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darlingchronicles · 17 days ago

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JJ AND THE GOLDEN GIRL HEADCANONS III

pairing: jj x fem!goodgirl!reader

word count: 2.4k

based on these concepts and season 4, ep 1. spoilers enjoy!

Poguelandia: how do they start their simple life with the gang?

ఌ so golden girl does join the crew with all the treasure hunting starting season two i believe, (i have a whole universe so there will be more on their adventures and even fics so stay tuned) but let's fast forward to the beginning of season four (no major or relevant spoilers). she is on board with starting a business and was the one to suggest they sell food on top of providing for the fishing folks. she is not happy when jj decides to go on a limb and buy the property for wayyyy too much, but it is what it is. She doesn't help much with the building since she doesn't really like it and she almost hit her finger with a hammer one time, but she is big with decorating. she found the huge shark and helped haul it towards the business. she helped paint and make the entire thing a home. she's never had a true home so when they finish she straight up cries from how happy she is there. she works the counter and restocks the entire store and has her own little side business. again, like said before, she's very crafty so she makes a bunch of bracelets and sells them at poguelandia. they're a huge hit (especially with teen girls and children) so you can often find her at the counter helping customers and making bracelets at the same time. she does take custom orders. she also has a sandwich named. it's called "flounder's revenge" (as in the previous headcanons, she's afraid of sharks) and it's a bacon, avocado sourdough melt with chipotle sauce with a little shark hook toothpick on top. needless to say, she very happy there.

✔︎ jj never had a home to rely on or even call home. of course he had his friends as his home, but actually call something a home is beautiful. when they complete poguelandia, he is estatic. he jumps for golden girl and hug like there was no tomorrow. when they start to get busy, jj always makes time for golden girl when he can. he'll help her with bracelets by grabbing whatever material he sees and he was elated when she gave him the first one she made for the business. if he's in the shop, he'll help her customers and with restocking the higher shelves. he always requests a 'founder's revenge' and chuckles every time she narrows her eyes (he's the one who gave her the nickname). jj and golden girl end their nights on the dock, watching the ocean and sky after their busy day before retiring to the room them both moved into. sarah and john b have theirs. pope and cleo have theirs. and now jj and golden girl are officially moved in together. jj is on cloud nine.

how has their relationship progressed?

ఌ golden girl is more trusting of jj. since starting the business, she learned to trust him even more. she's watched jj grow into a more responsible person, of course he has his moments where shes reminded that he's still a boy at heart, but he's growing and it makes her happy. with more trust, she opens up to him more about her feeling. previously, golden girl was always so reluctant to tell jj her feelings because she was scared he would run or start an argument, but jj doesn't. he listens. maybe he won't always agree or see the "big deal" but he takes into account her feelings and notices her telling him more.

✔︎ jj has become much more softer with his girl after they start up the business. they're family now. they all know it. she's best friends with his best friends and they're totally in love with each other. not only that, but he says "i love you" more often now. previously, it was only for special occasions and the odd moment and whenever golden girl said it outside of those moment, he would only just kiss her in order to convey his feelings. he was never good with words, but now, he wants to say it all the time. there is so much more security since they're not running anymore. so "i love you" is a staple now. it was such a dramatic shift that john b did a double take when jj said it before he left to go get more bait for a second and came back a minute later.

how much do they argue?

ఌ here's the thing with golden girl. she hates arguments. not for the same reason as jj, but because she hates when there's no peace. she despises it. she tends to cry whenever she's frustrated and can't sleep if it's a prolonged one. she has a deep sense of guilt as if everything is her fault. which it isn't but she has that. previously, jj and her got into disagreements and arguments due to their lack of communication. she has a lot of words she afraid to say and jj isn't good with words and tends to keep them to himself. if they do argue, it's because golden girl doesn't want to say what's on her mind and jj's just trying to help. they never go to bed angry though. they never sleep in separate rooms either. neither of them can bare it. sometimes she'd cop up and just let it go but then jj can't let it go and vice versa.

✔︎ jj hates arguments because before, arguments meant violence. it meant breaking things and tear up a storm to be heard. as said, jj isn't good with words and if he can't say them, it becomes an issue. jj hates it when golden girl doesn't say anything when something is clearly bothering her. he hates that he wants to force it out of her. so previously, they did have a lot of icing out periods due to the lack of communication. now, they're more open to each other. jj once said he doesn't call them fights, but instead, disagreements. they disagree. they don't fight. he'd never be able to fight her. sometimes he'll try and let it go, but when he can't, he'll tell her. and she won't be mad. she won't yell. she won't hit. she listens. it's more than enough for him.

how have they had progressed physically? (slightly NSFW)

ఌ it is a fun one. golden girl hadn't let them cross that line for the longest time. the only thing they've really done is make out and dry hump each other. nothing more. it isn't until they have poguelandia and have more stability that she allow them to take it further. she was surprised that jj didn't mind it (we'll get to that in a bit) and that was what made her take that step. it was kind of nerve racking for her because it would be her first time and she knew jj had experience and so did all their friends (john and sarah, specifically) so she was sneaky with her little innuendos because she didn't want to say it out loud. she'd let him put his hand in her back pocket and whenever they hugged, she'd place a kiss on his neck. whenever they laid down, she lay her hand on his lower stomach and trail her finger up and down. she got kind of careless and would even stare at him with her little doe eyes and have that little shimmer in them. she had fuck-me eyes for days. eventually, he got the hint.

✔︎ so jj didn't know for a while. he had been patient with her because he knew he couldn't fuck their relationship up. he understood she had no experience whatsoever with sex or anything of the sorts. he didn't mind because he knew that forcing sex or sex in general ruined a lot of relationships. also at the beginning of their relationship, jj was really uncertain about her really liking him and thought she'd walk away eventually. to ensure the blow was less of an impact if it happened (it didn't, of course) he kept himself from suggesting they sleep together. of course, he did like making out with her and dry humping was really getting to him, but he respected her wishes. honestly, they went so long with doing anything, he was prepared to wait for marriage if she wanted to (marriage was addressed in the previous headcanons). but when golden girl was much more touchy and carefree with her kisses, he got suspicious. the first time she kissed his neck unwarranted during a hug, he froze. he coughed and pressed one to her head before walking away before a boner began to form. there was so other signs, but it was her eyes that gave him the hint. the way she'd look at him with her mouth slightly parted was when he finally gor the hint.

☆ extra! they finally did "it" one night when they we alone at the house. Everyone but them had gone and crashed as Heywards for the night (JJ had to catch bait and Golden Girl was busy making bracelets and doing school work that day). So the house was empty. They didn't expect it at all, but it was when they started kissing in their shared bed when a little spark was lit and the two of them were undressing before they knew it. jj had stopped to ask if everything was okay and she nodded, giving him approval. a very slow and beautiful night for the both of them. it was raining softly outside, the lights were off and only the light was the sparks of lightning outside and the covers were soft and warm from the wash. she definitely had to wash them afterwards though. he was so gentle and caring, truly understanding that this was a passage that she was taking for the first time, and listened and watched her to ensure everything was pleasurable for her. definitely made sure she came multiple times as well. (i could go more into detail ;) but thats for another post) the next morning the glances and wandering hands gave the gang a heads up and they had shit eating smiles and poked fun at them the entire morning.

what are date nights like now?

ఌ it is much more detailed. golden girl decides on the places they go to eat and has jj try new foods he hasn't tried before. they can spurge a little more, but it's not anything huge. they just like trying new things. clearly. and she still likes the simple things. they'll go out on the new boat and swim for an afternoon before retiring to the house and playing a game of cards with their cans of coke next to them. the tradition continues.

✔︎ jj tries to make things slightly more fancy. he'll buy roses for her almost every date night. one time, he bought her a dress to wear for one of their dates because he over heard her saying to the girls that she wanted to buy new clothes with her next month's share of the profit. she was getting tired of wearing the same clothes, especially on her dates with jj. he decided to surprise her and the look on her face made it all the more worth it. he knew she didn't like tight clothes because of the kildare heat and saw it in a shop on the mainland and knew she'd like it. he definitely gets her more gifts now. he always mades "mini" dates where they'd go on break from the shop and lay in the hammock with some music playing. the simple life.

are they open to a future family together?

ఌ golden girl is one hundred percent open to starting a family together. she wants that. not now, obviously. they're too young. he just turned 20 and she was still 19 for a bit. but she knew she wanted it with him. sometimes, she'd imagine him with a baby in his hands - a girl and she'd look just like him. she'd have that little mischievous twinkle in her eyes that said she was gonna cause trouble. just like him. and gosh she wanted it. but until then, she knew she'd just grow more in love with him. and yes, she is open to marrying him. she knew she'd have to wait a bit more until then as they were not together for as long as sarah and john b, but whenever he popped the question, she'd say yes.

✔︎ jj knows he's gonna propose to her. he started saving up for a real ring. he knew sarah and john b had done their own thing, but he was gonna do her right and get a real ring and a real wedding band. he doesn't know when, but he knows that when the time is right, they'll get married. he knows the time is soon. he is kind of anxious to see what she says, but he's hopeful she'll say yes. and kids? oh yeah, he's thought about it. he's seen her with children around the island and he knows she'll be an amazing mom. he's just more anxious about turning out like his dad. he doesn't want that, but he knows he can do better. he has to be better. but sometimes he'll imagine her in a dress with a little baby bump or her carrying a little girl (he wants girls) and showing her how to fish or throw a punch and it makes him hopeful for the future. he has hope for one of the first times of his life.

☆ extra! baby names are definitely in their heads. golden girl likes the princess names or something about light or hopefulness. elena, estelle, aurora, eve, juliette, valentine or persephone. she leaned more towards persephone or juliette cause then they call her percy or jules. those are just some of them. she has a lot more and is open to suggestions. she thought a j name would be nice since she'd match with her father. jj has also thought about it in great detail. he likes lorelai, eloise, victoria, ariel, marlee, or artemis. he wants her to have a nickname like him. he is more leaning towards ariel because of the whole joke about flounder. but if they have a boy, definitely something like rex, james, apollo or atlas. in the future, they have two girls.

thedarlinglore: after the shitshow of the last ep of season 4, i needed some reminder of love and hope from these two. love them dearly. i do want to go more into dept about them so a few more headcanons, blurbs and fics are coming up along with another beautiful new reader! i have mentioned before. stay tuned and rewatch ep. 6 of season 4 because wooo that man is fine as hell. love you, darlings.

➣ my last "jj" work | "oh schroeder" ➣ more concepts | jj maybank

#outer banks #outer banks headcanons #jj obx #jj maybank #jj maybank x reader #jj maybank fluff #jj maybank prompt #jjmaybank #darlinglist #darlingchronicles #jj maybank imagine #jj maybank fanfiction #jj maybank concepts #jj maybank concept #obx #obxboys #obx season 4

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arabian-batboy · 1 year ago

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Its disturbing how Zionists are trying to so damn hard to convince the world that Palestinians are currently on a huge raping campaign on innocent women and girls everywhere, even though there are literally ZERO evidences so far of ONE case of a Palestinian raping or stripping any civilians (and I mean real evidence, not bigots saying its true on twitter), they simply willed it into existence by merely saying it over and over again and thinking that's enough to make it into a real concerning fact

But do you know what has been proven as a legitimate fact for decades on the other hand? Thousands of Palestinians men, women and children being systematically violated and raped on a regular basis by Israeli settlers with no consequences or sympathy from the international community.

Like we literally have videos of Israeli soldiers on camera laughing about how many Palestinian women they have raped and multiple photos and videos of Palestinians being stripped naked and beaten by soldiers. Right now there's even a video of Israeli soldiers pissing on a dead naked Palestinian man on twitter which isn't being shared around or talked about half as much as much that one video of one Israeli woman allegedly being "stripped" to a bra and shorts, even though it has already been debunked by now that she was already wearing just a bra and shorts when she was captured and that neither she nor any other Israeli hostages have suffered any kind of sexual abuse by Palestinians (as you can see by how good they're being treated in this video)

It's really remind me how White supremacists in Europe have started this propaganda that Muslim refugees shouldn't be allowed Asylum because they're here to rape European women and that rape rates in Europe will sky-rocket by their mere existence, even though again, there are zero evidence of refugees committing sexual crimes (or any crimes) on a higher rates than local citizens. In fact, in some European countries and the US, it has proven that Muslim-majority neighborhood actually have the lower crimes rate compared to their counterparts.

One thing is clear here, it seems that it doesn't matter where they live, all White supremacists (especially Zionists) have the same exact trick when shit hits the fan and its: claim that "savage brown men are coming to rape your delicate white women! So you need to kill them before that happens!" each time the people they're oppressing are standing up for their human rights.

Palestinians made a document that contains templates for letters to US, UK, & Canadian politicians, media outlets, and companies in relation to current events in Palestine as well as petitions & other resources. If you live in any of these countries then please select a template, edit it to your preference and send according to the instructions on the relevant page.

Here is a link to it (please share it): https://docs.google.com/document/d/1-RUOHHiEtr7uoclQgWN-tCWOihnHIp5hym89aNePi_E/mobilebasic

Aside from that, please protest, support the BDS boycott and spread awareness as much as possible.

#tw: rape #tw: death #palestine #palestinian #palestinians #gaza #anti israel #anti israeli #anti israelis #anti zionist #anti zionists #anti zionisim

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seeingivy · 27 days ago

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bad blood

actor!ryomen sukuna x f!reader

**part of my dream girl fic

songs mentioned: bad blood by taylor swift and obsessed by olivia rodrigo

“are you of the opinion that all PR is good PR?”

sukuna can tell that it’s not the time for jokes. that much is obvious to him from the exasperated looks on everyone’s faces at his ill-timed comment – at nanami pinching the bridge of nose, yuuji shooting him an irritated look (with a whisper of a smile on his face), and his manager shoyo’s eyes pinched shut in frustration.

“i would be inclined to think that, but sukuna is over party trending for the past three hours is giving me a run for my money here.” shoyo responds.

sukuna diverts his eyes back to the television, shoyo’s computer projecting the trending hashtag onto the screen, and his fingers darting to refresh every few seconds with another set of irritating tweet about him. sukuna’s gotten the hint from the first three, but he has a sneaking inkling that shoyo’s doing this part just to rub it in his face – that it’s his way of saying i told you so without explicitly doing so.

shoyo was interesting in that way. managers were interesting in that way.

sukuna wondered to himself how many other careers had these types of dynamics, with “mentors” who served as stand-in parents. telling someone what to do, what not to do – in attempts to guide them from right or wrong – that almost never worked in his case.

his gut instinct tells him that almost every single profession does. but it also tells him that the other managers can’t be half as annoying as the special spot that entertainment managers take up.

at the very least, he can appreciate the take that shoyo has on his position. like a firm, strict father figure. he spares no warmth for him – just the way sukuna likes it.

“so what are we going to do? can we just ignore it?” sukuna asks.

it’s a loaded question.

what can you do when you might have possibly tanked every attempt at an entertainment career before it even starts?

sukuna’s first manager, starla, taught him three simple facts about the entertainment industry. among other things.

in particular, that the warmth was something that sukuna needed to run far, far away from.

first – attention is hard to attain. anyone can audition to act in a show, but only one person gets picked. you can be the best in the game but it doesn’t matter unless someone looks at you.

second – once you have it, attention is hard to maintain. if someone takes the time to watch, who’s to say that they’re ever going to watch you again? anyone can be a one hit wonder, but it takes greater skill to stay relevant, to keep people interested in what you’re putting out.

and third. reputation is everything. it’s best practice to avoid becoming a contrarian. it’s social suicide to your career.

it seems that sukuna might have nipped the first two in the bud, by accidentally becoming a contrarian. again. after so narrowly missing it the first time.

that’s the thing that’s the most frustrating in his opinion. that sukuna did almost nothing out of the sorts, that he had followed every single prim and proper rule he could have after his first few tumbles – and that this time, he very simply became a contrarian for dumping the wrong girl at the wrong time.

sukuna had made his own additions to the facts as time went on. especially after he was dropped by his old manager, promptly when he turned twenty-three.

lessons that he learned on his own. this situation alone added three to his list.

first – do not date the daughter of an industry titan. who has a loving fanbase that will attack you if the two of you break up.

second – do not crack jokes about good and bad PR when you’ve inadvertently created a mess for almost everyone around you.

and third – tread lightly the week before the biggest break of your career. things move so fast that they’re in absolute shambles before you know it.

“there’s nothing you can do besides follow the script that the PR team gave you. keep questions about aimee to a minimum at the event tonight. deflect to the show and only the show.”

sukuna gives shoyo a mock salute. he still doesn’t find it funny.

in fact, sukuna can tell that he’s had exactly enough for this meeting, marked by the almost immediate exodus he makes from the room, with nanami following in tow. nanami shoots him an apologetic smile over his shoulder as he exits and it’s one that sukuna can appreciate.

“you know, i really do question your taste in women.” yuuji states.

sukuna rolls his eyes.

“you question everyone’s taste in women.” sukuna deadpans.

yuuji gives him a laugh – the one that he had been holding in from earlier – and smacks him hard against the shoulder. sukuna can feel the pressure that he was trying to ignore compounding in his head, as he sinks down into the couch.

“i’m being serious though. i just don’t understand what you see in these girls. none of these relationships really have a fighting chance, which at this point, you almost have to be doing on purpose. i know you’re not that dumb.”

sukuna shrugs. he can tell that he’s being baited into having a conversation, a conversation that he doesn’t want to have, and makes a mental note to yuuji later that he shouldn’t lay it on so thick.

“your point is?” sukuna mutters.

“i’m not trying to make a point. i’m trying to understand why you’re so…so keen on pursing things you know won’t work out. it’s almost like you don’t want it to work out for you.”

“i don’t know what you’re talking about. you sound like an idiot.”

yuuji shakes his head, almost like he’s giving him a sentencing. trying to tell him, making it a point that he’s been caught red handed, that he has to give into the conversation.

“don’t tell me you’re really not trying in earnest because of what happened?”

sukuna can feel his frustration coming to a head, right in the center of his forehead. it always felt like feelings were concentrated there, right in that sensitive part of his head that made him rush to anger.

“it’s not about that.”

yuuji takes the hint. he jumps over the line as often as he can, but won’t push any farther.

“i just think that you should give things a real, earnest try. i know that none of us can really understand what happened, but…but that doesn’t mean that it’s going to happen every time. you…you shouldn’t be happy that you’re not trying to find love for real.”

sukuna clicks his tongue in his cheek.

“and who said i was doing that?”

yuuji sighs.

“you’re always the same you know. you never try for real because you’re scared you’re going to strike out. you….you still…you’re still afraid to pursue someone you actually like because you think…”

yuuji doesn’t finish the sentence. but sukuna knows the answer, because he’s said it before.

you’re afraid to pursue someone you actually like because you think they’ll realize there’s nothing to like about you.

“do you ever think about pushing yourself creatively?”

you wonder how many times someone can ask the same question, worded differently.

in mimi’s case, you’ve reached a whopping count of six. categorically organized – three times while you were out doing your morning coffee, twice over dinner, and today marked a new first, while writing music at the piano.

each question exactly the same, every response exactly the same.

“no. i want to stay exactly the same for the rest of my life.” you deadpan.

your dry humor earns you a laugh from mimi. in all fairness, it almost always does, because it’s very easy to make her laugh. because she’s a person who is easily pleased, very outgoing, who very simply put, enjoys most things.

“i wouldn’t even be shocked if you said that to me. your google calendar is my very worst nightmare, you know that?”

“my google calendar is perfectly organized. just as it should be.”

“i mean. very organized. i am very appreciative that you’re on time to all of our meetings, which is very rare with your generation.”

“you’re in the same generation as us. you’re not even that much older than me.” you deadpan.

“okay, but being a mother has aged me like ten years. all of my friends do pilates in their free time, make brunch plans for fun.”

“i’m your friend. i don’t do pilates in my free time. and i eat at five in the morning on the dot everyday.”

“yeah. you’ve just take up different odd hobbies, but it’s basically the same thing.”

you scoff, as you flip the page on the stand of the piano.

you wonder how often mimi thinks about that type of thing. the life that she used to live. the fact that you could be doing all the things that she couldn’t necessarily do anymore. it makes you wonder if that’s why she’s so adamant.

“i could be doing drugs you know.”

“you should be doing drugs!”

well, that answers your question.

“i can’t wait to see what your child does in the future. you’ve set such high expectations!”

mimi rolls her eyes. she’s very easily pleased, very outgoing, and filled with an overwhelming well of patience to counteract your stubbornness.

it’s granted that she almost never wins, that your firmness in your decision always stands at the end of the day, but it doesn’t mitigate her efforts to try. you’re betting that she’s going to give her very stubborn daughter a run for her money in a few years when she’s older.

“i don’t mean that you should actually do drugs. or maybe i do. some of my other writers love to drink or smoke weed to get through writer’s block. it just a little shift to push you to some new limits.”

“perfect. i’ll just try to do some ketamine before my next song so that it sounds better.”

mimi sighs.

“i’m not telling you to go do horse tranquilizers. i’m stating a very simple fact, that you tend to gravitate towards what is comfortable for you. in your personal life, in your friends, in your songwriting. you’ve found a sound that you work great with, themes that resonate with people. but you’ve been stuck there, right where you know people want you. it wouldn’t hurt to try pushing the limits here and there.”

you scoff.

“you sound like a shitty inspirational quote.”

mimi shakes her head.

“i often find that stubbornness to approach new things at the end of the day creates a sort of resentment towards anything that stimulates new growth. and keeps you stuck exactly where you are currently. stagnant.”

you don’t like the evaluation. the sentencing that she’s given you, that she’s been giving you for the past few months.

that you aren’t going anywhere.

you not liking it doesn’t make it any less true. but her saying it over and over again doesn’t propel you into doing anything about it either.

“and what if i fail to do this whole moving thing you’re talking about?” you jest.

mimi pinches her lips in a line.

“then it proves to me that you’re just approaching this entire thing wrong. you’re not winning an award, you’re writing a song. it’s not an examination that you’re completing, it’s just something you’re trying to say.”

you give her a dry smile.

“and what if no one wants to hear what i have to say?”

“that’s where you and i will disagree. i fear people are on the edge of their seats waiting for it.”

you snort.

“are you not a fan of me sticking it to idiots like jake nicholson and aimee lynch?”

mimi gives you a smug grin.

“a huge fan. but i can tell that you’ve got something else under the surface that’s dying to be let out.”

“i suppose that’ll just have to wait for today.” you respond.

mimi shrugs.

“i’ll try again tomorrow.” she affirms.

you’re not sure why she tries. you’re still going to say no.

sukuna’s manager’s strategy was very simple. all he had to do was save face for a week – a week until the show came out. tell people to watch the premiere on the red carpet, throw in an anecdote about filming here and there, and that was that.

granted, his job wasn’t exactly hard. the ensemble cast did most of the work, satoru’s loud voice combined with how energetic yuuji is, allowed him to slip through the cracks and make it inside the venue without any unsavory questions about aimee.

sukuna looks across the room to where the two of them are standing near the bar, glasses of ice in their hand, satoru no doubt flicking his charm and stupid pickup lines at everyone. he understood the strategy – that sukuna having the opportunity to talk created a greater risk for him to say something he shouldn’t – but it just made the event boring for him.

sukuna hated being on the sidelines.

quite literally the sidelines, because the table he was currently occupying was pushed against the wall. he would retreat back to the main table in the center when the two of them returned, but judging by how loud they were laughing, it didn’t seem like it was going to be any time soon.

“excuse me.”

sukuna’s thrown out of his train of thought by the voice, only to find he’s accompanied by two girls at his side. sukuna inches his glass of soda closer to him, noting the sparky stars gleaming on their eyelids, accompanied with layers of beaded bracelets on their wrists.

fans. sukuna’s found his in.

“can i help you?” sukuna asks.

the two girls look at each other, a nervous laugh escaping their lips, as they squeeze their intertwined hands together. he prays to god they’re not here for aimee.

“are you ryomen sukuna?”

sukuna smiles, looping his elbow across the back of the chair, and smiling. there’s no distaste in their voice – so they most likely aren’t. he’s won.

“sure am. who might you be?” sukuna asks.

“we’re addison and abigail.” they respond.

sukuna uses his free hand, gesturing for them to take the free chairs across from him. he watches as they both widen their eyes, stumbling knees hitting the bottom of the table as he readjusts and leans back.

interviews and networking he wasn’t allowed to do. that much was clear. but talking to fans caused no trouble, and it wasn’t explicitly off limits.

it gave him time to do what he did best. charm people.

“addison and abigail. to what do i owe the pleasure?” sukuna asks.

“we don’t want to take up any of your time.” abigail starts.

“really, we’re sure you’re quite busy. this is a big event and all and you probably have to do interviews and all that.” addison adds.

sukuna grins.

“i’ll always make time for you.”

he watches as their eyes widen, abigail’s lips pinched shut together by the bluntness in his statement, as he lifts his glass and presses it to his lips.

“i have a question.” sukuna states.

“anything!” addison replies.

her response is too fast. so fast that sukuna can almost clock that she’s realized that it’s too fast – that she’s embarrassed at how eager she was to respond. he shoots her a kind smile in response, before leaning forward and bracing his forearms against the table.

“how did the two of you sneak in here? secret boyfriend let you in?” sukuna asks.

the two of them offer him an awkward laugh, slightly releasing their shoulders, as they lift their hands and very adamantly gesture the opposite.

“not at all. we got selected to attend the event through the fan program.” abigail responds.

sukuna smirks.

“here for me?” sukuna asks.

the two of them widen their eyes, almost like they’ve been caught in an awkward situation. because they’re very obviously not here for him.

the fan invites were given for the singers and affiliated studios. and he’d be caught dead before singing live in front of an audience.

“i’m so sorry. i don’t mean to…”

sukuna immediately retreats.

“you do realize that i’m not a singer, right?” sukuna asks.

“what?” abigail asks.

“i don’t sing. there’s no way that you could be here for me.” sukuna clarifies.

the two of them breathe a sigh of relief, abigail giving him a jokingly irritated glare as he shoots the two of them a smile.

“relax. i’m just pulling your leg. it’s all in good fun. we can take a picture and everything, whatever you want.” sukuna responds.

the two of them breathe a sigh of relief.

“really?” she asks.

sukuna nods.

“that’s so sweet, thank you so much. we have a friend who’s a really big fan, so we were trying to get her a signed shirt.”

“a signed shirt it is.” sukuna responds, noting that they reach into their bag with the shirt and marker prepared.

“oh my god. i thought you were….you were going to be a diva or something.” abigail responds.

“me? a diva?” sukuna jokes.

“you wouldn’t believe it. god, some people can be so rude. one time, aimee lynch got us…”

addison’s quick to respond, shoving her elbow into her side to gesture for her to be quiet. sukuna narrow their eyes at the two of them, before rolling her eyes.

sukuna, in the split second, debates if he should respond. if it would go against the deal he made – to be quiet, to not cause any noise – because they could go running and post about it on twitter.

he decides against his better judgment, only because it’s potently clear they’ve been terrorized by aimee before.

“got you kicked out of an event?” sukuna asks.

“yeah…” addison mumbles.

“she does that often. it’s a whole load of shit. i’m glad you’re here.” sukuna responds.

“yeah. we were just really upset because we were actually supposed to meet y/n that day. we had tweeted to her that we got kicked out before we made it to the meet and greet and her team organized a whole like facetime call and sent us merch, but it was super annoying.” abigail responds.

sukuna nods, only because he knows all too well, that it’s exactly in her character to kick fans out of events. their “desperation” always got on her nerves.

“well, i hope you get to meet her tonight. she is here, right?” sukuna asks.

“yeah. she invited us personally since we missed out last time.”

sukuna smiles.

“that’s sweet. i hope you get to meet her later.” sukuna responds.

there’s a patterned knock on the door of your dressing room. two fast, two slow, two fast. it’s accompanied by the door swinging open and the reflection of megumi standing in the mirror with a cup of iced coffee in his hand.

you shoot him an excited smile, apologetically shooing away your hair and makeup team from the chair, to get up and greet him.

“coffee? for moi?” you ask, exaggerating every syllable.

megumi rolls his eyes, placing the cold cup into the palm of your hand, as you shoot him a smile.

megumi hates when you exaggerate the syllables – which is precisely the reason that you do it. you have an inkling that he secretly loves it, because he’s a secret fan of your antics.

“figured you needed it. you look like a hag.” megumi responses.

you snort down a laugh, as you take a sip from the overly sweet coffee.

“hag is a new one. you’ve always had such a way with words, my love.” you joke.

you return back to your chair, gesturing for him to take the free one at your side, as you reach for your phone and read through the last texts you got from mimi. all confirmations – that your guitar and band have arrived, that you’re all good to go at the end of the hour.

“is romeo here?” you ask.

you can see megumi’s irritated expression out of the corner of your eye, accompanied with a pink flush that creeps up his neck.

“what’s his name again? yuki?” you joke.

“yuuji.” megumi corrects, his voice almost stern.

“okay, relax. pipe it down three notches, juliet.”

megumi lifts his hand, awkwardly rubbing it against the back of his neck, as you drop your phone in your lap and narrow your eyes at him.

“what did he do today?”

“you don’t care.” megumi mumbles.

“and that hasn’t stopped you from telling me in the past.”

everyday, for the past eight months, you received a barrage of texts from megumi. ranging across every emotion in the human bandwidth, but always about the same thing.

his new co-star. how great his hair look, what text he sent him that morning, how his skin looked perfect in the light. you would nip that type of dialogue from anyone else in the bud. but megumi wasn’t anyone else.

“but you’re asking. which means you can’t complain, because you basically warranted it out of me.”

you roll your eyes.

“yeah, yeah.”

“he got us matching pins for press this week. they’re like little cartoon versions of us. but he also got one for our other co-star nobara, so it doesn’t really count.”

you shrug.

“but he still got you one. so it does count. that’s cute.” you respond.

“but she has one too.”

“but did he give it to you as a group or individually?” you ask.

“individually.” megumi responds.

you smile.

“exactly. it means something different when it’s individually.” you respond.

“you’re delusional.” megumi responds.

you roll your eyes.

“you could benefit from being a little delusional, drama queen.”

“and then when we were coming here, i was telling him that you were going to be here and he got super excited. he remembered that i always used to get you coffee before your first show so he actually stopped our car and made sure that i was able to get some from you since you’re performing tonight.”

you grin.

“not technically my first show, but i appreciate the effort. I love him already. especially if he’s so passionate about my caffeine addiction.”

“it’s from his coffee shop that he works at with his brother. they used to work there together when they were younger and like…he was telling me all about it. how the two of them used to work there after school and that the owners were like their second parents. they almost went down under a few years ago but they both had enough acting money so they invested. he was even introducing me to them and shit. like fully introducing me to people he views as family.”

you nod.

“wow, juliet. when’s the wedding?” you ask.

“shut up.” megumi responds.

“but really, that’s actually very sweet. he seems like a great guy.”

“he is a great guy. he wants to meet you too, you know?” megumi responds.

“that would be against your better judgment. i’m going to tell him all about your little crush. and propose marriage on your behalf like you’re my property in the 18th century or something.” you respond.

“your jokes never get funnier.” megumi deadpans.

“and yet you’re still here.”

“his brother is here too. the one who used to date aimee.”

you widen your eyes.

“poor guy. it’s probably a blood bath out there for him.”

“he made it through press unscathed, but they’re telling him to keep a low profile. but yuuji’s all worried because he tends to get erratic and take things into his own hands sometimes.”

“what are they saying again?” you ask.

“fans are mad because the report that went out said sukuna dumped her or something.”

you snort.

“is that even bad when she was like basically cheating on him the whole time?” you ask.

“don’t think he knows that.”

you shake your head.

“really?”

megumi shrugs.

“i get the impression he didn’t care about the relationship too much.”

you nod.

“well, then my song won’t hurt his feelings too bad when he finds out they used to date.”

you push up out of the chair, gesturing to your outfit as megumi gives you an approving nod. you link your arms together, pushing out of the door onto the floor of the venue, and continue your conversation in lowered voices.

“do you want me to punch jake?” megumi asks.

“and ruin your pretty little baby hands? i would never.”

megumi rolls his eyes, as the lights dim, and the two of you direct your eyes to the stage. it’s a long introduction, all of the producers and affiliates taking the time to thank everyone for attending. you’re performing at the end of the hour, which gives you enough time to zone this out and focus on the song.

“our very first performance is from one of our affiliates at dancing lady studios – aimee lynch with guest star jake nicholson.”

you and megumi widen your eyes as you turn to look at each other, as you all but crush megumi’s arm in your grasp. the two of them walk out onto the stage – and you note that her sparkly silver is almost identical to the outfit you had been wearing on tour for the past few months.

and that jake’s using the guitar that you gifted him on his birthday.

you know she’s doing it on purpose. that she knows that about you – that you’ll connect dots and draw conclusions – to exactly what she’s trying to do.

piss you off.

Did you think we'd be fine? Still got scars on my back from your knife So don't think it's in the past These kind of wounds they last and they last Now did you think it all through? All these things will catch up to you And time can heal, but this won't So if you come in my way, just don't

Oh, it's so sad to think about the good times You and I

megumi leans down, voice quiet as he whispers in your ear.

“this is going to do rounds on kids bop.”

you snort.

“they would be so lucky.” you respond back.

'Cause baby, now we got bad blood You know it used to be mad love So take a look what you've done 'Cause baby, now we got bad blood (hey!) Now we got problems And I don't think we can solve 'em You made a really deep cut And baby, now we got bad blood (hey!)

“did you know they were going to do this?” megumi asks.

you shake your head.

“there’s no need to worry. i’m always prepared.”

“unless i’m not mistaken, you didn’t catch any strays tonight. how can one be so lucky?” shoko jokes.

“we can’t all be the chosen ones.” sukuna responds back.

“the night is still young. a girl can only dream.” shoko responds.

sukuna rolls his eyes before smiling at her and trying to shake shoko’s grasp off of him, as he turns his attention back to the stage. with the event in full swing, he was allowed to return to the central table, only because the group of them around him to keep track of him.

shoyo’s doing, he was sure.

but he’s sure that shoyo was somewhere fast asleep in his bed right now, having the most restful nap he’s taken in months. sukuna’s inclined that he’ll feel the same way tonight when he goes to bed, with the promise of no scolding from his team since he did, in fact, not catch aimee’s wrath tonight.

it was attributed to someone else tonight. he’s not exactly sure who, but at this point, all he can do is be thankful that it wasn't him.

“who were you talking to earlier?” shoko asks.

“fans who got invited to the event.” sukuna responds.

“poor girls. they got assaulted by the smell of your cologne and had to lose brain cells by talking to you?” shoko jokes.

sukuna scoffs.

“that already happened when you walked into the room. don’t kid yourself, ieiri.”

“you should learn some manners. is that any way to talk to a woman?” shoko asks.

“can you guys shut the fuck up?”

shoko and sukuna turn their heads to the left to find satoru standing there, eyes razor focused and glued to the stage.

“what stick is up your ass?” shoko asks.

“it’s y/n’s turn to perform.” satoru seethes.

shoko snorts.

“don’t tell me that your dream girl is in attendance? how are you even standing straight right now?” shoko asks.

“pure adrenaline, bitch.” satoru responds.

sukuna and shoko widen their eyes as they share a look – a quiet communication that satoru’s being more erratic than normal and to leave him be – as they turn their attention back to the stage.

the bright lights shine red on the stage as the visuals go up, a twisting and turning illusion against the back screen. there’s a rising platform in the center and all he gets a glimpse of are sparkly star tights.

La-da-da-da, da-da-da, la-da-da-da-da La-da-da-da, da-da-da

If I told you how much I think about her You'd think I was in love And if you knew how much I looked at her pictures You would think we're best friends

'Cause I know her star sign, I know her blood type I've seen every movie she's been in and, oh god, she's beautiful And I know you loved her, and I know I'm butthurt But I can't help it, no, I can't help it

I'm so obsessed with your ex (uh-huh) I know she's been asleep on my side of your bed And I can feel it I'm starin' at her like I wanna get hurt And I remember every detail you have ever told me So be careful, baby

I'm so obsessed with your ex (ah) Yeah, I'm so obsessed with your ex (ah) La-da-da-da, da-da-da

sukuna can feel his heart pounding in his throat. he grabs yuuji by the shoulder, yanking him close from the fabric of his shirt, and whispers.

“who is that?”

“were you born under a rock? that’s y/n.”

sukuna watches as you skip around the stage, bathed in the dark red lights surrounding the stage and the visuals with you in the background.

maybe sukuna was born under a rock. he was one thousand percent sure that he would remember something like this.

“the guy that was up with aimee earlier. she’s jake’s ex-girlfriend. they were singing about her.” yuuji whispers.

“is she singing about aimee?” sukuna asks.

yuuji nods.

“they have some weird twisted history. especially with jake, i think. him and aimee have had eyes for each other since like…forever.”

he watches as you walk over to the left side of the stage, crouching down into the view of the camera and right across from where jake and aimee are sitting, irritated looks painted on their faces.

sukuna notes that you're looking right at them. full blown, direct eye contact.

Is she friends with your friends? Does she give great head? Do you think about her? No, I'm fine, it doesn't matter, tell me Is she easy-going? Never controlling? Well-traveled? Well-read? Oh god, she makes me so upset

I'm so obsessed with your ex (ah) She's been asleep on my side in your bed (ah, whoa) I'm so obsessed with your ex (god, she makes me so upset, ah) I'm so obsessed with your, with your ex

sukuna’s frustration compounds again.

because he can’t simply understand how he’s the one getting publicly punished, when aimee’s been in love with some other guy the entire time. and that knowing her, she most definitely leaked the news about how she was blindsided on purpose, just to ruin his career.

“if i was y/n, i’d just punch them both in the face. then start dating one of her boyfriends or something.” shoko states.

the idea comes to sukuna almost instantly. and he makes a mental note to apologize to shoyo later.

when you get off the stage and retreat back to your table near the wall, you quickly scan through your texts from mimi.

[mimi]: Three versions slated for release. Could potentially block you getting the #1 spot.

[mimi]: Fingers crossed, but things are faring over well. People love the song.

[mimi]: Obviously.

you set the phone face down at the table and sink down into your chair. you don’t even get a second to think because before you know it, someone’s slid into the chair right across from you, hunched forward into your space over the small chair.

pink hair, arms littered with tattoos. there was something oddly familiar about him.

“you’re just the girl i wanted to see.” he states.

you narrow your eyes at him. you’re unsure which one he is. producers trying to poach for their studio, people looking to network, or the perverts that somehow get let into events like this.

“is that right?” you ask, tone dry.

the guy offers you an over-eager nod, accompanied with a glimmering smirk.

he’s attractive and you can tell from the look on his face that he knows it. for some reason, you’re almost positive that he makes sure of it. toned muscles, hair so perfect that it has to be styled. to the point where it feels calculated.

you lean forward, placing your cheek in the palm of your hand as you smile right back at him. he leans forward almost immediately. it was almost too easy.

“i don’t think we’ve ever met before. i’d think i’d remember that.” you respond.

“only in my dreams.”

you fight the urge to scoff. you’re sure that one worked out well for him in the past. It's the only reason someone would say something so corny and mean it.

you hold your hand out to him, noting that he extends the handshake for far too long.

“y/n.”

“ryomen sukuna.”

that’s where you knew him from. this was megumi’s co-star. romeo’s brother.

“from jujutsu kaisen, right?” you ask.

sukuna gives you a glimmering grin. you note that he has a dimple on the left side.

“know everything about me, don’t you?”

you snort.

“sure do. you’ve got me all figured out, sweetheart.” you deadpan.

sukuna leans back, narrowing his eyes at the comment. you can tell that he’s rethinking what to say next.

“i know about the show because of megumi.” you clarify.

“we go way back.” sukuna responds.

you lean back against the chair and cross your arms over your chest. you've got him right where you want him.

“really?” you ask.

sukuna nods.

“when did you meet him?”

“elementary school. he was always the quiet type.”

sukuna pauses.

“speaking of types, what’s yours?”

you fight the urge to laugh. there was no way he could truly be this forward. but then again, you figure his deep urge to get back at aimee right now was probably inhibiting his good judgement at the current moment.

“why do you ask?”

“you’re a smart girl. i know you can figure it out.”

you take the bait.

“i’ll give it a shot.” you respond.

“that’s my girl.”

you smile before leaning forward to make sure that he hears you properly.

“your name is ryomen sukuna. indie actor for the most part, but you recently got signed on as part of the lead ensemble for mappa’s new show, jujutsu kaisen. you’ve gotten pretty far considering all things, which i’m sure comes as a byproduct of the whole charm bit that you do and from what i’ve heard, some pretty decent acting. and while you’ve done mostly well, you made the brutal mistake of becoming a social pariah by dancing with the tabloid devil, aimee lynch. you’ve ended up on their bad side and now, in some weird type of way – i’ll admit, i’m not exactly sure how – are trying to elicit my help to get you back in people’s good graces. by lying, of course.”

you watch as sukuna’s eyes widen, before he leans back, his cheeks the slightest shade of pink as he swallows hard. and you give him your sincerest smile before pulling out your phone and digging for the photo in your favorites.

of you and megumi in grade school, standing hand in hand.

“i think i’d remember if the human version of pinkie pie from my little pony was running around my elementary school, sukuna.” you state.

and shockingly enough, he only gives you a smile in response – like he’s almost delighted by the fact that what you've just read caught him in a lie– as he sticks his tongue in the side of his cheek and makes a clicking sound.

“got me all figured out, don’t you dollface?”

“you’re painfully obvious, like most men. i’ll see you around, sukuna.” you respond, as you turn on your heel to walk away.

but he’s almost too fast with it, slithering his hand down from your elbow to your wrist, pulling slightly to beckon you to turn back. and he gives you an…a more earnest smile this time as he raises your knuckles to his lips, and leaves a kiss in between the pointer in the middle.

“that’s a promise, sweetheart.”

next part linked here

an: hi!!!! welcome back to the dream girl universe - I thank you for your patience <3 i'll be using the old dream girl taglist, but let me know if you would like to be taken off!!!

taglist: @porridgesblog @platrom @k0z3me @sugu-love @yihona-san06 @bsenpai @sweetenertea @skzismyhome @mykyoon @violetmatcha @rebeccawinters @shotenvinsoot @itzmeme @gojoswifeyyys-world @cutiejg @chilichopsticks @timmytimmytuckyy @dreamxiing @mamamamamarga @skunabby @meisque @hoseokslefteyebrow @thepurpleempath @shrimphutao4ever @monic19 @najaemism @haitanibros0007 @catobsessedlady @luvs4kim @ri-sa20 @thejujvtsupost @invisible-mori @satoruslipbalm @kyo-kyo1 @telepathicheartss @huhsthccvjh @sxnkuna @w31rdg1rl @lilalia3945 @multiplefandomthings @shotovhs @voids-universe @timetobegone @deeeeexx @livelovelaughisagiyochi @pelicanpizza @cowgirlikets @jeon-blue @phantomasmaniac @yoontaedotin @cowgirlikets @estrella-novella @theauthorunicorn @catastayy @ryumurin @kindadolly @th0tformikasa @r0ckst4rjk @you-always-made-me-blush @leave-rae-alone @lemonnotade @firelordazulaaaa @stuffeddeer

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thesunshinecourts · 8 months ago

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five curiosities for the next book, after reading the sunshine court

a non-exhaustive list, but five things i'm curious to (hopefully) find out more about in TSC2, or that i have questions about still:

what happened at the trojans' fall banquet (presumably jeremy's first year)? it's a Scandal, and jeremy cannot stand to be around bryson, and annalise has never forgiven him for sticking with exy after that, despite having attended all his games in high school. given the allusions to his stepfather, and also his step-grandfather being a congressman, i can see how jeremy's sexuality might be relevant to the situation—especially if we read into lucas' stiff apology and shame at his implication about jeremy and jean as being born from more than just common decency, but rather knowledge of this being a previous sticking point in terms of jeremy's scandals—but i also keep thinking about what cat said. jeremy has—three. two brothers, one sister. the way she says it, how it sticks out to jean as an odd switch, and the fact that we've only met two siblings – it makes me wonder what happened to the third. or if that's even the right question to ask, regarding jeremy's siblings.

elodie. i'm curious if we learn anything about what happened—by and large, i kinda hope not, if only because then jean has to too, unless it turns out stuart is lying, but that's a very different kind of fallout. (i don't actively theorise he is—at some point, these kids will run out of tolerance for ghost stories coming back to life—but i think its possibility ought to be considered, at least). i think we'll get more flashes of her from jean's thoughts, though, and i anticipate lots of heartbreak lmao

lucas. assuming stuart's contact comes through, and neil's hit goes ahead, we've got lucas in the aftermath of finding out his brother is a monster, and jean saying not to call the police, and then possibly his brother being dead. if it happens any other day—if it happens in west virginia, especially—i suspect lucas might be able to look at it like another domino in the ravens machine falling down, or even that something horrible happened to him when he returned home, but if it's still in LA, after what he did to jean, after jean said no cops-------i can see how that might twist into something more suspicious. who knows! i'm curious to see what happens there. grayson is a monster, but he is still lucas' brother. aaron and kevin still have complicated grief about tilda and riko, and they were their direct, constant abusers; cass never learned until after the fact, and lucas is in a complex space between the two parts of that spectrum. if grayson dies, i think the fallout will be unavoidable for exploration

this is a small one but man, i just want to keep seeing jean's list grow. it tears something out of me every time, and stitches me back together, and i want to go through that over and over, because i want to see a jean who not only hears that his life is his and worth living, but a jean who learns to believe it too

i'm just kinda assuming we see the foxes again, because i remember nora's character list having new details about characters who didn't show up in this one, but i'm also quietly hoping for more thea. their scene made me ache, and he'd never had good defenses against thea, and kevin knew that. jean would kill him for bringing her here made my heart do the !! double-tap. i'm extremely invested in jean, thea and kevin as a unit, and it would be so incredibly wonderful to see more

#the sunshine court #tsc #tsc spoilers #TSC2 #jeremy knox #jean moreau #elodie moreau #thea muldani #lucas johnson

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multimousenette · 10 days ago

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bkdkbk longfic recs

for @miss-multifandom-mess, who wanted fics that are:

Long & completed ☑️

Good balance of genres: angst, comedy, romance, the package deal

Accurate bakudeku (as a pair and individually)

Great dynamic 👍

Izuku is not ‘feminized’ or made uwu

I'll give title (linked to the fic) & author, word count, rating, dynamic if relevant*, content warnings, major tags and a synopsis.

I'll also put them in the following categories:

Canon compliant: this does not disagree with canon in any way (eg. character study of Kacchan during dark hero arc, anything during the 8 year time skip that has Kacchan saving up/Deku teaching)

Canon consistent: yeah that could more or less be canon (eg future pro heroes especially where deku keeps OFA)

Canon divergent: something during canon actively changes, but the world is the same (eg. becoming friends in middle school, one of them is on a different course, pro heroes but my gut says it's too far away to be really canon consistent)

Canon adjacent: feels like canon except for one Major Thing (eg. omegaverse, (non-quirk related) hanahaki but still heroes)

Alternate Universe (AU): completely different universe (eg fantasy, sci-fi, or no quirks)

*it ended up being mostly either bkdkbk (ie switching) or dkbk -- I've highlighted these red just in case, but I've included them cos people tend to use bkdk for the ship generally if they don't have a preference, and I couldn't see anything saying you were fixed bkdk on your acc

... and I'll put them below the cut cos this is already so long oh my god

In order of word count (high -> low):

I Will Find You by Purple_Insomniac (174k, T, canon consistent)

CW: Alt universe character death

Major tags: Parallel universes, angst w a happy ending.

Deku disappears in the middle of a rescue mission. Turns out, thanks to some OFA weirdness, the person who sent Izuku into an alternate universe… doesn’t know which one he’s in. Somehow, Izuku and Katsuki can speak in the OFA Vestige Realm, but it’s still a total nightmare trying to find which universe Izuku’s in — let alone bringing him home.

For it is Something That We Lost by TheGraveyardChild (160k, E, top Deku, canon divergent)

CW: past domestic abuse, past child abuse.

Major tags: Kidfic, angst with a happy ending.

Number four pro hero Dynamight returns to his hometown, but — to (number five pro hero) Deku’s surprise — he’s kind of flaky now. Turns out, this is because he has a daughter, and they’ve only just escaped his abusive ex. Slowly, Katsuki and Deku grow close again, but everything’s complicated when they start work on a child kidnapping/trafficking case — especially when Katsuki’s daughter is caught up in it.

Halfway to the Moon (But the Sun is So Bright) by Catsired (105k, T, canon divergent)

CW: Graphic depictions of abuse and self harm; depressed & suicidal Izuku; physically, financially, emotionally and verbally abusive Hisashi; bullying; mild homophobia.

Major tags: Middle School AU, Slow burn, hurt/comfort, angst with a happy ending.

Izuku has a lot on his plate. It’s his final year of middle school and between his training with All Might, the part time job he’s picked up to help his mum with bills, and Kacchan… being Kacchan, he’s about ready to drop. And then his dad comes home, and his mum is so happy he can’t bear to tell her that Hisashi hits him. Meanwhile, Katsuki notices there’s something up with Shitty Deku and somehow decides it’s his responsibility to fix it. And maybe, as they grow closer, he finds that doesn’t hate Deku so much anymore. Maybe he never really did.

Surprise Reunions and Childhood Rekindlings by ladyofsnails (90k, G, AU)

Major tags: Slice of life, no quirks AU, uni/college AU, mutual pining, FLUFF.

Izuku and Katsuki haven’t seen each other in five years, but it turns out their friends are friends — and incredibly shocked (and concerned) when the first thing Katsuki and Izuku do upon meeting is start roughhousing. The two of them fall straight back into their chaotic childhood dynamic… and in love. Obviously.

After All We’ve Been Through (You get turned into a fucking rabbit) by TigerLilies64 (88k, E, switching, canon consistent).

Major tags: crack treated seriously, fluff, hurt/comfort.

Pro hero Deku gets hit by a quirk that turns him into a rabbit hybrid. To make matters worse, he shapeshifts into an actual rabbit when his heart rate gets too high. Kacchan... helps.

Tidal Hearts by macksmilesback and SamIsNotLegend (83k, T, AU)

Major tags: h2o just add water/early 2000s mermaid AU, high school drama, mild angst, fluff.

Izuku and Katsuki were best friends as kids, but that all changes after they nearly drown while swimming in the ocean and Inko moves her and Izuku away. Years later, they reunite, and after Katsuki saves Izuku from a nasty hazing prank, end up… growing a tail any time they get wet. Well, that’s one way to spend their senior year of high school!

The Spell in Her Name by MerryWeatherWeather (62k, E, top Katsuki, canon divergent)

CW: Past OC teacher/student relationship, past minor character death, past child abandonment.

Major tags: kidfic, domestic fluff, mutual pining, angst.

Pro hero Katsuki returns from working in the US and due to some complications, has nowhere to live, so pitches up at Deku’s house — and is shocked to discover that Deku has a child. Turns out, she was abandoned on his doorstep as a baby, and he took her in. When her mother initiates a public custody battle, Deku will do anything to keep his daughter — and Kacchan will do anything to help.

just for your love (I’ll give you the world) by thwnderpoint (52k, E, top deku, canon consistent)

Major tags: idiots to lovers, (light) angst with a happy ending, mutual pining.

Katsuki confesses to Izuku, and Izuku doesn’t want Kacchan to suffer or feel like he has to hold back his feelings. So he tells him not to. Kacchan takes this offer and runs with it. Izuku quickly realises that while he hadn’t considered Kacchan as a romantic option, he is in fact absolutely in love with him… but Kacchan thinks Izuku deserves better than him. Izuku, of course, can’t let that stand. And now they’re engaged in some sort of psychological flirt-off, much to the dismay of everyone around them.

Photo Op by whitetail (50k, M, top deku, canon adjacent)

CW: transphobia, gender dysphoria

Note: I LOVE the characterisation of Deku, he’s an absolute disaster, but I can see that it might be love it or hate it as the author does exaggerate his social issues a lot. This Deku is explicitly, intentionally autistic and it's a close third person POV so we're very much in his head... which is kind of a mess.

Major tags: trans izuku, autistic izuku, massive simp kacchan, comedy of errors, miscommunication, light angst.

Pro hero Deku has PR crisis after PR crisis and now the whole world knows about his Dynamight thirst blog and he’s newly insecure about his bottom surgery. And for some reason, Kacchan won’t stop asking him (him!!) to join him for a photoshoot, as if Deku’s stupid ugly face won’t ruin everything again. Still, he can’t say no to Kacchan…

In Another Life by hollyandvice (44k, M, canon consistent)

Major tags: Parallel universes, grief/mourning, angst with a happy ending.

While fighting a villain, Kacchan disappears. Turns out, the villain has a parallel universe swapping quirk, and he was aiming to swap number one hero Deku for a quirkless civilian. Except, the only world the villain could find where Deku isn’t a hero is one where Kacchan is dead — so when Katsuki took the blow, no one swapped with him, and now no one knows how to get him back. Meanwhile, Katsuki discovers a dystopian world where half his friends are dead or injured — not to mention this world’s Deku, who is all sorts of broken up over meeting an adult Kacchan. Will he be able to fix the problems with this world before he gets home? And which world will he choose to stay in?

last days of war by antisora (44k, M, AU)

Major tags: Pacific Rim AU, Sci-Fi/Dystopian, angst with a happy ending, hurt/comfort, misunderstandings.

Note: I've never watched pacific rim and had no issues with understanding what was going on. Author said there were lots of references, but you don't need existing knowledge to enjoy this.

All Izuku’s ever wanted is to save the world with his best friend… but his life doesn’t seem to be headed in that direction, especially when he doesn’t make it through the physical entrance exam for the best Jaeger pilot training school, UA. But after seeing him ace a Kaiju simulation, the world’s greatest ranger, All Might, intervenes, and Izuku is able to enrol at UA after all. Unsurprisingly, Kacchan’s there too — and their drift compatibility is through the roof. Much to Izuku’s dismay, even piloting a Jaeger together isn’t enough to regain their close friendship as children. Will almost dying (twice) be enough for them to finally be truly honest with each other?

The Time Between Our Lives by Fitzrovia (36k (56k inc. sequels), E, switching, canon divergent and AU)

Major tags: Hurt/comfort, angst w a happy ending.

Deku and Kacchan are sent back in time by a villain’s quirk and end up in an abandoned temple, quirkless. In order to escape — and return to their old lives — they must rake the gravel in the garden into a design that shows the beauty of all life. It takes a very, very long time.

Spacewalk by SamIsNotLegend (35k, M, AU)

CW: Major character death

Major tags: Sci-Fi/Horror, angst w a happy ending, grief/mourning.

Astronauts Izuku and Katsuki are set to co-lead the first manned mission to Jupiter… but a year and a half before launch, Izuku is hit by a car and dies. Katsuki has to lead the mission — their mission — alone, and sure enough, everything goes wrong. And keeps going wrong… until it starts going right.

and a bonus totally-not-a-longfic-but-it-slaps:

Vertigo by Cyhyr (15k, T, canon adjacent)

Major tags: hanahaki, angst with a happy ending.

Pro hero Deku has hanahaki. He makes a plan to run away and just... die (when it gets too severe to keep working), but he didn’t account for Kacchan.

#bnha #mha #fic recs #bkdk #dkbk #bkdkbk #bkdk fic recs #dkbk fic recs #longfic recs #is it weird I didn't reply to your post? idk probably sorry #I wanted to get notifs if anyone commented on this tho lol #anyway enjoy. that's an order /silly

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hare-beneath-pine · 2 years ago

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some elements of spellwork distinguishing animist or spirit-based approaches from the energetic and psychological -- a laughably basic and woefully incomplete list:

waking: most especially relevant for dried herbs or other preserved material. rouse what lies dormant with breath and touch and whisper.

speaking (or writing, etc): ask for assistance, don't demand it. give praise, throw in some epithets. make deals, discuss terms and conditions. say thank you. say what you mean.

listening: now shut up for a bit. anticipate communication. words, song snippets, images, colours, feelings, whatever. look out for a "no" and be ready to honour it--it may hit hard in the chest or the guts. we have two-way streets here.

giving: praise, prayers, food, drink, candles, incense, crafts, all the usual suspects and more... reciprocity is key, no one likes a perpetual taker. some situations call for altruism, others for hard-nosed contracts, others for a secret third thing.

feeding: giving again, but specifically to maintain or revive longer workings. remember what the dormouse said...

sourcing: the perfect is the enemy of the good, but it makes a difference. grow, make, forage (responsibly) as much as possible. listen & give when sourcing things from the earth. shop ethically, re-use, thrift.

paring down: if it seems like a lot to go through for everything you want to include in your spell, then good. depth before breadth. use fewer herbs/stones/whatever that you know well, and that really need to be there. god i hate 12-ingredient spell jar recipes with #babywitch stuck on them. yes i will probably stick #babywitch on this. sue me.

to me these follow logically from the premise that plants, stones, bones, bits & bobs have spirit, not just energy. because that implies that their power must be given, it isn't just there to be channelled (energetic model) or derived from the practitioner's mental associations (psychological model). i claim nothing of reality and little of truth, but this premise has served me well.

just in case: the writing style is a little conceit that i use in many of my personal notes, which this was originally. obviously “in my opinion/experience/practice” etc.

#witchcraft #witchblr #spells #spellwork #animism #spirit work #beginner witch #baby witch

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gabrielsbubblegumbitch · 10 months ago

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Hello again! LOVE op's posts about static moth so so much they are giving me ungodly amounts of serotonin ... It's genuinely been such a joy reading your interpretations of their relationship and what makes them work the way they do. Even with the limited amount of content we have of them I believe you've nailed their respective personalities and behavior patterns spectacularly and every single post has been extremely interesting to go through and to analyze off of!

Regarding the reasons as to why Valentino likes vox as a romantic partner, I also believe part of it has to do with some of Vox's more stalkerish tendencies as well? His (not yet canon but close) Voyeurism, his constant need for control, etc.

This is more of a head canon than anything else, but I do genuinely believe Valentino enjoys the obsessive attention he can get only from Vox as it does wonders to quell his constant sense of emptiness, his subsequent feelings of abandonment, and the anxieties that follow. The fact that he knows Vox enjoys stalking him, (probably) gets off on it and is actively deriving pleasure from simply watching him go about his day may be adding to the thrill and content as well. The thing is, as generally absurd and problematic it is, this behavior seems to bring a sense of security for both Partys involved: Throughout the show during all 4 episodes that feature Valentino's presence, we have yet to see a single scene with him without at least one camera tracking his movements. They are everywhere. They follow him wherever he goes, Vox can follow him wherever he goes whenever he so chooses, even to Vals own personal quarters. They are a massive, glaring red flag and quite frankly would bring a suffocating amount of pressure and sense of captivity to any other person under the same circumstance. But Val never brings this up, so I feel he either doesn't think he's in a favourable condition to complain, or he likes the idea of Vox always having his eyes on him. For me I think it's the latter, and I think for him to act so nonchalant around vox's cameras and his potentially constant, 24/7-hour surveillance, it has to have offered him some form of comfort. It has to have made him feel good, either about himself, about the state of their relationship, or both.

(apologies for the sloppy wording, hope you have a wonderful day!)

Awww, Anon, you are so sweet! Reading your question brought me so much joy <3 I think your perspective is spot on, and I wholeheartedly agree with it. I must admit I initially omitted this aspect of their relationship from my initial response because the question specifically focused on love rather than "sexy and toxic stuff." For me, voyeurism and stalking kink are more closely related to the latter category.

That being said, Val undoubtedly enjoys having Vox's eyes always on him. Being a diva and a performer, he relishes performing for Vox, especially knowing Vox's likes all the deranged shit but desperately tries to hide it underneath his clean façade. So he’s basically like “I’m going to hit this bitch for you, Voxy. As a treat.” recognizing that Vox couldn't do it himself without tarnishing his image. In return, Val receives even more attention and admiration, perpetuating the cycle.

Since you've given me the opportunity to delve into Vox's voyeurism further, I'll add some additional insights (I've been meaning to write a proper post about it for some time now but that rabbit hole is just too deep). It's fundamentally about control, of course, and it's simply a kink. However, kinks are not merely about arousal; they involve complex psychological dynamics. People a lot smarter than me wrote a shit ton of essays about voyeurism, especially since it is a very relevant topic in the visual media era. One sentence about Lacan's interpretation of it grasps really well what I have in mind when I think about Vox:

By appropriating the other as image, the voyeur makes it an object of pleasure*, while remaining uninvolved in the other's intimacy.

It’s a parasitic relationship. A voyeur gets symbolic control over their object and it gives them the sense of being powerful. And they don’t have to offer anything themselves – no effort that is required to gain control in situations with two subjects involved, nor the vulnerability necessary in consensual relationships. They can just freely feed on others without offering anything in exchange.

Without delving too deeply into philosophy, Vox's inability to live authentically stems from his obsession with his image, his guardedness, and his need for control. This sets a lot of limitations about what he can allow himself to personalmy experience. So he derives dopamine from "stealing" others' experiences and emotions, while avoiding the effort and vulnerability required in genuine connections.

*In a broader sense, voyeuristic pleasure isn't necessarily sexual; it can manifest as the thrill some people experience from watching macabre imagery in movies, eavesdropping on neighbors' drama, or even watching overly personal vlogs.

#vox #hazbin hotel #hazbin vox #Valentino #valentino hazbin #voxval #staticmoth #character analysis #headcanon #ask

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violetasteracademic · 5 months ago

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Minor Azriel BC Re-Writes

My lovely Elriel's! I have slowed a bit on my in depth posts and fic writing. I'm not sure I'll be able to get back to my usual pace any time soon, but I got hit with a midday burst of swirling thoughts and creative energy. It began by reflecting on how differently everyone is interpreting the bonus chapter, and I realized I could only put it into words by quite literally putting it into words. So if I were to have read Azriel's bonus chapter and unequivocally believe it was foreshadowing that G/wyn and Azriel are actually mates, here is what I would have liked to see, and I'll go into why:

Adjustment:

Azriel landed in the ring a few feet from where G/wyn practiced in the chill night, her sword glimmering like ice in the moonlight. Sweat beaded on her brow, a faint sheen delicately scenting the air around her. Morning mist and the mixture of steel and flames from a forge. A unique combination. Azriel had always thought so. It wasn't until he saw her again in Valkyrie training that he recalled that unique scent.

Why am I making this adjustment? Because scent is one of the earliest, most prominent indicators SJM uses to indicate mate behavior long before a mate reveal. And yes, even just in a bonus chapter. Cassian has a very intense experience with Nesta's scent in their bonus chapter:

Now, one might argue that bringing up G/wyn's scent would have made it too obvious, and maybe SJM wanted to leave a little mystery. However, scent is not always related to mates. Scenting can occur platonically, as Feyre is the first to notice and describe Azriel's scent. It can occur between family. Feyre, again, experiences and describes the scent of both of her sisters first. In fact, before she is even Fae, experiences Tamlin's rain and earthen scent. So one could argue that scent is not explicitly mate related, but it is connected to closeness, trust, and yes, often sexuality and romance even if it isn't endgame. But it is always relevant in endgame couples, no matter what.

There is no indicator that, after knowing her for years, after finding her in Sangravah, and spending every day training with her, G/wyn smells like anything at all to him. The word scent was not included in the G/wyn and Azriel section of the BC, but it was repeated in Elain's portion, both in terms of him experiencing her scent, him worrying she'd be able to scent his feelings and arousal, and his describing the scent of Elain and L/ucien's mating bond being too much:

So for me personally, I would have loved for Az to have noticed or comment on G/wyn's scent. Even if it was done in a way that could have been interpreted as romantic or platonic to make for a really interesting conversation. Especially in a setting where there is sweat and exercise, areas we know SJM loves to make sexy and scent the air.

Moving on to the next alteration I would have liked to see a little more from:

Adjustment:

He nodded, silence falling. For a heartbeat, their gazes met. He blocked out the bloody memory that flashed, so at odds with the G/wyn he saw before him now. He tamped down the rage at that memory. Tried to push back that cold, unrelenting violence that had taken over him when he saw G/wyn lying there. Azriel had been instructed to keep some of the soldiers alive for questioning. He had never broken those orders before. He tried not to linger on the memory, or question why he had lost control that day.

Mostly I see this as an argument from G/wynriel's- that Azriel showed mate behavior when he slaughtered every soldier in the room ready to SA her. While I don't agree, and I think anyone would have done the same, the reality of the situation is that we already have Azriel's POV reflecting on that moment. Right there. And he didn't think much, if anything, of it. Even one single sentence alluding to some sort of emotion regarding what happened to her, or a small note that he was glad he slaughtered all of those men, and would gladly do it again, though perhaps now G/wyn could handle herself and would not need Azriel to save her today (again, touching on G/wynriel ideas here) would have been nice. But nope. No thoughts at all about that day. No rage or anger, no recollection of feelings he had that day. No indicator that he was supposed to keep some soldiers alive but didn't. Nothing at all to suggest he had a unique or out of character experience that day. It would have been very easy to add something small here without making it too much.

Sarah also loves to use terms like "tried not to think about why" or "didn't ask herself/himself why" ect. to indicate there are obvious feelings or thoughts happening, but the MC simply isn't ready to face them yet.

And again, we have this moment with Nesta and Cassian where Cassian goes into a near feral mate rage at the thought of Nesta being harmed by another man in the past in a bonus chapter years before their book came out:

Cassian knows something happened to her because of the shift in her scent. The death that Cassian's eyes promised was so intense, Nesta wouldn't give up Thomas's name, even thought he assaulted her. She thought no one deserved what Cassian would do. As he later clarified, hunt him down and shatter every bone in his body.

Again, we see this repeatedly with mates. If their mate is in danger, if their mate has been harmed, the men cannot contain their rage. Rhys is happy to let Feyre make her own choice to be with Tamlin, until he realizes she is withering away. Until he realizes she is unhappy. And if she were ever taken against her will, he would tear the world apart to find her.

These two small changes would have made a world of difference in terms of me really questioning Elriel and whether or not their book is next.

In general, I find it so interesting what people do and no not see as chemistry. Obviously I think Azriel being ready to beg on his knees for a taste of Elain, his eyes nearly rolling in the back of his head at her scent (both things that happened in Nessian's bonus chapter) is chemistry. Them being so astronomically down bad for each other that they don't care that their horny scents are filling up the whole house when her mate is literally steps away is chemistry. I think them buying secret presents for each other, and their hands shaking as they exchange them in the dead of night when everyone else is asleep is chemistry. I think them wanting to touch each other, even just the once, because they literally cannot stop themselves around each other is chemistry. I think them facing war and blood duels and the loss of allies because they don't understand why they are not mates is chemistry.

I am not going to spend time assessing whether or not G/wyn and Azriel's banter is romantic chemistry or not, because that is clearly personal and up for interpretation. What I will say is it read the exact same to me as Azriel teaching Feyre how to fly, which was also fun, respectful, full of banter and genuine enjoyment of each others company and Azriel's secret snarky sense of humor. So if SJM wanted to differentiate Feyre and Azriel's flying lessons from G/wyn and Azriel's ribbon cutting lessons, those are the minor adjustments I would have liked to see.

As it stands, Azriel and Elain want each other like no ones business, which is why I want them to be together and anticipate they will carry the next story with all of the stakes and established plot surrounding all of the things that could happen if Elain and Azriel tried to be together. If Azriel and G/wyn are going to be revealed to be mates, I'll need SJM to do a lot of explaining as to why Azriel did not experience anything mate like towards her and also understand why their plot is more powerful and interesting than Elriel's, which as of now simply isn't able to be compared because it doesn't exist yet. Why he continued to lose sleep and stare at a gift from another woman every night for a year when he saw his mate every single day. When he saved his mate, and apparently feels nothing about it now, but who still gets flashes of anger and rage in this very same book when he thinks about Elain being kidnapped.

Regardless of how you feel about his shadows hearing G/wyn's silent music and dancing with it (I'll be doing a post on his shadows later, especially after some bombs dropped in HOFAS, though I can't promise when), whether or not you noticed all of the parallels between Nesta and G/wyn and Azriel and G/wyn (the seven pm bell chime for the evening priestess service, the sense of calm around G/wyn, the hearing a silent song that seems to come from her and calling explicitly to them, the glow surrounding G/wyn's imagery, their powers interacting, feeling a desire to caw about her or see her smile for whatever reason) I simply don't see how Azriel could be years into knowing G/wyn, seeing her and training with her every single day, seeing her harmed and in distress, seeing her kidnapped, and still he has no emotions over the things that have happened to her. No feral male rage. No awareness of her scent. No indicator he is acting in a special way towards her that he doesn't do towards other females.

I could go on, but this seems like a good place to wrap up!

I don't cross tag, and would appreciate sticking to pro elriel tags should you reblog, which I highly encourage and always appreciate! As always, my work is for Elriel's and not intended to start a fight on the internet with strangers who think differently than I do! I don't think any minds will be changed until the book announcement. I will certainly respect whatever direction SJM decides to go, but some directions certainly require a LOT more work than others based on how everything has read to me.

#elriel #pro elriel #elain x azriel #elain and azriel #azriel and elain

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lil-oreo-crumbles · 7 months ago

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“You’re a Disappointment,” An Analysis

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Seven years. Seven. Years. And it only just now finally hit me what Toffee truly meant when he called Marco a disappointment in Storm the Castle, and I feel pretty silly for not realizing it before.

Before Storm the Castle, Toffee has only seen Marco on two significant (canonical) occasions, Fortune Cookies and Mewnipendance Day. (As you may remember, Marco was MIA during Marco Grows a Beard, considering he was… physically trapped in that bathroom as his beard overwhelmed the house)

Fortune Cookies:

The entire plot of the episode, besides the ever enjoyable introduction to our favorite lizard, is Star once again being amazed by another Earth oddity: fortune cookies. She believes that the fortunes are genuine predictions of the future and are infallible and to be relied on for all of her future decisions (not helped by Marco who did influence this misconception by messing with her). This immediately establishes in Toffee’s mind— after learning from Buff Frog that she believes the messages in the messages in her cookies are fortunes— that she’s naive, impulsive, easy to stray, and immature. Of course, he very quickly learns about her impulsivity, fighting prowess, and stubborn will, but her naivety is what sticks out to him in this moment, and it’s what he takes full advantage of. (Note: I don’t think he actually looks down on her for these traits alone and expects her to be mature at all, I think he sees those traits going hand and hand with her age. She’s only 14, after all. Nevertheless, they are still traits he can use to his advantage to further his goals.)

This is something that Star has in common with the monsters Toffee has found himself within the company of. The only difference here? These are grown adults who he expects to have a bit more dignity under their belt, ESPECIALLY Ludo. While I’m sure he’s grateful that Ludo was naive enough to hire him with clever wordplay alone— overall assisting to further his goals— he can’t help but feel annoyed by the plain stupid amount of immaturity he possesses.

I think this is less so with Ludo’s army. Even if they share very similar traits, he knows they’ve been living under Ludo’s childish tyranny, and probably has a bit more faith that they can be molded into proper soldiers. Though, his patience is still worn extremely thin by their shenanigans.

Toffee takes advantage of this by planting a fortune in her bag, “Love is Always the Answer.” While I personally believe there’s a deeper meaning, it’s not relevant right now. But anywho, the core purpose is to let Star’s guard down enough so Ludo can gain ownership of the wand.

While Star believes the message hook, line, and sinker, Marco immediately sees past the ridiculousness of the fortune in such a dire situation. “What? Not in this case! Fighting is!”

“Really? Now??”

He immediately sees past the fortune, relying on logic to reason that such a simple trick is just that: a trick. Clearly Star’s pacifism isn’t working, and they need to make the rational decision to fight. He’s immediately proves himself to be the level headed one of the duo, the one who keeps his head on straight and is clearly the maturer of the two.

Marco saw right through the trap and displayed common sense and logic. And he was later vindicated when it was revealed to Star that the fortune cookie was a trap.

And I can guarantee you Toffee noticed this, and it was only further cemented in the next time Toffee sees him again.

Mewnipendance Day:

In this episode, Star is celebrating what she knows as “Mewnipendance Day”, also known as the Great Monster Massacre, where the first Queen of Mewni attempted to wipe out monsters from the face of the planet, an attempted genocide of innocent people who lived on the land she stole from them.

Star explains the entire story from the Mewman’s propagandized perspective, going through a pop-up storybook to demonstrate the beginning and the end of the massacre. She gives an explanation of the beginnings, skips past the actual genocide and fighting itself, and ends with “And the Mewmans won!”

And guess who’s the only person who notices and brings attention to it? Marco Diaz himself.

“Wait, but you just blew past all the important stuff.”

Once again, Marco is the one who’s calling out important things, looking deeper and more critically at the situation, opposed to everyone else who just goes along with it. He shows very clear and obvious signs that he’s more mature than his peers.

And let’s not forget, Ludo and Toffee are watching all of this through the surveillance device (the “all seeing eye”). Sure, Toffee is a tad distracted by the book he’s reading, but with how intelligent he is I’m almost positive that he’s multitasking here.

And Marco only proceeds to exceed expectations, actually going through the book and starting to see, at least in part, the true reality of the situation, calling it out and bringing it to Star’s attention.

“Star, I know the monsters are bad and all, but this seems… unfair.”

Marco demonstrates that he is willing to see past biases and to see reason. He sees past the blatant propaganda and revisionist history, at least in part.

Overall, he is actively more mature than the others with common sense that aids in critical thinking skills and nuance beyond what’d Toffee would expect at his age, especially contrasted against Star. And I think taking off rose colored glasses and seeing the monster massacre for what it really is (again at least in part) really helps with Toffee’s perception of Marco as some levity amongst the childish people he’s been surrounded with.

That is, until their third interaction in Storm the Castle.

Storm the Castle:

Toffee clearly sees Marco as a competent fighter, considering the double imprisonment with not only the chair that confines him but the crystal box prison too. He knows Marco is more competent and mature than most people in his vicinity

At least. He did.

During Storm the Castle while Marco is imprisoned, he takes on the traits seen with Ludo, his soldiers, and Star. He’s acting immature, he’s being impulsive, and he’s talking back with what he assumes is witty dialogue. He’s trying to act all tough guy, which clearly doesn’t work with Toffee. Toffee humors him a little bit during the sandwich dialogue, releasing him from the chair, and Marco immediately takes an impulsive swing at him, leaving him to punch the crystal and immediately writhe in pain at the impact. Marco then immediately throws away Toffee’s genuine attempt at offering him a meal. Toffee is a monster, and being a monster in Mewni means that food, especially good food, is invaluable, because it’s so hard to come by. Seeing Marco waste and make a mess of it without a second thought is probably the nail in the coffin.

Marco isn’t the slightly more mature young boy Toffee assumed he was. He had witnessed from afar Marco’s knack for nuance and critical thinking, a breath of fresh air amongst incompetence.

But as soon as they get one on one all of that is immediately washed away.

Marco is acting like everyone else he’s come across lately, openly defying the nuanced maturity Toffee had witnessed previously. He’s just like the others. He’s being childish. He isn’t special.

“You’re a disappointment”

It’s not some profound statement, there’s no weight behind it. Toffee had no expectations for Marco and wasn’t planning on using him for his goals. Marco just genuinely was not who Toffee assumed he was by his previous actions. Toffee was mildly genuinely disappointed to learn just how kiddish Marco really is. He really expected better.

I also think this explains why Toffee didn’t bother to put him back in the chair restraints. He really didn’t need to go that far with trapping him in the first place.

I don’t think Toffee is surprised, or even phased by it, Marco is a 14 year old child after all. I don’t even think Toffee’s expectations for his maturity were big, period, just the slightest bit of relief that Marco was a breath of fresh air amongst the sea of incompetence. But no. He wasn’t, as far as Toffee concludes at least. This one interaction completely killed any hope Toffee might have carried, and he would just roll his eyes for even allowing himself to put even a little faith in someone.

“Well, that’s unfortunate. Anyways…”

I know there were tons of theories on this, but the actual answer, as far as I’ve figured, is incredibly simple lol. And now that I’ve finally realized what that line really meant, I think it’s important to share.

#svtfoe #star vs the forces of evil #toffee of septarsis #toffee svtfoe #svtfoe toffee #marco diaz #marco svtfoe #svtfoe marco #svtfoe analysis #analysis #cartoon analysis #I can’t believe it took me seven years to realize this #it was in front of our faces the whole time #has anyone else noticed this ??#it feels so painfully obvious now that I point it out

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time-is-restored · 6 months ago

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What Happened At The Church On Ruby Road?

AKA: Why does RTD want us to watch Ruby's first episode with a ruler and protractor?

Alright, so since I read this article excerpt yesterday night I haven't been able to stop thinking about what trick could be hidden in the sequence between the cloaked woman, the doctor, and baby ruby. While I'm not at all claiming to know the answer, I have a few details to point out that might help with further analysis.

First of all: A Continuity Error (On Purpose?)

At the very beginning of TCORR, when the doctor's giving his 'once upon a time,' speech, we see the TARDIS materialise + the doctor appear, looking in the direction of the cloaked woman, looking distraught. Disney+ is evil so I can't get an accurate screenshot, so take this scuffed photo instead, taken from 1:03. You can see a tear rolling down his cheek (little white dot on the left of his face, in line w this nose).

Later in the episode, when the doctor materialises in the scene for the first time, there is no tear. It's a marginally different shot in several ways, but that's the most noticable to me - screenshot taken from 42:59.

By itself, this is totally negligible. But I think when taken with the opening monologue (which heavily implies that the doctor finds out the cloaked woman's identity - "As for the mother, she was never seen again. No one ever knew her name, until that night a time traveller came to call. A traveller known as the Doctor."), there is possible evidence here that the doctor came to this moment twice. Once in the sequence of events as we see them, rescuing Ruby from the goblins, and once where... something else happened.

Second: The Layout of The Church

We get a few aerial shots of the church when the camera is showing the ascent of the ship, and a lovely wide shot as the doctor decides to not follow the cloaked woman (taken from 46:28 and 44:07).

The most important thing I want to point out is the way the hedge path curves to the right in the direction the doctor and the cloaked lady are facing. You can only really see it in that one shot (so I hope it's not a lens effect!). The aerial shot helps clarify that nothing is obstructing either of the character's view of the church.

We can also see that in this iteration of their encounter, the cloaked woman is standing a little bit to the right of the doctor (thanks to the curved path).

Third: The Timing

The only real indication of how much real time is passing in each scene is the clock striking midnight. So, when does that happen?

In the opening sequence, the clock strikes midnight after the man from the church has found Ruby and picked her up. We then see the woman relatively far down the road that we can see in that above screenshot, and THEN we see the TARDIS apparate and the Doctor appear.

In the goblin sequence, the woman is already far down the road well before it hits midnight, as the doctor sees her walking away before he runs to save baby ruby. Obviously time moves slower than usual in TV actions scenes, but that's not all - we see the clock strike midnight before the man from the church picks Ruby up.

Furthermore, the woman has... barely moved at all in those few minutes. Screenshots from 43:00 and then 46:45.

Okay, that should be all the relevant information from TCORR. Now to get to that point!

Fourth: The Point

This is where things go off the fucking rails. Here's our orienting shots for the Point.

Just to compare the positions of the doctor's shot here, here's the last shot we have of him looking at the lady in TCORR:

While this could just be a fancy camera angle, I think the Doctor is standing more to (his) left of the TARDIS than in this above shot. AKA: he's standing more to the left than she is. That emphasises that, if the woman was to be pointing at him when she turns around, she should be pointing to her right.

But I don't think she is -- especially in that wide shot, her arm looks like it's going wide. It's going more to the left than it should be. If RTD hadn't explicitly said the 'who's pointing at who' was significant, I would be fine with accepting that she's pointing at the doctor -- especially since that's how the doctor reads it.

And if we go back to the layout of the church, the things she could be pointing at are, in order of exactly how far to the left she'd have to point:

something just behind the doctor (would explain how close the point is to him)

the path up to the church

the clock tower

ruby/the baby

Regardless of where she's pointing, I think the implication is that there's someone else at the scene, doing something that the doctor didn't notice (perhaps due to his own bias with mother figures).

Wild Speculation:

Now, what do I think this means? Honestly, no idea LOL. It's still all just vague enough it could go in fifty different directions. But we know for sure that the moment where Ruby Sunday was left at the church is a moment in flux, thanks to the the Doctor's memory changing + the song in the background being different in Devil's Chord.

Part of me wonders if there's something (someone?) hiding inside that memory/moment in time? Like how Thirteen hid her companions inside their own time stream to try and buy time away from the swarm guys? It would explain the Maestro's reaction -- 'he couldn't have been there[...] on the night of her birth' -- in the devil's chord, the young boy is a harbinger. Maybe ruby is the harbinger of something too? That could also explain why it started snowing in the TARDIS after 15 scanned her -- the same thing happened when Maestro started trying to pull out her song.

Then if you go with the changeling angle, it's entirely possible we're about to get a shell game with babies 2: electric boogaloo (thanks russel for saying we should rewatch a good man goes to war, i'll never sleep again 👍). Maybe while the doctor's too busy watching the cloaked woman, someone else is intervening, switching her baby for ruby? Or doing something To her baby that explains why ruby is so... wrong, for lack of a better word?

Also, looking between the opening sequence vs the goblin sequence timing, we have several minutes where the cloaked woman is totally unaccounted for in the latter, as well as an entire interaction between her and the doctor that... didn't happen? Or did happen, but was forgotten? Unwritten? Rewritten? Etc.?

If I had to make a bet (and let's be honest, what else are we doing while theorising LOL), I'd say that something about that night has been memory-holed out of existence. Possibly a doomed timeline that righted itself, ala 73 yards, but left just enough trace that the people involved know something happened (ruby knows she's been to wales three times before, the doctor knows he was pointed at).

I think it was triggered when the lady and the doctor got too close to each other (did she hear that the goblin ship was taking her baby? did she turn around and see something she otherwise would have missed?), and realised something about each other (or ruby?) that needed to stay dormant. the cold opening implies the doctor learns her name, and since there don't appear to be any time of the angels sneaky outfit change moments, i can only assume it happened here, somewhere in this memory.

And hell, in for a penny in for a pound, maybe it all got undone (retconned, in universe, in real time), because the Doctor shouldn't learn about the cloaked woman until the finale? Spoilers? In TV meta, did the director tell all the other actors (the church man + the cloaked lady) to hold in place until the doctor was back in position?

[Final note, regarding the continuity error I noted first up, in TV shows with ad breaks factored in -- brief fades to black at dramatic moments, then the last ten seconds play again to remind the audience what's happening -- sometimes directors would use different takes for before and after the ad break. Maybe that's the explanation for the tear -- in universe, that cold open stopped in its tracks the moment the opening was cued to play. It then started again with a doctor who had last cried several minutes ago, and the scene played out as intended.]

Anyway fellow 'the mistakes are in there on purpose' believers how are we FEELING!!!!!

#dw #doctor who #ruby sunday #the church on ruby road #doctor who meta #dw meta #sorry that this post just kinda ends but if anyone has a different set of conclusions/theories for how this all ties together i would LOVE #to hear it #pspspspsps #doctor who is a tv show theory #extremis theory #truman show theory #<- guys please come and play in this space im so terrified of what's gonna happen in this finale LOL #mine

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dullgecko · 2 months ago

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Okay I’m really going to try and keep this one actually concise this time. Here goes. Bad Kids, skirts, and gender.

Riz hates skirts. Originally he thought it was a trans thing - while he doesn’t have much, if any, dysphoria about his body, it always hits him hard when people misgender him and skirts are generally viewed as more feminine. And yes, while that was a part of it, he still hated skirts even when he tried one with just his friends around and they never misgendered him (apart from that one time they accidentally deadnamed him because they didn’t understand goblin grammar, but after that they never did it again). He eventually figured out that it was mostly a sensory thing because he also hated Fabian’s pirate shirts because the sleeves were too floaty, and while stolen oversized hoodies were great, if they were too long all of the added fabric did sometimes send him into a meltdown.

Gorgug loves skirts, especially long skirts with big secret pockets that can hold loads of little trinkets. If a skirt doesn’t have pockets, Gorgug will get out their sewing machine and make it have pockets. He is very ambivalent towards gender and takes a pretty open approach to pronouns. He, she, they, xe, whatever you want really as long as it isn’t rude. When Gorgug says any pronouns, most people just use he/they, but xe really does mean any pronouns and it makes her really happy when the bad kids change up the pronouns.

Adaine has a complicated relationship with skirts. She figured out that she was trans pretty early on, and coming out to her parents had not been her choice. It had been a long fight with her parents to make them accept her new name and to let her wear skirts at all. However once she was around people who were much more accepting, she was able to think more about if she actually liked skirts which did end up in a 2am panic attack wondering if she’d been faking being trans the whole time. She hadn’t, she just liked wearing jeans sometimes. It was all fine.

After getting over the whole raised on toxic masculinity thing, Fabian starts having Gender Thoughts (tm). He hates it. He thought he had it all figured out, but now he (she?) is trying on skirts with Mazey and it does feel nice. But liking skirts doesn’t automatically mean he’s a girl because clothes don’t have a gender and guys can wear skirts. But equally, according to Riz and Adaine, cis people don’t normally feel a weird amount of relief and happiness when accidentally hit by a gender swapping spell that lasts 24 hours. But whatever. Skirts are fun. Pronouns and gender are honestly still a bit of a mystery, but Fabian eventually decides that he and she are both fine, occasionally leaning more one way or the other. Where Gorgug’s gender can be described as “no thanks :)” Fabian’s is more “yes :)”.

Fig loves skirts. Big genderfluid energy, but most commonly uses they/them but loves a sprinkling of he and she too. Fig’s gender is basically just “whatever is funniest for the bit”. Fig also loves doing drag for their concerts, flawlessly mixing hyper-masc and hyper-femme. Fig was actually one of the last to come out, partly because it didn’t feel super relevant, but there was also definitely some worry about how Ayda would react. (Ayda was fine with it and after doing some extra research of her own, started using she/they)

Kristen has a pretty simple relationship with skirts. She had been forced to wear dresses and skirts for church, and as soon as she was out of that she stopped wearing skirts completely and didn’t look back. I can never decide if it’s funnier for Kristen to be the only cis one or to be the very last one to figure out that they’re nonbinary (everyone else thought Kristen already knew and just hadn’t come out)

Bonus: Gorgug makes Boggy a little skirt and it is the cutest thing ever.

the thought of every single one of them being some sort of trans amuses the shit out of me. They really do travel in packs.

#fantasy high #riz gukgak #fabian seacaster #fig faeth #bad kids #gorgug thistlespring #adaine abernant #kristen applebees

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theminecraftbee · 10 months ago

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some smallishsona social links i've thought up:

XIII (DEATH): zombiecleo. i know this is the obvious choice but also i'm not immune to obvious choices. cleo is a "florist" that joe knows. florist is in the world's biggest scare quotes; between the fact they're the one who's willing to give the team weapons and fence stuff they got from the other world, and also the conspicuous full-body burn scars, joel is VERY willing to bet that cleo is not, in fact, a florist. he's not stupid though. he's not about to like, ask if she's in the yakuza or something. because then they would kill him. he is ALREADY unwillingly at constant risk of death by shadow monster, he doesn't need yakuza coming after him, thanks.

cleo's social link starts out about their begrudging willingness to do joe a favor by handing high-schoolers various weaponry, but also their continued attempts to explain that they're making a mistake. (joel KNOWS okay it's not HIS fault there's a demon in his head and his life is full of tarot cards now, give him a break.) however, as the social link continues, it reveals details of cleo's life, the story of how they ended up with those burn scars, and how they can move past the tragedies of their past.

V (HIEROPHANT) xisuma. this one feels a little obvious, went back and forth on whether this should be tfc instead but landed on xisuma. a man joel meets in a tea shop who is very concerned about joel's mental state, considering how joel came to town in the first place. joel thinks this is extremely rude, thanks, especially since if it hadn't been for the fact it was tea, not alcohol, joel would be half-convinced xisuma had been trying to drink his problems away.

the social link focuses on xisuma trying to mentor joel very badly, and also the reveal that part of why xisuma is so concerned for joel is that he wants to make up for his failures to take care of his younger brother. at the end of the social link, xisuma starts to reconcile with his brother and family, and joel maybe reluctantly admits it's nice to have an adult with nothing supernatural going on with them that's somewhat concerned for him. not that he needs supervision or anything, but...

XVI (TOWER): doc. was going through the suggestions people gave me and was surprised to realize just how UBIQUITOUS this was as a suggestion. however, yeah, this fits his character archetype to a t. doc is a disgraced scientist who is willing to give joel his inventions to test; joel's courage social stat needs to be like a 4 before he can even initiate this social link, and joel first finds out about doc from rumors in town about a madman scientist who got someone killed in a lab accident. the inventions provide various perks in battle, though, and frankly by the point in the story joel has high enough courage to start this one his attitude is starting to become "fuck it we ball", so.

doc's social link starts with doc leaning into his terrifying reputation. however, as the social link continues, it becomes clear doc is actually trying to make a working version of his clean fuel generator that couldn't possibly ever cause an explosion like the one he faced again. in the end, it's revealed the original design was sabotaged, and there was nothing doc could have done to prevent the tragedy--except, maybe, be willing to share his plans with others to catch the sabotage, because joel helps doc figure that out.

this social link MAYBE has some thematic relevance. don't worry about it.

I (MAGICIAN): scar. one of joel's earliest social links and teammates, i'm debating if he was one of the people who was teamed with grian before joel arrived. scar himself has a largely magic-based garu persona. he's also the party's early healer, although he later gets supplanted in this role when impulse joins as the actual party healer, and his build is actually more focused on heavy-hitting magic and status effects. (think ann, or reload mitsuru). i think if i go with my current theme for the team's personas (mythological lovers/mythological figures related to love or bonds), i might make his persona majnun?

anyway, he's very VERY scar, a fast-talking, smooth-playing, optimistic kind of guy, who DEFINITELY won't end up having a mid-story breakdown about whether or not he's wanted or needed on the team, absolutely not, no way, it's not like that's the magician's role in a persona game or anything. as a social link i think scar's social link is about him dragging joel into his school black market schemes and the two of them hitting it off during this, but also, a bit, about scar confiding his loneliness and feelings of inadequacy as something more than the comic relief. he's one of the earliest available social links, second only to skizz, and ends up being one of joel's closest links, magical tarot powers be damned.

VII (CHARIOT): skizzleman. joel's earliest social link, who develops a persona thanks to joel having to rescue him from the other world. a cheerful, friendly guy with a slight sense of distance under the surface, skizz works to keep himself strong and the people around him happy, sometimes to the point of excluding his own emotions. he's an agi user, although his persona is largely focused on physical skills rather than magic (he's the team's physical heavy-hitter), and i might make his persona patrolcus? (all of these personas are things you can argue with me, btw.)

skizz's social link is about him trying to find ways to lighten the moods of the other people in joel and skizz's apartment building who were moved in there because they didn't have elsewhere to stay, and his ability to remain cheerful despite often being rejected in this. it's also a social link about digging more into the history that lead to skizz feeling alone enough to be Vanished and in need of rescue. because he's so plot-central in that way, though, his actual SOCIAL LINK is more lighthearted shenanigans about the various schemes skizz comes up with to try to get other people to cheer up, and eventually ends with joel and the others turning it around to give skizz that same cheerful stuff.

anyway these are the guys i've definitively assigned to what social link now i am having SO MUCH FUN with this au,

#smallishsona au #you'll note some of these guys are more thematically relevant to the plot than actually plot relevant. yep! that's how persona works.#doc and x serve as 'these guys help hammer in the themes'#cleo... is actually plot relevant.#and skizz and scar are about the typical party-member arcs for those specific arcana.

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staraxiaa · 4 months ago

Text

porcelain, the afterword:

author's corner/first thoughts.

first and foremost: upon rereading, a scene in this fic holds a lot of similarities to one from dust, diamonds on ao3 by maokitty. (the jealousy scene w the husband where the wall crumbles) especially with the dialogue. i was definitely taking inspiration from that fic while writing the scene, and wanted to make a note of it here. go read it even if ur not into aot pls bc it’s actually life-changing !! i beat my sunflower record btw this was 25k ish words written in less than 20 total writing hours. spread over 1.5 days total. also i think i fucked up the pacing a lot from what id originally planed buuut at least its over. dobby is finally free!!! anyways. the original intent for this fic was a discussion on body imagery, to anyone who has ever struggled with the unrealistic standards of social media and/or felt lesser than themselves because they were not beautiful in a 'typical' manner. but then it ballooned into a monster of its own bc i was like how can i make this hurt. i took my inspiration from porcelain + kintsugi vases... like how can i break this reader before i put her back together. i think that i'd like to touch upon similar topics again one day. as a natural extension of my style and the way i write that 'fits' the childhood theme of this collection, i don't believe i handled these topics the best i could've: a lot of them are simplified to a point that, looking back, makes me go 'eugh' a bit because there's so much depth there that i had to like, tamp down upon as a result of my own inexperience. parts of it were likely believable, and parts of it likely weren't - whether because of my youth, or because i was afraid of approaching these topics from the 'wrong' angle. either way, i hope to be able to grow as a writer to the point that i can tackle these themes again to a point where i myself can be sufficiently pleased with the depth i've put into it. that is all. if you've read up to here, thank you. i'm not really expecting this one to do nearly as well as sunflowers - the content is heavier, it's not nearly as light, and shouto is just less of a popular character overall. but this is very likely my magnum opus so far in terms of how much thought has been put into the work, so it means a lot to me even if you do not interact, and simply read up til this point. thank you. your support truly means a lot. will also update again as i think of things

unwritten scenes, headcanons, thought process

another angst scene. at the todoroki forgiveness dinner table, katsuki and izuku are probably there. i havent watched this scene i just know it exists. (was gonna go find it just for research). enji hits shouto with the 'you can marry whoever you'd like' thing majig. shouto's like, cool i didnt give a shit anyways i was gonna marry her. with or without your permission. and THEN i hit you with the akshually... she's engaged... to be honest, a lot more scenes where it was just mother and daughter. i really wanted the point to hit home that, the mother is always intending to do good in the only ways she knows how - it's not discussed thoroughly, and she's obviously a negative influence when it matters most, which is why reader cuts her off at the end. i am a firm believer that not all parenting is good parenting, even when it comes from a good place, and to me it's like when you hurt someone - it doesn't matter your intention, because that should always come secondary to the fact that you hurt them in some way. sorry. i'm not sure if cutting completely out of the life like that was necessary, but i think that in real life, sometimes it is. something to think abt / regret abt this piece ig lots more on the brother. he was not seen a lot, and i cba to include more about him cuz tbh he's only really relevant for like... 2 scenes but basically the tl;dr is that. he also feels the same pressure. it's just offscreen. (he's a man, he's his father's heir, but he sees the impact this family has upon you). i honestly think he's pookie and hold him dear to my heart but he was really just there to get the plot moving... so.... sorry guys. i didnt even bother to give him a name. BUT hes definitely a very complex character i just didnt write it..... i just needed to add a little happiness to the dysfunctional family ok the husband. okay. so. i originally wrote him in with the intention of being someone to hate, entirely and utterly, with the whole of my heart. but i absolutely hate writing in characters that don't have at least some depth/some complexity, so here goes: he was definitely in love, i think, though i'm not sure i would call it that. there was a grooming aspect to it, an age gap difference (he attended all your recitals/performances when you were underage, had his eye on you), was twice your age. i think i wrote it in a way where it could definitely be interpreted as a form of love, as twisted and fucked up as it was⏤ in the way you think of ownership, that a pretty woman is nothing more than a flower to give the sun to, to water when you'd like. but you're not. you're more than that, you need more than food and water and a roof over your head, more than pretty jewels. you just couldn't love him, and i think that's the part that fucked with him the most. the husband was always supposed to die. i toyed with different versions of this⏤ if you should be the one to kill him, a final 'hurrah' when you finally find your courage. but i thought this wasn't very in line with the reader characterization, so i didn't include this. it's ok though u guys are always #1 bosses in my heart. i hope its clear though that the reader didnt love him at any point bc i dont like him enough as a character to give him that. sorry. he was also supposed to be a mafia man... did i make that clear... but both him and the father were like. i hate these characters. the father especially (he has 0 characterization he's only plot relevant bc he has to be). wipe them both from ur minds pls xx in terms of the baby: i actually know nothing about motherhood. this is only what i've done from the best of my imagination. if it isn't accurate at all i apologize.

i did not know tumblr had a max characters per block. i yap a lot huh. anyways on to cute shouto moments <3 i really considered the idea of like. sex scenes. nothing graphic, but tl;dr with shouto when you cry, he stops immediately. this would be near the end, when you're learning to live again, but it's like, you're so moved because no one has ever done it like this for you before, and he's just worried that he's done something wrong, and it's sad but it's like. you don't know if you can ever handle touch again, but bc you're married, you think it's your duty, and you also love him, so you want to try. you guys love each other so much i could sob. i didnt add this just bc i didnt think this was the fic i wanted to start nsfw with, and bc i dont think i could do the intimacy i wanted justice. also tbh i debated on including more thoughts of shouto during the relationship with the husband but i think, while the mc would definitely think of him, she would try her best to be a good wife. i think this is textbook of abusive relationships (i tried to portray that in the way that the husband speaks and turns the fault onto mc when he hits her) where naturally, they abuse you despite you already doing the best you can, and make you feel lesser for it. i.e. she hasn't thought about shouto the whole while, hasn't done anything, doesn't intend on it, and he still blames her for the way she feels. DID I EMPHASIZE THAT HE PICKS UP EVERY CALL EVEN THO U DONT TEXT HIM ANYMORE JUST IN CASE bc shouto todoroki the man that you are... the man i wrote you as... im never marrying idgaf i write my own standards too high i also jus wanna say guys... the way u pull him out of his shell... and then its his turn to pull him out of urs.... i am a SUCKER for stories that come full circle watch me write it into mermaid au anyways im so excited!!!!! in another world, shouto is the one to catch you. somehow he's in your penthouse apartment. the man's holding a knife to your throat (??) or it's your husband trying to save his own skin. in some variations you walk off the edge yourself, in some variations your husband pushes you, in some variations it's the man. i thought this fit better. either way in all of them he was supposed to dive off the fucking building after u but i also thought: he can't be there himself but he makes sure ur taken care of anyways. sort of fitting the characterization i had for him, i think. i rlly considered a kiss scene too but it'd be sort of natural. like stepping into someone's warmth and feeling entirely comfortable in it, knowing it's what you want and knowing it's also what he wants. at the end. but i didn't add it. wouldve been sweet but unnecessary bc i think this would be further down the line and would require a separate scene. once again i scoot free of my kiss-writing responsibilities ! ! ! more on this, though, i think i really like writing about how simple intimacy can be. i do not believe you need to be physically affectionate with someone to love them, though you certainly can be, and i hope this was reflected in the way i portrayed both shouto and reader. in my dreams we are shouto's sugar babies and just vibe for the rest of our lives. and that is all. the smallest things the reader does make him so happy like. slowly. you guys are already holding hands, so a kiss on the cheek would make him the happiest man on earth. oh here's a bonus scene: at some point he takes you out to see the fireworks. the two of you are sitting, you're tucked snugly into his side, you're watching the fireworks, but when you turn, he's watching you. it's so stupidly romantic. you probably ask him what he's looking at and hes just like 'you'. you flush a little. he kisses the top of your head, grinning like the little shit he is.

i also think it'd take a length of time to get married, so you guys probably do kiss sometime before then. no clue about the scene. but canonically (aka in my head) you guys are just having a normal conversation. like Normal Normal. nothing fancy. and all of a sudden you just lean in and kiss him on the corner of his lips. he touches it, and you can see the shock on his face. dunno if you lie and say 'something there i was just getting it for you' bc im a sucker for that but he only leans a little closer and asks you to do it again. i'd like to think man is patient even tho he desperately wants to (like to the point it's painful to watch) so you have to tell him straight up it's okay to do anything, when you're ready: i.e. initiate kisses and anything else later down the line. once he gets the green light though there's no stopping (he will immediately if u ever tell him) like in my head this man has been basically touch starved all his life and he YEARNS. everyone say thank you to the anon who prompted these scenes btw notes on reader: i think what i wanted to explore with this piece was the way that your parents, the environment you grow up in, the role models you have can shape how you grow a lot. but that does not mean you need to stay that way forever. and that even if you do, you are not necessarily 'weak' or any lesser. reader never actually stood up for herself until the very end, but she was strong in her own way. she tried her best to be a good wife, even when she practically hated her husband. she persevered, she tried her best to love her child. things were bleak, but she pulled through; she kept on living, she kept on breathing. and that was enough. she was enough! <33 i also don't know if this reader was a very believable one. a lot of what i explored here was an extension of some of my own experiences, but like. i simply have not experienced a lot of it personally, unlike with my other pieces, and not at all to the same depth. i hope that there are people out there that can resonate with her and her experiences, but like not in a fucked up way. i simply hope that this story can make someone out there feel seen/heard, even if it's just a little. also putting this here to say, i tried to write reader in a way where it made her thoughts read off as like. ingrained into her? but that the way she thinks is not supposed to be normalized. please love yourselves. just wanted to make that clear djsklsfjd

#[❀] — afterwords

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