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reineydraws · 8 months ago
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i dont have a caption for you lol i'll let shanks's heart eyes speak for themselves 🫶
(source)
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basslinegrave · 4 months ago
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pin-up
b&w originals
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local-diavolo-anon · 3 months ago
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i'm back!
ok so 2/3 days ago i found this youtube video where op turned Springtrap (or well, William Afton) into a fully build DnD character, and if i say so myself: things got out of hand fast
so here is my take on DnD Springtrap and specifically on that build (adding more infos under the cut for who is interested, i suggest to watch the video first)
starting with saying that unless you're playing in a scifi setting, this build is either not for you or to be modified, since in later levels spells are heavily centered around technomagic and electronic devices; personally when i will play him i will probably tinker around with the chosen spells and cantrips to make him less violently niche and/or more versatile
which kinda saddens me because it takes away not little of the characterization but, given most dnd stories take place in a medieval fantasy or high fantasy setting, a cantrip like On/Off or a spell like Remote Access are NOT particularly useful; so i will go for more psychic damage or necromancy oriented abilities, maybe i might take more than just 4 levels in artificier as well (especially given that again, all of those warlock spells at later levels are all technology oriented) but i need to see what those offer
however it is a kinda tank-y build given that with a shield on you can get up to a 27 of Ac, so even with low damage and not much hp you would not struggle too much to stay alive, and i like that!
as for the character himself, i put too much effort into my interpretation not to share it, so if anyone wants to play this guy as well, i fabricated a possible backstory that might come useful:
The character goes by the name "Dave Miller" (or whatever variant you want to use), and was originally a human artificier who created constructs for a living, mainly with the goal of offering aid to who needed it for whatever reason.
There however he ran into an issue, that being that a robot need a power source, and his own heart and lungs could not sustain a whole robot by themselves.
After losing part of his family to some kind of accident he became terrified of death, so with age he started replacing his own body parts with machinery to delay his last days (which made him a cyborg), until the point where he was very very close to become just a robot.
(This part may or may not involve a pact with a deity of death, this entirely depends on how you want to play him but it would make sense since the build is an artificier/warlock hybrid)
Through particular and very much not illegal experiments tied to necromancy he discovered that the life force of a living being could be shared, and used as a form of fuel. (possibly: age lived of the creature used= amount of extra months you get)
Here comes the second problem: this only worked with intelligent creatures, and more specifically, it worked best with creatures of your own race, which meant that he either went around murdering people or he found another solution. Non same-race creatures worked as well but not as good and there were not easy to find in the middle of a city and with a shop tied to your name.
And here is where and WHY he'd join a party of adventurers: after some time, his reserves or fuel were running VERY thin, and running into a group of adventurers was a god sent because by joining their party he essentially got a free pass to kill whoever he wanted, and reduce them to a dried raisin after sucking some life force out of them. Doing so you learn that the mowe powerful the creature is, the more energy it produces as well.
Your goal, that you as the player are following, when role-ing your character? essentially slay whatever powerful BBEG your Dm throws at you and suck all of that juicy fuel out of them, so that you can return to your little shop in the middle of the capital and return to create and sell whatever weird construct, doll, or robot comes to your mind for another few decades undisturbed.
And this is it. I think this might be a good backstory that could fit pretty much any setting you want to play this guy into, be it classic dnd or some scifi futuristic thing.
of course you don't NEED to use this one line per line, make up your own without looking back if you don't like it lol, dnd is the "make up shit and have fun" game after all!
Edit: also no his outfit makes no sense, i just went with vibes and decided a tanktop dress shirt, a twin tailed gilet and suspenders OVER said gilet was a good choice.
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benevolenterrancy · 3 months ago
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Swords pining for each other's cultivator is my new favorite type of pining. Love your NieYao content! <3
I don't suppose we could get Baxia or Hensheng throwing a tantrum while Jin Guangyao / Nie Mingjue are away, leaving their owners to deal with the embarrassing aftermath?
Also, do you have any recs you'd recommend with these two?
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this is the exact moment Nie Huaisang realised he was going to have to start meddling in his big brother's love life (con't: 1, 2, 3, 4, 5)
Hensheng, on the other hand, doesn't throw tantrums but WILL sulk...
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sevenines · 2 months ago
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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blaithnne · 6 months ago
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Local big sister experiences emotions, more at 6
Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.
The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!
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She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.
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These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!
This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.
ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos
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herefortheships · 2 months ago
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One of my favorite universal fantasies in stories is “The transformative power of love”.
I love it when one character is profoundly altered by falling in love.
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celtrist · 9 days ago
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I just vented out a whole rant about how aromantisim is treated within Hazbin/helluva. I'm not really sure if I should post it for multiple reasons, one of which being I don't want anyone to feel targeted about it or take it the wrong way (like I honestly dont have beef with Al shippers. Gripes, but no beef as I also ship him on occasion).
There was just a sudden burst of frustration I had with it that I think was in part just came from built up frustration from other things. There's things I'd like to have out there, but I don't really think it'd get far or, again, be just taken the wrong way. I don't see a point in posting if people are gonna ignore it, plus it wouldn't change how things are now. If anyone has any thoughts or are curious let me know, but I don't wanna make anyone feel like shit or put a pointless rant out there no one wanted to see. I also wanna keep rants to a minimum as I know people aren't always into that sort of stuff, especially if you don't follow someone for that and you just get an influx of posts of them complaining. And I still want to keep things relatively light hearted around here, at best maybe just some critiques on things here and there.
It's late, I'm on my phone when I should probably just sleep it off, so sleep it off I will.
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echo-starflower · 3 months ago
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I FINISHED THE GUY!!!!!!
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(Pattern by @ghost-cinnamon)
He’s perfect and I love him
But Echo! some of you might ask, isn’t the body supposed to be red like his bones? To that I say! 1: I’m impressed you saw it under the layers of clothes! /silly and 2!
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BAH BAM
Embroidery!!!!! (I’m so proud of this hehe it turned out way better than I expected. Also faceless doll jumpscare>:3)
And of course, credit must be given to my amazing little sibling whose immediate reaction to seeing my doll was “ooo he’s spooky! He needs a top hat!!!!”
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(She proceeded to make not one but two top hats hehe)
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COSTUMES AND HAIR & MAKEUP AND LIGHTING/PROJECTIONS WENT SOOOOO HARDDDDDDDDD
@quiddie so so gorgeous I'm so obsessed with the color contrast and I'm only like 10 minutes in to the episode
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I love Danielle's matching makeup colors too ugh it's just too good
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I love Erika's face here, but I really want to talk about the colors!!!!! again the highlight of the green top light on the hair and shoulders is such a good choice, and combined with the wash of warm front light it masterfully avoids the classic "green makes you look sick" - although that might be just a theater thing, I don't have as much specific coloring experience in film.
I love the emphasis of the red, tech-y makeup on Erika's left eye, with the almost anime-ish red blush on the cheekbones, it just feels so accurate to K and her internet-iness.
anyways that's about it for my fangirl rant :D
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theminecraftbee · 2 years ago
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you know sometimes one of the things the fandom does that i like the least is joke about how certain ccs are "lorephobic" because it basically always ignores the lore they actually are really and visibly doing. like, sure, they may not be doing the lore YOU'RE looking at, but, one, lore doesn't just mean "big overarching server storyline" it can also mean solo stuff. it can also mean 'builds that have story built into them'. it can also mean 'fun little storyline between like two guys'. it can also mean character continuity. it can mean many things. two, "this guy doesn't do lore" is NOT the same thing as "this guy doesn't do the specific lore i personally like and want to see them doing" and i don't always think you guys know the difference. all of this, of course, is to say: hey guys did you know zedaph can canonically time travel,
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courfeyracs-swordcane · 7 months ago
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[pointing towards you emoji] favorite blaseball team. go
(if you want to practice drawing in another style, then draw yourself as a transformer OR as a human character)
WE ARE FROM CHICAGO
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scarefox · 15 days ago
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"Every you, Every me" preparation for ep4 NC scene
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semantic-vegas · 3 months ago
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me (a person with one shit parent) who knows a decent number of people (with at least one shit parent) and has read/heard about the real life experiences of other people (regarding the large number of shit parents existing throughout history and also still today): w h y are all the parents in these shows the worst??
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knifefightandchill · 1 year ago
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RESIDENT EVIL 2 (2019)
↳ random replay gifs; 2/??
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cutiepyre · 5 months ago
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Why don't you come have a seat ;)
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