#even if we take it to mean Father that man is not a father in any way that deserves an honorable title
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reblogging comment review by @zyafics
LITERALLY FINISHED AN ASSIGNMENT AND NOW I CAN TAKE A BREATH LETS GOOOO (long annotations below âŹïž)
Arrogant, volatile, downright psychotic â Rafe was a walking disaster.
my psychopath lets gooo
The cabin was small and sparsely furnished: a bunk, a tiny porthole high on the wall, and a single chair bolted to the floor.There was a faint hum of the ship's engines, a constant reminder that you were far from land and any chance of immediate rescue.
ur descriptions paints the scene of s2ep10 when they were on the ship so well, like i remember staring at your words going: wow đŠ
"They left. Now, you're my problem. Lucky me.""Now, what am I going to do with you?"
why r all the crazy ones so fine
âTo you? Or Ward? Do you only get this cocky when daddyâs not around to rein you in?â
i love LOVE when the reader provokes rafe using his father like bro that's such a trigger for him rein it in đ
The punch came so fast, you didnât see it coming. Pain exploded across your jaw, and you tasted blood. He grabbed your chin, forcing you to look at him. âYou donât fucking talk about her, dirty pogue. Ever.â
YOOOOOO đĄ
The path led deeper into the heart of the island, the dense foliage casting long shadows as the sun began to set.
god, i love ur descriptions so much u don't understand i'm taking notes as i read this đ
He blinked, momentarily thrown off guard by your words, âStay out my fucking way or Iâll kill you myself.â
i love how much of a psychopath he is in this fic, like yes, this is the crazy man of s2 (i can fix him đ€đ»)
He was a product of his environment, molded by a father who saw him as nothing more than a means to an end.
YES, i love maybank!reader's deep analysis of rafe bc we know and that doesn't excuse his behavior but it helps us understand him đ„č
But beneath it all, there was something else. Something youâd seen before, when you looked at yourself in the mirror after you took the biggest beating of your life and Luke finally got thrown into jail: hope.Â
i love her lore so so much!!
And you began to see a way out, not just for yourself, but for Rafe too.
she's a love not a fighter fr đ©
"Because he's family. And sometimes, family is all you have. Even when theyâre terrible, even when they hurt you, sometimes you canât just walk away.""Family's supposed to be everything, right?"
my daddy issues babies, sometimes i wanna push u two together like barbie and ken during play sessions (am i making sense idk anymore)
The sight of the blood staining your arm made his expression shift from bewilderment to fury.
I LOVE LOVE LITTLE DETAILS LIKE THIS
âShut up. Just⊠shut up.â He turned back to you, his eyes softening slightly as he took in the sight of your injured arm
he has a heart !!!!
"So this is all about you, then? Your precious ass and how it looks to Ward? Typical Cameron bullshit, only caring about themselves."You don't know what you're talking about," he said, his voice dangerously low. "You think this is easy for me? Keeping you safe, dealing with all this? It's not just about me. It's about keeping everything under control."
one of the things i admire so heavily with your writing is ur ability to write tense dialogues, the way they fight back and forth with words!! like i love it so so much!!
"You're impossible," he hissed, his voice a raw whisper."And youâre a coward," you shot back, your voice equally low but no less fierce.The next moment happened in a blur. Rafeâs grip tightened, and before you could process what was happening, his lips crashed into yours with a ferocity that left you breathless.
LOVE LOVE A HATE KISS
The kiss was rough and desperate, fueled by anger and frustration, a collision of two souls too damaged to recognize the depths of their own pain.And yet, beneath the layers of animosity and resentment, there was a sparkâas if you were both too messed up to understand how much you needed each other.
the poetry!!! shakespeare!!! u can write hamlet but can william write this?!?!?
"You're impossible," he muttered against your lips, the words barely audible over the sound of your heavy breathing."And youâre an asshole,â you shot back, your voice breathless, your body arching into his touch.He pulled back just enough to look at you, the tip of his nose brushing against yours slightly "Drive me fucking crazy.â
i love when they're making out but they find ways to take shots at each other "I hate you," you panted, pouring as much venom into your words as possible. Your thighs tightened around his hips, feeling every inch of him against you. âYour body doesnât,â He replies coldly, each syllable slowly drawn from his throat, "âFucking asshole.ââFucking brat.â
he's such a prick đ i want him in my bed
"Eyes on me,â he growled, his voice rough and commanding. "Let me see you.â
one of the hottest things a man can say to me
âY-Youââ He sighed, pausing, âDonât pull that shit again. Iâll get you out, okay?Â
one of my favorite scenes got me kicking my feet like a school girl (dude u CARE stfu đ)
âWeâre getting out.âYou wanted to believe in him more than anything. In that moment, it was the only thing that mattered, âYeah?"âYeah, pretty Maybank. You and me."âOkay.ââOkay.â
I'M OBSESSED WITH YOUR WORDS OH MY GOD
· · âââââââ ·đ„žÂ· âââââââ · ·
FINAL THOUGHTS | okay okay, let me catch my breath because that smut (their banter!!) was so fucking hot đ„” (why do i use emojis like a middle school boy? anyways) i think what i truly noticed from this fic is how compelling you can make a scene. the way you built transitions so seamlessly through strong descriptions about what's going on (plot wise!) and it's such an admirable skill that i deeply deeply wish i have. especially because the language and vocabulary you use are so clean and expressive without making the audience (like me) feel dumb about not knowing the definition (does that make sense?) also also. as i always point out, i'm obsessed with your build-up dialogues. right before we hit the intense parts, you manage to build up this anticipation and adrenaline from reader and rafe arguing back and forth. and what i appreciate is how you kept the enemies part of enemies to lovers all the way through, only concluding that reader feels complicated near the end. like i love that she didn't fold; she continues to be defiant and her and that brings me to another trait i love about ur writing: ur consistency in your readers. if u plan on making a certain reader rebellious, you keep it to the very end and i love that. oops, this is getting a little too long. anyways, as always, incredible work gigi, i would love to see more of maybank!reader from you especially a second part to their escape (and what it means for them to be back in obx together?? her brother's reaction?? đ« )
THE OTHER SIDE OF PARADISE - rafe cameron (+18)
request: "a rafe enemies to lovers đ«Ł the reader is jjs sister the whole drama before but then she gets left behind on the ship and rafe ends up comforting her and then yea thatâs all I got you can do whatever else the rest ïżœïżœïżœïżœ" + "def some little smut during the enemies part and a long story"
WARNINGS: maybank!reader; kidnapping; smut!; violence!; rafe is a red flag; guns and blood; p in v; they tell each other to shut the fuck up a lot lmao;
word count: 8k...im sorry
The sun dipped low, painting the Outer Banks marshes in shades of fiery orange. Tensions between the Kooks and the Pogues had hit a fever pitch, and in the middle of it all? Rafe Cameron, the last person you'd want to encounter. Ever.Â
Every run-in with him left a bitter taste in your mouth, lingering for days. It was like he had a knack for getting under your skin. Arrogant, volatile, downright psychotic â Rafe was a walking disaster. Each interaction with him sucked the life out of you. You were convinced that nothing good could ever come from being around him. And yet, there you were, another Maybank, caught in the chaos of the island's most influential family feud.
You knew the risks, but loyalty drove you forward. And now? Well, now you were in deep shit.
Your plan had been reckless, fueled by the desperate need to save Sarah from her deranged family and retrieve Pope's stolen cross. Everything had gone smoothly until chaos erupted, and you found yourself abruptly yanked away from the corridor by a strong grip on your arm, before you could even call out for your brother and Kie. Another hand clamped over your mouth, stifling any attempts to scream. In a blur, you were dragged into a dimly lit cabin, the men's hold on you unyielding. Struggling was futile against his iron grip. He tossed you inside, slamming the door shut and locking it behind him. The gravity of your situation hit hard immediately â you were alone, at the mercy of Ward Cameron. The man who'd silenced anyone who dared oppose him, even going as far as faking his own death, kidnapping his own daughter, and manipulating his son into committing murder.Â
Because in his twisted world, family trumped everything. Even murder.
Your mind raced as you took in your surroundings. The cabin was small and sparsely furnished: a bunk, a tiny porthole high on the wall, and a single chair bolted to the floor. There was a faint hum of the ship's engines, a constant reminder that you were far from land and any chance of immediate rescue. You quickly assessed your options. The door was solid, and you didn't have anything strong enough to force it open. Fuck, fuck fuck.Â
You took a deep breath, trying to steady your nerves. Panic wouldn't help; you needed a plan. But then, like a nightmare come to life, the devil himself stepped into the room, his eyes piercing as they landed on you. The man who had captured you stood behind him, a smug grin on his face.Â
Rafe was visibly surprised to see you, but he quickly concealed it behind a cold, calculating expression. His forehead glistened with sweat, his hair damp and sticking to his temples. His shirt clung to his back, soaked through from the scorching heat, and beads of perspiration trickled down his face. He wiped his brow with a weary hand and his gun gleamed ominously in the dim light.
"Well shit,â Rafe said, his voice dripping with sarcasm. "Look what we have here. Didn't expect to see ya again so soon pretty Maybank.â
You tried to keep your expression neutral, but your mind was racing with questions. Where were your friends? Were they safe? Was your brother even alive? Before you could ask, Rafe continued, his tone mocking.Â
"Your brother really did a number on you, huh? Left you behind without a second thought. Typical Maybank shit, huh? Always knew you were unreliable."
Son of a bitch. You clenched your fists, fighting to keep your composure. "You're lying," you countered, your voice steady despite the fear gnawing at you, "He wouldn't leave me."
Not unless he was forced to.
Rafe chuckled, a dark, humorless sound. "Believe what you want. They left. Now, you're my problem. Lucky me."
âYouâre lying.â
His eyes gleamed with a dangerous glint as he advanced towards you. You took a step back, but there was nowhere to go. The cold, metal wall pressed against your back, mirroring the chill that had settled in your bones.
"Now, what am I going to do with you?" he mused, tilting his head as if genuinely contemplating your fate. The gun in his hand swung lazily at his side, but you knew better than to think it wasn't ready to be used at a moment's notice. You swallowed hard, your mind frantically searching for a way out of this hellhole. He was unpredictable and volatile; years of snorting cocaine and family trauma did that to some people.Â
But maybe, just maybe, you could reason with him.Â
âRafe, listen. You don't have to do this. Let me go and we can both walk away from this. No one has to get hurt."
Again.Â
His laugh was sharp and bitter. "You think I'm going to let you go just because you asked nicely?" He stepped closer, his breath hot against your face. "Nah. You're going to stay right here until I decide what to do with you.âÂ
You tried to keep your breathing steady, but fear clawed at your chest. The odds were against you, as they had always been your entire life.
"What do you want, Rafe? The cross? We can make a deal."
His eyes narrowed, the amusement fading.Â
"You think this is about money? About that fucking cross? This is about power. Control. And right now...huh, shit, I control you." He leaned in, his voice a deadly whisper. "The cross is mine now. How do you feel about the Bahamas?â
Your top lip curled in disgust, âIâd rather drown.â
His smile twisted into something even darker. âI think youâre worth more alive, at least for now.â
You refused to show him any more fear. âTo you? Or Ward? Do you only get this cocky when daddyâs not around to rein you in?â
Rafeâs expression hardened, and for a moment, you thought youâd pushed him too far. He leaned in close, his eyes cold and unforgiving.Â
âWatch your fucking mouth, Maybank. You donât know anything about my family.â
You laughed bitterly, unable to stop yourself. âYeah, no. You're right. Just that you're dadâs little lapdog, doing his dirty work while he pretends to be some upstanding citizen. And whereâs your mom in all this? Oh! She left.â
The punch came so fast, you didnât see it coming. Pain exploded across your jaw, and you tasted blood. He grabbed your chin, forcing you to look at him. âYou donât fucking talk about her, dirty pogue. Ever.â
Anger took over you like wildfire, burning hotter than the pain. Your jaw throbbed, but the rage was stronger. You wanted to hit him back, to wipe that smug look off his face, to make him feel the hurt he had inflicted on you. Your fists clenched at your sides, every muscle in your body taut with the desire for retribution. The fury in your eyes matched the darkness in his.
You spat blood at his face, glaring up at him defiantly. âYouâre just a puppet. Your sister hates you, your dad uses you, and deep down, you know it. Youâll never be more than his bitch.âÂ
His grip tightened painfully, rough fingers digging into your flesh, lips twitching into a snarl, but you didnât flinch. If you were going down, youâd go down fighting. His eyes flickered with something youâd never seen in him, before he released you, stepping back. âYou think youâre so smart, donât you? So tough.â
âSmarter than you,â you shot back. âAt least I know who I am. What are you, Rafe?â
He stared at you, tongue pressed against his cheek, eyebrows furrowed. Then he laughed, a harsh, grating sound that sent chills down your spine. His hand reached out, and your breath stilled throat tightening as he fiddled with a lock of your hair. Heâd let out another laugh, entirely dismissive of the trepidation youâd felt stuck.
âYouâve got guts, Maybank. It's gonna get you killed.â
You wiped the blood from your mouth, meeting his gaze with unwavering defiance. âIâve survived worse than you.â
And you had. If anything prepared you for violence, drugs, and pain, was living with Luke Maybank your entire life. And maybe, if you didnât hate Rafe with every fiber of your being, after everything heâd done, youâd feel sorry for him. But you didnât, and he sure as hell didn't feel sorry for you.Â
For a moment, the room was silent except for the low hum of the shipâs engines. Then Rafe turned on his heel, motioning to the man by the door. âWatch her. Make sure she doesnât go anywhere.â
âDo I look like fucking Michael Phelps? Where the fuck would I go? Weâre on a ship you crazy bastarâHey! Rafe! Open the fucking door!âÂ
The door slammed shut behind him, the sound echoing through the small, dimly lit cabin. You listened to his footsteps fade away, feeling a sense of relief and dread settle in your chest. What the fuck had you gotten yourself into? They could kill you, dispose your body in the ocean and no would give a single fuck. No one would think youâd gone missing, because youâre a Maybank and thatâs what your kind of people did, apparently. Your brother would probably assume youâre dead, heâd try to get justice and fail in the end, because the rich always won.
The musty air of the cabin felt oppressive as you turned away from the small porthole, where the bright sun and endless expanse of blue ocean taunted you from beyond. Days had melded into one another, each marked only by the arrival of meals and the sporadic presence of Rafe. You had hoped for some sense of clarity, some hint of what your future held, but his visits offered nothing but insults and foreboding silence.
You paced the small room, your mind racing with the possibilities of what they had planned for you. The guard remained a silent sentinel, a constant reminder that escape was not an option. But then, the cabin door creaked open again, and you tensed as Ward Cameron stepped in, his presence commanding immediate attention.Â
He gave a nod to the guard, who stepped out, leaving you alone with the man who held your fate in his hands. A fucking lunatic with enough means to play for all the dramatics he enjoyed. Great.
"Get comfortable," Ward said, his voice smooth but carrying an edge that set your nerves on edge. "We're almost there."
"Almost where?" you asked, trying to keep your voice steady.
"The Bahamas," he replied, a hint of a smile playing on his lips. "A little slice of paradise, if you will."
"And what happens then?" you pressed, needing to know more.
Ward studied you for a moment, as if weighing how much to reveal. âKeep out of sight, stay quiet. Rafe and I have some business to attend to, and we can't afford any distractions."
"And if I refuse?" you challenged, though you knew the answer.
Ward's smile widened, but there was no warmth in it. "Let's not be stupid, sweetheart. You're here because you know too much. Refusing isn't an option. Cooperation, howeverâŠâ
A chill ran down your spine at his words. The stakes were clear, and you realized that your only chance was to play along, at least until you could figure out a way to escape this nightmare.
The rest of the day passed in a tense haze. Eventually, you felt the ship slow, the engines quieting as you approached your destination. When the door opened again, Rafe was there, his expression unreadable.
"Time to go," he said simply, motioning for you to follow, "Move."
You stepped out onto the deck, the warm, salty breeze hitting your face as you looked around. The sight of the lush, tropical landscape did little to ease your anxiety. You were led to a smaller boat, and soon you were speeding towards a secluded island, the main landmass of the Bahamas visible in the distance. This was a world away from the familiar streets and faces of The Cut. It was straight out of a postcard. Something you and JJ would fantasize about while high of your asses and writing bucklists.Â
God, JJ. You only hoped he made it. Youâd never gone a day without each other before you were dragged into this mess last summer. It wasnât fair. You only wanted enough money to get by, an easy fix to get everything sorted, finish college, ship your dad somewhere far away from you two. But Wardâs greedy ass had to ruin everything for you.Â
As the boat neared the shore, you couldn't shake the feeling of impending doom. The island loomed closer, its pristine beaches and swaying palm trees offering a stark contrast to the danger that lurked just beneath the surface.
Rafeâs hand gripped your arm, his grasp tight and unyielding as he led you onto the sandy beach. Ward followed close behind, his expression unreadable as he surveyed the scene before him.
"This way," he said, his voice cutting through the sound of the waves crashing against the shore. You followed obediently, your mind racing with possibilities. Escape seemed unlikely, but you clung to the slim hope that you could find a way out of this mess. As you walked, you couldn't help but wonder what awaited you on this remote island.
The path led deeper into the heart of the island, the dense foliage casting long shadows as the sun began to set. You could feel the weight of Ward and Rafe's gazes on you, their presence a constant reminder of the mess you were in.
Finally, you reached a clearing, and your heart sank as you saw what awaited you. A small house. In the middle of nowhere. Oh god, you were a dead woman.Â
âThis will be your home for the time being," Ward said, his voice cold and unfeeling, as if he was offering you a vacation rental and not kidnapping you. You wanted to protest, to demand answers, but you knew it was futile, there was a sinking feeling in the pit of your stomach, it practically swallow you whole.Â
âMy son will be keeping you company, donât get too excited.âÂ
The way Rafeâs head snapped in his fatherâs direction told you more than what you needed to know. Once again, daddy dearest was calling the shots without taking his opinion into consideration. Wardâs casual cruelty was suffocating, a stark reminder of the power he wielded over everyone. As he turned to leave, leaving no space of negotiations or pleadings, Rafeâs eyes bored into yours. No questions asked, only blind devotion to his father.Â
The door slammed shut, leaving you alone with Rafe once more. He looked at you, resentment playing across his face and something inside you urged you to fight.Â
âIâm not going to make this easy for you," you said, your voice a low growl, âIâm not dying here. Not with you.âÂ
Rafe chuckled, greasy bangs moving as he shook his head, âYou really think you have a choice here?â He stepped closer, his presence overwhelming in the confined space, âYou think youâre special? Nah, Maybank. Heâll get rid of you eventually, donât worry.â
âExactly. He will, not you. You donât have any control either and I think you hate being here as much as I do. That shit makes us both prisoners.â
He blinked, momentarily thrown off guard by your words, âStay out my fucking way or Iâll kill you myself.â
You were sure he wouldn't, only if Ward asked him to. Heâd fucked up enough before, when he accidentally shot Sarah and didnât look the slightest bit apologetic. You know he wouldnât do it again, not if he wanted to keep his head on his shoulder and his trust fund. Ward Cameron hated slips ups, hated even more the monster he raised, but he sure came in handy when he needed him.Â
Rafeâs words hung in the air like a noose, but you refused to let them tighten around your neck. "Empty threats," you shot back, squaring your shoulders. "I've dealt with bigger monsters than you, Rafe."
For a moment, a flicker of doubt passed through his blue eyes. They were bloodshot red, perhaps from the lack of sleep or maybe because he was high off his mind, you didnât care to ask. But just as quickly, his usual sneer returned. "Enjoy your stay, Maybank.â
With that, he turned and left the room. Him and the stupid slamming of doors. You were alone again, your pulse racing but your resolve intact. You had to get out of here. You knew it wouldn't be easy, but you were a Maybankâsurvival was in your blood. You took stock of your surroundings once more, this time with a sharper eye. The walls were thin, the windows barred, but there had to be some weakness, some way to exploit the situation. You ran your fingers along the seams of the walls, looking for anything that might give. Your mind raced through every piece of advice JJ had ever given you about breaking and entering. Youâd done a lot of that over the years, and while most people thought you pogues were simply criminals, they never cared enough to ask why you and your brother spent so much time in and out of the sheriffâs department.Â
So, what if two dirty, no-good kids were barely hanging on for dear life? No one gave a shit.Â
Weeks blurred into each other, each one marked by the same routine. Rafe's visits, Ward's looming threats, and the endless search for an opportunity to escape. You watched Rafe carefully, noting his every move, his every interaction with Ward. You noticed the way Ward belittled him, treating him more like a tool than a son. It was a toxic dynamic, one that made you wonder if Rafe was as much a victim as you were. Youâd seen bits and pieces before, but Sarah had described Ward as some sort of saint up until recently. Rafe on the other hand? Their dynamic was so different from what you were used to. You and JJ were like two peas in a pod, youâd die for him and you know he would do the same, no questions asked. If there was one good thing in your life, it was your brother.Â
You couldn't help but feel a twinge of pity for Rafe, despite everything he'd done. He was a product of his environment, molded by a father who saw him as nothing more than a means to an end.Â
You saw the cracks in his armor, the moments of doubt and vulnerability. The way his hands would shake every time Ward raised his voice, the way he would bite his nails to hide the embarrassment booming in his cheeks. How he never walked into his fatherâs space or any other room without announcing his presence. It gave you whiplash.Â
You began to argue less with him, your animosity slowly giving way to a grudging understanding. You hated feeling soâŠforgiving. This boy had done unspeakable things to you and your friends, to your familyâŠand there you were. Feeling sorry for him like you didnât know better.Â
One evening, as the sun dipped below the horizon, casting long shadows across the small house, Rafe brought you dinner. He placed the plate on the table, his movements tense, his expression unusually subdued. Strangely so, youâd memorized that expression. You didnât even have to ask to understand what had gotten under his skin. You watched him for a moment before speaking.
"Why do you let him treat you like that?" you asked, your voice softer than usual. You didnât understand why you did it. You regretted the words the moment they came out of your lips, but there was something inside itching you to ask.Â
Rafe's eyes snapped to yours, rage and something elseâpainâflashing in them. "What the hell do you know about it?" he snapped, but there was less bite in his words.Â
At this point he just sounded tired.Â
"I understand,â you replied, thinking of your own father. "I know what it's like to want to prove yourself, to be more than what they think you are."
Rafe's jaw clenched, his eyes dropping to the floor. For a moment, he looked lost, like a boy searching for something he could never find. "You don't know shit," he muttered, but there was no conviction in his voice.
"I know enough," you said quietly. "You don't have to keep doing this. You don't have to be his puppet."
He laughed bitterly, shaking his head. "You think it's that simple?"
"Maybe not. But you can choose to be better than him. You can choose to stop this.â
Rafe looked at you, really looked at you, for the first time. It was borderline unnerving. The weight of his stare. The way your stomach flip-flops under his attention.Â
âShut the fuck up and eat, Maybank."
But beneath it all, there was something else. Something youâd seen before, when you looked at yourself in the mirror after you took the biggest beating of your life and Luke finally got thrown into jail: hope.Â
He didn't say anything, just turned and walked out, leaving you alone.Â
Again.Â
The days continued to pass, but something had shifted. Rafe was less hostile, more contemplative. He didn't treat you as roughly, didn't hurl as many insults. It was a small change, but it was there. And you began to see a way out, not just for yourself, but for Rafe too. You knew what he did, knew what he was capable of, but no one deserved to rot in hell with someone like Ward. You needed to bide your time, to wait for the right moment. And when that moment came, you had to be ready to act.Â
Another day began with the same oppressive heat. The sun had just started to rise, casting a golden hue over the island. You were in the small kitchen of the house, preparing a meager breakfast from the limited supplies you had. The routine had become almost mechanical, a way to keep your mind occupied and stave off the rising panic.
Rafe entered the kitchen, eyes barely open as he wiped the sleep away. He poured himself a glass of whiskey, the sound of the liquid hitting the glass breaking the silence. He stood with his back to you, staring out the window.Â
âWhatâs Luke like?â
You froze, your hands pausing mid-motion. It was an unexpected question, one that cut deep and made you want to hurl on the spot even though you hadnât had anything to eat yet.Â
âWhy do you want to know?" you asked cautiously, trying to keep your voice steady.
Rafe shrugged, still not turning to face you. "Just curious. You Maybanks are a tight bunch, right? So what's he like?"
Tight bunchâŠthat was one way to put it.Â
You took a deep breath, trying to decide how much to reveal. "Heâs a drunk, a thief. But he's still my dad."
He finally turned to look at you, his eyes narrowing. "So why do you stick around? Why not just leave him?"
You knew what he was trying to do, giving you a taste of your own medicine. You couldnât blame him.Â
You met his gaze, the raw honesty of your answer surprising even you. "Because he's family. And sometimes, family is all you have. Even when theyâre terrible, even when they hurt you, sometimes you canât just walk away."
Rafe seemed to consider this, his expression unreadable. "Family's supposed to be everything, right?" His voice carried a bitter edge, hinting at his own unresolved conflicts.
"That's what they say," you replied quietly.
He took another sip of his whiskey, his eyes never leaving yours. "Must be tough, having a dad like that."
Tough? Itâs heartbreaking. Knowing that the one person who was supposed to love you, cherish you and protect you for life never gave a single fuck about his kids? Yeah, sure itâs âtoughâ
You nodded, a sad smile playing on your lips. "Guess we have that in common.â
Rafe looked away, his jaw tightening. "Yeah, we do." He set his glass down with a heavy thud, the sound resonating in the small kitchen.
For a moment, the two of you stood in silence, but then he took a deep breath, his shoulders sagging slightly. "I get it," he said quietly. "More than you know."
You watched him, the way his fingers ran along the rim of the glass. "Then why do you keep doing this? You donât have to."
His eyes blazed with anger. âIt's not that simple," he snapped. "You think I have a choice? I killed someone. For him.âÂ
It was the first time he had said those words out loud. And it made him sick to his stomach. That heâd been scared and high enough to do something so reckless, just so they wouldnât take away his dad.Â
"We always have a choice," you countered, your voice firm. "Maybe not the best ones, but we can always choose to be better."
He stared at you for a long moment, his expression a tumult of emotions. Then he shook his head, turning away. "You don't know anything," he muttered, but there was less conviction in his words than before.
"I know enough," you said softly, watching his retreating back. "And so do you."
He paused at the doorway, his hand gripping the frame tightly. Without turning around, he spoke, his voice low and strained. "I'll see you later."
As he left, the kitchen felt colder, but you knew you had reached him, even if just a little. And that gave you hope.
After that, Rafeâs visits were less frequent, and when he did come by, there was an uneasy tension between you both. You couldn't tell if it was the weight of your conversations or the sheer exhaustion of being trapped in this toxic cycle. Still, every interaction chipped away at the walls he'd built around himself, revealing glimpses of the person he might have been, had his life taken a different path.
Tonight, the air was still, the only sound was the gentle lapping of waves against the shore. You had been biding your time, watching for the perfect moment to make your escape. The house was quiet, Ward was gone and you hadnât seen Rafe in two days. By now, you knew how the guards outside fell asleep before 2am like clockwork.Â
You could it.Â
This was your chance, and you couldn't afford to waste it.
You moved silently, slipping out of the small bedroom and into the hallway. Every creak of the wooden floorboards seemed to echo in the stillness, and you held your breath, praying you wouldn't be caught. The front door loomed ahead, your path to freedom. Your heart raced as you slowly turned the handle, wincing at the faint click that accompanied the action.
The night air hit you like a wave as you stepped outside, the cool breeze a stark contrast to the oppressive heat that had been your constant companion. You glanced around, ensuring the coast was clear, then made your way towards the small boat moored at the edge of the beach. The plan was simple: get to the boat, start the engine, and head for the main island where you could find help.
You kept low, moving quickly but cautiously, every step bringing you closer to your goal. The boat was within reach when a noise behind you made your blood run cold.Â
The crunch of gravel underfoot was unmistakable. You turned sharply, and in the dim moonlight, the silhouette of one of the guards emerged from the shadows. The asshole whoâd gotten you here in the first place. He was closer than you had anticipated. Your heart pounded, adrenaline surging through your veins as you broke into a sprint, abandoning stealth for speed.
"Stop!" the guard shouted, his voice carrying across the trees. You didn't dare look back, your eyes locked on the boat. A sharp crack split the nightâa gunshot. You felt a searing pain in your arm, but you couldn't stop. You pushed through the pain, your goal now just a few yards away.
Another gunshot rang out, but you were too focused to determine where it landed. You reached the boat, hands trembling as you fumbled with the ropes. The pain in your arm intensified, but you forced yourself to keep moving. Suddenly, a heavy hand grabbed your shoulder, spinning you around. You struggled, kicking and thrashing, but he was stronger. He pulled you to the ground, pinning you down as he radioed for backup.
"Got her," he said into the radio, his breath hot against your ear. You tried to wriggle free, but his grip tightened. Moments later, two more guards arrived, hauling you to your feet and dragging you back towards the house.
Your mind raced the sting in your arm a painful reminder of your failed attempt. As they pulled you inside, the walls seemed to close in around you, your brief taste of freedom slipping away.
Moments felt like hours as you sat in the chair, the pain in your arm throbbing with each heartbeat. The quiet murmurs of the guards outside were interrupted by the heavy, hurried footsteps of someone approaching. The door flew open, and there stood Rafe, disheveled and wild-eyed, a gun clutched tightly in his hand.
âWhat the fuck is going on?â he barked, his voice a volatile mix of anger and confusion. His gaze scanned the room, landing on you.Â
The sight of the blood staining your arm made his expression shift from bewilderment to fury.
He stormed towards you, his eyes blazing. âWhat happened?â he demanded, his voice low but dangerous. Before you could answer, he whirled around to face the guards who had re-entered the room. âAre you fucking kidding me?â Rafe shouted, waving his gun erratically. âSheâs bleeding! I try to sleep in peace and this is what I come back to?â
The guards exchanged nervous glances, shifting uncomfortably under Rafeâs glare. âShe was trying to escape, Mr. Cameron,â one of them stammered. âWe had to stop her.â
His expression twisted with rage. âSo you fucking shot her?â His voice dripped with incredulity and disdain. âDo you even understand what youâve done? My father wants her in once piece.â
The guard who had caught you tried to explain, but Rafe cut him off. âShut up. Just... shut up.â He turned back to you, his eyes softening slightly as he took in the sight of your injured arm. Or maybe the pain was making you delirious.
 âWe need to get that cleaned up,â he muttered, more to himself than to anyone else. Without another word, he holstered his gun and gently took your uninjured arm, pulling you to your feet. The guards looked on, unsure of what to do or say.Â
Rafe shot them a deadly look. âGet out,â he snapped. âBefore I shoot you bitches myself.â
Once Wardâs men had left, Rafe's demeanor changed. His concern, which had briefly softened his striking features, hardened back into anger. He ran a hand through his long hair, pacing the small bathroom before finally stopping in front of you. His eyes were intense, burning with frustration.
He sneered at you, his voice dripping with disappointment and exasperation, "I thought you had some brains in that pretty little head of yours," he spat out, his frustration palpable. "What were you even thinking? Do you realize how close you came to getting yourself killed?"
You tried to speak, to defend yourself, but he didn't give you the chance. His words came fast, each one like a dagger aimed at my heart. "You could've died out there! A bullet barely missed youâdo you even understand how lucky you are?"
His fists clenched at his sides, his eyes burning into yours. "I just don't get it. Do you think you're invincible? Because you're not. You're just..." He stopped himself, taking a deep breath as if trying to regain control of his temper. "You're just reckless," he continued, his voice quieter but still seething with anger. "You didnât think about the consequences, about what it would do to..."
He trailed off, his attention faltering for a moment before snapping back to you. You could see the conflict in his eyes, the battle between knocking you out cold and something elseâmaybe concern, maybe fear.
"Don't act like you give a shit about me," you called after him, your voice trembling with both pain and defiance.
He stopped in his tracks, his back stiffening for a moment before slowly turning to face you. The fury in his eyes was matched only by the bitterness in your own. "I don't," he retorted, his tone icy. "But my ass is on the line too. You think Ward won't come down on me if something happens to you?"
You stood up, despite the throbbing pain in your arm, facing him head-on. "So this is all about you, then? Your precious ass and how it looks to Ward? Typical Cameron bullshit, only caring about themselves."
Rafe's eyes narrowed, his jaw clenching. "You don't know what you're talking about," he said, his voice dangerously low. "You think this is easy for me? Keeping you safe, dealing with all this? It's not just about me. It's about keeping everything under control."
You scoff through your nose "Here we go again. Control? You think dragging me back here, shooting at me, is control? It's chaos, Rafe. You're just as trapped as I am, and you can't stand it."
His face twisted showcasing his wrath, and he took a step towards you, closing the distance. "Shut up!â he growled. "You donât understand the pressure I'm under. The expectations, the demands. I didnât ask for any of this."
"And neither did I," you shot back, a strict finger aimed at his face in warning, âSo shut the fuck up.â
He took another step towards you, his face inches from yours, his breath hot and ragged.
"You have no idea what you're talking about," he growled, his voice low and dangerous. "You think this is just about me? It's about keeping everything from falling apart. It's aboutâ"
Before he could finish, you grabbed the front of his shirt, pulling him even closer, your faces almost touching. "I donât care about your excuses, Rafe. I donât care about your pressures or your fucking control. All I know is Iâm not staying here.â
The look he gave you was filled with enough ire to have a hint of satisfaction sparking in your chest, the hollow beneath his dark brows deepening as his classical features twisted into an expression of silent hatred. His breath came in short, sharp bursts. His hands came up, gripping your waist, not gently but not roughly either, as if he couldnât decide whether to push you away or pull you closer.
"You're impossible," he hissed, his voice a raw whisper.
"And youâre a coward," you shot back, your voice equally low but no less fierce.
The next moment happened in a blur. Rafeâs grip tightened, and before you could process what was happening, his lips crashed into yours with a ferocity that left you breathless. His mouth was demanding, almost punishing, and you responded, your hands fisting in his shirt, pulling him closer even as you wanted to push him away.
The kiss was rough and desperate, fueled by anger and frustration, a collision of two souls too damaged to recognize the depths of their own pain. And yet, beneath the layers of animosity and resentment, there was a sparkâas if you were both too messed up to understand how much you needed each other. Each fingertip left an imprint, a silent declaration of the strength he was restraining. It was like he was fighting to contain this force within him, to keep it from overwhelming you both.Â
If someone told you youâd be kissing Rafe fucking Cameron of all people just a month ago, youâd think they were crazy. And yetâŠÂ All you wanted were his hands on your body, his warm skin against your own.
Oh his hands.
They roamed slowly yet purposefully over your lower back, over your waist. You breathed out a sigh of relief, taking the collar of his shirt in both your hands as you pulled him closer, relishing in his warmth. He smelled like whiskey and cigarettes.Â
He pulled away slowly, your lips the last to part, and blinked down at you. You watched him lick his bottom lip, taking in the sight of you.
ââYouâre bleedingââ
âShut the fuck up.â
His eyes flared with renewed anger, but also with something elseâsomething darker, more primal. Your words were like a match to gasoline. He didn't respond verbally; instead, he took a half step back before swooping you into his arms, lifting you effortlessly.
With a swift, decisive motion, Rafe carried you to the dining table, and you barely had time to register the cool wood against your back before he was on you again, his body pressing down on yours with a desperation that matched your own. There was no tenderness there, only raw need and a desire to consume. He pried your lips apart again, his tongue sweeping in as he kissed you deeply, his mouth moving invasively over yours. His fingers gripped your jaw with a vice-like hold. A strange sensation fluttered beneath your skin, and you wrapped your legs around his hips, closing the distance between your bodies as he pressed flush against your center.
His hands moved with such intent, slipping under your shirt, his fingers tracing every curve with a delicious blend of roughness and urgency. You reciprocated eagerly, your own hands tangling in his hair, urging him closer as your kiss deepened. Everything around you blurred as the room spun, his warmth against you making you breathless, his taste lingering on your lips, intoxicating and irresistible.
You tugged at his shirt, fingers fumbling with the buttons because you just couldn't wait. He let out that deep, sexy growl that made a shiver run down your spine. His hands were all over you, touching your skin and leaving fiery trails wherever they went. It felt like he was trying to memorize every inch of you, wanting to claim you in a way that words could never capture.
"You're impossible," he muttered against your lips, the words barely audible over the sound of your heavy breathing. He leaned down closer to your collarbone, to catch the scent on your skin, and he couldn't tell if you were amused or annoyed from the way your cheeks rounded as you narrowed your eyes at him.
"And youâre an asshole,â you shot back, your voice breathless, your body arching into his touch.
He pulled back just enough to look at you, the tip of his nose brushing against yours slightly "Drive me fucking crazy.â
"Good," you replied, your fingers tightening in his hair, pulling him down again. You could feel the tension in his body, the way he was holding back, trying to maintain some semblance of control. But you didn't want control. You wanted to lose yourself in this moment, to forget everything you'd been trough and just feel.
Rafe seemed to sense this, his hands becoming more insistent, his touch more possessive. He lifted you slightly, positioning you better on the table, his body slotting perfectly between your legs. The friction was exquisite, a delicious tease that left you craving more.
"Rafe," you breathed, and he almost fell to his knees at the soft whimper that left your lips when he couldnât help but jerk his hips forward. He responded instantly, his hands gripping your hips, pulling you closer as he kissed you with a fervor that left you dizzy. The table creaked under your combined weight, but neither of you cared. Your hand grabbed his forearm, over the veins strained from his grip on you, your nails sinking into the skin exposed.
You broke the kiss, gasping for air, your eyes locking with his. There was a wildness there, a reflection of the storm inside you. You reached up, tracing his jaw with your fingers, feeling the stubble beneath your touch as his mouth, hot and demanding, left a trail of fire in its wake on your neck. A noise of pleasure slipped from your mouth as he palmed at your breast, thumb grazing across your nipple as his teeth grazed your collarbone, kissing down, littering your skin bite marks.
"I hate you," you panted, pouring as much venom into your words as possible. Your thighs tightened around his hips, feeling every inch of him against you.Â
âYour body doesnât,â He replies coldly, each syllable slowly drawn from his throat, "
âFucking asshole.â
âFucking brat.â
You opened your mouth to hiss something at him, to fight back, show him that you were the one in charge, but the intention died the moment Rafe cupped you through your shorts. A pathetic excuse of shorts due to the heat. Heat bloomed in your stomach, melting into a torrent want that flooded your skin and left you breathless. His determined blue eyes pierced into yours, watching as he pressed the heel of his palm against the apex of your thighs, his middle finger tracing your entrance and applying light pressure to the sensitive dip between your legs.
âCat got your tongue, pretty?â He asked, lips brushing over your mouth, loose bangs brushing against your brow âThought you had more fire in you.â he rasped coldly, moving your shorts and underwear out of the way and your lips parted on a sharp inhale as you felt him touch you for the first time, âYeah, thought so.âÂ
Every nerve ending seemed to come alive under his hands, and the room around you blurred into insignificance. All that mattered was the man in front of you, his relentless grip on your senses, his unwavering control over your body.
"God, I hate you," you whispered again, the words almost a prayer, a futile attempt to cling to the anger that had fueled you for so long. But even as you said it, you knew it was a lie. You hated how much you needed him, how much you craved his touch, his dominance. Perhaps youâd been locked away from society for too long. That was the only plausible reason for you to let Rafe Cameron touch you.
Rafe smirked, a dark, satisfied gleam in his eyes. "No, you donât.âÂ
You did. At least you used to, everythingâs confusing now.
He teased you, his touch light and teasing, drawing out your frustration, your need. "Tell me what you want," he murmured against your lips, his voice a seductive growl that made your heart race.
You bit back a whimper, refusing to give him the satisfaction of hearing you beg. But the need was overwhelming, a fierce ache that demanded release.Â
âFuck you," you spat, your defiance crumbling under the weight of your desire.
He chuckled darkly, his fingers finally slipping inside you, curling and stroking in a way that made your hips buck against his hand. "That's right," he whispered, his breath hot against your ear. "Let me hear you."
A broken moan escaped your lips, and you arched into his touch, your body writhing with need. His fingers moved expertly, finding all the right spots, driving you near the edge with a skill that left you breathless. Every touch, every stroke was designed to push you closer to the brink, to break you down until you were nothing but a trembling, pleading mess.
"Rafe, please," you finally gasped, the words ripped from your throat by the overwhelming pleasure. "Please, I need you."
His smirk widened, and he pulled his fingers away, making you whimper in frustration. He didn't make you wait long, though. With swift, practiced movements, he freed himself from his pants, the sight of him hard and ready making your mouth water.Â
Without a word, he positioned himself between your legs, the head of his pretty cock teasing your entrance. "You ready for me?" he asked, his voice a rough whisper that made your heart skip a beat.Â
You nodded, your eyes locking with his, the intensity of the moment almost too much to bear. "Yes," you breathed, your voice trembling with anticipation. "Please, Rafe."
He didn't need any further encouragement. With a single, powerful thrust, he buried himself inside you. The sensation was overwhelming, a perfect blend of pain and pleasure that made you cry out. Your back arched involuntarily, your lips parting as he entered you, filling you completely in a way you had never imagined.
He rolled his hips firmly against yours, and your head tipped back as his cock rubs perfectly against you. Youâd never felt so full. He didnât give you a moment to catch your breath. After another firm roll of his hips, testing you out, figuring out his rhythm. His movements were hard and relentless, pounding into you, knocking the breath from your lungs with each forceful thrust, barely giving you time to adjust.Â
You clung to him, your nails digging into his muscular back, your body moving in perfect rhythm with his. The table creaked and groaned beneath you, but you didn't care. All that mattered was the man above you, his relentless drive, his unwavering control. His hands gripped your hips, pulling you closer, deeper, his thrusts becoming more erratic, more desperate. You could feel him losing control, his need matching your own.Â
Your eyes squeezed shut, blocking him out so you could pretend you werenât stupid enough to let the man that ruined your life fuck the living hell out of you.
"Eyes on me,â he growled, his voice rough and commanding. "Let me see you.â
Even though you really wanted to shut him out, you just couldnât fight the crazy pull he had over you. His voice was like a force of nature. You opened your eyes and locked onto his intense gaze. Seeing him above you, his face twisted with raw need and determination sent chills down your spine. His eyes were locked onto yours, filled with this dark, unyielding intensity that left you totally breathless.Â
âGood girl,â he murmured, his voice dripping with approval and something deeper, something that made your heart race even more. It made you want to run for the hills, "FuckiâOh, fuck"
With each thrust, he drove you closer to the edge, your body responding to him in ways you couldnât control. The pleasure was overwhelming, a torrent of sensations that left you gasping, moaning, begging for more. His name slipped from your lips in a broken, desperate plea, and he answered with a renewed vigor, his movements becoming more frenzied, more primal.
"Fuck," he growled, his voice rough and strained. "You're so tight... feels so fucking good."
You could barely form coherent thoughts, let alone words. Your entire world had narrowed to this moment, to the feel of him inside you, to the overwhelming pleasure that consumed you. Your body arched beneath him, your nails digging into his skin, leaving marks that would undoubtedly linger.
"Rafe," you whimpered, the sound barely more than a breath. "I'm... I can't..."
He understood. His pace quickened, his thrusts becoming almost brutal in their intensity. "Come for me," he commanded his voice a raw whisper that sent shivers down your spine. "Let go."
His words pushed you over the edge, and you came with a scream, your body convulsing around him. The intensity of your release was like nothing you'd ever felt before, a white-hot explosion of pleasure that left you trembling and breathless.
Rafe followed you over the edge, his own release crashing through him with a force that left him shaking. He buried his face in the crook of your neck, his breath hot and ragged against your skin as he rode out his orgasm, his movements slowing until he finally stilled, still buried deep inside you.
For a moment, everything was still, the only sound the ragged breaths but then Rafe lifted his head, his eyes meeting yours, and for a moment, there was something almost tender in his gaze.Â
âY-Youââ He sighed, pausing, âDonât pull that shit again. Iâll get you out, okay?Â
âRafe...â
Before you could process his words, before you could question or argue, his lips were on yours again. Differently this time. Gentle.Â
Devastating almost.Â
âYouâre still bleeding Maybank.â
Rafeâs words snapped you back to reality, the pain in your arm a sharp reminder of your injury. The moment of vulnerability between you evaporated, leaving you with the stark realization of your situation. You pushed at his chest, forcing him to back off slightly, and hissed through clenched teeth, "Then do something about it."
He just stood there, staring at you as if he had never seen you before. As if he was truly seeing you for the first time despite having known you since you were seven, despite all the moments marked by violence and terror. And you hated every second of it because your heart was practically leaping out of your chest. No one had ever looked at you like that before.
And then he simply shook his head, drew closer again, resting his forehead against yours, hands back on your thighs, fingers pressing as if he needed to ensure that you were real, that everything was real.
âWeâre getting out.â
You wanted to believe in him more than anything. In that moment, it was the only thing that mattered, âYeah?"
âYeah, pretty Maybank. You and me."
âOkay.â
âOkay.â
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Eddie as an Unreliable Narrator
I want to expand a little on something I talked about over on twitter, which is the concept of Eddie as an unreliable narrator and how this has kept him from confronting his sexuality.
Before the inevitable âEddie said he was heterosexual, heâs a straight man,â in the comments, Iâll just say that we already know gay Eddie has been a consideration from LFJR confirming it was originally going to be Tommy and Eddie together, never mind all the queer coding to date in Eddieâs general storyline. If you choose to take Eddieâs words at face value, thatâs fine, you do you! This post will get into why I donât.Â
Eddie tells Father Brian that he doesnât believe that he deserves to be forgiven, so when he sees him again, he recognizes Eddieâs decision to pick the healthier, less fun beverage for what it is: Eddie depriving himself of one of the small joys there are to be found in life. He confronts him on this, asking why he changed his mind, and Eddie looks genuinely perplexed. ââŠdecided I wanted water?âÂ
âSee, I think that you were punishing yourself. I think that you were denying yourself because you donât feel worthy right now.â You can tell that Eddie thinks this is a crock of shit and that the priest doesnât understand him at all - right up until he says Eddie doesnât feel worthy of joy.Â
Eddie tries to deflect by saying he doesnât have a lot to feel joyful about, and in doing so he is denying the accusation by saying itâs not about what he feels heâs worthy of. There just isnât a lot of joy in his life to be had right now. The priest challenges this perspective by putting a positive spin on all of the negative things Eddie lists, and in doing so, removes the excuse Eddie is using to avoid confronting that this is about him punishing himself. That he has been punishing himself, and itâs not clear yet how far back this behaviour actually goes.Â
Because hereâs the thing: Eddie thinks the water is just water. He doesnât understand the subconscious compulsion behind it, because this is something he has been doing for so long it no longer feels abnormal. At some point, he started depriving himself of enjoying the little things in life as a way of punishing himself whenever he felt like he wasnât living up to expectations, whenever he thought he was failing someone. The question is, when did it start, and what was the first thing he felt he deserved punishment for?Â
When Father Brian identifies the mustache as a disguise he asks Eddie what he thinks heâll see when he looks in the mirror without it, and Eddie says he thinks heâll see a failure, a man who doesnât deserve the joy heâs been depriving himself of. In a way, he is trying to become someone else to avoid confronting the person that he actually is, and the reason he feels heâs failed.Â
This isnât really something new: Shannon dies, and Eddie joins an illegal fight club where physical pain becomes an outlet for the anger and frustration heâs feeling. Chris is afraid of losing another parent, so Eddie deprives himself of the job that gives his life meaning outside of being Christopherâs dad rather than trying to find another solution. None of this is even taking into account the relationships he forces himself into because he feels he needs to find a replacement mother for Chris, and how forcing himself into that box he so clearly does not want for himself is just another way of depriving himself of joy.Â
Father Brian tells Eddie that God has already forgiven him for his mistakes, but hereâs the thing: Eddie doesnât give a shit about Godâs forgiveness, not really. The forgiveness Eddie is trying to earn isnât even just Christopherâs - itâs his own, too. And he doesnât know how to do that, because he doesnât know how to love himself. The only part of himself heâs ever tried to love - being a father - has been irreparably damaged in his eyes. So how does he come back from that? How does he get back to a point where he feels deserving of being Christopherâs dad again?Â
Whatâs interesting to me is that I do believe Christopher is the one bit of joy Eddieâs allowed himself up until now. His birth is the only time during Eddieâs entire marriage with Shannon that we see him actually happy, and this is one of the first examples of Eddie being an unreliable narrator that we have in the show because he acts like this wasnât the case.Â
Yet he was visibly unhappy for every part of his marriage we were shown, and by his own admission joining the army was just as much about running from it as it was about providing for his own family. He is unable to define what Shannon means to him, and he says he loved being married to her rather than saying he loved her. But in Shannonâs death, Eddie has romanticized her image so much that when Kim asks if she was the love of his life, he says he thinks she was.Â
If Chris represents one of the sole joys Eddie has allowed himself in life, then Shannon is the reason he has received it, and the guilt he feels for letting her down - for not loving her the way he should, for not being able to be there for her, for not being able to save her despite that being his job - is so immense he canât possibly imagine atoning for it. And to understand his guilt, we have to confront the reason he wasnât able to be the husband he felt she deserved.Â
See, we could maybe argue that Eddie didnât initially try to reconcile with Shannon while she was alive because he felt guilty for pushing her away, except when he has a moment to get back together, he chokes. He canât answer her when she asks what she means to him, and the fact that she even has to ask tells the audience that she isnât sure of his feelings, even though theyâve been actively sleeping together again and spending time together as a family. He is only able to make an offer of commitment when she thinks she is pregnant again, a repeat of how they got married in the first place, and I think thatâs what ultimately answers her question. She is the mother of his child, not the love of his life, but to Eddie, Chris is the real love and joy of his life, so the two kind of feel like the same thing.Â
We have seen in Bobbyâs storyline a widow with a tremendous amount of guilt move on and find his happily ever after. Bobby actually plays a role in the death of his wife and children, and he grapples with his guilt and suicidal tendencies because of it, but he is still able to heal as much as one can from such a trauma and fall in love with Athena.Â
In contrast, Eddie shows no interest in finding another relationship until he is prompted by others. When he does try to date, he has to fake his way through two separate relationships where he just couldnât love them the way he thought he should. He tried to - he wanted to. It would have been easier for him, and for Chris, if he could have.Â
Thereâs nothing objectively wrong with either of the women, he seems to enjoy their company and he finds them to be pretty, but it just isnât enough. On top of that, he admits dating has always felt like a performance, which you can especially see in his relationship with Ana where he just doesnât seem entirely like himself. Heâs the image of the man he thinks she wants him to be, because he doesnât want another repeat of his relationship with Shannon where he always fell short of what she wanted and needed. Heâs the âperfect boyfriend,â except for the part where he doesnât feel the same about her at all.Â
Marisol is a little different. While her development is limited, sheâs got a more laid-back personality that is closer to Eddieâs own, and arguably she should be a good fit. Marisol feels a bit like what Eddieâs idealized relationship with Shannon was like, and thatâs what makes it so very interesting when Eddie blows it all up by going out with Shannonâs doppelganger. Their relationship is an emotional affair, and Eddie admits it isnât sex that he wants with her which is interesting because we know he and Marisol are no longer being intimate. The truth is, he doesnât know what it is he wants from Kim, or frankly Marisol - just like he didnât know with Shannon.Â
Unfortunately, before figuring it out he pays for his sin of lying to everyone - to Chris, to Buck, and to Marisol - by getting caught in the worst possible way and traumatizing Chris in the process. We know this is how he feels from his actual confession to Father Brian, and I think to him it is the worst of all the sins he feels heâs committed because the only way he has been able to make up for everything else up until now is by being the best parent he possibly can. In a way, he has been trying to heal his own childhood trauma by breaking the cycle of toxic parenting, and giving Chris the life he never got to have.
So to Eddie, traumatizing Chris is his greatest failure, and he doesnât know how to recover from it because he still doesnât understand why he got involved with Kim in the first place. Itâs not just that he missed Shannon, or he would be able to explain that. It goes back to what Eddie says to Kim moments before Chris walks in - that he feels broken, and like he canât fix it. This feeling is only compounded by the fear that he has ruined his relationship with his son forever.Â
The conversation with Father Brian tells us that Eddie is hiding from himself and that he is denying himself of his desires as some kind of penance. The priest recognizes this and he recognizes that Eddie doesnât want the cop-out of being forgiven on behalf of God. He is someone who needs to feel they have actually earned it, and thatâs okay - just as long as he remembers that in order to take care of others, he has to take care of himself, too. More than that, heâs directed to do something fun just for himself, and those Catholic rituals that are still part of him even if he doesnât believe in them take over and allow him to do just that.Â
Thereâs something really beautiful about the same institution that led to Eddie and Shannon getting married too young being what kick-starts his journey of self discovery. It was never about rediscovering religion - he was never religious to begin with. It was always about going back to that old wound and finally healing from everything that followed. It was about reclaiming the childhood he lost from growing up too fast. But mostly, it was about being told he is allowed to focus on his needs sometimes, too.Â
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Edâs Initial Intentions regarding Stede
Thank you so much for your attention to the poll. The consensus is itâs complicated - and I sort of agree - although Iâm swayed towards Fascination alone.
This is my interpretationâŠ
Stede causes Ed to access hidden or denied parts of himself before theyâve even met. And it causes a change in Edâs behaviour. Edâs come across many rich or aristocratic folks to rob whom he would see killed without issue; but not someone whoâs also a pirate, doing their own original thing, and who seems ambivalent towards Blackbeardâs existence. Itâs dopamine to Edâs novelty-starved brain. Itâs not as if Ed carries out a usual raid on the Revenge intending to kill Stede, only to find himself unexpectedly charmed. Edâs bewitched even before he meets Stede, which means Edâs entire approach and thought-processes are altered.
Killing Stede and the crew isnât necessarily off the table should the need arise, but I donât think itâs actively on in any capacity. Thereâs no plan, and thereâs no âuszhâ for once either. Because none of this is uszh. Edâs engagement with the Revenge is not his normal MO. Historyâs most brilliant tactician is free-styling. Possibly free-falling.
At the end of 102, Izzy states, âCaptain says follow that ship.â And Fang answers âOh really? Why?â To which Izzy replies, âHow should I know? The manâs half-insane.â This conversation shows this isnât usual strategy. Even Fang asks why - he thought theyâd seen the last of those âfancyboysâ. And Ivanâs sad he didnât get the chance to murder them, which seems the usual way of things. Plus theyâd already had the chance to take or plunder the ship when it ran aground, so this stalking manoeuvre is out of the ordinary. It feels like wasted time and energy.
By the start of episode three, Blackbeardâs ship is a few hundred yards out from the Revenge, and Izzyâs trying to manipulate Ed into usual strategy again by suggesting opening fire, or boarding and throwing the Revenge crew to the sharks. Instead, Ed wants to wait until they make landfall and invite them aboard his ship. Edâs doing something very different again because heâs unwittingly engaging with an unfamiliar part of himself. And interestingly âGo suck eggs in Hellâ appears not to insult, but to somewhat seduce him further. Before meeting Stede, heâs already out of his depth emotionally, and acting out of character, literally.
Despite what Ed would do normally, I just cannot see him landing on the Revenge with the active intent of plundering the ship and / or killing Stede and the crew. His words and actions suggest heâs already through the looking-glass.
So, to The Plan. We have three interesting moments which lead up to its revelation: the clothes swap, âcareful of your faceâ and âshow me the ways of an aristocratâ.
For me, the three strands, which have no previous connection (other than Ed and Stede playing together), come together in Edâs mind somewhere between Ed leaving Stede on the lookout, and Ed speaking with Izzy below: a matter of seconds. It reminds me of Keyser Söze in The Usual Suspects, pulling together disparate ideas into a cohesive story spontaneously. Itâs the mind of a quick-thinker. And itâs in-keeping with Edâs ability of reacting in the moment to the moment when necessary.
I think Ed also feels forced to perform Blackbeard for Izzy because Izzyâs threatening to leave pushes on that white father-figure emotional bruise. At this stage, Ed doesnât have enough emotional loyalty to Stede to not voice such a plan; whilst his identity is still too caught in Izzyâs web to let him go - âyouâre needed hereâ. For me, the plan to kill Stede is brought about in the moment via an act of psychological coercive control.
But Edâs also kicking the can down the road. Itâs a sort of Faustian bargain. Why not promise Izzy both their souls if it means Ed and Stede can hang out a little longer? Yet on another level Edâs possibly hoping the debt wonât be called in, such is the complexity of the push and pull here. Heâs putting it on the tab, the never-never. Heâll out-manoeuvre it if he decides thatâs what he wants. Of course thereâs doublethink going on because Edâs in the middle of an identity crisis.
Ed darenât admit his real reason for wanting to stay on the Revenge. He canât comprehend himself even how deep this goes. His look as he turns is one of exhaustion and confusion. Stede Bonnet has him rattled. What started as a trickle of unease and ennui before theyâd even met is now a whirlpool of unidentifiable feelings around both Stede, and Edâs own perception of self.
Edâs free-falling in liminal space.
#ed teach#stede bonnet#104#the plan#faustian bargains#doublethink#identity crisis#liminal space#ofmd meta#ofmd
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Galadriel in Season 1-2 of âRings of Powerâ: Valiant, Prideful and the Darkness Within
Galadriel was born during the Years of the Trees, on Valinor, the only daughter of High King of the Noldor, Finarfin, sister to three brothers. She was named âArtanisâ by her father, and âGaladrielâ (Sindarin for âMaiden crowned with gleaming hairïżœïżœ) is the name she took after marrying prince Celebron, in Doriath (Middle-earth).
In her youth, Galadriel was known for her proud, strong and self-willed temperament, and for the unmatched beauty of her hair. She had the golden hair of her kin, but hers was particularly striking, shot with silver, and beautiful. And so much so that FĂ«anor was inspired by how the light of the Two Trees of Valinor caught her hair to craft the Silmarils. Three times he asked her for a few strands of it, and three times Galadriel refuse him. Galadriel couldnât stand FĂ«anor and saw the growing darkness in him; most likely because it was the same as within herself.
Tolkien describes Galadriel as âof Amazon dispositionâ, âstrong of body, mind and will, a match for both the loremasters and the athletes of the Eldar in the days of their youthâ, and she would âbound up her hair as a crown when taking part in athletic featsâ. Her mother called her Nerwen, âman-maidenâ.
Departure from Valinor
Galadriel is adventurous, ambitious âand like her brother Finrod, of all her kindred the nearest to her in heart, she had dreams of far lands and dominions that might be her own to order as she would without tutelage [from the Valar]â.
Galadriel, the only woman of the Noldor to stand that day tall and valiant among the contending princes, was eager to be gone [from Valinor]. No oaths she swore, but the words of FĂ«anor concerning Middle-earth had kindled her heart, and she yearned to see the wide untrodden lands and to rule there a realm at her own will. For the youngest of the House of FinwĂ« she came into the world west of the Sea, and knew yet nought of the unguarded lands. Morgothâs Ring
In Unfinished Tales, Tolkien tells us Galadriel wanted to leave Valinor and travel to Middle-earth to exercise her talents; being brilliant in mind and swift in action she had early absorbed all of what she was capable of the teaching which the Valar thought fit to give the Eldarâ, and she felt confined in the tutelage of Aman. In Valinor, Galadriel had been a pupil of both AulĂ« and Yavanna, and felt the Valar had already taught her everything they were allowed to.
This can look like a level of arrogance of the likes of FĂ«anor, however, this is not how Tolkien sees it. Galadriel is presented like a character full of potential, spirit and talent. And even ManwĂ«, the King of the Valar himself, has heard of her desire to leave for Middle-earth and didnât oppose.
Refusing the Valar pardon
At the end of the First Age she [Galadriel] proudly refused forgiveness or permission to return. Tolkien Letter 320
And this is the Galadriel we meet in the first episode of âRings of Powerâ. The audience can immediately perceive sheâs strong-willed, proud and rebellious, acting against orders of the High-king of the Noldor, Gil-galad, in her endless hunt for Sauron, Morgothâs sucessor and the responsible for her brotherâs death.
Galadriel is also the only Elf in Middle-earth who believes that Sauron is still out there, and means to find and destroy him, at any cost. âMore and more of our kind began to believe that Sauron was but a memory. And the threat, at last, was ended. I wish I could be one of them.â
It was not your company who defied you out there, but rather you who defied the High King, by refusing to heed any limit placed upon you. In an act of magnanimity, he has chosen to honor your accomplishments⊠Rather than dwell upon your insolence. Test him again and you may find him less receptive than you might have hoped. Elrond warns Galadriel, 1x01
Gil-galad âhonorsâ Galadriel by granting her passage to return to Valinor, and rest in glory. But sheâs set on refusing, not because sheâs certain Sauron will return, and wants to find him, but due to her belief she wonât find inner peace, until she accomplishes that, as she tells Elrond in the same episode:
Elrond: Do you truly believe seeking him out will satisfy you? That one more Orc upon the point of your blade will bring you peace? [âŠ] If you are wrong, will you lead more Elves to die in far-off lands? To convince yourself you have done enough, how many more statues would you add to this path? No one in history has ever refused the call. Do so now, it may never come again. Do so now, it may never come again. You will linger here, an outcast, poisoned in dark whispers and dreams. Galadriel: And in the West, do you think my fate would be better? Where song would mock the cries of battle in my ears? You say I have won victory over all the horrors of Middle-earth. Yet you would leave them alive in me? To take with me? Undying, unchanging, unbreaking, into the land of winter less spring? Elrond: Only in the Blessed Realm can that which is broken in you be healed. Go there. Go, and I promise you⊠If but a whisper of a rumor of the threat you perceive proves true, I will not rest until it is put right. You have fought long enough, Galadriel. Put up your sword.
I would also like to point out Elrond foreshadowing Galadrielâs banishment in this scene. And this is very much in line with what Tolkien wrote:
[Galadriel] had no peace within. Pride still moved her when, at the end of the Elder Days after the final overthrow of Morgoth, she refused the pardon of the Valar for all who had fought against him, and remained in Middle-earth. It was not until two long ages more had passed, when at last all she had desired in her youth came to her hand, the Ring of Power and the dominion of Middle-earth of which she had dreamed, that her wisdom was full grown and she rejected it, and passing the last test departed from Middle-earth forever. The Peoples of Middle-earth
The Darkness Within
âRings of Powerâ presents some explanations to Galadriel refusing the Valarâs pardon and staying in Middle-earth. At the surface, itâs because she wants to hunt down Sauron, defeat him, and for Halbrand to be âThe Lost Kingâ who could ride [her] to victory, like Elrond says, in 2x02.
Itâs because of her pride, or her desire for vengeance. However, in 1x05, and in a moment of vulnerability with Halbrand aka Repentant Mairon, she reveals the true reason behind her restless pursuit of Sauron:
Galadriel sees her endless pursue for Sauron as the means to earn her inner peace after everything she saw, did and endured on Middle-earth. Itâs connected to her pride, yes, but also to her greatest and deepest desire of healing. And this is why she canât stop her pursuit, even when we, the audience, watch Galadriel endanger her companionsâ lives in 1x01. She believes only when she destroys Sauron, will she destroy the darkness within herself.
Indeed he does, because Sauron wants to heal Middle-earth from Morgothâs corruption, at this point in his own character arc. But the âdarkness withinâ has been present in Galadrielâs character ever since the prologue of âRings of Powerâ, and this is also in line with Tolkien legendarium, as Galadriel recognizes the darkness in others as a mirror to her own, and how she refuses to talk about her time in Valinor with Melian.
And in Season 1, we see Galadriel employing some questionable tactics; in NĂșmenor she acts behind Halbrandâs back with Queen regent MĂriel to get herself an army (the army she claims to Adar Sauron promised her, in 2x06), and travel to the Southlands and defeat Sauron. There, she vows to genocide the Orcs and killing some of them in a gruesome manner (bringing them into the sunlight) just for Adar to reveal Sauronâs whereabouts, even though he already told her the truth (as he knows it): he killed Sauron.
It would seem I'm not the only Elf alive who has been transformed by darkness. Perhaps your search for Morgoth's successor should have ended in your own mirror. Adar taunts Galadriel, 1x06
And Adar will not be the only character to mention the pull to the darkness in Galadriel, in âRings of Powerâ:
The light of Valinor shone upon your very face, Galadriel, and you turned your back on it. Was it truly to fight the darkness or was the darkness calling to you? Elrond, 2x01
This is more noticeable with Repentant Mairon aka Halbrand, when she acts the âMorgothâ to his âSauronâ, by tempting him with power while heâs on a quest for redemption. By then, we already have some pieces of foreshadowing on this. We have Gil-galadâs prophecy in 1x01: âWe foresaw that if it had, she [Galadriel] might have inadvertently kept alive the very evil she sought to defeat [Sauron]. For the same wind that seeks to blow out a fire may also cause its spread.â
And we also see Galadriel in connection with the Fall of NĂșmenor visions, in Season 1:
And Mairon himself confirms this in 1x08. And that explains his âare they not the seeds you planted?â in Season 2. Because sheâs the one who tempted him with power, and with the pouch of the King of the Southlands (Morgoth), when he wanted to remain in NĂșmenor in servitude, and to prove his good faith to the Valar, and redeem himself from his crimes under Morgoth.
However, not only Galadriel established a connection with him, but also said âIâve felt it tooâ when he expressed his wish to bind himself to her (âFighting at your side, I... I felt... If I could just hold on to that feeling, keep it with me always, bind it to my very being, then I...â). She gave him the validation he wanted, and made him believe she would offer him forgiveness, and he would earn the redemption he so desperately wanted. But she didnât, she cast him out. And he wouldnât let it slide that easily, as weâve been in Season 2.
Growing in Wisdom
In Season 2, we saw some glimpses of Galadriel letting go of her arrogance and âgallopingâ, and seeing the âbigger pictureâ in some occasions. This is foreshadowing for her future character arc, as the wise and compassionate, yet fierce and valiant, leader we know her to be on the Third Age. From Tolkien lore, we know that as she grows in wisdom and power (âelf magicâ as Sam calls it), Galadriel will leave her pride behind.
Arondir. There is a dearth of Elven heroes this night. It would be a pity to lose another. Galadriel advises Arondir not to attack Adar, 2x07
But perhaps her last scene with Adar, in 2x08, was the most emblematic of this. She has been to the Orc camp, and witnessed the funeral rites, and how the Orcs live, and realized that, maybe, they arenât the scourged slaves she believed them to be, back in Season 1. Each one of them has a personality. Like Adar told her, in 1x06: âWe are creations of The One, Master of the Secret Fire, the same as you. As worthy of the breath of life, and just as worthy of a home.â
And Galadriel is becoming more attuned to every race in Middle-earth, and the Orcs were only the beginning. And she was willingly to make an alliance with Adar, at the end. They shared an agreement (until Sauron showed up and put an end to that). But more importantly, Adar forgives Galadriel for her hatred and her killing of the Orcs. And, as Iâve talked about on my post on Repentant Mairon (aka Halbrand), forgiveness is a major theme in Tolkien legendarium, and itâs not only earned, but given as well. And by forgiving Galadriel and returning Nenya to her, Adar redeems himself (just like Gollum; which is a theme I talked about here).
Banishment from Valinor
In Letter 353, Tolkien confirms that âGaladriel was 'unstained': she had committed no evil deedsâ, concerning the Oath of FĂ«anor. She took no part in any of that; because âshe was an enemy of FĂ«anorâ. In the same letter, Tolkien tells us Galadriel reached Middle-earth independently, and not alongside the other Noldor. And her desires were legitimate, but âshe became involved in the desperate measures of ManwĂ«, and the ban on all emigrationsâ.
Many (Christopher Tolkien included) think this contradicts Galadrielâs banishment from returning to Valinor. But this is an idea (âthe banishment of Galadrielâ) Tolkien has in place in several sources of his work. And it wouldnât be the first time Christopher Tolkien misinterpreted his father work, either, with the Dagor Dagorath being a prime example, when he thinks Tolkien abandoned the concept when he didnât (Christopher later corrected this, though).
And it has been noticed by many Tolkien scholars how Christopher Tolkien has âtone downâ his fatherâs female characters on his notes and editions, too. With Galadriel being a prime example of this. Tolkien tells us on several occasions that Galadriel had aspirations of power and dominion, she wanted a kingdom of her own, to rule as she saw fit, and thatâs why she remained on Middle-earth, and refused the Valarâs pardon. However, Christopher decided to strip Galadriel of her agency, and even attempted to whitewash her character by claiming she wanted to stay on Middle-earth due to her love for Celeborn, when this has nothing to do with what Tolkien himself wrote. So, excuse me, for talking his interpretation with a grain of salt.
And, since Galadriel is married to Celeborn, of course, heâs included on her plans of having a kingdom of her own (to be otherwise wouldnât make sense), with them both ruling it, but Galadriel wants to be the one âcalling the shotsâ. And this dynamic is what will happen in LothlĂłrien: Celeborn is lord, but Galadriel is *the* Lady, without her husband overstep or overshining her. Iâm not seeing any contradiction here. Maybe a case of âoverthinkingâ, because Letter 353 appears to be about Galadriel not taking the Oath of FĂ«anor (and thatâs not the reason for her banishment).
I owe much of this character to Christian and Catholic teachings and imagination of Mary, but actually Galadriel was a penitent, in her youth, a leader in the rebellion against the Valar (the angelic guardians). At the end of the First Age she proudly refused forgiveness or permission to return. She was pardoned because of her resistance to the final and overwhelming temptation to take the [One] Ring for herself. Tolkien Letter 320
I already theorized about Galadriel connection to the Virgin Mary (sheâs not âthe Virgin Maryâ, but a âdevotee of the Virgin Maryâ in Tolkien lore) but I think Tolkien is being very clear with his words here. He considers Galadriel a ârepentant sinnerâ, and he doesnât contradict himself at all. Because a desire for power and dominion are not positive traits on his legendarium. And the confirmation that she was pardoned by the Valar when she resists the One Ring, clearly indicates there was something more at work, and is connected with her return to Valinor.
In âFellowship of the Ringâ book, this is also clear: âI pass the test,â she says, âI will diminish, and go into the West, and remain Galadriel.â Her âpassing the testâ and resisting the One Ring is connected with her returning to Valinor.
We know, from Tolkien lore, Galadriel develops âsea longingâ on the Third Age, and has a deep desire to return to Valinor, to the point of depression (she sings laments about it). One can argue she stays out of duty, but then why is she âpardonedâ by the Valar after rejecting the One Ring and can now go to Valinor? The only explanation is that Galadriel was, indeed, banished, and her resisting the One Ring is her final test. She passes the test, the Valar pardon her, her banishment is lifted, and she returns to Valinor at the end of âThe Return of the Kingâ. No contradictions there.
On Christopherâs defense, he probably thought Galadriel âdesiring power and dominionâ werenât good enough reasons for her to be banished from Valinor, and thatâs a plot hole âRings of Powerâ is trying to answer, with her connection with Sauron, and the temptations he offers her. He is, after all, the one who introduces the âdesire for power and dominionâ to her character arc in the show; by offering her temptations and promises of endless power (his power). Which means, Galadrielâs desire for dominion and power from Tolkien lore is personified by Sauron in the show. And the reason for her banishment, will be, also, connected to him, somehow, for Sauron has already offered her the same temptation as the One ring, thousands of years into the future:
And now at last it comes. You will give me the Ring freely! In place of the Dark Lord you will set up a Queen. And I shall not be dark, but beautiful and terrible as the Morning and the Night! Fair as the Sea and the Sun and the Snow upon the Mountain! Dreadful as the Storm and the Lightning! Stronger than the foundations of the earth. All shall love me and despair! She lifted up her hand and from the ring that she wore there issued a great light that illumined her alone and left all else dark. She stood before Frodo seeming now tall beyond measurement, and beautiful beyond enduring, terrible and worshipful. Fellowship of the Ring
In Tolkien legendarium, itâs not Galadriel adventurous or valiant nature that gets her into trouble with the Valar, but her rebellious spirit, and her pride, above of all, that lead her defy their authority, and wanting to claim a kingdom of her own where she can make her own rules. In âRings of Powerâ the disapproval of the Valar are personified in the characters of Gil-galad and Elrond.
Indeed, her disregard for the Valar laws is visible on several occasions in lore. Not only she âproudly refusedâ their pardon to return to Valinor, at the dawn of the Second Age, but Tolkien tells us, in Unfinished Tales: Celeborn was the lover of Galadriel, who she later wedded. In Letter 43, Tolkien defines what he means by âa loverâ (in general): âengaging and blending all his affections and powers of mind and body in a complex emotion powerfully coloured and energized by sexâ.
This seems to imply, Galadriel didnât wait to be âofficiallyâ married (ceremony, feast) to Celeborn before consummating their union. For the Eldar, âsex = marriageâ, indeed, but the way Tolkien phrases this seems to indicate Galadriel doesnât concern herself with the Eldar ways, and took Celeborn as her lover before any thought of actual marriage. Because language is extremely important in Tolkien, and we already know âsex = marriageâ for the Eldar, so him writing this about Galadrielâs character means thereâs something more to it.
Interestingly enough, these two themes are present in Tolkien last letter concerning Galadriel, in 1973 (the year of his passing). Without context, however, itâs unclear if the two are related or not, so read this with a whole saltshaker:
I meant right away to deal with Galadriel, and with the question of Elvish child-bearing.
#the rings of power#rings of power#Galadriel#Galadriel trop#Galadriel rop#Adar#Halbrand#Sauron#Sauron trop#Arondir#elrond rings of power#elrond trop#Haladriel#Saurondriel
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So my father sent me a trailer for the new Nosferatu, which actually looks well worth watching, only I can already tell it's going to center Mina's dark attraction to Dracula and sideline Jonathan... again. Still planning on watching it but man. My father chose violence and brother, that's why I sleep with a gun
Anyway. What this conversation really made me realize (I mean I already knew this but it made me re-remember it) is that we are such minority of the audience out there for Dracula films. Most people like and want to see a dark romance between Mina and Dracula with Jonathan cuckolded on the side. They look for it when engaging in Dracula media, even. And you know what? More power to them. We're not the Dracula media police. You can like fanon more than canon, if that's what people like, fine. But what it does mean for us is we are never going to get a big mainstream creative project made with the adaptation choices we find interesting. There's just no market for it in comparison to the Mina and Dracula audiences. I wish there was. I would love to sit in a movie theater and really enjoy a good filmed adaptation. But it's not going to happen. We have to do it ourselves, and we have to take care of our own. Last I checked the Holmwood Foundation was at 74.62% of their total goal. That's less than $8,000 to go, less than ÂŁ6,000. I've updated my pledge and I think if you are financially able to, it's something you should consider doing too. They have 4 days. If we all just doubled the amount of our original pledge surely we could get them there. I just. It's a small thing but I need something to look forward to in 2025; I suspect we all do. No one else is going to get this done for us except us.
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Not understanding your own characters is embarrassing and unprofessional
so if thereâs one thing Vivzepop is horrible at doing besides designing her characters and humor is how the way she writes her own characters
all of them are questionable complex characters that never face the consequences of shitty actions or donât get any development and stay in the same arc
Letâs start with our perfect example of never facing the consequences of their actions which is stolas
Basically this man has cheated on his wife with someone he only met once and embarrassed his daughter and instead of feeling shame and guilty about it he pretty much donât care about Stella being mad and Octavia feeling miserable so instead the show having facing any punishment or someone calling him out nothing happens the only person who gets shit on and gets the blame is blitzo and yeah while asmodeus and frizz calls him out for the affair the show completely sweeps it under the rug and has those two just forget about it in season two
another good example is angel dust he sexually harassed husk constantly makes sexual comments and doesnât treat Charlie with respect and yes you can say this is way of coping since he is a victim of sexual abuse but that doesnât give him the pass to do the same thing to husk and instead of Charlie or vaggie telling him to stop they get mad at husk from pushing him away and suddenly heâs the jerk and he needs to apologize to angel
Then you have the characters who barely never gets any development and stays in the same arc and ooh boy we have manyâŠ
Letâs start off with moxxie
to sum up his arc moxxie wants to be strong and brave for Millie which wouldnât be so bad if those two werenât married and had a slow burn going on but they are already a married couple plus moxxie is literally the son of a mafia boss so why does he keeps having the same arc even though Millie told him heâs good enough for her
Then thereâs loona the show has her being the edgy moody girl that secretly has a nervous shy side and wants some friends the beelzebub episode have you thinking sheâs going to meet some other girls and become friends but nothing happens all the girls sheâs talked to are mean bitchy girls and loona just ends up going home with no friends which leads to this question what was the whole point of her own episode where nothing happens except some stupid conflict and her babysitting blitzo
But hey that doesnât matter because her true friend is the 17 year old who gets gaslit into thinking her father is trying his best sarcasm đ/
and last we have Blitzo having his millionth character angst is not really helping his character development like frizz already except his apology after the fire accident verosiks has (sorta) moved on and enjoying her life and letâs not forget his creepy behavior towards moxxie and Millie (and yes Iâm aware ghostfuckers bought that up but letâs be real by next episode he will go back to his creepy behavior) we have two episodes left in this season will Blitzo actually change his ways or will he still be the same person except for being stuck with stolas this time
Thereâs more I wanna say but this will take forever so have this
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To hunt or be hunted
Alastor x reader x Lucifer
Chapter 4: Warnings: Sexual tension.
(Image taken from Pinterest.)
One year left. You reminded yourself while watching the black snake tattoo that slowly made its way up your arm, soon it would reach your heart and all would be over.
âTen years, you work for me at my Hotel, and if I canât manage to convince you to find something good to do with yourself, Iâll set you freeâ Charlieâs voice resonated in your head, it made no sense, but the true meaning of the deal was that if she could manage to help you find a reason to continue living, you would have a permanent home at the hotel.
If she couldnât, you would have your soul back, and then the snake takes care of ending your suffering.
A swarming of feelings and thoughts came from thinking about the countdown, âItâs probably the bestâ who was going to miss you anyways? No one did back at the living world, your daughter died postpartum, your husband died because of his sins, most of your friends at the time left overseas looking for a better life, and there was no family left to mourn you.
Still isnât.
Your father and your husband were most likely around in hell somewhere, in a hundred years you havenât bothered to check, probably ended up repeating the same pattern: Gambling, debts, death.
May was a dreadful month, Motherâs day, your daughterâs birth and death anniversary, and just by the end of it, your birthday. Turning 40 is bad, but imagine turning 140 years old, that is worse.
You died at 35 years old in the 1920âs, since that to now itâs been 104 years, plus your age at the time 139, now turning 140. âItâs a blessing that I stayed looking the age I died in, otherwise I would be looking worseâ you outlined your hips with your hands while straightening the leather straps around your waist.
âY/n, can you come to the parlor please?â you heard Charlie speak through. You immediately knew what was going to happen, given that it was nine am sharp, and you werenât summoned to make breakfast.
She either told them, or Angel was going to be fried alive.
Just as you guessed, there was Charlie in front of the fireplace, as the rest, except Alastor, looked rather hurt and shocked, especially Lucifer and Vaggie.
âYou called?â The smoke cleared, making yourself appear sitting on the couch next to Charlie. A gasp found its way out of Vaggieâs throat before anyone could say anything. The angel collected her thoughts and then she was able to speak.
âCharlie, what the fuck is the AXE-MAN DOING IN THE HOTEL!â Vaggie didnât doubt a second to stand before her with the spear pointing at you, âSheâs the chef of the Hotelâ Charlie smiled weakly, trying her best to stay collected. âSince when?â the feline bartender asked, not minding your presence very much.
âBefore it started actually, eight years ago?â she turned to you for confirmation, which you nodded affirmatively. âAnd you hid this, becauseâŠ?â Angelâs turn to ask. Charlie was in shambles trying to come up with an answer that wouldnât raise more questions, but failed, so you interceded.
âWe made a deal; we donât need to disclose the details, but it made her feel guiltyâ she shot you an unamused look before turning to her partner, her hand softly tracing the outline of her cheek.
âHow come you got angry at me for lying to you, but you keep this kind of secret, honey?â seeing Charlie look as trapped as you were amused you, however for the sake of ending the fallen angelâs ranting, you intervened.Â
âHey now, whether she wanted to tell you or not itâs her business, but you hid the fact that you are an angel, worse than that a murderer, and no better than us sinners, so donât act all hurt because now you two are evenâ your eyes lit up as the staring began to feel more lie a threat towards the fallen angel.
âYou knew?â she diminished the distance between her spear and your neck, not earning a single flinch on your part, âOne piece of advice, your golden blood leaves a trail, and the stench is very specific, those like me that are used to blood can tell the differenceâ Alastor nodded in agreement.
âWhy didnât you tell meâ Charlie sounded suspicions not hurt, to no oneâs surprise really, âLast thing I knew I was a chef, not the gossip pressâ you took a look back to Vaggie, using a finger to lower the spear with zero effort, âBesides, wasnât my secret to discloseâ you winked an eye.
âWait hold on, what makes the Axe-man want to work in a place for redemption?â Lucifer questioned, now more relaxed, he was all and hellfire before thinking you had taken her daughterâs soul. âSheâs kind ofâŠâ her eyes were looking to you for help, âI made her a promise, we fought and came to an agreementâ you aided a response, one that was good enough for her not to worry.
Everyone turned to you, âIâm not ashamed of it, I got my ass kicked by miss sunshine here, lost my soul in the process and now Iâm the chefâ all except you and Charlie laughed, tearing up a little too.
âCharlie doesnât own a soul, donât be stupid, sheâs lying right, Charlie?â Lucifer watched his darling, perfect daughter image crumble when all she could respond to was a quiet shameful nod.
âYOU own a soul?â The shock was understandable. Possessing souls was not unusual, even lower-ranking demons could do it. The fact was that it was the good-natured princess who wanted to redeem demons. It was too much for Lucifer, he flopped beside you, brushing his hair back.Â
âBefore you all judge her, I was stupid enough to challenge her when Lilith had just left, she was in a very dark place, my timing was terribleâ you laughed, making your injuries pang on every fiber and string of muscle in response.Â
âHow dark?â the king whispered your way, âI was her punching bag, even after our fightâ he muttered a âshitâ both impressed and somewhat feeling guilty. They both had similar eyes when it came to pain.
âThe infamous Axe-Man of New Orleans, I presumeâ Alastor came forward, grabbing your hand and placing a chaste kiss on your knuckles. âOh, how unfortunateâ he knew your name from above, so he lived around or in New Orleans.
âWhy would you say that? You made an entire state fear your ax, for years there was nothing but jazz playing in the streets at night, and whatâs best, you were never identified nor caughtâ he pulled you from your seat, hitting his chest, his staff disappearing to leave his hand free to sneak behind your back, keeping you in place.
âWell, Iâm not that person anymoreâ Alastor drank in your scent, the sweetness burning its way down his lungs.
Every fiber, every hair on his body, told Alastor to run. Animal instinct, a deer in the jaws of a lion, a prey in front of a carnivore. Maybe because of the post-battle adrenaline he didn't feel the same instinct when you helped him. What will you feel with him so close? hunger? anger? lust? Curiosity ate him alive, he wanted to know what was telling you your instinct, how would it feel to be eaten by you.
âWhat made you bury the hatchet?â Angelâs pun made you smile, âAlastorâ still in his arm, you felt him shift. âWhen you made yourselfâŠpresent in hell, young, power hungry and all that, something inside me just told me that it was time to stopâ âor else it was going to end with bloodâ you thought.Â
âAlso before all this, I had heard about the cannibalistic murdererâ you were aware of his aberration to touch, but given his closeness, you had no choice. Both of your hands settled on his hips, mostly for leverage, but also to see how he would react to you.
âWhat an honor, I must say your performance inspired mineâ his smile twitched, especially after feeling your warmth though his coat.
âYouâre insulting me, Radio demonâ his chest tightened, a growl emanated from your throat, subtle but it made Alastorâs mind cloud a little. Focusing on your dilated pupils at all times to read any sign of warning, he saw nothing, no emotion whatsoever. Â
âYour act was sloppy, careless. The victim that became the executioner of his aggressors, tell me, do you feel better?â He didnât understand what you were implying, once he tasted human meat he just couldnât stop. He never asked himself if he was content, or if the blood made him feel better.
âYou only targeted Italian mobsters; Iâd say thatâs rather sloppyâ thatâs all he could think, âAnd yet I didnât allow myself to be shot in the headâ there was a weird aura surrounding you and him.
The situation was charming, two assassins of excellence, powerful Overlords with influence and stigma. Despite their sins, they were beautiful beings full of life and grace. Lucifer couldn't help but feel a tingle on his back watching such a scene. It seemed like they were going to devour each other, and relish in it.
âDisappointed?â your fangs shined with the firelight. âA littleâ he answered, expecting you to be more sanguinary, just as you used to be. âIâll make Jambalaya today if that makes you feel betterâ but no matter what he did, while frozen in place, like a deer in headlights, you couldnât make him feel less excited, less alive.
âThank you chĂ©rie, what about my work as of late?â reluctantly he let go of you, taking both of your hands in his. Yearning to make you either praise him, or crush his head under your heel.
âVery entertainingâ he has a very slim waist, and yet it felt strong under your fingertips, warm. He has his hands and forearm blackened, just as his legs must be. You wondered if the rest of his skin must be of that beautiful cream color. Of course, his chest wasnât bald, like you he has a thin layer of short and soft fur.
âUgh, get a roomâ Lucifer broke the moment, making Alastorâs eyes turn into the demonic radio stare you knew so well, âFunny I didnât think such a tiny person could have a massive mouthâ he then stepped away. Was it normal to be cold? Your body missed his closeness.
âHere he goes again, how about you help me with breakfast munch-king?â Lucifer felt his jacket being pulled off the couch, dragged by it towards the door that led to the hallway to the kitchen, âDid you seriously called me that?â he allowed that, with a smirk he gave Alastor the finger.
âWant me to sing the song too?â you warned with a smile, âYou wouldnât dare-â your arm hugged his small frame into your side as you started to mock him, âDing Dong the witch is dead!â you started, dragging the king down the hallway, âSTOOP!â That was the last thing the crew heard before the door closed behind you.
In the kitchen, Lucifer wandered around, staying a few steps from you. Not because he needed it, but to not seem invasive.Â
âSo, you challenged my daughter?â you hummed a yes, âShe took the split a bit bad, huh?â in the corner of your eye you could see him sit on the kitchen island, just a few inches from where his daughter had hurt her hand. Â
âIâll send you my medical billâ your sarcasm made him laugh a little, âYou donât look like you belong in the sin of pride, yours must be wrath, isnât it?â Do demons look according to their sins? You didnât know, âYou tell me, I have yet to allow myself to ponder over what I have doneâ.
âI think I didnât introduce myself, please forgive meâ you left the kettle under the fire and walked over to him, âMy name is Y/nâ you extended your hand to him, he took it with a smile. âLucifer Morningstar, you may call me however it pleases youâ his touch was gentle, but firm, you could feel his pulse though his gloves.
A thought tickled your brain, âIn that case, would you like sugar or honey in your tea, Samael?â his eyes shifted, his horns grew. Like wood, like wood, his gaze was the same as his daughter's, and yet they harbored both hatred and sadness, both as deep as an abyss.
It shot an intense wave of electricity up your spine. You stood in front of the biggest predator in all of hell.
âSorry, sorry, I just wanted to get a reaction out of youâ he hadnât let go of your hand, nor squeezed it, âI apologize, my kingâ your free hand caressed over the fabric.
He pouted, still not letting go of your hand. âIf you let me touch your ears, I may forgive youâ he turned back, you caught the sight of his tail slithering inside his pants.
âSure, but please donât get too close to the inside, my instincts are very strong and unforgiving, I would hate to have your blood on my uniformâ You couldn't even finish speaking when he pulled your hand, immediately starting to touch the fur surrounding your ears. His knees settled on either side of your hips, taking advantage of the extra height the furniture provided.
âSo soft, itâs so weird, a lion sinnerâ he was pensative, âUsually itâs a loyal, brave and true creature, heaven materialâ the sensation made your heart flutter. You felt like a dog, which made your ego bruise up a little, but at the same time his hands were warm and gentle. So gentle, you noticed he took your advice and avoided the areas you mentioned.
âAnyways, youâre forgiven, again, youâre very softâ Another cold feeling due to loss of touch, how annoying. You swallowed a lump of saliva before you could speak again, âThank you, I take care of myselfâ.
âOh and the note, thanks, it hasnât been easyâ he didnât eased the pressure on your hips, âMarriage ainât easy, and being apart after thousand years of history must be roughâ itâs not like the closeness bothered you, but it grant him a cocky smile and a sense of power over you, that feeling brought back the feeling of looking like a dog.
âI justâŠI wish I could make it up to Charlieâ his hands grabbed one of yours, fidgeting with your fingers and the palm. âIf it makes you feel more at ease, the sole fact that youâre here partially does more than enoughâ the light in his eyes lasted a few seconds, it was a lovely sight.
âPartially?â worried? Understatement. âIf I say it you canât hit me or anythingâ he made an X over his heart, then his hand went back to yours.
âShe lied to you and you just went along with it? Parenting 101, mutual respect: she doesnât lie and you donât eitherâ he applied a light pressure to your hand pads, making your claws come out and retract, that seemed to amuse him.
âSo I have toâŠground her?â his golden gaze went up to your eyes, but you were far too concentrated in his movements. âWell not now, but maybe speaking with her about it might be the right course of actionâ.
Melancholy, he had a feeling so he went for it.
âYou were a parent?â he was right, your pained expression lasted a second but it was enough for him to feel a pang on his side. âFor a day and a few hoursâ your eyes darkened, as if they were lost in thought. The warmth of his hand on your cheek and a soft âMy condolencesâ brought you back.Â
âI just know appropriate parenting by taking my parentâs example and do the oppositeâ you masked your pain with a smile and a smart remark, just like him, âYeah, me tooâ his response made you scoff, âWhere would youâve sent you daughter for this kind of idea, Heaven?â.
Laughter filled the room. He wouldnât do such a thing, nothing Charlie did would make Lucifer banish her anywhere, much less punish her like that for trying to help others.
âI had a different perspective of youâ your tail stiffened around your leg, âWhat, a soulless maniac killer and nothing more?â you used to be like that. He laughed, âI mean, soulless indeedâ you ruffled the hair that fell on his forehead, âBut Iâm glad I was wrong, thank you for taking care of my daughter, I see she trusts you a lotâ you wouldnât call it trust, nor she relied on you much.
Now that you think about it, taking care of her was instinctive, âI just grew used to her this past eight yearsâ he smiled, âThank youâ he sensed the shift in you, the situation tensed up very quickly.
âDonât, and just to be fully open about it, you were the targetâ you would never show your fangs to anyone, looking like an animal doesnât give you the right to act like one.
âWait really?â his lips twitched, almost smiling. âI thought if I bruised up your daughter you would appear, but you saw how that endedâ he hummed, rather amused. Your intimidation did nothing to him.
âAre you strong enough?â he questioned it? It felt insulting, âAre you offering?â you looked at him up and down, not a trace of malice. âI mean if thatâs what you wantedâ he was willing to fight with you? âNah I knew I wasnât strong enough, itâs no different now. I just wanted to pass into history as a crazy bitch who died at the hands of the devilâ.
âIâm oversharing, shut upâ you took a deep breath, adjusting yourself in between his legs, âI seeâ his breath hit your skin, âNow I just do this, and Iâm fine with itâ.
âIâd say, youâre terrific in the kitchen, no matter if itâs a served cold or hot type of dish, you always make it taste like homeâ your ears flattened against your head. âThank youâ he then looked up from your hand once again, a tender pink hue adorned your cheeks.
âAnywaysâ you needed to get rid of his touch, it was just enough to take a few steps backwards, away from the overwhelming warmth for the cold to embrace you again. âI have to make breakfast, and I just pulled you away because your constant fights with Alastor has gotten old very quickâ you walked away, taking your white apron off the hanger, then tied a lovely bow on your back with the laces.
âOh, yeah, yeah, yeah, see you later thenâ was that disappointment you heard? You didnât know, and couldnât care as long as your body remained trying to shake off the excessive heat, and the phantom of his touch still lingering. âFuckâ thinking about it made you cut your finger with a knife.
...
Hazbin Taglist: @mysterypotatoink @sibsteria @cherry-cola-100 @readergirlstuff @phoenixica24 @martinys-world @alientee @jellyroom2 @jewelsrules @zealousllamawolf @kittycat246 @littlebluefishtail
#hazbin hotel#alastor#alastor x reader#alastor hazbin hotel#alastor the radio demon#radio demon#hazbin lucifer#hazbin hotel fanart#hazbin alastor#hazbin hotel lucifer
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So I was thinking for a request if you can do TFA! Optimus x femme cybortron reader but for the episode where where everyone is suddenly human (don't know if you remember the episode where they became human) but I can imagine it's almost the same where everyone is confused, scared or freaking out but I can imagine Optimus immediately going to check on reader and him being awestruck by her cause even in human form she's still beautiful to him (I don't know you can change the idea a little bit but I just love that episode so much and want to see if you wanted to take a crack at it the episode is called human error part 1 if you don't know what I'm talking about)
Oh yeah thatâs a goods episode!
TFA!Optimus Prime x Cybertronian!GN!Reader/human OP x Human Reader: Hoomans??!
TW/Tags: wholesomeness, Established relationship, I wish I was Y/N in this fic ngl đ, Prowl is babygirl we all know it, I think thatâs all?
At the beginning you and Optimus were taking a small drive together. Even as they made their way through the town Optimus wished to keep patrolling because of the Soundwaves toys. You stayed, it's him. You always want to keep close knowing how dangerous the city can be. Well at times.
The others back at the base try to convince him that everything is fine. You even agreed when you both transformed. Comforting him even as you both poked at the tv.
âOptimus please lets go back. I want to give you my christmas gift before the night ends.â
Heâd then sigh. His breath seen by the cold air from the snow. âSorry Sweetspark. I justâŠâ
You gently held his cervo as he looked down at you. You had a soft smile on your dermas as your optics were soft and welcoming. âCome on. Letâs go.â
âHmâŠmaybe youâreâŠ.â
But as he was about to speak to him he chased after something. You followed and he said when he lost what he was looking for that it was after he got stuck and scared the other humans. Speaking about him as he finally got off and transformed. You doing the same and you both drove back to the base.
You and everyone else continue with your Christmas and drink the oil nog Sari made together. You then give Optimus his gift as he did the same with giving you his. He got you the polish you saw on tv thanks to saris help. You always want to look good for Optimus. As Optimus sees that he got a picture frame of the entire team talking to each other. Something Saris' father took some time ago due to your request.
You both loved the gifts and you both embraced each other as the other gave each other gifts as a present given to another the night before Christmas.
You sat on the couch next to Bee as you all kept drinking after Optimus decided to stand up. Eventually getting tired. You and the other bots make your way to bed.
Before you and OP when to bed you both exchanged a kiss. Saying goodnight to each other.
âMarry Christmas Optimus.â
âMarry Christmas Y/N.â
You both go to your own rooms. When Optimus Prime and his team woke upâŠhim and the others being freaked out would be an understatement. Everyone ran out of their room.
As for you. You were too scared. You looked like an averaged sized woman. A little slim but pretty broad arms. Long brown hair and bright brown eyes. You were a few inches shorter than Optimus now. (I mean the man is tall). Ratchet does a check up on Optimus to see whatâs wrong.
Optimus then got worried for Prowel and you. Prowel was already outside. While you stayed in your room scared of the others seeing you as a human. When they came , they were humans as well.
âY/N! You're a human too!â He gently held you as yourâŠHands- gently gripped at his arms as you two stared at each other. âOptimus I can't believe it. What Happened?â
The others catch you up and you all make your way outside to Prowl. You all try to think of what is going on. Even freezing a bit before the cold weather. You then all make your way to Saris' place in hopes of any help. You held on to OptimusâŠhandâŠas you guys continued to walk. You all then realize you need to eat. Going to dinner. You sat next to bee since there was still enough room for you. Across from Optimus. As you looked at the food along with Optimus.
âOptimus, theseâŠ.organic bodiesâŠIt makes me look soâŠ..â You then felt his hand over your.
âNo different to even now sweetspark. Even if human or a worm. Youâre still the most beautiful living being in this world to me.â He kissed the back of your hand as Ratchet and Bee rolled their eyes and groan. Prowl is just doing his own thing.
You all then ran out only to see the decepticons start to attack. That fight wasnât easy to deal with. After some time during the fight. You guys were able to find out this was all an illusion. As you all began to believe in yourself. You all turned into your robot form once more. You and Optimus looked at each other happy. And You hugged him.
âWeâre back to ourselves!â
âHaha Yeah!â
You and the others' celebrations were short. Out of now where this giantâŠSOUNDWAVE??!! It just appeared out of nowhere. You guys were then stuck in itâs hand as you all struggled to get out. Until it disappeared and you all fell.
The prowl disappeared for a moment before returning. And then a white light appeared turning you all into humans once more.
âOptimus-â
âI know sweetspark. Weâll figure something out.â Bulkhead that started reading stuff. Thatâs when OPtimus got an idea. You all got in the cars you all transform into as you all then realizeâŠ..You donât now how the outside of the cars work.
Eventually you all are released and have your minds back. Turns out you all were being controled. Sari was able to get you out of it.
âSari. Goodness Iâm sorry little one. Are you alright?â
âYes yes! Now hold OP back!!â You saw Optimus had red optics. So you help her and reckgar with holding him back. But he was able to punch you to the side with ease. That little lier he was holding back at each training! Soon Optimus is back. But were still on the ground. Man he hit you hard. You gave a thumbs up as he carries on fighting Soundwave. Chuckling as you watched the fight.
Finally getting up as Optimus helped you with a smile. You stood next to Optimus as you all stood in front of the Christmas tree.
âA wise organic once said we should be thankful for the things we have.â
âLike family.â Sari said as she looked at her dad.
âLike family.â You and Optimus looked at each other with warm smiles. You laying your helm against his shoulder as you all looked at sari and her father after you all looked at each other.
You all then watch as Reckgar walks off dressed like Santa Claus. You all chuckled as you and Optimus held hands. It was certainly an..interesting Christmas.
This is another request I really enjoyed doing. Animated Optimus is so fun to write for and my god did they have to make him so cute in the series?! I love him too much I swear. I hope you guys enjoy this OneShot and continue to give me fun ideas for the animated series and hopefully others one day. Have a good rest of your day yâall!!
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Halit and Ahmet passed through the Gateway Of Truth, but what about EsraâŠ
Halit, upon passing through the gateway, had his feelings of love for Esra amplified, but also his anger and aggression. In the first season, he was more controlled, but after passing through the gateway, he became more impulsive, not hesitating to eliminate any threat he believed was worthy of death. The gateway, for him, intensified the violence and obsession.
Remembering that violence has always been part of Halit, he sees it as a form of self-defense, acting at the right times. Even in extreme situations, he managed to maintain control over his actions. However, the gateway destabilized this balance, taking away his emotional control and making him more reckless and impulsive. Now, his violent reactions are no longer guided by the cold calculation of before; he acts more impulsively and uncontrollably.
Ahmet, in turn, appears to have experienced a completely different effect. He, who already had childhood trauma, returned with a more childish mentality. His pain, caused by the absence of a father present, was amplified, and the lack of that emotional bond seemed to have returned him to a more vulnerable and sensitive state. The gateway, for Ahmet, seems to have exacerbated his emotional neediness and his need for affection.
But Esra⊠Esra, who until now has not passed through the gateway, carries a set of traumas and scars that are particularly complex. From a young age, she was rejected and raised in an orphanage, without ever being adopted. She discovers that her mother had her with a man who despised and would possibly abort her, and her father was a misogynistic and tyrannical man, who believed that the world should be dominated by men, making him a hated being to Esra. Both parents died, leaving an even bigger gap in his life.
Furthermore, Esra lost Halit, the love of her life, and the impact of that loss was profound. She was left alone, again. His life has always been marked by constant struggle, by the feeling of being adrift. In moments of extreme vulnerability, she makes thoughtless decisions, such as when she puts herself at risk to save the one she loves â whether with the fake kidnapping of Leyla, or handing herself over to the organization that kidnapped women, always willing to put her own life at risk.
If the gateway amplifies your feelings and trauma, what would be the result? Esra, who is already an impulsive person and full of emotional wounds, could become even more unstable, plunging into a spiral of anxiety, fear and insecurity. The pain of loss and the fear of losing yet another loved one could become even more overwhelming. What would she do to protect Halit and Ahmet, now that Halit is back in her life? She was already risking her life without thinking; however, with the gateway, this trend could become even more extreme.
If Esra's deepest feelings, such as her fear of loneliness and insecurity about love, intensify, we can imagine her making even more desperate decisions. She could become even more prone to emotional suicide, risking everything to save others, even if it means putting her own life in real danger. The question is: how far would she go to ensure that those remaining in her life didn't disappear too?
Esra is in an impossible love with Halit, a relationship that is not accepted by Ahmet, her best friend and almost brother. Ahmet still carries the weight of not having had the father figure he always wanted. For him, the love between her and Halit probably represents more of a risk than genuine happiness. He can't see Halit the same way Esra does â not just because there's the "just protecting her" issue, but also because he seems to have his own emotional wounds related to family.
At the end of the season, when Esra declares that she will never leave Halit again, she finally takes a stand, and this could lead to conflict between her and Ahmet.
For Esra, the gateway may intensify not only her love for Halit, but also her feelings of guilt and anxiety about the pain she may be causing Ahmet. Her relationship with Halit may become even more difficult to manage, as she has an emotional loyalty to Ahmet, who was the only "brother" and friend she ever had. However, love for Halit is something that goes beyond any logic or reason â it is something that makes her happy and completes her in a way that nothing else can.
The gateway could exacerbate Esra's obsession with wanting to protect Halit at all costs, to the point where she completely loses herself in a cycle of self-sacrifice and extreme compromise. She was already risking her life for the one she loves, but now, with the gateway enhancing her emotions, she could become even more intense and impulsive. She would probably try to do anything to keep Halit by her side, even if it meant disregarding Ahmet's pain and needs.
Esra may find herself increasingly torn between the need to keep Halit by her side and not lose Ahmet. The situation could lead to a temporary rift between them, where they both need to confront their own insecurities and the limits of their loyalty. This could create increasing tension and perhaps even a final emotional confrontation between them.
If the writers follow the logic they created and don't ruin Esra's arc, this would be the dilemma the gateway could create for her. Her impulsiveness, which already puts her at constant risk, could become an overwhelming force. And what could she do when the losses began to weigh even more heavily on her shoulders? Perhaps she became so caught up in the need to save others that she lost herself in the process, pushing her to the edge of emotional survival.
#midnight at the pera palace#matpp#esra x halit#esra x ahmet#pera palas'ta gece yarısı#netflix shows#halit x ahmet#esra koksuz
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"Are you saying you like when I'm not ladylike?" She raised her brows in faux surprise, suppressing the urge to burst out into a fit of giggles. "I'll have to keep that in mind for the future."
We could, but that still leaves the rest of the day. Anne nodded gently, biting at the inside of her cheek as she thought. He was right. As much as she had enjoyed her time with him last night, she knew that too much of a good thing could end badly. No, it would be wiser to cherish every moments, especially the more heated ones.
But without the obvious marital activities, Anne didn't know how else she was to occupy their time. Most of her days since she'd left her home in Northumberland had been spent teaching or entertaining others. She didn't have many of her own hobbies and instead partook in what her companions or students preferred to do. Even in her few hours of spare time, she would take time to read or write letters to John or Charlotte. But, now, with the freedom of marriage at her disposal, she was at a loss for what to do.
His question catches her by surprise and she finds herself blushing. The topic had never come up, not when everything had happened so quickly. Anne never expected to be married at all, so the prospects of being a mother were often far from thought. She adored children, loved her pupils and would love to have her own some day, but she wasn't blind to the struggles such a thing would present.
"I would like some, yes." She bit her lip, her heart clenching with nerves. He was gentle and loving, but that didn't always mean that men wanted to become fathers. And although the thought of giving up such a thing ought to have disappointed her, Anne realized that it wouldn't matter in the end. As long as they were together and happy, she would be content. "But if it's not something you're interested in, we can--"
A knock at the door caused her to flinch and, instinctively, she reached for him, seeking safety in his touch. It had been a long time since she'd been so jumpy, but it had also been quite a long time since she'd had something so precious to lose. Her eyes remained trained on him as he communicated with his godmother through the door, biting back a nervous laugh at the thought of her stumbling in to see such a scene. A man and wife laying naked in bed together, and a day after their wedding no less, was hardly something scandalous. If anything, it would be expected, but that didn't make it any less embarrassing. If Anne wanted to make a good impression on his family, she wouldn't want to seem like a harlot so soon.
Anne moved to sit up in bed, her eyes watching him as he dressed, filled with love and admiration. Even in simple clothes, his hair slightly disheveled, he was handsome and it made her cheeks burn brighter. Having him even a few yards away was too much, her fingers itching to reach out and take his hand in hers. Whatever they decided to do today, she refused to let them be too far apart.
"We could go for a ride later, if you're up for it." Rising from the beneath the covers, Anne padded over to him and took one of the trays. "I know spending time with the horses makes you happy. Otherwise, we could ask your godparents if they know of anything interesting to do around here. Surely, they must have some things they enjoy doing together, too."
âOh, Iâm sure my hair is wonderfully ladylike right now.â
"Well... it's not," he was struggling to find his words with her fingers moving in his own hair; it was a mundane gesture yet there was so much unspoken in it; it was affectionate, thoughtful and more importantly, it felt good, "That's why I like it."
âI admit Iâm not entirely sure what married couples are supposed to do."
Dizzily, he managed to draw his head back far enough out of Anne's reach so he could have some control over his thoughts. He was in agreement with her: what did married couples do? Well, aside from the obvious...
His father was long dead before John ever had the chance to see his father and mother interact, and as for the Admiral and Aunt Margaret... they'd only been married four years, John had been away during their courtship, only able to pay his congratulations when the Admiral wrote of his engagement. He tried to think of anything memorable his godparents did around the estate, when out in society, but he found himself blanking. They were just... well, they were a pair; their conversations never felt stifled or awkward, everything they did felt perfectly ordinary.
"We could always have a picnic, or read together." He hummed quietly in acknowledgement; it was no different than their activities before their hasty engagement, but maybe that was the point? They were friends before, and they were friends now.
"Or we could always repeat last night."
"We could," he deadpanned, "but that still leaves the rest of the day." As tempted as it sounded, he knew they very well couldn't spend every waking hour of their honeymoon lost in pleasure; they'd grow tired, they'd grow bored, and the last thing he wanted was to dread warming his wife's bed.
"Though, I can't imagine your family would be all that pleased with us if we came to be with child quite so soon.â
Oh...
He blushed, the weight of her words sinking in. "Do you want children?" he asked suddenly, realizing they'd never spoken of this before, and the memories of their actions, of his one definitive choice last night gnawed at the back of his mind," I should've asked before..."
His voice trailed off and he found himself looking away from her; why hadn't he asked?
John nearly jolted upright at the harsh knock at the chamber door. Entire body tensing, he held his breath, waiting for a beat before calling out, "Who is it?"
"Me, dear," came the familiar sound of his godmother's voice through the door, "We missed you at breakfast. Is it safe to deliver a tray?"
Good God...
Hastily, "No! Leave it by the door. I'll come for it."
Relaxing back into the bedding, he waited a moment before moving, though the entire pause, his mind was still on Anne's mention. Could they have a family here? Could he stand for a daughter to be whisked away by his godmother? Could he stand for a son to be trained as a miniature version of his godfather? No, he wasn't sure he could... Hembury was plentiful in space, but it was too big an ask.
"I guess that's one decision made for us," he physically ached to part from her, but he did complete the slow process; once risen, dressing in fresh breeches and shouldering into his banyan as he went to collect the breakfast tray from the hall. Opening the door, he was pleasantly surprised to find a tea tray in addition to their silver-cloche protected breakfast.
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i have more conspiracies about MASH that may or may not be true, but ive decided they are. they also just might have been explained, but im dumb, and cant remember. heres your sequel.
in 7x3 where hawkeye tackles bj, bj goes "AAH!' and hawkeye says 'WRONG! THAT STARTS WITH AN H!'. this is because mike farrell's line was 'hey!' but due to the force and drama of the scene, just Yelped instead.
All the dogs that turned up that never appeared again [like the one bj and hawk "ate" when they were trying to scare a visitor, dogs seen in 1 shot, etc] were just dogs that the production crew/cast owned and wanted to bring to work/volunteered their animal for acting duty
in the handful if scenes where hawkeye is actually knitting [and not using the red yarn, for the reason given in the previous edition], hes making a blankie for erin. [co-credit my sibling]
klinger got his ears pierced during the course of the show, starting with clearly just clip-ons and then later declares he doesnt want his ears to close up. some say continuity error, I say commitment (and also it would probably be easier to find real earrings instead of clip-ons)
in s7e2 Peace on Us, no one told bill christopher to tie that red streamer around his neck, he just thought it would be silly
in s7e2 Peace on Us, again, no one told alan alda to drive the jeep back to camp with his leg up like that. he just knows the character well enough to make that call. which he's correct about
the scar on hawkeye's lip was caused by a fishhook in his youth. got called Troutboy a long time afterward because of it.
bj is a vaseline girlie and takes good care of his hair as well.
hawkeye sniffs food because, having grown up partly during the depression, eating spoiled food was a real risk, so giving it a good ol' sniff-test was a given
fr mulcahy cares deeply about his appearance and engages in more grooming activities than any other guy in camp [the shower cap, always looking perfect, owning gardening gloves, manicured hands and feet, etc]. he even irons his stole on a bi-weekly basis and launders his clerical collars
hawkeye's issues with people leaving and not saying goodbye began with his mother after she passed, since his father didnt want him to worry
on nights where charles goes to bed after the other two, he will occasionally clean up a little bit. this contributes to why he's so pissed in 'Pressure Points'- he's been doing his own cleaning and some of theirs without them noticing or caring.
once again these are all just things that came to mind while watching, i didnt think too hard on them. the only one 'researched' on was the food sniffing, solely because i needed to do Year Math lol
#i mean that blankie one with my WHOLE HEART#mash#m*a*s*h#mash 4077#mashblogging#mashblr#hawkeye pierce#charles emerson winchester iii#bj hunnicutt#father mulcahy#mike farrell#alan alda#william christopher#like seriously ive thought abt it a long time. why else would we never see it actually used. he made that little girl a blankie#the bj conspiracy abt vaseline is just because i spent a really long time having to stare @ his mouth and went 'he takes care of this thing#same goes for his hair honestly just 'wow he takes care of this stuff huh'#i mean he canonically has a mustache comb so this isnt that far beyond#the sniffing one was partly inspired by me having specifically an egg-sniffing habit because once i bit into a spoiled boiled egg#and now always have to check even if i JUST boiled em#shoutout fr mulcahy for refusing to slack on serving not only the lord but in general#also the yelp one took 2 seconds of thought. just 'wh. he said AAH. why are you saying 'h''#then i realized he was prolly supposed to say 'ahhh! hey! >:['#but when you are tackled by the wet pool noodle man#it is hard to remember your lines#edited just to highlight the blankie one further im being so serious about that one guys
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Dick or no dick confirmation Pickles was always going to be trans to me anyways; if he's swingin' somethin that's phallo babes, if he's not then his t-dick fat. What's not to get.
#metalocalypse#jay talkin#I'm sorry they wrote that awful gross little man far too likeable and relatable to on a trans level#for me not to hoot and holler and cheer for the trans pickles agenda#changes nothing about his character arc or any of the show anyone is capable of being the kind of person he is#don't make the mistake of thinking thats exclusive to cis men#his transness wouldnt change that#only adds on an extra layer to him that i think works fantastically.#Listen that dude was rejected by his family driven to drink and drugs young to escape that ran away to be in a band#is called fucking Pickles of all things and refuses to tell anyone his real last name;#over the span of four seasons and two movies he slowly starts to learn to be for others what he never had#he becomes more caring more supportive#it's not a stretch to say he undoes some of the toxic masculinity he's been keeping himself shielded behind#and learns how to be a kinder man.#all of which have no contradictions with him being trans!#In fact it doesn't take much extra thought to find ways a lot of this can line up with some trans masculine experiences#i mean. Did no one else have a younger phase where they swung as far as they could into crass rude and uncaring ways#to try and assert their masculinity only to grow and realise that you can be a man and be more caring.#Did no one else have father issues. 1 800 come on now i know those are both shared experiences a lot of us have had LOL.#at the end of the day this show aired nearly 20 years ago and is finished. we're not getting more of it#so nothing is altered nor changed if pickles is canonically trans or not ok. its fine#i mean hell i dont even need canon confirmation hes trans to me and thats all i care abt#but i think if yr getting suuuuuper weird abt needing him not to be canonically trans you have some issues#and bio essentialist ideals of gender if you think only a cis man can act like he does#again. anyone can be like that. its not exclusive. him being trans would not change him in any way shape or form lol#AND ALSO GODDDUUUGH for once i love getting to see a guy pushing 50 whos depicted as trans#do you have any idea how dire and barren it is out here. we never get to see a trans guy older than 30 and whos not a pristine model#I WANT MORE OLD SHLUBBY SHITHEAD TRANS GUYS IN MEDIA
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hi. for people who saw gatsby: an american myth. do you remember mckee asking nick for lunch. and then gatsby in like the next scene inviting nick for lunch. because i remember.
#not pjo#chitter chatter#when gatsby was like 'we should do lunch' i was like. hello. fucking. hello. are we. hello.#gatsby really said we just met literally 5 minutes ago. come meet my father figure. normal normal thing to do jay.#to be clear gatsby also asks him to go to lunch in the book. but like. there's a time skip. and also#in the show after mckee asks they immediately start making out on the couch. none of this ... nonsense#so the vibes are a LITTLE different in my brain.#i saw a few people say they didnt think gatsby and nick flirted enough and like while i do think that think part of it is we're#in nick's pov but not his HEAD#he DOES start singing about gatsby's smile for no reason until jordon is like. alright buddy. lets talk about daisy.#like nick was just Doing That. pull it together carraway.#but i got the vibe (JUST my take) that gatsby was like. kinda into nick. zero reason to be leaning into his space like that sir.#however when he actually MET daisy again he became kinda singularly focused on her again#i mean he built his whole lifeup to this moment#he says it at the end. he murdered pieces of himself to bring himself here. for DAISY.#him snapping back to daisy mode makes sense to me but he still reaches out for nick as a comfort in the sense that hes like#nick do NOT leave please stay with us. daisy does the same. and ofc part is that theyre really. fucking awkward. but like.#LET ME HAVE MY OWN NONSENSE INTERPRETATIONS. HES TRAPPED BY WHITENESS AND CLASS AND HETEROSEXUALITY.#hes already so much of an outsider trying to fit in. (i also think he loves daisy or an ideal at least. and she's EASIER to love. safer.)#nick inherently has more freedom even as a gay man in the sense that hes richer and white and an ivy league dude i mean you understand righ#right????????#even if its in the book i do wanna point out the parallels between those moments. im choosing to see it as deeply intentional <3#this show had a lot of repetition and parallels (see daisy and myrtle in a lot of songs and scenes)#(one i LOVE is tom giving myrtle a necklace and daisy later giving TOM her necklace in case he sees anyone he knows. idk love that shit)#im...gonna queue this#im embarrassed to talk about this show so much. so. into the queue it goes!!!#all the worlds a stage#so like. anyway. thats where i think nick's mind immediately went when gastsby asked him for lunch. personal headcanon <3#gatsby after one convo: we're doing lunch // me and nick immediately: oh ok! guess that's a date then!
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Another thing that probably would've been a hot take a few years ago but I don't think Diavolo is a "DILF" either
#rambles#fandom people have taken DILF to mean ''literal father'' but it really means an attractive older man who may or may not be a father#the ''father'' part just comes from the fact that older men are more likely to be fathers unlike 19 y/os#diavolo is a smoothfaced 30 y/o#even if we take it to mean Father that man is not a father in any way that deserves an honorable title#suggestive text#(i shouldn't even care about this because i kind of personally hate calling people and characters things like DILF and himbo but ksfjdjfj.)
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YOU LIKE PHANTOM OF THE OPERA!!
what is your favourite song omgomg
OMG DONT MAKE ME CHOOOOOOOOOOSE
Obvi the title song slaps, All I Ask of You is so sweet, Think of Me makes me jealous of sopranos cuz I canât sing all the high notes, Prima Donna is fun, Music of the Night uhh did things to me lol, Angel of Music is so soothing, and Wishing You Were Somehow Here Again made me tear up a bit.
I canât narrow it down to just one, so imma say my top three are:
Music of the Night (especiallyyyyy the Ramin Karimloo version from the 25th anniversary)
Phantom of the Opera (nuff said)
and Point of No Return (the movie version)
Itâs so good to see a fellow Phan!!!!! đ€©đ€©đ€©
#I was absolutely infatuated with The Phantom after I watched the movie (three times in a row)#I mean he checked all my boxes#aesthetic? check!#musical talent? check!#lives in a place with secret passageways? double check!#but then I had a dream where The Phantom was revealed to be my father and I think my brain was tryna tell me smth đđđ#phantom of the opera#poto#man I was totally obsessed with this musical I even got to see it on Broadway before it closed!#I made an entire spreadsheet analysis on the different melodies and where they were used and what they meant#you know thereâs one melody that always plays after the Phantom does or is mentioned to have done smth crazy or amazing#but then someone says or does smth that really just reminds the audience that the Phantom is not a demon or an Angel#heâs a human#I called the melody âtrue colorsâ cuz idk what else to call it lol#it doesnât have its own song itâs just used in spurts#its used after Erik gets after Christine for taking off his mask and Christine hands it back to him#(and we see him go from anger to vulnerability and then it plays)#and again in the preamble to All I Ask Of You when Christine goes#âyet in his eyes / all the sadness of the world / those pleading eyes / that both threaten and adoreâ#(and we see Christine go from âheâs scaryâ to âheâs wonderfulâ to âoh u know what heâs sad and lonelyâ)#and more but I digress#anyways sorry that was a rant but I donât really want to delete all that so there u go đ
#asks#Thanks for reaching out!! â€ïžâ€ïžâ€ïž
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In my head *cough, fantasies* RGG isn't so centered on their need to 'one game only' their villains, and allow the characters they already have to expand and grow beyond those games. (Ryuji-though he came back in Dead Souls, Mine, Aizawa) they do a good job making really compelling, interesting characters and then have to speed run to their demise. It's unfortunate, but I do understand they were operating with 'there might not be another game after this so we don't want to get too far ahead of ourselves' much of the time. Hell I don't even need redemption arcs, just..not having death be the only answer, if that makes sense? Or I just get to attached to the well-done villains. Heh. (chaoszonenate)
noooo it makes me sooo pissed actually just because kiryu (and even ichiban !!) Every Time preaches about people's capabilities to start over and so long as you have a will to go on you can right your wrongs but !!!! these fucks aren't ever given that chance and i'm over it !!!!!!!!!
if no redemption arc for them then at the very least let them go to jail idk- just stop killing them because the game's over
#snap chats#spoilers#because im going to get into spoilers becaUSE EVERY TIME THIS TOPIC'S BROUGHT UP WE KNOW WHAT I GOTTA SAY#AOKI'S DEATH WAS STILL THE DUMBEST AND STUPIDEST SHIT EVER LIKE UGH#aoki's death is LITERALLY like. the primest example of what is wrong with this trope from RGG#like the ending of Y7 could have been so beautiful and good and meaningful had aoki survived#take him to prison and let him start to atone for what he did the RIGHT way#UGH I GET SO MAD CAUSE IT WAS LOOKING SO GOOD TOWARDS THE END AND THEN KUME FUCKIN#CHEKHOV'S FUCKIN KUME I GUESS i hate this game so much#i hate this game because i love it so much BUT the ending the ending is literally the only thing stopping me from adoring Y7 1000%#that and the mirror face moment but like. Fine Whatever i'll look over it if it means joon-gi cancels aoki live on twitter#back to mine tho. cause i mean. We Know Me. i really wish he lived just to see daigo's reaction#like i can't even begin to imagine how daigo would react to learning about everything mine did- what mine was GOING to do too#GOD i really dont know.... i REALLY dont know because daigo's a good man but that's SUCH a big betrayal#i feel like kiryu would've accidentally wing manned for mine though yk what i mean#listen if he's willing to tell daigo mine wouldn't betray him then im sure he'd help daigo understand that like#Ok Mine's Deranged But We Can Fix Him :) like father like son you know GOD theyre idiots but i love them like family#ok im prob gon run out of tags if i keep going i can save all that fr a fanfic idk BYYYYEE
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