#Art Blart

[guy60660]

August Sander | ArtBlart | MoMa

[t-jfh]

László Moholy-Nagy (Hungarian, 1895-1946)

Untitled, 1939

Fujicolor Crystal Archive print, 27.9 x 35.6cm

László Moholy-Nagy (Hungarian, 1895-1946)

Untitled, 1937-1946

Fujicolor Crystal Archive print, 27.9 x 35.6cm

László Moholy-Nagy (Hungarian, 1895-1946)

Untitled, 1936-46

Fujicolor Crystal Archive print, 27.9 x 35.6 cm

László Moholy-Nagy (Hungarian, 1895-1946)

Photogram with Eiffel Tower and Peg Top, 1928

Silver gelatin photograph, 38.7 x 29.9cm

László Moholy-Nagy (Hungarian, 1895-1946)

Photogram No. II, 1929

Silver gelatin photograph, 95.5 x 68.5cm

László Moholy-Nagy (Hungarian, 1895-1946)

LIS, 1922

Oil on canvas, 131 x 100cm

László Moholy-Nagy (Hungarian, 1895-1946)

K XVII, 1923

Oil on canvas, 95 x 75cm

László Moholy-Nagy (Hungarian, 1895-1946)

A 19, 1927

Oil on canvas, 80 x 96cm

László Moholy-Nagy (Hungarian, 1895-1946)

CH BEATA I, 1939

Oil on canvas, 119 x 120cm

László Moholy-Nagy (Hungarian, 1895-1946)

CH SPACE 6, 1941

Oil on canvas, 119 x 119cm

László Moholy-Nagy Retrospective exhibition at Schirn Kunsthalle, Frankfurt

8th October 2009 - 7th February 2010

Artworks © Hattula Moholy-Nagy for the Estate of László Moholy-Nagy © VG Bild-Kunst, Bonn 2009 / Artists Rights Society (ARS), New York

ART BLART_ ART AND CULTURAL MEMORY ARCHIVE

Curated blog and article by Dr. Marcus Bunyan:

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▪️YouTube silent video >> László Moholy-Nagy Ein Lichtspiel Schwarz Weiss Grau (Light Play: Black, White, Grey) [1930 / 6mins.+34secs.]:

Ein Lichtspiel Schwarz Weiss Grau (Light Play Black White Grey) is perhaps Lázló Moholy-Nagy's best-known film work. It features his Light-Space Modulator, also known as a lighting fixture for an electric stage.

Light-Space Modulator is a key work in the history of kinetic art and even new media art, and therefore one of the most important works of art of its time.

Initially conceived by Moholy-Nagy in the early 1920s and built between 1928 and 1930, its completion required the involvement of a number of collaborators.

It was intended to be the centrepiece of the Contemporary Room at the Provinzialmuseum in Hanover, planned (but never realised) by Moholy-Nagy and Alexander Corner, the museum's director.

Light-Space Modulator was exhibited in 1930 at an exhibition in Paris on the work of the German Werkbund. From the point of view of the object, it forms a complex and beautiful set of metal, plastic and glass elements, many of them movable by the action of an electric motor, surrounded by a series of coloured lights.

Moholy-Nagy used it to produce light shows that he then photographed or filmed, as in the case of the film shown here. Although in black and white, the film manages to capture the kinetic glow of the sculpture.

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▪️YouTube video >> László Moholy-Nagy: Proto-Conceptual Artist [2019 / 5mins.+36secs.]:

Coinciding with the Bauhaus centenary, Hattula Moholy-Nagy and Daniel Hug, the daughter and grandson of László Moholy-Nagy, consider the lasting impact of the artist’s work today. Hauser & Wirth’s exhibition in London dedicated to Moholy-Nagy examines his influence as a proto-conceptualist, whose work interrogated the role of the art object and the artist in society, anticipating questions posed by subsequent generations of artists.

László Moholy-Nagy is on view at Hauser & Wirth London from 22 May – 7 September 2019.

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▪️ YouTube video >> Moholy-Nagy: Future Present exhibition overview at the Guggenheim [2016 / 3mins+14secs.]:

Curator Karol P. B. Vail provides a brief introduction to Moholy-Nagy: Future Present, a comprehensive retrospective of the work of László Moholy-Nagy (1895–1946), on view at the Solomon R. Guggenheim Museum, New York, May 27–September 7, 2016. To learn more visit https://www.guggenheim.org/moholy.

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[desimonewayland]

Jan Groover (American, 1943-2012) Untitled c. 1983 © Photo Elysée – Fonds Jan Groover / Art Blart

[vee-art-zone]

Til Death Do Us Blart 2024 Fan Art

Here it is, the 2024 installment of my yearly Paul Blart Fan Art!

I took that as my first real opportunity to play around with Aesprite, look at all its different effects and such, and I think it turned out really good!

I call this piece "Long Way Down", inspired by Delta Rae's "Bottom of the River" which was the title theme for Til' Death Do Us Blart 2019. It's a really fun song and it inspired me to make a piece about when Paul escapes the suitcase in the hotel's pool, confronting the avatar of death (himself, who has killed at least 5 security guards) and being renewed with confidence. "Not Today, Death" indeed.

Aesprite's fun! Pixel art's great because it makes it really easy to animate things and do all these effects. I was expecting it to be difficult, but it wasn't at all!

[audreyeatspencilgraphite]

Happy Deathblart to all who celebrate, here’s Paul Blart being touched by the Arcane

[gingerbearart]

Not today, Death

[blartboy29]

Drew the fellas again

errrmm i HATE them!!!

[sleepyghostmp3]

Small Green Wizard Boi invades Mall

[tsunam1fi]

The Permit Office Enforcers (the poepoe) here for duty!

I need a kinda workplace based comedy based on these 2 + Grian! I like to think he has weekly meetings with them about what constitutes as appropriate workplace attire before completely giving up

[galinbookshelf]

I got really emotional during a Blart Side Of The Moon rewatch last night

[guy60660]

Marcus Bunyan | Art Blart

[cadavorcist]

I read silver eyes yesterday and i love how creepy dave is. hes so silly and stupid i want to run him over. highlights of live me reactions from reading the graphic novel under the cut (obvious spoilers)

[plumpitlouder]

Happy (belated) til death do us blart day to all who celebrate 🥳

[lovely-v]

Okay now that I’ve finally listened to this year’s “Til Death Do Us Blart” I have to say I’m so obsessed with how much they always stress at the end of the ep that if one of them dies they WILL bring in a replacement instantly and continue the bit even if everyone else is grieving the loss of one of their close friends/family members

[codgod]

yeah here’s a video of me painting some shapes for that anon who asked about my rendering process. it’s this! not very complex. is this helpful to anyone? probably not. but damn look at them shapes oh boy

i will say i don’t always use the lasso fill thing a lot of the time i just get a rough brush with colour jitter on and scribble in the base colours by hand lol

[wordingg]

I've been binging til death do us blart. Is this a sign that I'm spiraling???