#episode: jj

[frankiebirds]

when jj is saying goodbye to penelope and then says "there's one more thing i need to do before i go" with that long moment of silence and eye contact and walking slowly towards her. for the briefest moment i forgot what show i was watching and fully thought they were going to kiss

[wistfulwatcher]

3.18 The Crossing | 17.04 Kingdom of the Blind

[luthqrs]

"Do you have kids?" "No, not yet. But everyone who needs us, we think of as our own." JENNIFER JAREAU in CRIMINAL MINDS 3x05 | ‘Seven Seconds’

[hanasnx]

MINORS DNI 18+

“Give it to me, baby. C’mon,” JJ MAYBANK gestures to you, beckoning you with his sets of fingers flicking towards him as you gun right for him. He stoops, ripe to catch you, strapping his forearms under your thighs as he growls in approval with his teeth sunk low into the skin past his lips. You sling your arms around his neck, bumping the bill of his backwards-cap, so you fix it for him with a giddy lovesick grin.

“Jayj,” you sing, folding your legs around his hips coyly. The alcohol has reached your head, all woozy as you lull back. Preemptively, JJ arches away, counteracting your weight with his to rebalance you and bring you back to him. A tinge of hot color dusts your cheeks from the tipsy intoxication.

“How’re we feelin’, babycakes? You look a little out of it.” he asks but you know he doesn’t care about the answer, he just wants to point out how cute you look when you’ve been drinking. In your little stringy bikini, you let him grab onto your ass as he walks with you in hand. With every step, you jostle limply, breaking eye contact to pick yourself up again. Aware of your drunken state, you grin in spite of yourself, and it curls his lips too. There’s a mischievous gleam in his eyes when you meet his gaze again after you take a while to answer. “There’s my girl.”

“M’feelin’ al-right.” you reply with a committed nod, mustering up an endearingly determined expression as you draw closer to him. Sweetly, he pecks your unresponsive lips, kissing your wet teeth a bit and pulling back a string of saliva between you two that breaks. Instinctively, you chase his mouth, and murmur: “Bored.”

“‘Bored’?” he parrots, playfully incredulous, as if his princess could dare be bored. “You’re bored, huh? Well, that just won’t fly.” He shows you he’s about to drop you with a little double pat to your ass cheek, and you brace yourself for it, landing on your feet and adjusting the straps of your swim suit. “Want another beer? I’ll make it special for you.” His way of making beer from a keg in a red solo cup special is to blow a little kiss on it before he hands it to you. But you’re not interested in that right now.

This beach-side bonfire party had gotten to your head, and now you’re looking for a change of pace, so you grab onto two of his fingers to lead him away. As you walk in front of him, swaying your hips, he gets a glance at your backside stuffed into that teeny bikini bottom and he moans through his nose, head lulling back. He straightens, rolling his tongue between his lips, eyes glued to the way that ass moves when you take a step. “You look fuckin’ good, baby.” He gives you a sharper smack this time, one that makes you face him to hit him scoldingly with a scoff. As if he didn’t just swat you, he holds his arms up in feigned bewildered surrender, mouth gaping in obtuse shock. When the novelty wears off, he drops the act and steps to you. You press your hand to his chest to ward him off, but he checks you out, “You feelin’ slutty?” his low voice isn’t low enough, and you consider shoving him for saying something like that amongst all these people.

Indignantly, your jaw hangs, blinking at him in disbelief as he flashes you a raise of his brows. You concede with a roll of your eyes and a huff, snatching back his hand in which he leisurely follows you by. He knows where he’s going, what you’re about to beg him for. Find your car and finger blast you in the passenger seat until you’re ready to rejoin the party like nothing happened. Maybe if he’s lucky you’ll wanna sit on his cock a bit, play a little game of just-the-tip which always ends in you getting plowed. Warily, he glances over his shoulder to gauge any prying eyes as he lets you lead him away.

[redhoodie1723]

even more duos!

part 1 part 2 part 3 part 4 part 6 part 7 part 8

[brothermayihavesome0ats]

Criminal Minds S01E01 - a scene analysis/things I noticed

(The text in the images is the same, I just worried you can't read my handwriting)

1. In the beginning scene where Gideon is asked to return to the BAU, the way the characters are positioned is representative of their power dynamic or role within the BAU at that point as well as representing the dilemma within the scene

- Reid is in the background since he is the youngest and least experienced, also the least in focus atp. He's also positioned in front of a map, which could be foreshadowing for his ample ability of geographical profiling

- Morgan is in front of Reid but still behind Hotch and Gideon

- At first, Gideon is positioned as the main focus with the camera showing him debating returning to the BAU for the first time since the Boston incident. As Hotch tells him that “the order came from the director” the camera focus switches as in the team “came back into focus” as Gideon realizes he has to come back.

- The camera then focuses on Hotch since he is the leader of the team. This shows that now that Gideons dilemma isn't the only thing in focus, the team has dynamics and roles which are also a large aspect of the show

2. In this scene with the family of the unsub, although the family isn't centered they are very clearly the focus of attention due to the clear blue colour tint around them. This suggests the grief they are in after finding out their family member committed a crime. The family is surrounded by green tints as well, showing their grief is surrounded by the unsubs world (explanation in next observation)

- In the next scene if you look at the family portrait you will see that everyone in the family except the unsub is in blue, showing that the entire family was affected by his actions in their grief but also that he stands out from them.

- When Elle comes in from the left in the next frame, her red outfit is a contrast to the blue. She is from the outside world, an outsider to the family's grief.

3. The general lighting in this scene shows an outside world (the warmer lights in the hallway) and the inside world of the unsub, with the darker green colors. In the frame pictured, the unsub is looking away from the outside world.

- Gideon is wearing red to contrast the green

- The family portrait shows how the unsub is an outsider with the rest of the family positioned in a tight triangle and him in the bottom right corner, also wearing different colors from the rest of the family

- The family photo is centered in this scene, showing a clear contrast between them surrounding the unsub versus him now being all alone

- The table in front of him is empty, showing he has no future in front of him. In a few seconds Gideon places his book in front of him, showing that the only future now is the BAUs work

- There is a chair facing backwards behind the unsub. This is like an interrogation, so the two chairs are for the two unsubs. But because the team doesn't know this yet, the chair faces away from Gideon, the interrogator.

4. Following the train of thought about the colors, we can see that the car the unsub used to lure the women into is red. The contact with the outside world is red, and in the scene where we see him kidnap a victim we can see he is wearing a green jacket as he locks the girl in the red car, showing that she is being locked away by the inside world of the unsub.

5. In this scene with Hotch interrogating the unsub, he is centered as he walks into the interrogation room to show his importance.

6. In the scene at the very end of the episode, the unsub is once again shown in green lighting. His truck is shown in red, while Gideon is also in green. This shows how Gideon Has stepped into the inner world of the unsub, and is looking out on the outside world from within as he realizes who he's talking to.

Colour contrast throughout the episode:

[birrdify]

"SMG3!!! thanks for the uranium!!""GETOFFOFME!!!!!!!!!!!!!!!!!"

[a-timely-problem]

Next season on criminal minds Evolution

Emily, clearly wearing a wig: "I am Emily's sister"

Penelope: "Oki dokie"

Luke: "Understood"

JJ: "Definitely"

Rossi: "...maybe I should retire..."

[tombstoneleigh]

This is certainly fucked for me to say but Season 6 episode 18 is such a perfect example of serving cunt at your husband's(wife's) funeral. Like JJ did not have to serve so hard at Emily's burial. I'll eat it up everytime tho !

[notsosecretlyalesbian]

A.J. Cook as Jennifer “JJ” Jareau in Criminal Minds | 09×04: To Bear Witness

[midnight-love-song]

Who wore it best? :>)

[marvelfanlife]

Criminal Minds | Jennifer Jareau | 17x03 'Homesick'

[fr3sh-c0rn]

You can always tell which criminal minds episode was directed by goob because they are always the most batshit insane and borderline sociopathic

[miss0atae]

The dynamic of their friendship is just so funny. I can't with them. I don't know how they became friends but it must be a great story because their interactions are priceless.

[scarlettjemily]

feels wrong to admire how pretty JJ looks in 10x11 when she was dealing with ptsd from 200 and the covert operation

admire away | cm 10x11

[beware-of-you-98]

i know, i know, jj is so fucking strong and she perseveres despite everything she’s gone through, i know, but fucking hell my heart is breaking over and over for her

the far away look in her eyes

the constant fidgeting to keep herself present

the way she only has the bare minimum amount of skin showing, even to where she’s covering her hands

my heart hurts for her so much and she’s forcing herself to deal with all of this alone