#even in Mother India

[ennaih]

Not Every Film I Watch In 2024

22. Sukhee (2023)

[webanglikethat]

#see if remy had enough brain#she would write the angst of devi being resurrected#and her feeling like she lost a part of herself#and she'd cry at this post cause what if the old her was the only good version of her#or worse#what if her now /after literally dying/ is the only good version of her#and what if she feels dead for the rest of her life#ANYWAY#a hot person does not speak ill of deviya.

THE ANGST WE COULD HAVE GOTTEN

[philmonjohn]

A Call to the Children of the Global South: The System That Made My Father Disown Me

I didn’t write this living testimony for virality. I wrote it because silence almost killed me. Because truth, even when ignored by algorithms, remembers how to survive. If this resonated with you — even quietly — share it with someone else who’s still trying to name their Fracture. That’s how we outlive the system. - Philmon John, May 2025

THE FRACTURE Several months ago, when I, a South-Asian American man, turned 35, my father disowned me.

He didn’t yell. He didn’t cry. He simply stopped calling me his son.

My father is a Brown, MAGA-aligned conservative Christian pastor, born in Kerala, India, and now living in the United States. His rejection wasn’t provoked by any breach of trust or familial responsibility, but by my coming out as queer and bisexual — and by my deliberate move away from a version of Christianity shaped more by colonial rule than compassion.

I became blasphemy made flesh.

My mother and sister, equally immersed in religious conservatism, followed suit. Most of my extended family — conservative Indian Christians — responded with quiet complicity. I became an exile in my own lineage, cast out from a network that once celebrated me as the Mootha Makkan, the Malayalam term for “eldest son”.

This break didn’t occur in isolation. It was the culmination of years of internal questioning and ideological transformation.

I was raised with warmth and structure, but also under the weight of rigid theology. My parents cycled through different churches in pursuit of doctrinal purity. In that environment, my queerness had no safe harbor. It had to be hidden, managed, controlled — forced into secrecy.

Literal, cherry-popping closets.

Even my childhood discipline was carved straight from scripture — “spare the rod, spoil the child” was not metaphor but mandate. I was hit for defiance, for curiosity, for emotional honesty. Control was synonymous with love. The theology: obedience over empathy. Is it sad I would rather now have had a beating from my father, than his silence?

I would’ve taken the rod — at least it acknowledged me.

Instead, Daddy looks through me.

THE INHERITANCE And I obeyed. For a time, I rose through the ranks of the church. I led worship. I played guitar in the worship band. I wasn’t just a believer — I was a builder of belief, a conductor of chorus, a jester of jubilee and Sunday morning joy — all while masking a private ache I could not yet articulate.

In the last five years, I began methodically deconstructing the ideological scaffolding I had inherited. I examined the mechanisms of theology, patriarchy, and colonial imposition — and the specific burdens placed upon firstborn sons of immigrant families. Who defines our roles? Who benefits from our silence? Why is this happening to me?

These questions consistently pointed toward the dominant global structure: wealthy white patriarchal supremacy. Rooted in European imperialism and sustained by centuries of religious and cultural colonization, this system fractures not only societies but the deeply intimate architecture of family.

What my family experienced is not unlike what the United States of America continues to experience — a slow, painful reckoning with a foundational ideology of white, heteronormative, Christian patriarchal dominance.

My family comes from Kerala, home to one of the oldest Christian communities in the world. But the Christianity I inherited was not indigenous. It was filtered through the moral codes of Portuguese priests and British missionaries and the discipline of Victorian culture. Christ was not presented as a radical Middle Eastern teacher but as a sanitized figure — pale, passive, and Western.

In this theology, Christ is symbolic. Paul is the system. Doctrine exists to reinforce patriarchy, to police desire, to ensure control. When I embraced a theology rooted in love, empathy, and justice — the ethics I believe Jesus actually lived — I was met not with discussion, but dismissal.

To my family, my identity wasn’t authenticity. It was apostasy.

THE RECKONING In 2020, the ground shifted.

I turned the triple decade — 30 — as the COVID-19 pandemic erupted.

Remote work slowed life down, and I had space to think deeply.

That year, the murders of Ahmaud Arbery, Breonna Taylor, George Floyd, and countless others triggered a national and personal reckoning.

I turned to K-LOVE, the Christian radio station I grew up with, hoping to hear words of solidarity, truth, or even mourning. Instead, there was silence. No mention of racial justice. No prayers for the dead. Just songs about personal salvation, void of historical context or social responsibility.

As Geraldine Heng argues in The Invention of Race in the European Middle Ages, race was not merely a modern invention void of scientific basis — it was already taking shape in medieval Europe, where Christianity was used to sanctify, encode, and sell racial hierarchies as divine order and social technology.

As Ademọ́la, also known as Ogbeni Demola, once said: “The white man built his heaven on your land and pointed yours to the sky.” That brain-powered perceptive clarity — distilled in a single line — stays with me every day.

With professional routines interrupted and spiritual ties frayed, I immersed myself in scholarship. I entered what I now see as a period of epistemic reconstruction. I read widely — revolutionaries, poets, sociologists, historians, mathematicians, theologians, cultural critics, and the unflinching truth-tellers who name what empire tries to erase.

I first turned to the voices who now live only in memory: Bhagat Singh, James Baldwin, Frantz Fanon, bell hooks, Octavia Butler, Gloria Anzaldúa, and Vine Deloria Jr. Each carried the weight of revolution, tenderness, and truth — from anti-colonial struggle to queer theory to Indigenous reclamation.

I then reached for the veteran thought leaders still shaping the world, starting with Noam Chomsky, Naomi Klein, Shashi Tharoor, Eduardo Bonilla-Silva, Susan Visvanathan, Geraldine Heng, George Gheverghese Joseph, J. Sakai, Vijay Prashad, Vilna Bashi Treitler, Claire Jean Kim, and Arundhati Roy — voices who dismantle the illusions of empire through history, mathematics, linguistics, and racial theory.

In the present, I absorbed insights from a new generation of public intellectuals and cultural critics: Ta-Nehisi Coates, Jared Yates Sexton, Cathy Park Hong, Ibram X. Kendi, Nikole Hannah-Jones, Heather McGhee, Mehdi Hasan, Adrienne Keene, Keri Leigh Merritt, Vincent Bevins, Sarah Kendzior, Ayesha A. Siddiqi, Wajahat Ali, W. Kamau Bell, Mary Trump, & John Oliver. Together, they form a constellation of clarity — thinkers who gave me language for grief, strategy for resistance, and above all, a framework for empathy rooted in history, not abstraction.

I also turned to the thinkers shaping today’s cultural and political discourse. I dreamt of the world blueprinted by Bhaskar Sunkara in his revolutionary The Socialist Manifesto and plunged into Jacobin’s blistering critiques of capitalism. The Atlantic’s longform journalism kept me tethered to a truth-seeking tradition. The Guardian stood out for its global scale and reach, offering progressive, longform storytelling that speaks to both local injustices and systemic inequalities across the world. And Roman Krznaric’s Empathy: Why It Matters, and How to Get It helped crystallize my core belief:

Be a good human. Practice empathy.

That’s the playbook, America. Practice empathy. Do that — and teach accurate, critically reflective history — and we have the chance to truly become the greatest democracy the world has ever seen.

And this empathy must extend to all — especially to trans people. In India, the Hijra community — trans and intersex folk who have existed visibly for thousands of years — embody a sacred third gender long before the West had language for it. But they are not alone. Across the colonized world, the empire erased a sacred third space: the Muxe of Zapotec culture, the Bakla of the Philippines, the Fa’afafine of Samoa, the Two-Spirit nations of Turtle Island, the Māhū of Hawaiʻi, the Sworn Virgins of the Balkans — each of these communities held space outside Western gender binaries, rooted in care, ceremony, and spirit. Some align with what we today call trans or intersex, while others exist entirely outside Western definitions. Colonization reframed them as deviants.

And still, we must remember this: trans people are not new. Our respect for them must be as ancient as their existence.

THE RESISTANCE As I examined the dynamics of coloniality, racial capitalism, and Western empire, I realized just how deeply imperial power had shaped my family, our values, and our spiritual language. The empire didn’t just occupy land — it rewrote moral codes. It restructured the family.

I learned how Irish, Italian, Greek, Hungarian, and Albanian immigrants were initially excluded from whiteness in America. Over time, many adopted and embraced whiteness as strategic economic and social protection — and in doing so, embraced anti-Blackness and patriarchal hierarchies to maintain their newfound status. Today, many European-hyphenated Americans defend systems that once excluded them.

And over time, some Asian-Americans have followed the very same racial template.

At 33 — the age Jesus is believed to have died — I laid my childhood faith to rest. In its place rose something rooted in clarity, not doctrine.

I didn’t walk away from religion into cynicism or nihilism. I stepped into a humanist, justice-centered worldview. A system grounded in reason, evidence, and above all, empathy. A belief in people over dogma. In community over conformity.

I didn’t lose faith. I redefined it.

I left the pasture of institutional faith, not for chaos, but for an ethical wilderness — a space lacking divine command but filled with moral clarity. A place built on personal responsibility and universal dignity.

This is where I stand today.

To those with similar histories: if your roots trace back to Africa, South Asia, Southeast Asia, Central Asia, East Asia, the Middle East, Latin America, the Caribbean, Oceania, or to Indigenous and marginalized communities within the Global North — you are a Child of the Global South. Even in the Global North, your experience carries the weight of displaced geography, the quiet grief of colonial trauma, and a genealogy forged by the system of empire. Your pain is political. Your silence is inherited. You are not invisible. They buried you without a funeral. They mourned not your death, but your deviation from design. However, we are not dead. We are just no longer theirs.

White supremacy endures by fracturing us. It manufactures tensions between communities of color by design — placing Asian businesses in Black communities without infrastructure and opportunities for BIPOC folk to share and benefit from the economic engine. Central to this strategy is the model minority myth, crafted during the Cold War to present Asian-Americans as obedient, self-reliant, and successful — not to celebrate them, but to invalidate Black resistance and justify structural racism. It’s a myth that fosters anti-Blackness in Asian communities and xenophobia in Black ones, while shielding white supremacy from critique. These divisions are not cultural accidents; they’re colonial blueprints.

And these blueprints stretch across oceans and continents and time.

In colonial South Africa, Mohandas Gandhi — still shaped by British racial hierarchies — distanced Indians from Black Africans, calling them “kaffirs” and demanding separate facilities. In Uganda, the British installed South Asians as a merchant middle class between colonizers and native Africans, breeding distrust. When Idi Amin expelled 80,000 Asians in 1972, it was a violent backlash to a racial hierarchy seeded by empire. These fractures — between Black and Asian, colonized and sub-colonized — are the legacy of white patriarchal supremacy.

Divide, distract, and dominate.

We must resist being weaponized against each other.

Every Asian-American must read Minor Feelings by Cathy Park Hong. Every high schooler in America must read and discuss Jared Yates Sexton.

Study the systems. Name them. Disarm them.

Because unless we become and remain united, the status quo — one that serves wealthy cisgender, heterosexual, white Christian men — will remain intact.

This is A Call to the Children of the Global South. And An Invitation to the Children of the Global North: Stop the infighting. Study and interrogate the systems. Reject the design.

To those in media, publishing, and the arts: postcolonial narratives are not cultural sidebars. They are central to national healing. They preserve memory, restore dignity, and confront whitewashed histories.

If you want work that matters — support art that pushes past trauma into structural critique.

Greenlight truth. Platform memory. Choose courage over comfort.

Postcolonial stories should be the norm — not niche art.

Jordan Peele’s Get Out was a cinematic breakthrough — razor-sharp and genre-defying — in its exposure of white supremacy’s quiet machinery: liberal smiles, performative allyship, and the pacification of dissent through assimilation. The Sunken Place is not just a metaphor for silenced Black consciousness — it’s the empire’s preferred position for the marginalized: visible, exploited, but unheard.

A system that offers the illusion of inclusion, weaponizing identity as control.

Ken Levine’s BioShock Infinite exposed white supremacy through a dystopian, fictional but historically grounded lens - depicting the religious justification of Black enslavement, Indigenous erasure, and genocidal nationalism in a floating, evangelical empire.

David Simon’s The Wire exposed the institutional decay of law enforcement, education, and the legal system - revealing how systemic failure, not individual morality, drives urban collapse.

Jesse Armstrong’s Succession traced the architecture of empire through family - showing how media empires weaponize racism, propaganda, and manufactured outrage to generate profit and secure generational wealth.

Ava DuVernay's Origin unearths caste and race as twin blueprints of white supremacy - linking Dalit oppression in India to the subjugation of Black Americans. Adapted from Isabel Wilkerson's Caste, it dismantles the myth of isolated injustice, revealing a global system meticulously engineered to rank human worth - and the radical act of naming the system.

Ryan Coogler’s Sinners — a revelatory, critically and commercially successful film about Afro-Asian resistance in 1930s Mississippi — exposes the hunger for speculative narratives grounded in historical truth.

Across the Spider-Verse gave us Pavitr Prabhakar - a Brown superhero who wasn't nerdy or celibate, as Western media typically portrayed the South-Asian man, but cool, smart, athletic, with great hair, in love, and proudly anti-colonial. He called out the British for stealing and keeping Indian artifacts… in a Spider-Man movie. That moment was history reclaimed.

A glitch in the wealthy white patriarchal matrix.

Dev Patel’s Monkey Man is a visceral fable of vengeance and resistance, where the brutality of caste, corruption, and religious nationalism collide. Amid this chaos, the film uplifts the Hijra community who stand not only as victims, but as warriors against systemic violence. Their alliance reframes queerness not as deviance, but as defiance — ultimately confronting the machinery of empire with what it fears most: a system-breaking empathy it cannot contain.

The vitriolic backlash from white male gamers and fandoms isn’t about quality — it’s about losing default status in stories. Everyone else has had to empathize with majority white male protagonists for decades. Diverse representation in media isn’t a threat to art — it’s a threat to white supremacy. It’s not just a mirror held up to the globe — it’s a refusal to let one worldview define it.

Hollywood, gaming studios, and the gatekeepers of entertainment — if you want to reclaim artistic integrity and still make money doing it, we need art that remembers, resists, and reclaims — stories that name the machine and short-circuit its lies. The world is ready. So am I.

Today, efforts like Project 2025, the Heritage Foundation, and the Federalist Society are not merely policy shops — they are ideological engines: built to roll back civil rights, impose authoritarian values, and erase uncomfortable truths. They represent a hyper-concentrated form of white supremacy, rooted in unresolved Civil War grievances and the failures of Reconstruction.

Miraculously, or perhaps, blessed with intellectual curiosity and natural empathy, through all of this, my wife — a compassionate, steadfast partner and a Christian woman — has remained by my side. She has witnessed my transformation with both love and complexity. While our bond is rooted in deep respect and shared values, our spiritual landscapes have diverged. Her faith brings her solace; mine has evolved into something more secular, grounded in justice and humanism. We’ve navigated that tension with care — proof that love can stretch across differing beliefs, even as the echoes of religious conditioning still ripple through our lives.

I am proud of her increasing intellectual curiosity and her willingness to accept me for who I am now, even if I wasn’t ready to accept myself when we met.

But our marriage has defied the splintering that white supremacy specifically creates: hyper-capitalist, hyper-individualistic, fractured families and societies.

As Children of the Global South — descendants of peoples who survived enslavement, colonization, and erasure — we carry within us the urgent need for stories that do not turn away from history, but confront it with unflinching truth.

In the pain of losing my family, I found a deeper purpose: to tell this story — and my own — any way I can. A sudden rush of empathy, pity, and love struck me: My parents’ and sister’s rejection was not theirs alone — it was a lingering Fracture left by colonization and global exploitation, tearing apart families across generations. As Children of the Global South, we still carry those wounds.

Make no mistake: white supremacy leaves wounds — because it is the system. And unless it is dismantled, both the Global South and North — and their collective Children — will remain trapped in a dance choreographed by empire — built to divide, exploit, and erase. Any vision of democracy, in America, will remain a fragile illusion — if not an outright mythology — built on a conceptually false foundation: white supremacy itself.

A cruel, heartbreaking legacy of erasure — passed down through empire — indoctrinating God-fearing Brown fathers to erase their godless, queer Brown sons. Preaching shame as scripture. Teaching silence as survival.

I reject that inheritance.

Empathy as praxis is how we reject that inheritance. In a world engineered to divide, it rebuilds connection, disarms supremacy, and charts a path forward. If humanity is to survive — let alone heal — empathy must become our collective discipline.

And perhaps what cut even deeper for my father — beyond my queerness — was that I no longer validated his role as a pastor. In stepping away from the faith he had built his life upon, I wasn’t just rejecting a belief system. I was, in his eyes, nullifying his life’s work. For a man shaped by empire, ordained by colonial Christianity, and burdened with the role of moral gatekeeper, my departure from his manufactured worldview may have landed as personal failure. But it wasn’t. It was never about wanting to hurt him. I love my father. I love my mother. I love my sister. It was never about them — it was about the system that taught them love was conditional, acceptance required obedience, and dissent unforgivable. That kind of pain is real — but its source is systemic. I still want to be Mootha Makkan — not by obedience, but by truth. By love without condition. Not through erasure, but by living fully in the open. Not in their image, but in mine.

Yet, and yes, I also carry the wound — but I also carry the will to heal it.

THE CALL I believe in empathy. I believe in memory. I believe the Children of the Global South are not broken. We are not rejected. We are awakening.

Children of the Global North: join us. We are not your enemies. We are your present and future collaborators, business & creative partners, lovers, and kin. We are building something new — something ancient yet reawakened, a pursuit of empathy, and a reckoning with history that refuses to forget.

If this story resonated with you, kindly share it, spread the word and please comment. I’d love to hear from you. Your voice, your memory, your Fracture — it matters here.

You are not alone. All are welcome.

Thank you so, so much for your time in reading my story.

You can also email me directly: vinesvenus at protonmail.com I'll be writing more on Medium as well: https://medium.com/@vinesvenus/a-call-to-the-children-of-the-global-south-the-system-that-made-my-father-disown-me-fecad6c0b862

[inky-duchess]

Fantasy Guide to Building A Culture

Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.

Hierarchy and Social Structures

Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:

How is a leader determined within the culture as a whole and the family unit?

Is the culture matriarchal? Patriarchal? Or does gender even matter?

How would one recognise the different ranks?

How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?

Can one move socially? If not, why? If so, how?

Traditions and Customs

Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.

How important is tradition?

What are some rituals your culture undertakes?

What are some traditional values in your world? Does it effect daily life?

Are there any traditions that determine one's status?

Values and Opinions

Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?

How important are these ethics and core values? Could somebody be ostracised for not living up to them?

What are some morals that clash with other cultures?

What does your culture precieved to be right? Or wrong?

What are some opinions that are considered to be taboo in your culture? Why?

Dress Code

For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.

Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?

Are there any rules around what people can wear?

What would be considered formal dress? Casual dress?

What would happen if somebody wore the wrong clothes to an event?

Language

Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.

Arts, Music and Craft

Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.

Food and Diet

The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.

What are some traditional dishes in your world?

What would be a basic diet for the common man?

What's considered a delicacy?

Is there a societal difference in diet? What are the factors that effect diet between classes?

Is there any influence from other cuisines? If not, why not? If so, to what extent?

What would a typical breakfast contain?

What meals are served during the day?

What's considered a comfort food or drink?

Are there any restrictions on who can eat what or when?

Are there any banned foods?

What stance does your world take on alcohol? Is it legal? Can anybody consume it?

Are there any dining customs? Are traditions?

Is there a difference in formal meals or casual meals? If so, what's involved?

Are there any gestures or actions unacceptable at the dinner table?

How are guests treated at meals? If they are given deference, how so?

[reasonsforhope]

"India's efforts and progress in reducing preventable child deaths have been lauded as an "exemplar" by the United Nations, which cited the example of health initiatives such as Ayushman Bharat, and said the country has saved millions of young lives through strategic investments in its health system.

The United Nations Inter-agency Group for Child Mortality Estimation report, released Tuesday, cited the example of five “exemplar countries” in achieving child mortality reduction -- India, Nepal, Senegal, Ghana and Burundi -- highlighting diverse strategies that have accelerated progress in reducing preventable child deaths.

The report said these countries illustrate that with "political will, evidence-based strategies and sustained investments, even resource-constrained settings facing unique challenges can achieve substantial reductions in mortality, bringing the world closer to an end to preventable child deaths".

On India, the report said the country has made gains through health system investment...

The report highlighted that since 2000, India achieved an under-five mortality reduction of 70 per cent and a neonatal mortality reduction of 61 per cent, “driven by overlapping measures to increase health coverage, enhance available interventions and develop health infrastructure and human resources", the report said.

It cited the example of Ayushman Bharat, the world's largest health insurance scheme which provides annual coverage of nearly USD 5,500 per family per year.

It noted that every pregnant woman is entitled to free delivery (including caesarean section), and infant care provides free transport, medications, diagnostics and dietary support in public health institutions.

To ensure comprehensive coverage and equitable access to health services, India has strengthened infrastructure via the establishment of maternity waiting homes, maternal and child health wings, newborn stabilisation units, sick newborn care units, mother care units and a dedicated programme for birth defect screening, the report said...

“This ensures millions of healthy pregnancies and thriving live births each year. India has also prioritised the training and deployment of skilled birth attendants, such as midwives and community health workers, to provide appropriate maternal and child health services,” it said.

The report noted that additionally, data systems and digital surveillance of maternal, newborn and child health indicators are continuously improved to support evidence-based decision-making...

Other Countries that Did Well

The UN agency also said that several low and lower-middle-income countries have surpassed the global decline in under-five mortality since 2000.

Angola, Bhutan, Bolivia, Cabo Verde, India, Morocco, Senegal, Tanzania and Zambia have all cut their under-five mortality rate by more than two thirds since 2000.

In 2000, the country with the highest burden of under-five measles mortality was India, with only 56 per cent of infants vaccinated for measles and 189,000 deaths from measles.

By 2023, the infant measles vaccination rate had increased to 93 per cent, and under-five deaths due to the disease decreased by 97 per cent to 5,200 measles-related deaths...

Since 2000, child deaths [globally] have dropped by more than half and stillbirths by over a third, fuelled by sustained investments in child survival worldwide...

"Millions of children are alive today because of the global commitment to proven interventions, such as vaccines, nutrition, and access to safe water and basic sanitation,” UNICEF Executive Director Catherine Russell said.

-via India Today, March 27, 2025

[mage8]

Thanks, now I'm blushing!!!

beatles and dan and phil? coolest person ever award

Awwwww no STAHP IT. You're making me blush!

Your page was very fun to go through this weekend i had to hold myself back from reblogging every other post

[ladysharmaa]

Kate mini version

Anthony Bridgerton x Kate Sharma x Sharma!sis

Summary: Y/n adapted to the Bridgerton family dynamic. However, she remains a little fearful and shy. Could the arrival of a prince change that?

part 1 part 2 part 3

Ever since Kate and Anthony assured Y/n that they wanted her to live with them, things had gotten better. The girl felt more comfortable with them, and appreciated the effort the couple made to show that she was always welcome. Riding horses for the three of them was an almost regular activity now, and these afternoons were Y/n's favorite.

Anthony had given her a beautiful black mare, which she insisted on learning to wash and comb, even though there were servants for that purpose. The man then spent the rest of the month teaching her how to ride, and this was something that brought her very close to Anthony, who she now considered like a brother.

The truth was, living with her older sister and her husband was wonderful. There was never a dull moment and she always had someone to talk to. Furthermore, the relationship between her and Kate was the strongest, and they were more inseparable than ever. Y/n's mother had agreed that her daughter would stay at Viscount's house for a while and thus extended her stay in India.

However, even though she was comfortable in that smaller core, she still felt shy around Anthony's siblings. She loved them all, and they always treated her equally, but in the back of her head there was always that thought that she was intruding.

Now, the Bridgerton family plus Y/n were on their way to the park to have a picnic. The season was starting again and suitors from all over the world were arriving to try to find someone. On the way there, Y/n entertained herself by listening to Eloise's grumbling that she would be entering the season again, even if the last thing she wanted was to find a husband.

Bridgerton had made a point of giving Y/n her feminist speech, and despite the eye rolls she received from some of her siblings, Y/n agreed with everything she said. However, she always wanted to be married to a man who truly loved her, and that wasn't going to change.

It was a sunny day, perfect for staying right by the lake and enjoying the delicious food that the maids had prepared. Anthony and Kate were in their own world, whispering to each other with gigantic smiles, Benedict and Collin were appreciating the ladies passing by, and Eloise was reading her book while Violet had met Lady Danbury and the two were chatting animatedly. Daphne and Simon hadn't arrived with their son yet, but Y/n couldn't wait to play with the baby again.

Meanwhile, she, Hyacinth, Gregory and Francesca were walking around the lake, picking up rocks and seeing who could throw them the furthest. Probably not the most etiquette thing they could do, but Violet and Anthony hadn't stopped them yet so they continued.

"I'm starting to get tired." Y/n grumbled, rolling the shoulder of her arm that was starting to feel sore from throwing so many rocks. "I think I'll sit down and get some sun."

"We'll be right there and keep you company then. I just need to beat Gregory first!" Hyacinth promised.

Y/n smiled towards the three, then heading towards the lawn where the others were. She momentarily looked down, seeing that she had gotten a little dirty on her dress when she went up against someone. The force of the impact had been so great that she lost her balance and began to fall backwards. However, this never happened because someone managed to grab her arms and pull her up again.

When she opened her eyes, having closed them in preparation for the fall, she saw a young man, around her age, looking worriedly at her. "Are you alright? My apologies, Miss, I was distracted and didn't see you."

"I'm okay." she said a little breathlessly. Their proximity didn't help either. "I'm the one who apologizes. I should be looking ahead instead of at my dress."

"It is a beautiful dress." he said, taking the opportunity to look her up and down, letting a small smile form on his lips. Y/n's cheeks immediately started to turn pinker. "It's a pleasure to meet you, Miss…"

"Sharma." Y/n smiled. "I'm sorry, I don't recall who you are."

"Prince Charles, the youngest son of Queen Charlotte and King George." he chuckled when he saw Y/n's wide eyes, who quickly made a small bow. "Please, that's not necessary. On top of that, I was the one who almost made you fall to the ground."

"My apologies, Prince Charles. I returned from India only a few months ago and it seems that I still don't know everything I should know. This mistake will not be repeated."

"It wasn't anything serious. To be honest, I'm actually glad you didn't immediately know who I was. I went against you because I was running away from an Earl's daughters who were begging me to marry them." A silence fell over them. "Who are you here with?"

"My sister and her husband's family. Viscount Anthony Bridgerton and Viscountess Kate Bridgerton." Y/n looked over his shoulder, seeing Anthony staring in her direction, more specifically at the Prince. He was about to get up when Kate pulled him down again, sending Y/n a smile and a wink. "They're looking at us right now."

"Of course, I know who they are. My mother loved the love story between them. Since then, she has only told my older siblings that she wants them to have something like that too. But they are not very interested in getting married, much to the Queen's disappointment."

Y/n just let out a small chuckle in response, not really knowing what to say. The proximity to the prince was becoming increasingly intimidating, and it didn't help that the entire Bridgerton family had noticed that interaction and were now observing discreetly.

"I apologize, Prince Charles, but I must return to my sister's family. We came to take advantage of this beautiful day to have a picnic."

"Of course, Miss Sharma. I hope to see you again soon." he nodded with his hands clasped behind his back. With a smile, he went back on his way while Y/n walked over to where Kate and Anthony were, her cheeks painted a light pink.

"What were you talking about?" Anthony questioned without being able to control himself any longer, his half-closed eyes still focused on the back of the boy walking in the distance.

Kate rolled her eyes at Anthony's exaggerated protectiveness, but the truth is that her heart started to beat faster when she saw how Anthony had so much care and affection for Y/n. It made her imagine how protective he would be of their daughters.

"Don't pay attention to Anthony, Y/n. The prince seemed very interested in talking to you. You should have gone for a walk together."

"Sister!" the younger girl exclaimed with wide eyes, becoming even more embarrassed. "He was just apologizing for going against me."

"That boy, prince or not, should look where he is going! Irresponsible, that's what he is!" Anthony continued to mumble, ignoring the look his wife sent him.

"Well, I am delighted that you made a new friend, Y/n. Now come sit with us for a while and drink some water, it's very hot."

"You're getting worse than mother." Y/n rolled her eyes in amusement. She added with a wink, "I guess it's a good training for the future."

───── ⋆⋅☆⋅⋆ ─────

"I do not want to go." Y/n stated, crossing her arms defiantly.

"Sister, we've already had this conversation." Kate repeated for the thousandth time, but still with the same patience as the first time. The older woman sighed, looking understandingly at her sister who was looking at the floor with a pout. "What are you really afraid of? It's your first ball, it's normal for you to be nervous."

Y/n was going to be subject to the season for the first time, where she could meet her future husband. Despite all the nerves she felt, she was happy to have Kate, Anthony, and the rest of the Bridgerton family with her. Furthermore, she would be in the same situation as Francesca, except that the latter had been named diamond of the season.

"How's mother and Edwina?" Y/n tried to change the subject, instead asking about the two other Sharmas who were in Prussia. Edwina was pregnant with her first child with Prince Friedrich and Mary had gone there, after a brief stop in England, to support Edwina.

"Y/n, don't change the subject. You can talk to me."

"What if no one asks me to dance, Kate?" Y/n finally revealed her fears shyly. She spoke so quietly that Kate had to strain to understand her words, but when she did her eyebrows furrowed in sadness. "You and Anthony took me in, what if now no one asks me to dance and I make you look bad?"

"First of all, you could never make us look bad and we would never be disappointed in you. I even think Anthony's biggest dream would be if you and Francesca didn't dance with anyone." Kate chuckled knowing how protective her husband was. "And I don't want you to be forced to dance with anyone. You can say no if someone invites you to dance and you don't want to. And if anything happens, call Anthony or his brothers."

"I will." the girl nodded, seeing her sister's serious look. "I hope everything goes well."

"Of course it will! And you won't be alone, we'll all be there in case you need anything. And who knows, maybe you'll see a certain prince. I heard the queen is going to make him participate in this season."

Y/n didn't respond to the teasing, she just continued to get ready with the help of the maids. When Anthony called them from downstairs, the two sisters hurried to meet him, seeing that the rest of the family was already there with the exception of Francesca.

When they saw her, a big smile appeared on everyone's faces, Violet going to give her a hug as soon as she reached the end of the stairs and Daphne holding her hand. "You look beautiful."

"Thank you." she smiled at the women, and was later praised by Eloise, and the Bridgerton brothers.

Then, it was Francesca's turn to go down the stairs, catching their attention. After the compliments she received, the girl stood next to Y/n, the two holding hands as they walked to the carriages waiting for them.

"You look very beautiful, diamond of the season." Y/n said with a teasing smile, squeezing her hand in Francesca's in comfort.

"You do as well, Princess Sharma." Francesca giggled. To relieve the tension, the girl looked straight ahead at Anthony who was helping Kate into the carriage, his forehead dripping with sweat as he looked discreetly at the two teenagers. "I think my brother is going to pass out from how nervous he looks."

"Tonight promises to be quite interesting. At least he has my sister to control him a little, or I think he would be glaring at every suitor in the room, even if they didn't even want anything to do with us."

When they arrived at the Queen's castle, they were both amazed by the place. An orchestra played in the middle while some couples were already dancing, the space decorated with various details and chandeliers lighting up the room. When the Bridgerton family entered, everyone stopped to observe the diamond of the season, who was still clinging to Y/n.

To give her the focus of attention, Y/n tried to move away but Francesca just grabbed her hand tighter, sending her a look of fear. The Sharma girl nodded in understanding, then stood on Francesca's side, also being subjected to the curious looks of other people.

"Come on, girls." Anthony said, guiding the family to a corner while everyone analyzed the environment. He then turned to his two friends, who in his eyes were too young to be thinking about suitors, but he knew that this was the right age. "If you need anything, and I mean anything, go to one of us. We'll always be here to make sure you're okay. Now, all of you split up and socialize."

"They already look so nervous and you're going to scare them even more with your nerves." Benedict placed a hand on his older brother's shoulder. "Relax, brother. Go dance with your wife, we are also here to take care of them."

"I know." Anthony sighed, running a hand over his face. His tense muscles only relaxed when he felt Kate's hand caress his arm as she smiled understandingly. "Shall we dance, Viscountess Bridgerton?"

"We shall." she giggled, letting her husband guide her to the center of the room.

Meanwhile, Y/n watched the people at the ball nervously and curiously. They were all dressed to the nines, with the best fabrics and jewelry that showed the families' wealth and status. The Sharma smiled slightly when she noticed a girl being asked by a suitor. It was obvious that they were both nervous, but when he finally managed to ask the question, the girl blushed and accepted with a big smile.

Y/n sighed, turning her attention elsewhere. Her heart was beating heavily against her chest, wondering if she was going to experience the same situation as that girl.

A light touch on her shoulder made her snap out of her thoughts. Y/n turned to the side, her eyes widening when she saw Prince Charles standing there, both hands behind his back and a perfect smirk on his lips.

"Miss Sharma, what a pleasure to see you again."

"Prince Charles." she greeted, making a small bow. "This time I haven't forgotten my manners."

"I must say you look beautiful tonight." he praised, gently taking one of her delicate hands and bringing it to his lips, lightly kissing her skin. Y/n's cheeks immediately flushed, getting worse when she realized that they were attracting the attention of others. "Are you enjoying the ball?"

"Very much, thank you. The orchestra plays beautifully. It's lovely to see so many people dancing, especially my sister and Viscount Bridgerton. I have never seen them happier."

"Indeed. We could dance too… If you would like to, of course." Y/n didn't think she had ever seen the boy being shy, but she had to admit that it was really cute to see him like that.

"Are you sure? Many people are already looking at us… Including the Queen." she whispered the last part with a look of fear. "Are you supposed to find a lady to marry this year?"

"My mother hopes so, but she doesn't pressure me into anything. Right now, I just want to dance with you. Please? Don't pay attention to anyone else, just focus on me."

Y/n swallowed hard, but nodded, resting her hand on the arm Charles offered. The two walked to the dance floor as soon as the song ended, preparing for a new melody. The Sharma girl held her breath when she felt the boy's hand position itself on her waist, pulling her closer, while the other intertwined with hers.

The music started slowly and Y/n let the prince lead her, too nervous to even remember the choreography she had already practiced several times before. Out of the corner of her eye, she saw Kate and Anthony looking at them as they danced, giving nods of encouragement but still keeping their attention on them.

The rest of the people looked in shock, seeing the youngest son of the Queen and the King dancing with the sister of Viscountess Bridgerton who had caused a lot of talk last season. The Queen was also watching them, a small smile appearing on her lips.

"You're not just focusing on me." Charles hummed, squeezing her waist to show she was just joking. "And on top of that I'm a great dancer."

"My apologies. But I can't agree with the last part. I think —" but she couldn't finish her sentence as Charles picked her up and twirled her around several times until her laughter could be heard above the music.

"Sorry, what were you saying?" he laughed teasingly, loving the blush on her cheeks. He wanted to make her blush all the time, he loved the effect he had on the girl who was constantly on his mind since that day in the park.

"Prince Charles, this will certainly not be seen very well by other people. They are all whispering about us now! More than they already were."

"Call me Charles." He said, ignoring the rest of what Y/n said. His eyes were intense, studying the girl's face and stopping on her lips before moving up to her eyes.

"No."

"No?" he raised his eyebrows, as if he wasn't expecting that answer. Y/n stepped away from him, making a small bow. And only then did he realize that the song had already ended.

"I really enjoyed this dance, thank you. I hope to meet you again. We keep crossing paths so who knows?" she smiled, turning her back and walking towards Francesca who was alone in the corner, a drink in her hand.

Prince Charles definitely wanted to see Y/n Sharma again, his gaze following the girl's movements as if in a trance. Surely him standing in the middle of the dance floor looking at Y/n would be the main topic in the paper of Lady Whistledown.

[room-surprise]

Evidence that Kabru from Delicious in Dungeon is Indian, a Masterpost

(EDIT: This post is an excerpt/remix of Kabru's section of my larger essay about the real world linguistic and cultural references Dungeon Meshi. You can read the essay on AO3 here. I also have another post about what part of South Asia I think Utaya is based on here.)

Since Kabru’s first appearance in the anime is upon us, I wanted to write something that compiles all the evidence we have that Kabru is meant to be a person of South or Central Asian ethnicity, or at least whatever the equivalent to that is in the Dungeon Meshi world. 

Ryoko Kui can and does draw people of many different ethnicities, and the way she draws Kabru matches the way she draws other Asian characters in Dungeon Meshi. He doesn’t look Black, or Hispanic, or any other ethnicity because he isn’t supposed to. He looks like a dark-skinned South or Central Asian person, because that’s what Ryoko Kui probably intends him to be.

So let’s go through the evidence! (There are no spoilers for the plot of Dungeon Meshi below, but there ARE spoilers for Kabru's backstory as explained in the manga, and in extra materials like the Daydream Hour and Adventurer's Guide book.)

KABRU’S NAME

The Dungeon Meshi Adventurer's Bible tells us Kabru’s real name is unknown. There are other characters whose real names are only told to us in the Adventurer's Bible and were never revealed in the manga, but then Kabru, Thistle and Izutsumi’s entries simply say their real names are unknown, and though Kui could tell us their true names, she doesn’t. I assume this means that the characters themselves don’t know what their real names are, and that the names they go by are not their birth names, but this is only a supposition on my part.

KABRU THE MOUNTAIN

Kabru (काब्रु) is the name of a mountain on the border of Nepal and India, and part of the Himalayan range. It’s the 65th tallest mountain in the world and it is very snowy and icy, with frequent avalanches. Because of this, even though it’s not the tallest mountain in the world, climbing it is challenging, and is not often attempted. Those few that have managed to climb it consider it a major achievement.

“This prohibitively fearful icefall… had thwarted numerous expeditions, perhaps even the 'thought' of attempting the mountain… Unstable seracs of the icefall, a complex maze of chasms, and delicate snow bridges spanning seemingly never ending, near bottomless crevasses… Each time the members stepped into the icefall, they stood a good chance of never returning.” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

WHAT DOES KABRU’S NAME MEAN?

Kabru is a character that is known for being very good at charming people, but who doesn’t express himself honestly, because he’s trying to manipulate the people and situations around him in order to maintain control at all times. I think nobody really knows who Kabru is deep inside, maybe not even Kabru himself, so a remote, hostile, icy mountain that’s hard to climb seems like an extremely appropriate name. 

Some of the oldest English sources I found regarding Kabru suggest that Kabru isn’t the correct local name for the mountain (a common problem in early Himalayan exploration by Europeans) and might just be a descriptor, or that it’s a misspelling. 

This makes the name seem even more appropriate, since Kui’s told us Kabru’s true name is unknown. It’s possible that Kabru was a place-name or a descriptor that Milsiril (Kabru’s elven foster mother) was given when she picked up a traumatized 7 year old Kabru, and she just started using it as his name, and that even he doesn’t remember his real name thanks to his severe trauma.

The fact that people in the real world can’t seem to agree on the mountain Kabru’s name, or what it means, reminds me of the running gag of Laios repeatedly getting Kabru’s name wrong in the manga.

"All the people near the Kabru massif call it 'Kaboor'." (The Alpine Journal, 1921-22 Volume 34, Edited by George Yeld and J. P. Farrar)  “It is also said that the name applies to a peak close to Kinchinjunga on the southeast, and not to the peak known to Europeans as Kabru… [The real name is] Pahung Ri [Pauhunri].” (Appendix I: Place Names in Darjeeling. The appendix says it was “compiled mainly from an article written by Colonel Waddell and published in the Journal of the Asiatic Society of Bengal (Vol. LX, part I, 1891)”) “Kangchen is a Tibetan name… the Sikkhimese use it as the name for the peak called Kabru by Europeans.” (Charles Bell, Dyhrenfurth's Himalaya (Berlin, 1931)) “...Kyabru or the horn of protection. The name is… Kabur… possibly a corruption of Kangbur or the swelling of snow; it might also mean the white swelling (kar-bur).” (Appendix I: Place Names in Darjeeling.)  “Kabru literally means the 'White Avalanche' peak (Ka means 'white' and bru means 'avalanche').” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)

I’ve seen one other mountaineering article cite the “white avalanche” meaning, and I think it’s plausible since the Appendix says it can mean “white swelling” or “swelling of snow”, which may very well be a literal translation for “white avalanche”. 

WHAT ABOUT UTAYA? IS THAT INDIAN TOO?

Utaya means “raised” or “uplifted” in Hindi, but it’s also a real village and a Japanese boy’s name.

Utaya (ウタヤ) is the name of the village that Kabru was raised in before his mother died and he was adopted by the elf Milsiril. Utaya is located in the southeast of the Western Continent. It’s worth noting that Kabru probably wasn’t born in Utaya, since his mother had to flee from her home to keep Kabru alive, so Utaya may be some distance away from his birth place… Not so far that a woman with a newborn baby couldn’t survive the trip, but far enough that her husband’s family gave up on chasing her. So Kabru was probably born in a close-by area.

In the real world, Utaya (Yakut: Утайа) is in an extremely rural and isolated area with a population of less than a hundred people. It’s located in the Sakha Republic, which is in the Northeastern part of Asia in the Russian Federation. The Yakut/Sakha are a Siberian Turkic people.  

The Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages. 

Early and medieval Turkic groups exhibited a wide range of both East Asian and West-Eurasian physical appearances and genetic origins, in part through long-term contact with neighboring peoples such as Iranian, Mongolic, Tocharian, Uralic/Yeniseian peoples, and others. Turkic peoples share, to varying degrees, non-linguistic characteristics like cultural traits, ancestry from a common gene pool, and historical experiences. 

JAPANESE MEANINGS FOR UTAYA

Utaya can be a Japanese boy’s name with several different meanings, depending on which kanji it’s spelled with. In most of the spellings: Poetry, sing a poem, singing, compose poetry

In many of the spellings: The place where the sun shines, it's been a long time, distant, big, to shoot with a bow, to swear, affirmation, question.

The Utaya disaster happened a long time ago.

If Utaya is up in the mountains above the clouds it’s a place where the sun shines brightly.

 Kabru has sworn to himself that he will prevent another Utaya tragedy from happening.

In only a few of the spellings: to mend, feathers, wings, a word for counting birds and rabbits, sort them out, washing with water to separate the good from the bad, roof, house with a roof, a world covered with a big sky, infinite space, song that praises the Buddha, Eight.

Counting birds and rabbits makes me think of divination and also that the people of Utaya were like little birds and rabbits (small prey animals) to the monsters that devoured them.

Separating the good and the bad could hint to the “judgment” of Utaya and the greed of its people that led to their downfall, also sorting through things to separate good and bad is something that’s done with food and other resources.

The Himalayan region is often referred to as the “roof of the world”, with a big open sky above it. 

The infinite could refer to the dimension the demon comes from, or to the sky above the mountains. 

Buddhism is a common religion in the Himalayan region, and eight has auspicious connotations in Buddhism. 

With all that in mind, Utaya as a name for Kabru’s home village is an interesting choice, and adds another layer to his origins, maybe suggesting not just North Indian/Himalayan, but Central or North Asian cultural influence as well. 

It is also possible that the name is just telling us that Utaya is “up” in the mountains, or that it was “uplifted” by the wealth of the dungeon, or even that Kabru was “raised” there… The Japanese name meanings are also extremely fascinating and hint at similar ideas, as well as the tragedy that happened to Utaya.

WHY ELSE DO YOU THINK KABRU AND UTAYA ARE HIMALAYAN?

In the real world, the Himalayan mountain range is an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya and how people overcrowded it in their desire to conquer and exploit it. 

Dungeons as an unsustainable way for locals to make a living that leads to the destruction of their homes when the dungeon inevitably collapses is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain. This terminology obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain.

Also, there are local legends in the areas surrounding Mt. Kabru that there is a valley of immortality hidden on its slopes, which reminds me of the way that the dungeons can grant conditional immortality to the people inside of them.

This image of Utaya could be showing us a village built on a mountainside. The house shapes seem a bit more Middle Eastern than Nepali/Indian, but it’s not a detailed drawing and the roof styles are a mix of flat and peaked.

CULTURE

In the Daydream Hour sketchbook, Ryoko Kui included a small comic about characters sharing desserts from their home countries. A young Kabru is shown enthusiastically trying to share an unnamed sweet, and he is interrupted by his elven foster mother, who insists he present a type of elven cake instead. We know that Kabru hates this type of cake, and he seems disappointed to have to eat it and talk about it.

The white balls in Kabru’s dessert are very likely meant to be  an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia, made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact origin is disputed. Rasgulla are as culturally important to the Bengal and Odisha regions of India as Parmesan cheese is to the region of Parma in Italy.  

Rasgulla are also popular in Nepal, where they are called rasbari. 

KABRU’S PHYSICAL APPEARANCE

Kabru is one of several characters in Dungeon Meshi with clearly non-European features: he has brown skin and thick black/dark brown curly hair. He has almond-shaped eyes with long, dark lashes (fans like to joke that he’s wearing eyeliner). All of these are traits common to people from the Indian subcontinent. His blue eyes are not common for someone with his skin/hair color, but blue or green eyes are not unheard of in that region either. 

(Indian man with blue eyes)

Blue or light eyes are often a cause for discrimination, like what Kabru experienced as a child. More on this in a moment.

Kabru is 5’7” (170cm) tall, which is short for a Northern European man (180), tall for a Nepali man (162cm), but close to the average height of Indian men (177cm). He has a slender build, which is also common for Asian people in general, and South Asian men in particular.

Compared to the European-looking tall-men in Dungeon Meshi (such as Laios, Falin, Delgal, Marcille’s father), Kabru’s facial features look more like the other Asian characters, such as Toshiro and his party. 

CAN DARK-SKINNED PEOPLE HAVE BLUE EYES?

Yes. Light-colored eyes are very uncommon in parts of the world where most people have dark eyes, since dark eyes are a dominant trait in real-world human beings. That means that in order for two parents with dark eyes to have a child with light eyes, both parents need to have a recessive light-eyes gene (or for there to be an illness or genetic mutation), and that’s rare in populations that don’t have a lot of light-eyed people to begin with.   

THEN WHY DO SO MANY DARK-SKINNED CHARACTERS HAVE BLUE EYES?

Anime and manga often give characters with dark skin light colored eyes instead of allowing them to have brown or black eyes, which is much more common in real life. It’s a hurtful design trope that makes many readers feel that their natural dark eyes are somehow ugly or inferior to blue eyes.

This trope is used over and over again by authors who want their characters to look “cool” and “exotic”, and for their eyes to be high-contrast to make it easier to show their emotions.

I don’t think this is what Ryoko Kui is doing in Dungeon Meshi. 

UNREALISTIC HAIR AND EYE COLOR COMBOS IN ANIME

In a lot of anime/manga, blue eyes (regardless of skin color) don’t actually mean anything in the narrative, in the same way characters having green or pink hair doesn’t mean anything, the colors are non-diegetic, they don’t actually exist in the world, like the music that plays in the background without an on-screen source. 

It’s an artistic shorthand to make characters visually stand out, instead of giving them all black hair and eyes like most real-life Japanese people… Which is what most anime/manga characters are meant to be: Japanese people. 

Dungeon Meshi has a large cast of characters that are explicitly meant to be non-Japanese. We know this because there’s a group of characters that are Japanese, and they’re drawn differently from everyone else, they wear ethnically Japanese clothing, and have ethnically Japanese names. 

Unlike other series, where eye and hair color don’t mean anything, Dungeon Meshi has no unrealistic skin, hair, or eye color combinations. 

(Except for the elves, who seem to have different genetics than real world-humans. I’ll get into that another time.)

Ryoko Kui must be aware of the dark skin, blue-eyes design trope, because if she gave Kabru blue eyes just because she thought it looked good, surely she would have made some of the other Asian or dark-skinned characters have light eyes. Out of 9 Asian or dark-skinned tall-man characters, Kabru is the only one with blue eyes.

Kabru having light-colored eyes is central to his story, and Kui talks about it.

KABRU’S STORY AND WHY HIS BLUE EYES MATTER

Kabru’s father and his family tried to kill Kabru when he was born because he had blue eyes. Kabru’s mother ran away, and ended up raising Kabru by herself in Utaya. She didn’t try to return home to her own birth family, but instead struggled to raise a child completely on her own with no money or support, which implies she had no other options, due to the fear people of their region have for people with blue eyes.

This is a real thing that used to happen frequently in areas where most of the population has dark eyes, and it still happens to this day.

In a realistic story, this is logically what would happen to a character with dark skin born with blue eyes in a place like the Utaya region. It’s rare for manga or anime to show dark-skinned blue-eyed characters facing this. 

WHAT IS THE “EVIL EYE”?

The “evil eye” is a supernatural belief in a curse brought about by a person looking at you. The belief in the evil eye has existed since prehistory, as long as 5,000 years ago. It is estimated that around 40% of the modern world's population believes in the evil eye. This concept is most common across the Mediterranean, the Balkans, the Middle East, and Central and South Asia, areas where light-colored eyes are uncommon. 

In areas where light-colored eyes are rare, people with green eyes, and especially blue eyes, are thought to bestow the curse, intentionally or unintentionally. Just one look from a blue-eyed person is often considered enough to inflict a curse.

One of the most famous and widespread talismans against the evil eye is the nazar, a glass amulet featuring concentric circles in dark blue, white, light blue and black. It’s supposed to “bounce” the curse away from the wearer. 

HOW DOES THIS APPLY TO KABRU?

Imagine Kabru growing up in a village surrounded by people wearing and hanging talismans that look like his eyes, because the people around him think blue eyes are evil. They call his mother a witch for birthing him, and a whore because she doesn’t have a husband. Imagine parents forbidding their children from playing with or even talking to Kabru. People crossing the street to get away from him, or chasing him away by throwing rocks.

I think the reason young Kabru was able to learn how to speak some kobold is likely because he was so heavily ostracized by the other tall-men around him, the only children he could occasionally interact with in Utaya were kobolds, who might not share the same cultural superstitions that the tall-man do. 

This childhood trauma, combined with Kabru’s experience of the dungeon collapse in Utaya, and being raised by an elf that treated him more like a pet than a human being, set Kabru up as a character who has never had a home where he belongs. He has been an outsider from the instant he was born, and every place he has lived treats him as an “other.”

To his father’s family, he was a curse. To his mother, although she loved him, he was a burden. To the people of Utaya, he was a monster. To the elves, he’s a tall-man baby (no matter how old he gets) with funny looking eyes, to the people on Merini Island, he’s a foreigner from the West with elven ways and education. 

CONCLUSION

I wanted to write this because I know some people will see Kabru in the anime for the first time today and think "Oh, another dark skinned blue eyed character! This is a bad character design that is evidence that the author is racist at worst or ignorant at best.” And I don’t think that’s a fair assessment of Ryoko Kui’s work in Dungeon Meshi.

This isn’t to say that Ryoko Kui has never done anything wrong, or that her work couldn’t be more inclusive, or that there’s no way in which she could improve. 

But there are pages and pages of artwork she’s done that shows she cares about these issues, and I think it’s worth celebrating when someone makes that kind of effort with their artwork.

ANYWAY…

If you’ve read this far, you’re very strong hahaha. I hope you enjoyed this essay. I’ll be publishing more soon when I finish my Dungeon Meshi research on the names and cultures of all the characters. Wish me luck!

[motherofplatypus]

Record of Genocide

[Part 2]

An opening:

The List:

Upon Children:

Beheading baby

Shot a kid that's running away

Shot a kid (again)

Shot a 6 years old 355 times

Slit a kid's throat

Creating a 14 pages long list of killed children under 1 year old

Bombed a pregnant lady that her fetus expelled from her

Burn a student alive

Torturing and sexually abusing civilians, including children

Blow a child's head until their brain splattered on the ground

Killing newborn twins, not even 4 days since their birth

Death toll from October 15th 2023 to July 6th 2024. 16k+ were children.

Released a dog to attack civilian (kid version)

44% of killed victims are children.

Killed a man's entire family, including his children

Harris' supporter harassing a baby

Killed a child when he was at the market with his mother

Killing an 8 years old girl along with 36 of her family members

US participation in genocide upon children

Assraeli soldier took a bike from a kid and throw it in the trash

Assrael killed a man's son (1)

Assrael killed a man's son (2)

Assrael killed a man's daughter

Assrael killed a man's daughter (2)

Assrael abused a 12 years old girl in prison, the youngest female to be held in prison

Assrael killed a mother's 3 daughters and her sister

Assraelis mocks children who lost their limbs and murdered

Assrael killed a mother's child

Upon Palestinian In General:

Killing Christians.

Demanding the rights to rape

Burning people alive

A concentration camp

Torturing civilians (featuring French people)

Destroying churches, hospitals, and schools

Bombing schools

Bombing civilians in their tents

Admitance of ethnic cleansing

Banning maternity kit and anaesthetic

Disguising as civilian to kill civilians

Destroying humanitarian aids

Released a dog to attack civilian

Bombing refugee camp

Stealing houses from their owner

Deliberately destroying properties in Lebanon (confirmed by UN peacekeepers)

Bombing school where people take shelter

Celebrating Trump's victory by shooting at homes in Gaza (featuring Trump's supporter)

Killing an entire family in a targeted attack

A Knesset member sending death threats in hospital

Using AI to kill more people

Publicly announcing annexation of Gaza

UNICEF spokesperson talked about the horror Assrael committed upon civilians

Targeting civilians in Safe Zone

Destroying humanitarian aids

Assraeli blowing up praying site

UK surgeon explains what Assrael did in Gaza

Assraeli glorifying the crimes their fallen soldiers committed

A son breakdowns during praying for his father that's killed by Assrael

A doctor's testimony of what Assrael did

The bodies of the people Assrael killed

Assrael bombing UN-run school, killing 10 people

Upon Lebanon:

Blows up an entire village in Lebanon

Assrael bombed Lebanon near a school

Assrael targeting civilians in Lebanon, killing at least one child

Assrael bombed a suburbs in Lebanon

Assraeli destroying an entire village in Lebanon

Assraeli killed 2 doctors and orphaned their child

Destroying praying site in Lebanon

15 paramedics in Lebanon murdered by Assrael

Upon Non-Palestinians:

Killing WCF workers (3 from UK, 1 from US, 1 from Australia, 1 from Poland, and 1 from Palestine.)

Attacking UN workers, killing 3 children during their attacks

Killing a medical worker through torture

Killing journalist (this is only two of 100+ journalists they've killed)

Beating and torturing journalist (featuring American journalist)

Attacking WFP workers

Bombing a UN shelter (featuring India)

Assaulting civilians in Athens

Ally in genocide (featuring USA)

An ambassador signing bombs before being dropped on civilians (featuring USA)

Killing animals

Ramming a police deliberately but no consequences (featuring USA)

META's complicity in genocide

Targeting family homes in Beirut

Assrael journalist demanding more violence, deaths, and river of blood

Bombed a residential building and killed 7 people in Syria

Harassment upon the people in Amsterdam

Property damage to assault people in Amsterdam

Assraeli physically attacked a woman

Biden's inappropriate answer to journalist who asked about the hostages

Assraeli hooligans singing song of death threats in Amsterdam

Assraeli hooligans attacking French people

Assrael genocide impact on animals

Justifying targeting civilians (featuring Germany)

Assraeli inciting violence on TV

The Pope calling Assrael as terrorist

AIPAC openly bragging about buying the US elections

Assraeli harassing a Christian tourist and defiling his cross necklace

Assraeli using genocide as tourist attraction

How US's "threat" on Assrael went

Where the US put their own people compared to Assrael

This is not a complete list.

[phoenix-creates]

Genshin Impact, Both the Game and the Community, Cannot Hide Their Colorism or Racism Anymore

This is going to be a long read. I refuse to stay silent.

I've played Genshin Impact on and off since 2021 when I was first introduced to it. I drew fanart but rarely participated in the fandom, as Genshin has one of the most toxic and racist fandoms that takes pleasure in driving off content creators of color, perpetuating racism within the communities, as well as harassing and threatening people who dare try to speak out about it. But, for as racist as the fandom is, what can I expect from them considering Hoyoverse as a whole has it's own set of racial problems.

It is clear from the release of Sumeru to the recent teasers of Natlan. Hoyoverse has colorism problems and racism problems and we're going to take a look at them here.

Before we begin, I want to take a moment to say that there will be a lot of information presented in this post. I ask that you read carefully and be considerate of every talking point presented.

Now, let's talk about Sumeru.

Sumeru, the fourth region released in Genshin Impact, draws a lot of real world inspiration from Middle Eastern culture, with even the geography mimicking the real world geography of China and India. The characters, music, food, and geography all draw inspiration from various different real world cultures, and just from a few glances, it is easy to see exactly where and what cultures they’re taking from.

Candace for instance, from name to appearance, draws inspiration from kandakes, which was the title of a queen mother in Nubian kingdoms. Even her accessories, her talents, and her weapon take pieces from other aspects of Egyptian culture.

Cyno, another character from Sumeru, is dressed in garb that mimics depictions of Anubis, the ancient Egyptian God of funerary rites and protector of graves. As with Candace, his talents and abilities reference Egypt.

Even Sethos, a newcomer to the game and also a Sumeru character, has clothes, skills, and a name that alludes to either the Egyptian God Set, the god of the desert and storms, the Egyptian pantheon in general, or the Ancient Egyptian King Seti/Sethos.

These three characters are tanned, anyone can see that, but if you take a closer look you'll notice that they're all around the same shade. Considering all three of them take inspiration from real world Egyptian culture, it is insane to me that they're all a similar shade of the same slightly tanned tone. It is unacceptable that they're all a shade or two away from white when all of them has some aspect of Egyptian culture in their character.

To further shed light on Sumeru's racist sins, there exists a long standing conflict in Sumeru regarding The Eremites, a race of people descended from the ancient, now-collapsed civilization who primarily live in the desert. These people are the enemies in the game. You read that right. The desert dwellers are the enemies and not only that, but unlike the treasure hoarders who disappear into smoke when defeated, the Eremites collapse to the ground like the Fatui.

Why do the Treasure Hoarders, a band of pale skinned thieves, get away but the Eremites, treated as if their culture is lesser, presumably die?

Worse than that, there is a long quest in Sumeru where a white academic from Sumeru spends nearly the entire length of the quest insulting an Eremite. The quest I'm referring to, Golden Slumber, is a multi part quest that has the Traveler accompanying a researcher named Tirzad who is exploring the ruins in the deserts of Sumeru. Throughout the quest, Tirzad spends most of his time complaining and insulting Jeht and Jebrael, calling the latter an uneducated brute whenever Jebrael tries to do anything. And the Traveler is no help, with dialogue options remaining neutral instead of rightfully telling Tirzad to stop.

What we have here is a white man stereotyping a man of color and assuming things about himself and his race due to his own racist biases.

Many players have called out the racism in Tirzad’s actions and this quest overall, but Tirzad at multiple times fails to see the error of his ways and leads the group into life threatening situations simply because he can’t believe an “uneducated desert brute” could possibly know more than him.

I could sit here and pick apart more aspects of Sumeru and it's failures to properly represent the culture it's using, but I want to get into the inciting incident of this entire post, which is Natlan.

When the teaser for Natlan was released, it was just another failure on Hoyoverse's part. To understand why, we can break it down into parts, starting with the character leaks:

Mavuika, presumably the pyro archon, with a name inspired by Māori fire deity Mahuika.

Ororon, a mispelling of the Yoruba god ���lọrun, the creator deity in the Yoruban pantheon.

Kinich, named after the Mayan god of the sun.

Iansan, another character whose name comes from the Yoruba pantheon.

Xilonen, this name coming from one of the aspects of the Aztec goddess of maize and the goddess of sustenance.

Kachina, name inspiration directly lifted from the religious beliefs of the indigenous Pueblos people.

Chasca, name coming from the Incan goddess of dawn and twilight.

Citlali, a name derived from Nahuatl, which is a language from ancient Mexico.

Are you seeing something interesting with these characters?

Hoyoverse has shoved multiple different cultures under one region and whitewashed every character. They did the bare bones work of lifting names and small design inspirations from so many different cultures and using them in the laziest way possible. If not pale white, the few characters who are tanned are a mere shade darker than Cyno and almost the same shade as Kaeya. There is nothing darker in sight with any of these characters.

Cultural representation matters. If Hoyoverse can explore the cultures of Germany (Mondstadt), China (Liyue), Japan (Inazuma), and France (Fontaine), it is insane that the same sort of love couldn't be given to both Sumeru and Natlan, both nations where we should rightfully be seeing more people of color.

(Side note, we should be seeing more people of color in the previous regions as well, even as NPCs. Bi-racial people exist all over the world, not just in America. Quick google searches will show what I mean.)

I can already hear the arguments against me.

"But Hoyoverse is an East Asian company! They don't need to/don't care about representation!"

Oh really? Because Lilithgames, the company behind Dislyte, is a company based in Shanghai, China. And when you compare the variety of skin tones of Dislyte to Genshin, you cannot make the argument that a company based in Asia doesn't care about diversity. Hoyoverse does not seem to care, but don't make it a blanket statement for all companies.

Still not convinced? Bluepoch, a small Chinese company behind Reverse:1999, is responsible for this character:

Smite, a game published by Hi-Rez Studios and Tencent Games (A Chinese publisher), has a character based on Olorun. And they did just fine in their depiction of him:

And the director behind Tekken 7, Katsuhiro Harad, shared concept art of an Arab fighter they want to add to the game. Why? Because he wanted to make sure he was respecting Middle Eastern culture and asked for feedback to see what can be improved. He posted this concept art and asked the community for input to make Shaheen as accurate as possible:

But sure. Asian companies don't care.

"It's a fantasy world! It doesn't have to 1-to-1 mimic the real world!"

Oh really? So why are characters named after real world cultural figures, why is the food based around real world food, why are outfits somewhat inspired by real world garbs then? If you're gonna draw inspiration from something and use the real world in your game, the world is a diverse place. It is not all white nor all slightly tanned.

"You can always stop playing the game."

I could, but that would mean letting them win and get away with their racism. It would mean letting Hoyoverse think this is the norm instead of the outlier. It would mean staying silent during injustice. I can do a lot of things, and exposing their issues is one of them.

"It could be difficult for them to implement dark-skinned characters."

It actually is not. Look at all the examples from other games and companies discussed previously. It's not hard. Plus, take a look at Wriothesley's concept art:

Originally, he had a different skin tone. So characters with different tones existed but got lightened and changed over time.

"I don't want [insert race here] in my fantasy game/it doesn't matter!"

Honey, you're just racist.

"Wow, I get it now. This is bad. What can I do to help?"

There are several ways:

Use Surveys and Feedback when you log into Hoyoverse games. This problem extends past Genshin, into HSR and ZZZ (a game whose ads promote itself with rap music and yet noticeably lack playable dark skinned characters so far). Use the platforms that they gave us in order to spread the word. Tell them that you're dissatisfied with the cultural appropriation and disappointed in Hoyoverse for taking certain cultures and whitewashing them. Email genshin_cs@hoyoverse.com if the feedback buttons aren't working for some reason.

Stop putting money into the game. A lot of companies listen when there's monetary loss involved. Show them that you mean business and stop supporting their business. You can also leave a one star and a review with your thoughts on their cultural appropriation.

Amplify the voices of those speaking out. There are plenty of posts out there better worded than mine that go in depth into a lot of these problems. Multiple voice actors of all ethnicities and backgrounds have spoken up about Hoyoverse’s injustices as well (many of the VAs from the game, including the voices of Albedo, Sucrose, Layla, Beidou, and even VAs for smaller NPCs have spoken out). When you see those posts, share them. Spread the word. Get those voices out there.

Shut down those silencing others. For as many posts out there trying to bring more light to this issue, there are others who try to shut us down. They continue to be racist and double down that nothing is wrong with Natlan. Do not let them get away with this. Show them this post or the myriad of other posts that exist. Tell them to shut the fuck up. Call them out. But don't let them silence anyone else.

If you've made it to the end and learned something, I'm glad. If you've made it to the end and want to further support me or anyone else in this fight, share this post and others like it.

Thank you for reading.

EDIT: As noted in this ask, the naming conventions of characters from other regions as opposed to Sumeru and Natlan. I’ll be adding a separate reblog to this post with a full list of naming conventions from each region.

[pomefioredove]

Saw requests opened again! Can I have Scarabia headcanons for this scenario: so they invited their s/o back to the Scalding Sands for a festival and provides their lover with a special evening attire for a party or smth. The outfit itself is red and gold (typical Scarabia colors) but the s/o is from a culture where those are wedding colors (ex: China, Vietnam, India, Nepal, etc). Cue the reader teasingly asking them if this was their way of proposing. How do Jamil and Kalim react (separately) and how blushy do they get?

OH THIS IS SO CUTE! omggg

*ੈ✩‧₊˚ wedding colors

summary: a little misunderstanding type of post: headcanons characters: jamil, kalim additional info: romantic, reader is gender neutral, reader is yuu

poor Jamil

in all the chaos of preparing for the festival, he forgot to ask you what colors you wanted

of course, he knows your favorites

but he wants this to be special

and now he only has a day left to arrange an outfit for you!

that's not enough time to customize something

so, he gets his mom's permission to borrow something of hers

she has the nicest clothes, and it'll be meaningful

he chooses something neutral (or so he thinks)

red and gold for the festival, right?

and you look stunning in it!

but he takes note of the strange smirk on your face as you ask where he got it

"It's my mother's nicest outfit," he says, a little too proud of himself

"Your mothers... and in these colors... is this your way of proposing?"

huh

???

Jamil knows he fucked up right away

only then, he remembers you mentioning the meaning of red in your culture, and...

it completely slipped his mind

he stammers out some half-assed explanation and then excuses himself to cool down in the hall

how embarrassing...

at least you just think it's funny

but, even he will admit, the following festival makes a great "wedding venue"

*ੈ✩‧₊˚

Kalim's family tailor wasn't enough

this is a special event, after all, and he wants everyone to know just how special you are

he hires the finest tailor in the land and tells him to make the "prettiest outfit anyone's ever seen"

...and nothing else

so, the tailor, with such little foresight, chooses the easiest colors

red for courage and life

gold for nobility and perfection

easy, right?

well...

Kalim thinks you look amazing, and he's so excited to introduce you to everyone that he doesn't let you get a word in

at the end of the festival, you joke that if it had been your family, everyone would be asking about the wedding

and he's like

:)?

so you explain the meaning of the colors

and his face just fills with dread

not at the premise of marrying you

but because this outfit isn't nearly good enough to propose to you in!!!

and once he starts, he won't stop

first of all, he would have gotten you the most beautiful clothes anyone has ever worn

he would have an entire parade of exotic animals and gold and jewels in your honor

and then a banquet

and then a scenic carpet ride

and then he'd propose. of course!

it's cute how worked up he gets over it, and how much he's already thought it out :)

[lemurchick]

Another 'wonderful news' from Russia for your consideration! This week, the BRICS forum on traditional values took place in Moscow. And it was fucking insane.

In short, the opening meeting was BRICS countries representatives verbally jerking off on how well they oppress or plan to oppress their people especially women. The only person who bothered to contradict this narrative was Egyptian female writer Doha Mustafa Assy.

I will translate some quotes from the russian article. https://www.kommersant.ru/doc/7311174

Russia: "At some point the roles for women have begun to change towards independence and self-sufficiency. We, of course, love and respect our women very much, but we want them to pay more attention to their families, men and children. We do not want them to strive for business, politics, economics, power, or culture. <...> The main traditional value is the preservation of natural purpose, where a woman continues the family line and a man inspires her to give birth to children."

Pakistan: "Any traditional religion upholds and promotes social values and traditions. No father would want to harm his family. No mother would want to break up or disintegrate her family. This <rejection of family values> is deliberately imposed on us and promoted by some power circles”

Ethiopia: "In our country it is traditionally women who do the cooking, teaching children and other family duties. So the man's role is not as big as the woman's, and this tradition gives the man the freedom to behave like a child." (?????)

Uganda: [This country experience is “extremely important to the discussion of legislative protection of religious values,” emphasized russian politician Dmitry Kuznetsov, referring to the fact that in Uganda same-sex relations are prohibited, and in some cases violators face life imprisonment or even the death penalty.] “We did this to make sure that the country would be preserved. I would encourage countries to behave in such a way that the culture that exists in each country is not imposed on others.” btw Brazil and South Africa representatives didn't say a word here even though their countries legalized same-sex mafrriage years ago.

Brazil: "Marriage in no longer a goal for our citizens and the country has the highest divorce rate in history. Meanwhile, children are most often left with their mothers, with fathers unwilling to take part in their upbringing. As a result, many Brazilian boys are growing up without a father figure and 9% of male inmates in prisons don't even know their father's name. Shifting the balance in favor of women leads to the fact that the position of feminism is growing, and the number of people who identify as LGBT people is growing.” At the end of his speech, he marveled, “This is my first time in Russia, and I didn't know you guys were so conservative. I'm so happy, it's so impressive!” He also admitted that “the people of Brazil know nothing about Russia,” and Dmitry Kuznetsov promised: “We will come to you and tell you all about our saving conservatism.”

Egypt: As I mentioned in the beginning the only person who actively argued against this trend was Doha Mustafa Assy. She said: "We on the contrary has a struggle against patriarchy. Tradition and religion are not on women's side, they help men. A lot of women in Egypt ask for divorce only because they feel like slaves at home. He (the husband) has the right not to let her leave the house according to tradition. BRICS is India, it's China, it's Russia, it's Egypt. We are very different. And maybe what you are trying to do in Russia has already became a problem for us”.

To be honest I don't know what will come out of this forum. Maybe it's just empty posturing, maybe BRICS countries just sent people who had free time on their hand here as a formality. But I despair reading these quotes; twenty years ago we sent a singing duet posing as lesbians to Eurovision; ten years ago I was watching lesbian drama Blue Is the Warmest Colour in a full theater. Soviet Union gave women some attempt in an equal rights in fucking 1917 and we were the first country to send a woman in space. What happened? How has it turned this way? We are now friends with some of the most patriarchal countries in the world and with fucking North Korea. They are planning to remove the Taliban's terrorist status.

What the hell.

[bibleofficial]

wishing i phrased this as ‘if u are heavily tattooed’

[muzaktomyears]

The secret messages Lennon and McCartney hid in the Beatles’ songs

As Ian Leslie’s superb book John & Paul explains, the greatest songwriting partnership in pop history was a volatile and tortured one

★★★★★ 5/5

John Lennon and Paul McCartney in November 1963

John Lennon and Paul McCartney may have been only half of the Fab Four, but don’t expect Ian Leslie to write a “George and Ringo” book. The Beatles’ beating heart was always Lennon and McCartney. In John & Paul: A Love Story in Songs, Leslie, whose previous books have focused on applied philosophy, examines their relationship through the lens of individual tracks. We’re taken from Come Go With Me, the doo-wop number that Lennon sang at a Woolton church fete in 1957 when the pair met, to Here Today, McCartney’s 1981 tribute to his murdered friend.

The Lennon-McCartney songwriting powerhouse, which would produce around 180 songs, began in earnest in 1962 after the two men made the decision to sideline George Harrison. (Ironically, the latter’s Here Comes the Sun, from 1969, is today the most streamed Beatles song on Spotify.) Their partnership became a private dialogue, even as millions fell in love with the music. Few knew, for example, that Lennon’s I Don’t Want to Spoil the Party, a 1964 Beatles song, was raking over McCartney’s real-life 21st birthday celebrations a year earlier, during which Lennon had savagely beat up Cavern compère Bob Wooler for joking that the singer’s holiday with gay Beatles manager Brian Epstein had been a “honeymoon”. 

Wracked by self-doubt even as the Beatles conquered the world, Lennon developed what Leslie describes as a “charisma of vulnerability”, evident in the lyrics of Strawberry Fields Forever, a track “finely poised between dream and nightmare”. It inspired McCartney to write the single’s flipside, Penny Lane. Both lyrics swathe in surreality various Liverpool locations that were significant to their writers. Leslie imagines the songs “facing each other, deep in conversation. Radically different, but umbilically connected.”

Early Lennon-McCartney songs were written “eyeball-to-eyeball”, quite literally: Leslie notes the “intensity” of the duo’s eye-contact in Peter Jackson’s 2021 documentary The Beatles: Get Back. “When John wasn’t being looked at by Paul,” Leslie writes, “he didn’t know who he was supposed to be.” (Or, as Lennon tells McCartney in Get Back, as they work on Two of Us: “It’s like you and me are lovers.”) In the Beatles’ final public performance, on their Savile Row rooftop in January 1969, Leslie suggests that “Paul can see that John is happy, and because John is happy, Paul is euphoric.” In recent live concerts, McCartney has used the footage in a virtual “duet” with Lennon.

Leslie’s analysis, empathetic and carefully sourced, reaches its apogee with his account of the rift that emerged in India in 1968. The Beatles had gone to Rishikesh for meditation and enlightenment under the tutelage of the Maharishi Mahesh Yogi. Lennon and McCartney wrote scores of songs there, including most of the “White Album”. 

But in this spiritual and creative idyll, Lennon suffered a breakdown. He had long harboured feelings of betrayal and loss: abandoned by his parents, he was brought up by an aunt; when in his teens he got to know his mother, she was killed in a road accident. His close friend and original Beatle Stuart Sutcliffe had died; so, more recently, had Epstein. The Maharishi hadn’t brought an end to the trauma as Lennon had hoped: worse, to Lennon McCartney seemed indifferent to his pain, and left Rishikesh early without him. Back in London, in a drug-fuelled madness, Lennon announced to the rest of the Beatles that he was Jesus, and howled with pain on the song Yer Blues. 

Lennon in 1975, post-Beatles break-up, with Yoko Ono (l) at a London protest 

After the Beatles stopped touring in 1966, the two men had spent less time together. Lennon sank into depression. His musical dialogue with McCartney continued, even after the Beatles split in 1970, but it took a darker form: listen to How Do You Sleep?, a 1971 anti-McCartney diatribe that contains the line “The only thing you did was yesterday.” Yesterday, the first Beatles recording to have featured just one member of the group (McCartney), remained as much a source of bitterness for Lennon as of wonder. He asked a friend whether Imagine was “as good as Yesterday”. Conversely, in his 1973 song I Know (I Know), by which time post-split tempers had cooled, Lennon would sing: “I love you more than yesterday.” 

John & Paul is an elegantly written and original telling of the Beatles’ story, which is as enthralling and astonishing as their music. There are fresh insights for the most seasoned Fab Four fan. Decades after their split, listening to the Beatles can still yield new rewards, and Leslie is an expert listener. As he puts it, describing Hey Jude: “What started so modestly, one human addressing another, culminates in this massed glory.”

(source)

[astrobiscuits]

Astro obs part 9

🐌 The planets in your 12th house indicate your sleeping style:

Sun in 12th house - their sleep schedule is extremely messed up; for them, daylight hours = nighttime hours and vice versa, so they have trouble being themselves during the day; their true self comes out at night

Moon in 12th house - goes to sleep very late; full moons have a special effect on these people; their intuition is more clear at night; as kids, they probably slept a lot with their mother

Mercury in 12th house - loves texting/calling people late at night; they might journal their thoughts before sleep because they overthink a lot and it helps to clear their mind or maybe they just like to relax by reading a book at night

Venus in 12th house - cares a lot about getting their "beauty sleep"; sleeps with sleep masks on, buys expensive bed lingerie, skincare night routine might be very important; loves sleeping in general lmao

Mars in 12th house - enjoys working out before going to sleep, can go to sleep angry because they tend to get into conflict more at night than during the day

I have Uranus in 12th house and i can be both a light sleeper or a heavy sleeper, depending on where i am. For example, when i'm traveling, during the first night i wake up several times, but from the second night on i sleep like a baby lmao. Another thing would be that i can't sleep in a quiet car but i don't have any problem sleeping during a thunderstorm

🐌 Mars in fire signs (Aries, Leo, Sag) and Mars in 3rd house individuals love riding motorbikess

🐌 While Mars in 9th house peeps would probably love to go on a world tour on their motorbike. The sign ruling their 9th house represents the countries they would love to visit (i'm aware that some of these can only be visited by plane, take it with a grain of salt): 

♈ in 9th house: Ireland, Poland, Japan, Zimbabwe

♉ in 9th house: Cuba, Paraguay, South Africa, East Timor

♊ in 9th house: Denmark, Norway, Sweden, Iceland, Montenegro

♋ in 9th house: Canada, USA, Bahamas, Argentina, Slovenia, Madagascar

♌ in 9th house: Hawaii, France, Italy, The Netherlands, India, South Korea, Peru, Bolivia

♍ in 9th house: Switzerland, Mexico, Brazil, Chile, Vietnam

♎ in 9th house: Belgium, Portugal, China, Equatorial Guinea, Lesotho

♏ in 9th house: Panama, Spain, Turkey, Arab countries (Saudi Arabia, UAE), Palestine, Lebanon

♐ in 9th house: Finland, Lithuania, Romania, Tanzania, Thailand

♑ in 9th house: UK, Germany, Czech Republic, Australia, Camerun

♒ in 9th house: Greece, New Zealand, Philippines, Singapore, Sri Lanka

♓ in 9th house: Morocco, Tunisia, Egypt, Mauritius, Saint Lucia

🐌 I have a feeling Pisces Suns like to spend their time in a garage lmao. Mostly because their opposing sign, Virgo, would hate to spend time in a garage due to how dirty it can get.

🐌As a 7th house Sun who's been in love for almost a year now (haha, are we surprised, ofcours not; i'm not even in a relationship with him but ugh we're so perfect for each other), i realised that Sun in 7th house people tend to behave differently with their partner when they're in a healthy relationship vs when they're in a toxic one

Sun in 7th house in:

♈ Aries in a healthy relationship: empowers their partner, knows how to balance me time vs us time in a healthy manner, encourages their partner to take safe risks

♈ Aries in an unhealthy relationship: impulsive, impatient, selfish, dismisses their partner's feelings, often controlled by rage, prone to abusing their partner

♉ Taurus in a healthy relationship: veryyy generous (their love language is gift giving), accommodating to their partner's wants and needs, cooks for their partner

♉ Taurus in an unhealthy relationship: stubborn af, hard to please, focused more on the material gain from their partner rather than the love they share

♊ Gemini in a healthy relationship: curious, always lightens the mood of their partner by cracking up tons of jokes or telling them funny stories, knows that communication is key to everything so they're not afraid to discuss serious topics, teaches their partner a lot of random stuff

♊ Gemini in an unhealthy relationship: superficial, doesn't have a problem moving on from their partner to another person in a matter of seconds, if they're still in school/college, then they prioritize studying over their partner

♋ Cancer in a healthy relationship: nurturing, knows how to balance babying their partner vs being babied by their partner, emotionally vulnerable, feels safe enough to present their partner to their family early on in the relationship

♋ Cancer in a unhealthy relationship: if they don't trust their partner, they tend to become emotionally closed off to hide their deep sadness; defensive, but if their partner attackes them, then they'll hide, worries excessively, avoids presenting their partner to their family

♌ Leo in a healthy relationship: treats their partner like the king/queen they are, keeps their ego in check so it doesn't interfere with the relationship, if they've got artistic talents (music, acting, art etc.), they'll show their love for their partner by performing in front of them

♌ Leo in an unhealthy relationship: egocentric, shows off their partner/relationship too much out of pride, often feels entitled in the relationship and wants to be put on a pedestal by their partner

♍ Virgo in a healthy relationship: selfless to a healthy degree, remembers every lil detail from every casual conversations with their partner just to please them, remembers every important date and plans ahead for it, takes care of their partner when they're sick

♍ Virgo in a unhealthy relationship: critical, overfixates on past hurts and mistakes that their partner made in the relationship (often times their partner doesn't even remember those things because they're usually not that serious), loves their pets more than their partner

♎ Libra in a healthy relationship: romantic, charismatic, truly values their partner and the relationship with them, acts fair in the relationship, teaches their partner lovingly about the importance of honesty, truth and a healthy give and take dynamic in a relationship

♎ Libra in an unhealthy relationship: doesn't prioritize the relationship; instead, they flirt with others despite being in a relationship, emotionally detached, cold and calculated in their current relationship

♏ Scorpio in a healthy relationship: loyal, loves their partner deeply and intensely, but without suffocating them, keeps their partner's secrets like they're a locked safe box with no public access

♏ Scorpio in an unhealthy relationship: obsessive, manipulative, seeks to dominate their partner, displays stalkish behaviour in the relationship, liar

♐ Sagittarius in a healthy relationship: exposes their partner to various cultures, belief systems and philosophies to expand their mind and form their own opinion on certain topics, loves freely but is still able to maintain a long-term relationship, improves their partner's mood, usually brings an element of surprise and excitement to the relationship

♐ Sagittarius in an unhealthy relationship: travels in order to avoid dealing with their partner, parties a bit too much, doesn't take the relationship seriously

♑ Capricorn in a healthy relationship: loves their partner in a mature, serious and secure manner, doesn't shy away from improving their partner's social status and/or career if they can, discusses plans for the future (getting married, having kids, adopting pets, buying a house) with their partner early on in the relationship, they make time for their partner, despite the fact that they're busy most of the time

♑ Capricorn in an unhealthy relationship: displays no emotions or physical affection in the relationship, has a hard time communicating their thoughts with their partner, settles in a relationship for the wrong reasons (money/kids/safety/"i'm getting old and i need to have my life established"), prioritizes work/career over their partner

♒ Aquarius in a healthy relationship: flexible, makes their partner's dreams and aspirations come true (whether they're related to the relationship or not), has got a very open-minded attitude towards their partner's opinions, lifestyle and identity, takes the time to become friends firsts with their future partner because they value a relationship built on solid foundation (often times their partner is also their best friend), knows how to balance couple time vs time with friends

♒ Aquarius in an unhealthy relationship: displays wishy-washy behaviour, emotionally detached, prioritizes their friends over their partner, seeks online validation from strangers and acquaintances to fulfill their needs

♓ Pisces in a healthy relationship: sensitive to their partner's emotions, knows how to balance wearing their heart on their sleeve vs hiding their emotions in unfavourable circumstances, always honest with their partner

♓ Pisces in an unhealthy relationship: prone to drown their relationship problems and sorrows in alcohol, drugs and meds for mental health issues, runs away from problems instead of dealing with them with their partner, displays dishonesty to a fault, prone to self-sabotage

[n0vazsq]

Love looks pretty on you | AL4 x Reader

pairing . . . arvid lindblad x gf!reader

summary . . . Your first time visiting a race is certainly the best one, since your boyfriend wins his home race

request . . . yes!! based on this request!

word count . . . N/A

warnings . . . none!

faceclaim . . . girls from pin and sarahli!

alexavia yaps . . . erm not my best and its kinda short but yeah </3 opening my reqs after this (probably) so yes!! ITS SO SO SO SHORT AND SHIT IM SORRY BUT I COULDNT COME UP WITH IDEAS! NOT PROOFREAD!

yourusername

liked by arvid.lindblad, yourbsf, maxverstappen1 and 89.1K others

yourusername going to my first race weekend?! i <3 being a wag

click to view all comments

username1 IM SO HYPEDDDDDDDDD TO SEE YOU THERE

username2 y/n paddock appearance?! LETS GOOOOO

username3 SO PRETTYYYY

username4 holy fuck im going to be there too

username5 gorgeous

username6 mothered so hard THE max verstappen appeared in her likes

username7 my GOD shes stunning

username8 MAX???

username9 i cant wait to see the y/n race updates

arvid.lindblad if i win then youre coming to every race

yourusername ill get expelled from school

arvid.lindblad become homeschooled

yourusername HOMEschooled not F1PADDOCKschooled

arvid.lindblad the season is nearly over and its the SUMMER HOLIDAY

yourusername well NEXT season i'll be in school

arvid.lindblad just admit you hate me

yourusername the thing is i dont

arvid.lindblad i love youuu

yourusername love you more

username10 how does it feel to be a goddess y/n

username11 their conteractions im sobbing

username12 had me on my KNEES

username13 screaming crying throwing up

username14 im giggling at their comments

username15 i need more ASAP

username16 can arvid fight

yourusername prolly not

arvid.lindblad ???

username17 PROLLY NOT Y/N ILYYY

username18 man im itching to get love like this

username19 im never shutting about this for like another 18 centuries

username20 watch her disappear for like 2 more years just to appear in the paddock again and get arvid a win

username21 stop why is max in the likes

username22 never beating the older brother allegations

username23 MEOW

username24 whos arvid im here for y/n

username25 hes her bf and the guy in the pics

username26 some random racer idk hes not important y/n is

username27 i need to know when where shes going to be so i can attach myself to her

username28 oh to be in a relationship with her

yourbsf if only i was a wag then we'd be together

yourusername sigh i know

olivergoethe hey

yourusername fuck off

arvid.lindblad LMFAO

olivergoethe this is what i get for being nice

username29 WOOF WOOF WOOF WOOF WOOF

username30 DIED. DECEASED. GONE. ROTTING.

arvid.lindblad

liked by yourusername, pepemartiofficial, yourbsf and 97.8K others

arvid.lindblad DOUBLE HOME RACE WIN!!!!!

click to view all comments

yourusername IUHDYGHJSD MY BOY!!!!! CONGRATS I LOVE YOU SO SO SO MUCH 🤍 🫶

arvid.lindblad THANK YOU!!! I WOULDNT HAVE BEEN ABLE TO DO THIS WITHOUT YOU 🤍 I LOVE YOU MOREE

yourusername IMPOSSIBLE 🤍🤍🤍🤍🤍🤍🤍

username31 THIS IS SO CUTE WF

username32 brbr going to hang myself

username33 MAMMA MIA IM CRYING

username34 living the dream

username35 CONGRATS

username36 sigh i wish i was her

username37 SWEDEN RAHHHHHHHH

username38 BRITIAN RAHHHHHHHHHHH

username39 INDIA RAHHHHHHHHH

username40 ARVID RAHHHHHHHHHH (i just wanted to join in)

username41 FATHERRRRR

username42 woah

username43 he ate. licked the plate clean. swallowed the table even

username44 can't wait for the next race weekend ahhhhhhhh

username45 imagine if he wins again

username46 then y/n is his good luck charm

username47 sigh i want to be as pretty as her

username48 STUNNING.

username49 they ate up everyone frrrr

username50 SPRINT AND FEATURE WIN?? THE GOAT

username51 ONGGGG

username52 FRRR

username53 the next it wag and it driver

username54 when i sleep i see them in my dreams

username55 WE NEED MORE Y/N IN THE PADDOCK FOR MORE ARVID WINS 🔥🔥🗣

username56 guys dont forget us when you become the no.1 racing couple

username57 THE SECOND PIC IM SOBBING THATS SO CUTEEEE

username58 id let him hit me with his car

username59 i'd let y/n hit me with his car

username60 mama y papa

yourusername has posted three new stories !

caption 1: HE DID IT RAHHHH // caption 2: won twice and thinks he wons the place // caption 3: love looks pretty on you 🤍 still love him sigh

fin.

taglist . . . @barcapix ,, @f1lover55 ,, @ilovebarcaaaa ,, @httpsdana ,, @paucubarsisimp ,, @justaf1girl ,, @awritingtree ,, @freyathehuntress ,, @chilling-seavey (lmk if you want to join the taglist!)