decent chance you would completely misinterpret her actions. She might come off as irritated, like she has bigger concerns than your health, you fragile little human. After all, she is a goddess (well, practically). But the truth is that she’s aching inside every time you have a bad pain day, knowing that (for once) she cannot cure your ailment. Maybe if she had infinite subjects with the same condition as you…
But, at the end of the day, that’s the problem. There’s only one of you. One of her beloved, her little human darling, so dangerously fragile in comparison to the scale she works on. Even with all the time in the world, which she most certainly has, she cannot cure you without taking incredible risks. With your life at stake… It is a gamble she refuses to take. You are hers, and while she hates to see you suffer, the truth is that she’ll always be selfish enough to let you endure on your own.
That doesn’t mean she doesn’t help, though, just that she doesn't do a full-out experiment on you. Instead, she keeps notes. She’ll track your activities, bedtimes/when you get up, dietary habits, when you have pain, what you do to treat said pain, how effective the treatments are, etc, etc. All of this can be very useful in establishing patterns (a skill she’s gotten very good at, in her many decades of being a scientist), which can in turn lead to less pain days.
(For example, many people with migraines find that certain foods seem to trigger a migraine, or at least increase the chances of getting one. Though admittedly they don’t always end up cutting the food out of their diet. I mean, come on, you want me to give up chocolate? You want me to drink normal milk, like an adult? Kidding, kidding, I don’t have any food triggers. Nor do I particularly enjoy chocolate milk, nor do I dislike it.)
Moving on! While her work seemingly takes precedence over your condition, Miranda is not heartless, and she does do some things to lend you more direct comfort. Specifically, she tries to work in the same room as you when she can, normally while making electronic copies of physical documents, or while looking over the details of a finished experiment. She’s not always one for cuddling, so she won’t often get in bed with you during the daytime. But at night? Yes, fine, she will wrap her arms around you, maybe one of her wings too if you like how soft they are.
Just don’t think that she secretly loves every second. It’s not like she’ll spend half an hour whispering about how sweet and adorable you are as soon as you fall asleep, or anything like that. It’s twenty minutes at the most.
Bonus!Avaskian Caldwell:
“Oh, fuckin’ mood!” Followed by a solid thirty seconds of pure regret. Seriously, though, Ava has spent xer entire life (starting at age 10) dealing with chronic migraines. For a while xe also dealt with POTS (Postural Orthostatic Tachycardia Syndrome), which meant lots of chest pain, but that (thankfully) faded as xe grew into an adult, as is fairly common with the condition. If anyone in Castle Dimitrescu understands unrelenting, unexplainable pain, it’s xer.
That being said… Ava never really managed xer chronic pain, at least not when xe was at xer worst. Xe had to drop out of school because of it. Hell, xe didn’t have a “real” job until xe was almost 23! Didn’t have a chance until things just calmed down for xer. So xe gets anxious whenever you talk about your health, worried that things are (or will at some point be) as bad for you as they were for xer. Other than that, though, you might initially think that xe doesn’t care, or didn’t understand the conversation.
Truth is, xe knows how absolutely fucking ANNOYING it can be to have to explain your health to every new person you meet (like the dozen different doctors you’ve met over the years, possibly every nurse who takes your pulse and thinks it’s a little bit high). So xe did a shit ton of research on your condition, in order to reduce how much you need to explain. Sure, xe will still have questions, and there are always aspects that only you can tell xer, but it’s a nice gesture.
As for helping you destress, xe’s pretty much a mix of Bela and Miranda. You’ll get plenty of massages (because Ava has learned from personal experience what sort of touches help with which sorts of pain), but also some scientific insight on any noticeable patterns. Lots of holding you close and telling you that you’re the coolest person in the world, and that Ava feels beyond lucky to have you.
#alcina dimitrescu x reader#bela dimitrescu x reader#cassandra dimitrescu x reader#daniela dimitrescu x reader#donna beneviento x reader#mother miranda x reader#oc x reader#avaskian caldwell#j has ocs#re8 village#resident evil: village#hcs
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In which Shoto is an asshole Oni and I am the author that wrote the majority of this fic tipsy, you’re welcome! Bnharemcollab masterlist found here
Warnings: Non con bruv. Claws horns? He's an oni bud
"And they say he's been stealing the hearts of beautiful women for centuries. So don't go talking to any ole handsome man that steps over a threshold." The tour guide adds to the end of her ridiculous story about some Demon King that drags women to hell before she leads the group onto the next painting.
Still there was something captivating about the art work, how the man has his back to the viewer and how women bow to him, foreheads pressed into the tatami mats with their own bleeding hearts held high over their heads. Blood drips from their hands, splattering on the mats like rain or tear drops. The man, who is assumed to be the Oni, is looking over his shoulder, hand reaching out for the nearest offering. Both figures are forever suspended in brush strokes and desire for more. The closer you inspect the other worldly looking figure the more your gut tightens. His elaborate kimono hangs loosely from his body but you can still see the broadness of his shoulders, the thick bands of muscle on his forearms, the apparition of elongated nails when you look closer and finally the faint strokes atop of his two toned hair that are in the shape of sharp horns.
A God among men or maybe you should say a Devil among friends. A sigh escapes you as you admire the work before the tour guide announces the title, artist and time period of the next piece. “Wrath of the Mountain God.” A large man, with long hair so deep in hue you first mistake it for black, stands in a Kimono. His chest on display as he stands giving the view his profile, his eyes glow red in the light of the full moon, in his arms seems to be a maiden, a flower crown falling from her hair. It looks as if his strong form had just taken a step, beneath his foot begins a nasty fissure that gapes the Earth for miles and miles. The painting feels charged and emotions practically drip from the ink painting and yet still your eyes flicker to the painting to it’s right. At this angle you can see a faint shimmer in his smoky quartz colored eye. It sends a shiver down your spine as you feel a faint breath on the nape of your neck. Quickly you turn your head, craning your neck to look over your shoulder but no one stands behind you. Just another painting, “Golden God of Destruction.” Red gaze glowering as his hair drips gold, while he walks over the hellish landscape of cooling and erupting lava. You swallow thickly before following the tour guide onto the next section.
The tour lasts another half an hour but your mind lingers on the shimmering eyes of the dangerous entity. The more you think of him the bigger the sinking feeling in your gut becomes, not to mention the more you feel as if something is stalking your every move. Another quick glance over your shoulder as you exit the museum while you ponder over why this particular Oni was handsome when all of the other artworks featuring a yokai or oni were depicted as ugly, grotesque even.
Maybe it was because he was the King? You couldn’t be sure, all you knew is that you could understand why the women would rip out their hearts and offer them up to him. He was hot as hell, no pun intended.
Suddenly the fall air smells of frost and the threat of snow, you wrinkle your nose before you jump out of your skin. .
"So you liked the "Oni King, stealer of heart’s'' piece best?" A smooth voice calls from behind you, you press your hand over your rapidly beating heart as you try to catch your breath. Startled, you turn around to see a handsome man opening the gate, stepping over the grass line onto the sidewalk. Instantly you feel heat rush you as a cool autumn breeze swirls around fallen leaves around your boots.
"How did you…"
"I come here often and no one has ever stopped and looked at that piece as long as you have." He seems stoic and you can just barely see the corner of his mouth lift up. You take a moment to really drink him in, his tall stature, his hair a shocking white with contrasting red and a scar that sits beautifully over one of his gem stone eyes. One a smoky quartz and the other a bright turquoise.
You swallow thickly as you stare at the other worldly man, finding little to no words as your heart beats into your ribcage. You grip at the fabric of your jacket over your heart, it pounds against your rib cage like a fluttering wild bird.
"Where are my manners? I am Todoroki Shoto. But you can call me Shoto." Again he offers his barely there smile, "And you are?"
It's laughable how you stumble over your own name, you have never had issues talking to attractive people before, what the hell was your problem now.
“It sounds lovely.” He says your name, it rolls off of his tongue like music makes you swallow thickly, your knees threatening to buckle and you can’t understand why you’re acting like a love struck teenager again. There is a contrasting air about him, just like his hair. Passion and reservation, raging power and quiet tranquility, and the feel of it is making you dizzy. Tipsy almost, drunk if you linger here too long. Just as you’re about to express how you’ll be late for dinner he smiles at you.
Fully this time.
And you think your heart was going to claw out of its calcium coffin but it stalls when you notice that it doesn’t fully reach his eyes.
“Well since you have a good appreciation of art, would you care to join me in the garden, the Chrysanthemum are in full bloom this time of year.” You swallow as you look at him, a twinge of fear lingering in your blood that is soon lost as he steps over the threshold of the garden, waiting patiently.
“Uh, yea I think I can spare some time.” You smile nervously, he offers out his hand.
“Be careful, the step down can be quite steep.” A genuine small form on your lips now as you remember the first time you set foot into this garden and almost twisted your ankle. You step over the threshold, blinking against the late afternoon sun as you do.
Except when you open your eyes once more, you are no longer in the garden. There are no shrubs and bushes, no cinderblock wall of the old museum, something more sinister stands in its place. The sky is an inky black, the full moon hangs overhead shining down onto a small village that thickens the closer it gets towards a large feudal era looking castle. Fading sunlight filter behind you as you whip your head behind you. A giant Torri stands where the aging fence and garden gate stood before, a hazy image of an autumn afternoon in the shape of the gate rapidly begins to shrink. Panicked you lunge arm outstretched as if catching a full elevator as you’re running behind for a very important meeting.
If only your paralyzing panic was over something so trivial.
A strong set of arms wrap around your waist, pulling you towards a chiseled chest as hot breath whispers cooly in your ear.
“I wouldn’t do that if you want to keep all of your limbs, love.”
Shaking you glance over your shoulder before you watch the portal to home close up.
Just like that the landscape that could be seen through the gate was endless night and rolling hills dotted with homes here and there. When you turn to face your captor his eyes narrow as he studies you. His gem stone eyes glittering in the rich moonlight, following your hands up to your chest. He stills as he listens and while he looks you notice the horns growing from his head. Thin and shaped into a deadly point. He tilts his head as if you are bewitching before he leans closer, capturing your hair between his fingers. Now that you were in the moonlight, in the realm he ruled, you looked...familiar and the feeling made his chest tighten.
“How does your heart feel?” He asks, eyes anywhere but yours. You try to jerk out of his touch but his warm hand wraps around your bicep keeping you well within arms reach.
“My heart?! What does that have to do with me standing in HELL!” You scream and it echoes across the chilled landscape. Some women in kimono pass by, keeping their eyes turned down as they pass but once they are a few steps behind this brute’s back, they send you withering glares.
Your attention comes fully back to the man in front of you, or maybe you should say demon. He presses his hand over your heart with a puzzling look. Your body heats from the contact and embarrassment, you were sure he could feel how hard your heart was pounding. All the while his brows knit upwards.
“Seems you aren’t affected…”He murmurs to himself, tonguing his cheek. Suddenly he tears your sweater, pressing his hand against your chest and part of your breast.
“Hey!” You protest until a burning sensation blooms on your skin, when he pulls away you see kanji puckering up, that reads “Shoto”
“That should keep the lower demons away...for now.” He grabs onto your wrist tightly, too tightly before your world bends and blurs. Folding in on itself as if Space and Time were suddenly a beautiful origami paper creased until the maker was satisfied.
The world is bright when you open your eyes next, cradled in an abundance of candle light as your stomach sours causing you to lurch.
“Ugh, not on the tatami!” A woman’s voice scolds, but her state doesn’t help the nausea that hits you in waves. She wears a beautiful kimono, embroidered with gold and silver thread on violet cloth, the chest stained a deep cherry and a hole is where her heart should be. Her hands stained blood red and you back up, panting as you try to keep a level head.
“Get her cleaned up.” Shoto snaps, “I will want her in my room promptly.”
The women in the room shake slightly, keeping their heads down, distantly you can hear the sound of a thousand thundering hearts, deafening in a sense. The stately woman gently guides you towards the bath in the large mansion, shock sets in as your gaze glazes over. Every hall has a woman, anywhere from the feudal era to today, all dressed in kimonos, most were dressed in the ones they obviously died in or dressed in old clothes with their tattoos and fresh wounds peeking out from beneath the fabric.
Every single person sends you a death glare.
You’re stripped of your clothes and dignity in the company of about twenty women, hands shove you into the steaming water, cupping the cloudy water to wash your skin.
No matter how often the woman dip their hands into the water, the blood never leaves their fingertips, forever stained in their sin.
“We gave them away, you know. Ripped them from our chests….” She looks up at you with a timid look.
“Kiyoko, hush.” An elder hisses as she straightens the thin piece of cloth you were going to wear once you were all pieced together.
“No, she deserves to know..” Kiyoko hisses back, “The story is similar for a lot of us, he appears in a doorway, he seems kind enough, and then we look into his eyes. Gazing too deeply before our hearts seize in our chests, flopping around as if behind your flesh was killing it and it should sit in the palm of his hand. The only logical thing was for us to reach deep inside of ourself and give him what he deserved.” A quite falls over the room before a heavy solem air settles on your shoulders.
“He stopped for a while….after he met you.” Your eyes flash to hers and the elder’s hand wraps into Kiyoko’s hair, pulling her away from you.
“Enough.” She snarls as tears run down her cheeks, down all the women’s cheeks and you swallow thickly.
After an hour of primping you find yourself in front of two sliding tatami doors that have Oni and other yokai decorating their sheets.
“Send her in.” A deep voice sounds from the other side.
“Yes master.” The women answer, opening the doors before one shoves you in.
Doors to the eqwaa are open as he lounges on the polished wood, staring at the moon. He turns his head to look over his shoulder and it eerily reminds you of the painting in the museum.
In an instant he is in front of you, backing you into the plush bed that sat in the middle of his room, you fall onto the raised futon looking up at him.
The lowlight plays tricks on your eyes, the square paper lantern and the moon painting him in strokes of kind, of hurt, not some beastly thing he obviously was. Even his horns seemed soft, but nothing was softer than his lips as he pressed them to yours. Embarrassingly ecstasy blossoms under your eyelids as liquid heat floods your core. His tongue probes yours as he leans over top of you, playing with you nipples through the thin cloth as you moan into his mouth. Your body arches into his his as your heart flutters, trying to pull you away from his addicting touch.
Maybe you could have gotten away, maybe….
If only his hand hadn’t slipped between your thighs where he teased your sex utnil you pruned his figners, singing like the song bird he knew you were. His hard cock presses against your thigh twitching with delight. He kisses down your throat before he shreds the thin white kimono away from your body. He groans audibly before he leans down, one finger pulling at your pebbled nipple while the other pulls it between his teeth.
“Shoto…”You cry and he moans into your supple skin. Taking off his own thin kimono to align himself up to your fluttering hole. Eyes glued to your heart, fingers tracing the kanji as he eases himself in inch by inch. Stretching you and filling you pleasantly. He sits for a moment, taking in your body and how you burn under his touch. Free hand roaming your body as the other prods your fresh burn. Tracing the strokes over and over as if he wrote it himself.
Well technically he did.
“Please.” Your mouth betrays, hips pressing up into his to get any sort of friction, his free hand comes down, slamming your hips into the bed.
“Say it again.” He huffs, “Say my name again.”
“Shoto.” It's a hushed, reluctant breath but your skin was icy hot, lifeforce feeling as if it were evaporating away from the heated tension that sat between you two. He watches your body wither, feels your cunt clamping down onto him desperately and it’s all he can do not to thrust into you widely.
“Again.” He barks, pulling at your nipple harshly.
“Shoto.” You moan, the sound is enough to make him start his harsh pace. Pelvis slamming into yours as his tuft of pubic hair glides across your clit. Your vision blurs with tears, it feels so good. Better than anything you’ve ever had or could ever remember as his claws ghost over your soft skin.
“You thought you could escape me.” He grunts, ramming himself into you harder, you moan in response, “I marked more than your flesh two hundred years ago, I marked your soul.”
“You couldn’t help yourself, coming back to the very piece of art you created.” He continues with a laugh, claws raking down your skin, slicing at your skin superficially. Your eyes roll into the back of your head and you cannot fathom what he’s said. All that there is the feel of his hands, the pleasure that threatens to snap in your stomach.
He watches the way your cunt coats his cock in a silvery sheen that has his lips parting. Taking wanton ruts, the motion of it rattling the art on the wall. Pieces fall around you and any of the scrolls that try to block his view of you get shredded mid air. His thrusts turn sloppy as he comes down to bite at your neck.
“Shoto!” You cry out, vision going black as your body convulses around him, eyes rolling in to the back of your head as you forget your name and only cry out his.
“That’s right, tell me who you belong to. Who owns you love.” He pants, holding his own release for a moment longer just to hear your sweet voice scream his name over and over. Finally your milking cunt sends him over the edge. He grunts, staring into your eyes as he paints your wall a creamy white.
“Mine.” He growls, biting at your breast, at the skin over your heart. You feel his spilling cock harden again as your body melts into the sheets.
Most of the night is spent in mind numbing ecstasy and in those few short hours you forget you were ever brought here unwillingly.
You sit on a throne, overlooking the vast landscape of Yomi, Oni running the underworld as heartless women wander the streets. Their mortal heartbeats keeping time as they ceaselessly beat just beneath your feet. Mind’s eye miles away as you see a ghost of a hand before you. Memory playing out as you take careful brush strokes against your canvas, hoping this would serve as a warning for other women as you dab the brush in the deep colored liquid that stains the tatami floor of your home.
Ever the artist you wanted to add final touches even as you drew your final breaths, having thought it better to take your own life than to sit at the right hand of a demon, your chest was already mutilated with his name.
Irony weighs heavy in your stomach as you realize how futile it was to even make that masterpiece. It did not serve as a warning.
No if anything, it served as a beacon, drawing you like a moth to flame until you circled to close.
Burning up in the flames of the very thing you admired.
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the year of goodbyes
spencer reid x gn!reader
masterlist
summary ↠ over the course of a year, Spencer says goodbye to three people— and hello to one.
category ↠ angst/fluff
warnings/includes ↠ takes place in s11, talk of Alzheimer’s,
word count ↠ 1.8k
massive shoutout to my beloved @ellesgreenaway for beta reading and encouraging me to finish this piece— india you are my actual saving grace
“If you’re brave enough to say goodbye, life will reward you with a new hello.” — Paulo Coelho
People leaving wasn’t exactly a new concept for Spencer.
He knew it all too well, the familiar look that was cast over peoples features, how their eyes got glassy and lips twitched as they prepared to tell him that they were yet another person who would leave him behind— like so many had before.
But their choice of words was always different. He noticed a sort of pattern, when it came to people walking out of his life. They tended to dance around the words, never exactly saying ‘I’m leaving you.’
First, it was his father. He’d watched him pack a suitcase full of things, spit angry words at his mother and then turn to him, his son— placing his hand on his shoulder, mumbling a few cowardly words and that was that. Spencer no longer had a father.
(‘I’m sorry. I just don’t know how to look after you anymore.’)
Second was Gideon, who never actually said goodbye in person (and Spencer couldn’t decide whether that was better or worse.) Instead, he left, wrote words down on a page and then addressed it to him.
(‘Spencer, I knew you would be the one to come down here.’)
And again, with Alex. Not a goodbye, not in the formal sense, but Spencer’s heart ached with how he knew what this was— he recognised the look on her face and knew that once again, he would lose someone he loved.
(‘You know, Ethan would’ve been a lot like you.’)
Everyone in Spencer’s life started to feel temporary. There one minute, gone the next. He wished that meant that he cared any less for them, or that it hurt any less when they left.
Of course, that was never the case.
His mother’s mental state had been deteriorating rapidly, and nothing— not anything that Spencer’s big genius brain could think of — was helping her.
When he visited her, he saw the vacant look in her eyes. He recognised the look of confusion on her face when he’d enter the room, ignoring how his heart squeezed painfully upon realising that his own mother no longer remembered him.
It would take her a few minutes, but eventually the confusion would disappear and she would give him a smile, greeting him with open arms and warm words.
It was a different kind of leaving, but she was leaving him all the same. She wasn’t physically going anywhere, but, mentally?
He saw how she was deteriorating, he argued with countless doctors and medical professionals, exhausting every book and resource he could find— just hoping he could come up with something.
But, no.
He found it a little ironic. He was the boy wonder, the resident genius of the Bureau’s elite behavioural analysis unit, a smartass who had endless amounts of knowledge.
He always had the answer, always had the solution.
Ironic— because the man who was supposed to know it all, had no clue how to protect his mother from a disease that would inevitably take her from him.
It wasn’t something he would ever come to terms with, it was never something he would accept. He knew how it was going to go, the doctors told him as much.
The day would come that he would walk into his mother’s room, and those vacant eyes would never gain clarification. Her confusion wouldn’t pass, and she would no longer recognise him.
Spencer dreaded that day.
He feared it, even.
Because the day he lost his mother would be the day he lost himself.
*
When Catherine Adams’ file came across Spencer’s desk, he thrusted all of his agony over his mother into the case. It was why he decided that he would be the one to take her down in the restaurant, why he insisted that she wouldn’t perceive him as a threat.
Oddly enough, Spencer found himself intrigued by her. Perhaps, he simply enjoyed being intellectually challenged in such a way. Or perhaps, somewhere deep down in the darkest parts of himself, he liked the attention, got off on being able to outsmart her.
He was smug when he managed to trick her into getting into the back of the police van, under the guise that he’d found her father. (After all, she was ‘just another girl with daddy issues’.)
It was only when Cat gave him a grin, one that contrasted with the tears that slipped down her cheeks, that Spencer felt uneasy.
He crouched down in front of her, whispered a small, “Goodbye, Cat,” before getting up and leaving the van, feeling a weight on his chest that made it difficult for him to breathe.
Again, it was a different type of goodbye. One he was of course relieved about, because with it brought the promised safety of Penelope, now that Cat was behind bars. Although, alongside the relief, there was a sour aftertaste.
It was what led him to take a moment, sitting down on the swings in the park, hands trembling slightly as they grabbed the chains, swinging gently in a slow rhythm that he hoped would calm him down.
The last words Cat had said to him played over and over in his head.
“In twenty years, you won’t remember my name. But I’ll remember yours.”
At first, Spencer assumed she was referring to how after a while, Cat would simply blend into the sea of seemingly never-ending unsubs who all tried, and failed, to outsmart the team.
It was only later that Spencer realised she was instead insinuating that he would succumb to the same disease as his mother— forgetting not only those that he loved, but the ones he hated too.
*
Spencer’s best friend was going to be a father.
The team were gathered in the waiting room, eagerly awaiting news, when Morgan came out with a smile on his face. “It’s a boy!”
Pure, unbridled joy burst throughout the room, with Spencer lurching forward to wrap his arms around him, laughing and giving his congratulations. He swallowed the lump that began to form in his throat and pushed away the thoughts that swirled around his mind. Deep down, he knew what would inevitably happen, but that moment wasn’t the right time to think about it.
It was late in the evening when Derek Morgan stopped by Spencer’s desk. Before he even looked up from his paperwork, he knew where this conversation was going to go. When he did look up, it all but confirmed it— he saw the sad smile on Morgan’s lips, and watched how his eyes glossed over.
He said nothing though. Instead, he smiled and chuckled as Morgan gushed over his newborn son. His smile got even bigger when Morgan handed over the birth announcement— Hank Spencer Morgan.
Although he knew what was coming, he knew what decision Morgan was going to make, he expected nothing less from his best friend. A man who had grown immensely in the years he’d known him, going from a real ladies man to someone who would give up his job in order to be there for his family.
Morgan placed his hand on Spencer’s shoulder, a sigh leaving his lips. “Kid, listen. Here’s the thing..”
“I know.” Spencer whimpered quietly, smiling sadly. “It’s okay. I know. And I understand.”
He watched Derek Morgan walk away, sniffling as he willed the tears to keep at bay. He watched his best friend, his brother, walk away. And it hurt, God it hurt. But he was so proud of the man that Morgan had become that he pushed aside the hurt, reminding himself of what he knew to be true.
Everyone left eventually.
Spencer feared that one day, he would look around and find that he was truly and utterly alone.
*
It was a normal Tuesday morning, and Spencer was making his way through the FBI Headquarters, up to the BAU floor. He stepped into the elevator, his coffee mug in one hand, and his other resting over his satchel. Just before the door closed, he heard someone call out.
“Hold the doors!”
Spencer reached a hand out, pushing the doors back open.
You scuttled into the elevator, looking over to the male next to you with a smile. “Thank you for holding the doors. I’m already running a little late for my first day.” You explained, reaching to press the button for the fifth floor, watching as the elevator doors closed again.
“The fifth floor? The Sex Crimes Unit?” Spencer asked curiously.
You nodded.
“It’s your first day?”
“Yeah, I moved here for the job a couple of weeks back. It was an incredible opportunity, I couldn’t pass it up.” You expressed, and Spencer gave you a tight lipped smile in return. “I’m presuming you work here as well?”
He nodded. “I’m in the Behavioural Analysis Unit, a floor up from you.”
“Well, that’s good to hear. At least I have one friend in the building, if it turns out my new team hate me.” You joked, glad when Spencer let out a little laugh.
“I’m sure that won’t be the case. You seem very likeable.”
You grinned up at him. “Thank you.”
The elevator dinged, the doors opening. You looked over at your new friend, flashing him a nervous smile. “Well, wish me luck.”
“Good luck.” He smiled back, raising his hand in a small wave as you left the elevator.
After a long day of paperwork (and thinking of the pretty person he’d met in the elevator), Spencer gathered together his things before getting into the elevator. It stopped on the floor below, and when the doors opened, he smiled at the sight of you.
You looked up from where you’d been looking down at your phone, mirroring his grin. “Hey! It’s you.”
“Yes—yes, It is, me.” Spencer replied, cringing awkwardly at his nonsensical response.
You only laughed quietly at it, entering the elevator.
“How was your first day?” He asked, only to be polite.
You seemed surprised that he’d asked, but answered nonetheless. “It was good! Turns out my team don’t hate me. Or at least, I don’t think they do?” Your voice raised in question, making Spencer laugh a little.
“See? What did I tell you?” He grinned, and you rolled your eyes playfully.
You leaned over, nudging his shoulder with yours. “I’m Y/N, by the way.”
“Spencer.”
“It’s lovely to meet you, Spencer. For the second time today.”
Spencer smiled shyly, hands delving into his pockets as the elevator dinged. The two of you stepped out, looking at one another with timid expressions.
“My car, it’s that way.” You pointed to the other end of the car park.
“I take the subway.” Spencer responded, wishing he could find a way to make you stay a little longer.
“Well, have a good evening, Spencer.” You beamed. “I’ll see you tomorrow?”
“Yes!” He responded a little eagerly, sighing inwardly before clearing his throat. “I mean yeah, sure that- that’s cool.”
You giggled quietly, waving goodbye before turning toward your car.
Spencer blushed the whole way to the subway station, biting back the smile on his lips at the thought of you.
People leaving wasn’t exactly a new concept for Spencer.
But you?
He had the feeling that you were going to be a very permanent part of his life, and he didn’t mind that in the slightest.
*
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** PT 2 Azriel x reader - enemies to acquaintances PT 2. ** - reader gets a backstory, they clear another enemy camp together and bond more. Azriel apologizes.
Slight TW for violence/domestic abuse mention. Trying to keep reader as genderless as possible but sometimes I inherently switch to using woman POVs- asks still very open ;)
+++++++++++++++++++++++++
"It seems I owe you an apology." Rhys began, pacing at the end of the makeshift bed the healers had set up for you. Your stomach rolled with nerves. His tone was not genuine, and you could feel the tension rolling off him in waves. The healers buzzing nearby suddenly found different things to do.
Azriel and Cassian stood at the edge of the canopy, the drizzle of rain making their armor shine. "Azriel informed me of your injury- I'm impressed with your bravery." He smiled, his dark eyes making him look like a snake.
You glanced to the shadowmaster, who nodded the slightest amount. "Did you receive my message from him?" You asked, and when he had a genuine wide grin - showing almost too many teeth - it gave you chills.
"I did in fact. I wish the same to you." He said with that deadly calm. Cassian tried to hide his laugh, Azriel remained stonefaced. "Let's take this to the war tent. Whenever you are...suitable." he glanced to your wing, still stained with crusted dry blood.
You felt your cheeks heat slightly, and nodded. He strode out from the healers canopy and into the rain without a look back. The generals followed him, Azriel glancing back to you only for a second.
+
Once you had mustered the strength to get out of the cot, you thanked your healers. They insisted on giving you healing potions before you departed. And tried to get you to promise to come back for a check in daily. Mobility tests, stretches and strength building. You gave them loose affirmations and took the potions without putting up too much of a fight, given that the wing still ached slightly. Two days of rest had done a lot for the healing process, but it would take at least a week before it was fully healed.
The short walk to the war tent was cold as the mist of rain poured down. Many of the soldiers were inside or drunkenly asleep in the mud. Sitting around and waiting was not an ideal situation with a thousand males ready to fight all around.
You pushed open the tent, shaking out your jacket on the pelt rug. Earning a scowl from the high lord, seated at the head of the table again. "This one tells me you were a sight to see in the skirmish." He said, gesturing to the shadow master.
You glanced to Azriel, his face was blank but his cheeks had gone a duskier shade of brown. "But maybe I took that the wrong way, and what he meant was that you were a disaster, considering someone managed to put a hole in to your wing." He laced his fingers together in front of him. You curled your lip at him, ready to tell him to get his ass out there and do it himself then.
Before you could, Azriel turned to the high lord, opening his mouth to protest but he was quickly silenced by Rhysand's dagger like eyes. The shadowmaster pressed his full lips together tightly. Looked to his feet, as if in shame. It made your head thrum with adrenaline filled rage. Rhysand - the most powerful high lord in history - coudlnt get off his ass to take care of some second class Attors himself? Perfect. Just your luck. Being hired out like the hundreds of your kind before you, only it was worse because you weren’t even getting any gold from it.
"We now have a bigger force than originally planned coming directly at us." He said softly, a dark wind organizing enemy pawns on the table to show where they spread out. how they had your forces stuck against a wall of mountains.
"Because you were brave enough to somehow miss the group of Attors flying away..." He glared those snake eyes at Azriel again, then Rhys let out a bitter laugh. He was upset, understandably so. You could admit that. But it wasn't your fault he decided not to believe you in the first place.
You glanced to Azriel. His face was grave as his high lord tore into both of you with a tone of a disappointed parent. Like your parent. The thought of your father made your jaw clench, your teeth grind together as you fought to not begin screaming at Rhysand.
"The two of you will see to it that this is taken care of." He took a breath, gesturing to the pawns on the table. "There is a ravine to the west of here-" His dark gifts had the pawns lifting in the air. A fist of fear clenched your stomach. You had forgotten just HOW powerful he was.
"If you cut off the bridges their advancement will be paralyzed. We then may be able to regroup and massacre our way through this group here-" He pointed to the north, a smaller force lay there. Without the flanking force able to be a threat behind you it would work. Your strategist mind flushed out the plan.
"I expect you both to fix this - as you both caused this issue. I want it done before dawn comes." The pawns he held in the air turned to dust on the table, making a neat pile before the dark lines that indicated the ravine. Hitting his point home, in a non subtle way you supposed. Arrogant cock of a high lord.
"It will work, Rhys." Cassian said softly. He glanced to Azriel. His eyes were pinned to your wing. Your stomach flipped, you glared at Rhys. Before you could call out his plans' faults - or how terribly he was treating you and your considerable 200 units in his army- you saw Cassian shaking his head slightly at you. He rested a hand on Rhys' shoulder. The gesture stood out. The cocky high lord had a sensitive side, perhaps. Your lip curled at the thought.
As if sensing your disgust with him, Rhysand's lip curled "Now get out." He said, voice low and gravely. Cassian gestured for you and Azriel to follow him out. Rhysand reminded you so much of your own father it made you want to spit. A territorial, abusive cock without enough dignity to spare your family name.
You took a deep breath of cold air, hoping to clear your mind. It did little to shake the tension in your shoulders, or the stiffness in your jaw. Making a mental checklist of the weapons you needed to bring, you noticed Azriel following you. Or seeming to.
The shadow singer stalked past your tent, going to the west where the bridges were. "What are you doing?" You asked, jogging to catch up with him. He was already fording through the tall shrubs and grasses by the time you caught up.
"Taking care of it. I can fix it myself." He growled. You tried to keep up with him, but the jostling was upsetting your injury.
You put a hand on his shoulder, "Wait, hey." He shrugged you off, scoffing to himself. "I should have gone alone in the first place. I dont understand why he had to send you." He muttered, stalking deeper into the forest. The rain didn't reach you here, under the darkening shadows and mist.
Rage erupted inside you at his words - and you called out the only thing you could think of that might stop him. If he wanted to fight he could damn well stop and have an actual fight with you. "I guess you are just like all the other Illyrians after all." Your blood rushed in your ears, seeming to dampen the sound of everything. The dull hiss of the rain hitting the trees above was barely audible.
He stood rigid, wings flaring over his shoulders, growing larger with the shadows writing around them. "Do you even have a clue what real Illyrians would do to you right now if you were talking to them like this? What a normal male would do?" He was close. Too close for comfort. Too close to not be fighting or fucking.
"Considering my father was a very real Illyrian, yes" He stuttered at that. You'd never seen him do such a thing. It would have been funny if that angry set of his features didnt come back. You were ready for more fighting, more yelling but his face went slack, and his eyes met yours finally. They were no longer the cold dark color like in the tent with Rhysand. They were a hazel that matches the warm colors of pine bark in summer. Your heart clenched at the sight of it.
"You're like the Peacemakers, then." He muttered, referencing the old tales of mighty warriors with mixed breeding. Unfortunately a lot of that breeding was not willing. It usually never was, and it had ruined two generations of Illyrian and Peregyn pairings. "Axios was always my favorite." He smiled at the memory. You bit your lip, remembering the true stories of each hero. Not the bastardized verisons peddled throughout the realm.
The offspring became ostracized and cast out of most communities. On Prythian and on the continent. The ones who survived long enough to become trainable though were given the name Peacemakers for a reason. Known for hired bloodletting, no questions asked.
"I hope your end is not met like theirs." He seemed to shudder at the thought. All the anger boiled out of you at his concern.
You felt the shame begin to creep up around you. You had sold your services to make ends meet at times. It always left you with a sickening feeling in your gut after. As if the Mother herself was disappointed. "You can help that not happen." You said softly, voice barely audible. If you weren't so deep into the forest you doubted even his shadows could have heard you. "I need.. I need to find my father." Your voice trembled, he approached you slowly. Like he was approaching a wild animal.
"It might seem-" He began coaxing, holding a hand out to you. Just like he had the other night. A question, a temptation.
"I know your pain, shadowsinger." You took his hand, letting him lead you to a fallen tree. The soft moss growing on it was a welcome seat after walking for so long following him into the woods. "He would beat my mother and would pluck her feathers." You were grateful for your mother every second she put into resisting his influence for you. For keeping him at bay until you grew enough to be sent to the Peregryn camps for training. She never revealed your cross breeding, only that you had your wings and could use them well. Only because she had taught you.
Azriel was quiet for a long moment, his shadows moving slowly like waves around your ankles together. "I'm - sorry.. .about your mother. I didn't know." He whispered, pausing and cursing to himself. "I can help you find him. We can look, but we need to get through those enemy lines first. I need you to help me do that." He grasped your hand lightly, as if asking.
"Lets slice some attor, I guess." You sniffed, the cold making your nose run. At least, you blamed it on that.
+
The camp was mostly asleep by the time you got there. Under the cover of nightfall you were able to silently end most of the Fae that lurked in the camp. With everything going so smoothly, your heart lurched at the sight of Azriel falling backwards, a calling horn in his hand. His siphons flared, and it shattered. But left his siphons dull. He winced as he rolled out of the winging range of a fellow Illyrian with a flail in one hand and a mace in the other.
"Traitorous bastard." Azriel grappled with the Illyrian commander, but they were evenly matched. They knew all the same moves, sparring and sword wise. You launched yourself through the scattered bodies lining the clearing, dodging over puddles of blood and forgotten weapons. The commander had Azriel in a hold that had his wings flipped outward, and the male took the opportunity. He pressed his boot against Az's back and pulled them backward, bending them father than was natural. You roared, not bothering to waste the time to draw your weapon.
You barreled into him, Azriels hands still reaching backwards to claw at his hands. He toppled over a stack of bodies, yanking you down with him. You scrambled away from him, hands clambering for any weapon. By the time you turned back around to face him, Azriel had already put him on his knees before you. Bending the males wings back just as he had done to the shadow singer.
Your borrowed blade went through his throat, pinning him to the ground as he kneeled. He looked like a statue in the position.
You spat on the body. "Dont touch wings, asshole." You muttered. Azriel stared at you, as if in shock. You picked up a better looking sword from the ground nearby, wiping it on the cloth inside of your armor sleeve. "What?" You asked. Azriel seemed stunned silent. He seemed shocked in place. After you were sure there were no rogues readying to flee or informants spying, You took a breath, returning to him where he still stood beside the body of the commander.
You pointed back at the winged body speared to the ground behind him. Smiling, you titled the pose. "A prayer to the mother." His eyes went somehow even wider.
Then he broke out in laughter. You couldnt help but join him, the high of battle making you both delirious. You laughed at his laugh, the stupid face he made laughing back at you. Laughed at the half spoken words that were cut off by more breathless giggles.
Your sides ached by the time you both sat around the enemy fire, enjoying their spoils of war from a nearby town. The roasted duck smelled particularly good. Azriel heated a pot of tea over the coals, throwing in fresh pine needles from a tree nearby.
"You know-" He handed you your cup of tea. It was warm in your palm, but his hands were still somehow hotter than the boiling water. He blew on his cup, the steam not going much farther than what his shadows allowed. They seemed to almost play in it. "I am sorry about your mother. I understand why you regard some of us with such...distaste." He put the lid back on the pot and took it off the fire. He looked so natural doing...normal things. Not just posturing for his court and killing.
You nodded in thanks, not needing too many words with him. "She fled the week after I was formally invited to train in the Peregryn ranks. He found her, and killed her for leaving him. My court holds no rules against such things. He hasn't suffered for it." Your voice shook at the end. "Yet, that is. This.." You gestured to the battlefield, the bodies behind you. "This is just along the way. Killing him will be my destiny. My retribution for my mother." You sipped your tea, letting the burn of it sink in. You hoped it would warm your insides.
"I miss my mother as well." He said, taking a gingerly sip of his tea. He stretched his wings, you could tell by the hesitant way he folded them back in that they pained him. You made a mental note to give him one of your healing potions when you returned to camp.
You sat in silence with him until that fire burned out, and only dull coals were left.
+
"I'm glad you both seemed to have fun. Is the camp clear?" Cassian hissed, following you to the war tent. You sipped your mead, nodding. "Yes, oh strategic one. The bridges are cut too, courtesy of yours truly." You winked at him, making him stop in his tracks. Azriel patted him on the shoulder without a word, then followed you into the tent where Rhys waited. Wrathful or not, you knew he had no rights to tell you off this time.
Azriel's hazel eyes met your own as you entered the tent together.
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The Monster.
Pairing: park jimin x f!reader.
Genre: Yandere, dark themes, anguish.
Summary: ❝You can be reborn like spring, but your nightmares will follow your footsteps at night.❞
Warnings: Yandere behavior, obsession, voyeurism, Jimin is a little delusional, implicit murder, death threats, a little violence, stalking, death of secondary characters, reader idolizes his mother, humiliation.
Number of words: 6000+
︙ Author's note: this is my first fic here, sorry if there are errors. My first language is not English and I don't speak it fluently either, so I used the translator. Sorry about that. I hope you enjoy it, I am open to criticism. Thanks!
(Puedes leer este y más fics aquí en español.)
To block.
Your mind felt strangely familiar, like it was processing the same situation all over again. And then the same thing happened again.
Blocking.
You never noticed those little details, invisible to the eyes of others. Or maybe you took too seriously the message and advice that your mother always told you when you were afraid of being left alone in your room because of the obvious and silly repetitive story of the monster under the bed, you were crying looking for your mother's room in the middle of the night. You were looking for refuge in her arms. However, the only loving words she had for you were: "Ignore him and he will go away, darling."
It seemed very clever to you, you began to close your eyes ignoring your worst fears and in a short time you could do what most children could not at your age, sleep alone in the dark.
Your mother was wise, maybe that's why you never understood why your father left her overnight. She never commented on the subject and little by little it was forgotten in her daily lives. Your father never existed, you never saw him again.
In his small town no one was exceptionally well known, unless he had done something good or bad enough to be called a hero or, in the same way, a villain. You were barely seven years old when it happened, a family with a lot of money had chosen your town as a decent land, enough to build their luxurious house where their children who came from golden cradles would grow up. According to the gossip, they were foreigners coming to invade their town and rule it, when in reality the Parks never got more involved in politics than necessary.
They were just rich, spending money.
Young women from all over the world and even from other distant towns came every day to try to conquer the privileged children of the great mansion built finely and strategically in the middle of the main square. The young women were beautiful, many times you stood at the door of your house admiring their distinguished perfect faces and you wondered if the children of the Park family were really worth it so that young and beautiful women who had previously been rejected would come back again. in search of new opportunities.
Your mother sometimes stood next to you with a smile and released another phrase that ended up marking your style of thinking, her voice sounded so ethereal: "Money compensates for external beauty, plus the dignity that you lose to those who possess it, it will never have a price."
Your lost look made her smile beautifully badly, then that same sweet voice that taught you things that other women would see as irrelevant, she too moments later she orders you to come home to eat. You thought about it so much, your mother was beautiful, she could remarry if she wanted to. However, she never did, or at least until that day.
You were poor, you were never afraid to accept it. You noticed it almost immediately, when you saw other children playing with toys that seemed impossible that you will ever possess, your mother was friends with the one who was best friends with your father, a carpenter who seemed to be very kind. He always gave you toys that came out with small defects and he couldn't sell, he was a good man until he seemed to misinterpret the situations and her relationship with your mother, unexpectedly asking her to marry him. Obviously you had to stop seeing him after the rejection. However, you were stubborn like the woman who gave you life, almost every day after finishing school you walk two streets to her local.
"How is your mother? Any suitors who weren't rejected the first time?" You laughed, helping him finish his last job. You shook your head, Peter was always very nice and honestly funny, you still didn't understand how your mother could reject them, but you never got into adult affairs. You were just an eight-year-old girl.
"She still misses dad." You whisper trying to drive a nail into loose wood, before being interrupted by Peter.
You look curiously at his downcast face of hers, as if she was keeping something deep within himself. But he quickly changes his expression as well as the subject. "Very good girl, no more help for today" he says, removing the dangerous tools out of your reach, you let out a exhausted sigh wanting to help him. Deep down you felt guilty. "How are you doing in school? I heard that the Parks will start a new campaign to help more in the education of the children, maybe you can see someone from the family up close."
You move your head in distracting affirmation playing with a piece of wood, Peter watches you for a moment and then sighs. You really were special, and if I could tell what happened to your father, you would let go of that glow for sure.
The following days passed in the same way, there was only a radical change in your routine. Now they forced you to stay longer in school so that you could take art classes with the children of the Park family. You had heard many mothers talking to yours about how handsome they were, and since their daughters would undoubtedly have a chance with Jimin, who was the eldest son and of course the first-born heir, you thought for a long time about a tall man with more years than all those young women who hallucinated with the perfect millionaire husband. However, it was all an illusion. Jimin was not a man, he was a seventeen year old teenager.
Perhaps the young woman who did win him over would be very lucky to marry someone her own age and not a bitter old man who only had money. Jimin was everything, young, handsome and a millionaire, the best bet of any woman.
His first class was alongside his current teacher, introducing each child in the Park family. They were all very handsome, but Jimin seemed to shine brighter than the stars in the dark night. You wondered if his younger siblings would become jealous of him, it would be an interesting concept considering you had no siblings.
Your hands moved the clay very patiently, your classmates seemed to enjoy these classes and they were undoubtedly fun.
"What a beautiful flower ..." You smiled nodding, no one would ever think that someone like Jimin would be delighted with the common drawing of any girl. Her gaze traveled around your pure and innocent face, as if she couldn't get enough of you. She sat next to you, admiring how your hands continued to play with the dough creating new shapes and I certainly enjoyed every second.
She had never met someone who would attract so much attention from her, you were ethereal. Jimin was immediately drawn to you, your gaze clear as daylight and your soft features, maybe you were just a girl but you seemed to tempt his attention incredibly badly from him. He felt the strange sensation of making sure you were okay, safe, probably in his arms.
He followed you closely, always arriving at the same time. Her mother used to say that Jimin was very irresponsible, she never complied with the basic principles of being a Park: Discipline, order and punctuality. Jimin was different, his siblings may have fulfilled those three bases just to give what they wanted to their parents and receive more affection from him, but not him.
Jimin was obsessive. Impulsive, and he had self-control issues.
The biggest dangerous trait that his parents noticed since he was little, is that he suffered attacks of anger against anyone without caring about the consequences of this. More than three of his babysitters claimed that little Jimin had hit them, slapping and shoving them. But all of this was radically ignored by the Parks, who turned a deaf ear claiming that their son was simply too controlling, and in a way, he was. Jimin liked to have everything under control, at his disposal.
Jimin found himself fascinated with your little eyes looking at him without fear and, even though it was painful for him, without love. For you, he was nothing more than a stranger. He tried to change that, sitting next to you every day and talking to you a few times when he could get more than two sentences out of you. He liked art, I could tell by the way you focus too much on a small painting of an insignificant tree.
If you liked trees, Jimin could buy a forest for yourself.
You loved roses, he could plant thousands in every corner of town.
Or maybe, your obsession with the smell of vanilla. Jimin went wildly for the most expensive vanilla scented lotion, hoping for some praise from you and he really didn't fail.
No, when the next day he sat next to you and your gaze turned to him with a kind smile. "It smells great, Mr. Jimin." Your soft tone and your minimal compliment was enough to make his entire body shake, his hands began to sweat and his voice seemed to falter. It was amazing how you managed to make him so nervous, while he was still a child.
"Y-do you like it?" She asked even knowing the answer, your head bobbing in a quick nod and an even bigger smile adorns your features.
You put your painting aside for a moment to continue responding, Jimin feels elated to see that his plan worked. Now you're just looking at him, as it always should be. "It smells like vanilla, I like vanilla." You say honestly.
"I see, I also like vanilla." You seem shocked, Jimin increases the tension of him fearing that he said something wrong. He really wasn't lying, maybe vanilla wasn't something he used constantly but he didn't dislike it either, he was just disguising and embellishing a crude truth.
And before long, Jimin feels his life take an unexpected turn, people had started to notice his closeness to you. They called him an angel when in reality he was a devil, rumors and silly praise that he would be a good father were not lacking and the young women who came to his door every day to look for a date with him increased in an exorbitant way. You were oblivious to all that, clearly. However, you could not ignore all the looks that fell on you when you accompanied your mother to the market, as from one day to the next you became someone important just because you were the focus of attention of him Mr. Jimin, as you used to call him with respect. Peter also suffered the consequences of this, you had not stopped going to his store and the young women looking to conquer Jimin or at least get his attention began to follow you wanting to win your affection so that you will speak well of them with their desired man, no you were interested in what they could offer you but the biggest problem was that they did not like to receive a clear 'No.' as a reply.
They were insistent and often annoying. They followed you closely, even when you went to school or to visit Peter who now only went twice a week, you did not want to go out and have to face the pity that it gave you to see many beautiful young women begging for a vague love and that I was looking for more money arrangements than anything else. Also, not all of them had good intentions with you. Your mother made sure of your safety in the face of any incident, and with that came her last word, her strict order not to approach Park Jimin again until he found a wife.
The rest would be history.
He would surely forget you and start forming his own family, having his own children and likewise, looking for his own problems. Instead, that never happened. Jimin had discovered your plan, he was angry, he couldn't believe that you were ignoring his attempts to approach you in such a way. Your attitude was so pure but you were hurting her so much.
He was delusional, she knew he was. But he didn't want to stop. So, he did the only thing that would make you stay by his side.
You felt strangely calm, you had been to and from school with no one following closely in your footsteps. Until you noticed that the whole town seemed to look at you with superiority, with caution. Peter never stopped taking care of his store, however, that day it was closed. You gave little thought to that coincidence, walking home with slow steps. Deep down you were scared.
Maybe you thought you could feel it, in front of your house a crowd of people lay watching the most unexpected marriage request. Your mother was uncomfortable, you could tell by how her face was distorted, and how her hands seemed to shake for reasons not yet known to you. You watched in horror as Jimin knelt before her with a smile pulling a ring out of a small red box.
For a moment, you thought about your father. You felt strange, you always wanted to have a warm fatherly hug but it made you uncomfortable to imagine Jimin occupying that place, you did not want him, you did not love him as a daughter to his firstborn or as another similar relationship. He was a stranger.
Your body fell into the seat reserved especially for you, your eyes observed any place in the church trying to disperse your mind. Your little shoes brushed against each other, your hands rested on the wooden seat waiting for the wedding to end as soon as possible. You never wanted to oppose your thoughts to the idea of your mother falling in love or getting married again, you really didn't care much as long as that person was good for her.
However, he was Park Jimin. You felt disgusted when her mother looked at you from afar with despicable eyes, just as anger consumed you when Mrs. Park tried to embarrass your mother in front of everyone. You didn't ask for this, nobody asked for it.
Maybe you spent too much time thinking around you to notice that Jimin was unhappy. A little upset. He had done what he had to do, chained you to him in some twisted way, marrying your mother and he felt happy, at first. I could see you walking through the church, you were wearing a little white dress to match your mother's and for a sinister moment I imagine that you were the one walking towards him to be named his wife. But he quickly came back to reality, you weren't his fiancée. You wouldn't be his wife.
Deep inside him, he knew how gross it was to feel like this.
Your mother's eyes reflected how unhappy she was, her gaze was uncertain. Jimin smiled seeing how you kicked the decorations that fell to the ground, you were completely oblivious to everything and more to the look of her that she followed you closely. Many called him a good father. Seeing nothing but his protective attitudes, but under the circumstances there were only hints of what might come next. You weren't allowed to leave Jimin's house, his father had left the mansion where his whole family used to live.
Mrs. Park could find no better excuse to leave than the sudden tantrum of her first-born son for marrying an older woman, a widow, and a daughter. This is a mockery and disgrace to her family's last name. Jimin just let her go, he wasn't even there the day her mother boarded the first train to her grandmother's house.
Your mother flatly refused to leave her house at first, she did not want to leave the little cabin that your father had built with his own effort so that both of them would live there and in the future raise their children, you always lived there and you did not want to leave either. But you never had a solid vote, your mother ended up agreeing from one day to the next, you did not know how Jimin managed to change his word so suddenly. Maybe there was never one reason, but you became all of them.
You were painfully present at all times. You observed how little by little, the wispy and wise glow that your mother possessed was getting lost between her empty eyes and her bent body, her head was never raised as she taught you it should be. She was a stranger, you felt scared in her presence. You remembered very well how her face seemed to light up when she saw you coming home from school and how she taught you something new every day.
"Mommy..." You spoke, your hands were still busy with the picture that you hadn't finished painting. But curiosity began to attack your mind.
Your mother came out of the kitchen with a little gray apron, she smiled when she saw you sitting on the floor. "Yes, honey?"
"Why do people get married?" Your gaze lifted from the sheet of paper, wincing at her glowing eyes.
"It depends, it's not necessarily for love. Maybe for money, comfort or ..." her voice trailed off, she still staring at you she leaned down to take your face in her hands. "Because they found someone, as cute as you!"
"Mommy ... I want to marry you!" Your mother began to laugh, your gaze traveled all over her face, joyful of hers and for a moment, you swore that you would hate anyone who dared to take away the great happiness of a genuine smile.
You finished your drawing, just in time because the front door echoed through the entire cabin. Your father appeared with a small drawer in his hands, your mother seemed to be illuminated with an angel when she saw him enter with a kind smile. Both were such for which. They were, more than lovers and husbands, lifelong best friends. Your life seemed to have something that many do not get even after death.
An outer and inner peace. It was perfect.
Almost so perfect, it wasn't true. White roses were always your favorites. However, you began to detest its soft light petals when it seemed that all the townspeople bought the same bouquet of white roses for the funeral of your, now, deceased mother. You took a seat next to her grave, ignoring everyone's greetings and goodbyes, who apparently forgot how her criticism of her increased even as the days, months and years of her wedding with Jimin passed.
You couldn't blame anyone. Or you just didn't want to.
Because the rope around his neck was not placed by them. And the multiple scars on his wrists weren't his marks. A small part of you felt helpless, angry and respectively, disgusted with yourself. Could you help her? Yes. No. Maybe if you had ... And he had stayed in the past.
The little white rose in your hand fell to the floor, everyone had left the room to go to the large buffet served at the reception. You froze, then with the same rage you began to step on the already dead flower at your feet, the petals of it were no more than a pure color, now they were disgusting and dirty. Jimin appeared minutes later, your gaze fell on his hand that was holding a black and a red rose.
"We should go, honey." He whispered as if afraid to scare you even though you were already looking directly at him. Your immobile figure instinctively ran into his arms, which greeted you with an incredibly loving warmth. The roses were placed on top of the coffin, a smile spread across your face when you saw the color red stand out against so much white, and for a second you came to compare the beauty of an outstanding color with your mother.
She stood out in a world where everyone wanted to paint themselves pure white.
Jimin was even more welcoming to you now. He pretended to sleep waiting for 11:30 to arrive so that he could hear your footsteps on the way to his room, you had developed a great amount of fear of loneliness. Jimin knew you always did that, but before it was with her instead of him. You would walk for several seconds looking in the dark for his room, which was next to hers, then I would always hear her voice singing for you, making you rest in his arms. For a long time, I want to be her. But now he was gone and I knew it was a matter of time before your steps stopped at his door.
She loved the closeness of your body to hers, how your hands clung to her nightshirt when you were cold or a horrible nightmare was projected into your dreams. Jimin horribly wishes he could see beyond your dreams, although that would be disrespectful to your privacy, he wouldn't mind breaking your trust too much if he could be sure that you would never walk away from him, even in your dreams.
He managed to chain your life to his, your scared look was the most beautiful thing I have seen before. I want to touch your little face and kiss your soft lips that tempted him every time the word "dad" came out of it.
Time was his greatest enemy.
Your presentation was no better, your hands were trembling again while your feet moved from here to there restlessly. Jimin just watched silently, but the distance between you and him was gigantic, he just wished that the damn bitch that was presented before him would shut up and leave his house. It was remarkable how you seemed angry, maybe it's jealousy, she has feelings for me. He thought sickly, a smile spreading across his face discreetly at his incoherent thoughts of him. The young woman sitting on the sofa in front of him smiled thinking that her talk had caused some pleasure in the young and widowed man.
Jimin admired her face, she was very cute, also she seemed to have good manipulation technique in people. She noticed it quickly when she walked through the door, her smile that seemed uncontrollable and genuine lit up his childlike face. He took a few seconds, he knew he shouldn't do it but he couldn't help comparing the woman to you. You were shorter, you were obviously younger and your gaze was more pure. Jimin was proud of your firm stance, knowing that in the two years since your mother's death you had developed a closer connection with him, and likewise, you were a beautifully perfect copy of him. Your hard gaze and your legs crossed with each other showed your firmness, and your silent opinion.
You wanted the fucking bitch sitting across from your stepdad outside your house.
You laughed at the very idea of one day finding a really good replacement for your mother. You couldn't replace a rose with bad herbs. For you, as selfish as he was, Jimin was your father, and he was your mother's love from the day he married her. No one would replace his position.
It was all three of them, and a part of your mind conned that Jimin still wasn't over the love he had for her. Or he would have remarried long ago, when the young women stood in front of the door of his house asking for a date with him. In those moments you didn't care, Jimin was a stranger, but now he was your father and you were his only daughter. No one had the right to ruin their harmonious relationship, they were both alone and someday serious like him.
You will be successful, you will make a lot of money and you will be able to marry someone you love.
But for now, your gaze fell on the little worn and dirty shoes of the woman in front of you. A smile crossed your face, your gaze lifted surprising the woman. While Jimin waited with his arms crossed for your following action.
"Woman." Your voice seemed to cut her tranquility, her face lost total color of life and a small grimace of fear passed over her fragile face. "I can't allow shoes like that to step on the carpet in my house ..."
The woman looked at Jimin who seemed indifferent, distracted by the painting on the wall.
"I'm sorry miss" she whispered trying to remove her shoes, his hands seemed more clumsy than usual. Her face burned when your hand moved closer to hers to prevent any further movement.
"Go away." A tiny part of you felt sorry for his embarrassed face and flushed cheeks. But it quickly came to your mind that she thought she was good enough to believe she was your mother. When she couldn't even challenge a stupid girl who acted like a spoiled brat. "Get out of my house, or I'll have to ask you not to just take off your shoes."
"I-sorry, I'll go now-..." A sob interrupted her dialogue, her hands searched for the notebook she was carrying but she gave up making a quick bow to Jimin and running outside.
The garden was your favorite part of the big house, the walls constantly made you believe that you were going to be eaten by them. Every day you came out of your lair admiring the many roses of many different colors growing beautiful and healthy. Your school stage was about to begin and you did not want to neglect your garden, which was also a tribute to your late mother.
So you hired a gardener. You were seventeen years old and soon to be eighteen. To say that you managed to experience the best of all those years was ridiculous, and deep down inside you, you thought that all of that was possible because of all the things Jimin did for you.
You had a debt, which you planned to pay in the future. You thought about leaving and letting him have a quiet life from now on without having to run to solve your problems, even if you never asked him to.
Jimin had eyes watching your every move, he clearly remembers how he put security cameras throughout the house, observing how you slept, what you did in the comfort of your room and privacy. Even when you walked into the shower and your hands ran over your body covered in water. Sometimes he felt guilty, for how he seemed to enjoy those moments that seemed so short.
However, it was repeated that as long as you were safe.
Breaking your trust wasn't that important.
Your eighteenth birthday was moderately quiet, Jimin was not used to throwing parties, and honestly, you never asked for one. So you just stood at the door of your house receiving expensive and cheap gifts from people who when they gave you the gift had a forced smile that told you many things. Most were familiar faces, of women who had previously sought a date with your father, obviously being rejected.
The little birthday cake looked so monotonous, the candles were the only thing you could stand out for. You were never aware that you had started to be privileged and extremely ambitious since Jimin proposed to your mother and forced her to marry him, pointing a gun at her pathetic silly little head. You had it all, and in your previous years maybe you managed to get excited about the new toys and accessories that were brought to you from other countries, you had everything that others did not, and a strange epiphany collapsed over you.
It was you, it was déjà vu. You were them, and those who were before, were now you.
You had all of them, and they didn't. Now, by your side, they were all poor. Jimin showered you with gifts, causing you to gradually lose interest in money. You remember your thoughts when it all started and likewise, you still remember the woman with the dirty shoes. You will be successful, you will make a lot of money. It was what you thought in the future for yourself, but now that was it, in a nutshell. Completely boring. You stayed for a moment thinking about them under the watchful eye of your stepfather who tried not to smile when you saw you, you were an adult now and he could finally take you as his own. They would be husband and wife, as it should have been from the beginning of its history.
And you will be able to marry someone you love. You still had only one option left, you blew out the candles with a single sigh causing Jimin to clap his hands and approach you to hug you fondly. The maids behind you only blushed when his boss started showing all of his affection. They weren't used to seeing him so often, Jimin had a firm and tough stance with everyone but he seemed to become as soft as clay in your presence. You came to mold Jimin in your favor, making him a cold person in front of his own demons and then, you left yours.
"I want marriage proposals, father." A gasp came from the mouths of the maids who just immediately fell silent. Lowering their head as they were taught. "I am ready to get married."
Jimin hummed still keeping his arms around you, your body was trapped in theirs. Your skin burned when his fingers squeezed your skin, leaving permanent marks. There was no reaction from you, you were used to this kind of unexpected treatment and it just didn't hurt.
"Get married?" His arms pulled away from you in disgust, there was no other reaction either. Jimin taught you not to object unless you knew you should. Stay calm and you will win. "And can you tell who would want to marry you? Useless little girl."
"Useless?" Your low voice seemed to make him happy for a moment.
Quickly his hands took the utensils to cut the cake, with a soft and sweet voice he continued: "Honey, men do not look for a girl with a lot of money like you. They look for someone to tame, and you, you could easily crush everyone with a wave of your hands."
A piece of the cake perfectly positioned on the plate was placed in front of you, a sob escaping your lips. You were really pathetic, eh? You clearly wanted to live something that has been claimed many times. You weren't going to get married, not without having it all like Jimin said. Then, you would lose everything and go back up to crush the others with greater pleasure.
"Aren't you going to eat? It's your cum-..."
"I will go to a neighboring town, I will finish my studies there."
Jimin looked down at his plate, ignoring how you got up from the table and put your cake aside. Then, your sweet voice finished destroying his self control that he thought he mastered long ago.
"I never liked that cake taste."
And it was the end.
You went back to the start again. You were planning to leave tonight, your bags were ready. Everything you needed was never in that house, it was never him. They were those that never existed in your present continued.
Your shoes did not seem to contrast with the dirt on the town's floor, you were also aware that those would end up in the trash. You didn't care, they were just shoes Jimin bought for your birthday, insignificant.
People were observant, and often foul-mouthed. It was no different than they spoke far from you or close to you, yet their mouths moved in a fussy way exaggerating reactions and creating new lies.
"_____...?" Your posture was decreasing, you no longer had to pretend. A smile covered your face, framing many emotions in one. "Come in please, it's your house."
Peter stepped aside, leaving room for you to enter. Your hands trembled but this time from cold, you still did not get over the harsh winter that suddenly passed. You took your shoes off quickly, briefly forgetting that this was no longer your home. You had sold the little cabin at a minimal price, and you were even happier when it was Peter who chose that place as his future home to live with his wife and his future child. Now he had two more. The little children ran in the tiny room playing with each other, a feeling of nostalgia invaded you when you saw them. You used to do the same before, together with your parents.
Those moments.
"Glad to see you around here, daughter." Peter hadn't changed, he was still the same kind and understanding person as ever. The opposite of you, of course. "Do you want to have tea? I heard on the streets that you would go to study far from here."
"Coffee, please." You responded still reluctant to talk about your departure.
Peter just laughed at your exaggerated denial, nodding and leading into the kitchen. You took a seat at the small table looking around. "You didn't change the decoration."
"Uh? ...." He seemed surprised by your observation, but he quickly smiled. "No. Actually, I think I liked it from the beginning how your ... er ... your mother decorated it. Besides, my wife loved it too. For her, it's beautiful as spring."
"Spring?" You ask, avoiding looking at it. You look down looking for some reason not to feel sad, in a way, you had compared your mother to spring as well. However, Jimin said that you were his. You never liked being called a light, because you always tried to be in your mother's shadow. And you liked it. "She believed that she is very wise, my mother was like spring."
"Thanks." A voice whispered from behind, your gaze fell on her and her face very much like your mother's. But they were obviously completely different. "I never doubted that you were just as wise. Spring represents the new beginning, a new beginning. Did you manage to find yours?"
Peter tried to intervene, clearly noticing the way his wife was trying to make you talk about your life after your mother died.
"I did. That's why I'm leaving here tonight."
"I'm glad we all need to be born again at some point."
You affirm with a small movement of the head, concentrating your gaze on the coffee cup in your hands. The smoke fell directly on your face hiding your grimace of disgust. Nobody deserves to talk about her like that yet.
"Ok, honey." Peter began by sitting across from you, with a cup of green tea and a serene expression. "Are you planning to go alone or with someone? I heard that travel today is very dangerous."
"Actually, I am accompanied by an acquaintance. His name is Jungkook, he also planned to leave and started working for me as a gardener to get the necessary money. We became good friends." You spoke remembering the adorable smile of the young man, he used to accompany you everywhere you went as if his job was to protect you. At first it was cute, but then it was annoying. Even after all that, you preferred to travel with him rather than alone.
"Oh that's very nice. I'm glad you managed to meet your goals. Good luck."
Your goals?
"Thanks, Peter."
His gaze lingered on your face for a moment, then he seemed to remember something very important. She gave you a smile before getting up to leave the kitchen.
"I have something for you, you are old enough to know this."
It was an envelope. Common and ordinary, but its envelope was beginning to deteriorate, showing that it was an old and very reserved letter.
You questioned your decision but took it, not wanting to read it in front of anyone even more when you read who wrote the letter.
You sat on the small wall, the trees and the cool breeze boosted your adrenaline. Small pieces of paper fell to the ground. So, you weren't thinking correctly at those times.
"I only married a man that I loved in all my life, I was happy. I had a daughter. I lived years of solitude and then, I was chained to an empty love."
"I know what you're reading this now. You're weak, darling. Maybe that's what made us mother and daughter. Because from the beginning I never had the courage to tell you that Jimin put a ring on my finger and a gun to my head. Or maybe, I was weak when I didn't get in the way of his errand, I should have told him that I hated him and that he could put a bullet in my head before giving it to my daughter. And maybe, I should have told everyone who passed by me that He was the same one who murdered my husband, he never left. I made you believe that. You never asked. "
"I saw you so happy today, you were running between the garden and the wedding. I could see his gaze following your hurried steps, I was almost completely sure that he was trying to get closer to you at all times. I told the woman next to me, But she shut me up saying that I can't be jealous of a father and daughter relationship. You weren't her daughter. She also ordered me to let them create a closer relationship, because I already had Park Jimin's heart in my hands. Liars."
"I always loved your curious voice. You used to ask me everything, and why everything was like that. But lately, I don't know what to answer. Why am I crying? Why is there a dark stain under my eyes? Why is there blood in the bathroom? Why did I never ask for help? I see you worry and you don't let me give you affection, because you prefer to give it to me. I also see how I start to bother him, I am a hindrance. Now I understand, I knew it but I never wanted to accept that it happened. He was everywhere, and likewise, I was never part of the plan."
"There were only two things I didn't tell you. I love you and my last piece of advice. Honey, lock it up and fly to the start, whenever you feel lost. A fresh start and never forget spring."
You stifled a sob. Covering up your pain. You had not noticed that the night had covered the sky, a dark blue blanket arrived. It took you a long time to assimilate that all the fragments were torn papers, and it was not a letter. It was an envelope filled with, apparently, incomplete sheets torn from a notebook. There was a fragment that was not part of the leaves, but rather was written later.
"Lost parts of a sad widow's diary.
Peter."
They were from your mother's diary. So where was the rest? What actually happened? A message came to your phone, you read it quickly still drying your tears.
JUNGKOOK:
Our trip is in an hour, I hope you said goodbye to everyone.
Received at 7:05 p.m.
I still do not:(
Received at 7:06 p.m.
Along with both messages was an attached picture, a photo of him and his grandmother. Jungkook talked a lot about her, and hers, her brothers. You smile, still wiping the tears from your face.
Your feet moved, the leaves in your hands seemed too heavy. And yet it was something you needed to do.
"Are you at home." His monotonous voice invaded you, he was busy reading a book that rested in his hand. The maid came over leaving a cup of coffee beside him, greeting your presence politely. "I have some things to discuss with you, darling."
"Me too, Jimin." It was the first time you had said his name without due respect, he seemed surprised for a moment. But his expression changed to one of happiness, as if he had been waiting for it. "I couldn't say goodbye, I'm leaving today. I think you already know that, though."
"Actually, no. But it's nice to hear it from you."
"I ..." Your voice dried in your throat, a giant doubt fell over you. You didn't want to leave without telling him how much you hated everything about him. His attention, his affection, his smile, his gaze, his voice. Everything about him was disgustingly charming. "I think I'll go get my bags."
Jimin nodded, ignoring your presence. Still distracted with reading him.
"Before you go, can you give me that back, darling?" Your gaze followed where he pointed his finger. Your hand. The leaves were still there.
"It's something of mine-..."
"Oh I don't think so. It really is very easy to threaten someone, just suffice to say that you can put a bullet in their head to make them your obedient little puppets."
"I do not understand your..."
"Me? It was obviously me. I'm surprised you thought your mother would be smart enough to leave a confession letter to her ex-lovers, days before her death. You really had a lot of credit for her." His chatter was accompanied by a laugh. You were paralyzed, shaking in your useless state of shock. "But I will not say that I did not plan, I hoped that you would never have the courage to try to leave my side. And even if that were the case, I knew that you would say goodbye to the only person who reminded you of her. Peter, she has a family. lovely."
Nor did he expect you to have the courage to cheat on him with another man. Oh, the gardener. Poor Jungkook, his body now rested leaving behind your favorite flowers. Jimin bit his lip, another mocking smile peeking out with intensity remembering the cutthroat figure of the innocent but guilty young man.
You were his...
"How can you be so cruel?" The doubt in you seemed to want to keep growing, passing second by second through your head. You weren't sure you could understand that everything that happened in front of you was actually planned by the same person who swore never to leave you alone. The same man who disguised himself as a sheep so he could eat you like a wolf. "Did you kill my mother ?!" Jimin seemed surprised by your desperate tone, he did not expect to be able to unbalance your state so easily.
It was lovely. Certainly.
"No sweetie." He murmured closing the book in his hands, setting it on the table next to the steaming cup of American coffee. "But it would have been exquisite to be the reason for his pain. Unfortunately, it was your father who won that title."
"Where did you get this from? I know she wrote it, and I also know that she would never give it to you knowing what a monster you are." Tears were running down your cheeks like water, you knew you were a mess but Jimin seemed to look at you like you were a perfect work of art.
"I found it." He spoke casually, getting up from his seat. Walking slowly towards your trembling figure. "It was a coincidence, I like casual things. It was a coincidence that you studied at that school, that your mother was a widow, that your father died. That he will make me fall in love with you."
What is your goal now?
"I love you darling."
Escape from the monster.
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