#especially two sapphic women

[musclesandhammering]

Queer women are the main culprits of fetishising mlm relationships (both real and nonexistent ones), and I think we’re all scared to admit that.

[foccaccia]

does anyone have recommendations for fictional media that has like. actual lesbians in it. not like supergirl Two White Skinny Girls, One Blonde and One Brunette Kiss media, or "its implied lesbianism!!!" but just regular fucking lesbians

[luthanraels-bignaturals]

every time lynnmanda is portrayed as the soft wholesome ship an angel plummets to hell

[genderqueerdykes]

i love you, trans women who are also men. i love you, trans men who are also women. much love to you if you're non binary, bigender, multigender, polygender, genderfluid, genderqueer, intersex, two spirit or whoever else you may be, you are loved and an important part of our communities, especially if you're girlfags, boydykes, lesboys, girlgays, gays, lesbians, sapphics and/or achilleans. love you all, stay safe

[gothwineaunts]

I tried my best to replicate the post that Tumblr ate earlier.

It’s not as good but you'll get the jist I think. :’)  

---

Hi again! I wanted to follow up on my post from yesterday. I’ve been mostly offline since then, and I feel much better now, especially after seeing the thoughtful responses y’all left. Where did you all even come from!? I don’t think I’ve ever posted this account anywhere, haha. But thank you so much. I’m horrendous at taking a damn compliment but I read all the replies and reblogs and I’m just incredibly humbled. You all brought up my mood a lot and highkey made me feel sane again. I’ve been so confused at why everyone in the WEBTOON comments seems to be so mad all the time, it kind of does my head in if I’m being honest.

But please don’t worry about me or Flynn. Or about Nevermore! We’d never change the story to fit what we think the commenters want us to do, for a lot of reasons. The most important of which is. If we had to do that, I think we’d rather just stop making it. What they seem to want is a story we’re not really interested in telling.

Wholesome wlw is a wildly important thing to be able to find if you’re looking for it. That really cannot be overstated. Until very recently, queer characters have been subjected by popular media to a disproportionate amount of anguish and violence. So the concept of seeing two women just, living a safe and fulfilling life together? I get why people want to see that so badly. And there’s so much beautifully written aspirational content for queer audiences out there now, and I’m pleased to death over it. But the thing is, it’s just not what we’re making.

Nevermore was always intended to be a dark gothicky romance with horror elements. Like Wuthering Heights, or Phantom of the Opera. Because those were the stories that always inspired us when we were young. Bloodsoaked stories of melodrama, intrigue, grief, and passion. Those stories would captivate me and get me asking all kinds of questions. Why can’t the Phantom be a beautiful woman? Why does Christine have the agency of a desk lamp? Why can’t sapphics have something cool like this?

So we decided to make it. Nevermore is not a wholesome romance. It doesn’t try to be. The point was never to explore sapphics having a healthy and (heavy air quotes here) “normal” relationship, like heterosexual couples get to have in real life. We already have that, together, Flynn and I. We live it, everyday.  In Nevermore, what we wanted most was to explore a sweeping sapphic romance full of danger, like heterosexual couples get to have in fiction. That’s why we love those kinds of stories so much, because of how divorced they are from the mundanity of real life. They’re fantasies.

I know that I'm preaching to the choir, aha.

But my point is: if you go to a hardware store to order a cake, you’re probably going to be disappointed. If what you crave is aspirational wlw content, there are so many bakeries you can go to that will give you exactly what you’re hoping for, and more. I especially recommend Muted by Miranda Mundt. It’s also on Webtoon, it’s completed, and it’s free to read.

And please know that I’m not saying to stop reading Nevermore, just maybe to adjust your expectations a little bit. We don’t sell cakes here, but I am pretty sure I've got a few 12ft tall skeleton lawn ornaments in the back if you're interested.

[annepi-blog]

Save Dead Boy Detectives

Hey friends,

I’m hoping you can spare a minute to help out. Please take a second to sign the petition at the end of this post to help save Dead Boy Detectives!

Now, you might be thinking, “Why should I care? I didn’t even watch it.”

Well, this isn't just about one show. Dead Boy Detectives is far from the first series Netflix has canceled, and we’re especially frustrated because this is part of a growing trend. LGBTQ+ inclusive series like this one are often axed after just one or two seasons, leaving fans heartbroken and hesitant to start new shows in the future. It’s become a sort of “throwaway culture” where unique, diverse stories just… disappear. And that’s honestly so disheartening for those of us who connect with these characters.

Fans are especially angry because Dead Boy Detectives is highly praised by both audiences and critics. The viewership numbers were solid and comparable to first seasons of shows like Emily in Paris or Heartstopper, which are now going into their third or fourth seasons. So it’s hard to understand why this show is being cut when it clearly resonated with people and had the potential to go the distance.

That’s why it would mean so much if you showed a little solidarity and stood against this trend with us.

And of course, it would be amazing if you gave the show a chance. Even though a second season may not happen, the storylines in season one are mostly wrapped up, so you can still enjoy the ride without feeling like you’re left hanging.

One of the best parts of Dead Boy Detectives is how diverse the cast is. For once, 3 of the 4 main characters aren’t white, and this level of representation has meant the world to many fans. There is also a high proportion of badass women in the series.

Plus, the story is packed with important themes like abuse, bullying, grief, finding and accepting yourself, and of course, the beauty of found family and friendship. Wrapped up in horror, detective stories, and genuine comedy-drama, Dead Boy Detectives strikes a balance that makes it both fun and heartfelt.

And the LGBTQIA+ representation! We've got a canonical gay Edwardian ghost, a gay human-crow familiar, a lesbian butcher, a sapphic librarian, and even a pansexual shape-shifting cat king.

So please, sign the petition, and maybe check out the show. It would mean the world to all of us in the fandom.

[blossomthepinkbunny]

Vivzepops fetishization of queer men and the lack of Sapphic content in HH and HB

I found it a bit dissapointing that Charlie and Vaggie had very little interactions that could be read as romantic or sexual, especially since they are the supposedly the main couple of Hazbin Hotel and have been together the longest out of most of the couples in HH and HB.

Of course having more casual representation is also fine but the most memorable thing about their relationship was the quickly resolved argument they had when Charlie found out about Vaggies past. I've seen different opinions about how they were handled as a pair.

I understand when someone says that they enjoyed a more relaxed couple with subtle, realistic interactions, interactions that are often overlooked just because both characters are female.

But I can also agree, that they were really not a stand-out couple (wich is weird since Charlie is the main Character) and that it was a bit dissapointing to not see a lot of content for them.

Now the main issue I found with this is that in Vivzepops stories there is a definitive lack of sapphic content. It sometimes seems like women are sexless unless they are with a man. But two men can be sexual and openly affectionate (romantically too). At first I didn't really understand why I felt weird about Chaggie as a couple, so I looked at all the implied/canon ships in Helluva and Hazbin (including past relationships).

Implied/canon couples between a man and a woman:

-Millie and Moxxie

-Blitzø and Verosika

-Stolas and Stella

-Millie and Chaz

-Beelzebub and Vortex

-Sir Pentious and Cherry Bomb

-Adam and Lute

-Lucifer and Lilith

Implied/canon couples between two men:

-Stolas and Blitzø

-Asmodeus and Fizzarolli

-Moxxie and Chaz

-Angel Dust and Husk

-Vox and Valentino

Implied/canon couples between two women:

-Charlie and Vaggie

Now please tell me if I missed any, but these were the ones I could think of.

Honorable mentions include Loona & Vortex, Blitzø & Striker, Blitzø & Chaz and Blitzø & Fizzarolli. But I didn't put these on there because they're either one-sided or don't have enough romantic content.

Now it's very easy to see the difference between representation for queer men in comparison to queer women in these shows. The only relevant (im not counting Background characters) Sapphic relationship there is, is Chaggie. And it's completely underrepresented when compared to the content the man x woman or man x man ships get (not to mention the total absence of gender-queer characters).

One of Millie's and Moxxie's jokes is that they're so in love, that they're almost always cuddling, holding hands, talking sweet or just straight up making out with eachother (I'll talk about Millie a bit later). Sir Pentious had multiple scenes dedicated to him trying to confess to Cherry Bomb or just crushing on her in general.

Stolas' and Blitzø's relationship has become one of the main topics of Helluva Boss and they get a Backstory and explicit aswell as dramatic scenes for them as a couple. The same goes for Asmodeus and Fizzarolli (except that their love isn't as important). Angel Dust and Husk get a song and part of an episode for their relationship to develop.

Here i'd also have to mention that by the list I made Vivzepop's fetish for queer men is very prevalent. Most of the couples between men and women are either past relationships or they get very little attention to them. The only ships that often get special focus, development or explicitly romantic/sexual focus are ships with two men (no matter if their dynamics are even good, healthy etc.).

Now for Millie there are different ways you could talk about her situation with relationships. In general I think that everyone can agree that Millie lacks Character and is a good representation for the neglect of the female characters. Most of her moments revolve around Moxxie in a way and she hasn't had precise characterization so far.

Millie's relationship with Moxxie is sweet and simple and is generally one of the better things about Helluva Boss (if you ignore Millies lack of personality wich really pulls the couple down for me). Now the Episode "Exes and Oohs" shows the mutual Ex of Millie and Moxxie. Chaz dated both of them and as we see in the episode affected both of them very negatively. At the start we literally see Millie freak out and destroy a bunch of stuff, just because she saw Chaz on the street.

Yet Millie's relationship with him is never explored further. All we know is that she dislikes him and that he's a giant asshole. Whereas Moxxie get's a whole Backstory and episode plot about him and Chaz. No focus is given to Millie at all even though Chaz is the ex of BOTH of them.

Another thing that I wanna point out is Millie's possible Bisexuality. Now im not so sure for this point because I couldn't find genuine confirmation on wether Millie is actually confirmed to be Bisexual or if it's just a headcannon. So take this with a grain of salt BUT if Millie is Bisexual then she perfectly shows how little Vivzepop cares about Sapphic representation. What does Moxxie get to confirm him as Bisexual? An ex of the same gender (also multiple explicit flashbacks with him), a whole discussion about his queer identity and a scene where he literally says that he's Bisexual. Moxxie is pretty good Bisexual representation in that regard.

What does Millie get? Nothing. Again I don't know if she's genuinely also Bisexual or if it's ever been confirmed but it'd also be pretty weird if Vivzepop apparently cares so much about queer representation and then doesn't confirm any female characters as actually queer.

I think a lot of people have talked about her blatant fetishization of queer men and I think that that's also mainly why I feel weird by the lack of attention on Vaggie and Charlie as a couple.

I sorta wish I could enjoy a more toned-down and realistic couple in these shows, but when I see that a ship like Vox and Alastor (wich isn't canon nor would it even happen since Alastor is Aroace) is talked about more than the actual main character's relationship I just don't like it.

There's so much more you could say about poor queer representation by Vivzepop (like the fact that she's fine with people ignoring Alastors Aroace identity, and the stereotypes etc) I mainly wanted to talk about the neglect of her female cast in terms of sexuality.

[starless-nightz]

what happens if utahime and reader and shoko have a threesome like i wonder what would happen lik especially since some guy MAYBEE hit on reader without knowing she's lesbian/sapphic being the whole reason for said threesome...

Poly! Jealous! Shokohime threesome HCs

note -> OMG I LOVE THIS REQUEST AND I LOVE SHOKO AND UTAHIME SO MUCH I MADE THIS REQUEST POLY SO THEY ARE ALL DATING EACH OTHER >:] I'm still new to threesomes so this might not be that good sorry :<

warnings -> NSFW WRITTEN BY A MINOR!! mentions of a man flirting with reader (and Gojo) 🤢🤮

content includes -> reader is oblivious, making out, fingering, use of strap, eating out, hickeys, bite marks, soft aftercare.

Shoko and Utahime wouldnt admit it, but they get jealous quite easily, while Shoko is able to hide her jealousy Utahime isn't, glaring draggers at the person thats making them jealous

They both know that you're oblivious to people flirting with you, so they werent suprised when you didnt catch the signals a man you were talking to was sending, taking his comments as just friendly compliments, but that didn't make them less jealous are irritated

When the three of you came home, Shoko immediately dragged you to your shared room with Utahime following right behind, making sure to lock the door in case someone Gojo visited unexplectedly

You would get flustered as you are sandwiched between the two women, Utahime attacking your face with sloopy kisses while Shoko attacked your neck, biting and sucking on your shoulders

Utahime would hold you in her arms, your head laying on her naked chest as Shoko fucked you with her long, thick strap, all while Utahime played with your chest and clit, whispering how much of a good girl you are for taking Shoko she well

Soon you would be eating Utahime out as Shoko fucked you from behind, her hands holding your waist tightly, teasing how cute both you and Utahime, all fucked out in front of her

Shoko would lazily move her fingers in and out of Utahime as the purple haired woman ate you out, whining at Shokos teasing which always makes you jump from the sensetion

Utahime would return the teasing by fucking Shoko with the same strap she was using while Shoko ate you out, stopping her hips just before Shoko comes, making the brown haired woman glare at her

After the three of you are done Shoko would prepare a bath for the three of you and some clean towels

[thexfridax]

D.E.B.S. at 20: a Queer Cult Classic

Bessie Yuill Photo: Sundance/WireImage

There is a secret film hidden within the shadowy sapphic corners of Letterboxd. Some call it escapist trash, some call it an underrated cult classic, fools call it a male fantasy. It calls itself D.E.B.S. As other early-2000s chick flicks like Charlie’s Angels and St. Trinian’s have been reevaluated and embraced for their candy-floss aesthetics and campy wit over the years, the lesbian community was quietly reclaiming its own equivalent with 2004’s D.E.B.S.

The precursor to contemporary high-concept lesbian films like Bottoms, the spy flick is filled with something that queer female moviegoers still often yearn for: fun. That includes Jordana Brewster and her era-defying eyebrows as the impeccably named supervillain Lucy Diamond, John Woo–style fight scenes that parody the action genre in the same way as Charlie’s Angels, and a cheerfully cheap aesthetic where spies run around in plaid schoolgirl skirts.

D.E.B.S. was written, directed, and edited by filmmaker Angela Robinson. While “unapologetically queer” might be an overused phrase, it does apply neatly to Robinson. The Chicago-born director’s first project was a short film called Chickula: Teenage Vampire, calling on the long history of vampiric queer women that began with 1872’s Carmilla.

Her love of playing with genre led her to later put a lesbian spin on the movie musical by writing the underappreciated Girltrash: All Night Long and exploring polyamory in a period biopic about the creators of Wonder Woman, Professor Marston and the Wonder Women. On the small screen, she also burnished her lesbian credentials by working on several episodes of The L Word.

When D.E.B.S. started life as a short film, Robinson described it as “a story about a trio of superspies who are all chicks. I love all the comic-book characters: Charlie’s Angels, Batman, Josie & the Pussycats … But I always wanted them to be gay and they never were, so I wrote my own.” Success at Sundance led to Sony snatching the short up and deciding that D.E.B.S. should be a full-length feature.

Two decades later, the joy of this movie lies in the details. The tone is immediately set by a gravelly voice-over telling us that there is a secret test hidden within the SAT to recruit young female superspies (and establishing that, like Bottoms, this is a film aware of genre archetypes and willing to push believability). Our main character Amy (Sara Foster) is an academic overachiever — like many lesbians overcompensating for their perceived failure to live up to social norms. Her perfect score on the secret SAT test makes it even more scandalous when she falls for the aforementioned supervillain Lucy Diamond.

Queer friend groups may delight over the nostalgic frosty eye shadow and lip gloss worn by the D.E.B.S. (which stands for “discipline, energy, beauty, strength,” naturally) at all times. Flip phones, CGI holographic screens, and Goldfrapp’s appearance on the soundtrack will also remind you that you’re watching a film made in the early 2000s. And many will squeal when they spot Holland Taylor, over a decade before she came out, as the academy’s head.

Admittedly, the special effects are goofy enough to cross over into comedy, especially when our girls are abseiling into a restaurant or climbing walls with plungers, and the lighting could be charitably described as resembling teen soap operas of that era. But the chemistry between Amy and Lucy is crackling enough that YouTube compilations of their scenes have racked up hundreds of thousands of views online. Their fun enemies-to-lovers plotline begins with the pair pointing guns at each other and quickly progresses to a whirlwind romance (the other D.E.B.S. think Amy’s been kidnapped and launch a national manhunt, just as many friend groups have had to organize rescue missions for lesbians on weeklong first dates).

You could argue that espionage serves as a metaphor for the closet and that Amy is such an effective spy because she’s used to lying to herself about her sexuality. But that almost seems like too much weight to put on this meringue confection of a genre spoof: Its campiness liberates the characters to inhabit a fun, exaggerated universe with no serious homophobia or consequences. Guns are used, but the so-called superspies have such consistently terrible aim that there are no real casualties. And Lucy Diamond’s supposedly nefarious crimes are all reversible — the murders pinned on her are revealed to be misunderstandings, and she returns all of her stolen goods in order to win Amy back.

When this live-action Totally Spies with a lesbian twist debuted, it only made $97,000 and was dismissed by critics. But there were enough moviegoing gays impressed by its snappy dialogue, fun romance, and stunning supporting cast (including Meagan Good, Jimmi Simpson, and Devon Aoki with a French accent) for its reputation to grow online over time. In forums and YouTube comment sections, young girls were asking, “Are there any lesbian films where they just fall in love and have fun and don’t die at the end?” Their answer was D.E.B.S.

[aerithcloud]

Personally Nana is a manga i feel you need an understanding of sapphic women's struggles to be able to read through the context and intention of the characters and their issues. Primarily the two Nana's.

Nana Osaki has a discomfort around the idea of traditional feminine roles and what's 'expected' from her as a woman. The main reason she feels her relationship with Ren doesn't and won't work long term is he's fixated on wanting to have children with her.

However for Nana this'd get in the way of her desired career as a singer and also her future. She deems becoming a housewife and having to provide only for a man as 'the worst fate imaginable'. This is the main reason for conflict with her relationship with Ren.

While Ren isn't abusive in the same way as Takumi he does force Nana into doing things she doesn't feel comfortable with nor want to do. It's because of this that her relationship with Ren is so toxic for the both of them.

On Hachi's side, most of her issues seem to revolve around a clear case of comphet and struggling with her feelings for the women in her life. Hachi desires what Nana least desires (becoming married, having kids etc.) however romance with men is painful and isolating for her.

Hachi's first relationship being with Asano, where she was groomed while she was still a minor ruined her perception of how relationships should be. She only started dating Shouji after he guilt trips her into a relationship (and sex).

Hachi constantly states wanting a friendship with Shouji and how much it means to her however she starts dating because everyone around her acts like she's leading him on. So she dates him, then Shouji gets mad she doesn't act how HE wants her to act.

Shouji literally cheats on Hachi with Sachiko because she wouldn't just sleep with him all the time whenever he wanted. Hachi wasn't 'submissive' enough, Sachiko was.

Then on Hachi's part her 'liking' of Takumi was only in a way of how girls idolise a celebrity. There's no genuineness behind this because there's a fictional distance between you and them. Once Hachi actually meets Takumi she notices there's something wrong.

Hachi only got with Takumi because she was feeling abandoned and left behind by Nana who started focusing more on her career. Her entire relationship with Takumi is a cycle of abuse on making her think she needs him while he's aware she doesn't actually love him.

Takumi doesn't love Hachi, he only loves the amount of control he has over her. He literally treats her like his dog and both Nana and Hachi are aware of this. However it's not easy to break out of an abusive relationship just because you're aware.

Especially since with Takumi Hachi is able to have a child, which is something she's wanted since she was young. Obviously she doesn't love Takumi but on her mind, someone who never had a clear idea or desire for the future. It's the only thing she can do.

Especially since from her pov 'Nana doesn't need me anymore'. I'm not saying everyone needs to read the characters in a sapphic pov but none of the relationships they end up in are healthy for either of them, they both have men forcing their desires onto them.

Nana and Hachi's love for one another is the focus of the series and if it ever continued they'd definitely develop their relationship further. There's a sense of freedom in their love for one another that they can't get with men.

To conclude, Hachi has clear symptoms of comphet and she is likely a lesbian but struggles with seeing her feelings as valid. Where on Nana's side she can't achieve what she wants to achieve in life if she's dating a man because they'll always have different life desires.

[timetravellingkitty]

SAPPHIC ARTISTS TO LISTEN TO

(instead of writing your 69th essay about how Taylor Swift is a closet lesbian)

Starting off with my holy trinity:

Rina Sawayama (she/her, bi/pan): if you follow me you're probably aware of what a huge Rina fan I am. Lots of pop and rock, with a chunk of her earlier songs being R&B. Her debut album SAWAYAMA (my favourite album of all time!!) was her major breakthrough moment as it received critical acclaim and her sophomore album Hold the Girl made her the highest charting Japanese artist in the history of the UK. Known for her musical versatility, she made her acting debut in John Wick 4. I recommend: Cherry, Frankenstein and Bad Friend

Janelle Monáe (she/they, bi/pan): pop, funk, neo-soul and psychedelic. They have an entire series of concept albums about an android named Cindy Mayweather (her ALTER EGO?!) as she commits the crime of falling in love with a human. Lots of social commentary. Her album Dirty Computer comes along with a narrative film and a book taking place in its world. She's starred in movies like Antebellum, Glass Onion and Moonlight. I recommend: Electric Lady, Django Jane and Pynk

Raveena Aurora (she/her, bi): Experimental pop, R&B and soul. Her second album Asha's Awakening is a concept album following the journey of Asha, a Punjabi space princess, as it explores Aurora's South Asian identity and past relationships. Such a beautiful and soft voice to die for. I recommend: Headaches, If Only and Kathy Left 4 Kathmandu

Moving onto some other artists I like:

Boygenius: a band comprising of three sapphic women- Phoebe Bridgers (indie darling™), Lucy Dacus and Julien Baker (the first two are bi while the third is a lesbian). Indie, folk and alternative rock. Very melancholic. I urge you to check out their individual projects too (especially Phoebe's, I love her Punisher album). I recommend: Emily I'm Sorry, Satanist and True Blue

Kelela (she/her, queer): R&G, electronic and alternative R&B. Her debut EP Hallucinogen covers the beginning, middle and end of a relationship in reverse chronological order. Her second album Raven showcases Black futuristic art, which I fuck with. I recommend: Contact, The High and Bluff

Zolita (she/her, lesbian): dark-pop, R&B and electropop. She incorporates witchcraft into her music and mvs. She literally has an EP called Sappho what more could you want? I recommend: Holy, Ashley (the sapphic Speak Now) and Bedspell

Victoria Monét (she/her, bi): pop and R&B. She's written songs for artists like Ariana Grande (7 Rings) and Chloe x Halle (Do It). Go stream her Jaguar EP you will thank me later. I recommend: Touch Me (erotic sapphic song), Cupid and Love U Better

And finally some honourable mentions (can't make this post too long now can I): mxmtoon, Michelle Zauner, Arooj Aftab, Sir Babygirl, Dodie, Chloe Moriondo, Lauren Jauregui, Baby Queen, Sara and Teagan, The Butchies, Sofya Wang and Melissa Etheridge

[yourtypicalhopelessgay]

Sometimes I think about how beautiful it is that bumbleby helped a lot of people discover themselves growing up and show a loving relationship between two sapphic women who love and would do anything for the other.

It’s especially beautiful because this was during a time period where not too many wlw relationships were being shown as rwby was made in 2013. Most times you only saw romances between two women that ended up with either one of them dying, the whole relationship being queerbait or the dreadful censorship that wouldn’t allow wlw romances to be obvious or really be shown until the end of the series during the 2010’s.

But with bumbleby even by 2018 before many popular wlw relationships came about like Lumity, you had a relationship that was obvious that two women were falling in love with each other. There were even songs dedicated to their romantic relationship that hardly any other wlw relationships even had.

No matter what anyone says about them bumbleby will always hold a special place for me because it’s wonderfully written and a relationship I’ll always be grateful growing up watching

[spacelazarwolf]

if ur wondering why the definition of lesbian went from “any woman who had romantic/sexual relationships with other women” to “anyone but men who have romantic/sexual relationships with anyone but men” it’s bc pretty much all modern definitions of lesbianism come from political lesbianism and lesbian separatism, which were two movements heavily driven by cis straight women. they weren't looking for spaces where it would be safe to express sapphic love, they didn't care about that. their priority was escaping cis straight men, often their own partners (and in the case of a lot of white women, escaping their role in white supremacy and the patriarchy). it's understandable why a lot of women wanted to be free of men, especially during an era where women didn't have as much freedom as they do now, but i think it does a serious disservice to queer women to allow the motives of cishet women to dictate sapphic love and sexuality.

[highquality-not]

some sapphic deadclaws/poolverine headcanons (several of which feature in my fics) for people who enjoy women:

winnie is lactose intolerant and just pretends she isn't 89% of the time, which works out well because logan doesn't trust alternative milks

logan does not tolerate polyester well since she grew up when it didn't exist. she only wants natural fibers and will steal the nicer clothes from winnie's closet (and won't talk about it)

also logan really enjoys classical music, which winnie despises with a burning passion

logan doesn't know the word for bisexual and that's okay because she finds most men abhorrent. she's attracted to them yes but wouldn't date like 75% of them because they piss her off

winnie has played cbat while getting out the strap before

winnie has a whole selection of cute clothes but almost unilaterally wears the cursed & goofy ones around the house. logan gets whiplash every time winnie actually wears her nice clothes, especially on their first date

as canadians they are both contractually bound to not fully understand fahrenheit, and thus neither are ever prepared for the weather outside

also logan watches hockey

winnie grew up doing ballet and never shuts up about it

the developing queer community in the 20th century thrilled logan because she got to play around with different styles and gender presentations and find something that suited her amongst groups of people like her

the two of them are incorrigibly horny and have to move out of blind al's apartment together very quickly because they’re too fucking loud for like four hours at a time (they switch)

logan finds asmr really creepy and makes winnie turn it off, mostly because winnie only listens to boyfriend asmr

when the tva gives logan some id documents she uses them to immediately go get the most boring manual labour job. none of her coworkers know she's wolverine either, they just see that her girlfriend puts cute notes in her lunch

winnie had a mastectomy (or a top surgery or a reduction, i leave this up to interpretation in my fics) before her mutation started & still has the scars

they match each other's freak perfectly because they're two sides of the same coin :,)

[isabelawritesthings]

My headcanons for EVERY (I think) Mortal Kombat 1 character

— Liu Kang is a big fan of Chinese food, because well, in the previous timelines he was Chinese, so he constantly goes to Madam Bo's restaurant to eat.

— Johnny Cage is a great dramatic actor, but unfortunately, Hollywood studios always cast him as comedic characters or male characters who are himbos, wasting his potential as a dramatic actor.

— Kenshi met Suchin after saving her from being attacked by thugs in Tokyo, and the two's connection was almost instantaneous, with Suchin agreeing to run away with him after Kenshi left the Yakuza.

— Raiden has a huge crush on Kitana, and constantly draws pictures of the two of them kissing (he's a cartoonist btw)

— Kung Lao loves Chinese and South Korean comedy dramas, his favorite South Korean comedy drama is "True Beauty".

— Kuai Liang is extremely protective of Harumi, like, if Harumi gets a scar, he won't rest until the person who did it pays dearly. When he was dating Cyrax, he was also quite protective of her as well (He's not a sexist who thinks women are too defenseless to protect themselves, he just wants to keep Harumi safe because he loves her so much).

— Bi-Han trusts women more than men, thanks to the complicated relationship he had with his father and the loving relationship he had with his mother (thanks to his daddy issues, he doesn't trust masculine nature very much, even though he is also a man).

— Shang Tsung is not a "victim of Liu Kang's intrigues", this guy is a sociopath to the core!

— Tanya is not Mileena's first lover, she had a girlfriend as a teenager, the daughter of an archduke, but was forced to end the relationship because the archduke's daughter had to marry a man, breaking Mileena's heart.

— Kitana is a voracious reader, she loves books, especially about the history of the Earthrealm and Seido, her favorite historical figure of Earthrealm is Queen Mary Stuart, a queen of Scotland, reflecting the thinking of some outworlders who think that she should be empress in place of Mileena, just as some 16th-century English Catholics wanted Mary to be Queen of England in place of her cousin, Queen Elizabeth I.

— I don't usually do SMUT headcanons, but I like to think that Sindel and Jerrod had an active sex life, and she never married any man after Jerrod because she only liked to have sex with him, she herself was impressed that she only had the twins and not like, three more children!

— The souls within Ermac have been in the living forest for so long that over time they have become one big family.

— Quan Chi was a thief when he was young and was sentenced to work in the gold mines as a way of paying for his crimes, which is why he hates Sindel so much.

— Tanya was not given to the Umgadi when she was a child, she was actually stolen from her mother's arms like several other Umgadi (a bit cruel, but I wanted to make it similar to Marvel's black widows).

— Li Mei has always been in love with Sindel, but she never had the courage to express her feelings.

— Takeda is destined to meet and fall in love with Jacqui, even though in this timeline she is not Jax's daughter.

— Sektor is a lesbian and has a fraternal relationship with Bi-Han.

— Cyrax can speak several African languages, including Zulu and Arabic.

— I'm going to join @rasta-bot AU that Nitara is also a lesbian, there's a 19th century irish lesbian book called "Carmilla" that I really like, it's about a sapphic vampire, just like Nitara.

— Reiko was a mommy's boy, just like Bi-Han.

— Shao suffers from narcissistic personality disorder.

— Syzoth and Ashrah's love language is physical caresses, such as kisses on the forehead and cheek.

— Ashrah is pansexual (yes, another wlw woman, it's "Mortal sapphic Kombat" for me) she has always felt lonely, so she would like any romantic companionship, no matter the gender.

— Baraka prays to Delia every day that a cure for Tarkat will be discovered (this is actually canon btw).

— Slavery is (unfortunately) legal in Seido, and Havik was enslaved (also canon), so he is an anarchist.

— Tomas is a polyglot, he can speak Czech, Chinese, English and Japanese.

[the-eeveekins]

I've talked about it a lot over the last 6 months, but with the year ending, I want to express my feelings once again, with more clarity.

There may never be a character who means as much to me as Suletta Mercury does. There may never be a fictional couple that means as much to me as Suletta & Miorine do. Not just because I love them so much, but also because of what their representation meant to me.

I've been a Gundam fan for over 20 years. I'd basically given up on a female main character in a main series before G-Witch. Suletta Mercury gave me representation I desperately wanted from a franchise I'd loved for decades. Representation that I'd lost hope of ever seeing.

And then they gave me even more representation by making her a queer woman. You could not have convinced me before G-Witch aired that Suletta would fall in love with another woman. That Gundam would take that step with it's first female main character, especially with a target demographic of mostly teen boys. But it did. Suletta Mercury fell in love with a woman, and not just that, she fought and earned a happy ending married to that woman. A woman who is just as equally amazing as she is.

(And while it's not representation for me personally, I think Suletta providing representation for women of color and disabled fans is also a big deal.)

I'm sure as I grow up, queer and sapphic media will continue to push boundaries, and we'll get more queer female leads in mainstream media. But I can't think of any other franchise I love where making the main character a sapphic woman would mean close to what it meant to me when Gundam did it.

Certainly there's "better" anime out there, even Gundam anime. But none of them mean to me what The Witch From Mercury meant to me. None of them come close to the love I have for this show and these two women.