#enough rambles here you go

[s0lar-ch3ri]

when cheri has ocs

its time to go silly mode.

LETS TALK ABOUT MY OCS FOR ONCE IN FOREVER :D

OKAY SO LIKE. paige (he/xey). 16 year old paige. he got multiple arms and shit, can grow up to 20 extra, and uses sign mainly to communicate as hes slowly losing his hearing (hes like at 40 as of rn, would be more but Events happened and it went down a LOT quicker)! he is a pd oc and has a nephew named collins (who ill talk about more either later or in a diff post, depends how i feel) and like. lets get into his silly lil thigns (putting a read more cause long rambles tee hee)

(OH AND NELF IK YOU FOLLOW ME. NO NO READING FOR YOU. or actually any of my friends in the rp sighs)

POWER INFO:

the arms can pop out basically anywhere on the back and sides of the torso (this does include the shoulders)! they can all be given different tasks to do, but paige prefers to have them all do the same things. the arms function like regular arms, and can be hidden on command. the arms arent really stored, they just appear. xeir skin though does has a faster scar-making process as to handle the arms that pierce out.

DRAWBACKS/DOWNSIDES/WEAKNESSES:

the arms do pierce the skin each time, and while xeir skin is able to form back at much quicker speeds, it still aches a bit when their first pulled out. the pain can last for longer and hurt more dependent on how many arms are pulled out. from this, everything becomes strange sensory wise and attempting tasks (like restraining someone or even picking something up) becomes a lot harder.

to command the arms to do different things requires a lot of focus on the arms. the more complicated, or the more arms doing all different things, the commands to the arms are, the less outside information is to taken in as to keep a focus over all the arms.

if an odd amount of arms is in use, it can cause an unbalance. its similar to phantom limb in a way, being incomplete in its set.

the arms can randomly pop out unexpectedly. whether its because of a fear response or he just had the misfortune of having them, it always hurts like hell (more then normal, and because of their wild nature, it doesnt really go away) and takes a bit to put away. he also becames basically unaware of his surroundings as all his focus goes into controlling these arms.

with the wild arms and shit, they also can damage paige. they are not under paiges control (unless, ofc, the focus thing) and as such squirm around. however, things can escalate and the arms seem to have a mind of their own, able to aimlessly grab and rip at things. this includes paige.

BACKSTORY:

paige had started noticably going deaf at the age of 8. for a couple years, they (xeir parents) tried to have paige speak, but eventually (when he was like 9 or 10) they just had him learn sign. also around the age of 8, paige had noticed the arm thing, but managed to hide them easy. hes a lil transgender guy and uses binding tape (he/xey btw should have said that sooner)! he ended up telling his nephew his secret (moreso because he caught him once and paige just decided to explain it all). as of current, paige is in highschool (where he gets picked on i mean hes a disabled kid hello??), able to balance both being a hero and a student pretty well (he may be failing a couple classes but like. surely he can fix it).

THE SECRET:

paige doesnt actually have "xeir" own powers. its a parasite, implanted into his brain. whether by accident or not (still havent decided), it was implanted around the birth of paige and is slowly eating away. its why the arms can be very wild and shit, theyre not really belonging to his control or him at all. it wasnt really identifiable and it isnt noticed by paige. so uh yeah

[forgettable-au]

END OF CHAPTER ONE

FORGETTABLE-AU (Page 65-72)

* Time to put this puzzle together.

[BEGINNING] [PREVIOUS] [CONTINUE]

[your-local-granny]

okay before i forget. i've been trying to put my finger on why people saying phoenix and maya are 'sibling-coded' pisses me off so much and I think a big part of it is how important mia is to both their introduction and also the foundation of their relationship and how calling phoenix and maya 'siblings/sibling-coded' waters down all of their relationships

phoenix wishing that maya was mia is a very big part of maya's arc as well as a big sticking point in phoenix and maya's relationship. phoenix spends the majority of turnabout sisters wishing that 'the chief' was there and when maya fails to channel her he shows outward disappointment. this is something that maya obviously picks up on and internalizes as we see throughout the rest of the games. most notably maya shows remarkably little self-preservation, throwing herself at von Karma's taser and in contempt of court to help edgeworth (and by extent, phoenix). she openly admits to feeling useless when she can't channel mia and phoenix never refutes this out loud until he of course presents the bullet to her showing that she wasn't useless. phoenix is notably bad at expressing his thoughts/ and feelings so its honestly debatable whether this gets through to maya but thats neither here nor there

on the other side of it, maya wishes that phoenix would be the caring adult figure that she was missing for most of her life (and especially after mia dies) and phoenix does not do a great job of being that figure. he likes her sure, and they're good friends, but he's definitely not nurturing or sensitive whenever maya is in distress. at the end of turnabout sisters when mia tells maya to "take care of phoenix" for her, maya starts calling him nick (because that's what mia said phoenix's friend calls him) and their dynamic for the most part is solidified. maya is not able to find mia in phoenix and accepts him as his own person and a part of her life as a friend.

phoenix has a more complicated journey with viewing maya as her own person partially because of the whole spirit-channeling thing, and partially because maya is younger than both the chief and himself. phoenix is constantly looking to a mentor for guidance and feels out of his depth for most of the cases in the trilogy. he frequently wishes that mia could be there, and is shown to value maya's ideas less, or at the least question them more at face-value. nevertheless, by the second game phoenix relies on maya greatly as shown with how he copes (or fails to cope) with her absence in rfta and 2-4, and 3-5. phoenix views her as both an integral part of his life and support structure, but also views her as someone he has to put on a brave face for, much like pearls. maya is phoenix's young friend that he leans on and wishes to protect.

maya's love for her sister is a core theme that spans the entire trilogy and culminates in maya almost dying in 3-5. phoenix's love for mia is a constant driving force that pushes him past what he believed himself capable of, and encourages him to trust those who become those closest to him. phoenix and maya's relationship is colored by their own relationships to mia, and how they view each others relationship with mia. they both represent a part of her that they never knew as well as a part of her they can keep loving in her place after she is gone, but most importantly, neither of them will ever be mia. no one else can be maya's big sister and no one else can be phoenix's mentor. they meet each other as two strangers set adrift by the same lost mooring, and though they'll never be secure in the way they were before meeting each other, they have a friend to help keep themselves afloat.

[gunstellations]

confessions

[lil-lemon-snails]

"I can't ignore what's under dancefloor boards, The rhythm of my heart a dead-as-disco beat, But I still move my feet, to slip out of this groove, I'm free" ~ 2econd 2ight 2eer, Will Wood, The Normal Album

I have been plagued with visions of LDR Sun every time I listen to this song and I NEEDED to get this out of my system @spadillelicious when do we get to smooch the boy pLEASE

v textless version and close ups under cut!! v

[beatcroc]

there's no way the bathroom at peppino's pizza is actually that big but ¯\_(ツ)_/¯ . hey ummm anyway.... i care them...... anyway there's a lil ramble on my take on fake pep's like psyche or whatever in tags on the og post if ur into that kinda thing :y

hey! it's a series! fake peppino world tour: [noise] [noisette] [peppino]<- u are here [gustavo] [gerome] [noisette again]

[momentomori24]

[This has been sitting in my draft for a while lol]

When it comes to Curly's failings, I always see people bring up his obvious failure to protect Anya and him prioritising Jimmy, who was the rapist in that situation. Which is completely valid btw and we should rake him through the coals for that alone even more. But I also see too many people saying that Curly "didn't enable Jimmy" or playing softball for his actions. And I could maybe see where that comes from if that incident was the only thing we had to point to-- but that wasn't all he did, is it? Curly being indifferent or not taking Jimmy's mistreatment and belittlement of Anya seriously was hinted at so much earlier than that.

Namely, the very first time we play from Curly's point of view. Let's just skip the fact that Curly was putting everyone in danger by not taking his psych evals seriously and simply giving the same answers to pass them even tho he was shown literal minutes after this scene being clearly not-sane, and go straight to the point I actually wanna get into. Which is this:

These scenes in isolation wouldn't be that bad. From his pov, it's played off as comical and it is. Jimmy being a brony (not really lmao) and getting playfully dragged over it is funny. But unfortunately this is the first example out of many for Curly's complacency. Anya is complaining about Jimmy not taking his psych evals or her seriously, which is easy to believe considering how much he rags on her for "not being a good nurse" (she kept Curly alive on hopes and dreams how dare you). So he keeps making her do silly and inappropriate reports she clearly doesn't wanna do, which is kinda shitty (also borders on harassment). But rather than actually saying something about Jimmy's behaviour or even acknowledging how it sucks he says this:

Mate, that's not a good thing 💀 He's clearly aware that the problem is Jimmy's lack of respect for Anya specifically. He knows that if he, his friend and a man in power, were the one doing the evals Jimmy wouldn't try that disrespect. But it's Anya, a meek woman who ranks lower than him so he thinks he can get away with it (which he DOES), and Curly's shown as comfortable in knowing that. He doesn't chew Jimmy out for making Anya uncomfortable nor does he reassure her that he will do something about it. All he does is take it off her hands this once and helps Jimmy power through it to get a good diagnosis (even tho we know he's DEFINITELY not sane either). He doesn't even mention Anya's discomfort or confront him on his inappropriate behaviour, just teases Jimmy in good fun instead because he doesn't think of it as anything serious. It's subtle and pretty minor in comparison to everything else, but I think it's worth pointing out. Especially because this convo takes place after Jimmy had assaulted her, which makes this so much worse.

If you need any more evidence of Curly being an enabler you need not look further than Anya herself. And I'm not just talking about the way he failed her here-- I'm talking about Anya's own view of Curly and the way said view influences her actions.

Just look at her choice of wording. "What would you have done". This is in response to him saying that she could've come to him if she were feeling stressed, which she-- in his eyes-- didn't. The question itself implies that she had no faith in Curly to actually help despite his insistence that he would've, which I think is significant because it shows that she's very much aware of Curly's shortcomings when it comes to her situation AND it's one of the first (or the first time) she actually verbalised her lack of trust towards him or anyone directly. Prior to this scene she had told him about her rape and the rapist, presumably because she trusted him to handle it. And he dismissed her because the rapist was his best friend, and that evidently deeply scarred her. Enough so that she secretly took the gun and hid it someplace else and didn't even tell Curly were that was, because she knows that if Curly has access to it there's a so much greater chance Jimmy will have too, insinuated by the line "the least I can do is make sure he never gets it either". Speaking about the gun:

It sucks so bad that this perception of him isn't even inaccurate nor unjustified. That despite everything Jimmy had done to her and everything he could still do to her, he'd very likely still not allow her access to the gun for protection. Because that's exactly what he didn't do anyway. He didn't attempt to keep her safe from Jimmy, instead he just pretended that nothing was wrong and still let Jimmy's belittlement of her pass. He didn't give her the gun after the incident, because she wouldn't have hid the case if he had. Despite his desperate reassurance that he'd do anything, he did nothing but make it worse for her and she KNOWS that. It's so frustrating knowing he entrusted the axe to Swansea when he needed it but not the gun to Anya when she needed it too. Also this:

The fact that his knee-jerk reaction to her admitting that she's pregnant was "Who would you--" is so fucked, especially considering she's already told him what happened. "Who would you" what? Who would you fuck? Who would you have sex with? That choice of wording drives me up a wall-- SHE wouldn't and didn't do anything or anyone. That was JIMMY. The potential sentence implies that she had any choice or agency in her pregnancy. She didn't. And the fact that Curly had to ask "who" insinuates that he's been putting Jimmy's action out of sight and out of mind the whole time, choosing to not think about them or what happened to Anya at all. And considering he still made her do Jimmy's evaluations despite being able to do them himself and literally didn't even think of making sure she gets psych evals done too--especially AFTER getting sexually assaulted--that might actually be the case (I haven't seen anyone make a stink about that piece of info so I'm going to because what kinda colossal fuck up IS that??).

I vaguely had a post like this in mind but seeing so many people be like "well Anya did some wrong stuff too like leaving Curly alone with Jimmy but you don't get mad at HER for that so why is Curly not doing anything about Jimmy being alone with Anya so different??" actually makes me want to blow some people up. Jimmy's an abuser, sure, but Anya has no real reason to believe that he'd actually harm Curly. From her perspective, they were close, close enough that Curly would not only let Jimmy continuously disrespect her but also get away with assaulting her too. That, and she knows that Jimmy was closer to Curly than anyone and more likely to be civil around him than he ever was to her. She has barely any reasons to suspect Jimmy would harm Curly when they're alone. Curly, on the other hand, has every fucking reason on the planet to think Jimmy would harm her when they're alone. He knows he raped her (likely in her room at night too). He knows that he sexually harasses her. He knows that he doesn't respect her at all. And that was BEFORE the crash. Anya tried insisting on giving Curly his medicine, only for Jimmy to keep aggressively insisting that he'll take care of it despite her protests. Curly didn't try to keep them separate at all even though he was the Captain and had the power to do so. And this should go without saying, but leaving your rapist alone with his best friend that he was close to and enabled/protected him and leaving your friend alone with the woman he raped (and might have repeatedly assaulted given his free access to her) is NOT THE SAME and I'm going to start chucking some people down a waterfall because what the fuck is that argument 💀 Actually leave it to the fandom of the game where the rape of a woman is the catalyst for the events that unfold to use her trauma to defend the guy that enabled it in the first place. Bloody hell.

The reason why this whole Curly discourse pisses me off is because it-- from what I can see-- ONLY brings up his failures 1-0 days before the crash and the Dead Pixel scene (or all the discussion around other points are drowned out by those two). Those scenes, while important to talk about, are not the only things he's done, and focussing on those as the only things is a mistake that comes short of understanding the issue. When it comes to Curly the main defences I see for him are "he was trying not to escalate the situation" and "he was trying to keep things under control the best he can" and "he was waiting for the right time to help Anya", but those don't work when you look at the bigger picture of everything he's done.

He half-assed through his psych eval despite clearly not being sane (and KNOWING he's barely sane, he literally admits it to Jimmy's face). He still continued to task her with Jimmy's psych evals. He brushed over Jimmy's sexual harassment of her as a joke. He didn't think about making sure she got psych evals done herself after being raped. He gave Swansea the axe but didn't give Anya the gun despite it being for "unrest amongst the crew" (whatever the hell THAT means). He let her assault slip his mind that she had to remind him. He's literally a blond man. He took no action to hold Jimmy responsible for anything, and prioritised how his violation of Anya would affect him rather than her. He ignored her demands for him to get rid of Jimmy. He still allowed Jimmy free reign of the ship as co-pilot even after he was openly fantasising about killing everyone and had a major motive and the means to do just that. He was potentially thinking of making her miscarry to cover up what happened. He was so accustomed to her sucking up being disrespected and disturbed that he didn't even notice a difference in her behaviour until she hid the fucking gun. There's so much other shit he's done and hasn't done, and not talking about them or glossing over them makes it so easy for people to argue that he isn't actually an enabler or just minimise the severity of his neglect.

And while I'm already dragging Curly through the mud, I might as well just drag Swansea too. I've seen too many people being like "Anya should've told Swansea instead" and "Swansea was the one that actually took responsibility". Like, y'all realise he's not that much better than Curly, right? He already knew about what happened to Anya-- he admits it to Jimmy's face-- but he didn't do shit. He knew, but he still got completely shitfaced for months despite her earlier protestation to that (for very understandable reasons). He knew, but he still let Jimmy have the axe AND be alone with Anya while having it. He knew, but when Anya locked herself in the Medical and Daisuke and Jimmy asked for his help he didn't budge nor really showed any care. He knew, but the reason he finally decided to do something about Jimmy wasn't Anya, it was Daisuke. Her suffering and her eventual death weren't enough for him to take action either.

This game, on top of everything else, is a great depiction of rape culture. It doesn't just include the rapists, but the people (mostly men) that stay silent, do nothing, make excuses for and protect the perpetrator for whatever reason, and Swansea and Curly (Curly way more so than Swansea) are both active contributors to the environment that allowed for evil to flourish and continue unhindered until it destroyed them all. And while that arguably doesn't make them evil themselves or as bad as Jimmy, they are so much more a part of the bigger problem than the fandom likes to admit.

[Ok since this is kinda gaining a bit of traction please consider helping these guys out here, here and here. Thanks!]

[silverwhittlingknife]

the reason why nu52 Dick is so simultaneously messy and yet boring is because they don't let him be bitchy enough whilst simultaneously making him a little bitch

sdfsdfdsfs I don't totally understand what this means and yet I feel like I agree with the spirit, anon <3

Outsiders 21 - preboot Dick yelling at Bruce my beloved

Yeah, caveat that there's plenty of nu52 Dick stuff that I haven't read and I don't think it's all bad, but also... man, he is not for me. As far I'm concerned, the main good thing that came out of n52/Rebirth is some setups for sad!Dick fanfic. And yeah, "Dick is not bitchy enough" is actually a pretty good summary of my complaints sdfdsfs

The thing is, nu52 Dick has some similarities to preboot Tim, in that he'll sometimes be insincerely fake-cheerful even when actually upset, plus he periodically seems uncomfortable with direct confrontation so instead he lies to avoid confrontation. And mmm I mean, I like these qualities in preboot Tim, so it's not like I think these are terrible traits to have!!

BUT :

1) Preboot Tim has no authority. But preboot Dick does, and it's frustrating to take it away from him in nu52.

There's some post-2011 panel where Dick lies to Batman and is cheery about it, a la Tim bragging to his friends about lying to Batman in Teen Titans, and I had to stare at it for ages trying to figure out why it felt like such a record scratch moment to me.

But it's because there is a huge difference between a presumably independent superhero lying to another superhero vs. a sidekick and his sidekick friends secretly joyriding in Batman's car.

Like, Tim lies to authority figures more-or-less constantly, because he doesn't want to be told what to do, but also because - importantly!! - those authority figures reasonably assume they have authority over him that he has to evade. Of course he tries to avoid direct confrontation with the JLA / Batman / Red Tornado / Starfire - they're not his equals and a direct confrontation would end badly!

Whereas Nightwing lying to Batman feels like putting him in a subordinate position in a way that preboot Dick never is. Preboot Dick always tells Batman off to his face, because preboot Dick cares about being equals and refuses to accept being subordinate. He doesn't sneak around behind Bruce's back - he fights back! If he doesn't agree with Bruce's position, he tries to argue Bruce into his own. He'll do stuff without asking Bruce's permission, but he won't conceal it; he'll make a point of making sure Bruce knows what he did and also that he isn't sorry.

2) Preboot Tim's lying / tendency to be fake with people is a consistent personality trait that's also consistently problematized. nu52 Dick's characterization is wildly all over the map.

In preboot, Tim is a liar and obsessive compartmentalizer, which is both a strength (disguises, sneaking around authority) and a problem (loved ones who are hurt by it). He's self-aware about his lies, periodically resolves to lie less, and generally fails at it.

Tim's consistent enough that you can track this character trait in all his relationships: he lies to his dad. He lies to Batman. He lies to his girlfriends. He refuses to tell Babs his real name for ages for basically no reason. He stalks Dick and then tries to run away from him in his origin story and then tries to avoid telling Dick his name. And this evasiveness consistently causes him problems!! Dick's suspicious of him. Ariana's suspicious of him. His dad is suspicious of him. Young Justice and Steph get annoyed with his secret-keeping. Young Justice want him to take off the mask. Steph wants to know his real name. When she finds out and calls him by his real name, he has a panic attack and literally runs away. When upset, he insists he's fine and fake-smiles at people. In Teen Titans, when Tim's busy being fake-cheerful and Conner is startled to see him there right after his dad died, Tim gets upset and angry at Conner and demands that he not tell anyone about Jack. Fine, Conner says, I guess it's another secret. In AC 3, he's lying to Conner again and Conner accuses him of having an insincere "Starfire voice," which is a hilarious callback to Tim being fake-agreeable-yet-secretly-bitchy at Kory when he first meets her. I feel like I get that the lying is a Tim Character Trait which is sometimes endearing and sometimes less so and which all the people who love him are gonna have different feelings about.

By contrast, nu52 Dick spends a ton of time lying but it's hard for me to model his characterization in the same way? He's sometimes fake and ... sometimes that's totally cool and sometimes people punch him! also, does it say something about him? ehhhhh maybe? no? who can say!! At the end of nu52 Nightwing, he doesn't want to go undercover and Bruce beats him up, but then in Grayson he seems totally on board with his mission and willing to actively lie to everyone, and then in Batman and Robin Eternal he carries out a whole secret mission behind nuTim's back because he thinks nuTim is maybe a spy and is scared (?) of confronting him directly, but also he's so sloppy about it that he gets followed and the bad guys find nuTim's parents. Oopsie! He represents The Heart and is super-caring but also somewhat ditzy with a tendency to leap before he looks, and also he's very very very goodlooking and Grayson would really like you to know that.

You can try to make sense of this character's internal motivations and I have read various enjoyable fanfics that do, but in the comics I don't feel like he's clearly characterized.

3) Dick should be a convincing team leader

I know I kind of talked about this earlier but it bothers me SO MUCH that I have to talk about it again dsfdsfds

Preboot Dick is a natural leader: he seizes control of the feuding personalities in the Fab Five; he does the same thing in the NTT; he stands up to Bruce. He can overrule strong personalities like Pantha and Roy; he can hold his ground against the Outsiders. He doesn't back down and he doesn't quit. He's got instinctive authority, and he's a forceful and aggressive enough leader that he can lead teams even when his teammates are feuding or difficult or arguing with each other. Sometimes he's a little too forceful and it backfires on him, but for the most part, it works!

By contrast, nu52 Dick often comes off as kinda... hapless? He's definitely not a force to be reckoned with.

Like, just to take one small example, in post-Crisis's Red Robin 14, Tim and Damian are fighting and Dick wants them to cut it out, so he throws a batarang at Tim's staff and snaps at him, and the fight stops immediately. By contrast, in nu52's Batman and Robin 10, Tim and Damian are arguing and Dick wants them to cut it out, but nuDick is incapable of confronting anyone over anything so he just sighs about it, passive-aggressive and ineffectual.

And "ineffectual" is too often the vibe I get from n52 Dick in general. You put that man with Pantha, and he'll probably be bemused, but he won't be able to make Pantha do anything, and he wouldn't be able to make Danny Chase do anything, and he can't or won't stand up to Bruce so he has to lie the way Tim does, and he would never have a fistfight with Roy over the proper way to lead a team.

And in a lot of ways this makes sense, because n52 Dick isn't a team leader, because they've deleted the Titans. He's just a guy. He's nice, I guess.

But even though he gets all kinds of excellent woobie plotlines that I'd normally enjoy (an evil organization is stalking him personally! his dad is beating him up and forcing him into becoming a spy! he's losing his memory!) his personality is usually so far off from the character I like that I struggle to get invested.

Because the thing is, Dick's leadership instincts aren't incidental to what I like about him. They're all wrapped up in his outsized sense of personal responsibility and instinctive belief that if anything is going wrong anywhere near him then it is his obligation to handle it and if anything goes wrong then it's his fault if he was involved and also his fault if he wasn't involved and actually if you have ever gotten within five feet of him and unrelatedly something bad happened to you then it's probably his fault and he FAILED. This belief gives Dick a lot of control issues and makes him bitchy sometimes and is not great for his mental health, but it's also very endearing and an outgrowth of how much Dick cares!

Anyway, re:bitchiness, I have similar feelings about various choices in Batgirls and in Tim Drake: Robin and in current Nightwing; like, I don't think any of these stories are bad ipso facto, I don't begrudge anyone who likes them, and I certainly enjoy fluffy fanfic sometimes - I don't always want the same things in transformative fandom that I want in canon.

But in comics, I often want the characters to have a bit of edge, to be cranky and difficult and just... y'know, clearly the kind of people who would choose to be vigilantes. I want them to care enough to be bitchy about it. And I often feel like I'm missing that, post-2011.

[aingeal98]

I think there's a misconception among some fans who mostly get their characterisation from ao3, that the reason Cass and Jason wouldn't get along is that Jason kills people and Cass hates murderers. And like. You're 50% right but the key context being ignored is that Cass would literally fight to defend the right of a serial killer to live and change like she believes desperately in second chances no matter how far gone the killer is. She'll knock a man out and break his hand so that he can never shoot and kill someone again but if she sees someone feel bad about their kill or even like. Hesitate to hurt a child. She is all over that like she will fight the world just to save this one kind of shitty assassin and give them a second chance at life where they can do better.

Whereas Jason believes that sometimes there are bad people that are simply too far gone, too much of a force of evil hurting and draining actual innocents. And the best way to deal with scumbags like that is a bullet. He feels that some people don't deserve to live, and he's comfortable ending their lives. Judge, jury and executioner. Because no one else is going to kill these people and they deserve to die so that they can never hurt any victims again.

Of course all of this is kind of irrelevant in current canon since dc basically skipped over the reconciliation and development and went yeah Jason is a batfam member and he doesn't kill anymore. So currently in canon none of this conflict of ideals is likely to be addressed. But a lot of people are interested in writing fics that actually detail the steps of reconciliation which is great and I love those fics. I've just also noticed a trend of fumbling a little when it comes to Cass.

Because the root cause as to why they wouldn't get along is not just because Jason kills people. If Jason was a random crime lord Cass would probably try to help him get free of Gotham and start over somewhere else. Killing people and having conflicting emotions about it is the easiest way to get Cass willing to be your number one sponsor at murderer rehabilitation anonymous. It's Jason being someone personal to the family, and someone who believes that some deaths need to happen, as long as the person is sufficiently repulsive enough to Jason. Or even just as a means to an end to prove a larger point, if they're pathetic and evil enough. That's what would make Cass see red, because she projects herself on every single killer and Jason dismissing the possibility of redemption for them, writing them off as deserving of death, clashes fundamentally with not just everything Cass believes in, but also her whole sense of self. Of course it's not that deep for Jason like he's not going to believe Cass should die because she killed someone as a child. But for Cass is simply IS that deep and you throw in the fact that they're both Bruce's kids and yeah. They can maybe be civil in a room together with the family right up until one of them actually talks. Because like 99% of what they could say is guaranteed to touch a nerve for the other.

It's like: Damian says something hilarious and rude towards Jason and Jason jokes about that time he shot him and Cass immediately connects that with him not feeling bad about shooting Damian and starts grilling him as to why. Because Damian's Bruce's son? Or because he's a killer? Or just to get to the rest of the family? And Dick, Duke and Tim are so tired like Alfred cooked a nice meal can we all just eat pie for one night without having to listen to you two go at it.

Tim: I've literally shot you before do you think maybe we can cool it on fighting about Jason's personal ethics tonight. Because generally that ends with me in pain even if I do nothing but sit here.

Cass: You shot me with consent. Different.

Jason: How are you even more obnoxious than Bruce? Do you ever get tired of being so exhausting to be around with your bullshit righteousness?

Cass: If you're tired I can knock you out. Nice nap for you and fun for me.

Dick: And that's ten minutes in a room together before any threats of physical harm start flying around! Great job you two, a new personal record.

[crystallizsch]

despite twst being a "villain" game

i love it when i see how certain characters speak to certain people. like how people just relate to their struggles/personalities/etc.

there’s riddle coming to terms that not everything has to be perfect, unlearning from what he has been taught growing up that not everything has to be followed to the letter;

ace who is gungho and earnest about what he believes in and has the natural inclination to defend those he grows to genuinely care about;

deuce always striving to improve himself despite setbacks and being aware of his own shortcomings;

leona who acts like he’s given up from being cast aside his entire life and coming to terms to the fact that there are people that do look to him as a leader, as someone who’s worth something;

floyd who unapologetically just does what he wants, choosing to do things that interests him at the moment;

kalim choosing to be happy and kind always, living life everyday to the fullest knowing what he’s gone through;

jamil with the expectations and obligations to essentially "perform" and do things for others more than for himself, especially when he has the potential to shine by himself with his own abilities;

vil rejecting gender norms and restrictions, while still being confident in his own masculinity, and also wanting other people to bring out their best and truest potential even though he may be strict about it;

rook being able to pick out so meticulously the beauty in everything and everyone whenever no one else is able to;

idia with his introverted yet very passionate energy towards things he cares about;

silver with his love and dedication for those he considers his family;

malleus with his loneliness and bringing out his genuine self with someone he's able to consider a friend;

i know some of these sound pretty surface-level but these are the ones that just came to mind at the moment, these are not my full-on thoughts on each of them

my point overall is i just really love seeing when there’s a character that REALLY speaks to someone that doesn’t particularly speak to me because it gives me a whole new perspective on characters i initially didn’t care about or didn’t like and makes me appreciate them more

also it just shows how how these characters are different enough in that sense so that there are characters for everyone to love and relate to 🥺💕

i could gush more about relationship dynamics as well but this is getting long enough hfdsfjsljlks anyways i would love to see others’ own takes and why a particular character(s) relates to them or why they just like them in general 👉👈 i want to spread some good vibes 💖 but anyways idk these are just my thoughts 🤧

[teapot-of-tyrahn]

MARTYN'S EXPRESSION GETS ME. litlerally live slug reaction.

[hyakunana]

Interrupting all my chores for a very important event

[robotsafari]

redrawing my favorite gba chain of memories scenes with my own interpretations part 1(?):

“You’re thinking about me… You’re afraid of the darkness I command.”

[gingermintpepper]

I would really like to read one piece of writing, amateur or not, that features Apollo and Zeus having a positive relationship. One. Any one. It could be 30 words long for all I care. I just need confirmation that one other writer actively producing content in the Greek Mythology sector doesn't think of Apollo as Zeus' toy, sexual or otherwise, or of Zeus purposefully surpressing Apollo because he doesn't want him to surpass his power, or of Apollo only being obedient to his father over all else because of fear and physical abuse, or of any other reason possibly invented except some sort of mutual understanding and respect.

It should not be this difficult to find content where they do not hate each other.

[why-animals-do-the-thing]

I just wanted to drop a note to thank everyone who has supported the Patreon over the years, or signs up for things like my (free) Substack. It really means a lot.

I update both of those platforms infrequently. I’ve tried to build better habits about that over the years and continually run into the same problem: I don’t want to post anything about what I’m working on unless I’m 110% sure my opinions is informed as possible and I am not sharing anything erroneous. There is so much misinformation out there regarding animals in general and zoos and exotic animal politics especially that I absolutely do not want to add to it.

What that means in practice is that topics often take months to years to research, and big projects need multiple years to end up with something I’m comfortable publishing. (That accreditation reporting writeup was an idea I chewed over for easily two years prior to starting work; then it took spent six months to researching write it up). I have one project in the wings where I can’t even start a major part until Feb 2024, because data collection has to happen after the implementation of a new set of federal regulations. These things are great for creating quality work, but less good for providing people who are supporting your work with something tangible on a reasonably frequent basis.

Also, at this point? Most of my current big projects are so complex - and such novel things to study about the zoo industry - that I’m taking the extra time to really cross every t and dot every i with the research, and then get them peer-reviewed through credible academic journals. I think there’s four or five different projects that will be papers I’m working on simultaneously (and sporadically) right now. And as many of you know, this is a hobby, not a paying profession.

So. Thank you for sticking around through the long silences and the intermittent publications. I have so much I want to talk about, but it has to wait until I can do it right. I have so many cool things planned (like, multiple interactive websites) for once everything is finished and published. Whether or not you’re on the Patreon or just awaiting infrequent Substack updates, I really appreciate all of it.

[pestilentbrood]

VERY long Ramble incoming

honestly now that I'm looking at the auraboa lore situation, I'm just disappointed. There was such POTENTIAL in the idea of the Loop and the horror of a new generation inexplicably being disconnected from it, forcing the newly hatched children into a world totally separate from that perceived by their parents (I mean, hell, they perceive TIME differently!).... but then the writer(s?) just fell ass backwards into Icky Tropes.

I feel like I can see what the idea was, especially with the recent alterations to the Encyclopedia entry... It seems like staff fundamentally understands the true Horror potential here, but... Instead, through the short story, they proposed it through the lens of a condescending outsider character, turning the fears of the older generation into something trivial. And also weirdly demeaning the Auroboa's situation by portraying them as overreacting.

Why... why would you do that? Like, from a storytelling perspective? What's gained from that? Why not embrace the true horror and even Emotional significance of that disruption? Why instead go for "ohh we NEED outsider help we NEED to be saved because we are so helpless and it is so Silly that we, creatures who have never experienced such things, do not know what sleep is"????

And if they WANTED to have a condescending outsider, I feel like they COULD have done that, but it would have to have that character realize the horror at some point. And make it obvious that their attitude towards distressed parents and children facing Eldritch Shit and the Sudden Deconstruction of it was not cool!

(or at the very least be a bit more...idk. Consistent with said outsider character? Juniper just goes from "omg I am so honored that the fascinating creatures of the behemoth have chosen me to speak to" to "oh their wasting my time because they don't know what sleep is. I'd rather be sleeping!! 🙄" like girl... c'mon now. Why are we trivializing it like this. Do you want me as the reader to be invested in their plight or not.)

I mean come on. They're beings connected through one networked hivemind-like system, yet each still maintains a silver of individuality that allows them to move freely throughout the Behemoth that they care for. And they've got an eldritch understanding of time that no other dragon could understand. They're seeing the future, past, and present unfold simultaneously. They're witnessing the birth and death of the world at the same time, and have no way to communicate it to other dragons. The best they can do is maintain their home, and even then, they see its roots spread and decay all at once.

And then the newest generation is suddenly disconnected. An inherent link between parent and child and all dragons in-between, that has existed since the creation of their species, is just suddenly GONE for the newest births. With NO explanation for it. The children have no easy way of communicating with their parents. The children are experiencing time in a way that was not meant for their species. They've forcefully been shoved into a circadian rhythm that they are Not! Built for!

The only way a parent could communicate properly with their child would be when the latter is sleeping, something that is also completely foreign to this species. It would be terrifying for all involved!!!

They are literally experiencing eldritch horror from the perspective of the eldritch being forced into the mortal.

Like why WOULDN'T there be panic!!! And why would that panic be trivialized! Why are we only shown the perspective of an outsider who looks at this situation and goes "Oh the silly tree beasts are being so silly over nothing, it's no big deal!"

That and the way the auraboas talk to outsiders. Like. There was such potential there. Real opportunity to explore how ancient, time-bending beings would communicate to someone who couldn't even BEGIN to understand the intricacies of it.

Instead we got what feels more like baby talk (even described as though they were hatchlings enunciating their first words, which... I dunno man, maybe we don't want to compare them to children like That) and less like... Beings that experience all of time at once. I mean, the hatchlings and the adults speak the exact same way, and that doesn't make any sense given the literal time barrier going on.

I totally get why people thought there was just a language barrier and that auraboas had their own language, thus causing the disjointed speak, and not that it was because They Do Not Experience Time Like We Do. And I feel it would've been far easier to get it across by just... I dunno. Do anything else?? I saw someone on here suggest they speak in the "wrong" tenses, or using multiple tenses in the same sentence, which I think would've been far more clear.

Like, as opposed to "saplings wilt! saplings silent!" just "the saplings will wilt in silence, they've wilted in silence, they are wilting silently." Said all at once like all things are true simultaneously. And if we're going for hivemind, have each auraboa speak in a different tense, all at the same time, and have them switch it up every time. Have our outsider get confused and be like "which is it? are they wilting now, or have they already wilted?" and the cluster of auraboas respond in a cacophony of yes's, no's, and maybe's all at once.

Would've probably gotten across the "alien" vibe they were supposedly going for far better than wide-eyed desperation for an outsider's guidance conveyed through disjointed, in-world described as baby speech.

And also maybe would've had less accidental connotations. Because as it stands, I completely see why people have made the connections to the real world where they have. This doesn't read like eldritch timey-wimey intrigue, or even a respectful look at how younger generations can become detached from their families' cultures over time and the struggles that come with it. It reads like a culture being perceived by an ignorant outsider who (despite supposedly respecting these dragons) scoffs and rolls their eyes because the tree beasts with their funny words are being silly again, and that Hey, isn't it actually a great thing that the children are fundamentally different in all manners now? Because now they can join the rest of us in the "real world."

Yknow. Ick.

(I Personally think it would've been better to have the perspective be one of the Auraboas themselves, especially one of the children, to really understand what was going on here. Give us the full brunt of the mind of a creature experiencing all of time interwoven as one shape. The waters fall and the oceans crash with waves. They've now fallen to drought. The ocean has yet to be born. Caves have been carved out through the waters' currents. And when I break from this timeline, I open my eyes to see a child, the child not yet born, the child born now, the child born yesterday. Why can't I hear it? Why couldn't I hear it? Why won't I ever hear it?)

I dunno. People more qualified than me to speak on this matter have already torn the lore apart, I'm just... dropping my own two cents. Potential got weirdly squandered and we ended up instead with unfortunate implications and tropes that could be connected a liiiittle too awkwardly to irl situations.

*Also, before anyone points out: Yes, I know the hatchlings aren't COMPLETELY detached from the Loop and can join it when they sleep. But the fact is, these thangs never had to sleep before. That wasn't in their species' nature. So that's still weird and foreign for them on both sides. And since the hatchlings now have a circadian rhythm, they can't stay connected to the loop permanently. And also Also, seeing as the previous generations aren't experiencing time linearly, who's to say they even recognize when their child joins the loop? They'll speak with an echo of their child when that child was last asleep ages ago, not knowing that it's not them presently, because there is no 'present' for the older generations.