#episode 3 and I'm in love

[respectthepetty]

Another week of me falling deeply in love with Bed Friend's King.

How do I love King? Let me count the ways.

Uea told King to wait, and King stopped immediately, which made Uea smile. Good boy.

King did not hesitate to tell Uea he finds him attractive.

And he didn't hesitate to show Uea either.

King is honest about sex. Always.

He knows something is bothering Uea, but he never pushes. He respects Uea and the boundaries he has in place.

He is part spider monkey.

King knows Uea strongly reacted to something he did, and even though he doesn't understand why, he apologizes and assures Uea he won't do it again. No questions.

He called Uea before he went out, let him know he wouldn't be doing anything against their rules, ignored that woman in favor of the fries, and texted Uea when he got home. He said, "there will be NO miscommunication ruining my guaranteed three-times-a-week-sex deal," which is great since Gun had already told Uea everything the next day before King texted him.

He isn't giving Uea room to doubt him. King said "you ain't gotta be suspicious cause I'll put a tracker on my own ass if you want me to."

He was quick to admit that he was jealous of Gun, who he knows finds Uea attractive, looking cozy with Uea.

He took the olive branch (SEX!) Uea gave him because my boy may be hurt but he ain't stupid, and he reacts when Uea says that the reason he is sleeping with King is because he wants to fuck up his life even more. He doesn't take offense because he realizes Uea is in pain, and even offers him a safe place, not just figuratively but literally as well.

My boy said, "I'm lonely" while setting up an entire thirst trap like the slut he is. Good boy.

All his clothes are made out of boyfriend material.

And above all else, the way he LOOKS at Uea every damn time.

Here's hoping he fucks Pock up in the parking lot next week cementing his place in my heart.

[sunny-boooo]

I'm jumping off a bridge. Their backstory is so tragic, I can't.

The fact that even Queenie being in the state she was, Kinger still found humanity in her, the fact that he risked his life knowing she could go crazy and attack him just so he could touch her one last time.

And the fact that Queenie allowed him to do it, the fact that she was able to keep control as a abstracted just so she could feel him. Because she loved him and he loved her back and both of them knew her fate, but in that moment, it was just them, their last moment together so both made it work.

This is such a powerful image I want to hug both of them.

[nipuni]

Silence in the library

A speedpaint video of this will be available at my Patreon on february 1st!

[egophiliac]

something quick to relieve the tension of these final hours ᕕ( ᐛ )ᕗ

close-up, 'cause it got kinda lost in resizing:

[joblessquinoa]

Taiwanese bl has never once taken the mafia concept seriously and I gotta respect it

[jimbodyson]

nothing is worse than watching something and genuinely enjoying it and how they changed things and then seeing how other people like hate it like okay fuck me i guess i guess i won't be sharing any opinions just cus im gonna get dismembered for it

[urghblergh]

The one with the tuxedos.

Haven't seen this one yet. They're gonna kiss, right? 🫣

Asking for a friend.

Mostly a study of this super cool photo.

Put my own little spin on it and made it gay TM. The usual. :D

[prinsomnia]

astrologer’s mirror🪞✨🌕

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[owlheartt]

Something I really like about timebomb is that Ekko actually knows what he's getting into.

I'm not really seeing it get talked about but in season 1 they mention that Ekko and the firelights help people addicted to shimmer get off it and lead more fulfilling lives within the community. I should probably rewatch the scene for the exact wording (might be misremembering tbh) but that comment implies A LOT.

First: Ekko's mission is helping people where he can, he would probably try and help Jinx even if he wasn't in love with her

Second: He has experience dealing with severe mental illness as that often goes hand in hand with drug abuse, namely depression/suicidal ideation like what Jinx was exhibiting

Third: He's probably mapped out best course of action FOR dealing with this and has already figured out his own limits/boundaries. Meaning he knew what he was getting into trying to talk Jinx out of suicide, and was thus more equipped to deal with the aftermath

Fourth: He's probably helped ex members of Silco's gang. The firelights seem to have a theme of healing and repairing and recovering, so they've probably also learned to forgive. If they're mission is to rebuild the lanes into a safe space, they can't exclude people they don't like, they have to make room for them. I think they fought Silco out of necessity, and I doubt Jinx would be the first person they help who's killed one of them.

These all might be a bit of a stretch but I think it really fits. Beyond that, it shows that Ekko can ACTUALLY help Jinx. As much as unconditional love can do, Ekko has the tools for Jinx's recovery and a path ready for her. He also probably knows that her "healthy" will look different from AU Powder's "healthy." On top of that, I expect he knows how to respect her even in the middle of psychotic breaks and won't agitate her already frail mental state

[mel-loly]

-It's not your impression, he really did it.

[marshmallowgoop]

no thoughts just Heiji Hattori (HD)

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[mr-malumm]

Cringetober day 30: supernatural 👊💥👻

GAHHHHHHHHHHH so basically if this isn't the plot of ghostfuckers i will kill BFHSHHSHAA

[deadpoets]

LINDSAY WEIR OUTFITS 1.01 | Pilot

[lilianade-comics]

My brain gaslit me into believing that Valerie got her outfit upgrade in D-Stabilized because she was the only remotely acceptable thing about that episode, so imagine my surprise upon watching Flirting With Disaster again and Technus, Lord of Drip and Shipping Gray Ghost, shoots her with the drip-upgrade beam and she (and everyone else standing around her) doesn't even question it.