#every SINGLE WAY it can go wrong

[evilminji]

Speaking of Summoning?

We don't see people fuck it up enough. Or CAPTIVES deliberately fuck up their captor's work. Like? Yeah, you are hogtied so tight you look three parts chain to one part man, but you can still WIGGLE.

Aggressively wiggle over that rune until it's too blurry to function! Kick at it with your heel until you scrape the paint! Smear that shit around! You're not here because you WANT to be! Fuck being a polite hostage. Make their life difficult!!!

Or BETTER?

The "$4000 bucks for chalk" take!

It's not the MATERIALS that make John "fuck you" Constantine a force to reckoned with. It's the DECADES of time, training, mistakes, fuck ups, FIXING those mistakes and fuck ups, then surviving the resulting fires.

Any idiot with a voice and some poor impulse control, can use most of those books.

John is GOOD at what he does, because he SURVIVED it. Knows when to stop. What to fuck up on purpose. HOW to do it. And what the results will be.

You're not impressive because you can light your dick on fire with magic.

You're just an idiot.

And when some "you are held back by your FEAR~!" Delusions of grandure fucko, one AGAIN crawls out of the muck like he's something God damned special, and not on the quick bus to a gory unspeakable end? Plays fast and loose with things that SHOULD NOT be let free? Yeah, John exhausts himself keeping millions of people from learning what the inside of Hell looks like.

Wakes up here.

Honestly surprised he wakes up at all.

Most of Dark is here. And Every Single One looks UNSPEAKABLY pissed. Like they got chewed on by a tree thrasher. That was probably on fire, given half the burns he's seeing.

The bastards monologuing, probably thinks they're hanging off his every word. Arrogant prick. Mostly though it's just intense eye contact and eyebrow charades over gags. Head gestures. Seeing who has what and if anyone's concussed. Honestly? You get good at shit like this, after a few too many times bound and gagged.

First mistake always is and has been, not killing them when you had the chance.

But... Zatanna is looking way too pale. And when she sharply gestures with her head? He sees WHY.

Blood on the floor. Not random. Just shitty, shitty writing and no binding agents. Oh sweet merciful fuck. It's not even CHARGED. No grooves to HOLD the blood in a way to keep most of it away from the air. Just splatter painted with some cheap brush on the unscrubbed floor, mixing and contaminated by god knows what, IN LAYERS.

Because it keeps drying.

Because OF COURSE IT KEEPS DRYING, YOU FUCK.

You are DOING IT WRONG.

Is he using THEIR blood? Oh sweet fuck he is. Are you ser-!? One of them is a CHIMPANZEE! Blood's blood literally changes! John's is fucked up! This idiot really things you can just slap it down like PAINT and trot off on your merry lil way, doesn't he? Why don't you just throw "Chemicals" at it next! Big ol bag of whatevers on hand!

At least he has people to share his outrage and horror with.

Oh god, is he STILL talking? Really. REALLY? How long has he...?

Wait. WHAT.

Crazy pants has "found" (more likely was lead by the nose too) a way to True Name Summoning people?! As in "kidnap from literally anywhere and bind them to your will, because unlike normal Summoning Targets they can't fuck off back home under their own power, so it's either submit or stay trapped until you die"??! Oh fuck. Oh shit, oh fuck.

And, OF COURSE, he's going to TEST his new fun trick?

On the Justice League.

Fucker, turns and starts chanting. John is closet, but everyone throws themselves forward. Even though none of them can really move, they have too TRY. His eyes shoot around the shit writing. Trying desperately to make out familiar symbols. Anything. Something. THERE!

He never thought he'd be grateful for all those far too drunk nights and pounding morning hangovers. But he is FAST wiggling across the floor, scrunching and swinging himself around, too sharply scrape the heel of his boot at the concrete floor, just inside that omenious off color Summoning. The layers of blood, painted down again and again to keep the "fresh", stick together like paint chips. Are raised just enough, his shoe tred catches, and all but pops the rune he's aiming for clean off.

Power surges as the spell completes.

He yanks his foot back before he runs the risk of losing it.

The light flares. And between one moment and the next? There are white hazmat boot standing just on the other side of the writen line, from John's face. He looks up into a young, pallet swapped, face. Nightwing, younger then he should be, wrong colors, different uniform. Confused look on his face quickly melting to that familiar "someone's about to get their ass kicked" look as he assesses the situation.

John grins like the MEANEST lil shark. (And yes, he DID steal this look of an ex.)

It WORKED.

Because half the people behind the kid? Not THEIR League. Hero's, yeah, he left that rune alone. But the "civilian identity" that was tied up in the "of this reality" one? Whoops! Guess it was forced to grab any applicable version of the Hero, from the Multiverse, who WASN'T currently off duty. Sure hope your bindings work on THEM!

AND it didn't tip off every single hero OFF duty!

The kid steps over the binding line, bends down, and snaps the chains around John with his bare hands. Offers him a hand up. He takes it. Gets a front row view of alternate versions of his colleges testing to see who is and isn't able to step out. Quiet a few are. Oh dear~, oh dear~. All these Heros! What's a lad to do, huh chucklefuck?

They would like a word.

@nerdpoe @the-witchhunter @hypewinter @hdgnj @mutable-manifestation @lolottes @babbling-babull

[skunkes]

that "i wish that being aware of a mindset being ridiculous would make it easier to snap out of it" post hitting hard every single day

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[averagemrfox]

Yea ok. The pink haired twink is back at it again.

Of course I don’t want Seiko to lose her powers but I’m of the opinion that the reason she looks so young is related to whatever her powers are and I will feel so much vindication if that turns out to be the case.

[natsmagi]

adding onto my last rant from a while ago a little bit, it is fascinating how many people in this fandom completely miss the point of tsumugis character and misconstrue what hes actually about which, ironically, is just what eichi did. and its done in such a similar fashion too, such as making assumptions about his motives, his family relationship, and missing the point in why he chooses to look the way he does. and, time and time again, eichi has been proven to be WRONG about tsumugi. he misunderstood him deeply, and now its eichi whos stuck mourning the past while tsumugi has long since moved on, not the other way around, as tsumugi is on the path of getting his happy ending. and i dont get why people keep trying to take this positivity from him

(s. element epilogue 2)

[brick-van-dyke]

If there's one thing I've respectively noticed from Zionists and defenders of Israeli war crimes, it's that every source, argument and potential avenue to explore each explanation is riddled with cherry picking, moving the goalposts and mental gymnastics to explain why their conclusions, which typically are barely even related to the sources they use, somehow overshadow literal reality and what we see with our own eyes.

While scrolling, one example I came across was the repetitive misrepresentation of BLM, antifa and quotes from Martin Luther King Jr, as well as statistics, scholarly journal articles and government website information. These are all good sources, yet every single time they're mangled completely until the only possible "interpretation" of any of them is "well Israel is right to defend itself after shorting rockets beforehand because the retaliation was brutal and all Arabs are bad by default therefore". As if any of these sources are even about individual exceptions of Israel versus hatred towards Arabs.

I think what I find most absurd, as someone in the middle of their own studies, is how every bit of critical thinking and logic goes out the window as they do every single thing possible to do what professors worldwide say NOT to do when evaluating sources. It's like watching a race to see who can tangle and misconstrue scientific information to fit their world view the fastest. Then said people say "um actually I studied at university before so it's actually not wrong that I'm doing this exact this everyone is warned not to do because I have a permit". Ignorance I can forgive, but willful and arrogant manipulation? That's another thing entirely.

[st4rstudent]

i feel somewhat responsible for this, even if i’m not the one saying these things. I’m genuinely so sorry.

No need to apologize! It's not one singular person doing it and truth be told I don't think it's a large majority that thinks that (albeit the ones that do are quite vocal). I didn't mean to upset anyone or anything when complaining about it, I was just letting off some steam.

Having a yap session under the cut sorry I feel like rambling under your ask anon.

Admittedly, I do think there are reasonings for people thinking this way. A lot of the focus with Clash has been on the cogs, especially after the 1.3 update. Which I can't say I blame them! Managers were something new and exciting and (from what I can tell) really separated them from the other servers. I don't blame them for wanting to put focus on that because that was their thing. Alongside other things, but majorly when you hear Clash the managers are mentioned in someway shape or form. But as we all know, toons ended up taking the short stick from this. This isn't helped by the gameplay itself, being mainly a fetch-quest deal so you often only talk to npcs once or twice unless if they're repeated ones and the taskline wasn't entirely accessible on the wiki for a while (shoutout to the wiki maintainers. The taskline script is a savior). Which I'm quite excited to see if they deal with this issue with the rewrite. I imagine they will, but anyways. Social media posts would often contain more managers than toons, which I also believe they're starting to fix. And ontop of this, I believe most of the team in the early era of the sever is gone, so there's been some stuff lost in the change. So yeah, dialogue/writing has been kind of rocky. AGAIN- I am completely aware of the rewrite going on and I am not judging them harshly based off of their current state. I'm very appreciative of the fact that they took the time to listen and are focusing on trying to fix it up. And then there's also fandom mischaracterization- especially of the cogs. Forgive me for mentioning mischaracterization because normally I wouldn't really care (I've mischaracterized characters before..especially in my younger years. I think it's just a process of learning an having fun and I hate to limit anyone because of it). With that being said, there's a lot of baby-fying and coddling of the managers. Especially with those who have more 'sympathetic' stories (Misty, Chip, Winston specifically). Don't get me wrong, I like these characters and I can appreciate the story they're trying to tell, but I feel like so many people will hear their dialogue and then misplace their anger. People get mad at Bessie for trying to protect HER lighthouse or at the Elders for trying to keep YOTT safe (lets not forget Winston was there to brainwash toons). Yes, yes technically there would've been better ways to do it but consider this: The toons are scared. Their homes, stores, lives are being taken over by a big corporation that has more resources that they do. They don't have the privilege of waiting, seeing, and gathering. And then people forget that the company has such a huge role in both toons and cogs lives. If you're mad over the mistreatment of Misty or the fact that Winston is still in the dungeon, your anger should be directed at the company who doesn't care. I may be completely wrong in saying this, but I feel like the stories with almost all of the managers is a reflection of the company. The toons are only trying to protect themself and their environments and yet this seems to go forgotten when people start bashing them. And of course, I'd consider myself a toon guy so me saying all this and complaining may come off as "I HATE the cogs and everyone who posts only about them!" and for clarification that's not true. You all know how much I like that little brain thing. The cogs are interesting, their designs are fun, I don't blame people for liking them because I do too. I just wish that the thought process behind so many of these discussions wasn't so cog focused because I believe that this anger at the toons for, RIGHTFULLY, defending themselves helps push this mischaracterization of them as a whole. That they're mean, boring, unlikeable while the opposite is true. Yes there are some, what I'd consider, "filler" dialogue from the shopkeepers. This is just because of the gameplay. But there are some funny and cute moments with them if people would just listen and read.

Which also brings me into another point: people skip the dialogue. I've caught myself doing this before (on my first account. I have 4 accounts total, so I reread the dialogue on like 3 of them). But people will complain about lack of toon personalities while doing this. It's like reading through a comic book, only looking at the drawings, and then complaining because there "isn't a storyline". Luckily, there's been efforts to keep track of the dialogue on the wiki but I doubt a lot of people are going through and reading the entire script. It just feels very disingenuous to criticize the dialogue when you haven't even read it. Likewise, people don't seem to read the blogposts either. This is both from a dialogue aspect and from an update aspect (people continuously asking about hammerspace/mix-and-match under unrelated posts).

[sovonight]

why is so much of sewing just tracing and cutting and tracing again q_q i see why people get projectors and use adobe illustrator now

[martyrbat]

habeas corpus – detective comics #1086

(ID in alt!)

[lucky-clover-gazette]

sometimes i just kinda sit there and think about how it is genuinely difficult for me to conceive of myself being desired

[transmascutena]

rgu is not actually very hard to understand, but i do get why it's gotten that reputation. there are certainly things about it that are difficult to wrap your head around, like if you focus a lot on specific symbols. but the emotional core of the story, a narrative about abuse, should be pretty clear to anyone who watches it.

[itspileofgoodthings]

✨

[gibbearish]

btw its interesting the way james tries to imply that like. well the videos that have plagiarism are the ones our dumb stupid annoying patrons requested about bad topics that didnt deserve to have the effort put in to covering them well so basically its fine. like obv thats interesting on its own but moreso the fact that he doesnt actually /say/ it, or like. give a list of the videos hes referring to, just says "those videos are very clear on which ones they were" i think as a nod meaning like "yknow the ones everyones talking about". unless what hes meaning is that like they put a note in certain videos saying "this video was requested by a patron, we here at james somertom incorporated do not espouse these views" which seems unlikely to me. idk methinks maybe it's because there is indeed a lot more than people think and with all the buzz he's not sure which ones have been discovered yet or not, so putting down a solid list that missed some would look like he was still hiding things whereas putting down a fully sourced list would be admitting to wayyyy more than anyone's found yet

[ryuseitai]

Hi Alex my boyfriend is shy and he was wondering what story you’d recommend to start off with when reading up on Ryuseitai specifically, given that he’s someone who hasn’t finished a single one, and he’s scared to just pick one because he’s weird. And asked me to ask you because you are ryuseitai. Thank you ♡

WAH THIS IS SO SWEET!! hello perce and also theo though he is shy. im so incredibly honored to be asked this.. but hmm let me think... personally the first ryuseitai story i read fully myself was meteor impact Actually that was the first enstar story i read fully at all. Ever. but i dont think id specifically recommend that to start. sweet halloween is another of the first i read + one of my favorites in general and is more casual and silly https://310mc.github.io/sweet_halloween/ ALSO climax is soso good esp for getting to know the dynamic in the unit itself and is very important in their overall plot and setting up their entire arc throughout !! era https://310mc.github.io/climax/ but it also makes me ugly cry beware. But its good so good..!!!

[cleradinel]

here have my favorite top three byler moments™ from the cast as a treat <3

[wildsaltair]

Maximus I am already yours, you don’t need to keep leading a full scale assault on my heart every single day