People keep finding and reblogging this post which only serves to remind me on jUST HOW ABSOLUTELY BONKERS IT STILL IS THAT YOU FIRST START SHOWING SIGNS OF HUMANITY ONLY AFTER YOU HEAR ROMEO WHISPER CARLO IN YOUR EAR AFTER IT'S TOO LATE--
Like... oh my god.... oh my goddddddd.... OH MY GOOOOODDDDDD, it's TOO LATE by the time you realize something is amiss. You already slayed the King of Puppets... Romeo is gone and you're left with just this unsettling memory of a voice you actually never heard in this lifetime because all you hear is garbled static from the stranger you just got done slaying... only to later find out as you read through the items you recently obtained from the King of Puppets that this was someone who was special to your soul; This was the person you admired and was your best friend in another life.
And now he's gone and it's by your hand, and something awakens within you tHAT PHYSICALLY ALTERS YOUR BODY I'M SO NORMAL ABOUT THIS Y'ALL.
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thinking again about lloyd in the context of him being an only child and then living alone for years.
he's really particular about where his things go and gets really irritated when someone leaves them out of place.
he always asks permission before borrowing anything and is really offended when someone doesn't ask before grabbing something of his even if they're really close. he finds it especially maddening when someone asks to borrow something and then just grabs it without waiting for him to say yes.
he can go hours without talking and not even notice and doesn't really find silence uncomfortable or boring. even when he's hanging out with someone there can be really long stretches of time where he just goes silent and doesn't find it weird or remarkable.
he's great at connecting with people older than him. he can charm old people into liking him sooo easily. put him in a room with a couple grandpas and grandmas and he will leave having been adopted several times over. they think he's a 'very charming young man'. he's got an old soul. he does not know how to socially connect to people his own age and when he actually manages it is the exception and not the rule. he's the twenty-something years old going 'kids these days' at people two years younger than him.
sharing a living space with someone makes his skin itch and it takes a long time before he stops feeling vaguely irritated when there's someone in his room or they enter without knocking.
sometimes he just unconsciously drifts to the room where his parents are and just hangs out doing his own thing, not even particularly looking to have a conversation with them, just soaking in their presence for a while before leaving just as casually.
he gets easily grossed out when it comes to sharing personal things. he does not get the concept of 'sharing spit'. one time javier takes a sip from the same cup lloyd was drinking from and he can just stare in horror because ew. javier points out he does not say that when they're kissing. lloyd retorts that's a completely different situation. they agree to disagree.
he kinda just assumes he will take care of his parents when they grow old. he doesn't even really discuss it with julian or even arcos and marbella. this is just a fact of life for him. the idea of leaving them on their own doesn't really cross his mind at all.
this one is embarrassing and he will never ever tell a soul about it but sometimes he does feel it a little jarring to share their parents' affections with julian. like. he loves him and is beyond thrilled to have a little brother, would not change that for the world. but what do you mean he's not his parents' most especialest little guy. that does not compute. he's aware this is ridiculous and only child syndrome speaking and that's why he's taking it to the grave but like. he needs to be the center of their attention at least once a day or he'll start biting.
it takes a while for him to finally register that even when marbella and arcos pass away he won't be alone in the world without anyone to rely on. that he won't have to bury his parent and mourn them on his own. that there will always be someone he can call family even with his parents are gone. this does not make the idea or the pain of losing them any less heavy, but it does make it easier to carry.
also sometimes julian will talk about a childhood experience and lloyd will think it's just another way og lloyd was an abusive ass only for sheherazade to cheerfully comment that she and her siblings used to the same thing and actually no it's a really common thing and he's left going 'what the fuck what the fuck w h a t t h e f u c k' under his breath through that entire conversation lol
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Carmeo/Promeo ship week! Taking place on September 13th through the 19th, and if you're posting on tumblr, be sure to tag our blog @tendres-coeurs in the post, as well as tag your art as #the rose estate project among any other general and needed tags
13th - Weapon
14th - Young Love
15th - Threads of Fate
16th - Among the Roses
17th - Theatre
18th - Promises
19th - Free Day, Happy Anniversary Lies of P!
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TC Ship Week Event!!
Here's todays prompt for a possible tag/prompt I want to see!!
Prompt: Unrequited Love
And so, watching Carlo turn away with that disgusted expression on his pretty face never made a shudder run deeper and harder through Romeo like it did when that hatred was directed at him.
“You said I could tell you anything and now this is where we’ve ended up. I’ve always loved you Carlo please understand that telling me to—“
“Just save it. This changes everything, and besides, you’re getting in my way.”
Carlo pushes past without another word, and the heaviness of whats been said settles on Romeo’s shoulders like an impenetrable force.
“Carlo…”
@tendres-coeurs
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László Moholy-Nagy (Hungarian, 1895-1946)
Untitled, 1939
Fujicolor Crystal Archive print, 27.9 x 35.6cm
László Moholy-Nagy (Hungarian, 1895-1946)
Untitled, 1937-1946
Fujicolor Crystal Archive print, 27.9 x 35.6cm
László Moholy-Nagy (Hungarian, 1895-1946)
Untitled, 1936-46
Fujicolor Crystal Archive print, 27.9 x 35.6 cm
László Moholy-Nagy (Hungarian, 1895-1946)
Photogram with Eiffel Tower and Peg Top, 1928
Silver gelatin photograph, 38.7 x 29.9cm
László Moholy-Nagy (Hungarian, 1895-1946)
Photogram No. II, 1929
Silver gelatin photograph, 95.5 x 68.5cm
László Moholy-Nagy (Hungarian, 1895-1946)
LIS, 1922
Oil on canvas, 131 x 100cm
László Moholy-Nagy (Hungarian, 1895-1946)
K XVII, 1923
Oil on canvas, 95 x 75cm
László Moholy-Nagy (Hungarian, 1895-1946)
A 19, 1927
Oil on canvas, 80 x 96cm
László Moholy-Nagy (Hungarian, 1895-1946)
CH BEATA I, 1939
Oil on canvas, 119 x 120cm
László Moholy-Nagy (Hungarian, 1895-1946)
CH SPACE 6, 1941
Oil on canvas, 119 x 119cm
László Moholy-Nagy Retrospective exhibition at Schirn Kunsthalle, Frankfurt
8th October 2009 - 7th February 2010
Artworks © Hattula Moholy-Nagy for the Estate of László Moholy-Nagy © VG Bild-Kunst, Bonn 2009 / Artists Rights Society (ARS), New York
ART BLART_ ART AND CULTURAL MEMORY ARCHIVE
Curated blog and article by Dr. Marcus Bunyan:
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▪️YouTube silent video >> László Moholy-Nagy Ein Lichtspiel Schwarz Weiss Grau (Light Play: Black, White, Grey) [1930 / 6mins.+34secs.]:
Ein Lichtspiel Schwarz Weiss Grau (Light Play Black White Grey) is perhaps Lázló Moholy-Nagy's best-known film work. It features his Light-Space Modulator, also known as a lighting fixture for an electric stage.
Light-Space Modulator is a key work in the history of kinetic art and even new media art, and therefore one of the most important works of art of its time.
Initially conceived by Moholy-Nagy in the early 1920s and built between 1928 and 1930, its completion required the involvement of a number of collaborators.
It was intended to be the centrepiece of the Contemporary Room at the Provinzialmuseum in Hanover, planned (but never realised) by Moholy-Nagy and Alexander Corner, the museum's director.
Light-Space Modulator was exhibited in 1930 at an exhibition in Paris on the work of the German Werkbund. From the point of view of the object, it forms a complex and beautiful set of metal, plastic and glass elements, many of them movable by the action of an electric motor, surrounded by a series of coloured lights.
Moholy-Nagy used it to produce light shows that he then photographed or filmed, as in the case of the film shown here. Although in black and white, the film manages to capture the kinetic glow of the sculpture.
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▪️YouTube video >> László Moholy-Nagy: Proto-Conceptual Artist [2019 / 5mins.+36secs.]:
Coinciding with the Bauhaus centenary, Hattula Moholy-Nagy and Daniel Hug, the daughter and grandson of László Moholy-Nagy, consider the lasting impact of the artist’s work today. Hauser & Wirth’s exhibition in London dedicated to Moholy-Nagy examines his influence as a proto-conceptualist, whose work interrogated the role of the art object and the artist in society, anticipating questions posed by subsequent generations of artists.
László Moholy-Nagy is on view at Hauser & Wirth London from 22 May – 7 September 2019.
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▪️ YouTube video >> Moholy-Nagy: Future Present exhibition overview at the Guggenheim [2016 / 3mins+14secs.]:
Curator Karol P. B. Vail provides a brief introduction to Moholy-Nagy: Future Present, a comprehensive retrospective of the work of László Moholy-Nagy (1895–1946), on view at the Solomon R. Guggenheim Museum, New York, May 27–September 7, 2016. To learn more visit https://www.guggenheim.org/moholy.
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