#even if it is an alternate universe version

[peachtvs]

Hidden Details in Arcane Season 2 Act 3

When Ekko is first introduced into the other world, he's disoriented, and we see him looking at himself confused as hell into the reflection.

Right after, thats where Powder pulls up in that universe. Powder here will be who I refer to as the non-traumatized version of Jinx, who she could've been and who she is in this alternative universe.

But, before we even get to see Powder, Ekko sees her reflection:

This isn't Powder's reflection, this isn't even her character model. This can be seen when we do actually see Powder:

Powder is smiling, her eyebags aren't as defined, her skin has these warm undertones, the front of her eyebrows aren't furrowed, and her sclera show under her iris isn't visible. But, in the reflection, we see what Ekko sees her as—the "deadpanned"master criminal", dangerous Jinx in his universe, the Jinx with cool, almost sickly skin, a frown, sharper eyes that show the sclera beneath her iris, and her eyebrows knit together like she's always disturbed.

And the craziest thing is, this scene only plays for 3 whole seconds in arcane.

THREE SECONDS

The attention to detail in arcane to show the audience the difference between the Jinx Ekko knows and the Powder he's meeting here is astounding, and the animators include these tiny details that they don't even know if people will ever appreciate, but they're still added.

that's the beauty of arcane.

[maxdibert]

In all his versions even in alternative universe what a diva

Say whatever you want about Silco…. He’ll remain Zaun’s most stylish man

[golden-redhead]

One thing I will say about this season is that it really emphasized just how much Silco and his actions contributed to Jinx's issues and how much his presence affected her negatively going forward.

Most of all, though, I think it proved once for all that Vander and Powder had a special bond where he deeply cared for her and genuinely saw her as his own. Especially in season 1, I think a lot of the fandom latched onto this idea that his relationship with Powder was much more shallow than the one with Vi and as a consequence, she connected with Silco so strongly. But just because Vi and Vander were close and he acted as her mentor in many ways doesn't mean he didn't care about the others and didn't have his own connection with Powder. Just because we didn't see it doesn't mean he was neglectful or cared about her any less. He and Vi had a special bond, yes, but that's because they are similar. I also think that in some ways, he saw himself in Vi, just like Silco saw himself in Jinx. He wasn't a perfect father, he wasn't without flaws, but it's clear he did everything in his power to keep his kids safe and ensure a peaceful future for them.

Through their interactions this season and that alternate universum jumping, we found out that they both deeply cared about each other and Vander fully accepted Powder as his daughter. He clearly loved her a lot and she also saw him as a father figure in her life.

Moreover, even though alternate universe Powder also dealt with grief, this time over using Vi, it's clear that Vander was able to give her the support she needed. She didn't turn violent, she didn't struggle with constant hallucinations. She grew up to be smart, resourceful and compassionate. She grew up to be a healthier, stronger version of herself. Someone who's loved, appreciated and has her own place in the world. And all that even after facing the enormous loss that Vi's death must have been.

It speaks volumes about how much Silco projected his own trauma onto her and prevented her from ever realizing her full potential. I don't think he did it intentionally, I don't think he doomed her to be like this as a choice... He certainly loved her and in his own way wanted what's best for her.

But regardless of his intentions, that's still what happened.

Hurt people hurt people.

That's one thing that Arcane made blatantly clear.

[bonelyheartsclub]

for the swap versions of eachother (undertale/underswap and underfell/fellswap) what was it like seeing themselves essentially swapped with their own brother? and do you think the swapped versions of themselves get along for being like minded or are opposed to each other for it (at least when they first met i know they get along now lol)

Stretch: Was definitely…… overwhelmed when he met Papyrus and Boss. Imagining himself running around, doing everything like that every hour of every day made him feel tired just thinking it. More power to those guys. And he gets along with them as easy as his “lazy” counterparts, just conversation naturally oozes out with them.

Blue: Was absolutely astounded to see Sans and Red, how could he ever be that lazy in any universe? Though given he also shares their trait of lacking motivation in some things, he supposes he can relate. Papyrus was a great make-up gift, though, and the two became quick friends! Boss not so much, but that was for other reasons. Mainly dissimilar wavelengths. If anything came from it, though, it was nice to see that no matter the universe, his brother still kept his sweet tooth.

Red: Felt right at home with Blue and Nox. Even with the switching, he just saw it as more people to playfully antagonize with puns and pranks a plenty. He knows himself, he'd enjoy some April fooling, even if they were a bit more uppity. Stretch and Rus were a bit odd; he never thought he'd see his brother be so lackadaisical about anything. It took a bit of adjustment, but he considers them good buddies now. Though he does try to tone things down a little bit for them, moreso than he does for Sans; the part of him that still sees his little brother deems it so.

Boss: The swap siblings were a bit of a surprise to Boss, initially. Though over time, he realized Stretch still had ambition in his own way. Maybe not for the same things HE did, but nonetheless. Blue was a bit more difficult to understand, but gradually he noticed more similarities with Red. Particularly in their need to mess with each other; something he was glad to not be a part of. He was most perplexed by Rus. Knowing he came from such a harsh universe, he was initially surprised someone so clumsy could make it out of there. Though seeing Nox, he supposed it wasn't too much of a surprise: his brother would look out for him in any universe.

Papyrus: For Papyrus, seeing other versions of himself was a little earth-shattering, since before he had assumed it was just he and his brother. At first, he's ecstatic that there's more skeletons!! More friends who understand, especially with Blue!! He does realize later on that not all of his alternates have had the best life, but he wants to make sure they're comfortable from now on.

Sans: Was initially a bit surprised by the swapped siblings (and he for sure had some thoughts about multiverse theory when he met them), but once he got over the moment of shock, he found it easy enough to get along with all of them. Both Stretch and Blue remind him of Papyrus at times, just in different ways. Nox and Rus don't exactly have that same odd familiarity, though he likes them enough to be a general nuisance to them.

Nox: Was defensive and confused at first; seeing different versions of himself and his brother disheartened and enlightened him a bit. Seeing that others had better lives than them had him disappointed, but knowing Boss and Red having similar experiences of the underground had him feeling a sort of comradery- especially with Boss, even if they don't see eye to eye all the time.

Rus: Was a bit overwhelmed in general by the different versions, but he finds them all to be good company now. Papyrus was the oddest version of himself to see, but he admires Paps' energy. Boss reminded him a little of his brother and Rus admires him for his drive and ability to get things done. Stretch is the easiest to get along with for him, and Blue is a bit perplexing to him at times. Sans and Red are odd and definitely different from Nox, but he likes them both well enough (as long as Red keeps any big pranks to himself.)

Via @/Buttergriffin332 (Stretch), @/DuskySkye (Blue, Red, Boss), @/Creative-poptart (Papyrus), @/Lost-immortality (Sans), @/ChrysanStarset (Nox), & @/Goatdadjaxx (Rus).

[scribefindegil]

Lorraine Baines McFly and Female Autonomy

Hello. I have spent the past month slowly losing my mind about Lorraine Baines McFly, Marty's mom in Back to the Future, so I am finally trying to articulate some of the reasons I'm so feral about her.

There's a quote from Lea Thompson, the actress who played Lorraine, that goes, "The three parts that women usually get to play are virgins, whores, and mothers, and in Back to the Future Part II, I got to play all three." While this is commentary on Hollywood and the limited roles that fictional women get forced into, I think it's also interesting to think about it in terms of how these roles are reflected onto actual women and used to limit their personhood and confine them to a very narrow range of acceptable behaviors . . . and then in turn to think about how the character interacts with these roles on a Watsonian level. They're affecting not just Lorraine the character as she was written, but Lorraine from an in-universe perspective trying to navigate life as a woman in a patriarchal world. Some of the sexism she faces is a deliberate narrative choice and some of it is a result of the writers' blind spots, but for the purpose of this essay I'm less interested in teasing out which threads are which and more in looking at it holistically.

Because the thing about Lorraine is that she's aware of what the acceptable roles and behaviors for women are, and the versions that we see of her across the various timelines alternately fight against and capitulate to these constraints. What is a woman allowed to be? How much is Lorraine willing to break from those restrictions? How much does she allow other women to break from them? Does she resent her role or embrace it? I have a lot of thoughts specifically about how the different iterations of her interact with concepts of female agency and autonomy.

(Putting this under a cut because it is. Long.)

I started thinking about this when I was talking with my partner about 50's Lorraine. She's extremely active and driven and planning to Get What She Wants (in a way that is very scary, if you are Marty) . . . but at the same time she's clearly aware that she isn't supposed to be. A Good Fifties Girl is demure and passive. Lorraine isn't--but she's still trying to toe the line. I think constantly about the scene where she shows up at Doc's garage to be like "I followed you home . . . so that I can ask you to ask me to the dance." The girl can embrace borderline stalking but she draws the line at directly asking a boy out! She's exercising a lot of agency but views doing so as rebellious and subversive--and risky.

And I also want to talk about the whole "boy crazy" thing because like . . . society (especially in the fifties) tells women that the most important thing they can possibly do is find a good man and become wives and mothers, that this will define the success or failure of their entire lives (and given how many things were unavailable to single women at the time this is in many ways true) . . . and then relentlessly mocks and punishes anyone who actually takes an interest in pursuing this instead of just sitting back passively and waiting. She is trying to do what society says will make her happy! And even her desire for a white knight is very much based in the reality of her situation! She's getting sexually harassed at school and around town and she's doing exactly what she's supposed to and standing up for herself and saying no and fighting back--and this is not enough. She does need backup! Biff harasses her in the middle of a crowded cafeteria and Marty is the ONLY person who does anything! No fucking wonder she latches onto him as hard as she does! (There's. I promise this is related but there's a BttF parody musical on YouTube where when Strickland comes to break up the lunchroom fight he says, "Now, I can excuse sexual harassment, but LIGHT SHOVING?" and like it's a haha funny joke but also?? Yeah?? That IS how it works. The way Lorraine's being treated is so overlooked and normalized that the authority figure isn't going to step up the way he will when it's a physical altercation between two guys. Screams.) I wonder if part of the reason she stuck with George in the original timeline even though they didn't have a lot in common is that "I have a boyfriend" is a boundary that some people might actually take seriously whereas "I'm not interested" is not.

But. In general 50's Lorraine is very much about grabbing as much agency as she feels she's allowed to . . . and then Twin Pines Lorraine is what happens when she regrets the result of those choices (because while we don't see it, it's pretty obvious that in the original timeline she pursued George as aggressively as she pursues Marty in the new one), and so she decides to deny, not just her own agency, but female agency as a general concept. She leans so heavily on the idea that her relationship was "meant to be" because it absolves her of any culpability in creating a life she's unhappy with. She's rewritten her own past to view herself as a passive participant in something inevitable. (Exactly the view of womanhood that she was fighting so hard against in the 50's!) And she extends this idea of female passivity to the women around her: telling Linda that she should sit back and wait and a relationship will "just happen," actively resenting Jennifer for doing something as simple as calling Marty on the phone. It's a really interesting form of internalized misogyny, perpetuating these sexist ideas as almost a misguided form of self-defense.

And then for Lone Pine Lorraine this is completely flipped! She loves Jennifer for the same reason she disliked her in Twin Pines: because she reminds Lorraine of her younger self. And like . . . this is something of an extrapolation, but while obviously her husband and kids are still very important to her, it also feels like she has interests and friends and other things going on in her life, whereas part of the isolation of Twin Pines is that her life has shrunk down to the point where she's ONLY a wife and mother with nothing else to define herself by. And it also matters that in this timeline she has a partner that supports her, not just in the big dramatic moments (although also that), but you can easily see the dance as a catalyst for George actually learning to listen to her and stand up for her about smaller things as well. George McFly feminism arc. (I'm being slightly facetious but like. George starts off kind of shitty. The spying is actively Bad and I hope Marty chewed him out for it offscreen, but also his reaction to the harassment scene being "I think there's someone else she'd rather go with," implying that he sees what Biff is doing as like. Normal flirting that he expects to work. He doesn't GET it. Unsurprising because he is. A teenage boy in the fifties. But I do believe that saving Lorraine was something of a wakeup call and after that he listened to her about things that make her uncomfortable and gave her the support that she needed. Which would also give her a lot more freedom in this timeline because she has someone with more societal power who has her back!)

And then. Hell Valley.

If Lone Pine is the version of Lorraine who has the most freedom, the most opportunities to make decisions based on what she wants instead of What Is Expected Of A Woman, Hell Valley is the opposite. The things denying her agency in Twin Pines is largely societal forces (and herself); in Hell Valley she is actively being denied autonomy by her evil husband who functions as the personification of a bunch of sexist ideas.

She's been objectified to the point that she doesn't maintain control over her own body; Biff pressures her to get cosmetic surgeries so she can continue to look attractive to him because that's the only value he sees in her. Her physical appearance is entirely tailored to his preferences.

Biff's view of Lorraine is wife-as-possession. He treats her like a prize he's won and her kids like parasites. And he is NOT subtle about this. But Lorraine is still desperately clinging to the idea that she's wife-as-family. She calls Biff "your father" to Marty when he arrives, and talks about "our children" because she wants so so badly for this to be something different than what it is. It's especially terrible because this is a timeline where she got seventeen years of being happy with George, she knows what she's missing, and she keeps trying to force this new relationship into a similar mold even though Biff is openly contemptuous of her and especially her kids. It's been twelve years and she's still trying to pretend. To call back to that Lea Thompson quote: it's obvious where Biff thinks Lorraine fits on the virgin-mother-whore axis, while Lorraine is actively trying to centralize her motherhood partially because the kids really are that important to her and partially as a defense mechanism.

(And it's also such a bleak cautionary tale about how fragile women's stability can be when they're dependent on their husbands; Lorraine was happy with George and had a fair amount of freedom, but he was the only one with an income so when he died she was suddenly forced into a truly horrific situation because she had no other means to support herself and her three young children. Especially given that the Hell Valley universe is also worse in some broader political ways that mean there were probably even fewer social supports available than in real life 1973)

And god. It kills me the way that we see her lash out, the way she's clawing for autonomy when she threatens to leave . . . and then exactly how Biff levels all his axes of control against her. It's very interesting that his first tactic is consumerist (Who will pay for all your things? Who will take care of you?) and that doesn't work even though not being able to support herself is a very real concern. It's only when he threatens her kids that she folds. And then she immediately crumples and pivots to rationalizing Biff's behavior and blaming herself for her own abuse (in a way that is both HEARTBREAKING and also? surprisingly sympathetic and realistic for an 80's movie?). It's similar to the passivity we see in Twin Pines, but here we see exactly where it comes from. She doesn't have any way out so she has to pretend. It's the only way she can keep going. She has these flashes of rage but they're immediately snuffed out by despair and denial.

There's not a lot of talk about Lorraine and what there is tends to reduce her to "well she's Marty's mom" as if she's a boring character who doesn't have a lot going on. But even though most of her role in the movies has to do with her relationships with the various men in her life, those relationships are really interesting if you actually pay attention to them! She's not just (in the 80's) a wife and mother--she's someone who has a complex relationship with marriage and motherhood and the societal expectations surrounding them. She's not just (in the 50's) a vapid boy-crazy girl--she's doing her best to go after what she wants in a world that doesn't want her to (the fact that one of the things she wants turns out to be her time-traveling son from the future is unfortunate but not something she has any way of knowing!). She's stuck in a society that doesn't want women to be people, and she knows this, and because we see her across two different time periods and three different timelines you can watch how sometimes society grinds her down until she gives in and tries not to be a person. And also how, sometimes, she fights back.

[moraxine]

Fragments of Us [Ekko]

pairing: ekko x reader

words: 2k

summary: ekko wakes up in an alternate universe where you’re alive and everything feels right—but it’s not his world. torn between love and duty, he must leave to save his reality.

ARCANE SPOILERS!

i.

“Powder. Ugh, she’s so annoying sometimes. I told her that the graffiti on Sevika’s stupid bar wasn’t even that good—like, come on, who even uses pink for a skull?—and she just flipped out ! Called me a ‘wannabe artist.’ Like, okay?”

Ekko’s chest burns as he violently jolts awake, aware , coughing as if he’s been drowning moments before. His head is pounding, all memories flooding his mind and spinning round and round. It takes a few moments for his vision to stabilise and start clearing up.

What the hell happened?

“Hey, are you okay?”

Hearing your voice, familiar yet a voice he never thought his ears would detect ever again, he freezes. His eyes snap open, adjusting to the dim glow of the neon streetlamp. After a while of simply blinking, right hand on his forehead, he dares to turn your way, only to face you in utter shock.

There you are, right beside him, nervously fiddling with a small gadget in your hand while waiting for his answer.

Ekko’s breath gets caught in his throat.

His gaze desperately darts around, taking in the distorted version of Zaun. The buildings look eerily familiar but cleaner, more polished. And then there is you —alive, bright-eyed, rambling as if nothing in the world could ever go wrong.

This isn’t real. This can’t be real.

“You’re staring at me like I’ve got two heads or something. All good in there?” You ask, leaning closer as you gently tap his head.

No, no, no.

This must be some kind of twisted joke, a dream soon to turn into a nightmare, like the ones he experienced after your passing.

A strong wave of dizziness takes over and he loses balance. You’re not fast enough to catch him and he collapses on the floor, tears gleaming in his eyes.

“Shit, Ekko, I told you I’m fine walking home by myself! You need to focus on fixing that sleep schedule of yours. You work too much….”

You kneel down to check on him but as soon as you reach for his arm, he manages to pull himself up, wincing as his muscles protest. “I’m fine,” he mutters, his voice hoarse. “Just… where am I?”

Your brow furrows. “Zaun, duh. Did you hit your head?”

Zaun. But not his Zaun. This is different. Cleaner. Sharper. Brighter. Wrong.

You wave a hand in front of his face when he’s up on his feet again, snapping him out of his thoughts. “Seriously, you’re acting super weird.”

He shakes his head, trying to gather himself. “I’m… just tired.”

“Yeah, no shit,” you say, leaning back on your heels. “Well, you can sleep at my place if you want. It’s a bit of a mess, but it’s better than the middle of the street.”

“Why…Why are you helping me?”

I didn’t protect you. I let you die-

You scoff, crossing your arms. “You have to be kidding me, really.”

He stares at you, his chest tightening. You are so casual, so warm, so alive. This isn’t his world—it is someone else’s. Someone’s whom was able to keep you safe and happy.

You wave a hand in front of his face. “Helloooo? You good, or do I need to drag you there myself?”

He blinks, shaking himself out of his trance. “Yeah. Let’s go.”

“Finally,” you say grabbing his arm. “You’re lucky I’m such a good friend, y’know.”

As you lead him down the street, continuing your pointless rambling about Powder and some argument over graffiti, Ekko follows silently, his mind racing. He doesn’t belong here, but for the first time in years, being near you feels like he is home.

ii.

Ekko is standing in the corner of your cluttered workshop, his fingers trembling slightly as he tightens the final screws on a device he barely understands anymore. Weeks have been spent scavenging parts, tearing apart old tech, and sketching blueprints on scraps of paper. The machine is almost ready—his way out of this world is almost ready.

You, of course, don’t know. In fact, you seem to know nothing about Ekko lately. Ever since that incident outside the bar, he’s been acting strange in a way you can’t pinpoint.

“Hey, genius,” you call from across the room, pulling him out of his thoughts. You’re perched on a high stool, playing with a broken clock. “You’ve been staring at that thing for hours. What is it, anyway?”

He stiffens at your question, keeping his face carefully neutral. “Just… something to help me get around. It’s nothing.”

You narrow your eyes, unconvinced. “Since when do you get all secretive about your projects? You used to brag about your tech every chance you got.”

“Since now,” he mutters, avoiding your gaze.

It’s been this way for quite some time now—Ekko growing quieter, more distant, all while you try to bridge the gap with your usual chatter. You’ve noticed the way he avoids your eyes, the way he flinches whenever you stand too close. It’s not like him.

And it hurts.

“You’re acting weird, Ekko,” you admit, setting the clock down and leaning back on your hands. “Like, even weirder than usual. Did I do something?”

“No,” he says quickly, but his voice sounds strained, and the single word only makes you more assured that there is indeed something going on.

“Then what?” you press, leaning forward slightly. “You’ve been avoiding me for days. Is this about Powder? Because if so, she’s the one being difficult, not me.”

Ekko clenches his jaw, his hands tightening around the tool in his grip. He can’t tell you. You wouldn’t understand—not fully. How could he possibly explain that you’re not even supposed to be here? That this version of you isn’t his you? That in his world, you’re just a memory he carries like a scar?

“It’s nothing,” he says finally, his voice low. “Just… drop it, okay?”

You flinch at the coldness in his tone, but you force a laugh, trying to mask the sting. “Fine. Be mysterious, then. See if I care.”

Turning away, you pretend to focus on the clock again, but your heart isn’t in it. You want to push him, demand answers, but something in his expression stops you. There’s a pain in his eyes that you can’t quite place, and for the first time, you wonder if this is bigger than any conflict he might have had with people in the past.

Ekko exhales slowly, his shoulders sagging. He hates doing this—pushing you away. But if he lets you in, it’ll only make leaving harder.

Because he is leaving. As much as he wants to stay, to pretend this is his life, he knows it isn’t real. He doesn’t belong here. And the longer he stays, the harder it’ll be to say goodbye. Especially to you.

“Hey,” you say suddenly, breaking the silence. “For what it’s worth, you’re still my favorite nerd. Even if you’re being a jerk.”

He looks up at you, startled by the softness in your voice. For a moment, he wants to tell you everything—to explain why he can’t let himself get too close. To tell you he loves you. But that would be partially true as you’re not his. Instead, he just nods. “Thank you.”

You offer him a small yet warm smile and his resolve falters for a moment. But then his gaze falls on the machine again—his way out—and he reminds himself why he has to do this.

It’s almost done. Just a little longer.

iii.

Ekko stands in the middle of the workshop, his hand resting on the activation lever of the machine. The room hums faintly with power, the cobbled-together contraption sparking faintly as it waits for his final command. It’s ready. After days of work, this is it—it’s time to go back to the people who need him.

But his chest feels tight, and it’s not just from the lingering ache of exhaustion. It’s because of you.

The door creaks open, and his heart sinks. You’re standing there, your expression caught somewhere between confusion and anger. “What the hell is this?” you ask, stepping inside. “Ekko, what’s going on?”

He doesn’t look at you. He can’t. “It’s… nothing.”

“Nothing?” you snap, gesturing at the machine. “You’ve been shutting me out for God knows how long, and now I find you messing with… whatever this is you’ve made? Don’t lie to me, Ekko.”

He finally meets your eyes, and the raw emotion there almost makes him crumble. But he takes a deep breath and steadies himself. “I can’t explain it.”

You take a step closer, your frustration giving way to hurt. “Why? Why can’t you just tell me? I’m not mad—I just… I don’t understand why you’ve been acting like this.”

Ekko clenches his fists, his mind racing. He could tell you the truth—about the alternate universe, about the fact that you don’t even exist anymore in his world. But what good would it do?

“It’s better this way,” he replies quietly.

Your hands drop to your sides, and the look in your eyes nearly breaks him. “Better for who? For me? Or for you?”

“Y/n…” His voice cracks, but he quickly swallows it down. “I don’t belong here. I need to leave. That’s all I can say.”

You shake your head, your voice trembling. “You’re lying. You’ve been here all this fucking time, and now you’re just… leaving? Without a word?”

“I don’t have a choice.”

“Yes, you do!” you shout, stepping closer until you’re right in front of him. “Whatever this is, whoever you think you are—you’re my… friend, Ekko. You don’t just get to disappear without telling me why.”

His hands tremble as he reaches up to touch your shoulder, his gaze locked on yours. “You are—” His voice breaks, and he has to force himself to keep going. “You’re amazing. You’re… everything good about this place. You’re the reason I’m still alive. But I can’t stay.”

You stare at him, your heart pounding. His words feel final, and the weight of them crushes you completely. You fail to understand. Nothing makes sense, absolutely nothing. “Why?” you whisper, tears burning at the corners of your eyes. “Why can’t you stay? Is it something I did?”

“No!” he says, more forcefully than he means to. He takes your hands, holding them tightly. “It’s not you. It’s… me. It’s my world. I need to go back to where I came from.”

You can’t comprehend what he’s saying, but the desperation in his voice silences your questions. You nod, swallowing back the lump in your throat. “Fine,” you say, even though it’s anything but fine. “If you have to go… go.”

His hands linger on yours for a moment longer before he lets go. “I wish I could tell you how much you mean to me,” he says softly. “But I can’t. Not here.”

Tears spill over as you watch him turn back to the machine. “Will I ever see you again?” you ask, your voice barely audible.

He hesitates, his hand hovering over the lever. “I don’t know.”

That’s all he can give you.

With one last look at you, his expression filled with regret and longing, he pulls the lever. The machine sparks to life, and the air around him ripples with energy. You take a step back, shielding your eyes as the light grows blinding.

When the light fades, he’s there, his tired body slumped down on the ground. You immediately run to his side, kneeling down and pulling him to your lap. The room falls silent, the only sound the faint hum of the now blown up machine. You gently caress his cheek, tears running down your hot cheeks.

After a while, he wakes up.

And it doesn’t take you very long to realise.

You glance at the remains one last time.

And you hope that wherever he is, he’s doing what he set out to do—saving his people, his world, even if it meant leaving this one behind.

[randomnessofthehighestorder]

Arcane season 2!

Just watched Act 3 and I’m not ready to say goodbye after all that happened…

(Spoilers under the cut)

Hextech really was the problem all along. Ep 7’s alternative timeline is proof of that. Without it, both Zaun and Piltover would be at peace…

Mylo, Claggor, Vander, Silco, Benzo, they’re all alive and Powder never turned into Jinx in that timeline. The only bad thing there is Vi’s dead. What could’ve been…

Jayce’s actions make sense now, goes to show that you shouldn’t rush to judgement before you know the whole story.

TimeBomb kiss! TimeBomb kiss! I ship them so much!!! 🤩🤩🤩

Heimerdinger is no more. But at least he lived a life of peace in another universe… Rest in peace, Professor.

Mel’s fully embraced her mage status, her magic looks amazing, and her new look! She’d make a good in-game champion…

Viktor’s fully embraced the glorious evolution now, and turned his followers mechanical. Low key kinda scary though… his new look must be the rework Riot was talking about for his in-game self!

Warwick NOOOOOO! 😭😭😭 Vander is gone, only the beast remains, with a mechanical twist… RIP Uncaged Wrath of Zaun.

Ambessa really was the villain all along, even if her intentions were misguided. She truly deserved a warrior’s death…

They did it! CaitVi did the deed! I’m so happy for them! They truly belong together, far from being oil and water… ❤️❤️❤️

Jinx took Isha’s death hard. Someone give her a hug… 🫂

We lost some good people in the war, Loris, that Jinxer. But it was worth it now that the good guys won…

Zaun entered the fight in a truly epic fashion! The twin cities are united! 🎉🎉🎉

The Boy Saviour did what he meant to do! He shattered time and saved the day! Ekko FTW!

The mage that saved Mrs Talis was Viktor?! It all makes sense, he traveled across timelines giving young Jayce a crystal with a different rune to save the future, and only one was successful. MIND. BLOWN. 🤯🤯🤯

What happened to Jayce and Viktor? They used the crystal, but at what cost? Maybe we’ll never know… also, they hugged! He truly has forgiven him…

JINX NO!!!! She sacrificed herself to save her sister from Warwick! Guess Isha won’t be lonely up there… RIP Loose Cannon… 😭😭😭😭

CaitVi got their happy ending. But what’s next for them? Fanfic writers, you know what to do…

Maddie betrayed Piltover?! Guess all the hate was rightfully placed, especially now that she’s dead…

Swain? What’s your crow doing here?! Watching Noxus retreat? I don’t trust you…

This show was amazing and it ended on a truly epic note. I’m really gonna miss it. Thank you, Riot and Fortiche for giving us a story we’ll never forget…

[theburningeyeofdawn]

... EVEN ANOTHER UNIVERSE'S VERSION OF MY MOM IS GOOD ENOUGH RIGHT NOW ... I COULDN'T CARE LESS IF YOU'RE ACTUALLY MY MOM OR SOME WEIRD ALTERNATE ...

does anyone want exactly 609 bones?

please don't ask, you probably already know.

[fortunxa]

I gave myself some time to think after watching act III, and I can finally share my thoughts. Let me break it down episode by episode so it’s more coherent because I’m itching to talk about it. Buckle up because this won’t be short.

cw: mentions of sh, depression, borderline personality disorder, suicidal tendencies

episode 7 — Pretend Like It’s the First Time

This whole episode felt like pure fanfiction and fan service, and I genuinely can’t believe how Timebomb shippers are still standing after this. Throughout this whole episode, it’s been clearly shown how Ekko will only accept one version of Jinx—the easy to digest one. The one that hasn’t been traumatized. How can someone call it love? Love isn’t picking and choosing what you accept, you either love the whole person or you don’t. Alternate universe Powder is the epitome of the manic pixie dream girl archetype for the current timeline Ekko. Would Timebomb work in that alternate universe? Sure, but that’s because it’s their reality. They don’t know anything else—Powder doesn’t become the Jinx we know now. Alternate universe Ekko isn’t faced with Jinx’s mental health problems—he has nothing to pick and choose from.

Do I hate Ekko? No, I actually like his character, but he’s torn between reality and fantasy. Can I blame him? Also no, because we’ve seen his childhood. We can only imagine what damage losing everyone he loved and cared about at such a young age (and so suddenly) did to him mentally. I can’t fault him for holding onto the past (even if he denies doing so), but it is an issue that stands in the way of current timeline Timebomb.

To him, there’s only Powder or Jinx, but she’s so much more complex than that. It’s been shown repeatedly how Jinx is a part of Powder (the whole act I of season 1), and how Powder is still a part of Jinx (until the very end, no matter how hard she tried to get rid of her).

BONUS: The necklace Powder has speaks for itself. A blue rose represents, and I quote, “Unrequited love, a longing for the impossible. A yearning for someone out of reach or a relationship that cannot be fully realized.” Both Ekko’s and Powder’s side profiles aren’t on the same side of the necklace to begin with. They only merge once she spins it.

BONUS 2: Other than “Ma meilleure ennemie” by Stromae & Pomme being an absolute bop, some of you simply didn’t translate it, and it shows. Here are some highlights, specifically Pomme’s lyrics (clearly depicting Jinx):

episode 8 — Killing Is a Cycle

The episode that started to break me. We see Jinx, absolutely drained, sitting in that cell because Isha’s death was her breaking point. No one and I mean no one, showed that girl the love and acceptance she needed and deserved other than Isha. Not Silco, not Vi, not Ekko. Building that beautiful storyline for two acts straight just to rip it away from her in such a traumatizing way—a parallel to the explosion at the warehouse, too? Wow. They were setting the stage for Jinx’s breakdown since the very beginning of this season. Making us watch the hope in her bloom, find something (or someone in this case) worth living for again, be loved and accepted for who she is just to watch it all burn and leave her with nothing again—pure evil.

“I didn’t know your mom was there.” Can you hear my heart breaking even further? That brings me to my next point: Jinx in relation to Caitvi.

After watching all of what Caitlyn did this season, not only to the city but to Vi, and then still believing Caitvi is healthy? Are we watching the same show? Season 1 Caitvi stood a chance, but this? So shallow and underdeveloped. Cait became a whole dictator. She was Vi’s breaking point, too, and the reason why she hit rock bottom in the first place. Jinx saw that firsthand, and she still thinks she’s the one standing in the way of Vi’s happiness? The only person standing in the way of that is Caitlyn herself, who isn’t even being held accountable for her actions whatsoever at any point. “We can’t erase our mistakes.” but we clearly can pretend they never happened, right?

“She’s being held in the bunker while I decide what to do.” What exactly did Cait expect from that? Telling Vi, her apparent love interest—who knows what it’s like to suffer in prison, not even physically but straight up mentally—that she’s keeping her mentally ill little sister in a cell while she decides what to do? What’s there to decide? And who are you to decide?

“I’m giving you this one chance to account for your actions, all the pain you’ve caused.” Is this projecting I hear from Cait? Can’t even tell since she never did what she’s expecting from Jinx, having done far worse things than her by that point. She let martial law take place for fuck’s sake. She used the grey to gas the Undercity (which still boggles me that Vi agreed to it). She was ready to risk Isha’s safety (a CHILD) just to get to Jinx.

BONUS (while I’m at it): Caitlyn would’ve missed the final shot, no matter how much she believed that she wouldn’t. She missed the shot twice right before that: first, when she shot Jinx’s finger off, and second, when she accidentally shot at Vi. They gave us this shot of Cait looking crazed out for a reason. She was losing her mind.

She was blinded by grief, yes, but I was waiting for the moment where she finally admits to her wrongdoings (other than screaming “I know!” while tossing a boat figurine, that is). “No amount of good deeds can undo our crimes.” Sure, and a lousy sex scene can?

Let’s talk about it.

When Jinx leaves Vi in the cell, she’s clearly suicidal and mentally unwell—even more than what we’ve seen from her so far. The dialogue they gave her, again, making her believe that she was the issue all along was just heartbreaking to hear. Yes, it’s Jinx’s perception of herself, going back to her believing she’s a jinx and how everyone close to her dies, but that perception of herself shifted when Isha came into the picture. And like I said, they took that away, so going back to the topic at hand.

Vi just being ready to hear another ‘I told you so’ from Caitlyn when she finds her, and then they just end up having “sex” (or actually, just giving Cait the pleasure Vi deserved instead after everything she put her through). We’ve seen crumbs of unsatisfying communication between them about what happened, and that sex scene in the cell was the last straw for me at this point. What do you mean Vi saw her suicidal sister sitting in that very same cell (starving and self-harming herself, may I add) and instead of running after her, she pounces on Cait?

“But the parallel to their first meeting back in s1!” I don’t care. That’s just fucked up to witness. In what world would Vi—who swears to care about her family—do that? We see her as this family-oriented person, who doesn’t give up on Jinx despite it all, and this was just so out of character in the name of fan service.

episode 9 — The Dirt Under Your Nails

Starting off strong, we see depressed and suicidal Jinx right off the bat. How did Ekko manage to get through to her? Well, it’s not like he would’ve stopped either way. He would’ve kept using his z-drive over and over again until he finally got it right.

What do we gain from that? Hopeful Jinx again, yippee! Wrong. She’s back for her sister, and it’s beautiful to witness. “I’m always with you. Even when we’re worlds apart.” Fighting with and for her, ready to die for her—we saw time and time again how Jinx was never the true jinx she believed she was. She managed to fix things with Vi—and even Ekko at this point—and managed to find and bring joy. That was the true ending both sisters deserved.

What do we get instead? Implying that Jinx sacrifices herself for Vi. Other than the pure rollercoaster of emotions they put Jinx through, making a suicidal character kill themselves (or even implying so) is just plain insensitive. What message does that send? As I said in a comment section, the writers aren’t blind, and they’re not dumb either. They know how many mentally ill fans Jinx herself has. As someone who struggles with bpd too, I related to her character in so many ways. More than I’m willing to share in this post, so that finale just left a bitter taste in my mouth. Speaking with other people who are struggling with their mental health helped me see that I wasn’t the only one affected by it. Quoting my friend: “We need to normalize considering the effects of the narrative on the fans.” And this isn’t to say that every suicidal character should magically get better, this isn’t how the real world works. But Jinx’s storyline had no reason to end on that note by that point. Forced and rushed.

Dead or runaway, leaving her with the “everybody’s better off without me” narrative was just the wrong way to go about it. Plain and simple. It was rubbing salt into the wound, spitting in the face of her development. They decided to end the show with an underdeveloped Caitvi “endgame” when they spent all this time developing Jinx’s arc. And all of this for what? Such a disappointing way to wrap things up, with literal crumbs as hints that maybe she’s still alive.

And the bitter cherry on top of Caitvi’s messy relationship this season, other than the complete lack of communication—Vi comparing herself to the dirt under Cait’s nails. What a cute (not really) way to remind us of their differences and Piltover’s stance on Zaun for the majority of the show—seen as nothing more than dirt. When Sevika joins the Council after the war, she’s still being looked down on. This just makes me sick.

BONUS: No mentions of Isha in Act III was pure evil (no, the paint on Jinx’s new outfit, the bunny ears on the balloon or even Isha’s doll were not enough. I wanted her death to be properly acknowledged. No, I don’t think it was too much to ask for). We got this beautiful found family arc between her, Jinx, and Sevika, only for it to be completely forgotten the moment Jinx reconciles with Vi.

BONUS 2: Jayce and Viktor were the perfect example of bromance. A friendship between two men can be gentle, affectionate, and loving without them being gay. No need for the ship, but I guess that’s the least of my worries.

BONUS 3: If anyone brings up the “beauty in imperfections” monologue to defend the ending, know that I’m not listening. They had such a beautiful show going for so long. Imperfections aren’t the problem here, it’s the plain disappointment.

Media literacy is important. Thanks for coming to my rant.

disclaimer: this isn’t me saying that the entire season was bad. But damn, do better.

[quillpenartistz]

・❥・ Headcanon time ・❥・

╰┈➤ Here’s only a few headcanons I’ve made throughout my whole ego phase [my life basically]. Some that I have are already pretty popular amongst the community, so that must mean I’m doing something right!!!

.·:*¨༺╔══ஓ๑♡๑ஓ══╗༻¨*:·.

╭┄┄┄┄┄┄┄╯

・❥・ Wilford Headcanons

╰┄┄┄┄┄┄┄┄┄┄┄┄┄┄╮

•⌇⌦ Can shift fragments of reality intentionally and unintentionally [he can’t necessarily manipulate all of reality itself. But he is aware of his existence and its purpose - he knows he is a character meant to play in a story and he simply goes along with it, all while manipulating and shifting the story in some ways.] His reality shifting power is similar to Wanda’s [marvel] reality manipulating powers in a way, though watered down. He can sneeze confetti, take out balloons out of thin air, spawn bubbles in his hands, teleport, and defy the laws of physics.

•⌇⌦ With his reality shifting abilities, he can turn into AU [alternate universe] versions of himself. Maybe there’s a universe where he’s a cartoon? Chibi? Horror eldritch creature? He can turn into those versions of himself in the physical world whenever he wants! The laws of those universes will then apply to the world he is in [such as onomatopoeia words appearing in physical text midair.]

•⌇⌦ He is easily distracted and can never sit still. He always tries to actively distract himself from the darker parts of his mind.

•⌇⌦ His body ‘desaturates’ similar to pinkie pie from my little pony whenever he is in a ‘dull mood’ or when someone drives him to the point of being sad.

•⌇⌦ He loves stickers a lot, he can never stop collecting them. Mischievously, he also likes to splash glitter onto anything he deems necessary [to torture people to clean it up, but he claims that it’s just to ‘liven things up’ a bit.]

•⌇⌦ Too much creamer in coffee kind of guy [“Can I have coffee with my vanilla creamer please?”]

•⌇⌦ Constantly eats and smells like fruit candies.

╰───────────

.·:*¨༺╔══ஓ๑♡๑ஓ══╗༻¨*:·.

╭┄┄┄┄┄┄┄╯

・❥・ Dark Headcanons

╰┄┄┄┄┄┄┄┄┄┄┄┄┄┄╮

•⌇⌦ More monster than human. [Yes, Dark is all the mansion, Celine, and Damien in one walking corpse. However, overtime, as Damien fell into the role of the villain, he may have embraced it a bit much. He still cares about his sister very dearly… so much so that he made sure she’s in a permanent sleep. Celine, even in her sleep, knows about this, and parts of herself influences Damien - thus influencing Dark as a whole. He is completely merciless, sadistic, manipulative, and couldn’t care less about the consequences of his actions as long as it benefits himself and his plan. Besides, he is immensely powerful, so if he is met with his consequences, he simply destroys them.

•⌇⌦ He is also very aware he is nothing more than a character, but, he knows he’s much more than this. Because he knows he’s a character, you often see him staring at the fourth wall but never necessarily addressing it [unlike Wilford.]

•⌇⌦ Can read minds and telepathically speak to people, conceal his presence, move through shadows, mimic voices, shift shadows and blend into them, and can turn himself into a Raven. Ravens hold a lot of symbolism, but for Dark specifically, The Raven means ‘Death, bad omen, bringer of chaos, transformation & metamorphosis, and the duality of existence’. He often stalks, observes, and travels within this form of himself.

•⌇⌦ Camera’s, no matter what kind, CANNOT pick up him as a whole. Whenever a picture is taken, a video, or anything of that sort is taken of him, he will always appear as a sporadic blur of blue, red, and black. He can never be caught on any footage.

•⌇⌦ Whenever he is present in a room, depending on his mood, the ringing sound that emits from him can completely shatter ANY kind of surface. Glass, wood, stone, etc. His surroundings also turn a bit desaturated/monotone whenever he’s around.

•⌇⌦ EXTREMELY tall, eerily tall, to the point it is very obviously inhuman.

•⌇⌦ Can take form of people’s fears and/or desires [used for manipulation tactics.]

•⌇⌦ Loves being praised for any reason. In fact, he could get distracted by it… likely because he’s slightly egotistical.

•⌇⌦ His body, to the touch, is always ice cold. Just being around him gives off cold chills and makes rooms colder.

•⌇⌦ Neck twitches constantly.

•⌇⌦ He’s highly patient.

•⌇⌦ Smells like smoke and old candles.

•⌇⌦ He is constantly tired, yet he never sleeps.

•⌇⌦ He can be referred to as Damien only by Wilford as he knows it’s a comfort for Wilford rather than anything else.

•⌇⌦ Dark wisps, like smoke, often emits from his hair and leaves a feint trail wherever he walks.

╰───────────

.·:*¨༺╔══ஓ๑♡๑ஓ══╗༻¨*:·.

・❥・ Bonus Short-Story ・❥・

.·:*¨༺╔══ஓ๑♡๑ஓ══╗༻¨*:·.

A fuchsia haired man sat on a weathered wooden bench, the crisp autumn air swirling around him, carrying with it the scent of fallen leaves and the hint of change. The trees stood tall and dark, their skeletal branches reaching out like gnarled fingers against the dark sky. Beneath the rolling clouds of black was a light shower of cold rain, paired with occasional deep bellows of thunder. Wilford, unbothered by the weather, wore a bright yellow coat that bore a striking contrast to the muted colors of the dark day, yet he felt oddly muted himself, as if the world around him had absorbed all the vibrancy he once possessed just moments ago. He stared at the trees, his curled mustache twitching as he was lost in thought. The shadows cast by the branches danced around him, triggering a flood of memories that flickered in his mind like fading autumn light. This time of year always made him contemplative how everything seemed to prepare for a long slumber, how decay and beauty coexisted in a delicate balance. Just as a gust of wind dragged him out of his thoughts and rippled up his spine, a dark figure swooped down from the sky. It landed gracefully next to him, perching on the back of the bench; its form a sleek raven whose feathers shimmered black as the void. The raven’s eyes glowed with an otherworldly stygian energy, deep pools of darkness that could drag anything into them.

Wilford turned to the raven, raising an eyebrow. “Well, aren’t you a striking little creature?” he quipped, a grin tugging at his lips. “What brings you to my little corner of the world? Here to steal my bread?” The raven tilted its head, regarding him with an unsettling calm, remaining silent but observant. Fragments of its being would fall out of place and come back together, as if reality itself fought against the creatures existence. Wilford leaned back against the bench, hearing it creak from his weight while his expression shifted. “You know, I’ve been thinking a lot lately about the roles we play, the expectations we uphold… it’s exhausting.” He glanced at the raven, as if seeking validation. “Sometimes I wonder if I’m still just a part of the show. One of the many characters in this unending, chaotic play. Am I the hero, the jester, or maybe even the villain? It’s hard to tell when the lines blur! As if I would use any scripted lines… but you know what I mean.” The raven hopped a bit closer, its gaze cold. Wilford felt a familiar chill run through him from the stare. “And then there’s the bigger picture. All those choices we make, the paths we tread. Are they truly ours? Or are we really just puppets on strings, guided by forces beyond our understanding? It’s like we’re all just fragments of a larger story, one even I can never understand, lost in a labyrinth of our own making.”

The raven remained silent, but its intensity seemed to deepen, as if it understood. Wilford sighed, running a hand through his hair. “I guess what I’m really trying to say is… I’m not sure where I fit into all of this. Sometimes I want to scream, to break free from agonizing expectation. But then I think—what if in doing so, I lose everything that makes me… me? Do I even have the power to break this? If I do, what would happen?” He would ask, hoping for an answer. With a rustle of feathers, the raven leaned in slightly, almost as if offering comfort. “You will never know until you try, William. Every great discovery begins with a leap of faith.” The raven spoke without its beak moving an inch. The raven studied the man in the yellow coat for a moment longer, and then, with a powerful flap, it took to the air, soaring high above the trees. As it ascended, Wilford felt an odd sense of clarity settle over him. He smiled softly to himself, the weight of the world feeling a little lighter as he returned his gaze to the autumn trees. In the depths of uncertainty, there was hope. A chance to steer his path towards an unforeseeable future. And it was all only a leap of faith away.

.·:*¨༺╔══ஓ๑♡๑ஓ══╗༻¨*:·.

・❥Thank you for reading! If you wish to see more, request some ideas. What are you curious about the most?❥・

[indeliblemarking]

what’s so good to me about timebomb is this theme you have with ekko’s character with improving life in the undercity for its inhabitants. not just so they can survive but so they can live and enjoy life. ekko says this but at the same time he loses himself in the negativity and loss of it all. he literally is the ‘boy savior’, always focusing on others and never his own wellbeing and happiness.

but in order for a better future to exist you have to truly believe in one and that’s a big part of ekko’s arc and the steps he takes outside of zaun and even bigger than piltover itself to possibly make it happen (even if magic isn’t completely the way in the end). so of course he’s trapped in the near perfect world he’s aiming for with no way back home because of no hex tech.

he has to believe in powder and jinx in numerous ways. there comes in the narrative with merging powder and jinx as almost a kintsugi whole; jinx’s gadgets are deadly but show off her true knowledge and skills in science. and powder, the wide-eyed, loving child part of her people idealize while jinx hates is still a part of her. ekko sees it on the bridge in season 1 but won’t fully let himself believe in it. until he meets powder in this universe of course and he sees how things could be; for both jinx in his universe and powder in this one because they are both parts of her.

just like though zaun has the capacity to be both the zaun in the alternate universe and ekko’s zaun at its worst, they are both still the undercity. you just have to believe something can be the best version of itself even when showing its flaws, even when it’s at its worst.

ekko reaches in himself and learns this by letting himself fully care for and love all of jinx again. (because he never didn’t care for her but it was suppressed because “she belongs to silco”) through that he can love his zaun for what it currently is while still believing in a future that’s always better. this love and acceptance within himself and for the most important aspects/people in his arc is what allows him to return home.

he is able to convince jinx that she can be this good version of herself because you can always start anew or choose to do something different. there is good within you to find and amplify even at what’s seemingly your worst. the whole is greater than the sum of its parts; you can love the whole. so the parts of both powder and jinx, and ekko seeing the potential in both is what essentially allows the world to be saved. meeting this positive ‘good’ adult powder allows him to fully believe in jinx and knowing jinx and her capabilities, he can believe in powder. and jinx having this boy who never contributed to the making of ‘jinx’ but also starkly resembles the separation of herself, come to that conclusion helps her see good within herself.

as corny as it sounds you just have to believe, even when it feels like the world is closing in on you.

[ganondoodle]

okay i do have to do a mini (i call it mini now.. this is just letting my feelings about it out, so its spelled agressively bc im just so .. frustrated ... also not hate to the studio or the people working on it .. obviously >_>) rant about arcane-

SPOILERS AHEAD FOR ARCANE SEASON 2

its the most beautiful show ever produced, i mean it, its style, fortiche's (the studio) style, is just .... impossibly pretty, 3d and 2d, the animation is just so GOOD, the designs largely (like 95%) are too, the acting and sound design, the voice acting (at least the english one) is so emotional and good, the show in general is just good ... until the last episode

i have my own problems with riot declaring arcane the new canon out of nowhere and for no good reason since it was, im very sure, never conceived to be that, its a reinterpreation and works best as such, now literally everything is once again completely messed up, no one knows whats real and what isnt, no champion or story is safe, especially with the weird hexcore bullshit potentially erasing the VOID (whish is like ... half on which the canon was built on tbh) AND hextech- multiple champions being impossible to exist now .... but thats not what i wanted to talk about

i was pretty on board with everything the show did, though i wasnt a big fan of the whole hexcore stuff, but it all spiraled so far out of control, it just kept making everything worse, also with bringing in the black rose and leblanc, it kept piling stuff onto the plate despite them already compressing everything so drastically; espeically regarding viktor, but i kept my hope up even after season 2s act 2 bc it still seemed 'fixable', though not easily so

what i liked about it (in its writing) despite its pacing issues was that it was rather .. self contained for the longest time, focused on the characters and the class struggle of piltover and zaun, and doing so rather well imo, like it did and said things i did not expect riot to let through

i was worried with the alternate universe stuff that came with the escalating hexcore bullshit but held onto hope even until episode 8 and then ...man .. the last episode ... the fuck was that- like i hate timetravel and multiverses and whatever but the thing with ekko was done rather neatly ... they made all those chaarcter models and sets just for that short stuff and really .. was of little use other than getting heimerdinger out of the picture as well lmao maybe he will get his own series to advertise for 200 dollar skins in league hahaaaa but i guess the main point was to give ekko the z-drive ... which feels alot like what i feared about them forcing it to comply with the characters in game ,,,, even though that wasnt for everyone like warwick was done SO dirty after giving me hope in act two

everythings focused on the hexcore/arcane shit, theres the black rose shit (honestly i think it was a mistake bringing them in too bc .. noxus is its entire own region with so many champs and story itself that got connected via ambessa .. which was a new character the show made up until they made her a champ now .. its just too much to put into this one show already going at a breakneck pace), mel doing her bit with them then bam she mage now which felt like a champion teaser more than an organic part of the story, especialyl with how hard it got pushed later (poor little riots gotta sell more game cosmetics uwu), jayce just taking over control again and everyone going with it, singed reviving stupid version victor via using vander/warwick WHO WAS STILL ALIVE AFTER ISHA BLEW HERSELF UP TO STOP HIM FROM KILLING EVERYONE (which was ALREADY pretty cheap, but i guess jinx had to be even more suicidal than she already was heehoo), dont even ask me HOW, viktor was just whoops from corpse to im a cocoon now, ambessa being so obsessed with it, the entire class struggle being """"solved"""" by piltover and zaun fighting stupid viktors weird ass robot shitheads together and then acting like giving sevika a seat at the council is the solution to it, half the cast just dying horribly for honestly no reason?? ORIANNA being now i guess some weird viktor robot but without the mindcontrol part and singed just kinda ... winning i guess by giving her cocoon some goo of stupid viktors cocoon

it just all ... turning from this so drama, character and class struggle thing into weird ass dimension hopping magical world war that all gets solved bc we fought together once uwu AND it being a fucking timeloop WITHIN what ONE episode? and that being the ENDING (i know i know the hexcore bs was building up throughout the show but it still felt so .. unearned and sudden ... )

also i got personal gripes with the 'ending' bc .. was it REALLY an ending like they kept saying?? was it?? viktor, jayce, heimerdinger, jinx are just disappeared i guess, mel going back to noxus- the fucking 'our story isnt over' tease???? the last minute appearance of swains fucking raven???? pecking at something blue and shining like idk a hex crystal??? SHUT UP i dont want more to come, this story should have had its self containing ending, not this open ended bullshit that just reeks of corporate meddling bc they want their game to connect to their popular show as much as possible now so we gotta bring in as many teases and connections to other champions YIPPIEEEEE (yelling)

also if jinx is dead, wow, what a way to end her story, the traumatized suicidal character being tortured and tortured especially after seemingly having something good for once (i liked act 2 except for its ending the most bc ... man jinx was so enjoyable there, i loved her dynamic with vi and isha and half wolf vander warwick with the beast and man struggle i love alot, that part was genuinely beautiful, i wasnt a fan of the idea of idk ekko doing time stuff and them having a happy ending bc i just dont like going back in time to fix everything kinda stuff, but i would have much much prefered that, not changing the existing story into the perfect world where everythings happy (though i liked that part ... vander silco being gay husbands like that is just so goood) but to fix what is fixable in the present- them still having gone through alot but being able to live with it, so act 2 setup was honestly my favorite way to not invalidate everything and still have something happy .... but no we gotta kill the kid to make jinx even worse and vander/warwick too while we are at it

if shes not dead (given you see a blimp(?) flying away and her scribbles showing up and caitlyn looking at the blueprints of the hexgates) then ... ??? oh yeah lets make her leave zaun and just idk go be the main character in noxus or soemthing for the next show they are gonna do bc jinx is popular so putting her everywhere is a good idea!!!1!!11

ALSO since vander/warwick is my favorite .. i thought maybe after isha doing that, if they dont reverse it, hed get taken by singed again or ran away and turned fully werewolf like he is in the game (though i would have liked if they were able to be a weird family like in act2)- but no he just gets used as fuel for stupid viktor cocoon and then mind erased and made into the ugliest weird robot thing that looks more like galio than him JUST and i feel like it really is JUST to have Vi at the end do the scene that gets jinx 'killed' .. to lead into the 'more to come' teaser.. idk about you but that scene felt so .. forced, the typical oh no platform is slowly falling down but Vi suddendly gets emotional about weird ugly robot warwick (who conveniently comes back to life as ugly robot beast since his human mind got erased but not the beast??? i guess???) and completely ignores jinx yelling at her to get to safety, it felt so WEIRD to me (if you gotta do him like that at least let Vi listen to jinx, them embracing and then watchign emotionally as robo vanderwick falls into the hexgate thing .. that was still active somehow i guess??)

(poor viktor got done so dirty too .. i liked him .. until it all went weird wit hthe hexcore stuff ....... ..... also jayce weird speech to him .. why the FUCK did you not do that back in the cult camp instead of blasting him to bits, i get it he was fucked up from seeing the future, but then later hes just ... okay???? pretty fine all things considered??? and pretty aware of everything?? also his weird speech being all like vitkor actually you were perfect in your imperfection BITCH HE WAS SLOWLY DYING AN AGONIZING DEATH???? idk ??? it all feels so weird to me, like there episodes literally missing- ambessa dying also felt so unnecessary .. just so mel can take her place and go to noxus and have more shows maybe- )

i just .... and just like how i cant enjoy botw anymore after them fucking it all up with totk ... i dont know if i will rewatch arcane knowing it ends like that, what was that for, the most beautiful show ever made just to do a game of thrones ending in a single episode?

im so tired of it all ..... im so tired of being disappointed and feeling let down over and over no matter with how little expectations i go in with

this willl be the only arcane rant unless theres some .. big stupid reveal that gets me more frustrated than i am now, which i hope there isnt .. im tired of being and feeling like this .. i just want to enjoy things, everythings going to shit IRL and i cant even find something enjoyable to watch

[superduperkas]

Caitlyn and/or Jayce died in the alternate timeline explosion along with Vi.

I thought Vi was getting the worst possible version of It's A Wonderful Life but I think Jayce (and Viktor) are and it hints at how all this is gonna end in episode 9.

Caitlyn is more than likely dead, too, because her death would be the catalyst to stopping all HexTech research because someone from a super wealthy Piltover family with influence was negatively affected by it.

Cait and Vi are parallels to Jayce and Viktor. Both pairs are very "wherever you go, I will go, wherever you stay, I will stay". The one doesn't (can't?) exist without the other. They are the other's balance/tether. So whatever change happened that caused the explosion to kill Vi took out Jayce and Cait too. Viktor probably didn't last long without meeting Jayce in that universe

That's why Cait and Vi are drawn to one another, and Cait continuously seeks Vi out while Vi pushes her away. Inadvertently, Vi would be "responsible" for their deaths because she came up with the heist. So naturally, in other universes where she lived, Vi would almost have a natural instinct to create distance between them

That's why it had to be Viktor who saved Jayce as a child, it had to be Viktor who kept Jayce from jumping, Jayce who panically saved his partner the other way he knew how,and Jayce who saved Viktor from himself again the only way he knew how

Bruh, this show is so beautiful and loving even in its tragedies

[darth-kote]

SFW Tropes Masterlist

For writers - or for those who'd like to request a fic from me and need help generating ideas. Click here for the NSFW masterlist. Guidelines for requests can be found here.

Angst and Hurt/Comfort

Post-Battle Care: Tending to wounds (physical or emotional) after a fight.

Nightmares and Consolation: A character seeks solace after a distressing dream.

Bottled-Up Emotions: A character finally breaks down after holding everything in.

Survivor’s Guilt: Reflecting on losses and grappling with responsibility.

Grief and Healing: Finding a path forward after devastating loss.

Action and Adventure

Escape Mission: Characters must break out of an enemy stronghold or evade capture.

Treasure Hunt: Seeking an ancient artifact or holocron with unexpected challenges.

Undercover Operation: Posing as someone else in a high-stakes situation.

Hostage Negotiation: Characters navigating delicate situations to avoid disaster.

Defusing the Bomb: A tense countdown to prevent disaster.

AU (Alternative Universe)

Role Reversal: Characters swap roles (e.g., Jedi becomes a bounty hunter).

What If: Explore pivotal moments with a different outcome (e.g., “What if Order 66 failed?”).

Canon Divergence: A single decision alters the course of the story (e.g., “What if Qui-Gon survived?”).

Time Travel: A character is sent back (or forward) in time to change events or gain new perspective.

Relationships and Dynamics

Found Family: A group of unlikely individuals grows into a close-knit family.

Enemies to Allies (or Lovers): Tension and grudging respect turn into trust or affection.

Mentor and Protégé: A seasoned character trains or guides a younger one.

Unspoken Feelings: Moments of lingering glances and unsaid words.

Sibling-Like Dynamic: Bickering like siblings but with deep care.

Adoptive Parent: An older character becomes a mentor or caretaker.

Healing Together: A group works through shared trauma as a unit.

Mystery and Intrigue

Murder Investigation: Characters work to uncover the truth behind a crime.

Hidden Identity: A character conceals their true role or past.

Lost History: Unearthing forgotten lore or secrets tied to the Force.

Double Agent: Navigating the tension of working both sides.

Emotional Exploration

Forgiveness Arc: Characters work toward forgiving themselves or others.

Past Lives: Exploring flashbacks or reincarnation themes.

Letters and Holorecordings: Communicating through written or recorded messages.

Lighthearted and Whimsical

Mundane Adventures: Characters tackle everyday challenges (e.g., cooking, fixing a droid).

Unexpected Babysitting: Caring for a child or youngling in humorous or heartwarming ways.

Festival or Celebration: Participating in a holiday or local tradition.

Animal Companion: Bonding with a creature, whether friendly or ferocious.

Whump, Survival, and Isolation

Crash Landing: Stranded on a remote planet and working together to survive.

Quarantine: Stuck in close quarters due to illness or contamination.

Lost and Found: A character presumed dead is discovered alive.

Weather Woes: Trapped in extreme conditions like sandstorms or blizzards.

Injured and Alone: A character survives despite grave injuries.

Captured by the Enemy: Psychological and physical struggles in captivity.

Lost in the Void: Stranded in space with dwindling supplies.

Dark Themes and Morality

Fall from Grace: A character descends into darkness or betrayal.

Redemption Arc: A path to atonement after a character’s mistakes.

Doppelgängers: Facing a duplicate or altered version of oneself.

Mind Games: Dealing with manipulation, brainwashing, or visions.

Rivalry to Respect: Enemies slowly come to admire each other, even if it is never made obvious.

Hidden Humanity: An evil character reveals an unexpected vulnerable side.

Villain Wins: A world where the antagonist succeeds

Jedi and Force Mysticism

Force Visions: Cryptic glimpses of the past, future, or alternate timelines.

Lost Holocrons: Discovering ancient Force teachings with unexpected consequences.

Gray Jedi Exploration: Balancing Light and Dark sides of the Force.

Force-Bonded Pairs: Two characters linked by an unexplainable Force connection.

Romantic Tropes

Fake Relationship: Pretending to be together for a mission or disguise.

Forbidden Love: Romance defying rules (e.g., Jedi Code).

Slow Burn: Long build-up to a romantic confession.

Accidental Confession: A slip of the tongue reveals feelings.

Mutual Pining: Both characters believe their feelings aren’t reciprocated.

Culture and Worldbuilding

Exploring Traditions: Delving into unique customs of a planet or species.

Language Barriers: Characters navigate miscommunication.

Rebuilding After Tragedy: A community recovers from devastation.

Artifact of Power: A relic tied to ancient Force-users that affects the story.

Undercover or Espionage

Royal Disguise: Pretending to be someone of lower rank.

Spy Among Us: A mole within a group creates tension.

Assassin’s Target: The assassin and their target form an uneasy alliance. Or things don't go as smoothly as planned.

Deep Cover: A character fully immerses themselves in enemy territory.

Legacy and Destiny

Reluctant Heir: Inheriting an unwanted responsibility.

Prophecy Fulfillment: Fulfilling a foretold destiny with unexpected twists.

Living in the Shadow: Struggling with the expectations tied to being a legendary figure.

Defying Fate: Challenging a preordained path.

Time and Memory

Amnesia: A character forgets their identity and rediscovers themselves.

Alternate Timelines: Characters glimpse or visit different timelines.

Time Loop: Reliving the same moment until a lesson is learned.

Memory Sharing: Using the Force or technology to experience someone else’s past.

Humor and Lighthearted Tropes

Miscommunication Comedy: A small misunderstanding snowballs into chaos.

Droid Antics: A droid takes center stage with humorous behavior.

Overwhelmed Jedi: A Jedi struggles with mundane tasks.

Space Road Trip: A long journey full of banter and mishaps.

Crossover or Genre Mashups

Horror Elements: Haunted ships, Sith ghosts, or terrifying creatures.

Political Thriller: Intrigue within the Senate or Rebellion leadership.

Western Style: Lone bounty hunters and shootouts.

Heist Story: A team plans and executes a complex theft.

Personal Journeys

Identity Crisis: A clone, droid, or Force-sensitive questions their place.

Self-Exile: A character retreats from society and finds company.

Reunion Story: A long-lost character is reunited with friends or family.

Breaking the Code: A Jedi defies their teachings.

Battle and Combat

Last Stand: Characters make a desperate final stand.

Truce on the Battlefield: Enemies must work together.

Training Montage: A character hones their skills under a mentor.

Reluctant Fighter: A pacifist is forced into action.

Miscellaneous

Holovid Star: A character accidentally becomes famous.

Unlikely Hero: An everyday character rises to the occasion.

Force Ghost Encounters: Guidance or conflict from beyond the grave.

Lost Artifact: Recovering an item of immense value.

Clone Troopers

Identity and Brotherhood

Individuality vs. Unity: A clone struggles with being one among many.

Nicknames and Call Signs: The personal stories behind a clone's name.

Brother’s Keeper: A clone sacrifices everything to protect their brothers.

Clone-Centric POV: The galaxy through the eyes of a clone.

Post-Order 66

After the Fall: A clone wrestles with guilt over Order 66.

Defying the Programming: A clone resists the inhibitor chip’s control.

Living on the Run: A clone deserter avoids detection.

Reunion with the Jedi: An unexpected meeting with a Jedi they thought dead.

Training and Battle Bonds

Rookie Struggles: A young clone's first mission.

Veteran’s Wisdom: An experienced clone mentors a new recruit.

Unlikely Alliance: A clone teams up with an enemy.

One Last Mission: A retired clone is called back for a critical task.

Clone-Specific Dynamics

Armor Customization: The personal meaning behind a clone’s armor.

Dealing with Loss: Coping with the death of a brother.

Echoes of Kamino: Reflecting on their training and origins.

Enhanced Abilities: A clone with unique genetic traits.

AU and Alternate Scenarios

Rebel Clones: Exploring a timeline where clones joined the Rebellion.

Post-War Integration: How clones navigate a galaxy that no longer needs them.

Clone Defector: A clone switches sides to fight for the Separatists.

Found Family: A lone clone builds a new "family."

Sith and Dark-Siders

Rise to Power

Apprentice’s Betrayal: A Sith apprentice rises against their master.

Seduction to the Dark Side: A Jedi succumbs to the Dark Side’s temptations.

Master Manipulator: A Sith orchestrates events from the shadows.

Artifact of Power: A dark relic amplifies a Sith’s abilities.

Conflict with the Light

Pull to the Light: A Sith struggles with feelings of compassion or guilt.

Jedi-Sith Bond: A Force bond forces uneasy cooperation.

Redeeming the Sith: Can a Sith truly abandon their path?

Forbidden Alliance: A Sith and Jedi work together despite their differences.

Dark-Side Mysticism

Sith Spirits: Encountering the ghost of an ancient Sith Lord.

Dark-Side Nexus: Exploring places saturated with the Dark Side.

Bloodlines of Power: A Sith discovers their lineage ties to a legendary figure.

The Holocron’s Secrets: A Sith Holocron offers knowledge at a cost.

Sith Philosophy

Rule of Two: A Sith duo’s balance of power and betrayal.

Power at a Price: A Sith sacrifices something personal for ultimate power.

Survival of the Fittest: Infighting among Sith apprentices.

Eternal Struggle: A Sith sees their existence as a battle for dominance.

Redemption or Corruption

A Sith’s Redemption: A Sith struggles to redeem themselves.

Corruption of the Pure: A Sith manipulates someone to embrace the Dark Side.

Turncoat Apprentice: A Sith apprentice secretly undermines their master.

Moral Ambiguity: A Sith challenges the notions of good and evil.

Unique Sith Abilities

Force Alchemy: Experiments to create monstrous creatures.

Illusions of Terror: Using the Force to project terrifying visions.

Lightning’s Wrath: Devastating Force lightning.

Blood Rituals: Ancient Sith rites to enhance power.

AU and Alternate Scenarios

Sith as Heroes: A Sith defends their people or fights a greater evil.

Jedi-Sith Swap: A Sith raised as a Jedi or vice versa.

Light-Side Sith: A Sith rejects the darkness but embraces the teachings.

What If: A timeline where the Sith rule the galaxy.

The Force

The Force Playing Matchmaker: Despite all reason and seeming logic, the Force wants two people together. It won't stop meddling until Its vision becomes a reality.

Spiritual Connection

Force Bond: Two characters share an unexplainable, deep connection that allows them to sense each other’s emotions, thoughts, or presence across great distances.

Shared Visions: Characters experience a Force vision together, revealing shared destinies or hidden truths.

Guided by the Force: A Jedi or Force-sensitive character interprets the Force as encouraging their relationship.

Opposites Drawn Together: The light and dark sides of the Force pull two characters toward each other, creating tension and mutual growth.

Meditation Partners: Two characters bond over meditative practices, learning to sync their energies and emotions.

Conflict and Struggles

The Burden of Knowledge: One character hides a devastating vision or premonition involving the other, creating tension in their bond.

Teaching the Force: A Force-sensitive character mentors someone who is new to their powers, deepening their connection through shared learning.

Moral Differences: Clashing interpretations of the Force (e.g., strict adherence to the Jedi Code versus emotional connection) challenge their relationship.

Force-Driven Jealousy: A character senses their partner’s lingering emotions toward someone else, creating conflict.

Healing and Support

Force Healing: A character saves their partner by channeling the Force to heal their injuries, creating an emotional and physical bond.

Force Meditation Therapy: Helping a partner process grief, guilt, or trauma through shared meditation and emotional support.

Force Awareness: A Jedi or Force-sensitive partner instinctively knows when their loved one is in distress, no matter the distance.

Strength in the Force: Two Force-users amplify each other’s abilities when they are together, creating a sense of unity and trust.

*verging nsfw Force Tropes

Intense Focus: The Force allows one character to focus solely on their partner’s well-being, whether during battle or in intimate encounters.

Dangerous Proximity: When trapped together or forced to rely on the Force for survival, their bond deepens emotionally and physically.

The Will of the Force: A relationship forms or is tested because they feel their union is destined—or forbidden—by the Force.

The Dark Side's Pull: One character’s struggle with the Dark Side adds tension, as the other seeks to save them from being consumed.

Shared Visions of the Future: Intimacy is driven by a mutual vision of a life together—one they believe the Force has promised them.

Apologies for any similarities – I tried to keep it nuanced.

[luxheroica]

under your tree (1/3)

Anyways Ekko/Jinx has made me insane and I'm not stopping. So here have fanfic about Ekko, Jinx, and the tree that I wrote in a fugue state last night. Planned part 1 of 3, the first is alternate-Powder and alternate-Ekko.

Also on AO3

----

She drags him up out of her lab, not entirely sure where to go but too jumbled up to stay. Powder’s heart is racing as she twines her fingers in Ekko’s, and she has never been happier to feel his grip strong and vital in her own. That breathless moment when he wasn't moving when she thought– she had held VI's body in the same way. 

“Where are we going?” he asks, bewildered, stumbling along behind her. 

“Just come on.”

Her feet know the path and she trusts them. While she does her mind races, all of the strangeness of the past few weeks slotting into place like a puzzle in her mind. 

His fear on seeing her, his confusion at Milo and Claggor, the way his whole face changed when he saw Benzo… the way he hadn’t known Vi was dead. She thought he was just messing with her, in a particularly cruel way, or maybe he’d lost his mind after a particularly weird dream. 

The way he’d kissed her tonight, like he was so desperate to hold on to her. 

Now it all makes sense. Something that she was beginning to suspect but didn’t think was quite possible. 

Her feet take her to the tree. Where Ekko painted his portraits of Vi. 

Vi who lives. Vi who is from some other place and time entirely. 

“What… is this?” Ekko– her Ekko– crosses to the portraits alongside her, wonderment in his eyes. “Is that Vi?”

Powder smiles. “A present,” she says. “From another you.” 

Ekko scoffs disbelieving. “Seriously, you can stop messing with me.” 

“Did you know that the competition is tomorrow?” 

Ekko whirls around. “What? No– it's weeks away!” He waits for the punchline that he knows is coming, and then scratches at his head. “Seriously? What do you mean it’s tomorrow, I thought–” 

“You had plenty of time?” 

Ekko nods. He swallows and she watches his Adams apple bob, as he takes this in. “Powder, why did I wake up on the floor of your lab?” 

“Because an alternate universe version of you took over your body for a few weeks, built a time machine that created a space anomaly, and then went back to his universe.” 

She expects him to laugh. She expects him to accuse her of making it up. Even as she says it, it sounds a little crazy. 

Ekko flops to the ground. “Huh.” 

“Yeah,” she says. She doesn't approach, doesn't touch him. Gives him time to process. 

“That is about the wildest shit I've ever heard.” 

Powder snorts. “Don't I know it. Imagine three weeks of my boyfriend acting like a lunatic, and I only now figure out why.” 

“Imagine losing three weeks of your life to an another version of you!” He scratches at his head in that way he does when he's frustrated. “I can't believe the content is tomorrow and I haven’t prepared anything!” 

Powder laughs. The Innovators Competition seems like the least of her concerns right now, but of course for him he was just thinking about it. It consumed his every thought “To be fair, while making his time travel device he maaaaybe finished your battery. It works great, by the way!” 

Ekko sits up, offense playing across his face. “He finished my designs??” Then he shakes his head. “Is it weird to be jealous of another version of myself?” 

Powder considers. And yeah she's gonna push it because she likes pushing his buttons. “Would now be a bad time to tell you he kissed me?” 

Ekko nearly chokes. 

“In my defense I thought he was you!” 

The fight goes out of Ekko, and he sighs. Lays down in the grass and looks up at the wall where Vi’s eyes from another universe look down on the both of them. “You think she’s alive, in his world?” 

Powder nods. She curls herself next to him, intertwining her fingers with his. “Yeah,” she says. “He told me about her, a bit– said it was a dream he had. Said she was the strongest fighter in all Zaun.” 

There under that tree she tells him all about the dream the other Ekko told her about, that strange world where Vi lived and was in love with a Piltover heiress of all people and she went by a different name and she and Ekko hadn't really talked in years and Zaun was still just like it used to be and maybe even worse. 

“It’s weird,” Ekko says while she talks. He rubs his forehead, his brow creasing in concentration. “It's like I can remember it, a little– while you're talking. Flashes of memory… I don't know if they're real.” 

Powder curls their fingers together. “I think alternate universes are uncharted territory for anyone.” 

Ekko snorts. “You're telling me.” He squeezes her hand reassuringly. “It’s strange. Everything I'm feeling, it all feels so sad and awful and scary… even if VI's alive so many people were dead, and we hadn't talked in forever…” he trails off, and Powder imagines it– really imagines it– that universe that other-Ekko came from and it makes her sad. “And don't get me wrong, I'm glad he left and I get to be me and not have my life hijacked by some alternate me, but…” 

Powder levers herself up. “But?” she prompts. 

“But why'd he do it?” He turns to look at her, and there's something anxious in his brown eyes. “I don't know if I could leave to a world where we never talked.” 

Powder smiles. Rolls over and kisses the bridge of his nose. They haven't said it yet but she loves him–whichever version. “Because he's you. And because they needed him, the people on the other side.” 

Ekko turns this over in his mind. “What was he like, the other me?” 

Powder scrunches her nose as she tries to think. “Like you but weird. Like, he was really jumpy at first and then he got all sentimental over weird stuff. But, he was you– just as smart, just as idealistic. Always had his head in the clouds and his nose in an equation.” 

Ekko laughs. Flicks her nose. “That doesn't sound like me at all.” 

“Oh doesn't it, Mr. Free-Energy-For-All?” 

“I still can't believe he finished my designs.” 

Powder rolls back laughing, because he sounds so indignant. He continues to glare, annoyed. And then after a minute joins her in laughter. 

“I think I saw him for a minute, at the end there.” Powder says once she's caught her breath. 

“Oh? What was he, uh…?” 

“Really hot,” she says, because she knows it's going to make him jealous but she’s also calling him hot and he can't say anything about it, and it’s such a delicious conundrum. “Kind of rugged, too– big baggy clothes and wearing war paint. Not at all a buttoned up nerd.”

Ekko rolls over, pins her to the ground like she's been goading him to do. “I'll show you buttoned up nerd,” he says, and he kisses her breathless. 

And it’s different from the way he kissed her earlier tonight. For one he knows how she likes to be kissed, knows how to tease her. But there's nothing of that delicate way he held her like she was this precious thing that could break, and she wants that intensity again. 

They stay like that awhile. Just kissing, just enjoying each other. And they don't think of other worlds where they haven't talked in years and maybe never will again. 

At last they stop, because Ekko looks at his watch and says, “Oh shit, I should get you back home!” 

Powder tickles his knee with hers, hoping to tempt him into giving in again. “We’ve got time. I said I was going to the dance.” 

“It’s almost 2am, I'm pretty sure your dads are gonna kill me.”

Powder snorts disbelieving. “Nah, they wouldn't.” 

“No, I know Silco quit being a crime boss but I'm pretty sure he still knows how to hide a body like, super good.” 

Powder kisses him again– with a little bit of tongue, for good measure– and then when she's sure he's about to give in she jumps to her feet. Ekko looks at her exasperated but fond. “Alright, genius. Let's get you home– you've got a presentation to give tomorrow.” 

Ekko groans. 

[satancopilotsmytardis]

I've been thinking about this a lot lately, so I wanted your take. LOV gets quirked into an alternate reality, where the villains haven't been traumatized, and they have wayyy different lives. Dabi is a pro hero (still hates Endeavor though just less murderous), Shigaraki...is doing something not villainous (Idk he doesn't seem like someone to pursue being a pro even without his trauma 🤔) Toga is a UA student, etc. I feel like it would be interesting to see how they would feel when meeting a luckier version of themselves.

It's an interesting concept! I will say, little baby Tenko did want to be a pro, so if I were to approach this concept he would also be a hero, but I would make him a search and rescue hero, decaying rubble off of people and stuff like that while Toya is doing his fucking best to beat his dad in the polls. Atsuhiro runs a nonprofit that works to ensure heroesand those in power are held accountable for their actions. Himiko goes to a normal high school and has lots of friends, and has had various boyfriends and girlfriends over the years. Iguchi is Tenko's best friend and sidekick. Jin's parents didn't die, letting him stay in school, and he now runs his own mechanics and doesn't have any problems with his quirk.

I think that Toga would want to kill this version of herself. They would get along for about ten minutes, and then she would realize how badly it hurts that she didn't get to have any of that and that people are scared of her and hated her all her life, and she would want to make this other her dissappear. Maybe if she drains her dry she can transform herself into a version of her that isn't broken.

Mr. Compress would be a little dismissive of what Atsuhiro is doing because policing corruption from the inside is very limiting. Direct action is needed at times to get things done. But overall he wouldn't have a strong negative reaction.

Twice wouldn't even want to be in the same room as Jin, and I think Jin seeing Twice would freak him out a lot because he hasn't ever considered that his quirk could be dangerous like that. They would both not vibe with each other for very different reasons and their interactions would be severely limited.

Spinner would see Iguchi and be a little sad. It would be so nice if the world was kinder and he'd been able to pursue his dreams, but he would see that Iguchi is still following Tenko and still trying to make the world better in his own way, and he would feel more comforted and sure of his own choices.

Tomura would viscerally hate Tenko. He is a monument to the weakness of his youth. Tenko is kind to a fault, forgiving, open, cheerful, friendly, and trusting, and Tomura would be reaching for him with all five fingers, absolutely certain the other wouldn't ever see it coming because he hasn't learned to watch out for himself the way that Tomura has had to do for so many years. If no one stops him, Tenko will be dead before they leave.

Dabi also hates Toya, but they can find common ground. Toya still burned on the mountain, still disappeared in a coma for years, but when he woke up, he went straight back home and told his dad he was 1. Alive 2. Enrolling in UA whether he liked it or not and he would tell the whole world Endeavor let his kid be kidnapped and presumed dead if he didn't let him. He fought tooth and nail to get the grades and support gear he needed to succeed, and he is making his way as a pro hero just to prove that Enji made a mistake trying to throw him away. Dabi can appreciate that, to a degree, though he tells Toya repeatedly that killing their father would be a more satisfying revenge. Dabi's rage is soothed because this Toya still doesn't have the perfect quirk (since that's something written into his very DNA I don't think it should change across universes) and he is still having to work so hard to get to his revenge. But their fundamental differences between their morals would keep them from getting along very well.