#especially in Gotham TV Show Alfred Pennyworth

[the-wanderer]

I love the relationship between Alfred Pennyworth and Bruce Wayne; especially in the Gotham TV Show and just melt whenever Alfred calls Bruce 'my boy' and Bruce calls Alfred his family

[cutiecorner]

Happy Holidays everybody! I hope everyone is having a wonderful season! Since I recently got an ask about my personal reqs for where to start with batman, as a Christmas gift to me and y'all I'm finally making a curated list of my favorite batman media! This is 100% skewed to me, it's essentially just a list of all the batman stuff I've consumed, but I might throw in a few others for folks with different tastes! Also, most of these can be found on HBOmax as of now, but I'm including links to where you can watch online where possible! See you under the cut for a very, VERY long guide! Enjoy!

TV!

Hands down, the definitive piece of batman TV is Batman: The Animated Series. Soooo much iconic batman stuff was coined in this show. Also, it has hands down the best characterization of Bruce himself imo. If you're getting into Batman due to dadfred & babybat, here's a list of standout episodes for you!

Beware the Grey Ghost: A whole episode about Bruce's childhood special interest. You even get to see actual baby Bruce!

Eternal Youth: Absolutely precious Alfred episode, with Ivy as the villain no less. Sooooo many adorable moments, like, I don't even wanna spoil it. Just watch it.

Heart of Ice: For one, an absolutely excellent episode of television, and also a tooonnn of cute Alfred and Bruce moments!! Real dad moments for sure.

Harley's Holiday: 100/10 episode in general, and full of Harley and Bruce moments!!

The Lion and the Unicorn: Another Alfred focused episode!! Bruce Dick and Al being famiwy...

I have more, but those are a good place to start. Have a fave villain? Watch all their eps!! Discover new ones! Watch it from the beginning! Watch around and see what floats your boat. There's a redesign in season 3 (The New Batman Adventures) and they bring in a littler robin, Tim Drake. Warning for TNBA in general though, they tease at some really uncomfortable relationships here and there. But overall it has a lot to offer!

After btas I started on Justice League (2001)! I super love it, I adore the other members of the league so much and there's plenty of interesting stories. Justice League Unlimited is great too! Fantastic Bruce/Diana stuff, even though I'm not big on the ship their interactions are beyond precious. These are ensemble pieces so they're not all bats, but they're highly recommended if you're interested!

For some quick silly adventures, Justice League Action is fantastic! It's super funny and cute. There's plenty of batman centric episodes, and it's super lighthearted and fun! No robins or alfred in any of the Justice Leagues (very sparcely in JL/JLU) though, unfortunately. Speaking of silly fun batman shows: Batman the Brave and the Bold is a total blast! There's soooo many heroes in it, if you like any other DC characters there's a good chance they appear!

I just recently got into The Batman (2004), and it's really growing on me! The first season especially is really creative and cool. It's a younger take on batman, and it has seeerrious early 2000s boy/Ben ten/bionicles energy lol, but if that's nostalgic for you you'll LOVE it.

If you like adult cartoons, Harley Quinn is pretty good and funny! Of course it's about Harley and her gang over the bats, and the first season especially can get kinda ick in the adult cartoonyness, but by the third season it gets great (VERY good Bruce stuff in the third season! Honestly in all the seasons). Overall I definitely think it's worth a watch. It is not appropriate for kids though, make sure to look up warnings! If you're especially sensitive to gore/violence maybe skip it.

I haven't watched much of these, but I've heard good things if live action is your style! Gotham follows the villains and older generation before Batman came along. Supposedly very good Alfred and Bruce content, with kid Bruce! For my Alfie lovers, Pennyworth follows the adventures of Alfred along with the Waynes, taking down conspiracies back in England during the 60s. As completely up my alley as those sound, they're not really my thing because they are pretty violent, so beware!

Movies!

Starting off with animated movies, the btas movies come very highly recommended! Especially Mask of the Phantasm! I was super not excited for the romance plot, but it 1000% won me over, it's fantastic. Lots of young Bruce stuff (like early early 20s), which is wildly endearing, and very good dadfred moments!! The Mystery of the Batwoman isn't as great, but it's good fun. Sub-Zero is really good if you like Mr.Freeze! For The Batman 2004, there's the Batman vs Dracula! It is wild but so much fun!

On the animated movies front - Batman and Robin: Return of the Caped Crusaders and Batman vs Two Face are absolutely delightful. They're based on the 1960s Batman show, and they go all in on the campy goofy energy!! They're such a good pick me up if you're having a rough day.

As for live action movies, I honestly cannot recommend the 1990s Batman movies enough. Yes, they don't have a great reputation among mainstream comics fans, but they're straight up just wrong. Batman Forever and Batman and Robin are some of the most fun batman content ever created! There is so much creativity and energy and love in these movies, they are the definition of a good time. Absolutely guaranteed to provide childlike wonder, 1000/10.

If you're into the more gritty stuff, The Batman (2022). It's a cool new take on Bats, I think it's an interesting direction artistically. Once again violence isn't super my thing, but I appreciated the Alfred moments and Bruce's potent autism swag. Also, though it's probably a genuinely good movie, I am physically unable to take anything seriously and really enjoyed watching it ironically (there are so many serious moments that land as... pure comedy). Though please be sure to look up trigger warnings first, it's a lot.

Comics!

Full disclosure, I'm not a big comic book reader "^^ I really just read the comic versions of the shows I like and a few miscellaneous others I run into. Here's a list of some of the comics I've enjoyed, but they have no rhyme or reason, they are not cohesive lol. If you're more into comics you want to look elsewhere for advice "^^

All Star Batman: First Ally - I have no context for this series as a whole and I do not care: I'm here for pretty art, Alfred backstory, and father and son behavior. I own a hardcover copy.

Batman: Zero Year - Stumbled upon by accident but thoroughly enjoyed. I don't agree with everything in these (batman writers obsession with characters slapping each other my BEHATED) but its pretty cool overall. Featuring my The Alfred Ever and baby Duke Thomas! There's Dark City then Secret City!

One Bad Day: Mr Freeze - I'm not gonna lie this comic is like... bad. Okay so that's not entirely fair: I adore the art, the baby Dick Grayson content, the Alfred content, and honestly most of the story until the end. Spoiler, but they nerf the daylights out of what makes Freeze such an iconic character. Like, I get what they were doing but... come on. Insinuates a bizarre message too. Still worth a peruse for the good moments.

Batman: the Adventures Continue - a continuation of the btas comic series (the batman adventures)!! It's interesting to see them put more modern storylines in the btas universe. The last few issues (holiday special!) Are at very least worth a read.

While I'm here, The Gotham Adventures is also cute and cool, takes place in the btas universe with the tnba style + continuity.

Same as above, if you like the Justice League cartoon check out the tie in comics, including the recent continuation Justice League Infinity!

Oh I guess this do counts: The Wayne Family Adventures is a very cute comic on tapas! It's very cute, and actually published by DC comics!

My best word of advice: follow your interests! Indulge! There is no right way to explore this franchise! There's so much to discover and there's a little something for everybody. There is no obligation to know every little thing about the mythos, you do not need to read from issue 1 or know all the current updates to be a "real fan". Actualy, do us all a favor and stick it to toxic comic fanboys by having as much fun as you can! Pick and choose! Try it all! Be gritty! Be goofy! Be both! Spend hours poking around on fandom wikis to learn about what you want to learn! There's no wrong way to play, I'm just so happy youre here. Now go forth and be batfans!!!

[jupitermelichios]

8, 9, and 10 if you want to! :)

8) a character you think did nothing wrong but fandom demonizes?

I know exactly enough about homestuck to know saying vriska here would be a funny joke, but not enough to actually know who she is or what she did or didn't do wrong, lmoa

Memes aside though, Scott McCall is innocent and I am prepared to defend him in court if necessary.

I do get why fandom didn't latch onto him the way they did other teen wolf characters, he's the platonic ideal of a highschool boyfriend and that's not the kind of character that usually appeals to people Doing A Fandom, but people hate him So Much, and I don't get it. He's just a little guy, he's a little birthday boy. Why are you hitting him when it's his birthday?

I especially don't get the 'Scott is a bad friend' take that's so common it has a canon AO3 tag. Him and Stiles have a pretty unhealthy co-dependant friendship, absolutely, but it's very much mutual, and Scott is just as ride or die for Stiles as Stiles is for him. They're just a couple of weird little guys who have had no one else to talk to but one another for years, and have ended up with a freaky psychosexual mess of a friendship, we've all been there.

(also 90% of all female characters from kids cartoons, but that's a wider issue than just fandom taking a dislike to a character. the fact that there are people who think mable pines committed any crime worse than 'having the emotional maturity of a 12 year old while being literally 12 years old' is baffling and terrifying in equal measure)

9) a character that did a lot of things wrong in canon that you think fandom woobifies?

Loki, obviously. I've done my time in the MCU fic trenches, and oh boy some of the Loki takes I've seen...

Stiles Stilinski, the counterpart to the demonisation of Scott. They are basically the exact same level of problematic in a very believable teenage way in canon, but in fanon Scott becomes a monster and Stiles becomes a woobie.

Every single member of the Batfamily, but most of all, Alfred Pennyworth. He's a fun character and an excellent valet, and he loves Bruce and the kids, but my god was he a shit parent. How does anyone look at Bruce Wayne and conclude Alfred was a good parent? It baffles me. 'I raised master bruce'. you ruined a perfectly good orphan is what you did. look at it. it's got anxiety.

(There is one exception to this, and that is the Alfred from the Gotham TV show, who has done nothing wrong in his life ever, and does stuff like hug Bruce, and tell him that he loves him, and actually talk to him about his trauma. 100/10, best Alfred, don't @ me)

But the big one, the one that will result in me just blocking people so I don't have to see their takes on my dash, is John Constantine. And this isn't fully fandom's fault, recent DC TV and animated movies absolutely also do this, but the result is just this horrible oroborous of bad takes as TV writers who think they're too smart for comics inform the opinions of fans who don't want to engage with moral ambiguity, and then the writers respond to what those fans enjoy by making him even more toothless, and around and around it goes until you get this character who is utterly unrecognisable as John, and cruicially, feels fictional, which is the absolute worst thing a version of John can be. If the fact that multiple Hellblazer writers have reported meeting him irl doesn't feel at least a little bit plausible, that's not John.

(and if this is your first time hearing about that, yes multiple otherwise apparently sane writers of a vertigo comic book have claimed to have met the character they created in real life, and the fandom just accepts that as a canon part of his mythos. comics are wild.)

10) what is your favorite “problematic” fandom?

I guess it depends how you define problematic.

I made the decision not to engage with it anymore when jkr lost her mind, and also because I just lost interest and moved on to other fandoms as I got older, but I'm not going to pretend I didn't have a lot of fun in the harry potter fandom when I was a teenager. It was my first real fandom, and I'll always have some nostalgia for it for being my gateway drug into this community, despite everything.

The Fannibals are some of the most talented and creative people in fandom, the art and fic for Hannibal is absolutely incredible, definitely the highest average standard of fic I've encountered in a fandom. Plus it's nice to have a fandom where you know people are capable of engaging critically with dark content. I won't say there are no antis in the fandom, they seem to turn up everywhere these days, but they're easily drowned out by the people who actually remember stuff like SLS and YKINMKATO

I have a weird soft spot for Twilight, something about it just hits the so bad it's good groove in my brain just right, and the recent twilight renaisance has been very fun to watch, but I haven't really engaged with the fandom all that much beyond reblogging some memes (and writing an 8,000 word not!fic about how much better twilight would be if bella swan was polyamorous that one time)

And despite the whole ackles tapes conspiracy theory, and the prevelance of tinhatting, and the dumb shipwars, I'll always have a special place in my heart for the supernatural fandom. it's a fucked up place to live, but I had a lot of fun there, and i still visit on occaision.

[dotthings]

The Gotham Knights trailer is live!!! Misha looks and sounds great, very in command of his new role as Harvey Dent.

Misha already mentioned recently somewhere that we aren't seeing Two-Face for the first year.

So it looks like we're going to see a slow descent. The downfall of Harvey Dent. We'll get to see Harvey as the crusading DA who wants to help Gotham at first. This is going to be angsty af I cannot wait.

Now I can see that they are doing a flip on the usual Harvey and Bruce story. Usually, it's Bruce carrying guilt over Harvey's fall, mourning for who his friend used to be, and hoping to still save him, after he becomes Two-Face. Harvey hasn't fallen yet in the current Gotham Knights timeframe, so instead we are getting Harvey's grief for Bruce, and Harvey crusading to find whoever is responsible.

Well, that's a lot of bat angst.

Also I am always about the batfamily, and batkids. Yes I will be adopting all these batchildren. Some of them are already known from the comics, some are new. But especially Carrie Kelley stood out to me in this trailer. There's a bit of a change-up from the usual roles there too, Carrie is Robin, but not the way we're used to seeing Robin in the comics or other filmed media--looks like she works in more of a stealth mode, the dark clothes, the goggles. "I became his eyes and ears. He called me his little robin" AND THERE'S TEARS IN HER EYES.

Every time. Bruce and his kids. Gets me every darn time.

Speaking of batfamily, where's Alfred, is there an Alfred? So far no Alfred which also throws in a different dynamic. Who is taking care of Wayne Manor, who is looking after Turner Hayes (Bruce's adopted son created just for this tv series), who looks after Carrie and Bruce if they get injured. Alfred's an important support system for the batfamily so if there's no Alfred that shifts things. But maybe someone else is in that role that we haven't heard about yet, or they just haven't cast and show Alfred yet. I guess we'll see.

Anyway this looks promising--the trailer is very dynamic and polished DC. It's tailored to appeal to teens, but it's got a darker edge to it. The pilot was directed by the excellent Danny Cannon, who worked on Gotham and Pennyworth, and the trailer looks promising visually.

[daringyounggrayson]

I posted 1,626 times in 2021

309 posts created (19%)

1317 posts reblogged (81%)

For every post I created, I reblogged 4.3 posts.

I added 587 tags in 2021

#asks - 189 posts

#elizabeth talks - 59 posts

#anon - 55 posts

#dick grayson - 45 posts

#batman - 44 posts

#elizabeth writes - 43 posts

#nightwing - 42 posts

#batfamily - 40 posts

#fic rec - 35 posts

#thanks! - 35 posts

Longest Tag: 140 characters

#me at 2-4 am: i should just give up sleep. it's holding me back. a wasted 9 hours that could be spent exercising reading writing and working

My Top Posts in 2021

#5

Could you do 25 or 30 for Bruce and Dick? I’d really like for you to make Bruce say those words to his son!

I think we would all like to see that! oh, and for this one, I’m mixing things up: Bruce took Dick in as his ward but never went on to adopt him. 

25: “You know I love you, right?”

30: “I love you, okay? I’ll say it as many times as you need to hear it.”

AO3

"Mr. Wayne!” a photographer calls, waving his arm toward their small group as they try to make their way inside. “A picture of you and your sons, if you wouldn’t mind?” 

“Sure!” 

On cue, the four of them turn toward the camera with easy smiles. 

“Oh, sorry sir.” The photographer directs this at Dick. “Could I just get his sons for this shot?”

Dick doesn’t blame the reporter, honestly. He was probably assigned to get pictures of the Waynes, and when you google the Waynes, Dick’s name doesn’t pop up—at least, not under family. And it makes sense; he was never adopted, so he’s legally not part of the Wayne family. Dick’s relation is just a small, unimportant detail. And to outsiders, especially people outside of Gotham or people who simply don’t keep up with Wayne Family News, Dick looks like more of a family friend, if anything. 

It’s an honest mistake, and Dick doesn’t take it personally. Unfortunately, that doesn't make it any less awkward. 

184 notes • Posted 2021-02-03 13:30:52 GMT

#4

whumptober day 10: hospital + ice chips (AO3)

Roy is reading Lian her bedtime story when he hears a knock on her door.

“Yeah?” Roy calls. Normally, he might be annoyed at the interruption, but he knows for a fact that the only other person in the Tower right now is Dick, who’s currently recovering from a GSW and the surgery fixing it required.

Dread pools in Roy’s stomach, knowing that there’s exactly one reason Dick would seek him out during Lian’s bedtime routine right now, and it’s not boredom.

The doorknob turns, and then there’s Dick—he’s pale and clammy and hunched forward slightly like he can’t stay upright, one hand pressed against his chest. He takes an audible breath, then uses the air to ask, “Can you take me to the hospital?”

197 notes • Posted 2021-10-11 01:56:20 GMT

#3

A batfam TV show- in every episode, Damian is in the background taking care of some new animal. It starts off as normal with Ace and Alfred the cat; then, it progressively gets more weird with Batcow and Goliath. The animals aren't explained at all.

the content we need, I love it 😂

Damian: *walks in with Goliath on a leash and a smoothie*

Tim: um whatcha got there?

Damian: a smoothie. Pennyworth made it.

Tim, not even glancing at Goliath: oh nice, is there more in the kitchen?

209 notes • Posted 2021-06-10 00:16:39 GMT

#2

me @ everyone laughing about Wally's pet turtle being made interim leader at the end of sick day: that turtle would make a great leader! just hear me out

he might be a little intimidated by all of the responsibility at first, sure, but he's pretty go with the flow, so he'd adapt quickly

plus, he's a great listener, which is a good quality for a leader to have!

and finally, I made him a domino mask, so he's all set

237 notes • Posted 2021-10-09 23:41:55 GMT

#1

whumptober day 1: "You have to let go." (AO3)

Dick hasn’t clung to Bruce like this since he was twelve years old. Bruce can’t remember the last time it happened, not specifically, but he wonders if it had been as horrific as this moment is.

“Dick, shh, you’re alright,” Bruce says, holding Dick tightly and running his fingers through the boy’s hair. He’s in the back of the Batmobile with Dick, who has enough fear toxin running through his system to take down an elephant and a GSW to his knee that Bruce doesn’t think he’s really feeling. Bruce hadn’t had the heart to leave him, let alone the willpower to peel Dick off of him and restrain him, so he’s letting the car run on autopilot. “Deep breaths, chum.”

“They’re gonna kill us, they’re gonna kill us,” Dick says into Bruce’s collar bone.

“Who’s going to kill us?”

Dick chokes on a sob but doesn’t name anyone. “We’re gonna die,” he insists, shoulders shaking.

“We’re fine. No one’s dying tonight.”

284 notes • Posted 2021-10-02 02:21:02 GMT

Get your Tumblr 2021 Year in Review →

[revolutionaryjackelving]

Thoughts on the Batgirl fiasco? ;(

Demoralizing all around. I feel awful for the actors and crew, and especially for the lead actress Leslie Grace. No matter the intentions and whatnot, the message coming across is that the new person in charge does not believe that having a non-white performer play a white female superhero is good for the brand, and that sucks.

To reiterate a point I made in my other posts, it's an example of the double standards at play, and who and what gets "Second Chances" and how little "vote with the wallet" or anything applies. If Alfred Pennyworth can get a 4-season TV show, mediocre GOTHAM can flourish for long, they can do a movie about Batgirl especially with JK Simmons and Michael Keaton in the cast, and Zack Snyder somehow dodges director jail, but somehow this is the bridge too far. This is a terrible thing.

[grigori77]

Movies of 2021 - My Pre-Summer Favourites (Part 2)

The Top Ten:

10.  ZACK SNYDER’S JUSTICE LEAGUE – one of the undisputable highlights of the Winter-Spring period has to be the long-awaited, much vaunted redressing of a balance that’s been a particular thorn in the side of DC cinematic fans for over three years now – the completion and restoration of the true, unadulterated original director’s cut of the painfully abortive DCEU team-up movie that was absolutely butchered when Joss Whedon took over from original director Zack Snyder and then heavily rewrote and largely reshot the whole thing.  It was a somewhat painful experience to view in cinemas back in 2017 – sure, there were bits that worked, but most of it didn’t and it wasn’t like the underrated Batman Vs Superman: Dawn of Justice, which improves immensely on subsequent viewings (especially in the three hour-long director’s cut).  No, Whedon’s film was a MESS.  Needless to say fans were up in arms, and once word got out that the finished film was not at all what Snyder originally intended, a vocal, forceful online campaign began to restore what quickly became known as the Snyder Cut.  Thank the gods that Warner Bros listened to them, ultimately taking advantage of the intriguing alternative possibilities provided by their streaming service HBO Max to allow Snyder to present his fully reinstated creation in its entirety.  The only remaining question, of course, is simply … is it actually any good? Well it’s certainly much more like BVS:DOG than Whedon’s film ever was, and there’s no denying that, much like the rest of Snyder’s oeuvre, this is a proper marmite movie – there are gonna people who hate it no matter what, but the faithful, the fans, or simply those who are willing to open their minds are going to find much to enjoy here. The damage has been thoroughly patched, most of the elements that didn’t work in the theatrical release having been swapped out or reworked so that now they pay off BEAUTIFULLY.  This time the quest of Bruce Wayne/Batman (Ben Affleck) and Diana Prince/Wonder Woman (Gal Gadot) to bring the first iteration of the Justice League together – half-Atlantean superhuman Arthur Curry/the Aquaman (Jason Momoa), lightning-powered speedster Barry Allan/the Flash (Fantastic Beasts’ Ezra Miller) and cybernetically-rebuilt genius Victor Stone/Cyborg (relative newcomer Ray Fisher) – not only feels organic, but NECESSARY, as does their desperate scheme to use one of the three alien Mother Boxes (no longer just shiny McGuffins but now genuinely well-realised technological forces that threaten cataclysm as much as they provide opportunity for miracles) to bring Clark Kent/Superman (Henry Cavill) back from the dead, especially given the far more compelling threat of this version’s collection of villains.  Ciaran Hinds’ mocapped monstrosity Steppenwolf is a far more palpable and interesting big bad this time round, given a more intricate backstory that also ties in a far greater ultimate mega-villain that would have become the DCEU’s Thanos had Snyder had his way to begin with – Darkseid (Ray Porter), tyrannical ruler of Apokolips and one of the most powerful and hated beings in the Universe, who could have ushered the DCEU’s now aborted New Gods storyline to the big screen.  The newer members of the League receive far more screen-time and vastly improved backstory too, Miller’s Flash getting a far more pro-active role in the storyline AND the action which also thankfully cuts away a lot of the clumsiness the character had in the Whedon version without sacrificing any of the nerdy sass that nonetheless made him such a joy, while the connective tissue that ties Momoa’s Aquaman into his own subsequent standalone movie feels much stronger here, and his connection with his fellow League members feels less perfunctory too, but it’s Fisher’s Cyborg who TRULY reaps the benefits here, regaining a whole new key subplot and storyline that ties into a genuinely powerful tragic origin story, as well as a far more complicated and ultimately rewarding relationship with his scientist father, Silas Stone (the great Joe Morton).  It’s also really nice to see Superman handled with the kind of skill we’d expect from the same director who did such a great job (fight me if you disagree) of bringing the character to life in two previous big screen instalments, as well as erasing the memory of that godawful digital moustache removal … similarly, it’s nice to see the new and returning supporting cast get more to do this time, from Morton and the ever-excellent J.K. Simmonds as fan favourite Gotham PD Commissioner Jim Gordon to Connie Nielsen as Diana’s mother, Queen Hippolyta of Themyscira and another unapologetic scene-stealing turn from Jeremy Irons as Batman’s faithful butler Alfred Pennyworth. Sure, it’s not a perfect movie – the unusual visual ratio takes some getting used to, while there’s A LOT of story to unpack here, and at a gargantuan FOUR HOURS there are times when the pacing somewhat lags, not to mention an overabundance of drawn-out endings (including a flash-forward to a potential apocalyptic future that, while evocative, smacks somewhat of overeager fan-service) that would put Lord of the Rings’ The Return of the King to shame, but original writer Chris Terrio’s reconstituted script is rich enough that there’s plenty to reward the more committed viewer, and the storytelling and character development is a powerful thing, while the action sequences are robust and thrilling (even if Snyder does keep falling back on his over-reliance on slow motion that seems to alienate some viewers), and the new score from Tom Holkenborg (who co-composed on BVS:DOJ) feels a far more natural successor than Danny Elfman’s theatrical compositions.  The end result is no more likely to win fresh converts than Man of Steel or Batman Vs Superman, but it certainly stands up far better to a critical eye this time round, and feels like a far more natural progression for the saga too.  Ultimately it’s more of an interesting tangential adventure given that Warner Bros seem to be stubbornly sticking to their original plans for the ongoing DCEU, but I can’t help hoping that they might have a change of heart in the future given just how much better the final product is than any of us had any right to expect …

9.  SYNCHRONIC – writer-director duo Justin Benson and Aaron Moorhead are something of a creative phenomenon in the science-fiction and fantasy indie cinema scene, crafting films that ensnare the senses and engage the brain like few others.  Subtly insidious conspiracy horror debut Resolution is a sneaky little chiller, while deeply original body horror Spring (the film that first got me into them) is weird, unsettling and surprisingly touching, but it was breakthrough sleeper hit The Endless, a nightmarish time-looping cosmic horror that thoroughly screws with your head, that really put them on the map.  Needless to say it’s led them to greater opportunities heading into the future, and this is their first film to really reap the benefits, particularly by snaring a couple of genuine stars for its lead roles.  Steve (Anthony Mackie) and Dennis (Jamie Dornan) are paramedics working the night shift in New Orleans, which puts them on the frontlines when a new drug hits the streets, a dangerous concoction known as Synchronic that causes its users to experience weird localised fractures in time that frequently lead to some pretty outlandish deaths in adults, while teenage users often disappear entirely.  As the situation worsens, the pair’s professional and personal relationships become increasingly strained, compounded by the fact that Steve is concealing his recent diagnosis of terminal cancer, before things come to a head when Dennis’ teenage daughter Brianna (Into the Badlands’ Ally Ioannides) vanishes under suspicious circumstances, and it becomes clear to Steve that she’s become unstuck in time … this is as mind-bendingly off-the-wall and spectacularly inventive as we’ve come to expect from Benson and Moorhead, another fantastically original slice of weirdness that benefits enormously from their exquisitely obsessive attention to detail and characteristically unsettling atmosphere of building dread, while their character development is second to none, benefitting their top-notch cast no end.  Mackie is typically excellent, bringing compelling vulnerability to the role that makes it easy to root for him as he gets further out of his depth in this twisted temporal labyrinth, while Dornan invests Dennis with a painfully human fallibility, and Ioannides does a lot with very little real screen time in her key role as ill-fated Brianna.  The time-bending sequences are suitably disorienting and disturbing, utilising pleasingly subtle use of visual effects to further mess with your head, and the overall mechanics of the drug and its effects are fiendishly crafted, while the directors tighten the screw of slowburn tension throughout, building to a suitably offbeat ending that’s as devastating as anything we’ve seen from them so far.  Altogether this is another winning slice of genre-busting weirdness from a filmmaking duo who deserve continued success in the future, and I for one will be watching eagerly.

8.  WITHOUT REMORSE – I’m a big fan of Tom Clancy, to me he was one of the ultimate escapist thriller writers, and whenever a new adaptation of one of his novels comes along I’m always front of the line to check it out.  The Hunt For Red October is one of my favourite screen thrillers OF ALL TIME, while my very favourite Clancy adaptation EVER, the Jack Ryan TV series, is, in my opinion, one of the very best Original shows that Amazon have ever done.  But up until now my VERY FAVOURITE Clancy creation, John Clark, has always remained in the background or simply absent entirely, putting in an appearance as a supporting character in only two of the movies, tantalising me with his presence but never more than a teaser.  Well that’s all over now – after languishing in development hell since the mid-90s, the long-awaited adaptation of my favourite Clancy novel, the origin story of the top CIA black ops operative, has finally arrived, as well as a direct spin-off from distributor Amazon’s own Jack Ryan series.  Michael B. Jordan plays John Kelly (basically Clark before he gained his more famous cover identity), a lethally efficient, highly decorated Navy SEAL whose life is turned upside down when a highly classified operation experiences deadly blowback as half of his team is assassinated in retaliation, while Kelly barely survives an attack in which his heavily pregnant wife is killed.  With the higher-ups unwilling the muddy the waters while scrambling to control the damage, Kelly, driven by rage and grief, takes matters into his own hands, embarking on a violent personal crusade against the Russian operatives responsible, but as he digs deeper with the help of his former commanding officer, Lt. Commander Karen Greer (Queen & Slim’s Jodie Turner-Smith), and mid-level CIA hotshot Robert Ritter (Jamie Bell), it becomes clear that there’s a far more insidious conspiracy at work here … in the past the Clancy adaptations we’ve seen tend to be pretty tightly reined-in affairs, going for a PG-13 polish that maintains the intellectual fireworks but still tries to keep the violence clean and relatively family-friendly, but this was never going to be the case here – Clark has always been Jack Ryan’s dark shadow, Clancy’s righteous man without the moral restraint, and a PG-13 take never would have worked, so going for an unfettered R-rating is the right choice.  Jordan’s Kelly/Clark is a blood-soaked force of nature, a feral dog let off the leash, bringing a brutal ferocity to the action that does the literary source proud, tempered by a wounded vulnerability that helps us to sympathise with the broken but still very human man behind the killer; Turner-Smith, meanwhile, regularly matches him in the physical stakes, jumping into the action with enthusiasm and looking damn fine doing it, but she also brings tight control and an air of pragmatic military professionalism that makes it easy to believe in her not only as an accomplished leader of fighting men but also as the daughter of Admiral Jim Greer, while Bell is arrogant and abrasive but ultimately still a good man as Ritter; Guy Pearce, meanwhile, brings his usual gravitas and quietly measured charisma to proceedings as US Secretary of Defence Thomas Clay, and Lauren London makes a suitably strong impression during her brief screen time to make her absence keenly felt as Kelly’s wife Pam. The action is intense, explosive and spectacularly executed, culminating in a particularly impressive drawn-out battle through a Russian apartment complex, while the labyrinthine plot is intricately crafted and unfolds with taut precision, but then the screenplay was co-written by Taylor Sheridan, who here reteams with Sicario 2 director Stefano Sollida, who’s also already proven to be a seasoned hand at this kind of thing, and the result is a tense, knuckle-whitening suspense thriller that pays magnificent tribute to the most compelling creation of one of the best authors in the genre.  Amazon have signed up for more with already greenlit sequel Rainbow Six, and with this directly tied in with the Jack Ryan TV series too I can’t help holding out hope we just might get to see Jordan’s Clark backing John Krasinski’s Ryan up in the future …

7.  RAYA & THE LAST DRAGON – with UK cinemas still closed I’ve had to live with seeing ALL the big stuff on my frustratingly small screen at home, but at least there’s been plenty of choice with so many of the big studios electing to either sell some of their languishing big projects to online vendors or simply release on their own streaming services.  Thank the gods, then, for the House of Mouse following Warner Bros’ example and releasing their big stuff on Disney+ at the same time in those theatres that have reopened – this was one movie I was PARTICULARLY looking forward to, and if I’d had to wait and hope for the scheduled UK reopening to occur in mid-May I might have gone a little crazy watching everyone else lose it over something I still hadn’t seen.  That said, it WOULD HAVE been worth the wait – coming across sort-of a bit like Disney’s long overdue response to Dreamworks’ AWESOME Kung Fu Panda franchise, this is a spellbinding adventure in a beautifully thought-out fantasy world heavily inspired by Southeast Asia and its rich, diverse cultures, bursting with red hot martial arts action and exotic Eastern mysticism and brought to life by a uniformly strong voice cast dominated by actors of Asian descent.  It’s got a cracking premise, too – 500 years ago, the land of Kumandra was torn apart when a terrible supernatural force known as the Druun very nearly wiped out all life, only stopped by the sacrifice of the last dragons, who poured all their power and lifeforce into a mystical gem.  But when the gem is broken and the pieces divided between the warring nations of Fang, Heart, Spine, Tail and Talon, the Druun return, prompting Raya (Star Wars’ Kelly Marie Tran), the fugitive princess of Heart, to embark on a quest to reunite the gem pieces and revive the legendary dragon Sisu in a desperate bid to vanquish the Druun once and for all.  Moana director Don Hall teams up with Blindspotting helmer Carlos Lopez Estrada (making his debut in the big chair for Disney after helping develop Frozen), bringing to life a thoroughly inspired screenplay co-written by Crazy Rich Asians’ Adele Kim which is full to bursting with magnificent world-building, beautifully crafted characters and thrilling action, as well as the Disney prerequisites of playful humour and tons of heart and soul.  Tran makes Raya an feisty and engaging heroine, tough, stubborn and a seriously kickass fighter, but with true warmth and compassion too, while Gemma Chan is icy cool but deep down ultimately kind of sweet as her bitter rival, Fang princess Namaari, and there’s strong support from Benedict Wong and Good Boys’ Izaac Wang as hard-but-soft Spine warrior Tong and youthful but charismatic Tail shrimp-boat captain Boun, two of the warm-hearted found family that Raya gathers on her travels.  The true scene-stealer, however, is the always entertaining Awkwafina, bringing Sisu to life in wholly unexpected but thoroughly charming and utterly adorable fashion, a goofy, sassy and sweet-natured bundle of fun who grabs all the best laughs but also unswervingly champions the film’s core messages of peace, unity and acceptance in all things, something which Raya needs a lot of convincing to take to heart.  Visually stunning, endlessly inventive, consistently thrilling and frequently laugh-out-loud funny, this is another solid gold winner once again proving that Disney can do this kind of stuff in their sleep, but it’s always most interesting when they really make the effort to create something truly special, and that’s just what they’ve done here.  As far as I’m concerned, this is one of the studio’s finest animated features in a good long while, and thoroughly deserving of your praise and attention …

6.  THE MITCHELLS VS THE MACHINES – so what piece of animation, you might be asking, could POSSIBLY have won over Raya as my animated feature of the year so far? After all, it would have to be something TRULY special … but then, remember Spider-Man: Into the Spider-Verse?  Back in 2018, that blew me away SO MUCH that it very nearly became my top animated feature of THE PAST DECADE (only JUST losing out, ultimately, to Dreamworks’ unstoppable How to Train Your Dragon trilogy).  When I heard its creators, the irrepressible double act of Phil Lord and Christopher Miller (The Lego Movie, Cloudy With a Chance of Meatballs), were going to be following that up with this anarchic screwball comedy adventure, I was VERY EXCITED INDEED, a fervour which was barely blunted when its release was, inevitably, indefinitely delayed thanks to the global pandemic, so when it finally released at the tail end of the Winter-Spring season I POUNCED. Thankfully my faith was thoroughly rewarded – this is an absolute riot from start to finish, a genuine cinematic gem I look forward to going back to for repeated viewings in the near future, just to soak up the awesomeness – it’s hilarious to a precision-crafted degree, brilliantly thought-out and SPECTACULARLY well-written by acclaimed Gravity Falls writer-director Mike Rianda (who also helms here), injecting the whole film with a gleefully unpredictable, irrepressibly irreverent streak of pure chaotic genius that makes it a affectionately endearing and utterly irresistible joyride from bonkers start to adorable finish.  The central premise is pretty much as simple as the title suggests, the utterly dysfunctional family in question – father Rick (Danny McBride), born outdoorsman and utter technophobe, mother Linda (Maya Rudolph), much put-upon but unflappable even in the face of Armageddon, daughter Katie (Broad City co-creator Abbi Jacobson), tech-obsessed and growing increasingly estranged from her dad, and son Aaron (Rianda himself), a thoroughly ODD dinosaur nerd – become the world’s only hope after naïve tech mogul Mark Bowman (Eric Andre), founder of PAL Labs, inadvertently sets off a robot uprising.  Cue a wild ride comedy of errors of EPIC proportions … this is just about the most fun I’ve had with a movie so far this year, an absolute riot throughout, but there’s far more to it than just a pile of big belly laughs, with the Mitchells all proving to be a lovable bunch of misfits who inspire just as much deep, heartfelt affection as they learn from their mistakes and finally overcome their differences, becoming a better, more loving family in the process, McBride and Jacobson particularly shining as they make our hearts swell and put a big lump in our throat even while they make us titter and guffaw, while the film has a fantastic larger than (virtual) life villain in PAL (Olivia Colman), the virtual assistant turned megalomaniacal machine intelligence spearheading this technological revolution.  Much like its Spider-Man-shaped predecessor, this is also an absolutely STUNNING film, visually arresting and spectacularly inventive and bursting with neat ideas and some truly beautiful stylistic flair, frequently becoming a genuine work of cinematic art that’s as much a feast for the eyes as it is the intellect and, of course, the soul.  Altogether then, this is definitely the year’s most downright GORGEOUS film so far, as well as UNDENIABLY its most FUN.  Lord and Miller really have done it again.

5.  P.G. PSYCHO GOREMAN – the year’s current undeniable top guilty pleasure has to be this fantastic weird, thoroughly over-the-top and completely OUT THERE black comedy cosmic horror that doesn’t so much riff on the works of HP Lovecraft as throw them in a blender, douse them with maple syrup and cayenne pepper and then hurl the sloppy results to the four winds.  On paper it sounds like a family-friendly cutesy comedy take on Call of Cthulu et al, but trust me, this sure ain’t one for the kids – the latest indie horror offering from Steven Kostanski, co-creator of the likes of Manborg, Father’s Day and The Void, this is one of the weirdest movies I’ve seen in years, but it’s also one of the most gleefully funny, playing itself entirely for yucks (frequently LITERALLY).  Mimi (Nita Josee-Hanna) and Luke (Owen Myre) are a two small-town Canadian kids who dig a big hole of their backyard, accidentally releasing the Arch-Duke of Nightmares (Matthew Ninaber and the voice of Steven Vlahos), an ancient, god-tier alien killing machine who’s been imprisoned for aeons in order to protect the universe from his brutal crusade of death and destruction.  To their parents’ dismay, Mimi decides to keep him, renaming him Psycho Goreman (or “P.G.” for short) and attempting to curb his superpowered murderous impulses so she can have a new playmate. But the monster’s original captors, the Templars of the Planetary Alliance, have learned of his escape, sending their most powerful warrior, Pandora (Kristen McCulloch), to destroy him once and for all.  Yup, this movie is just as loony tunes as it sounds – Kostanski injects the film with copious amounts of his own outlandish, OTT splatterpunk extremity, bringing us a riotous cavalcade of bizarrely twisted creatures and mutations (brought to life through some deliciously disgusting prosthetic effects work) and a series of wonderfully off-kilter (not to mention frequently off-COLOUR) darkly comic skits and escapades, while the sense of humour is pretty bonkers but also generously littered with nuggets of genuine sharply observed genius.  The cast, although made up almost entirely of unknowns, is thoroughly game, and the kids particularly impress, especially Josee-Hanna, who plays Mimi like a flamboyant, mercurial miniature psychopath whose zinger-delivery is clipped, precise and downright hilarious throughout.  There are messages of love conquering all and the power of family, both born and made, buried somewhere in there too, but ultimately this is just 90 minutes of wonderful weirdness that’s sure to melt your brain but still leave you with a big dumb green when it’s all over.  Which is all we really want from a movie like this, right?

4.  SPACE SWEEPERS – all throughout the pandemic and the interminable lockdowns, Netflix have been a consistent blessing to those of us who’ve been craving the kind of big budget blockbusters we have (largely) been unable to get at the cinema.  Some of my top movies of 2020 were Netflix Originals, and they’ve continued the trend into 2021, having dropped some choice cuts on us over the past four months, with some REALLY impressive offerings still to come as we head into the summer season (roll on, Zack Snyder’s Army of the Dead!).  In the meantime, my current Netflix favourite of the year so far is this phenomenal milestone of Korean cinema, lauded as the country’s first space blockbuster, which certainly went big instead of going home. Writer-director Jo Sung-hee (A Werewolf Boy, Phantom Detective) delivers big budget thrills and spills with a bombastic science-fiction adventure cast in the classic Star Wars mould, where action, emotion and fun characters count for more than an admittedly simplistic but still admirably archetypical and evocative plot – it’s 2092, and the Earth has become a toxic wasteland ruined by overpopulation and pollution, leading the wealthy to move into palatial orbital habitats in preparation for the impending colonisation of Mars, while the poor and downtrodden are packed into rotting ghetto satellites facing an uncertain future left behind to fend for themselves, and the UTS Corporation jealously guard the borders between rich and poor, presided over by seemingly benevolent but ultimately cruel sociopathic genius CEO James Sullivan (Richard Armitage).  Eking out a living in-between are the space sweepers, freelance spaceship crews who risk life and limb by cleaning up dangerous space debris to prevent it from damaging satellites and orbital structures.  The film focuses on the crew of sweeper vessel Victory, a ragtag quartet clearly inspired by the “heroes” of Cowboy Bebop – Captain Jang (The Handmaiden’s Kim Tae-ri), a hard-drinking ex-pirate with a mean streak and a dark past, ace pilot Kim Tae-ho (The Battleship Island’s Song Joong-ki), a former child-soldier with a particularly tragic backstory, mechanic Tiger Park (The Outlaws’ Jin Seon-Kyu), a gangster from Earth living in exile in orbit, and Bubs (a genuinely flawless mocapped performance from A Taxi Driver’s Yoo Hae-jin), a surplus military robot slumming it as a harpooner so she can earn enough for gender confirmation.  They’re a fascinating bunch, a mercenary band who never think past their next paycheque, but there’s enough good in them that when redemption comes knocking – in the form of Kang Kot-nim (newcomer Park Ye-rin), a revolutionary prototype android in the form of a little girl who may hold the key to bio-technological ecological salvation – they find themselves answering the call in spite of their misgivings.  The four leads are exceptional (as is their young charge), while Armitage makes for a cracking villain, delivering subtle, restrained menace by the bucketload every time he’s onscreen, and there’s excellent support from a fascinating multinational cast who perform in a refreshingly broad variety of languages. Jo delivers spectacularly on the action front, wrangling a blistering series of adrenaline-fuelled and explosive set-pieces that rival anything George Lucas or JJ Abrams have sprung on us this century, while the visual effects are nothing short of astounding, bringing this colourful, eclectic and dangerous universe to vibrant, terrifying life; indeed, the world-building here is exceptional, creating an environment you’ll feel sorely tempted to live in despite the pitfalls.  Best of all, though, there’s tons of heart and soul, the fantastic found family dynamic at the story’s heart winning us over at every turn. Ultimately, while you might come for the thrills and spectacle, you’ll stay for these wonderful, adorable characters and their compelling tale.  An undeniable triumph.

3.  JUDAS & THE BLACK MESSIAH – I’m a little fascinated by the Black Panther Party, I find them to be one of the most intriguing elements of Black History in America, but outside of documentaries I’ve never really seen a feature film that’s truly done the movement justice, at least until now.  It’s become a major talking point of the Awards Season, and it’s easy to see why – director Shaka King is a protégé of Spike Lee, and together with up-and-coming co-screenwriter Wil Berson he’s captured the fire and fervour of the Party and their firebrand struggle for racial liberation through force of arms, as well as a compelling portrait of one of their most important figures, Fred Hampton, the Chairman of the Illinois Chapter of the BPP and a powerful political activist who could have become the next Martin Luther King or Malcolm X.  Get Out’s Daniel Kaluuya is magnificent in the role, effortlessly holding your attention in every scene with his laconic ease and deceptively friendly manner, barely hinting at the zealous fire blazing beneath the surface, but the film’s true focus is the man who brought him down, William O’Neal, a fellow Panther and FBI informant placed in the Chapter to infiltrate the movement and find a way for the US Government to bring down what they believed to be one of the country’s greatest internal threats.  Lakeith Stanfield (Sorry to Bother You, Knives Out) delivers a suitably complex performance as O’Neal, perfectly embodying a very clever but also very desperate man walking a constant tightrope to maintain his cover in some decidedly wary company, but there’s never any real sense that he’s playing the villain, Stanfield largely garnering sympathy from the viewer as we’re shamelessly made to root for him, especially once he starts falling for the very ideals he’s trying to subvert – it’s a true star-making performance, and he even holds his own playing opposite Kaluuya himself.  The rest of the cast are equally impressive, Dominique Fishback (Project Power, The Deuce) particularly holding our attention as Hampton’s fiancée and fellow Panther Akua Njeri, as does Jesse Plemmons as O’Neal’s idealistic but sympathetic FBI handler Roy Mitchell, while Martin Sheen is the film’s nominal villain in a chillingly potent turn as J. Edgar Hoover.  This is an intense and thrilling film, powered by a tense atmosphere of pregnant urgency and righteous fury, but while there are a few grittily realistic set pieces, the majority of the fireworks on display are performance based, the cast giving their all and King wrestling a potent and emotionally resonant, inescapably timely history lesson that informs without ever slipping into preachy exposition, leaving an unshakable impression long after the credits have rolled.  This doesn’t just earn all the award-winning kudos it gained, it deserved A LOT MORE recognition that it got, and if this were a purely critical rundown list I’d have to put it in the top spot.  As it is I’m monumentally enamoured of this film, and I can’t sing its praises enough …

2.  RUN, HIDE, FIGHT – the biggest surprise hit for me so far this year was this wicked little indie suspense thriller from writer-director Kyle Rankin (Night of the Living Deb), which snuck in under the radar but is garnering an impressive reputation as a future cult sleeper hit.  Critics have been less kind, but the subject matter is a pretty thorny issue, and if handled the wrong way it could have been in very poor taste indeed.  Thankfully Rankin has crafted a corker here, initially taking time to set the scene and welcome the players before throwing us headfirst into an unbelievably tense but also unsettlingly believable situation – a small town American high school becomes the setting for a fraught siege when a quartet of disturbed students take several of their classmates hostage at gunpoint, creating a social media storm in the process as they encourage the capture of the crisis on phone cameras. While the local police gather outside, the shooters discover another threat from within the school throwing spanners in the works – Zoe Hull (Alexa & Katie’s Isabel May), a seemingly nondescript girl who happens to be the daughter of former marine scout sniper Todd (Thomas Jane).  She’s wound pretty tight after the harrowing death of her mother to cancer, fuelled by grief and conditioned by her father’s training, so she’s determined to get her friends and classmates out of this nightmare, no matter what.  Okay, so the premise reads like Die Hard in a school, but this is a very different beast, played for gritty realism and shot with unshowy cinema-verité simplicity, Rankin cranking up the tension beautifully but refusing to play to his audience any more than strictly necessary, drip-feeding the thrills to maximum effect but delivering some harrowing action nonetheless.  The cast are top-notch too, Jane delivering a typically subtle, nuanced turn while Treat Williams is likeably stoic as world-weary but dependable local Sherriff Tarsey, Rhada Mitchell intrigues as the matter-of-fact phantom of Zoe’s mum, Jennifer, that she’s concocted to help her through her mourning, Olly Sholotan is sweetly geeky as her best friend Lewis, and Eli Brown raises genuine goosebumps as an all-too-real teen psychopath in the role of terrorist ringleader Tristan Voy.  The real beating heart and driving force of the film, though, is May, intense, barely restrained and all but vibrating with wounded fury, perfectly believable as the diminutive high school John McClane who defies expectations to become a genuine force to be reckoned with, as far as I’m concerned one of this year’s TOP female protagonists.  Altogether this is a cracking little thriller, a precision-crafted little action gem that nonetheless raises some troubling questions and treats its subject matter with utmost care and respect, a film that’s destined for major cult classic status, and I can’t recommend it enough.

1.  NOBODY – do you love the John Wick movies but you just wish they took themselves a bit less seriously?  Well fear not, because Derek Kolstad has delivered fantastically on that score, the JW screenwriter mashing his original idea up with the basic premise of the Taken movies (former government spook/assassin turned unassuming family man is forced out of retirement and shit gets seriously trashed as a result) and injecting a big dollop of gallows humour.  This time he’s teamed up with Ilya Naishuller, the stone-cold lunatic who directed the deliriously insane but also thoroughly brilliant Hardcore Henry, and the results are absolutely unbeatable, a pitch perfect jet black action comedy bursting with neat ideas, wonderfully offbeat characters and ingenious plot twists.  Better Call Saul’s Bob Odenkirk is perfect casting as Hutch Mansell, the aforementioned ex-“Auditor”, a CIA hitman who grew weary of the lifestyle and quit to find some semblance of normality with his wife Becca (Connie Nielsen), with whom he’s had two kids.  Ultimately, he seems to have “overcompensated”, and his life has stagnated, Hutch following a autopiloted day-to-day routine that’s left him increasingly unfulfilled … then fate intervenes and a series of impulsive choices see him falling back on his old ways while defending a young woman from drunken thugs on a late night bus ride.  Problem is, said lowlifes work for the Russian Mob, specifically Yulian Kuznetsov (Leviathan’s Aleksei Serebryakov), a Bratva boss charged with guarding the Obshak, who must exact brutal vengeance in order to save face. Cue much bloody violence and entertaining chaos … Kolstad can do this sort of thing in his sleep, but his writing married with Naishuller’s singularly BONKERS vision means that the anarchy is dialled right up to eleven, while the gleefully dark sense of humour shot through makes the occasional surreality and bitingly satirical observation on offer all the more exquisite.  Odenkirk is a low-key joy throughout, initially emasculated and pathetic but becoming more comfortable in his skin as he reconnects with his old self, while Serebryakov hams things up spectacularly, chewing the scenery with aplomb; Nielsen, meanwhile, brings her characteristic restrained classiness to proceedings, Christopher Lloyd and the RZA are clearly having the time of their lives as, respectively, Hutch’s retired FBI agent father David and fellow ex-spook half-brother Harry, and there’s a wonderfully game cameo from the incomparable Colin Salmon as Hutch’s former handler, the Barber.  Altogether then, this is the perfect marriage of two fantastic worlds – an action-packed thrill ride as explosively impressive as John Wick, but also a wickedly subversive laugh riot every bit as blissfully inventive as Hardcore Henry, and undeniably THE BEST MOVIE I’ve seen so far this year.  Sure, there’s some pretty heavyweight stuff set to (FINALLY) come out later this year, but this really will take some beating …

[kneamet]

Angel of cards (5/16)

Trigger Warning: no

Summary: Joker, Mr. J, anarchist psychopath, Tom Hiddleston. He had many nicknames. Joker was Gotham’s most dangerous and insightful man, with sharp makeup and horribly memorable scars on his face in the form of a smile. He was absolutely crazy and deadly. No one knows his real identity and everyone is afraid of his cruel jokes. But what happens when he becomes obsessed with an ordinary girl?

She belongs to him. No one can take her away from him. Even The Batman.

Chapter five: Breaking news

"Do you think I look all right, Alfred?" asked Bruce, raising an eyebrow and smiling at Alfred. He nodded slowly.

Bruce Wayne was the famously wealthy billionaire and philanthropist who ran the Wayne Corporation. He was quite handsome, with gelled brown hair and hazel-green eyes. He was also wearing a blue suit that he wanted to wear to an important meeting.

Bruce smiled and suddenly a voice came from the TV that was on, announcing a very unpleasant thing. Wayne moved closer to the gray nightstand that blended well with the rest of the room.

The room was decorated in gray tones. It was spacious, but very poorly left. Just a large bed in the corner of the room, blocked by a small partition; a couple of nightstands with a TV and books; and a small closet in which Bruce kept only formal suits.

He frowned, leaning over the black TV remote and making the sound louder, which was usually quiet as it played in the background.

The news, the sound of which he added, was led by a presenter he knew, who spoke in a very stately and seriously loud voice. Her red hair was tied up in a bun, and she was dressed in a pantsuit, holding a script sheet in her hands.

"-and as you already know, the bank on York Street was robbed, " Bruce frowned again.

Why hadn't he been told that before? He shifted his gaze to Alfred, who just shrugged, nodding positively. Wayne looked at the TV.

"You can see on the cameras," odd and gray camera footage flashed through the air. It's time to change them long ago. "That one person killed them. In fact, it is possible as he takes the girl away. The identity was established, " Bruce swallowed.

The screen showed a picture of the girl. She was beautiful. Brown hair, thin build, brown eyes. An ordinary girl. However, something was wrong. She looked suspiciously like someone else.

"Her name is Blake Dent," Wayne's eyes widened. Alfred stood straight, his mouth slightly open.

Dent? Harvey Dent's niece? Not that they knew each other very well, but they did communicate occasionally. They even had common interests, like a favorite movie. Sometimes, especially when they were on the phone, he had the idea that she knew he was Batman. Well, or suggests.

"She is 26 years old and if you know more about her or have any information, call us at the number that will appear on the screen. At the moment, the motives for her abduction have not been established. Her captor turned out to be the Joker, that-" suddenly she stopped talking. The screen that showed the news some time ago went out and a black screen appeared instead for a while.

Suddenly, in front of Alfred and Bruce, a strange place appeared on the TV, recorded with clearly trembling hands. The camera shot is good, but as long as the one who was holding her turned her to himself.

Bruce's mouth opened slightly. The joker. A terrible man with terrible makeup and a smile carved into his face. She was heavily made up, as was the rest of her face, which was covered in white paint. He had green hair. It seems that Batman should deal with this. Bruce will definitely do it tonight.

"Hello, dear residents of Gotham and those who just turned on the air," he said very smoothly, but in a very unpleasant and drawling voice. His camera was very shaky and could not focus its attention on him. "I just watched your broadcast and I want to say that I have never heard anything more funny in my life. My angel doesn't want to escape. She loves me. And I love her, " he grinned even wider, starting to laugh a loud laugh that terrified Bruce. He'd seen a lot in his life, but this lunatic definitely deserved to be mistreated and put in Arkham. Wayne looked at Pennyworth, who was standing there with his eyes wide and his mouth open. A shiver ran down Bruce's spine.

***

"Harvey!" shouted a pretty-looking woman. Her eyes were fixed on the television. She was sitting on the couch, clutching the remote control of a small television. She was quite pretty: brown hair that was tied in a small ponytail, blue eyes that stared intently at the news. She was simply dressed. Beautiful evening light dress.

Suddenly, footsteps were heard from her side, and a man entered a small but beautifully furnished room. He was beautiful. Blond, unkempt hair, dark blue eyes, and a perfect smile that smiled at the girl sitting on the couch. However, his smile faded when he saw that she wasn't smiling and turned his eyes and ears to the woman on the news.

"What is it, Rachel?" Harvey asked uncomprehendingly, moving closer to the woman and sitting down next to her, not taking his eyes off the screen.

"Just listen," Rachel whispered, grabbing the man's arm.

"I can see on the cameras," the woman said, and as Harvey realized, another attack on the bank had taken place. "That one person killed them. In fact, it is possible as he takes the girl away. The identity was established, " photos of the girl began to appear on the screen and Dent's eyes suddenly widened.

Blake? W-what? Why her? What his harmless but lively niece had done, that she had been kidnapped by a criminal. Harvey's skin crawled. He felt the room grow hotter. He gripped Rachel's hand tightly, making a fist with his free hand.

"-at the moment, the motives for her abduction have not been established. Her captor turned out to be the Joker, which- " the woman didn't know how to finish as the screen went blank. Harvey looked at Rachel, who was also in shock. She was very fond of Harvey's niece and they often spent time in cafes. In fact, that's how she introduced Blake to Bruce.

Suddenly, an unknown and very intimidating face appeared in front of them. It was a man with green hair and makeup on his face. His lc o was also decorated with large scars, which he apparently covered up with red paint.

"Hello, dear residents of Gotham and those who just turned on the air," he said, slightly jerking the camera, which made it twice as uncomfortable to watch. He was smiling an eerie smile that inspired fear. "I just watched your broadcast and I want to say that I have never heard anything more funny in my life. My angel doesn't want to escape. She loves me. And I love her, " he began to laugh. The camera began to shake even more.

Rachel quickly got her bearings and turned off the TV, slowly lowering the remote. She turned her head and looked at Harvey, that I could not hold back and cried openly. Dawes could only pat him on the back and whisper soft, hopeful words in his ear.

[weclassybouquetfun]

WELCOME TO THE THUNDERDOME FANDOME!

While San Diego’s Comic Con is still happening in a fashion online starting July 22 through the 26th and WBTV will likely have a virtual presentation, DC Comics and Warner Bros. is holding a 24-hour global salute to all things DC with DC Fandome. 

Just what will the Fandome cover? 

“..the global event will immerse fans into the DC Multiverse, with new announcements from WB Games, Film and TV, and comics, as well as an unprecedented opportunity to hear from the casts and creators behind your favorite feature films and TV series, including: Aquaman, The Batman, Batwoman, Black Adam, Black Lightning, DC Super Hero Girls, DC’s Legends of Tomorrow, DC’s Stargirl, Doom Patrol, The Flash, Harley Quinn, the SnyderCut of Justice League, Lucifer, Pennyworth, SHAZAM!, The Suicide Squad, Supergirl, Superman & Lois, Teen Titans GO!, Titans, Watchmen, Young Justice: Outsiders and, coming this fall to theaters worldwide, Wonder Woman 1984.”

I personally can’t wait for THE SUICIDE SQUAD info. The film lost Will Smith but gained so much more. 

There will never be an alliance like the OG cast. 

I’m also glad that PENNYWORTH will get its shot at center stage. Unlike the other DC Comics/WB production that were on network TV or its streaming site PENNYWORTH airs on the little watched Epix. 

Set in Swinging 60s London, PENNYWORTH,  by the same team behind Fox’s GOTHAM, stars Jack Bannon as former solider turned security specialist Alfred Pennyworth who becomes embroiled in a fight against a shadowy organization who has garnered the attention of undercover CIA agent Thomas Wayne and journalist Martha Kane. 

DC is getting trounced in the cinematic realm by Marvel (even with WONDER WOMAN. Even with AQUAMAN) but AGENTS OF S.H.I.E.L.D and CLOAK & DAGGER have nothing on the DC series....

...especially since DAREDEVIL and PUNISHER are cancelled because THOSE SHOWS were fire, I can’t front. 

And while I don’t have that much against TITANS because there is one good thing about it -

My heart is with DOOM PATROL (returning Thursday) and the currently airing STARGIRL. 

It’s been a wild day in the Batman universe.  Director Joel Schumacher who directed BATMAN FOREVER and BATMAN and ROBIN (and a slew of other iconic films) passed away.

Schumacher’s films will obviously live on, but he will live on in another way as Rory Culkin will portray Schumacher in the FX series HALSTON starring Ewan McGregor as the fashion designer of the same name. 

Also, there’s a rumor that Tim Burton’s BATMAN, Michael Keaton is in talks to play an aging Batman in the FLASH standalone. When the story broke it was described as “talks” by the end of the day people were saying that Keaton’s Batman will serve as a recurring figure across the other DC/WB films a’la Samuel L. Jackson’s Nick Fury.  I won’t believe any of this until the studio confirms and even then I won’t believe it until I see it because the Flash standalone was announced in 2014, has went through four directors and has yet to roll film. 

[fandoms-equal-life]

A (kinda angry) rant about Baby Batcat in Gotham

I wrote the original rant 1am after I spoiled what happened for myself and I hadn’t even watched the episode yet (because I am so over this show I do not care about spoiling it plus I have homework) and I was really upset. Now I am caught up and fun fact, I AM STILL UPSET! But at least now I can make more sense.

Also, a couple warnings: 

1. I care about a total of 4 characters in this whole show: Bruce Wayne, Selina Kyle, Alfred Pennyworth, and Edward. Not Edward as in Nygma, Edward as in Penguin’s dog.

2. I will be the first to admit this rant is angry and full of emotion, but I stand by my points made at this time. I am very passionate about this ship (if that wasn’t obvious enough)

SO MY FRIENDS......

AFTER 4 SEASONS OF SHIPPINNG BABY BATCAT, GETTING BASICALLY NOTHING, THEN HAVING THE LOVE AND ADORATION PILED ON THIS SEASON BETWEEN THESE CHARACTERS, ONLY TO HAVE HIM ABONDON HER!! WITH A LETTER!!! LIKE WTF!! THAT IS NOT THE TYPE OF PERSON THIS BRUCE WAYNE IS!!

HE EVEN SAID GOODBYE TO GORDON IN PERSON. AND ALFRED!! BULLSHIT THAT HE WOULDN’T SAY GOODBYE TO SELINA!! (I could literally cry, I am so mad and sad because of how dirty the writers did Selina. I love her sO mUCH. FIGHT ME WRITERS)

Look....,,,, I’ve never read the comics and I’m honestly not that big of a Batman fan, but network comic book tv shows are never close to the canon of the comics. I watch almost of all the D.C. network shows and I see people complain about the canon being soooooo different, this is a WELL. KNOWN. FACT. WHICH MEANS the writers didn’t have to make Bruce leave, abandon not only Selina, the actual love of his life (as let me say it again for the people in the back THE AMOUNT OF BABY BATCAT WE GOT THIS SEASON SHOWS THE AMOUNT OF LOVE, yES LOVE, THESE TWO HAVE FOR EACH OTHER)  and Alfred, the man who fucking RAISED HIM and is currently VERY BROKEN IN PURSUIT OF PROTECTING NOT ONLY BRUCE BUT LEE, SELINA, BARBARA, AND BABY BARBARA is ridiculous and absurd.

Sure, Bruce pushed both Selina and Alfred away through the seasons, but this season??? So. Much. LOVE. For both Alfred and Selina. I have no doubt in my mind Bruce didn’t have to leave like this in the show.

The first reason is because Gotham will always need him, because it is a shitty city. CMON MAN, your parents were murdered before you even hit puberty, if Gotham needs a hero, it needed him/her a while ago.

The second reason is if Bruce needed to train more (plus the writers could easily add more trauma by killing a fly in front of this boy he’s so sensitive and soft), I feel like it wouldn’t be that hard. Not only because Gotham is a shit show of a city, Alfred, Jim, and pretty much everyone in this city have defended themselves and are trained in life and fighting.  Also like?? Take Selina with you. Bruce leaving isn’t going to protect her any more than if he’d stay in Gotham, also she could learn with you. PLUS, Selina/Catwoman is literally more badass than Bruce/Batman will ever be, she can literally protect herself.

ALSO, Selina motherfucking Kyle let Bruce motherfucking Wayne into her heart, put her guard down for him, and shared her love, and he returns the favor by doing the same for a little while, then writing a note to her??? Even though he 100% knew what that would do to her.  While I do think this Bruce Wayne is clueless and has his own weird tunnel vision, I really don’t think he is an asshole who doesn’t consider other peoples’ feelings. ESPECIALLY because he is older now. When he yelled at Selina in the hospital after Bruce stabbed Alfred, he was a scared kid. Now they are adults, not only in age, but in life considering what they have gone through in this season alone.

I am currently watching the episode and Selina VOLUENTEERED TO BRING THE BOMB TO WAYNE ENTERPRISES WITH BRUCE!! Not only as backup, but I am willing to bet THIS ENTIRE BLOG because she knew it would be incredibly hard for him to blow up one of the last remaining things his parents built. IF THAT’S NOT LOVE I DON’T KNOW WHAT IS!!!

LOOK AT THAT SMILE. SAY IT WITH ME

LOVE!!!!!

ALSO ALSO,,,,,, THAT FIGHT SCENE WITH BANE!!! COUPLES WHO FIGHT TOGETHER STAY TOGETHER

It would be one thing if they didn’t pile on the love this season. If that didn’t happen, I see why he would do this. It would be another thing if, you consider the comics at all, I didn’t know that Selina and Bruce get married and have a kid (which shows that even though Bruce is Batman he still loves Selina enough to marry her and “put her in harm’s way” in his definition) BUT GUESS WHAT??? I DO KNOW THAT AND THE WRITERS DID PUT ALL THE LOVE IN.

Bruce loves Gotham, but in my opinion, they did not stress that enough, they literally only focused on his love for Selina and Alfred. So, don’t be starting this “stereotypical” Batman shit when it’s obvious that this Bruce is different from the stereotypical Batman of the comics. THEREFORE, THE BRUCE THESE WRITERS MADE HIM TO BE IN THIS SHOW IS NOT THE BRUCE WHO WOULD LEAVE SELINA, ALFRED, OR EVEN GOTHAM BEHIND!!!!

And the fact of the matter is that it would be okay if Bruce did not leave Gotham behind in the show, because that is not the Bruce these writers made him to be. What is the point to make him one way, develop his character to be one who literally runs into dangers fists armed and dangerous, only for him to run away from Gotham when they actually need him? When it is being rebuilt after all this chaos.

I know that tv shows’ goal is to make it thrilling and heart wrenching, but the show is over. And this is network television. And it is not coming back. Plus, once the third season hits the show sucks. It’s no longer about art anymore at all, it’s all about the money for Warner Brothers and the fans who are so in love with the characters that they still watch (like me bitch). So, even though I fully admit to not being a Batman fan and knowing nothing about the comics, I stand by the fact Bruce leaving is bullshit, because that is not how the writers wrote THIS BRUCE to be. I have spent the last couple months so sad this show was ending and even though I KNEW something like this would happen, I still had hoped my babies would be okay.

NOPE.

Instead I got a Jim and Lee wedding that I didn’t ask for, a baby Barbara I didn’t ask for, Tabitha, a strong female lead, being killed in the first episode that i diDN’T aSK fOR, and shitty writing that has thrown one of my favorite ships in a tv show ever in the trash where it doesn’t deserve to be.

My only hope is that the next episode we have “I will be here whenever you need me” promise be used. Because I do not think I will pass my exams if they don’t reunite and it be somewhat happy.

I am also so devasted that the last time I will ever see Camren Bicondova play Selina Kyle. THIS FRAME RIGHT HERE.

A devasted look because Bruce Wayne was an asshole and left her and Gotham behind because dumb reasons only told to her on a letter.

I read her letter to the fans and I honestly love her even more because it is so obvious she cares so deeply for her character. I’m not even that mad that she won’t be portraying her in the final episode. Thank you, Camren, for everything you gave to this character. I wish they hadn’t fucked her over so hard.

In conclusion, fuck the writers of Gotham. You are inconsistent with your characters, want so badly to be accepted by the Batman community in a comic retrospect that you throw all character development in the trash to match up with the comics ever so slightly at random times, and you made my heart break in two.

[justgotham]

Gotham, the Fox TV series about a young James Gordon, an even younger Bruce Wayne, and the origin of Batman's rogues' gallery that debuted in 2014, has always faced an uphill climb. Whether it was something as complex and nebulous as the struggle to find its voice (and audience) or something as simple and specific as not being able to say the word "Joker," there were always challenges, both within the show's control and beyond its grasp.

But, after five seasons, over 100 episodes, a series of gang wars, an asylum that creates supervillains, countless shouts at the mirror, dead parents galore, rocket launchers, fear toxins, ice rays, flamethrowers, and a city under siege, that climb is ending.

Gotham makes its final run in 2019. The night after the last day of filming, the cast and crew, still processing their own feelings, assembled at New York's Paley Center to take the first of their last bows before a packed house of fans with feelings of their own after watching the season premiere, "Year Zero."

One of those feelings could most certainly be frustration. While Gothamwrapped production for the last time, The CW aired its Elseworlds series, which included, among other things, their own take on Gotham city. I mentioned this fact in passing to one of Gotham's producers (whom I'll spare from naming) who pointed out that, in fact, someone from the Arrowverse asked to borrow Gotham's bat signal for the Elseworlds three-night event.

The answer to that request, if you're curious, was "no."

The room above the theater where press, cast, and crew assembled before the episode screening was not filled with sadness or frustration, though. If anything, the more intimate affair mirrored more or less exactly the primary emotion fans saw a few hours later: gratitude.

While Chris Chalk (Lucius Fox) joked about his idea for a TV series about food tasters and David Mazouz (Bruce Wayne) showed off photos of a box the Gotham crew had assembled for him of his belongings (as though he'd been fired from an office job), there was an overwhelming feeling of gratefulness. The only sadness is that there won't be more.

I asked Robin Lord Taylor (Oswald Cobblepot) who he wished he'd had the chance to work with more during five seasons of Gotham and his answer, without skipping a beat, was "Sean Pertwee," who plays Alfred Pennyworth. Elaborating, Taylor said, "He's one of my best friends. It's like we couldn't be from more different places, and then you find each other in this weird circumstance. Yeah. So he's the one."

This is a feeling that you can see mirrored both specifically about Pertwee, but also in more generally. Camren Bicondova has utilized Instagram throughout her time on Gotham, sometimes speaking about how the family she found on the show got her through the highest and lowest times in her life. After the screening of "Year Zero," Bicondova spoke about how her show family was there for her in a way that she felt her actual family should have been but wasn't.

And you can see the tendrils of lasting friendships among team Gotham. Take it from someone who has stood in a lot of press lines to interview talent whose shows are ending. Sometimes you ask people for favorite memories and you get a blank stare. Gotham isn't like that.

I asked Cory Michael Smith (Edward Nygma) what stuck out in his mind as his best on-set moment, especially in this final year. There were many, he said, but he singled one out in particular: "Since Erin's standing next to me, Erin [Richards, who plays Barbara Kean] directed episode 512, which is not the last episode, but it is the last one we shot," he explained. "And I shot a short with her in March or early April, to kind of help her get ready. I worked for free, worked my ass off. It was a grueling experience, but we did this thing so she could get ready and prepare herself to take this on. And I'm really proud that I got to be a part of that journey for her and getting her to a place where she could present this thing and get an offer to direct an episode."

"Reunions will be very happy," he adds.

But first, there's Season 5 to contend with. It's hard to reveal more of what was said in interviews without giving things away, but, here are some spoiler-light tidbits.

Oswald has a dog this season. The dog's name is Edward. Taylor said he "loved every second of it and Smith acknowledged that the dog gives Penguin "loyalty that I couldn't."

Erin Richards has been hearing the same question from fans since the beginning: will Jim and Barbara have a child somehow despite their conflict. Richards said "we're definitely moving towards a situation," in our interview but both she and Ben McKenzie (Jim Gordon) admitted in the Q&A afterward that some mistakes will be made.

And, of course, you may have heard rumors that there will be death on the horizon. There's at least one major (likely permanent) death coming up very soon. Without giving it away, one of the cast members referred to the change as "really difficult" because of the tightness of the real-life friendship. But, for that cast member's character it is also a "helpful and necessary momentum change that will propel them towards what we see halfway through the season."

[trumpetnista]

CMW2/Trumpetnista: Not You, Too

Summary from FFN: CANON COMPLIANT AU WITH HEAVY SPOILERS FOR THE END OF SEASON 4 AND THE FIRST EPS OF 5. POSSIBLY A FUTURE FIC; Gotham breaks all the rules all the time, especially now. Thankfully, the one about cats having 9 lives? That still holds. Bruce thinks Selina is dead. Everyone does until she walks into the GCPD the next morning.;Rated for language and imagery;1st in my 2019 SSS Project

Words from the Hooded GOTHAMITE: As I said last time, what keeps me watching GOTHAM (other than the awesome writing, dope ass cast, and the lovely fandom...) are Bruce Wayne and Selina Kyle. They hooked me like a fish and I fell in love with the rest of the show in the process. Season 5 has been excellent as always yet bittersweet. It’s supposed to be the last one (I hope not. I hope the show gets picked up or we get a movie or something! It can’t be over yet! Come on!) and I have a feeling that B and Grumpy Cat aren’t gonna be together in the endgame. Not outright, anyways. I don’t think they’ll be enemies but together? As in Helena Wayne showing up levels of together? Nah. 

That’s what fanfic is for. There is a follow up to Positive planned, BTW.

Anyway, this one is another canon complaint AU set in the current season. All you really need to know is that The Eviler Evil Valeska Twin shot our girl, she was paralyzed and now she’s not thanks to Ivy Pepper Version 3’s reluctant help, and Gotham is now divided up into Zones, most of them insane and wild and chock full of yikes. Oh, and Bruce loves Selina but that’s always been pretty fucking obvious. LOL! Enjoy the latest. 

Disclaimer: “Honestly, it’s not mine!”

"What's up, 5-0? Beautiful day, isn't it? The sky is smoggy blue and the birds are singing..."

He was hallucinating.

He had to be.

There was no way that what he was hearing was possible.

No matter how much he ached to, there was no way that he was hearing Selina Kyle's voice.

She was dead. Truly dead. She had gone on one of what she called her "shopping trips" for The Haven and Jeremiah Valeska had finished what he had started that horrible night in the Study. He and his demented girlfriend had trapped her in a warehouse, knocked her out, and blown her up. Not only had they done it, Jeremiah had turned himself in, battered but proud. He claimed that it had been for the best. Selina was nothing but street trash. She was his downfall and utterly unacceptable as a companion for him. Gotham needed its Dark Knight to be with someone who truly understood what reality was. Someone like...

Bruce Wayne hadn't let him finish. Before anyone could stop him, he had picked up a chair and gone after him, much to the shrieking horror of Ecco. It had taken several officers and someone, likely Alfred Pennyworth, sedating him to make him stop. He had woken up in Jim Gordon's office and had stayed on the couch. He didn't want to see anyone. Nobody knew what to say to him. Everyone knew how much Selina meant to him. That was why she had been targeted twice.

Bruce had managed to help her. He had gone straight into the belly of Ivy Pepper's foliage covered beast to get the root to fix her severed spine. Selina had gotten back on her feet immediately and hit the ground running. Shocking everyone, she had opted to wait to get her revenge against Valeska. She was going to play the long game. Valeska wasn't going anywhere. He was just as trapped as everyone else, thanks to the bridges being gone and the Travel Ban.

When asked why, she had sadly explained that Tabitha Galavan, her Mentor turned Sister, had been impatient for revenge and it had taken her life. She had allowed anger and hurt to cloud her judgement. She had dropped her guard and Oswald Cobblepot had promptly murdered her. Bruce had seen it happen. It had been expected. After all, both Galavan siblings had done great harm to the man but hearing Barbara Kean's devastated rage? Knowing that Selina would have to mourn her? It had hurt deeply. It was all a goddamned waste.

Instead of seeking out Valeska or his followers, Selina had opted to use her skills as a thief to help The Haven and its refugees. She would pick a small gang's turf within a Zone, typically Penguin's, and go in for 12-36 hours. She would bring back people, ammunition, medicine, and meaningful things like blankets or feminine hygiene products. She had quickly gained a reputation for being utterly ruthless to any who tried to stop her, which had concerned him greatly. Ivy had warned him that the root would not only fix her spine but amplify the darker aspects of her personality. Bruce had tried to reel her in, leading to several arguments, and eventually, they had reached a stalemate.

She would do what she liked. He would stay out her way or at least keep his judgement to himself while he helped her. Gotham was a madhouse. It always had been but now? It was a free for all. It was survival of the fittest and she would be damned if she let someone who crossed her walk away. She had made that mistake in the past and it had cost her dearly. She had been screwed over one too many times. It would not be happening again. If there was a Hell, she was already going to it so what did it matter, anyways? Self defense wasn't murder, neither was saving people's asses.

Plus, she didn't know about him but she was in no mood to deal with the same group of psychos 10 years from now. She wanted to deal with new psychos.

But, now she wouldn't because she was dead and gone. She was as dead and gone as his parents.

His Selina was gone and Bruce would never see her again, not in this life.

But, the hallucination...she wasn't...she couldn't be...

Could she? Please?

Her mane of golden chestnut curls wasn't singed and pulled up into a messy bun. She wasn't standing in the 12th precinct's main entryway. She wasn't wheezing softly from a partially blocked nose. Her tactical suit wasn't unzipped to reveal a stained gray sports bra and bruised torso. She wasn't looking at the stunned occupants of the room with her usual dismissive amusement, even with a black eye. She wasn't limping and her whip wasn't wrapped around her bruised shoulder like a coil of wire as she drank straight from a bottle of what appeared to be Everclear.

She couldn't be...could she? Was it possible? She couldn't...why was the room spinning? Why was his chest hurting? Bruce stood in the office, speechless and shaking, watching as the Selina hallucination sat on the receptionist desk. It was so real...

"What's the matter? You guys never seen a 7 lives having bitch before?"

"My God..."

"Jesus Christ, Gordon! Get the hell off of me! You, too, Alfred! Bad touch!"

The hallucination looked like her. It definitely sounded like her but it couldn't...she wasn't...but Jim was smiling at it. Alfred was too. Both were still hugging the hallucination and Harvey Bullock had taken its bottle of liquor away, taking a deep swig. She snatched it back from him and shot him a lethal look, making him grin.

"Buzz off, gumshoe. This is mine. I earned it. Plus, it's the closest thing we've got to morphine, which I kinda need right now. I need some morphine, a shower, a nap, maybe take a crap before all of that..."

"Kid, we all thought you were done for. Valeska and his crazy Terminator bitch said you were."

"I'm not a kid. Yeah, I definitely got shanghaied by those goddamned freaks and it sucked but their bomb didn't kill me like they wanted it to. It just made me fly away, which was totally fun until I landed face, ribs, and tits first into the side of a delivery truck. Don't do that, by the way. It hurts. I managed to get it started and it has some good stuff in there. Ammo, some cases of water, and those military TV dinner things and I think there might be meds. I'm not sure. Speaking of meds, I'm still looking for Lee. She was the best, bravest doctor in the city and if I can find her, you can get The Narrows under control real easy. Everybody loved her because she legit gave a shit so they're looking for her. There's a big T.P. and blankets reward for anyone who finds her. She might be across the river, I dunno. Maybe someone could swim over through the subways to go check and to ask for help in person since using the radio obviously doesn't goddamned work..."

"It's too dangerous. The damage from the bridges blocked or flooded the tunnels."

"Dammit. You can't rig something up, Foxy? You're like the better version of that tech dude from the James Bonds movies. The hell's his name again? X? Y?"

"Q."

"Right...whatever. Where's Bruce?"

"Selina..."

"Where. Is. Bruce? Alfred, where is he? Did he...where the hell is he?! What happened?!"

"Valeska showed up here gloating and he snapped. He took a chair to him and...he was in Cap's office but..."

"Get out of my way. Now."

"Selina, I know you're worried but..."

"Harper, I really like you but if you don't get the fuck out of my way, I swear to God, I'll..."

Bruce stepped out of the office and all eyes went to him. All he could see was Selina. He was still shaking and breathing was getting more difficult by the second but he couldn't look away. He didn't even want to blink because then, she would disappear and...

"Oh, no."

As soon as she touched him, reality hit him all at once.

She was real.

She was alive!

"Bruce. Bruce? Come on, baby, look at me...you need to breathe...look at me!"

His first instinct was to obey her and he did just that. His Selina wanted him to breathe. She wanted him to look at her and he was going to. He was going to do any and everything she asked.

Baby? That was new. Selina usually called him B or by his full name. Either that or she called him a douchebag or something else along those lines but fondly. Never a pet name. She had always cringed at pet names and other conventional romantic relationship things like them. But, she was alive. She was alive. She was battered and bruised and didn't smell very good but she was alive. Selina was alive! She wasn't gone. Jeremiah hadn't taken her away from him. Gotham hadn't stolen her away from him. He hadn't lost her. She was alive. She was right in front of him. He wasn't dreaming. He wasn't hallucinating.

"Selina?"

"Hey, Bruce."

"You're alive."

"Barely."

"...y-you're alive?"

"Yeah, I'm alive. I'm right in of- ow!"

Bruce knew that he would have to do some serious groveling later but he didn't care. He hauled Selina flush against him and squeezed as hard as he could, uncaring of her injuries. The noises escaping him could be called crying or maybe screaming, he wasn't sure. As if let loose from a puppeteer's strings, he slumped against the wall and surprising him, Selina wasn't fighting him.

She was holding onto him just as tightly. She was crying like she had after her failed suicide attempt and he loosened his grip enough for her to look up at him. She had to look up at him, now. She had to stand on her tiptoes to give him a proper kiss when they were standing. He remembered when she was taller than him. He remembered when they first met. Every memory he had with her, good and bad, was running through his mind at warp speed.

Cupping his face, she kissed him deeply and he responded immediately, mindful of her cut lip. His second hug was much gentler and he smiled at a beaming Alfred, a crying and grinning Jim. They loved her just as much as he did. They were her family, along with Barbara Kean, and...

"As soon as the Travel Ban lifts, I'm going on vacation and I'm taking you with me. I don't give a shit about your Mission or whatever the hell you call it. We're going someplace warm where we can get falling down fucked up drunk legally and I can have my tits out."

Bruce tried to laugh but he kept sobbing, drinking her in greedily. She was alive. His best friend, his heart, his Selina was alive! She wanted to go someplace warm? Done. She wanted him with her? Done. Whatever she wanted, whatever she needed, he would do it. Even if (when) it compromised his moral compass, he would do it anyway because Selina Kyle was alive. She was alive and he wasn't going to question how. Okay, he would because that was how he was. He always wanted answers but the universe had granted him a most precious gift and...

"...not you, too?"

His voice was small and the smile, the look she gave him was the softest he had ever seen.

"Not me, too. Not today. Not ever. You're stuck with me, Bruce Wayne. Get used to it."

[ao3feed-batcat]

Green Scale

read it on the AO3 at https://ift.tt/Z2Sh5km

by Perpetually_Tired

In a shocking turn of events after the divorce between Midoriya Izuku's parents lead to his neglectful father getting custody of Izuku and he is moved to Gotham City where he finds a far better family in the Rogue's. Sadly not all wonderful things last forever and when his father dies in a Joker attack Izuku is sent back to Japan despite not wanting to stay in the city he considers his home. After returning to Japan he applies to UA after a dare from one of the Rogues. Against all odds he makes it in and despite getting top spot people still look down upon him for his lack of quirk. And as everyone knows spite can go a long way, especially when you're raised by the Rogues and he decides to show all of them exactly what a quirkless kid, especially one from Gotham, can do.

Words: 1202, Chapters: 1/?, Language: English

Fandoms: Gotham (TV), DC Elseworlds, 僕のヒーローアカデミア | Boku no Hero Academia | My Hero Academia

Rating: Teen And Up Audiences

Warnings: No Archive Warnings Apply

Categories: Gen

Characters: Midoriya Izuku, Oswald Cobblepot, Edward Nygma, Ivy Pepper (Gotham), Harleen Quinzel, Selina Kyle, Bruce Wayne, Barbara Lee Gordon (Gotham TV), Dick Grayson, Class 1-A (My Hero Academia), League of Villains (My Hero Academia), Aizawa Shouta | Eraserhead, Yamada Hizashi | Present Mic, Kayama Nemuri | Midnight, Midoriya Inko, Todoroki Shouto, Bakugou Katsuki, Kirishima Eijirou, Uraraka Ochako, Ashido Mina, Kaminari Denki, U.A. Faculty (My Hero Academia), U.A. Students (My Hero Academia), Jim Gordon, Harvey Bullock, Jonathan Crane, Alfred Pennyworth, Barbara Kean, Leslie Thompkins

Relationships: Oswald Cobblepot/Edward Nygma, Ivy Pepper (Gotham)/Harleen Quinzel, Selina Kyle/Bruce Wayne, Barbara Gordon/Dick Grayson, Barbara Gordon/Dick Grayson/Midoriya Izuku, Oswald Cobblepot & Midoriya Izuku, Edward Nygma & Midoriya Izuku, Midoriya Izuku & Harleen Quinzel, Selina Kyle & Midoriya Izuku, Midoriya Izuku & The Gotham Rogues, Midoriya Izuku & Todoroki Shouto, Midoriya Izuku & Shinsou Hitoshi, Bakugou Katsuki & Midoriya Izuku

Additional Tags: Quirkless Midoriya Izuku, Quirkless Discrimination (My Hero Academia), BAMF Midoriya Izuku, Tired Midoriya Izuku, Sassy Midoriya Izuku, Sarcastic Midoriya Izuku, Smart Midoriya Izuku, Genius Midoriya Izuku, Spiteful Midoriya Izuku, Petty Midoriya Izuku, Protective Oswald Cobblepot, Parent Oswald Cobblepot, Parent Edward Nygma, Past Joker (DCU)/Harleen Quinzel, Protective Harleen Quinzel, BAMF Harleen Quinzel, Bisexual Midoriya Izuku, Bisexual Dick Grayson, Bisexual Barbara Gordon, Protective Ivy Pepper (Gotham), Protective Selina Kyle, BAMF Selina Kyle, Protective Harvey Bullock, Bakugou Katsuki is Bad at Feelings, Bakugou Katsuki Redemption, Morally Ambiguous Midoriya Izuku

read it on the AO3 at https://ift.tt/Z2Sh5km

[aion-rsa]

Zack Snyder’s Justice League: DC Comics and DCEU Easter Eggs Guide

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This article contains Zack Snyder’s Justice League spoilers. We have a (relatively) spoiler free review here. 

Well, they finally released the Snyder Cut! Zack Snyder’s Justice League is now out in the world (and streaming on HBO Max) and it’s four hours of the director’s undiluted, controversial take on the DC Universe. It’s even more packed with DC history than the “official” theatrical release, if you can believe that, and it builds out the world of the DCEU in some new and unexpected ways.

There’s no shortage of DC Comics Easter eggs in Zack Snyder’s Justice League, and even nods to DC movies of the past. It’s a six course meal of a movie that DC superhero fans should savor, because we’re unlikely to ever see anything like this again.

We’ve tried to find all the DC references and lore in the film. Here’s what we’ve got so far.

The Story

While the Justice League have been around since 1960 (they first appeared in Brave and the Bold #28) the broad strokes of this movie are based on 2011’s Justice League: Origin (which was adapted as the animated movie, Justice League: War), the comic book story that revamped the team’s initial team-up for a new generation. The villain of the comic was Darkseid not Steppenwolf, but the Parademon hordes, the Mother Boxes, and the tying of Cyborg’s origin to Fourth World technology all come straight out of this story.

Steppenwolf DID show up in a contemporary story as well, though. A visually-similar version of the character appeared in DC’s Earth-2, which indicated that Darkseid’s attack on Earth was one that spanned the multiverse, and his lieutenant Steppenwolf ravaged a different Earth, killing its greatest heroes in the process. So that’s two big comics influences out of the way here.

Throughout this movie, Steppenwolf keeps on trying to bring about “the unity” with the three Mother Boxes, but as far as I know, that has no correlation to anything in the comics. If anything, Steppenwolf’s quest and the movie’s backstory has more in common with the Lord of the Rings saga than anything Jack Kirby did, with magical tech being distributed across the different races of the world to keep it from falling into the wrong hands.

Aquaman

Of all the characters in this film, Aquaman seems to bear the most of Zack Snyder’s stamp. It’s incredibly visible just in his eyes, which were “humanized” considerably by the time he appeared in his solo movie.

Snyder’s original vision for Aquaman was clearly something a little grittier than the gleaming underwater fantasy that James Wan brought us. The eerie “hymn” that the women of the village sing to mark Arthur’s departure is a haunting reminder of how these characters are seen in this world.

As Aquaman returns to Atlantis, we see a familiar octopus. Could this be Topo, comic book octopus sidekick to Arthur and famed for his drum solo skills in the Aquaman movie? I’d like to think it is.

Willem Dafoe’s Vulko is here, looking a little different and perhaps a bit less kindly than he did in Wan’s film. Interestingly, he refers to Arthur as “the king who would be man,” an inversion on “the man who would be king,” and a shot at Arthur for not taking his rightful place as heir to the throne of Atlantis. For his part, Arthur’s refusal on the grounds that the Atlanteans are a “brutal, petty, superstitious people” also hints at broader visions Snyder had for the character.

Read more

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Aquaman: Complete DC Comics Easter Eggs and DCEU Reference Guide

By Mike Cecchini

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It’s interesting to note that Mera and other Atlanteans speak with English accents here, where they didn’t in the Aquaman movie. It’s a proud tradition of making alien races speak with an English accent, one perhaps most famous in superhero movies thanks to virtually the entire population of Krypton in Richard Donner’s Superman: The Movie.

Similarly, Atlanteans don’t speak underwater here as they do in the James Wan film, instead creating bubbles of air in which to communicate like land-dwellers. It’s pretty cool.

The song that plays when Arthur vanishes into the waves is Nick Cave’s “There is a Kingdom,” and its lyrics are pretty much as on-the-nose as you might expect. 

Aquaman spearing two Parademons with his trident reminds me of this moment from Justice League: Origin, as well…

Is Aquaman the first person to call Bruce “Batman” in the DCEU? In Batman v Superman it was all “the Bat” this and “the Gotham Bat” that.

Speaking of Batman…

Batman

When we first see Bruce Wayne searching for the mysterious Arthur Curry, he’s riding a jet black horse, which is very similar to the steed he rode in some famous pages of Frank Miller, Klaus Janson, and Lynn Varley’s classic and influential The Dark Knight Returns, a work which has considerable influence on how Batman was portrayed here and in Batman v Superman: Dawn of Justice.

If you look closely you can see a 201 area code on Bruce Wayne’s business card, which further confirms that Gotham City is on the New Jersey side of the river that separates it from Metropolis.

This movie, like Batman v Superman before it, reminds us that we’re dealing with a Batman who has been active for 20 years. It’s yet another reminder of the influence of The Dark Knight Returns on the DCEU vision for Batman, depicting him as a much older, more experienced crimefighter.

Let’s just take a moment to appreciate how good Jeremy Irons is as Alfred Pennyworth. His line about “someone who broods in a cave” is classic Alfred shade (as is the moment later on when he is totally micromanaging how Diana makes tea). See also: Bruce’s joke about how he works for Alfred.

Bruce tells Alfred that he “made a promise to him [Superman] on his grave.” As we well know with Bruce and his parents, when he swears on someone’s grave, it’s a promise he takes very seriously.

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Comics

Batman v Superman: Dawn of Justice – Complete DC Comics Easter Eggs and Reference Guide

By Mike Cecchini

TV

The Batman Animated Series You Never Saw

By Mike Cecchini

We meet Kobna Holdbrook-Smith as Crispus Allen very briefly in Gotham PD HQ talking to JK Simmons’ excellent Jim Gordon. Detective Crispus Allen was a Batman supporting character who played a significant role in the excellent Gotham Central series. While we don’t get any hint of his future here, Allen went on to become the human host of the Spectre after he was murdered by a corrupt colleague.

Barry asks Bruce incredulously, “you have a satellite?” to which Bruce calmly responds, “I have six.” It feels very much like something Grant Morrison’s Batman would say (he even owns a flying saucer), but it ALSO hints at the fact that for many years, the Justice League operated out of a satellite HQ. Perhaps Bruce would consider moving the team up there in future installments.

During the big battle at the end, there’s a terrific shot of Batman that mirrors his first appearance in Detective Comics #27.

There’s a pretty clear shot of the Bat-tank that is a very direct nod to a panel from Dark Knight Returns.

Cyborg

It seems like all the flashbacks to Vic Stone’s pre-Cyborg college days take place in 2015, so it’s after the events of Man of Steel, but he has only been “Cyborg” for a relatively brief period here.

Thanks to the backstory in this version of the film, we learn that Vic is already a genius level intellect. Although in the comics it was because Drs Silas and Elinore Stone were already experimenting on their son long before the accident that forced them to turn him into Cyborg.

Interestingly, the origin story here is neither the classic comics origin nor the New 52 version (surprising, since so much of this film feels inspired by the New 52 Justice League: Origin story). There, it was either an accident with interdimensional energy or the opening of a Mother Box/Boom Tube which virtually destroyed Victor’s body and caused the creation of Cyborg.

What is the Dean of GCU’s name? It looks like it might be “Dean Stanton” which would be a lovely tribute to actor Harry Dean Stanton (but there’s no DC Comics connection here in that case).

You may note that the scoreboard for Gotham City University was built by Wayne Enterprises.

It’s probably a coincidence, but Cyborg financially helps out a “Linda S. Reed.” In the comics Linda Reed was a short-lived Green Arrow character who (along with her twin sister Ramona) went by the uninspiring name of “Girl Archer.”

Since Vic Stone has traditionally been a Teen Titans character, and he and Barry are by far the youngest members of the League, it makes sense that they would bond. Especially since this version of Barry Allen has more in common with the comic book version of Wally West than anything else, and Wally was a member of the Titans with Vic.

The Flash

When we first meet Barry Allen he is late to a job interview. This isn’t just a play on “oh, the fastest man alive is actually really slow” or something, Barry’s habitual lateness was baked into the character in his very first appearance back in Showcase #4. Similarly, even his predecessor, Jay Garrick was known for this not terribly charming trait, too.

Interestingly, Barry’s persona in the DCEU feels much more in common with the Wally West of the DC Animated Universe. He’s the less experienced hero, a kind of point-of-view character, and generally younger and funnier than his teammates. But the more specific Wally reference is his need to consume tremendous quantities of calories to keep going (his “snack hole” crack), something that was unique to Wally among Flashes (but which was also utilized when John Wesley Shipp played Barry on the 1990 The Flash TV series).

That’s Billy Crudup as Henry Allen in jail (who sadly won’t be reprising his role in Andy Muschietti’s The Flash movie) The whole “hands on the glass” thing was done quite a bit between the TV versions of these characters, played by Grant Gustin and the great John Wesley Shipp. Henry’s line to Barry that he should “make your own future” would seem to foreshadow the events of Flashpoint, as well.

But there’s one other similarity to the TV show worth pointing out…

Henry is rocking the Jay Garrick look with the grey hair at the temples thing. With certain developments on The Flash TV series, this could also be an indicator of how things will be handled in the DCEU. I wrote lots more about Jay Garrick, one of my favorite characters, right here.

Barry notes to Bruce that he is fluent in “gorilla sign language,” which could come in handy down the road should he encounter a race of superintelligent gorillas who have started their own civilization or something like that. 

Is Barry wearing a “Black Freighter” t-shirt? As in the pirate story that is woven through the Watchmen comics? You don’t need me to remind you that Zack Snyder also directed a Watchmen movie, right?

If you look at Barry’s desk, there’s a photo of Nikola Tesla there, which makes sense given Flash’s whole aesthetic.

One fun thing about Barry’s personal HQ: If you look carefully on one of the TVs, you can spot that he’s a Rick and Morty fan, and a particular season two episode, which involves a chemically-enhanced Summer and Rick beating the crap out of unsavory types like Nazis, is playing in the background.

It’s interesting to note that Barry is only now just on the path to becoming a police scientist, rather than already having been driven to do so. It’s almost like his time with the Justice League inspires him to do more with his professional life, as well.

Read more

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The Flash TV Episode We Almost Saw

By Mike Cecchini

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Stargirl Season 2 Will Put The Flash in the JSA Where He Belongs

By Mike Cecchini

It’s interesting that the Barry Allen of the DCEU is Jewish, if only because we’ve never had any hint of Flash’s faith (or lack thereof) in the comics or on the TV show. The closest Barry Allen has to any kind of religious or ethnic identity has always been “midwestern.” Brian Cronin at CBR thinks this could be a reference to a throwaway line from a late ’80s DC story, but I don’t necessarily think that’s considered canon. I’m open to corrections, though!

Iris West

We see the first meeting between Barry Allen and Iris West here. I don’t know the exact make and model of the vintage convertible that Iris is driving (if anyone does, please give us a shout in the comments or on Twitter), but it feels like it COULD be from the year 1956, when Showcase #4 was published. Similarly, the excellent and underrated The Flash TV series from the 1990s used to populate the streets of its version of Central City with vintage cars to give it a “timeless” feel.

Speaking of Showcase #4, the fact that hot dogs are among the things kind of hovering in midair thanks to Barry moving at super speed is another nod to the character’s first appearance, when one of Barry’s first super speed acts was to catch a spilled tray of food in a diner in mid-air before the waitress knew what had happened.

What’s the brand of fast food the truck driver is eating? I can’t quite make it out. It would be cool if it was a Big Belly Burger with a Soder Cola, but I think it might just be something lame like “Burger Shop.” Help me out, folks!

The truck that nearly kills Iris is for a company called Gard’ner Fox, a reference to classic Flash writer/co-creator Gardener Fox.

You can see a newspaper box for The Central City Tribune, which hints at the fact that Iris West is a journalist in the comics.

Superman

Martha’s dog’s name is Rusty, which I THINK is a reference to a briefly glimpsed pooch in Richard Donner’s Superman: The Movie. But I can’t fully confirm that as of this writing.

Lois Lane’s depression and loneliness is soundtracked, appropriately enough, to “Distant Sky” by Nick Cave and the Bad Seeds (Mr. Snyder seems to love the work of Nick Cave), which features lyrics like “They told us our gods would outlive us,” but there’s lots here that mirrors the journey of these heroes in the film.

The Daily Planet’s slogan in the DCEU is “reporting on the planet, daily” which seems a little on-the-nose to me, but whatever. It’s had several in the comics, but in Richard Donner’s Superman it was “Metropolis’ Greatest Newspaper.”

When the Motherbox generates the image of Superman flying, it’s a classic Superman pose this is. This is a really cool shot, and looks like a Curt Swan/Murphy Anderson drawing of the Man of Steel come to life.

During the return to the Kryptonian ship that served as the de facto Fortress of Solitude in Man of Steel (and which gives Supes his black costume here), we can spot the open pod that launched so many fan theories in 2013. A possibly no-longer-canon Man of Steel prequel comic that was nonetheless written by David Goyer implied that it was Kara Zor-El who was in that pod, and who has roamed the DCEU undiscovered thus far.

You can hear moments of Hans Zimmer’s truly excellent Man of Steel score at key Superman moments throughout the film, too.

Clark Kent was buried in a conservative dark blue business suit, with a red tie, and black shoes. That is the exact outfit that the comic book version of Clark Kent wore in virtually every single comic book appearance from roughly 1938 until 1986. Henry Cavill’s Clark was a little more fashionable in life, but not in death.

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When Superman wakes up, well, it’s not pretty. This scene serves two purposes, though. For one thing, it demonstrates how he is more powerful than the entire team combined, lest anyone think that Superman is lame. But his disorientation and raw fury are a slight nod to how in the comics and cartoons, at several points, Superman has been manipulated by Darkseid. While that doesn’t quite happen here, the role of Fourth World technology in his resurrection feels like it’s not a coincidence.

Clark “returning” to himself in the field in front of his Smallville home and being greeted by Martha Kent feels like an inversion of Clark leaving home in Superman: The Movie and bidding his mother farewell. He’s wearing a similar flannel shirt in both scenes, too.

As Clark completes his journey and “returns” to being Superman, complete with the cool new costume (more on that in a second), we hear the voices of BOTH his fathers, both Jor-El and Jonathan Kent. It’s yet another nod to Richard Donner’s Superman, when Kal-El was guided by the voice and spirit of his Kryptonian father when he first wore the suit. And, of course, his takeoff here mirrors his first flight in Man of Steel, completing his “rebirth.”

The black and silver Superman suit was a fixture of Reign of the Supermen, the story that brought the recently deceased Man of Steel back to life. In the comics, it was a kind of regeneration suit, meant to help harness solar radiation for Superman’s cells. It’s not clear if it is meant to serve that purpose here, since (as we see when he kicks the entire League’s ass) he was already at full physical (if not mental) power upon his resurrection. It’s been done several times in live action too, but it has never looked as good as it does here.

Amusing detail about the Kent Farm being foreclosed on…there’s already some awful suburban McMansion built right across the road.

Marc McClure who played Jimmy Olsen in the Donner Superman films played an Iron Heights prison guard in the theatrical cut of the film, but here he is the cop guarding the Superman memorial in Metropolis.

And the final true shot we see of Superman in the film, with Clark Kent becoming aware of trouble and doing the classic “shirt rip” is another iconic moment from throughout the character’s history, although it’s never better than it is in Superman: The Movie right before the big helicopter rescue. It’s worth noting that in the theatrical cut, Supes was back in the red and blue, while here he has chosen to stay in the black and silver.

Wonder Woman

One of the big takeaways from Wonder Woman’s intro sequence is that even mundane villains in the DCEU are cool, stylish, dangerous, and they don’t think small. These guys are the face of a mysterious organization who want to “turn back the clock” but I have yet to find a suitable DC Comics parallel to them.

Of course, the statue we see Wonder Woman standing on is Justice herself.

Diana’s white dress while she’s working on restoring the statue feels vaguely reminiscent of her “mod years” in the late 1960s, where she briefly ditched her primary colored costume to fight in something a little more practical.

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Wonder Woman wearing an appropriately stylish black getup when visiting Bruce in the cave kind of reminds me of Wonder Girl Donna Troy’s star-spangled black outfit that she wore for a little while…but that’s probably just a coincidence.

Diana tells Bruce that she “once knew a man who would have loved to fly it” regarding Bruce’s flying troop transport for the League. She is, of course, referring to Steve Trevor, but this line takes on a little bit of extra weight after we see Steve flying more modern aircraft in Wonder Woman 1984.

At one point in the film, Diana hints that Atlantis and Themyscira had been at war at one point in the past. This has been teased in the comics several times and came to a head in the Flashpoint comics.

There’s a cool moment when Steppenwolf tells Wonder Woman that she has “the blood of the old gods” in her veins. When Jack Kirby created the New Gods and the Fourth World, he was still working for Marvel. The original plan was for the Asgard of Marvel’s Thor comics to undergo a Ragnarok, everyone would die, and in its place would be these New Gods. Obviously that didn’t happen, and the concepts ended up at DC. But that one line, tying Diana’s Greek mythology roots directly to the cosmic New Gods of the DCEU, is surprisingly in keeping with Kirby’s original intention.

Ryan Choi

We get another hero snuck into the mix in this movie, in the form of STAR Labs’ Ryan Choi (played by Zheng Kai). While he doesn’t suit up in this film, Choi was the inheritor of Ray Palmer’s mantle as the shrinking superhero, the Atom.

By the end of the film, Choi is given the title of head of nanotechnology for STAR Labs, further setting up his future as a hero.

Green Lantern

While no Green Lantern remains alive for long in this film, there are plenty of references to the Green Lantern Corps throughout…

Steppenwolf promises that there are “no protectors, no Lanterns, no Kryptonian” guarding Earth this time, which is pretty self-explanatory.

This member of the Green Lantern Corps we see fall in battle during the flashback sequence is Yalan Gur, a character who has only made a handful of appearances in the comics. Gur was indeed the Green Lantern of space sector 2814 (that includes Earth) around the time this battle would have taken place. In the comics, Gur was corrupted by his own power and turned on the humans of Earth, but he clearly didn’t get that chance in the movie, as he was killed by Darkseid in the flashback.

During the vision of the future where Darkseid has gained control of the Anti-Life Equation, another dead Green Lantern can be spotted amongst the rubble of a ruined city. That would be of Green Lantern Corps drill sergeant and fan favorite, Kilowog. This is Kilowog’s second live action appearance, if you count 2011’s not great Green Lantern movie with Ryan Reynolds.

Darkseid

Steppenwolf tells the Amazons that he “has come to enlighten you to The Great Darkness.” The Great Darkness is more than just a reference to Darkseid himself and his entire philosophy, but is also a reference to what is perhaps the ultimate Legion of Super-Heroes story, The Great Darkness Saga, by Paul Levitz and Keith Giffen, which saw a long dormant Darkseid return to life to terrorize the galaxy a thousand years from now.

When Darkseid strikes the surface of the Earth with his axe, it creates the kind of hellish firepits that his homeworld of Apokalips is famous for.

Darkseid taking on the literal “old gods” of Earth including Zeus, Ares, Apollo, and Poseidon is a fun contrast with the fact that he is part of DC’s “New Gods” mythology.

Darkseid is searching for the Anti-Life Equation, which we wrote more about here.

During Darkseid’s “vision” of the universe once he has obtained the Anti-Life Equation, we can see Superman holding a charred corpse, which is presumably the body of Lois Lane. This apparently sets him up for corruption by Darkseid, and helps bring about the “Knightmare” vision from Batman v Superman, which is once again glimpsed at the end of this film.

The third figure we see on Apokalips with Darkseid and Desaad appears to be Granny Goodness, the chief of the armies of Apokalips (and the one who trained/traumatized DC heroes Mister Miracle and Big Barda).

Parademons

The weird insectoid drones making everyone’s lives miserable are Parademons, the foot soldiers of the planet Apokolips, a hellish world which lives in opposition to New Genesis, the home of the New Gods and Forever People. All of this great stuff was created by the brilliant Jack Kirby, by the way. Steppenwolf (more on him in a minute) and the Parademons are trying to collect three Mother Boxes left on Earth.

What is a Mother Box?

The Mother Box is the unifying piece of technology of Jack Kirby’s Fourth World epic. Think of a Mother Box as an alien smartphone that can do anything from heal the injured to teleport you across time and space. It’s pretty cool hearing their trademark “ping. ping. ping.” sound for real.

Mother Boxes are often used to call down Boom Tubes, the preferred method of transport of the New Gods and their friends and foes. We see them deployed quite a bit throughout this movie, obviously. Super Powers fans of the 1980s may remember that on Super Friends: Galactic Guardians, boom tubes were referred to as star gates.

It’s POSSIBLE that the knights burying the Mother Box are meant to be King Arthur and his crew, while the one with the horns could be Sir Bors. They relatively recently appeared in Demon Knights, but they were best in Seven Soldiers of Victory, where the Knights of the Round Table fought an invasion from evil Faeries and lost, only to have Sir Ystina, the Shining Knight, help save the world in the present day. Honestly, that sounds like it would be pretty up Zack Snyder’s alley too, now that we think about it.

Mother Box is cataloged as “unknown object 61982” after it has been discovered in the modern world. So far, I haven’t been able to find any DC Comics or DCEU significance to that number.

DeSaad

DeSaad is Darkseid’s chief advisor and torturer-in-chief (hence the name). Like all the other cool Fourth World stuff in this movie, he was created solely by the legendary Jack Kirby. He first appeared in Forever People #2 in 1971.

It’s kind of cool that the nameless “Motherbox priestesses” kind of look like DeSaad, too.

Steppenwolf

Steppenwolf is the first Jack Kirby creation to show up in a DC superhero movie (for comparison, nearly the entire Marvel Cinematic Universe owes its entire existence to Jack Kirby). They don’t really give us much to go on with Steppenwolf in this flick, but to be fair, he wasn’t one of Kirby’s most inspired creations and it’s not like he has the longest comic book history. In the comics, Steppenwolf was Darkseid’s uncle, and responsible for the war between Apokolips and New Genesis, but here he appears to be his nephew instead.

In a lot of ways, particularly his appearance, this version of Steppenwolf seems to owe more to his appearance in DC’s New 52 version of the Earth-2 comics than he does any of Kirby’s vision.

The weird little spider-y device that Steppenwolf uses to get information on people looks a lot like Starro, the first villain that the Justice League ever fought in the comics, right down to the way it attaches to people’s faces.

Martian Manhunter

We get our first long-promised revelation of Martian Manhunter in the film, who, as it turns out, had been masquerading as Harry Lennix’s General Swanwick the entire time.

Martian Manhunter finally revealing himself to Bruce at the end kind of completes Bruce’s journey from vaguely fascist xenophobe in Batman v Superman to someone far more heroic.

Martian Manhunter says he has “gone by many names” but doesn’t mention any of them. It doesn’t make sense why he wouldn’t have introduced himself as J’onn J’onnz (his Martian name). Other names he has gone by include Detective John Jones (not in the movies), and as we’ve seen in this very film, General Swanwick.

While we don’t get to see Martian Manhunter officially join the Justice League here, his presence in the film kind of completes the “unite the seven” tease that dates back to Batman v Superman. Martian Manhunter has always been depicted as a founding member of the team, both in comics and in the excellent Justice League animated series.

Deathstroke

We get a LITTLE more of Joe Manganiello’s Slade Wilson in this movie than we did in the theatrical cut…

In the theatrical version, Lex had summoned Deathstroke in order to start assembling a Legion of Doom-esque team of supervillains. But here it’s to give him Batman’s true identity. Apparently this would have helped set Deathstroke up as the villain of the Ben Affleck-led Batman solo movie, which would have featured Deathstroke dismantling Bruce Wayne’s life, Daredevil: Born Again style.

We see Deathstroke again during the epilogue where Slade (who is more of an antihero in the comics) has joined Batman’s ragtag group of freedom fighters against Darkseid and the forces of Apokalips.

Speaking of that epilogue…

Joker

No, your eyes do not deceive you, that is indeed Jared Leto returning as the Joker, marking his first appearance in the role since his controversial turn as the character in the Suicide Squad movie.

So…it appears that the “Knightmare” sequence in Batman v Superman wasn’t a vision of this movie after all, but rather for the Justice League 2 we’ll never see. And it’s up to Jared Leto’s Joker of all characters to explain this to us once and for all.

It seems that in a not-too-distant future, Darkseid’s armies have indeed come to Earth, and he is either in search of or has claimed the Anti-Life Equation, having murdered Lois Lane, turned Superman to evil (god, why does Zack Snyder love this idea so much), leaving a ragtag group of heroes and villains to try and set things right.

The death of Lois Lane at the hands of a villain turning Superman into a maniac feels quite a bit like the storyline of the Injustice video game.

Joker makes several allusions to having murdered Robin, which in the comics would be Jason Todd, although Snyder has hinted before that the dead Robin in question was actually Dick Grayson (hence, no Nightwing in the DCEU).

The notion of Batman and Joker teaming up in any capacity isn’t one with a whole lot of weight in the comics, but them coming together in a post-apocalyptic landscape with Joker acting as a kind of truth-teller for Batman is faintly reminiscent of Scott Snyder and Greg Capullo’s Batman: Last Knight on Earth.

Joker’s hints that Batman needs to die in order to set things right are reminiscent of Grant Morrison’s superb Final Crisis.

Lex Luthor

Lex Luthor’s escape from Arkham Asylum (side note, it has always rubbed me the wrong way that they keep Lex at Arkham…that isn’t where you put Lex Luthor) with a fakeout vaguely reminds me of how he escaped from prison in Superman II, which involved using a hologram to fake out the guard. The guard’s response to “Lex” not doing what he’s supposed to here is similar, too.

When we finally see Lex for real, it’s on the yacht, and his loud outfit is more than a little bit reminiscent of how Gene Hackman’s Luthor dressed as Lex in the Superman movies of the 1970s and 1980s.

Miscellaneous Stuff

Bruce returns to the ruins of Wayne Manor which he intends to convert into a headquarters for the newly formed Justice League. But placing a roundtable in a mansion has a little bit more of a Justice Society of America vibe to it…but that’s just a coincidence. However, we’ll be meeting the Justice Society in the upcoming Black Adam movie.

There’s a headline in The Daily Planet that says “Security Bank of Manhattan Sets New Architect.” No, this isn’t a John Stewart Green Lantern reference. Instead, it’s a nod from Snyder to the character of Howard Roark, the protagonist of Ayn Rand’s The Fountainhead, a favorite of the director’s and a project he once hoped to adapt into film. In that book, Roark is an architect who is commissioned to work on the “Security Bank of Manhattan.” Draw your own conclusions about Snyder’s love for this book and Rand’s work, however.

That isn’t the only Ayn Rand reference in the film, either. The fishing boat that Aquaman rescues is called the Cortlandt, a reference to a housing development in The Fountainhead.

The place where Lois gets her coffee is “Fred and Ginger Coffee” as in Fred Astaire and Ginger Rogers. Also, if you look really closely in the window of the coffee shop as she leaves, there’s a man at a table wearing a vest. I’m not 100% sure, but I THINK this is Zack Snyder giving himself a Hitchcock-esque cameo in the film.

The STAR Labs janitor who goes missing/gets eaten by Parademons is apparently named Howie Jensen. Whenever there’s a janitor in a top secret area working with alien tech in the DC Universe, my mind immediately goes to Superman villain, the Parasite. The most famous version of the Parasite was Rudy Jones, a STAR Labs janitor who ended up wallowing in some toxic waste (perhaps coincidentally because Darkseid manipulated him into it). Anyway, this isn’t Rudy Jones, so it can’t be the Parasite right? Well…mostly. There was a previous Parasite names Raymond Jensen…which seems to be our poor, doomed, pal Howie’s name in this. 

When Bruce leaves Barry’s lair to drive to the Central City Airport, there’s an American Foundation for Suicide Prevention billboard that says “You are not alone,” a nod to the work Snyder has done to help raise awareness for their cause. You can learn more about them here.

 During Darkseid’s vision of the future he wants, there’s a ruined Hall of Justice, the Justice League headquarters first made famous on the Super Friends cartoon and which, in more recent years, has become a fixture of the comics.

The pregnancy test in Lois’ nightstand is named, we kid you not, Force Majeure.

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Spot anything we missed? Let us know in the comments!

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[premeditatedspontaneity]

There’s two british television shows that deserve more recognition

Worzel Gummidge & Catweazle 

The two series are as odd as they are fascinating. Worzel especially. I wouldn’t call them funny or intuitive or even “entertaining” by modern standards but as kids shows, they were, I think, in a different league. You can watch Worzel Gummidge, I think, in its entirety on YouTube for free. I am not sure about Catweazle as I haven’t tried... I own them on a bluray that someone made me from the VHS recordings. 

Fun fact, the guy who played Alfred Pennyworth in the tv show Gotham is the son of the man who played Worzel Gummidge. They definitely look a lot alike. Worzel is also well known to many as the Third Doctor in Doctor Who.

There’s going to be a new Catweazle soon, and there’s a new Worzel. I don’t know if I’d watch either but the shows of old were fascinating

[inappropriatefangirlneeds]

I'm really enjoying all of your Gotham meta! Which characters or storylines are your favourites?

I´m glad to read that, thank you! =) I mostly feel my often disorganized rambling is more bother than anything^^And phew I´m notprepared for this question. I guess on another day the answer would be different but for now about the Characters, thetop three probably are Oswald, Jim and Victor for rather shallow reasons I´mafraid. Alfred Pennyworth is joining them lately, as long as I don´t think too muchabout it I really enjoy watching him being reckless.

🐧Oswald Cobblepot was the character that made me stick to watching the showafter seeing a couple episodes on TV and try figure out what the hell was goingon with all the falcones and maronis and stuff and things plotwise. Seeing himswitch between shaking and acting harmless to having a mischievous glee in hiseyes and be ambitious was just compelling. I however didn´t like all the turnsthey gave his story. As soon as the torture in Arkham changed him things got abit too much and messy for my taste. And last week (4x03) I´ve had actually hadthe first (tiny) moment of not liking him, I hope that won´t continue. 🐧 Jim Gordon is probably on the list because of his magnificent hair (okay healready was on it preFloof he also has a magnificent face and everything else) andespecially his dynamic with other characters! The back and forth with Oswald inthe early seasons was a joy and so is his banter and bonding with Bullock. Thatthe show made him the designated hero is sometimes frustrating but I try not toalways judge him too harshly. (Naturally I´m so much more lenient with villains^^) To say something good about his character too: I really loved the scene where he defused adangerous situation at the GCPD without drawing a gun but with rattling abottle faking it was the rioter´s medicine instead. That was a Jim Gordon that made youthink he could really do so much good.🐧Victor Zsasz, as weknow we are just on the brink of discovering his personality so what´s thereleft to like I´ll be frank: he´s scary and sexy and has an aura of calmness andcompetence .. which works for me, and apart from his body language I reallyenjoy his speech patterns, eg how he draws out and extends the e´s so often,it´s soothing and scary at the same time,

BonusMention: Young!Ivyshe was such a unique character. Compelling in her unapologetic ways and evenher hostility. I really liked that she always seemed to have her own thinggoing on but sometimes got tied into the plot (the mushrooms!) well. I missthis. I really wanted her to become that brash crazy  cat plant lady who´s her ownperson and got powers because she experimented too much with her beloved plants instead of just drinking some stuff.  

I´m trying really hard tothink of a great storyline but recently I only find myself complaining aboutit. (I´m so salty about so much about Tabitha´s .. ) Overall I wish they wouldtake things a bit slower and not rush through it, show us a bit more about howthe city works. Every time they told us Gotham is on the brink or right in themiddle of a catastrophe we didn´t get to see much of it. Also I think they madea bad choice with mashing together Barbara, Selina and Tabitha, unless they aregoing to surprise me with where they are going with them, of course but so farit´s just a mess and doesn´t do any of the three characters judgement.You didn´t ask about that butwhat I immensely enjoy about the show is it´s set design, it´s stunning .. theclothes, the lightning, the cuts, frames, music, even the fight choreos, theeverything. Not all of it is “my” style or aesthetic but it all works so welltogether. It really pulls you into another world and it´s just interesting tolook at. Interesting enough that I readily overlook any possible flaw in theplot. This really makes the show for me, and of course the awesome acting. Nomatter if I think something a character says or does is ooc it´s stilldelivered in great way!

@vampirebillionaire I´m absolutely expecting to hear read about your favouritecharacters and storylines! ;) And I wanna know with which character you´d mostlike to visit the Gotham Zoo, and why..