#either way. definitely drawing it when i have time

[pochaccoups]

facetime — choi seungcheol & yoon jeonghan

pairing — choi seungcheol x yoon jeonghan x f!reader

summary — when three people in a relationship want to fuck but one of them is in a different country, facetime comes in pretty handy.

wc — 4k

warnings — nsfw content minors dni! smut, established polyamorous relationship, threesome (technically), phone sex, butt plugs, anal and vaginal fingering, oral (m and f receiving), masturbation, so much dirty talk, soft dom!seungcheol, brat tamer!seungcheol, prone bone, creampie, slight daddy kink, reader referred to as a girl, a lot of ‘cheollie’ and ‘hannie’ sorry but i think they sound cute

author’s note — umm hi can u tell i had so much fun writing this …… this will be part of a poly jeongcheol series i have in the works so pls stay tuned and enjoy !!! :>

seungcheol: just finished up the show, what are you up to?

jeonghan: busy.

Attached is a photo that’s slightly shaky and dimly lit, but Seungcheol can make out every detail of you with Jeonghan’s cock halfway down your throat. 

It takes less than a second for Seungcheol’s caller ID to pop up on Jeonghan’s phone screen, and Jeonghan doesn’t hesitate to answer. 

“Yah… You know I hate being left out,” is the first thing Seungcheol says. The sound of his deep voice makes you draw your mouth off of Jeonghan.

“Cheollie?” you ask, beaming as you snatch your boyfriend’s phone from his hands so that you can see your other boyfriend through the screen. 

“Hi, pretty,” Seungcheol says, waving. He looks hot, but that’s a perpetual characteristic of his. He hasn’t removed his makeup yet, and his hair, getting longer, is still styled from the show. “Miss me?”

“So much. We both do,” you say with a grin. You make a show of mouthing at Jeonghan’s cock for the camera, sticking out your tongue so you can slap the tip on it, swirling it around, all with a faint mischievous gleam in your eyes at the sound of one boyfriend’s whines and the other’s sulking.

“Yeah? Doesn’t really seem like you do,” Seungcheol says, laying back on a bed that’s way too soft, too cold, too far away. 

“Seungcheollie, you know how needy our girl is-ah,” Jeonghan pipes up, moaning as you wrap your lips around him and bob your head up and down. 

“I do know, and you’re not innocent either, Jeonghan. You miss getting your pretty little ass fucked, don’t you?” 

You worry Jeonghan will bust then and there from the way his cock twitches in your mouth, but fuck was Seungcheol right. It’s why you all prefer to have sex with all three of you present, because at this point having someone missing feels… weird. Not bad. Definitely not. But the absence of a third lover becomes far too apparent.

Right now, you and Jeonghan don’t have much of a choice though. Duty calls, meaning Seungcheol is touring on the other side of the world—has been for the last two weeks and will be for another two weeks. Jeonghan would be with him if it weren’t for his enlistment. Alas, you have Seungcheol’s voice to do what it does best: tell you two exactly what to do. 

“Take all of him, baby, you know you can,” he says, soft and slightly commanding in a way that makes you want to do good just for him, make him proud. And you’ve taken Seungcheol, who’s a little longer and far thicker, all the way down your throat many, many times before that swallowing Jeonghan’s entire length feels like a mere warmup. 

Pride swells through you when your two boyfriends curse above you, filling you with an eagerness to give them more. So while one of your hands holds the phone, albeit shakingly, your other hand pumps the base of Jeonghan’s cock, in rhythm with your mouth as you bob up and down. It’s wet and obscene, the way you lap up the precum that leaks from your boyfriend’s tip only to let it spill from your lips and drool all over him, all over your fingertips. 

Your eyes never break away from Seungcheol, who’s chewing on his bottom lip and staring at you with eyes that are both clouded over with desire and dark with concentration. If you know your boyfriend then he’s thinking of all the things he would do if he was in the same room as you two.

Jeonghan doesn’t expect it when one of your spit-slick fingers creeps down to his ass and traces his hole, and he squirms and cries as you prod at his opening before pushing inside. He’s taken Seungcheol many, many times, too, that your finger should feel like a warmup, but two weeks without his boyfriend’s cock stretching him out is torture, so the slide of your digit in and out is a sweet relief that he’s forgotten. 

You pull your mouth away from him, sitting up on your knees so that you can angle the camera for Seungcheol to watch as your finger dips in, all the way to your knuckle, then back out of Jeonghan’s hole. 

“He’s so whiny today, Cheollie.”

“Mm, more than usual, huh?” he replies, licking his lips, his hand reaching to his crotch to palm at it just a little. He thinks about how his fingers are twice as thick as yours, how Jeonghan would sob if it was his hands inside him. 

“He misses your fat cock,” you say, and Seungcheol feels his sanity jump straight out of his hotel window. You’ve always proven detrimental to his patience and self-control, taking years off of your poor boyfriend’s life with your bratty ways. “Right, Hannie?” you say, right as you pull your finger out of him, grinning as he squirms and curses under his breath as a reply.

You only stop fingering him because you have an idea. With the phone still in hand, you dangle yourself off the side of the king bed to open one of the bedside table drawers, grab the silver heart-shaped plug and bottle of lube, then clamber back between your boyfriend’s legs. Jeonghan watches with glistening eyes as you drizzle the plug with lube. Once it’s drenched, you flip the phone camera around, letting Seungcheol watch as you press the tapered end of the plug against Jeonghan’s hole. The cold toy makes him flinch at first, and he shudders as you circle his rim with it until he’s thoroughly smeared with the sticky liquid. 

The sound Jeonghan makes when you push the plug inside of him is pitiful, and it’s in harmony with a deep groan of approval from Seungcheol. You’re the furthest one from dominant among the three of you, and yet you have these men dangerously wrapped around your finger. Your men.

“There,” you say, content, like you’ve just painted a masterpiece—and your boyfriend’s pretty ass with a cute heart-shaped butt plug nestled inside comes pretty close. 

“That’s my girl. So thoughtful,” says Seungcheol, and his praise ignites you with a sense of accomplishment that rivals the highest of promotions. 

“Can I make him eat me out now?” you ask, because it’s Cheol who does this best; sets the pace, tells you what to do, lets you sit in the palm of his hand while he does all the thinking for the three of you. A true leader, through and through. 

“Keep sucking Hannie off, baby, just for a bit,” is his instruction. It would be easy to disobey him, yes, to disconnect the call and turn off the phone if you so pleased, but the thing about Seungcheol is that even when his voice is soft, it still commands. 

You pout only for the sake of pouting because, really, having Jeonghan’s cock in your mouth is one of your favourite pastimes. You waste no time swallowing him all the way down to his base again, only to pop right back off him just to hear a tortured moan from him. You fall back into an up and down bobbing rhythm then, steadily, lips wrapped tight around your boyfriend’s length in the way that you know won’t make him last long. 

“Jeonghannie,” Seungcheol calls out, but the man in question is too busy whining and whimpering to hear him. When he’s close his brain all but shuts off and the only thing he can do is take whatever he’s getting with pretty, pretty moans. 

“Baby, don’t let him cum yet,” Seungcheol urges you instead. 

Jeonghan nearly sobs this time when you pop your mouth off his cock, but there’s a force in Seungcheol’s voice that compels you to listen. “Yes, daddy,” you say—the cherry on top.

Seungcheol drags a hand over his face, groaning. “Fuck, you two want me dead, huh?”

“Yeah, well, you two are disgusting… and annoying,” says Jeonghan, who sounds thoroughly irritated as a cute frown knits his brows together. 

Poor, poor you, with not one but two needy, jealous boyfriends who can’t stand not being the subjects of all your affection. If it was you in Seungcheol’s position, alone on the other side of the world, you would never get this sulky. You’d be completely rational about it. Obviously.

The urge to soothe Jeonghan comes as an instinct, one that makes you crawl up from between his legs so that you can straddle his slender waist and kiss his pouting lips. He melts into you when you do, mouth moulding against yours so sweetly, his hands falling to your waist and the tips of his fingers dancing softly against your skin. The Facetime call is forgotten, much to Seungcheol’s dismay, as you drop the phone to the bed in favour of cradling Jeonghan’s cheeks in your hands so that you can kiss him harder. Your crotch, still clothed, rocks back and forth over his erection and soon you’re moaning into one another’s mouths, muffled by your tongues that are swirling together. 

Jeonghan doesn’t have half of Seungcheol’s strength to manhandle you around, so he opts to gently guide you off his lap and onto the bed until you’re underneath him. He kisses you once, twice, thrice, leaves you reeling as he moves on to pepper your neck with soft nibbles and scrapes of his teeth. He pulls away for a moment only to drag your t-shirt (one of Seungcheol’s, of course) up and over your head. 

Now that you’re less occupied with Jeonghan’s lips, you pick up the phone again and bring the camera up to your face, grinning at Seungcheol’s small pout on the screen. If you could only hop through the phone and into his lap, you would do it in a heartbeat. 

“Cheollie, wanna see your cock, please,” you say, shivering as Jeonghan mouths at one of your nipples. He flicks it with the tip of his tongue as his hands reach up to grasp your tits delicately, and you sigh when his warm, wet mouth envelops one of your hardened buds. 

“Not yet, baby, I’ll take it out when Jeonghan fucks you, okay?” 

Seungcheol chuckles fondly at your unhappy hum, so he adds, “I wanna cum with you two, yeah?”

“Okay, fine- wait, Hannie,” you whine. “My boobs.”

He peers up, already between your legs, having decided he was done giving attention to your tits. You see right through it—your boyfriend is nothing if not vengeful. 

“You’re too spoiled,” he quips, peeling your shorts and panties down your legs, exposing your drooling pussy to him. 

“And you’re used to Cheollie doing everythi-ahh!” Jeonghan cuts you off when he licks your cunt without warning, sending your eyes rolling back into your head and your hand grabbing a fistful of his now-short hair. He’s far from rough and aggressive, but it’s precisely the patient softness of his touch that leaves you keening for more. 

“Baby, can you do me a favour?” Seungcheol asks, practically cooing as he watches your eyes glaze over with pleasure.

But all you can focus on is the way that Jeonghan’s warm tongue flicks lazily over your clit as well as the grip of his fingers on your thighs. 

“Baby?” Seungcheol tries again, only a little louder. This time your eyes flick to him on the screen and you make a little affirmative noise. “Will you flip the phone screen around for me, please? I wanna watch Hannie eat your pretty pussy.”

You do as he asks, pointing the camera to give Seungcheol a view of his boyfriend between his girlfriend’s thighs. 

“Good girl,” he says, breathier now, his tone darker. It’s deliberate; malicious, you would say—his praise makes you a whiny, needy mess. His voice alone turns you into a slut and he knows that because you’d told him that, word for word. “And since I’m not there, can you play with your tits for me, baby? The way that I would do it? I know it’s not the same, but it’ll still feel good.” 

“Mhm,” you moan. You find yourself closing your eyes as you let go of Jeonghan’s hair and bring your hand to cup your own breast, to squeeze and grope at it, to tweak and tug at your nipple, all while imagining that you’re leaned against your boyfriend’s sturdy, broad body and that it’s his big, unrelenting hand cupping your tits and not your own. 

At the same time, Jeonghan eats your pussy like the fiend that he is. Unlike Seungcheol, who lacks the control to stop himself from ravaging you like an animal until your pussy is raw and puffy, Jeonghan is much more, as he is in all aspects of his life, calculated. He’ll string you along with swipes of his tongue that seem coy until he’s making passes through your folds, prodding at your dripping, awaiting entrance. He licks into your hole and sips at your arousal like it’s honey, intent on making you fall apart slowly.

“How does his mouth feel, angel? Tell him,” says Seungcheol, whose lips have gotten swollen from his relentless chewing on them.

“God, Hannie, feels so good,” you squeak, your eyes still screwed shut as if that’ll help soothe the heat that burns through your body from Jeonghan’s mouth. Your fingers keep pinching at your nipple, and then Jeonghan slips two of his fingers into your heat, sending your hips bucking against his face and leaving you whining desperately, shamelessly. 

While his mouth makes out with your cunt, Jeonghan’s fingers dip in and out of you, massaging at your most sensitive spot over and over. He finds it with practiced ease, and he knows by now exactly what kind of vigour it needs to have you crying. He’s practically petting at your insides, your walls clamping around his fingers as your moans start to grow louder.

“H-hannie, I’m close, please, right there,” you squirm as your walls attempt to suck his fingers in.

You don’t see it, but his eyes flash with something devilish. Your other boyfriend sees it, though. 

“Jeonghan, don’t even think about edging her.”

Jeonghan smirks with mischief, letting his fingers do the work as he pulls his mouth away from your pussy. 

“Let me have my fun, Seungcheollie.” 

“If I did that neither you nor her would cum at all,” is your other boyfriend’s response. 

There’s silence as Jeonghan ponders whether he should obey or disobey. All the while, you’re mere inches away from your edge, hot with frustration because it’s so close; you’re so close. You just need a little bit more. It’s not too much to ask.

“Hannie, please…”

And he can’t find it in himself to deprive you any longer, so he crooks his fingers and works them as fast as he possibly can until you’re clenching, gushing, writhing all around his hand, wailing his name as you grab at his wrist but he still won’t stop. 

“Such a good boy, huh, Jeonghannie? Making her cum so good,” comes Seungcheol’s voice, sounding more breathless with each time he speaks. “Now we’re all happy.”

It’s only once your walls have stopped spasming around his fingers that Jeonghan finally slips them out of you and pops them straight into his mouth, licking them clean of every drop of your sugary arousal. He makes sure to gaze directly into the camera as his tongue laves and swirls over each one of his digits, knowing Seungcheol’s dick is twitching at the sight.

“I haven’t cum yet though. So I’m not happy yet,” he says, dragging a finger out of his mouth with a pop.

You sit up on your elbows with your cute, blissed out features, your eyes falling to his red-hard cock. 

“Come here and fuck me, then,” you say, impatient, like he didn’t just give you an orgasm. You paw at the hem of his shirt (also Seungcheol’s) and bite your lip as he pulls it over his head, letting your hands roam over his pale torso.

“Ride me?” he asks. How predictable. If it’s not Seungcheol taking him from behind then it’s you on top of him. God forbid Yoon Jeonghan does the work.

“Actually, I have a better idea. And this way Cheollie can see us both,” you say with a grin. 

With the phone on the front-facing camera, you prop it up against the headboard and roll onto your stomach, craning your head to look at him over your shoulder. 

“Like this?” Jeonghan asks, straddling the backs of your thighs.

“Yeah,” you say, parting your legs a little, arching your back and raising your hips—presenting your soaked, messy hole to him. “Try not to get tired.”

He responds with a half-hearted smack to your ass and Cheol scoffs out a chuckle. Jeonghan slides his cock between your folds, coating it with your slick, revelling in your tiny gasps every time it catches on your entrance. You’re prepared to whine and nag at your boyfriend to hurry up, but you suppose he’s feeling just as impatient as you are because he’s pushing in before you can even speak up. You look at Seungcheol, mouth dropping as you’re stuffed full with Jeonghan’s cock until he’s buried to the hilt inside you. His hands land on either side of your elbows so that he can hover over you, reel his hips back, and fuck himself into you like that. 

In this position, Jeonghan’s length brushes right against your gummy, sensitive spot with every stroke, making you keen for more even though he’s just started. 

“Harder, Hannie,” you sigh, pushing your ass up against his hips.

Instead of listening, he drops his head to the crook of your shoulder and kisses your skin. His breath tickles your ear when he whispers to you: “ah, what’s the rush, angel?”

You turn your head to catch his gaze, to drink in the sight of his face as he takes what he needs from you; his cheeks pink, his eyes tired and full of hunger. His lips, plump and enticing, evoke an unrivalled craving within you and he reads you well, brings his mouth to yours to give you as much satiation as he can muster. 

Seungcheol sits, silent, waiting. His patience is mere embers as he watches you two, his boyfriend and his girlfriend, tangled within one another. The wet slap of Jeonghan’s balls against the back of your thighs; the smacking of your lips, teeth, and tongues. He misses it. Fuck, he could go insane. 

“Cheollie,” you whine, when Jeonghan’s lips are no longer enough. “Want you to feel good too.” 

“Yeah, okay,” he replies, abandoning all semblance of the self-control he’d displayed up until now. It’s time, anyway, he thinks. He’s held off long enough. He puts his phone down and there’s shuffling as he strips himself of his sweat-soaked outfit from the show and settles upon the bed sheets once more. 

Saliva pools from the sides of your mouth when he angles his camera to show you his hand wrapped around his thick, erect dick and God, what you’d do to have it bruising the back of your throat until you’re gagging, letting him defile you all while he coos the sweetest of praises at you. 

“Daddy, I miss your cock so bad,” you admit in a weak whimper, shivering when Jeonghan angles himself deeper inside you.

“Yeah? Miss how I’d fuck your pretty little mouth?”

“Fuck, she’s clenching so hard around me, Seungcheollie,” Jeonghan grits. “Greedy little thing.”

“I mean, it’s our fault one cock’s not enough to make her happy anymore,” says Seungcheol, sighing with relief as he thumbs at his leaking tip, squeezing his fist around it, reminiscent of the way that you and Jeonghan like to tease him.

“Like I said,” says Jeonghan as he pushes two of his fingers between your parted lips. “Spoiled.”

You moan around them, staring straight into the camera as you suck on them, staring at Seungcheol, who starts to pump his hand up and down his cock. He wants to shut his eyes and pretend it’s your hand, or Jeonghan’s hand, or one of your tight, warm holes, but he can’t take his eyes off of his phone screen no matter how hard he wants to, and, well, he doesn’t want to.

He jerks himself off to the same rhythm that Jeonghan’s hips grind into yours. Seungcheol likes things a little faster, usually, more rough, but it’s Jeonghan who’s inside you right now, not him, so he matches his boyfriend’s lazy but not too slow pace, one that’s just enough to give you a gradual stimulation. 

There’s something about the whole thing—being fucked on camera, being teased with Seungcheol’s cock when you can’t have it—it has you way more excited than you expected. Way more turned on than you expected. It shows in the floods of arousal that drip from your pussy and dampen yours and Jeonghan’s thighs, in the way you’re whinier and more sensitive than usual.

Jeonghan and Seungcheol’s own noises don’t help. In fact they spur you on, coax you closer to your edge, urge the heat in your belly to grow. When Seungcheol isn’t giving deep, rasped curses, he’s letting out pretty, breathy, borderline whimpering moans. Jeonghan’s sounds are as angelic as he is. His voice is a holy choir in your ear, heavenly and soft as he gasps with exertion and pleasure; as he does things to you that any God would frown upon.

Jeonghan, too, is more sensitive. With the plug constantly brushing at his prostate, he can’t help but screw his eyes shut and pretend it’s his big, buff boyfriend fucking his girth into him. It makes his thrusts grow raggedy, like he’s more heavy. His body weight presses into you as his arms start to ache just a little. He’s impossibly deep in your guts like this and it feels so fucking good that your brain starts to melt. 

Seungcheol recognises the look in your eye—absent, like you’re starting to tap out and letting yourself become consumed by bliss.

“Is she getting close, angel?” he questions, punctuating it with a moan, the slick glide of his hand up and down his cock like music in your ears.

Jeonghan hums affirmatively. “Pretty pussy’s choking me,” he says, his voice cracking, his composure with it. He tries to put more vigour in his thrusts, more determination. The sooner you cum, the sooner he cums. 

“Cum for Jeonghannie, baby,” Seungcheol urges softly. 

“Cum for me,” Jeonghan echoes. You don’t stand a chance.

The heat inside you coils up, then erupts. Jeonghan fucks you through your climax as you tremble beneath him, crying his name and clawing at the sheets below you. 

“There it is, my good girl,” Seungcheol coos, tightening his grip on his cock as he tugs at it harshly as though it could ever replicate the feeling of your warm walls clamping down on him as you cum. 

“Ah, fuck,” Jeonghan gasps, dropping his head to your shoulder, cock twitching. His next request is a broken, pathetic moan. “Ch-cheollie, cum with me.”

Jeonghan stills inside you, whimpering softly with every rope of cum that he spills inside you, letting you milk him of every last drop. At the same time, Seungcheol gives a resounding groan as he brings himself to his own release, cum splattering over his toned stomach. 

There’s a moment of silence, or, rather, nothing but a harmony of laboured breaths as the three of you come down from your orgasms. You give a noise of protest as Jeonghan suddenly rolls off of you, but his stamina is always drained after sex—especially when he’s doing the work. You shiver, both from the emptiness in your cunt and the cold air that hits you now that you no longer have your boyfriend’s body as a shield from it. 

“Seungcheollie’s gonna wanna see your cum leak out of me, you know,” you say. 

“You know me so well, baby,” is Seungcheol’s reply. 

Jeonghan rolls his eyes. He makes no effort to move from his spot, opting to stretch his arm above his head and pat around until he finds the phone. He sits up next to you, points the camera between your legs as he grips one of your ass cheeks and spreads you apart. 

There’s a screenshot sound as white drools from your spent hole.

“Seungcheol!” you shriek. “You pervert.”

“Coups-ya, send that to me.”

thank you for reading! reblogs and feedback are highly appreciated <3

tags — @svtiddiess @ylangelegy @simpxxstan @caibeauchicfashion

[endursent]

WHAT IF astral express sunday would be too nervous to hold readers hand or hugging them bc his brain goes 💥 until he gets used to it and softens up to reader waa 🎉🎉

HES SO SILLY i want him to explode

【 content; sunday x reader , astral express sunday , fluff , character exploration, mild suggestiveness in one section , gn!reader 】

【 note; see sunday mention. NEURON ACTIVATED. i have neglected sunday writing for too long, it's time to sunday post more. 】

【 word count; 1.818 | read on ao3 | masterlist 】

Even after properly defining your relationship as “definitely happening”, Sunday still struggles to adjust to it—not because he doesn’t know what to do specifically, but because he fails to follow through with a lot of it. 

  As soon as he meets your eyes and feels the warmth of your skin at the same time, his brain halts in place like a deer caught in headlights—something about the affection and love in your gaze causes him to freeze, to hesitate and draw back. 

  He wants to enjoy that warmth, he wants to touch your cheek and gaze into your eyes for hours on end, examining every detail of your iris until he has it mapped better than the back of his own hand… but his heart tightens and his arms tingle when he tries. 

  He’s afraid, scared to overstep thresholds whose doors have long since opened wide for his presence. Afraid to take a wrong turn in the endless hallways of his thoughts and what-ifs.

  You don’t push him, you give him time to consider his movement and actions and proceed in the ways he feels comfortable—but you don’t let him pull back too far either. You grasp his hand as it pulls too close to his chest and he swallows when you bring it to yours, you press his palm against your chest and allow him to feel your heartbeat—quickened, excited, yet nervous as well. Sometimes, you’re also nervous. It’s okay to hesitate. 

  Mere moments like brushing his fingers against yours on accident are enough for his head-wings to shoot up into the air. You had simply been reaching for a pistachio in a bowl on a table where you sat with Sunday next to you, and he had coincidentally reached out as well. “A-ah, my apologies,” he pulls his hand back, wings lowering again as one moves halfway up his cheek in a meagre attempt to disguise the dusty red of his cheeks. 

  A small smile tugs on your lips and you take an additional nut to give to him. “It’s okay, here.” He holds his palm open for you to place the pistachio in, but instead of doing so, you peel the shell away with a click and hold it towards his lips. “Open up.”

  Five or so muscles in his face twitch as he leans back, surprised by your sudden approach and the very intimate gesture of trying to feed him—his eyes flicker to the left where Himeko is positively destroying March 7th in a card game, they’re not paying any attention to the two of you at all. 

  Sunday’s lips press together and for a moment you wonder if you might have pushed him a little too far, the red hue of his cheeks deepening as he avoids your eyes… and opens his mouth, just a little—barely enough to fit the small pistachio there.

  Your fingers touch his lips as you manage to set the pistachio on the tip of his tongue hiding only a little behind the bottom row of his teeth, and Sunday thinks he might explode. The way his upper lip lifted a little and a small drop of drool slid under his tongue—thankfully out of sight but definitely not out of mind—when your finger pushed under it to set the nut in his mouth…

  He swallows the pistachio quickly and nervously without chewing it and it almost stops in his throat before he could even realise what he was doing. Sunday might have just perished from embarrassment before the lack of oxygen would kill him were the pistachio to stop in his throat.

  Sunday hasn’t stepped off the Express in a while, he does so rather often, all things considered—usually choosing to at least peek out at the worlds you explore. After all, how can he find himself if he doesn’t look? 

  But he has never experienced a planet like this… you could convince him this is some intergalactically funded horror exhibition if you tried. Long stretches of trees and branches reach into the skies, casting dark shadows on the dull grass that covers the ground as far as one can see. The skies are dark when you hop off the train and practically drag Sunday along.

  He walks close to you, unsure if to reassure himself of your presence among the shadows, or to be ready to give his assistance were you to catch your foot on a root and crash on the ground—you’re walking so fast he can't help but think it’s just a matter of time.

  You feel something touch your thumb and look down, only to see Sunday’s gloved hand retreat. He’s looking ahead and pretending there is nothing strange happening. “Are you scared?” you wonder, tilting your head to get a better look at his face.

  A small frown tugs at his lips, so faint you could barely see it. “Of course not, but I am concerned about us getting lost—do you know where we’re going?” 

  “Kind of,” you sway your hand a little, seeing if you can fish at where he has retracted his to. “Pom-Pom mentioned there a huge city not far from where we dropped down, this world has some real good puddings if I read right.”

  Sunday merely hums in response, following you along. You did finally find the city—high buildings made of darkened wood, but with bright lanterns and strings of lights hanging between buildings to illuminate the streets in a comfortable orange. All the ambiance needs is rain (and for you two be inside a nice café) and it’s perfect.

  The streets, however, are a labyrinth. 

  You get lost only seven minutes after reaching the city, and no matter how you squinted at your phone, you couldn’t wrap your head around the map—and it doesn’t help that despite the darkness, it’s midday, and thus the streets and crowded near shoulder-to-shoulder. This place must be popular despite the gloomy atmosphere. 

  Having almost lost sight of you wandering around trying to get your bearings in the crowd, Sunday gathers his courage and stomps down his thoughts—and takes your hand. 

  You stop where you’re going and turn to look at him. “Hm? Is something wrong?”

  He still avoids your eyes, but his grip is firm. “You’re… still going in the wrong direction.”

  “I am?” you look back down to your phone and tilt it sideways. “Ah! Like this, I get it now… I think.”

  Sunday sighs, stepping closer to you as a person shoulder past your positions—and suddenly the two of you are standing far closer than planned, nearly pressed against the wall of a building that leads to the corner of the street. He can’t stop thinking about your hand against his gloved one, and he also can’t help but notice that your fingers feel cold.

  As you try to figure out the best path towards the mythical pudding, holding your phone out for Sunday to see as well, his fingers and palm engulf yours and try to move some of his heat to you. His thumb rubs over your palm as you speak and the lack of proper reaction from you, yet still laying your hand out to him, helps him find the gesture more natural and comfortable… something he wouldn’t mind indulging in more often. 

  Sunday is a very passive person when it comes to affections, he’s rarely the one to reach out first and needs a bit of a push to even come up with romantic gestures. He considers the time you spend together and the understanding between you to be much more precious and indicative of his affections.

  However, he gets an idea one time from something he saw when scrolling his phone… to leave notes around. Sunday wasn’t sure of it at first—and a little embarrassed that someone else might find them before you do—but gradually began to find it as an easy way to show his attention. 

  Sometimes, the notes have a small message on them (mostly reminding you to sleep more) but other times, there’s no message at all. He came to use it as a ‘I thought of you’ message, where he leaves a blank, small post-it on something. 

  One time you forgot to buy new toothpaste on the Express’ most recent stop and dreaded having to borrow from someone again—until you opened the drawer to fetch your toothbrush and saw a full tube with a small blue post-it on it… now you need to go over to his room and rub his cheeks and thank him for remembering your complaints about always forgetting to buy a new one. 

  Sunday is a surprisingly good caretaker, you caught some sort of cold or flu on a recent trip off the express and have been miserable in bed for days. Up and down, hot and cold, snot-filled and gross on all ends. But he sits down by your bedside and takes your temperature, lays the back of his hand against your heated skin and does all he can to help. 

  One aspect he struggled with was when you got whiny one evening and reached out for a hug…

  While you might mistake his hesitation for disgust, as you are snot-nosed, puffy eyed and half crying from misery—it’s far from what was on his mind. But Sunday feels his chest tighten at the sight of you so miserable, temporary as it is, and he doesn’t have the heart to refuse your embrace. 

  He leans down and lets you wrap your arms around his shoulders, your clammy forehead rubbing into his shirt as he stiffly pats your head and tries to soothe you. “It’s alright… your fever is going down, you’ll be okay soon, just remember to drink the water on the nightstand, okay?” he mumbles by your ear, and the more you nod and thank him for taking care of you, the more his muscles ease and he shifts a bit to lay down with you, allowing you to burrow into the crook of his neck and find comfort in his presence. 

  Sunday rests his chin over your head and rubs your back. “Would you like me to sing for you?”

  You nod into his shoulder and he closes his mouth to hum familiar tunes, the beginning of a familiar song as the vibrations in his chest rumble against you. His voice is soothing, and his singing is surprisingly soft and gentle. 

  As you drift to well-needed sleep, Sunday stays with you until he’s certain you’ve fallen asleep… and then for a while more, just long enough that he can’t imagine tearing himself away from you—or risking waking you up by rising from the bed. Perhaps it’s alright if he stays the night here, after all, he needs to make sure you hydrate through the night.

[honeylullaby]

rupert campbell-black

NS/FW Alphabet

trying something a lil different! 🫶🏽 18+ HEADCANONS. super smutty. reader character aged at 21.

A - Aftercare:

Rupert is an absolute sucker for aftercare. For the rest of the night, he’ll be stroking your hair & giving you gentle kisses on your forehead. And, of course, he’ll run you a hot, soapy bath afterwards to relax your muscles.

B - Body part:

His favourite body part of yours is most definitely your legs. He’s constantly caressing them or nestling in between your thighs for warmth. There isn’t a single night that goes by where he isn’t biting at your legs before you have sex.

C - Cum:

Rupert never pulls out. Unless you absolutely beg him to let you swallow it (on occasion), he will fill you up every single time.

D - Dirty secret:

His, and your, dirtiest secret is that you both popped upstairs at The Priory during one of Venturer’s boozy parties and fucked over the windowsill in Declan and Maud’s bedroom. Both incredibly drunk and relishing in the idea of being caught.

E - Experience:

We all know… he has it. Enough said.

F - Favourite position:

It would be very hard for him to pick a favourite, but if he absolutely had to, he’d pick the straddle position. He loves the way you whimper when it’s so deep inside you, and he loves to see your beautiful face as you cum.

G - Goofy (How serious is he during the act?):

Whilst Rupert loves a laugh, he takes your love-making very seriously. Almost as if it’s an act at the theatre, his performance of how much he loves you and your body.

H - Hair (How well groomed is he, and how does he prefer you?):

Rupert has the most fantastic bush, a mound of hair that holds the world’s best, and biggest, treat. You keep yours trimmed and neat, although he wouldn’t really care either way.

I - Intimacy:

Rupert is surprisingly intimate. The nights you spend in bed — candles lit, wine consumed & slowly making love to each other — are his favourite.

J - Jerking off:

Before he met you, nothing was stopping him from wanking two or three times a day. Now, he has no need. You’re there every time he needs you.

K - Kinks:

Rupert most definitely has a breeding kink. He loves to see his hot cum dripping out of your reddened cunt after a good session. Although, it just immediately turns him on again and he’s ready for Round 2.

L - Location:

He’s not particularly fussed where you do it when he’s in the mood, but his favourite place is the Bluebell Woods in Spring, when the floor is awash with that beautiful pale purple. The sight of you bent over on the crisp floor is a dream.

M- Motivation (What turns him on?):

When it comes to you, anything will turn him on. The way your arse looks when you’re in the shower, the way you flutter your wispy eyelashes at him, even the way you scrape your hair into a ponytail. But if he had to pick something that completely took him over the edge, it’s when you suck his dick with that scarlet red lipstick of yours, and it leaves prints over him. Guaranteed to make him cum.

N - No (Something he wouldn’t do):

There’s not much that Rupert wouldn’t do, but he draws the line at submission. He loves to be the dominant one, and has to be in control. There’s nothing that will make him go soft quicker than you trying to take the reigns, and that’s saying something.

O - Oral (Does he prefer giving or receiving?):

Whilst he will never turn down a blowjob, Rupert is a full-time MUNCH. You only have to take your pants off and he’ll be kneeling in front of you, licking at your clit like it was his last meal.

P - Pace

It depends on his mood, honestly. There’s some nights when you look so fucking good in that dress that he takes you home and fucks you hard enough to give you a migraine. But, there’s also some nights that start off slowly with passionate kissing and lead to a slow, intense session where every thrust is entwined with love.

Q - Quickie:

Of COURSE! He’s fucked in a toilet of the Concorde, don’t you know?

R - Risk:

True to his usual character, Rupert is a massive risk-taker. If he gets hard, it doesn’t matter where you are, he’s having you somewhere. Your list includes The Priory, the storeroom of the Bar Sinister, his Porsche and the Bluebell Woods.

S - Stamina:

He could keep going forever. Every time you have sex, you have to prepare yourself to be bent into numerous positions for at least 20 minutes at a time. You never leave the bed without having an orgasm.

T - Toys (Does he use them?):

Rupert has an aversion to any toy, except a vibrator. He wholeheartedly thinks that nothing else should be inside you except him, so best not to mention it.

U - Unfair (Does he tease you?):

He’s a huge tease! There’s nothing he loves more than handcuffing you to the bed and making you whimper with a vibrator, or rubbing himself against your entrance and making you beg for it mercifully.

V - Volume (How loud is he?):

Rupert doesn’t actually make too much noise — just a few grunts and the occasional moan when he’s climaxing. Other than that, he likes to keep quiet so he can hear you squeal frantically under his touch.

W - Wild card (Random!):

Rupert’s guilty pleasure is buying you incredibly expensive lingerie that he finds in your catalogue. It turns him on immensely to see you try them on for him, and it always ends in breaking the set in.

X - X-ray (How big is he?):

It comes as a surprise to nobody that Rupert has a particularly large appendage, that he’s very proud of. It’s thick, veiny & manages to hit the right spot. Every. Single. Time.

Y - Yearning

He has the most fervent sex drive imaginable. It doesn’t matter what time of day it is, if you’re down for it, Rupert will give it to you. You only have to do so much as brush past his leg and he will be rock hard.

Z - Zzz (How quickly does he fall asleep afterwards?)

As soon as he’s finished his aftercare, he is straight to sleep. Snoring & drooling, the whole lot. It takes you a little while longer, you always have to wait for your legs to stop shaking. But you can guarantee Rupert will be asleep the moment his head touches the pillow.

[the-100-days-of-junkan]

Day 0

Okay so I know the way I framed it makes it seem like I discovered this last second, but uhhh nah I found this months ago during I the making of the Music Video. So let’s tell a little story before I start getting weird with it.

So like. I couldn’t tell you what sent me down this path, but I was looking through a flashdrive with very old files on it, like, two or three whole laptops old. Actually probably only two. Anyway, on this old flashdrive I found a page of sketches from 2020. How do I know it was from 2020? It had villagers from my first island in Animal Crossing New Horizons on it. There was also a really rough looking sketch of what I can only assume was Mukuro and Sayaka. And in the bottom right corner, was this image. What might be the oldest piece of Junkan art I have, period. 

Okay that’s not technically accurate. I mentioned it offhandedly before but the first ever Junkan piece I drew was basically a joke. Because at the time the idea of Junkan being a healthy relationship was just a joke between me and my friends.

Four panels, and the joke is basically “Junko scraps her entire tragedy plan because Mikan’s hot and she wants to bang her.” I could easily find it, and I won’t act like I didn’t consider doing so to put it at the very bottom of this post purely for historical/archival purposes. But I kinda just get irrationally angry looking at it so I think I’m fine just, leaving it behind. And god knows it ain’t getting its own post.

So even if it’s not the true first junkan I ever drew, it’s the first one I drew where I gave a shit. That I can say for sure.

I wish I remembered drawing it though. 

Yeah i just, have no recollection of this. I don’t know why I drew it, what it is, anything. I have theories of course. My strongest one is that I read the first two chapters of Smile, and in my blacked out state of mine I drew this to get something out of my system? But that might not line up with the timeline. But I’ve no way of confirming what caused this to come into existence.

I have another theory unrelated to why it exists but for a certain aspect. I noticed as I was putting this together that Junko's got a Rabbit Clip in her hair (despite also having a bear clip but hey I wasn't exactly memorizing the designs by this point). That either means 2 things. I fucked up and didn't realize Junko doesn't wear the same outfit as disguised mukuro. Oooor, because I was so paranoid, and I'm pretty sure I sent this to at least a few friends at the time if not a slightly more public area (by my standards), I might have drawn it like that so worst case scenario I could write it off as Mukuro in Junko's outfit.

It kinda scared me at first when I looked at this? Like, this just exists and because of the time between now and when I allegedly drew this, there’s just this disconnect. Like, I don’t feel like I made this. I was so different back in 2020, I had less baggage, but also I kinda just felt isolated from a lot of people. I had like, 2 people I talked too pretty consistently, I had acquaintances but it wasn’t till later after my ex that I started actually talking to people more. 

Normally when I look at old art, it’s just that, looking at old art. But that’s because I can remember those pieces usually, this is something so old and obscure it couldn’t even become a memory, it’s uncanny. 

Now that I’ve had it sitting in my files that sense of unease is a lot less prominent. Now I can just look at it as old art like normal. 

I don’t really know what the point of this was? I guess I just wanted to provide one more treat, even if we jumped way down the scale of quality from Day 100. But hey it kind of being like, a relic makes up for it probably? I dunno. So this is the proper end of the project! It’s been nice! Even if I’ll see ya back for Junkan Week, and then way later The Month of Junkan, it definitely won’t feel the exact same. I’m gonna miss these daily posts, but I guess that’s why I’m gonna just have to make even more Junkan to keep it up! Though I don’t know if I’ll ramble as much as I did across these posts. Glad ya’ll liked em though! I always felt worried about being overboard with my commentary but it seems like that was just a bit more baseless paranoia on my part~

Look forward to the coming months! Because I sure am! 

As always, Reblogs, Comments, and Little Notes in the Tags are appreciated!~ They always make my day!~

[tyrantisterror]

You're welcome! Thank you for being such a willing participant in the interactive side of this story!

And yeah I'll gladly answer some more questions.

So, as I said above, I realized in the process of writing the story that, from a narrative and thematic perspective, this story could not give Sailor a clear and definitive answer to what they are. Even in the ending where they chose to go back to the normal world, we get an answer that convinces Sailor, but still clearly has some holes to the audience. I think there are ways we could have skewed certain conversations to learn more about the hypothetical answers in-story, but it would have come at the cost of key moments of character development for Sailor and Calibani. And I also think it's possible we could have skewed the story in such a direction where giving a definitive answer to the question wouldn't have necessarily hurt the theme of the story, by dint of turning the story into a different theme entirely - a South-heavy story might have focused on Sailor confronting their own inherent selfishness and short-sightedness rather than questions of their identity, for example, while a West-heavy story might have been a more dense and wacky adventure full of foolhardiness where learning who/what Sailor is could happen quickly and definitively without fanfare in order to be pushed aside for more shenanigans. 58 choices - there's a lot of potential what-ifs here.

There would be no way to contact Earth in the story as told, no, just as there wouldn't be a map till the very end. But, like, Sailor is canonically living longer than just the nine or so days the story covers, the Sea of Monsters is big, and Sailor knows a mad scientist. It's possible Sailor finds a way to get a message back to earth at some point - but I guess we'll have to save that for a hypothetical At Sea Without a Map 2: Now With Map!

I generally tried to vote either for the answer I thought would get the most votes, or the one that would get the least, in hopes of not actually affecting the result too much (unfortunately tumblr doesn't let you see the results before the poll ends unless you vote, and for the sake of keeping to a more-or-less daily schedule, I kinda needed to keep an eye on it to know what I'd need to draw during my downtime moments). I think the TT-only version of At Sea Without a Map would have been pretty similar to what we got. We might have spent a bit less time with Calibani and bit more time getting into monster hijinks and drawing exposition about the setting from characters like Dr. Neptune, but otherwise it would have been pretty similar. I had more fun with the player-choices that contradicted my own instincts, though - it was fun being given free reign to just shoot the shit with love interest while ignoring the plot. Very indulgent I do wonder if Sailor might have turned out differently, though - I was very conscious of trying not to flavor things too heavily when Sailor was in my control in the narrative, i.e. when they had to make choices without a compass to set them in a direction. I didn't really start giving Sailor personality in-text until I got a feel for what we were turning them into together, and even then I always felt nervous about it - I never wanted it to feel like I was forcing you all to play a character that wasn't authentic to what you were choosing. This wouldn't be a problem if Sailor was just written by me and me alone, so they might have become something different by dint of me not having to worry about alienating voters with their actions.

At Sea Without a Map Post-Script

After two months of so, my little writing experiment At Sea Without a Map has come to an end. And because I'm vain, I not only felt compelled to share it, but to talk about it in depth after the fact, so here we are. This is going to be long, though, so I'm not only going to break it into sections, but put it all under the cut for the sake of your dashboard. So go ahead and dive into the depths of the Sea of Monsters with me one more time!

Part 1: Never Stop Blowing Up

The writing process of Wizard School Mysteries Book 3 was really strained - not because of the book itself, mind you. When I was actually able to work on it, Book 3 came together really well - I think it required the least substantial rewrites of any my novels thus far. It's just that real life was kind of beating the shit out of me while I was trying to get it done - or maybe the better metaphor was that it was just slowly but steadily draining me of energy all the time. I'm honestly surprised I got the book out in roughly the same amount of time as the first two - by the way life had been treating me, it should have taken longer.

But when I got done with it I was accutely aware of how tired I was. I still had the creative drive, but fuck I needed something simple as a palette cleanser - something easy, and more importantly, something that was allowed to be bad. I needed something creative to do that was surplus to requirements and fully within its rights to suck ass so long as I had fun making it.

Around this time, I decided to rewatch Dimension 20's Never Stop Blowing Up. Brief explanation of what that is: Dimension 20 is an actual play show, i.e. a recording of people playing D&D and other TTRPGs. I'd say its reputation is built on the contrast of its main DM, Brennan Lee Mulligan, who makes these meticulously crafted campaign plans, and his chaotic band of improv comedian players who promptly derail those plans spectacularly. Like, a good deal of the show's humor comes from Emily Ashford or Ally Beardsly doing something so off-the-wall that it shatters whatever the scene was going to be and creates a far more absurd and zany spectacle in its place. Which is why Never Stop Blowing Up is pretty notable, because it's the one campaign where Brennan himself is the agent of chaos, fully unleashing his own brand of madness that the players struggle to keep up with. And fuck does he seem to have fun with it.

Of course, all of the analysis above is purely from the outside looking in - it's likely that a lot of the "chaos" is played up for the audience. But still... there is something to the idea of a person who's been working on meticulously structured stories letting loose and just doing something extremely stupid.

So I decided to give myself a Never Stop Blowing Up moment - a short story that would be simple by design, with no standards to live up to or goal beyond "have fun telling a silly little story." I then came up with a few key criteria:

It can't be set in the Midgaheim/ATOM universe. I don't want the burden of figuring out where this story would fit among others.

It's gotta be a romance. People who've read my books might have picked up on the fact that I like to write about people falling in love, for the same reason I like to write about fire-breathing reptiles and friendly monsters (i.e. I use writing to indulge in things I'll never experience in real life). I've only used romance as subplots in my fiction before, and tend to feel a bit guilty if I focus on it too long - like I'm being self indulgent. Well, this is all about self indulgence, so the romance should be front and center.

It's gotta be SIMPLE, episodic even. Not complex plotting required.

I almost chose my xenomorph romance for this, but I had developed its outline to the point where it would be too complex to fit. I then considered a sort of superhero story that could be pitched as "what if Bringing Up Baby but Katherine Hepburn's character is a Harley Quinn-esque supervillain and Cary Grant's character gets turned into some sort of horrifying genetic mutant in the first ten minutes." That one hit a weird roadblock when I got to the character brainstorming phase (the first phase of any writing project I do) - I was trying to figure out what the mad scientist who turns out Cary Grant-figure into a mutant would be named, came up with the name "Dr. Skullfuck," immediately realized that having a character named "Dr. Skullfuck" is a Mark Millar-ass writing move that I could not allow myself to do, but then couldn't stop thinking of the name "Dr. Skullfuck" and giggling, which just brought all thinking to a grinding halt on that project.

(I'll still probably do it someday, though - just, you know, without Dr. Skullfuck)

Inspiration struck again, though. I'd been getting into Epic: The Musical, a musical retelling of The Odyssey, and it put me in the mood for a sea monster story. But, more than that, it got me thinking about one particular archetype from sea monster stories - but that brings us to the next part of this Post Script...

Part 2: It Was Always About Calibani

Ok, so, one of the big changes Epic: The Musical made involved Odysseus's encounter with the sirens, and before you read more of my rambling, I'd like you to watch two animatics for the two songs in question here:

A summary: one of the sirens takes the form of Odysseus's wife to try and tempt him into getting in the water, Odysseus tricks her into giving him directions, captures her and the rest of her kind, and proceeds to have his men slaughter them horribly. In the OG story the sirens don't die - nor does their song involve imitating a man's wife, for that matter, it's just a really pretty song.

This is done for an important narrative purpose - Epic: The Musical is focused on analyzing the moral ambiguity of Odysseus, and how it is constantly challenged by the impossible choices he is forced to make in his attempt to get home. At this point in the musical, Odysseus has decided to stop trying to be a compassionate man, shirking all mercy in favor of utter ruthless pursuit of his goals. These two songs are meant to be unsettling as hell - this is the beginning of a series of heartless choices by both Odysseus and his men that will culminate in the mutiny and complete annihilation of Odysseus's crew, as well as Odysseus himself being so hopelessly stranded that nothing short of divine intervention will save him.

I bring this up because when I first heard these two songs - specifically while watching these two animatics - it, like... it devastated me. I was so horrified and sad, so shaken by it. And part of it was for the reasons outlined above, but admittedly that wasn't the gut reaction I had. No, my immediate reaction was, and I quoute my own broken brain verbatim here: "You can't kill the sirens! They're not for killing, they're for loving!"

...now, those of you who know me are probably not surprised by this very stupid sentiment coming from me. One of my more popular posts is just me talking about how down bad I would be for various folkloric monsters whose whole shtick is "looks like a pretty lady but Watch Out." But as a person filled with immense self loathing and doubt, my brain immediately looked at that very stupid sentiment I expressed and said, "Wait, no, that's fucking dumb, I'm fucking dumb. The sirens are remorseless murderers. These sirens in particular preyed upon a man's love for his wife, who he has not seen in twelve years, to convince him to let them kill him. They are, by all standards of morality, Very Fucking Evil, and if they were not women you would not feel bad about them getting killed."

And as my brain argued with itself over this topic, I got to thinking about the various monstrous/othered sea women of The Odyssey - not just the sirens, but the witch Circe, the nymph Calypso, the monsters Scylla and Charybdis. And I thought about the others of their kind in other myths and folktales - selkies, mermaids, etc.

There's an archetype of sea monster that focuses entirely on one specific anxiety sailors are prone to, namely the fact that (for a good deal of human history) being on a boat meant spending a lot of time away from women. The horror of this monster is how it uses that desire for female company to tempt people into danger - like a mirage, it leads you to expose yourself to danger in pursuit of an illusory comfort.

But, unlike real world mirages, these monstrous sea women DO exist in their stories. More than that, they're often, like, sad and lonely. Their narrative purpose is just to be a temptation, but that doesn't change the fact that they do have lives of their own in these worlds. And, softie that I am, I can't help feeling sad for them, especially the ones who actually seem to want the same companionship the sailors they tempt want. Sailors don't stay with their Circes, they don't marry their Calypsos. The sirens live on a barren rock, alone, Scylla is left to wallow in misery at her monstrous form, and the selkie always has to leave for fear of being trapped by a person who won't love her on her terms.

I realized I had my hook for this simple, easy, silly little sea monster romance story: I was going to give a sea woman the happy ending she'd never get from anyone else.

Sailor may be the protagonist, but make no mistake: At Sea Without a Map was always, always, ALWAYS about Calibani.

The goal with Calibani was simple: I was going to set up a fairly standard Monstrous Sea Woman, but where other stories would let her be in one episode of the travel narrative and move on, this one would stick around. She'd be an unambiguous predator of human beings - an open and admitted maneater - but she would have no true malice to her. She, like all predators, eats what she can get to survive, and it just so happens that she's adapted to eat humans. And the story would pose the same question to the reader that my brain posed to me during Different Beast: is there any way you could make a siren-style sea monster sympathetic? Can you make a normal person who doesn't have my particular brain rot look at a maneating siren and think, "You're not supposed to kill her, you're supposed to love her!"

One of the few unavoidable plot points of At Sea Without a Map was that Calibani and Sailor's relationship would become romantic. What kind of romance it was could have varied substantially - it could have been one-sided, it could have been toxic, it could have been far more tragic OR far more comedic. But it was always, always going to be a romance of some sort - the goal of this experiment was to make you, the reader, love Calibani. All else was icing on the cake.

I decided to base Calibani's personality on Miranda from The Tempest - i.e. a sweet girl who is both wordly and naive, who understands the strange setting of our "lost at sea" story far better than the audience viewpoint character does, but views the mundane world of the audience viewpoint character with wonder and naiveté. In fact I almost named her Miranda outright... except I already had a character in the setting I chose for this story who had that name, and as an allusion to the same Shakespearean character no less. So I settled on naming her after Miranda's adoptive sibling (of sorts), Caliban - more fitting in some ways, as Caliban is a fish-human hybrid who is arguable more native to the magic island in The Tempest than Miranda herself.

(Calibani isn't the only Tempest name homage, either - her mother, Sycorax, takes her name directly from Caliban's unseen but oft-spoken of witch mother. Dr. Antonia Warefore takes her first name from Antonio, one of the human villains in The Tempest who hopes to use being lost at sea as a way to perform a coup. And the mothman Iriel takes her name from Ariel, the wind spirit in The Tempest who aids the wizard Prospero in controlling the magic island. If Sailor has a "real" name, it's probably either Ferdinand or Miranda, the two lovers who manage to blend civilization and the wilderness together with their romance.)

Visually, I wanted Calibani to not be any common archetype of sea monster woman, but rather something that evokes the popular images while still being her own thing. She's not a mermaid or a siren or a selkie - she's basically "what if a sea serpent was also a girl." In-universe, she's chubby because she, like all marine megafauna, needs blubber to survive. Out-of-universe, she's chubby because I've found that routinely drawing cute chubby girls is good for my mental health.

Part 3: CYOA

Now, while we live in a post-Muncher society where shame and cringe are emotions only the cowardly should experience, I am nonetheless Very Catholic about expressing my own feelings of, like, liking girls and shit. I cannot help feeling guilty when publicly expressing adoration of women without, like, an excuse - it's gotta be a joke or something, you know? I can't be genuine about it, or else Jesus will beat me with a cane for disrespecting women with my lecherous gaze.

But luckily I've cultivated a loyal audience of fellow monsterfuckers, which meant I had an excuse lined up: if I made this a choose your own adventure type deal, a story with audience participation, then you all would be my accomplices. And Jesus can't cane all of us! He doesn't have enough hands! I found a loophole bigger than his stigmata!

Plus I love collaborative story-telling - there's a thrill in not having total control of where the narrative is going. As Brennan Lee Mulligan must know, there's a joy in having to deal with the chaos thrown your way by letting others grab the figurative ball, even if just for a moment.

Part 4: Offbeat Melody

Since I did not want to set this story in Midgaheim, I decided to steer myself away from a vaguely medieval setting altogether. But I also didn't want to limit myself with the need for "realism" that putting it in a normal sea would require, and making a new setting whole cloth would start pushing this project into "not easy" territory.

Luckily, I had a setting lying around that I hadn't played with in a while, which just so happened to have a location that was PERFECT for the sort of Never Stop Blowing Up style madness I was aiming for. For a few years I ran a Monster of the Week TTRPG campaign called Offbeat Melody, and one of its core setting elements was taking the goblin universe hypothesis in paranormal science (yeah it's a real hypothesis) to an illogical extreme. We had specifically seen glimpses of the Sea of Monsters in Offbeat Melody, i.e. the parallel universe where monsters like Nessie, Ogopogo, Champ, and the like all hail from. Well, why not have a whole story set there? It's literally a universe devoted solely to creating sea monsters - what better place to strand our modern Odysseus?

Offbeat Melody was always sort of a Never Stop Blowing Up project, or at least NSBU adjacent. Some of my most unhinged story-telling moments are in that campaign - you could make a supercut of just the "commercial breaks" in the various sessions and it'd basically be an I Think You Should Leave episode. Taking one obscure corner of its multiversal world and exploring it in detail was perfect for this project.

Part 5: Monster by Monster

With our main romance as sorted out as could be for a CYOA story, it was time to figure out the "episodes" of this sea voyage. I settled on there being ten to roughly align with The Odyssey - just in terms of number, mind you, not in a one-to-one comparison. The first was, obviously, Calibani herself, which left nine more slots for me to fill with monsters. Let's go through them together in brief:

Tree Storks - any lost at sea story eventually has to get its protagonist into an island at some point, but this immediately begs the question, "Why don't they just stay on the island where it's safe?" The answer to that question has to be, "it's not safe there, actually." The Odyssey does this quickly and cleverly with a one two punch: the first island seems safe until you realize the food on it brainwashes you into forgetting everything except your desire to eat it, and the second island is full of delicious sheep but also giants who will eat you just as easily as they eat the sheep. When other islands show up in the story later, you immediately regard them with suspicion, because you don't know HOW they're going to be fucked up, but they definitely will be. My goal with the second episode was to establish the same sort of danger - that land is NOT safe, that islands WILL be fucked up and dangerous in ways you might not expect.

I also wanted to establish that this is not just a sea of monsters, but a very WEIRD sea of WEIRD monsters. It couldn't be any old monster on this island - it had to be one that was unique, unexpected, and maybe just a bit silly while still being menacing.

I've always felt that there's a lot of un-mined horror potential in storks, cranes, and herons - any bird with a long neck and spear-like beak it uses to stab smaller creatures from above. Just imagine yourself in a frog's place in the world - tiny, going about your business, when suddenly something shoots down at you from above and impales you before you even feel the shadow fall over your face. Or perhaps you did see the shadow - some of these birds spread their wings to create shade specifically to attract fish, and then spear the poor little bastards.

Well, what do people often look to islands for when out at sea? Shade - the shade of a palm tree. And palm fronds kinda resemble feathers, don't they? Wouldn't it be both ludicrous and terrifying is there was a stork big enough to mimic a palm tree - and wouldn't that be a DEVIOUS trap for a sun-drenched sailor to fall for? So the Tree Storks were born.

The Globster - I made a list of sea monster archetypes in the early planning for this project, and one I wanted to include was a kraken, i.e. some sort of tentacled sea beast. But I didn't want to do JUST a big squid or octopus, or even a riff on them. I wanted to take the idea of "big sea monster with lots of tentacles" into a stranger direction.

Since the Sea of Monsters is explicitly the home universe of lake and sea monster cryptids, I thought it might be fun if ASWaM's kraken equivalent was a globster - just a big ball of rotten meat. I love drawing monstrous faces, so I decided it'd just be, like, MADE of hideous rotten faces, all melting and congealing together, with its tentacles doubling as the tongues of its many mouths. A perfectly wretched image that, like the Tree Storks, would do well to establish how Fucked things could get in this setting. Plus similar monsters had appeared in Offbeat Melody, which would make for a fun sense of familiarity for the, like, five or so readers of mine who had listened to that campaign before.

Captain Peter & the Dolphin - Another thing I did in the early planning stages of this project was make a list of the different sea voyage stories I know and love, the most contentious of which is The Life of Pi. That's a story that I love on a literal level but kind of hate on a figurative level - its whole theme/message is that doubt is the worst thing you can have, that if you don't commit to believing something with zealous conviction you are a coward. As a person who thinks doubt is valid, that "I don't know" is sometimes the ONLY truly valid answer to a question, I have issues with that message.

But I can't help loving the beautifully ludicrous idea of a non-anthropomorphic tiger sailing the ocean on a big Odyssey of its own. Like, if that story didn't actively hate me for being agnostic, it would be one of my favorites.

So I decided to, you know, just steal the idea of a tiger Odysseus. The tiger in The Life of Pi is named Richard Parker. Richard Parker also happens to be the name of Peter Parker's dad. Hence we get Captain Peter - the figurative son of Richard Parker, if you will. And to ratchet up the absurdity of a tiger Odysseus, I made him a pirate and the sole sailor of his voyage. Somehow, this tiger has manned a boat on his own.

Captain Peter was intended to be the hero of another story - a sign for the readers that it IS possible for a stranded person (or, in this case, tiger) to survive out here. To that end, he had to rescue our heroes from another threat, but not one that would be interesting enough to take the focus off of the tiger pirate. Originally I planned for that threat to just be a big shark, but I ended up liking my shark design too much to put it in a role that small, so I quickly designed a nasty dolphin for the role instead. I think that worked out well, honestly.

Dr. Neptune - Episodes 5 and 6 were the mid-point of this journey, so I wanted the two monsters of those to escalate things significantly. I figured episode 5 was probably a good place to FINALLY give some meaningful exposition on what was going on, and there are a lot of stories about mad scientists doing weird shit on islands in my big list of sea voyage stories I love. So we get Dr. Neptune, a classical brain-in-a-jar mad scientist who's affable enough to give more-or-less accurate exposition but loony enough to be a problem. This also felt like a good spot to remind the reader that Calibani is not just a girl with a tail but rather a Sea Monster herself, and one that we'd been making stronger by allying with.

With his human-but-not-quite nature and cyclops eye, Dr. Neptune could sort of be seen as the Polyphemus of this story, couldn't he?

The Crocodisle - One of the sea monster archetypes on my list was "the island that's actually a sleeping monster," of which there are many in mythology and folklore. My favorite is the Jasconius from the voyage of St. Brendan, mainly because it's more or less benign and actually comes back to help St. Brendan and his crew at the end of the story. I always love when I can find an old story with a friendly monster in it.

When thinking of my own spin on the island monster concept, I remembered the only Magic the Gathering card I had as a kid, which I still have and love to this day: The Sandbar Crocodile. This card already inspired Crocogon's color scheme in The Atomic time of Monsters, but I felt I could go to that well again one more time, and so made a crocodile that wasn't just a sandbar, but a whole damn island to itself. And, like Jasconius, it turns out he's pretty chill.

I did not think of the pun name "Crocodisle" until I was actually writing the chapter in question.

The Femdom Mermaids - These three were a late addition to the roster. When I had Calibani bring up mermaids early in the story, I realized as soon as I wrote her rant about them that we'd HAVE to meet some later on in the story.

The readers had significantly shaped Calibani and Sailor's romance by this point, and I decided that it could be useful to have a chapter that was devoted to showing definitively how these two were good for each other. I thought the mermaids could provide a good contrast: have them act out a seemingly more benign take on the monstrous sea women trope (they abduct our hero to protect and care for them!) only for it to quickly feel MORE deranged than Calibani's comparatively simple desire just to eat him.

The spirit of Calibani's rant about mermaids was taken from weird* girls I knew in high school complaining about cheerleaders, so I wanted the mermaids to look like the sea monster equivalent of popular kids to Calibani's chubby weird girl. Two of them got the names of famous beauties - Helyne = Helen of Troy, Clio = Cleopatra.

(*when I say "weird" I mean it in a complimentary and affectionate sense)

Bob, meanwhile, kinda... rebelled, I guess? Before I had names for them, I listed "bob" by her as just, like, a descriptor for her hair cut, but then I liked it as her name, and once she was named Bob she became more than just a mean popular girl. She was a weirdo too, the little punching bag of the two mean popular girls who did their dirty work and smiled through their abuse because hey, at least they included her. It gave the trio an easily defined dynamic, helped make two of the three more visibly nasty, and gave us comic relief in an arc that could very well have gotten too uncomfortable otherwise.

And I guess it worked - readers REALLY loved Bob, and were very vocal about it, and I realized mid-arc that I had accidentally made her too likable to just leave in this arc. So Bob got to be rescued from her awful friend group thanks to readers like YOU.

Lord Ironteeth - yeah, this was the shark that was too cool to be a minor threat. When I drew his noggin, I realized he would need a chapter of his own, one with gravitas. I decided he'd specifically be the threshold guardian -once we beat him, we'd know for sure how to get home, even if there were a few more threats in store.

Spindle Inc and Sycorax - when I was a kid I used to have this recurring nightmare about being on some sort of underwater sea station that had this huge sea serpent trapped inside it. I'd look at the sea serpent from a window within the station and see it coiling in its tank, only for it to look at me with fury. In that glance I would suddenly realize two things with absolute clarity: first, it was going to break free and kill everyone, and second, we deserved that destruction for what we had done to it. The terror of the dream was less that the sea serpent was going to break free, and more the guilt of knowing that all the mayhem that was about to unfold was our fault to begin with.

I thought that would be fun to homage with the penultimate chapter of this story. OBVIOUSLY the sea serpent was Calibani's mom, obviously the trauma of its capture was why Calibani grew into a predator that specializes in hunting humans, obviously we would have to free the sea serpent despite that running counter to Sailor's goal of getting home. Easy, easy, easy plot point to include.

Spindle, Inc. is the primary antagonistic force in Offbeat Melody, so they easily slotted into the role of the arrogant humans who captured this monster for nefarious and selfish motives. They could tie a lot of other plot threads together too - Dr. Neptune was a scientist who worked for them as a contractor only to get screwed over (i.e. they stranded him in the Sea of Monsters, expecting him to die, and then used his research to make their own base of operations in it), we'd learn of him through a spindle briefcase left behind by some unfortunate rogue agent who got eaten by the Globster while he was trying to escape, hell they could even be one of the possible origins of Sailor themself (more on that later). Very useful villains, Spindle.

The Abyssal Mother - I knew the last sea monster would need a lot of punch to it. I briefly considered just a big whale - the Moby Dick to Spindle's corporate Ahab - but it felt underwhelming after all that came before. So I went for arguably the most dramatic possible sea monster, a full on Cthulhu-style elder god. If you're a frequent follower of this blog, you might know I have particularly high standards for Eldritch Abominations, so I realized this was going to be a pretty big challenge for me to live up to, and decided to keep the cthulhu in question reserved to the last few entries as a result - the less it appears, the less it has to live up to.

I realized I had a good angle when my experiments with the Cthulhu "squid for a head" concept ended up having a face framed in shadow - you know, the same visual that our protagonist has in most appearances. That provided some very juicy parallels between the two that made this final monster feel particularly noteworthy to me, ones that I'll leave you to ponder, since they tie into...

Part 6: Themes

I did not set out to have a theme in this story. I just wanted to make a sailor and a sea monster kiss. That was my only goal.

But I really don't begin with theme in ANY of my writing. I figure out topics I want to address, but for all my novels I feel like the themes didn't start coming together until about halfway through the first draft, when enough of the elements of the story had been set down and interacted with each other enough for me to realize what I was saying with them. A huge part of my second and third drafts for my novels have focused on making the themes of my stories more concrete and unified.

Well, ASWaM is very much a first draft of a story, but it's a simple enough story that I think the theme found itself pretty well despite lacking subsequent drafts to refine it.

ASWaM is about doubt and direction. It's about being adrift in a world that is in many ways hostile by nature, about not feeling like you're where you're supposed to be or even WHO you're supposed to be, and about setting off aimlessly in the hope that maybe you'll find your way to that mythical land of "what my life is supposed to be."

When I began the story, Sailor had amnesia and wore clothes that obscured their identity as a way to make it easier for anyone to step into Sailor's role. Sailor had to feel like You, the Reader, and so we don't know their name, their gender, their eye color, their hair color, even their skin color (note that their hands are always wearing gloves, and their face is always in shadow).

But it also meant Sailor is, well, undefined, at least at the start of the story. Sailor doesn't know who they are, what they are, how they came to be. Sailor feels distinctly that they should be Something Else, should be Somewhere Else, should be Someone Else, should not be who/what/where they are. Sailor is plagued by doubt, by a need to go in a different direction, by a need to be other than they are.

This initially contrasts with Calibani, who begins the story very confident that she is doing exactly what she was designed to be doing and acting exactly like she should be. As they interact, they begin to shift each other in opposite directions - Calibani questions her existence and nature, sometimes to a self destructive degree, and Sailor begins to find something about who and where they are that they like. They find a healthy middle ground together - doubtful enough to want to be better people, but with love for themselves that allows them to not feel the need to up-heave their lives entirely.

I knew at the start that I would build an expectation for there to be some answer to the question of who Sailor is and where they came from, because those are the questions that begin the whole narrative. I brainstormed a number of answers to those questions, but once I got a few chapters into writing the story and saw this theme of doubt developing, I realized I couldn't answer them. From a thematic standpoint, the doubt HAD to remain. So I gave hints to possible answers, bits of evidence to support the possibility of them being true, but never planted a smoking gun that answered it for sure.

Sailor can't know the answer because NONE of us know the answer. Outside of blind Life of Pi style faith, you cannot know for sure that you are living the life you're supposed to live. All you can do is figure out whether you're happy with the life you've got, or if you need a change. Sailor will never know who they are supposed to be, but they did learn who they are, and they love that person now.

For those curious, the possible Sailor origins are:

Occam's Razor: they're exactly what Dr. Neptune theorized, i.e. a human who got stranded in the Bermuda Triangle (or the Devil's Triangle or any other number of paranormal triangles) and fell into the Sea of Monsters. The trauma of that experience gave them amnesia. It's just brain damage and bad luck.

A Spindle Experiment: Dr. Warefore mentions that Spindle has been trying to find a way to make a human who can evolve like the denizens of the Sea of Monsters. Sailor may well be an attempt to do just that, perhaps one they wrote off as a failure and abandoned (they do that a lot)

A Deep One: Sailor is the offspring of one of the denizens of the Sea of Monsters (most likely the Abyssal Mother herself) who has somehow been tricked into believing they are human, to the point where they seem to be human to everyone else, even other monsters. Maybe a human summoned a sea monster to breed with on earth, and Sailor ended up being subconsciously drawn back to the Sea by their blood. Maybe Sailor never actually lived on earth at all, but was only made to THINK they had as part of the transformation into a human.

The Platonic Ideal of a Sailor: the Sea of Monsters is full of archetypal concepts, and arguably a sailor trying to find their way home is just as archetypal as any sea serpent, mermaid, or kraken. Our only proof that humans aren't native to the Sea of Monsters is Dr. Neptune, and he's not as reliable an expert as he claims to be.

This theme of doubt and direction also made the compass more important to the narrative than a simply mechanic for audience participation - a compass, after all, gives direction, and the feeling that Sailor is not where they're supposed to be, that they need to head in a different direction, is ultimately the catalyst of the plot. The compass is, in many ways, the antagonist of the story - the force that keeps Sailor from accepting themself. I realized this a little after I started making the different directions have personalities - initially they just represented broad concepts (North = follow conventional wisdom ala the North Star, South = preserve your short-term self interest at all costs, East = act with curiosity and be willing to take calculated risks, and West = throw caution to the wind and do anything that seems novel and exciting), but over time they became little characters themselves.

Since it was our thematic antagonist, I decided to pepper in some ideas about what the compass might be in-universe - and, in a move that would no doubt frustrate the compass, we also don't know for sure which of those is "correct." Is the compass a poltergeist, some amalgamation of dead sailors who try to steer other lost souls home? Is it a malign entity that leeches off of those desperate enough to seek its aid, living through them while pretending to aid them? Is it a device Spindle made to lure sailors to their clutches, OR to guide their experiments in human/monster hybrids? Was it a cursed item that forced a sea monster to assume a human shape? Who can say - the compass sure can't, it can only tell you a direction to go in.

Part 7: Q&A

Since this was an interactive story, I felt it was only fitting to add one last interactive element to this post-script write up, and some of your happily obliged me by sending in questions.

When I noticed how fast readers were falling for Calibani, I figured there was a good chance we'd end up staying in the Sea of Monsters. By chapter 7, I figured it was more or less a given, and by the end of the Lord Ironteeth encounter I was almost 100% sure Sailor would remain at sea. There was always a chance, though - while a look at the polls shows that the audience got more and more on the same page towards the end, there were always dissenting voices, and the desire to get an answer to the question of Who Sailor Was remained strong, as a number of people kept trying to find angles where they could get that AND stay with Calibani.

I was surprised early on by how easily the audience fell in love with Calibani, to the point where I made a few posts commenting on it. I mean, I shouldn't have been - as I said earlier, I have cultivated an audience of fellow monsterfuckers on here, and I know at least a few of them saw my bait and knew they could get me to be freaky in a way we found mutually agreeable (thank you all again for helping me escape being caned by Jesus for being horny).

Like, we REPEATEDLY ignored developing the plot in the Tree Storks chapter for several days just to spend more time with Calibani - something that I enjoyed immensely (this whole thing was an excuse for me to write and draw a cute chubby sea monster girl as much as possible aftter all) but also knew as a storyteller was not what most would consider a good story call. I like how it turned out, but it defied conventional narrative wisdom, you know? I was surprised.

On the other side of the coin, I was also surprised by how the audience NEVER chose an option that was humorously disastrous. I gave plenty of them, and, like, generally in collaborative storytelling there will be at least one moment where your collaborators decide to do the really, REALLY stupid thing that makes everything spiral out of control really quickly. I figured at least once the audience would choose the troll response, but no, you guys worked hard to keep Sailor and Calibani alive. You refused to let them hurt each other, refused to let them throw themselves into danger, refused to imperil them for your own chuckles. It was very sweet and unexpected.

I say "you refused" but to be fair it's not like NO ONE voted for the troll options - they generally got a handful of votes, just one that was beaten by a landslide of more reasonable options. Hopefully those of you who voted for the troll options enjoyed Bob throwing you a bone by disintegrating Dr. Warefore - that was my consolation prize to you.

Yes. I knew at the beginning that there would be two endings for this story: either Sailor leaves the Sea and goes home, or Sailor stays there forever. Or, you know, Sailor dies as a result of you guys choosing several stupid options in a row, but as stated above you guys avoided those scenarios pretty decisively.

Had Sailor gone home, the following would have occurred: first, they would forget everything that happened in the Sea of Monsters. Second, they would wake up in a hospital, having been found in the Atlantic Ocean by a human-recovery charity run by... oh, isn't that funny, some tech company named Spindle Inc! Spindle would foot the medical bills and even offer Sailor a job, but Sailor would decline because even now they're still not sure what Spindle even does. Sailor would go back to their life and find it familiar and utterly mundane, but not particularly happy. Their father died when they were 18, their mother was never in the picture, they have no siblings. They worked an office job and were sort of a nonentity - that position has long since been filled, but Sailor gets a new job and lives out much the same life: simple, mundane, dreary. Every now and then they get a pang of desire to leave, to go to sea, but they push it out of mind. They never even see the ocean again as long as they live.

Sailor would have gotten the normal life they thought they were supposed to have, the normal memories and name and identity, the mundane life of a normal person. And they just had to trade everything they found in the Sea of Monsters to get it. A question is answered, a direction is followed, but is it the right answer, the right direction?

Well, I think doubt would have remained.

I had a very vague idea for there to be some sort of man-eating giant in, like, a crystal castle. He got cut to make way for the mermaids.

I wanted to fit in a big whale and a giant crustacean, but there wasn't room or an interesting angle for me to want to make room for them. Saved for a possible sequel, I suppose.

I also wanted to have a scene with, like, DOZENS of sea monsters, including some of the ones from Offbeat Melody, but the goal of "this should be EASY you dumbass" made me kill that idea pretty quick.

Thank you!

The primary inspirations were:

The Odyssey and Epic: the Musical

The voyage of St. Brendan

The many "weird shit happens on an island" movies in Toho's filmography, i.e. Godzilla vs. the Sea Monster, Son of Godzilla, Yog Monster of the Deep, Matango, etc.

The Island of Dr. Moreau

The Boy and the Heron

Ponyo (specifically Ponyo's parents - I wanted Sailor to have the same desperate energy as that wizard who fucks the giant sea goddess)

The Life of Pi

Slay the Princess (perhaps most obvious in the use of second person narration, multiple voices in the protagonist's head, and falling in love with a creature that has tried to kill you at least once)

I'm going to use this to springboard to a related point in a second, but first a genuine yet humorous answer: Yes, absolutely yes, I am enough of a big romantic sap that I would give everything about my life away to be with a person who loves me and explore a world of monsters in a heartbeat. Hell, I would have jumped in the water the minute Calibani asked and died with her fangs in my neck and a smile on my face. I am dumb this way. Do not follow my example.

On that related point, though... Most stories like this, I daresay ALL stories like this that I know of, end with the hero abandoning the fantasy world in favor of reality, never to return. And that seems like the proper choice and lesson on the surface - we don't want to tell audiences to give up their real life in favor of a fantasy, after all. That's encouraging escapism, and that's not healthy!

But, like... textually speaking, the fantastical world IS real to the characters in these stories. And it's often not really an escape - was Sailor's life devoid of conflict and suffering in the Sea of Monsters? Fuck no! It's just that they figured out how to deal with that conflict and suffering - they built skills and a support system, they adapted, they learned how to overcome what was there.

I think it can be argued that sometimes the return to a "normal" world is, in itself, an escape - the idea that your life can spiral into chaos but that's ok, you can just reset everything and go back to The Way It Was and Should Be is just as unrealistic and unhealthy an idea as You Should Escape to A Better World. Sometimes your plans for your life fall apart, sometimes you're thrown into a place you never intended to go, sometimes you have to learn skills you never anticipated needing and ally with people you never thought you'd befriend to deal with problems you never dreamed you'd have to overcome. And sometimes it's ok to look at your derailed life, your Not Where You Should Be life, and say, "Well, I've learned how to live here... maybe I can stay."

Especially if there's a cute chubby sea monster girl who loves you.

Bob was never supposed to appear past chapter 7, but about halfway through that chapter I realized the audience and I myself would be heartbroken if we didn't rescue her. Definitely for the best - she provided some well-needed comic relief in the final chapters.

This is gonna sound snarky, but, yeah - there were 58 choices with four options a piece, and we only chose one of the four. While some of the options would have similar results, almost none would have had identical outcomes. And some would have been VERY different.

Like, to go back to the beginning: when Calibani attacked, we could either throw a net on her, harpoon her, try to drive around her, or hide below deck. We picked the net, but for the other three options:

Harpooning would result in us hitting her in the thigh, causing her enough pain that she collapses on our deck and we, horrified at the violence we committed, just sort of push on. Calibani would be wounded for at least the next chapter, perhaps longer, and significantly weaker (and probably harboring a great deal of hidden resentment while also being genuinely scared of Sailor). She would be vulnerable during the stork attack, forcing Sailor to take a more active role in that chapter.

Trying to steer around her would result in us essentially fighting her with our boat, resulting in the boat capsizing and Calibani getting tangled up in it. We'd wake up alone on Stork Island and have to travel in search of our boat, alone and vulnerable among man-eating trees. We'd run into Calibani again, also beached and in trouble, end up recruiting her to help us get our boat out of the sand.

Hiding below deck would end in a sea storm that leaves us inside our boat as it's beached on Stork Island. We'd fend off the storks alone, and run into Calibani once we get our boat out to sea, as she got away more or less unscathed.

All of these would have majorly changed the trajectory of our relationship with Calibani and our identity as Sailor, despite seeming to have the same component parts on the surface. Now account for how similarly slight changes in the other options could have gone, and we could have had a very different story indeed.

Part 8: Our Girl

I just think she's neat!

[spacerangersam]

I think it's kinda funny that all the ghosts are like, wearing their Sunday best even when it makes no sense. Humphrey and Fanny both died in like, the middle of the night, right? Besties, why aren't you in your pyjamas??? I kind of get Humphrey being dressed since Sophie's 'reading group' were in the manor and it likely wasnt that late, but Fanny died at like, 3 in the morning. Why was she fully dressed, hair done up and styled, at 3 in the morning? Put on your jim-jams and go to bed! And who let Kitty die without even taking her shoes off first? I get it if there wasn't time to change her into her bedclothes, but you could've done that at least. If I died in bed fully dressed With Shoes On I would be so mad.

[runefactorynonsense]

Melotober - Day 23 - Honey

I wonder where the kids have gone...

[crossbackpoke-check]

re last answer: please don't stop, being very unhinged about these two pretty white boys is helping distract me from the sharks losing streak rn so bring it on

https://www.tumblr.com/bondedpairs/764566430180147200?source=share

(sideblog woes but there's the link for you) anyway in the vid they talk about going over to each other's houses to have dinner and things and while that is a delicious example of their codependence i love it bc through an rpf lens there is definitely some old man ******* going on. they can have the dilfs and each other.

(someone else mentioned kept boys which i could write an essay on but i fear being Perceived™️)

anyway if you have anything to add to this please do, if not ignore me and i will hide under a rock until the stress-related insanity has worn off and i am a functioning member of society once more 😂

- @bondedpairs

ty for the video!!! and please, WRITE THE KEPT BOYS ESSAYYYY i promise i will read it with my hands over my eyes if you don’t want to be perceived. do it scared!! do it anyway!! we’ll all love you for it!!!

[arolesbianism]

Shakes the bars of my cage I need to draw soooo bad I need to draw I need to draw let me draw I have to draw I need to draw I must draw (<- has been too sick to be on electronics much and doesn't like doing traditional art)

[iiiiiiis-things]

idk just thinking about how you burst into your home damn near slamming the door shut, only for toji to stop it with the large palm of his hand before he smoothly walks in behind you. you're on 10 right now, stomping and shouting around the house (while your husband follows like a lost puppy) until you make your way to the kitchen yelling something about how it was "totally unnecessary to punch him" honestly toji didn't even know what the hell you were going on about, i mean he wasn't even listening. he silently convinced himself that it wasn't his fault- no it was definitely yours that he couldn't focus on the sweetness of your voice. i mean he just couldn't stop himself from trailing his eyes down to your ass, sinfully watching from his stance at the doorway as it jiggled with each hard step you took. "you can't keep doing this shit man-" your words go in one ear and out the other, again wasn't his fault, he can't help but think about is how fucking sexy you look right now. lace tussled into a slight mess, lip gloss smeared across your puffy lips because of how much you opened your fat ass mouth out of anger, and that dress ? oh that dress is what gotten you in the situation in the first place, the way it hugged your frame perfectly, mapping out each of your curves in all the right ways. had you not wore it like he told you to he wouldn't have had to beat his boss ass for staring at you a little to long. lashes that had been ripped off are still in his car, sitting prettily right on his dashboard, he couldn't care less in fact he was glad you took em off ecstatic even, toji loved to see you natural, toji thought you were so god damn fine

"what ?"

...did he say that out loud ?

"nothin'" he muffled out "are you even listening? see this the shit i'm talking about-"

toji wanted nothing more than to bend you over the kitchen island and shut your big ass mouth with each deep stroke he gave you, dick hitting deep in that gummy area that always turned you into mush whenever he found it, but alas he didn't, he knew you were angry, just didn't know why. aren't you glad he protected you from the preying eyes of his boss ? did it cost him his job ? maybe.. but it doesn't matter because it was all for you, his lovely wife. "here asshole" toji finally snapped out of his head when he felt you shove something against his chest before walking off. noodles ... you made him-

"a cup of noodles ?" he questioned following you out the kitchen "you didn't eat at the party." the scar on his pretty lips decided to rise. oh how sweet you were, even after being so pissed at his possessiveness you still cared enough to make sure he ate before the night was over but there was still one problem.. "you didn't either" "i'm not hungry." once you reach the bottom of the stairs he stops dead in his tracks "baby- where you going ?" "to bed." no hug ? no kiss goodnight ? no invite ? oh he fucked up.

smut! under the cut (18+)

"now do you forgive me?" voice comes muffled from beneath you as you ride out your nth climax of the night your husband had been sucking and licking into you for hours drawing out orgasm after orgasm. and shit were you ovulating? because you just can't get enough. "fuck" you roll you head back in pleasure riding the sweet sensation of his nose repeatedly brushing against your clit

*smack!*

"i asked you a question mama" you moan loudly at the combination of the nickname and his tongue thrusting in and out of you hitting that special spot each time. "y-yes baby" you grind down to match the rhythm of his tongue as he begins to play with the fat of your ass tugging and gripping tightly, encouraging you to move your hips faster "'m sorry baby, so so sorry" his lips wrap around your rednend clit while he stuffs two fingers into you. at this point you were so overstimulated but you just couldn't stop riding his face even if the world was ending. bringing a hand to his hair you push it back unveiling those gorgeous green eyes. toji looks up making eye contact with you, you begin feeling the tension that was building up about to finally burst (again) "i didn't mean to upset you" he wraps his fore arms around your things getting you to grind down even harder against his perfectly fat nose "i-it's okay toj- fuck you're so deep" "i just don't like when other boys stare at you" he couldn't even bring himself to call his boss a man. a man would never violate a women's privacy like that, basically eye fucking her while she's out with her man. you felt everything, every touch, and god you were so hot, moans were leaving your mouth left and right as you felt him continue sucking, his fingers thrusting into you so desperately as if they were asking for forgiveness too.

this was gonna be a longggg night .

[gojonanami]

❝ 𝐈𝐋𝐋𝐈𝐂𝐈𝐓 𝐀𝐅𝐅𝐀𝐈𝐑𝐒 ❞

❝ BEING PROF. GETO'S T.A. IS SO HARD BECAUSE HE'S SO HOT!! ❞

✧ pairing: professor!geto x f!reader (part two of the prof geto series)

✧ summary: you're now professor geto's t.a. for the semester, forced to spend time with the man that you so desperately want, either of you barely able to hold back when you're around the other, so what happens when you're forced to go to a conference with him...and there's only one bed.

✧ warnings: 18+, nsfw, a lot of smut (mostly fantasy), depictions of student/teacher relationship (only ok in fiction not irl!!!), reader is a grad student in my mind, but age is vague, so much mutual pining, bed sharing, cuddling, masturbation (f + m), oral (m! receiving), fingering (f! receiving), sex (p in v), semi public sex (sorta), office sex (kinda), amateur's take on moral philosophy and ethics, art by @/nino84391425

✧ wc: 16,821 (apparently i am writing a novel lol) | part one | part three | part four

“On time for once?” Professor Suguru Geto remarks without looking up from his notes on the podium, even as your footsteps echo in the empty lecture hall, “color me surprised,” 

“Couldn’t be late on my first day as a teacher’s assistant, now could I?” and his lips curl in that damnable smile, as he finally glances up from his notes to see you looking far too gorgeous in his button up — one you had oh so generously relieved him of last night, pilfered away in your bag seemingly. 

“But you could be late on your first day as a student?” and you lick your lips, as you draw closer to him, “seems like you’re quite the hypocrite, not very ethical,” 

“Don’t think what we did last night was very ethical either,” you murmur, enjoying the way his dark eyes glaze over for a moment with the thoughts what you both did — the places touched, the moans heard, and the pleasure had — “plus, I definitely have an incentive to be on time now,” your fingers graze his, and why does his touch always feel like coming home. 

“And what’s that, sweetheart?” he murmurs, running the back of his hand against your cheek. 

“Your gorgeous face,” you smile, leaning close as your lips brush, “and some stolen kisses before class,” 

“And what makes you think you’ve earned them, my favorite student?” He teases, as his fingers slide to the back of your neck, and his other hand snakes around your waist, tugging you close. 

“Oh, I have a few ways to earn them, Professor,” your fingers drag down his chest, “but I don’t know if we have the time before class to—“ 

And his lips find yours — needy and bruising, as your fingers clutch at his shirt, the pressed fabric now definitely creased under your touch, “we’ll make time,” he murmurs, as he leans back to drag his thumb down your plush lips, “I still have many things to teach you, and what time is there like the present?” 

He’s leaning down to press a kiss to your lips— 

RING. RING. RING. 

Your eyes snap open, a groan crawls its way out of your throat, as you fumble for your phone to silence the dreaded ringing. You lie back on your bed, a distinct ache between your legs that makes you squirm, and only want to bury yourself back into your bed and possibly the reality that existed within only your dreams. 

But this was sadly reality, and you had about two hours before your first class as a teacher’s assistant for Professor Suguru Geto’s ethics and moral philosophy class. And two hours before you would see Professor Geto for the first time since you had made out. 

You turn over, pressing your face into your pillow. You wondered if you tried hard enough, if you could suffocate yourself before then. 

Probably not. That would be far too lucky. 

~~~

Professor Suguru Geto couldn’t sleep — instead he spent his time staring at his ceiling, the blades of his fans spinning above him, just like his mind was — in circles. It was as if he almost didn’t want to risk his dreams taunting him, it was the same reason he had buried himself in research over the semester break, the same reason he had put off emailing you the materials for the semester, and the same reason he hadn’t seen you since that day you had kissed. 

It was too much of a risk. 

You were risk personified, even for a risk averse theologian he liked to think himself as. But you were the thing of myths, the dangled food for Tantalus, the far too warm sun for Icarus, and the promise of gold for King Midas. But you were not a myth — you were real, his student made of flesh and bone, the same flesh he had pressed into his desk just a few short weeks ago, his legs parting your thighs, his fingers itching to rip your pantyhose off your legs— 

He sighed, this wasn’t helping — his bedside clock blinked back at him mockingly — he only had a few hours before his first class. He should try to sleep even a little. So he did, shutting his eyes, and hoped he wouldn’t dream of you. 

But he couldn’t possibly be that lucky. 

How many times have you stood in front of this office door? Your Professor, to which this office belongs, would joke that it was far too many to count — and you’d be better speculating how many times that Sisyphus rolled the boulder up the same hill. But the last time you had been in it was the thing that made you hesitate now. 

But that was your entire relationship wasn’t it? A game of chicken, wondering who would hesitate first — and neither of you were the type to hold back. Except when it came to this — except when it came to your feelings for the other. 

You shake your head, trying to shake your anxious thoughts free of their eternal bounce around your skull, and grit your teeth before finally knocking. 

“I’m actually right here,” a voice behind you says, making you jump, as you whip around, nearly pressed against his office door. And now you stood face to face with the man who owned it.

And how was it that every time you saw him, he was achingly more perfect than the time before? His ebony hair was half down, black locks brushing against his shoulders, the rest tied up in a neat bun. A crisp white button up underneath a neutral toned knit sweater vest, the shirt very much like the one you had stolen in your dream. 

Perfect. 

“Professor Geto,” you offer a small smile, trying your best to keep your eyes on his, instead of drifting over his form, “it’s good to see you,” 

“It’s good to see you as well, and so prompt,” he says, brushing past you to unlock his office, “made a habit of being on time these days?” 

“Well, when your professor reprimands you in front of the entire class, you try to make a habit of being on time,” why did it feel like your dream was repeating yet again? It’s not as if your relationship with him wasn’t cyclical enough — life imitating dreams was almost far too much. He opens the door for you, letting you enter first, before he follows you in, “and aren’t you the late one this time?” 

His lips quirk, as he rounds his desk, and takes a seat, “You really can’t make it a conversation with me without giving me shit, huh?” 

“Language,” you chide, as you sit across from him, “not very appropriate for an academic setting,” and you have to bite back the want to say that you’ve done plenty of inappropriate things in this office the last time you both were here. 

“Well, our track record isn’t known for being very appropriate, now is it?” Or maybe you didn’t need to say it, because the way he was looking at you told you everything you needed to know. But that didn’t mean either of you would act on it. He licked his lips, mouth parted to say something, his gaze heavy. 

And the moment is broken when his email goes off — you squeeze your bag a little tighter, as you busy yourself with digging through your bag for the materials to go over. That sound was nearly traumatizing in this office, not only did it usually signal the start of some assignment you had to trudge your way through — it also was the sound that had ended your relationship before it even really began. 

“Class starts in an hour, so I thought we could have this meeting just to review the syllabus and see if you have any questions — as well as just overall any questions you had about being a T.A.,” he explains, pressing his pen to his lips, “I understand this is your first time being a T.A.?” 

“It is, I hadn’t really considered it until the department head approached me about that,” and he nods, a flash of emotion that surfaces for only a moment before dissipating, “what will my responsibilities be?” 

“Good question,” a smile pulls the corners of his lips, “obviously, as a T.A., you will have office hours that you can decide with your own discretion—” 

“So it’s okay if I have them once a month at 3:00 AM?” and he rolls his eyes as you bite your lip at the sight — why was everything he did so effortlessly attractive? 

Fucking unfair. 

“Witching hour, how apt,” he murmurs, as he tilts his head, “but they should be weekly, as I’m sure you know, and held not in the middle of the night, when nights should be used for other things,” and you have to bite back your reply, like what? 

And then he continues to explain, “You can also help with some grading — mostly entering grades online for me since you know I love to handgrade,” 

“Oh yes, truly enjoyed having my self-esteem cut to shreds after receiving a paper back,” you scribbled notes down in your notebook, “glad I won’t be on the receiving end this time,” 

“If you’re good, that is,” and you knew it slipped from his lips — from the way his lips parted, the way his body froze for half a second as if he had shocked himself — and he had, because the spark between you two remained, a weed stubbornly cracking through concrete, “sorry—’ 

“You don’t have apologize,” you shake your head, waving him off, “it’s really fine,” 

“It’s not,” he said softly, placing the syllabus down on the desk, “I know we agreed to keep our relationship professional,” 

“We did,” Yes, you both did — sort of. 

“And I want us to do that—” 

And you ask the question you weren’t brave enough to ask the last time you two had seen each other, “Why is that again?” 

When the email had come, it was as if a spell had broken — the rosy colored lenses had come off, only to leave the hard glare of reality behind. Your limbs still entangled while you both reread the email off of his screen — as if it would say something different the millionth time over. 

It didn’t. 

And then the awkward clamor of disengaging, slow limbs pulling apart, as the warmth of his embrace left as quickly as it had come. Silence as the two of you let the news settle in, like a noose tightening around your necks, and you slowly slid off his desk. 

“If I’m your T.A.,” you had said slowly, adjusting the skirt of your dress, “we can’t do this, can we?” and he had only nodded, his gaze unable meet yours, fixed to the rug on the floor of his office, and he could only muster two words as you brushed past him and gathered your things—

“I’m sorry.” 

But even so, you couldn’t remember why it was a bad idea? Why was it so wrong for the two of you to do this? What difference did it make that you were his T.A.? It was still against the rules either way — it was still unethical either way — so why, why did it matter? 

But he knew why, from the way his brow creased with lines and his lips pursed and the way his eyes yet again couldn’t quite reach yours — as if you’d spot something in them that he didn’t want to see. 

“Because we’re going to working together all semester long, with students in class who will see us each week,” he licked his lips, leaning back in his chair, “because it was already problematic if we saw each other without any classes or connection, but now — if you’re my T.A. and my girlfriend, how would I even properly supervise you?” and he swallows, adam’s apple bobbing as he blows air through his teeth, before his voice grows softer, “how would I focus on guiding you and our students if I’m too busy gazing into your eyes or staring at your lips or wanting to—” he cuts himself off, “you know it’s not a good idea,  most of our students probably wouldn’t notice, but rumors spread and it takes one good rumor to ruin your career,” and he adds, “with how things work, you don’t need me to tell you why it would be worse for you than me, even if I tried to take responsibility,” 

And you did know, knew very well that rumors got out that the two of you were together that nothing would happen to his reputation — perhaps he would be scrutinized a bit more, some judgment and side-eye from other professors and higher ups, but he wouldn’t get vilified like you would. Called a slut or a whore — and those would be some of the kinder names you’d be called, and you can’t imagine what it would do for your career, especially if you stay in academia. And then the rumors would fester and grow, more wondering where your grades came from — whether you had obtained them through honeyed words whispered over pillows and rumpled sheets instead through late nights spent at your desk and weekends practically living at the library. 

“I do know,” you said quietly. But it didn’t mean you wanted to do it anymore than you had that day. A part of you wished he had stopped you when you had turned to leave his office, grabbed your wrist, and pulled you into his arms—but this was hardly a romance novel, “and you’re right,” 

He still has his gaze fixed anywhere but your face, settling his syllabus on his desk now, the silence familiarly filling the room yet again, muscles tense if your body didn’t know whether to flee or to draw closer. 

So you did neither, and instead broke the silence. 

“So would T.A.-ing provide an opportunity for me to teach the class?” and he blinks, eyes snapping up now, as a glimpse of sadness slips away behind his now thoughtful expression. 

“Would you want to do that? I don’t know if I could allow you to lead an entire class, only because some students may take some issue with another grad student teaching them—” 

“I don’t blame them with the tuition costs,” you mutter, and he nods, “don’t nod, it’s your salary I’m paying for,” 

He laughs, a noise you wished you could bottle because you knew it’d be the same as bottling happiness, “Well worth your money after how much your writing and understanding of moral philosophy and ethics has improved,” and you roll your eyes. 

“I see your ego is the same as ever,” and his lips curl, as he crosses his legs, and you fight the cruel temptation of your gaze flickering a little downward. 

“Well, Kant did say an ego is necessary to understand the world meaningfully and therefore act in a moral way,”  you tilt your head, being defensive with philosophy? That was a new one. 

But you weren’t one to let things go — as he very well knew. 

“And he also said that an ego can lead you astray from living a moral life if we become too self absorbed,” and he raises an eyebrow. 

“Are you calling me self absorbed?” 

You bite back a laugh, “Well, you are certainly self interested,” and you gesture around his office, “look at this office,” 

“What about my office?” he gapes at you, and you snort, you’ve seemingly struck a nerve by how wide his jaw dropped. 

“It’s a little…pretentious,” and dare you say it, your professor had a touch of pink painted across his cheekbones and the tips of his ears, 

God he’s even pretty when he blushes. 

“I’m just teasing Professor,” and then you add, “it’s one of my more tedious qualities,” 

And he blinks, before his lips curl in the smile you never tired of seeing, “not tedious, more irritating,” 

You chuckle, before trying to get back on topic, “So you think you could work out me teaching a part of the class?” 

And he nods, “Let me discuss it with the department head — it should be fine,”

“Do I have any other responsibilities?” 

“If it doesn’t conflict with your schedule, you can also attend some classes, students can stay after and ask you questions as well,” and you nod, looking over his class times in the syllabus. 

“I can make the Tuesday one,” and he makes a note, as you rise, “we should go. Don’t want to be late for the first class now do we?” 

And he smiles the same damnable smile, “That would be a terrible first impression,” and his shoulder brushes yours as he opens his office door for you, “after you,” 

God, you thought as you stepped past him, the warmth from the brush of his body still there, this was going to be a long semester. 

If there was one thing you had learned from being a teacher’s assistant for Professor Geto’s class, it was that the students were even more desperate for your professor’s attention than you had thought. You thought your introduction had went relatively well — besides the pointed glares of several….enthusiastic students. 

After his detailed overview of the class, he reaches the resources section of the course syllabus, “Now, I am available at my listed office hours, in which you can make an appointment online. There’s also tutoring services through the university listed as well. And lastly, we have a T.A. for this class, for the very first time,” and he smiles, “Class, please meet your T.A. for this semester,” Professor Geto says your name and gestures to you, sat up in the corner of the lecture hall, and you stand, waving, “your T.A. took this very class last semester and showed great grit and dedication in the class assignments,” you have to stop yourself from shooting him a look, but you can see a hint of a smile on his lips, “She is also a philosophy student, so please, feel free to reach out to her,” 

“Thank you Professor Geto for that…generous introduction,” your pause was slight enough that he caught it, a smile tucked behind an all too fake cough, “I really look forward to working with you all — this class truly had a great impact on my perspective about the world,” and you catch a flicker of an emotion ripple across his face out of the corner of your eye, “my office hours will be posted soon, and I hope we can get to know each other well over the course of this semester.” 

You sit as the students cast their gaze forward again, and the class continues on as usual. You make use of your time by reading for some of your other classes, until class was over. 

And that’s when you really learned something. As requested, you joined Professor Geto at the bottom of the lecture hall to help field questions from the students. 

Except, the students were far more interested in Professor Geto than they were in the course material. 

But maybe it was simply because it was the beginning of the semester right? It couldn’t happen again right? 

It was a good thing you weren’t getting graded because you would earned yourself a zero. As again, the next week, students were only interested in Professor Geto — whether it was because it was for his intellect or — you glanced at the students mooning over him — something else. 

Something you knew very well. 

You were forced to watch a female student flutter her eyelashes, then another brush against him, as she showed him what passage was confusing her, and then another student couldn’t stop staring at his lips. And then you wonder, if it had been another student who kept pestering him week after week, would it have been them instead of you? Would they have shared those moments together? Maybe even they would actually gotten to be in a relationship, instead of watching other people flirt with him—

“Excuse me,” your eyes snap up from your reverie and you see two students, seemingly waiting to speak to you. 

Those students had seemingly taken pity on you and spoke to you about the class, tips, and asked about your office hours. But soon enough, the students filed out one by one until it was just you and Professor Geto. And he’s collecting his things, as he glances at you, lingering still as you check your email on your phone, “Don’t you have class after this?” 

You blink, “how’d you know that?” 

And he’s straightening his notes to place back in his bag, before he turns to look at you over his shoulder, “well you’d always rush off after class so it was either you had class or you didn’t want to be alone with me,” he looks back to his bag and you hear the click of the zipper, “I was hoping it would be the former,” he adds. 

“Well, I never lingered after class when I was taking it either,” you adjust your bag, toying with the strap — why was it anytime you were with him it felt like stepping into quicksand, the more you struggled, the more you sunk — and even if you didn’t move at all, you were still stuck all the same, “didn’t want to get in the way your students stroking your ego,” 

And he raises an eyebrow, “Are we back to my ego again?” 

“I don’t see you shying away from smiles and praise from your students,” and his brow knits together, as he places his bag down on the podium, “no wonder your ego is so large,” 

“What students?” 

“Oh please, the ones swarming your desk after clsss. Didn’t you ever wonder why so many students from different disciplines take your class?” he opens his mouth and then you add, “and don’t say philosophy and ethics apply to every aspect of life,” 

And then he seems to consider the thought, as before his lips curl, as he leans against the podium. 

“Am I detecting some jealousy?” he smirks, and you pause before you scoff — far too quickly. 

“No,” and he only smiles wider. 

He chuckles, “That was convincing. I’m glad your ability to teach is much better than your ability to lie,” 

“I’m not—“ 

“Jealous or not,” and you have to bite back your retort, his gaze freezing you in place, a softness you hated to see — because you didnt know whether it made you want to push him away or pull him close, “there’s only ever been one student who caught my eyes,” 

Ah, there is was — you were sinking again. 

“Really?” you mumble, crossing your arms, “not even one other? You have a habit of unethical behavior for an ethics professor,” 

He’s grabbing his bag, before he’s taking a step forward to whisper, “Only when it comes to you,” and you have to force yourself not shiver at his words warming your skin, “I’ll see you next week,” 

And he’s gone — as you stand in the empty lecture hall next to the podium, the very one from your first dream— and you’re right back where you started. 

Professor Suguru Geto wasn’t the type to make mistakes. He was always meticulous and methodical — he used the very principles to help guide his life — because it gave him a moral framework, a way to interpret the world and his own actions. That’s what had drawn him to ethics in the first place. But then he met you. 

And it seems like he’s made nothing but mistakes since. 

He sat in his office after he practically fled the classroom, forcing his pace to be normal, hoping you didn’t see the flush on his face. Fuck, he tossed the pen he had picked up to start grading away, what was he doing? 

He had told himself it was for the best — again and again when he watches you leave at the end of the last semester. He held his muscles taut as he watched you gather your things, stepping over the crushed pieces of both of your hearts. The two words he had barely choked were the only ones he could manage before he watched his office door shut behind you. 

It was for the best. It was for the best. It was for the best. 

That sentence was on repeat in his mind as he tried to work on his paper over the break — “try” being the operative word. It felt as if even his work hadn't been untouched by you — your impact widespread and all consuming — just as your actual touch was. 

Fuck, he rakes his fingers through his hair, how was he going to survive this week much less this semester? 

He couldn’t afford to be selfish — for your sake and his own. But it didn’t mean he didn’t want to be. He runs a hand over his face — he all but blatantly admitted that he had feelings for you after class. After promising to keep things professional — he was the worst. 

He only wished he was worse enough to do what you both wanted when you asked him in his office why you both couldn’t be together. He wanted to tell you the reasons why you should be — because he couldn’t stop thinking about you despite never seeing you over the break, his heart nearly stopped when he saw you standing in front of his office, and because he couldn’t help but smile when he could see you hesitating in front of the door — but he couldn’t help but smile when it came to you. But he didn’t. 

He couldn’t. 

But he also couldn’t help but toe that damn line in the sand, the one that he had drawn, but the one so desperately wanted to cross. 

And then there was a knock at his door, he sighs, “Come in,” 

The department head enters his office, as Suguru blinks before he gets to his feet to offer his hand, as they exchange greetings, before gesturing for him to sit, “To what do I owe the pleasure?” 

“I saw your email about having your T.A. teach part of your class, and I wanted to get a little more detail about it,” Suguru nods, his face composed, but his body tense — paranoia scratching at the back of his mind, no one happened to see them kiss had they? No one was on campus really at that point. And the door was closed — he probably just wanted more information.  

“What questions did you have?” and the department head runs down his list — what topic would you cover? How much class time would it take? Would he be asking the class first? Would he review your materials beforehand? 

“Well, you both seemed to have thought a lot about this,” he leans back, crossing his leg over the other, “I think having her teach a part of a class is fine, but I would like you both to do it sooner rather than later,” and Suguru opens his mouth, but then he adds, “and I’d like to attend that class,” 

Suguru tilts his head, “You would like to attend my class?” He considers his words carefully, “I was under the impression, based on the rules, the only thing needed to allow a T.A. to teach was the approval of the department head,” his anxiety begins to pick away at his nerves, “it’s not unusual for a T.A. to teach here correct?” 

It was his first time having a teacher’s assistant at this university so perhaps this was a quality check? To ensure both you and him were meeting the standards of the university — and his anxiety added, and to make sure no rules were being broken by either of you. 

“Yes, it’s not unusual, and I have my reasons which I’ll discuss with you after the class,” he checks the time and rises from his seat now, “I have another meeting soon — do you think she can present in two weeks?” 

Suguru hesitates, “I’ll have to ask her but most likely that should be fine,” 

“Okay please send an email cc’ing her and confirm the details,” he says his goodbyes, and he’s gone, as Suguru sits and considers this — what could he be planning? 

Or, his nerves add, what could he be looking for? 

Either way, he pulled up your email — it was going to be an interesting two weeks. 

“Deontology determines whether an action is right or wrong based on a set of rules and principles instead of the consequences of the actions,” you speak to an empty lecture hall, your voice echoing in the silence, “therefore an act that isn’t morally good can lead to a good outcome,” 

You had come into the lecture hall to practice yet again this week. You were cursing your past self for inflicting this optional task on yourself — it had taken far more time than you had expected (what’s new?), taken far more preparation than you thought (again, of course), and now had the fun added pressure of the department head attending. And why was he attending? A wonderful and complete mystery. 

The last two weeks have been amazing for your mental health, truly. 

You were lucky the lecture hall and the building at large was deserted at 8:00 PM — all of the staff and students had all but fled, and you were left with the perfect place to practice. It had been many nights of honing your presentation to the allotted time, leaving time to pose a thought exercise, time to discuss, and for questions. 

You don’t see the door behind you open, nor do you hear it close, as you use the clicker to go through your PowerPoint, switching to the next slide. 

“For example, killing an intruder, based on the consequence would be wrong, as I hope we all know killing is wrong — otherwise, I worry about what will happen when you get your grades back,” you give a brief chuckle — and hope some of the students would pity you with some laughs, and that’s when you hear a small laugh behind you. 

Your head snaps around, flushing when you see Professor Geto standing by the door. He’s wearing a deep royal purple button up and gray slacks, the sleeves rolled up exposing his forearms. 

God, this wasn’t a dream was it? 

“Don’t let me stop you,” he says, his footsteps against the floor grew closer, and your body tenses, until they stop, “go on,” and he leans against the wall behind you. 

“But when you do kill an intruder to protect your family, that’s viewed as right under deontology,” and you can’t focus with his gaze running over you, an all familiar feeling settled over you. Would life imitate dreams again? Would he come over and ask you to continue your presentation as his lips pressed gentle kisses to your neck and shoulder? Would he— 

“Are you okay?” he asks, and you can’t meet his gaze, but you hear his footsteps, “should I go?” 

“No, no, it’s just,” you shake your head, “a little deja vu,” 

He raises an eyebrow, “deja vu?” 

Your blood runs cold. Fuck. 

“I don’t recall you ever presenting like this in my clsss before,” you can't decide if his voice is more thick with confusion or curiosity. 

“Yeah, no, sorry it’s nothing,” you brush him off, your eyes fixed on your notes on the podium, and you know he’s still staring, “what?” 

“I see you’re still not a very good liar,” and you scoff, “what is it that’s gotten you so bothered?” 

“Nothing,” you insist. 

“The more you say that, the less I’m convinced,” and now he’s walking closer, closer still — but you’re fixed in place, “what is it?”

“You never let anything go, do you?” And you turn, your breath catching when you saw how close he was — inches from you, his pretty eyes wide at the sudden movement, his breath warming your lips. Black strands fall in his face, and you have to stop yourself from tucking them behind his ear. Stop yourself from wanting to touch him, stop yourself from wanting him to lean forward, stop yourself from wanting him. 

Nothing good ever came from your want. 

“Only when it’s you,” but this man makes it impossible not to want him. Not when his voice is soft, not when the back of his finger, a knuckle brushes against your cheek. And no words are needed — you can hear it in the silence between you both, you feel it in the gentleness of his touch, and in the softness of his gaze. 

And you know you’re in love with him. You are.

But you can’t be. 

“I’m not telling you,” you murmur, looking away — and it seems to break the spell, as he steps back, nodding, a flicker of sadness that slips away under his facade,  “but maybe I will sometime, over a drink,” you add. 

A smile tugs at his lips, “Well we know how well that went, or didn’t go rather, and you know, we can’t anytime soon,” 

“Well sometimes an action that isn’t morally good can lead to a good outcome,” and he raises an eyebrow. 

“Using deontology to convince me?” He tilts his head, “not a bad strategy — maybe I’ll have you write a paper,” 

“And willingly subject myself to your red pen? No thanks,” and he snorts, before the smile fades into a frown, brow wrinkled in thought, “what is it?” 

“Nothing, I’m just…” he crossss his arms, “I’m wondering why the department head wants to observe your presentation,” 

“He didn’t give any indication why?” and he shakes his head, “maybe he just wants to evaluate how good a job you’re doing,” you add, “you are relatively green,” 

“Not that green,” and you see his lips pressed together — and is he? — he was — he was pouting. You bite your lip how fucking adorable — but you know you’d be met with a scowl if you said that out loud, “don’t you worry that the dean may suspect something between us?” 

The thought had crossed your mind, but class had been nothing but professional so far, and you’d be too busy sweating bullets (and perhaps dodging them from the students if the presentation went poorly) to even consider your feelings for him. 

You sigh, “Look, nothing to do but get through it, right? It should be fine, we’ll deal with whatever comes after. As long as I don’t choke, and you don’t stare at me too adoringly, we should be fine,” 

And you expect a retort, a cheeky reply, or even a quite sarcastic one, but he only gives a small smile, “Right,”

You feel your cheeks burn and you can’t meet his gaze again without feeling your heart flutter. 

Fuck — maybe there was something to worry about. 

Despite the concerns, the presentation goes off without a hitch. You spot the dean sitting in the corner of the lecture hall, pen and notepad in hand, which did nothing to soothe your poor heart (nor did the far too many cups of coffee and the total lack of sleep). 

It happened quick — a blur of speaking, forcing yourself to slow your words down, a necessity when presenting — as you knew you always spoke faster than you believed you did when presenting. You think you even made the students laugh a few times, led an interesting thought experiment with a rousing debate that ended with no clear answer (as always), and then you answered questions. 

All the while, Professor Geto stood in the back, and you’d catch a glimpse of him by the corner of your eye, his lips curled in that smile that haunted all your nights and days. 

By the time it was done, you had barely realized time had gone so quickly, as you passed the metaphorical baton back to Geto. And you took a seat off to the side, opting to watch him lecture, rather than busy yourself with other work. 

It felt like old times, you thought, as you watched him speak. You couldn’t blame the people that took his class just to watch him speak — he was unfairly beautiful when he spoke, gesticulating as he read a Kant quote. And you kept your face as neutral as possible, but he catches your eye for a moment, corner of his lip twitching upwards. And a flush settles over your cheeks, as you discreetly press your thighs together, trying to look suddenly engrossed with your notebook. 

Your heart ached as much as your body did. You wanted to walk over and just kiss him, swallow his smart words along with his gasp, and feel those hands run along your body. You wanted to know every thought in his head, every part of his day, and fall asleep beside him. 

You glance up to see him still speaking — a black strand falling in his face. You bite your lip, before looking back down. 

This man would be the death of you — and it was even worse being alone with him. You’re thankful that your T.A. check-ins with him were every other week, because you couldn’t imagine having to spend more than an hour with him every other week. 

“You want us to do what?” You blink at the Dean, his lips curled in a smile, his hands tucked into his pockets. 

“Apologies for all the secrecy, I did not receive confirmation about this until earlier today,” he explains, “but I want you two to attend this conference on ethics and philosophy  — it’s over the weekend, two weekends from now. It would be a wonderful opportunity for the both of you to make connections and attend presentations, as well as mingle with prospective students. It would also afford us an opportunity for both of you to help put our university on the map,” 

You glance at Professor Geto, his lips parted in surprise, “Sir, is it appropriate for a male professor and a—“ 

“Don’t worry, the accommodations will be separate and it’s a public event, as long as everything remains professional, there’s no problem, right? As long as you two are okay with it and there’s no problem,” he glances between the two of you, “is there a problem?” 

And Professor Geto’s eyebrows knit together. It was a lose-lose situation — saying no meant raising some suspicions that there was an issue between the two of you, but saying yes meant going on a trip with the same professor you had kissed at the end of the last semester. And if anything happened on this trip...it could be very bad — ethically and otherwise. 

So you make the decision for both of you. 

“That’s fine. I’m happy to attend if Professor Geto is,” and you know you have no choice — you had to spend the weekend with him, alone. At a conference. In a hotel.

“Do you have everything?” Professor Geto asks, as you hand him your suitcase, your fingers brushing as you do.  He lifts your suitcase into the trunk of his car, his black t-shirt riding up as he does, a quick flash of the expanse of his muscles—

Fuck, you bite your lip, stop, stop. Professor. He’s a professor. 

It didn’t matter that you had felt him part your thighs, as his lips slid against yours, nor that every time you saw each other, you felt this undeniable ache to touch him, comfort him, hug him, nor that you knew he felt the same and wanted to give in as badly as you did—

No, it didn’t matter. 

You consider his question, scrunching up your face in thought, “I think so, wait,” you snap your fingers as he glances at you, “forgot the rest of my apartment upstairs — you think that’ll fit in there too?” 

He smirks, rolling his eyes as shuts the trunk, “Ha, ha, ever consider becoming a comedian instead of a philosophy major?”

“Every day, but then I think what would my favorite professor do without me?” 

He raises an eyebrow, “I’m your favorite?” 

“Who said it was you?” you grin at him, as he shakes his head and you open the passenger door seat and slide in, as he slips into the driver’s seat. He adjusts his mirrors, buckling his seatbelt, as a sudden wave of guilt bombards you. You had dragged him down this rabbit hole with you — and now the two of you had to spend the entire weekend together, alone. 

You lick your far too dry lips, “Sorry if I roped you into this,” you fidget with your phone, tapping on the screen absentmindedly. 

He starts the car, engine roaring underneath your feet, before he glances at you, brow furrowed in seeming confusion, “What? It’s not you that roped us into this,” 

You purse your lips, “But if I didn’t agree to it—“ 

He sighs, “We were in a position where we didn’t have much of a choice,” his fingers drum against the steering wheel, as his eyes flicker to make sure your seatbelt was on, “it’s not your fault — and it’s not a bad thing — we’ll spend time at the conference, we’ll mingle, and then return to our hotel rooms,” he adds, “don’t worry. Nothing will happen.” 

And his reassurance is almost a punch to the gut instead — and your brain chides you for being so childish — you knew it was for the best, you knew it was the right thing to do, and you knew he was trying what was best for you, and for him. 

But why did it hurt so goddamn much? 

You steal a glance at him as he pulls into the street and begins to drive, dark gaze forward, his hair tied into its usual neat bun, and a chain poked out from underneath the rounded opening around his neck. And then your eyes flicker back out the window.  

Was it really not a big deal to him? 

Because the last two weeks were consumed with nothing, but thoughts of being alone with him. Days spent in conferences, sitting beside each other, whispering thoughts and inside jokes; evenings spent socializing together, waiting for the other to give the signal to leave; and nights walking back to your rooms, fingers brushing as you walked beside each other. You were sure it would take a slight bend of the rules, a gaze that lingers a little too long, to break the paper thin resistance either of you had to the other. The two of you could barely be alone for more than a few minutes without temptation rearing its ugly head — even now your eyes can’t help but trace the curve of his jaw, the way the sunlight catches his eyes, the way your fingers want nothing more than intertwine with his hand that rests on the console between you two. 

But you don’t. You give a weak smile, glancing out the window as the streets of Tokyo pass you by — “Yeah it should be fine.” 

Just fine. 

“There was a problem with your reservation,” 

And after half an hour of waiting off to the side, with your luggage stacked up and irritation creeping its way to a new high as you watched others easily being checked in to the hotel, you assumed there was a problem. If there wasn’t a problem, you would wonder if this was a new take on Waiting for Godot that would end with the both of youu sleeping in the lobby. You rubbed at your temples, as Geto dealt with the hotel staff, his arms crossed, lips a tight line, “the hotel double booked one of your rooms, so we only have one room available for you.”  

You barely heard the rest of the argument your professor had with the hotel staff, the same phrase ringing in your ears — one room, one room, one room. With nothing more to argue about, they finally escorted you both to your room in awkward silence. And as they opened the door, you spotted it — there was only one single queen sized bed. 

One. Bed. 

You felt your cheeks flush, as you couldn’t even meet Geto’s eyes, as he began to speak heatedly with the manager again. And the excuses began, as the manager wrung his hands, about how no other rooms being available due to the conference and another event happening in town. 

“There is a couch though,” he offers,  pointing to a far too small couch, and the sharp glare that Geto gave him would put even his red pen to shame, “we will see about comping half—“ Geto crosses his arms, “all of your stay here,” and with that, he’s gone. 

“So,” you sigh, glancing at Geto, with a strained smile, “I have dibs on the bed?” 

Was this a cosmic joke? You wondered as you turned off the water of the shower, squeezing your eyes shut. Was this a version of ethical karma for what you had done last semester? An ultimate ethical test that you would surely fail? A fucking prank show? 

You didn’t know. You dried off and got dressed, pulling on a t-shirt and shorts, your hair still damp, as you took a breath and stepped out, towel slung over your shoulders. 

Geto was still on the phone, pacing back and forth — he was trying to call other hotels to see if there was anywhere else with two rooms or at least a room with two beds.

“Yes I understand it’s very last minute—“ he sighs for what must have been the billionth time today, “yes, there was a mistake at the hotel I’m staying at—yes, ok, well, thank you,” he hangs up, setting his phone down. 

“No luck?” You sit on the edge of the bed, wiping your hair, and he shakes his head. 

“The one thing they were right about is that every hotel room is booked solid — not only is our conference in town, but there’s a physical science consortium happening as well,” he rakes his fingers through his hair, a few strands coming loose, “I’ll have to give the Dean a call to update him on the situation,” 

You nod, “So what should we do about sleeping?” And he can’t quite meet your gaze, “are there no trundle or rollaway beds?” 

“No, apparently those have all been spoken for,” he grumbles, and he prepares to call the dean, “I’ll take the couch, you can have the bed—“ 

“Professor, we can—“ and his gaze snaps to you, “we can share—“ 

“No, we can’t,” he says softly, “you know we can’t do that,” 

“We’re both adults—“ 

“And we’re still a professor and a student,” he draws the line between you two again, the gash even deeper than before, the gap that’s meant to keep you safe — the chase meant to protect you — so why did it feel more like a punishment? “I’ll take the couch,” and he calls the Dean to update him on the situation. 

You busy yourself with drying your hair in the bathroom, before coming back out to see him hanging up the phone. 

“Well, are we in an ethical bind or should I go sleep in the lobby just to show there’s no funny business?” And he shoots you a look, “there have been stranger bedfellows,” and he opens his mouth, “and a single word comes out of your mouth, and I’ll join you on that couch,” 

And a very pretty flush adorns the tips of his ears and cheeks, “He said it was fine, it was out of our control, but to just document everything, including the hotel’s incompetence for legality reasons,” 

“You’re also a lawyer as well as a professor?” 

“You have to hedge your bets,” he shrugs with a smile pulling at his lips, before he checks the time, “I’m going to take a shower,” he sighs, pulling his hair from the messy bun, letting his black locks down. And you watch him run his fingers through his hair again, sighing, as he heads into the shower. 

You lay on the bed, biting your lip — as you turn over to use your phone, as the shower turns on. And you glance at the closed door — the thought of him in there, pulling his shirt over his head, shedding his pants and boxers. Your cheeks burn, burying your face in your pillow as if that would help (it did not). 

You curl up on the bed, turning away from the bathroom door, using your phone. And a few minutes pass, as you kind of drift off into sleep, and you hear a creak of the bathroom door open that rouses you from sleep. You don’t move at first but you hear shuffling, the sounds of a zipper. You finally turn on your other side, eyes fluttering open, and you’re met with the sight of bare skin. 

You blink, eyes flickering up to see your Professor’s flushed face, before your eyes slowly following a bead of water slip down his bare chest, black hair dotting along the middle of his chest and abs, down to a happy trail that was hidden by a towel wrapped around his waist. His clothes in his hand, and your eyes find his own, your lips parted and mouth impossibly dry. 

Oh. My. God. 

“Uh—“ and his cheeks flare red, as you try your best not to let your eyes flicker downward, “I forgot my clothes—“ and you turn away, as he darts back into the bathroom, “I’m sorry,” he says, muffled through the door. 

“It’s okay!” You reply, your heart thumping against your ribcage, squeezing your eyes shut to only be met the memory of his bare torso, “fuck,” you mumble under your breath, as you turn onto your back, and stare at the spinning ceiling fan above you. A distinct ache below at the thought of him. 

Your eyes flickered to the shut bathroom door. You hear the sound of water running again — maybe he needed to wash up again. Either way, you slid under the comforter, hand slipping into your shorts, you had some time. You wish you could have grabbed his hand before he fled into the bathroom, sat up on your knees, fingers sliding to his cheek. 

“Kiss me,” you’d murmur, and he would, leaning down to press a kiss to your lips sweetly, as your fingers glide up his bare chest. You’d swallow his gasp with delight, as your other hand finds his wet locks, fingers tangling in his black locks, “please,” you would guide his fingers to the hem of your shirt and he would oblige, lifting up and over your head. And your fingers would tug his towel away, letting it fall to the ground. 

Your fingers press against the wet patch on your underwear, teeth digging into your bottom lip as you gasp, imagining it was instead his eager fingers that tugged your shorts down. You sunk one finger in and then another, pumping slowly, and you knew he would get you ready for him. He would fuck you with his thick fingers, as his mouth latched to your clit, sucking gently as he fucked you open. You moaned his name softly, as you imagine his fingers stretching you open. 

“Do you want me, my pretty girl?” He would murmur between your thighs, lips glossy with your release, “s’good for me, taste as good as you look,” and he would press your back gently into the mattress as he would meet your lips again before, rubbing the tip of his cock against your puffy lips, “tell me what you want, Princess,” 

“Please,” you whispered, as you moved your fingers faster, adding a third finger, but you know his cock would feel so much thicker, and reach so much deeper, “fuck me,” 

And he would, sinking into you, his pretty cock parting your folds, his quiet grunts and moans whispering in your ear, as he works himself inside to the hilt. His lips would find yours as he would rock his hips into you — your cunt would flutter around his length. He would press your thighs apart further, long fingers digging into your soft flesh, the wet squelch of your cunt and the sounds of his skin slapping against yours would ring in your ears.

“S’close, Sugu—fuck,” you would keen against him, instead of your fingers, “please,” and his thumb would find your clit, just as yours did, and you would cum all over his cock, squeezing around his length, as he sinks even deeper, until his tip is brushing against your cunt. The moan of his name slips out, as you press your forearm against your mouth to barely stifle it. 

Fuck, you come down from your high, panting. And you glance at the bathroom door, thinking you’ll clean up once he gets out. You roll over in bed, as you pulled the pillow over your face. 

This was going to be a long weekend. 

Suguru lingers in the bathroom for far too long after that, the embarrassment of the moment still far too fresh in his mind, his cheeks still a dusty pink at the thought. Not only was it bad enough that he was trapped in this hotel room with you for an entire weekend, but now he had paraded out practically half naked for you to see. 

Fuck his life. 

He had hurried into the shower if only to get a break from being in the same room as you. It had been hard enough to endure the last few weeks as a T.A., but now he had to spend an entire weekend sharing a hotel room — and deal with situations like that one all weekend. Seeing you emerge from the bathroom, only in a t-shirt and shorts, still damp from your shower — wet hair in messy tangles that he wanted to run his fingers through— and that’s why he excused himself to the bathroom. A reprieve if only for a moment. If he had only remembered to bring his clothes into the shower — he wouldn’t have had to finish his shower, with only his discarded clothes to wear that had slipped off the clothes rack and onto the damp floor. 

He had stepped out, towel around his waist, as he peeled out, only to see your back to him, the sounds of soft breathing told him you were asleep. And he crept out, silently cursing as the door creaked and rifled through his suitcase for clothes. He had found them, and gone to retreat back when you roused and turned all at once. 

God, he sighed, it was such a mess. 

But the way you looked at him…lips parted, gaze flicking across his body, the way your eyes lingered a little too long on his torso — and now he had an entirely different problem. 

His cock tented against the towel, as his eyes slid to the bathroom door. What if he just hopped into the shower for a second again? The towel dropped to the floor, as he steps back into the shower, turning on the water. 

He groans, his fingers slide over his mortifyingly hard erection, teasing his slit as he would imagine you would, as you would open the bathroom door, murmuring his name, “Professor? Are you okay?” And you wouldn’t wait for his answer as you stepped into the shower with him, eyes raking down his body, a teasing grin on your lips, “not very ethical is that?” And your fingers would curl their way around the base of his cock, making him shudder with pleasure, “I can take care of that,” and you would kiss down his chest and stomach, even despite his protests, until you reached where he wanted your touch most. 

And god, you would look so pretty on your knees for him, as your fingers pumped him far too slowly, teasing him with a chaste kiss to his tip, tongue dragging against his slit, better than how his thumb did, “s’good for me, Professor,” you’d say, when you heard the hiss he just let out, “I wonder what other sounds you could make for me,” and your lips would close around his tip, sucking lightly, as he gasped, his other hand clasped over his mouth, muffling his sounds. 

He would look down with half lidded eyes, and see your head bobbing as you took him so well, your fingers toying with his balls, spotting your eyes flicking up to meet his — glazed over and desperate, just he imagined his were. Your mouth would feel so much better than his hand, the wet squelch of his pumping would not compare to you swallowing around him, sucking and licking around his length, his pre-cum and your drool slipping down the corner of your mouth. 

You’d swallow around him, as his fingers would slide into your hair. And maybe you would let him fuck your mouth, hips rolling slowly as you adjust, before he slowly would thrust faster. He would repay the favor tenfold once you were done, burying himself in your sweet cunt, until you were begging him to stop. His fingers moved faster around his cock, his low groans and wet squelch bouncing off the bathroom walls, hopefully drowned out by the running water.  Fuck, he wished he would feel how it would to have his tip brush against the back of your throat. 

He was close, the twitch of his dick in his hand told him so, and he imagined what it would be like to cum in your mouth, watching you swallow his release, if you’d want to, or cumming all over your face or chest, letting his cock drag over your tongue as he pulled out. 

Fuck, he shudders, moaning your name against his fingers, he cums all over his hand and the wall of the shower, his release running down mixing with the water. He rinsed his hand off, leaning his head under the water again, hoping it would wash away any traces of you. 

It didn’t. 

And as he emerged from the shower, making sure any trace of his act had slipped down the drain, but the towel around his neck, wondering if you’d see what he did on his face. But you wouldn’t — because you were fast asleep. 

His lips curled as he watched you sleep for a moment, your lips parted, curled up facing away from the bathroom — your feet sticking out of your blanket. He adjusts the blanket for you, and you shift a little in your sleep, mumbling something under your breath, before settling back in. 

And he bites his lip before turning away — he would never be clean, would he? 

Not when it was you. 

“How much longer do you think we���ll be stuck here?” you murmur, the smile plastered on your lips nearly starting to chip and crack. 

Professor Geto sipped at his drink hiding his frown, long fingers cradling the wine glass far too perfectly, “at least another hour,” he sighs, “when in academia, one must get used to mindless conversing if only it will lead to another needless connection,”

And this day had been nothing but an exercise of that — lectures, panels, presentations — any other word that meant someone or several someones sitting in front of you, talking at you — with only maybe 30% of the people actually listening (if you were lucky or interesting). And now you were one hour deep into a mixer that had you engaging in dry chit-chat that had your mind going numb by the first ten minutes. Your only reprieve being by Geto’s side. 

You hated how he could make the dullest of things enjoyable for you, or rather—

You hated how much you loved it 

“How pithy — Plato?” And he snorts, as you finish off your own drink, “I’m going to get a refill, do you want anything?” He shakes his head, and you head off to the bar. 

You were so restless after sitting for so long. Not to mention the slight rash you got from not washing up soon enough. You woke an hour and half later and cleaned yourself up — luckily Geto had passed out by then. You saw him sleeping half scrunched up, half sprawled out on the couch — one of his legs were hanging off the couch — and even his blanket had slipped off. You stifled a small laugh, taking a quick picture of him — so stubborn that he wouldn’t sleep on the bed with you. Your gaze had softened, as you picked up the discarded blanket and placed it over him softly, your fingers gently tucking some of his hair from his face. You fell asleep again after heading back to bed, and woke up refreshed — while Geto had woken up with a very sore back and neck. 

“Can I get…” you look at the menu, ordering your favorite drink, standing by the bar as you adjust your dress, you had opted for a black dress with sheer tights — one you had worn a suit jacket over it. You tap against the bar top, checking your phone as you do. 

“Can I get what she’s getting?” A dark haired man sidles up beside you, his mouth curled in a smirk drawing attention to a scar in the corner of his mouth, and his voice drops to a whisper, “though I think I’d enjoy you more than the drink,” 

You raise your eyebrows, “and I think you’ve certainly had enough tonight,” you say under your breath, giving an awkward chuckle, but he doesn’t seem to notice as the bartender comes back with your drink. Your eyes flicker over the crowd as you search for Geto but you can’t find him. 

“What’s your name, pretty?” And your skin crawls as his dark gaze slides over your body, “mine’s Toji,” and you bite back a sigh, introducing yourself, “it’s very nice to meet you — I’ve met a lot of people tonight but you definitely have been the most interesting,” and the bartender comes back with his drink. 

“Then you must have not met a lot of interesting people so far,” you say, eager to look for any out to escape this conversation, “my friend is waiting—“ 

“No, I’d say that you’re just that interesting,” he sips his drink, “can I get you another drink?” 

And right when you’re about to respond, “No, I don’t think she’s interested,” And you tense a moment before you register the familiar voice, Geto smiles at Toji, if you could call that a smile — it reminded you of one a predator gave its new prey, “especially because she’s a student, and you’re most assuredly not,” 

Toji raises an eyebrow, “But she is an adult, she can speak for herself, so why don’t you let her, Professor?” 

“Because—“ his fingers twitch as if he wants to reach for you but he can’t. 

You swallow the lump in your throat. And you know why he can’t. 

Geto’s smile wavers, and you intercede, “I can, and I think I’ve had enough for tonight,” you pay your tab, “let’s go back to the hotel, Professor,” 

And Toji pulls his card out, handing it to you, “If you change your mind,” he raises his glass, leaning against the bar, before he leans closer to you, whispering, “if you ever get sick of him, call me,” 

You give a polite smile, tugging Geto away until you reached the outside of the building, silence filled the space between you two, until you found your way outside. 

“What did he say?” He asks as he calls a car back to take you both to the hotel, and you don’t know how to answer that — not without making it worse, “actually, never mind. I shouldn’t have asked,” 

“Professor—“ 

“You’re an adult, he’s right — you should be allowed to make your own choices,” he licks his lips, his eyes still fixed on his phone screen, “I’m sorry if I—“ 

“Can you let me speak?” you sigh, as you wave your hand in front of his phone so he would look at you, and his eyes meet yours, “you’re fine — I was trying to get out of there — I just felt very trapped.” 

He huffs out a chuckle. “When you took that long, I wondered if the group of solipsists had taken you hostage,” 

You grimace, “I guess when you believe everyone else is an illusion, you also think manners are an illusion too,” he laughs in earnest now, “now there’s a real smile,” He tilts his head, “the smile you had inside, real scary kind of smile,” you tease, as his eyes can’t quite meet yours.

“Oh yeah?” he suddenly seems very interested in his phone, “our rideshare is almost here,” 

“Almost like you were jealous,” and he scoffs. 

“Of him?” 

“Uh huh, he is pretty attractive, maybe I will give him a call—“ and you notice him grip his phone tighter, and your lips curl, “but I probably won’t, not really my type,” 

“Not your type?” he asks. 

“More into the intellectuals, that man was far from it — I like an academic, sweater vests, glasses, a pretentious little office—“ and the glare is back, as you laugh, the rideshare sparing him from you continuing this conversation, but you also didn’t get to see the slight smile on his lips as you slipped into the back of the car. 

“Just sleep on the bed,” you say for probably the thousandth time, but he only shakes his head, as he sits on the couch, combing out his black locks. Even freshly showered, he looks unfairly hot — a loose gray t-shirt with sweatpants, contacts switched to glasses, and now his hair brushed against his shoulders. 

“I’ll sleep on the couch — it was fine last night—“ 

“Your spinal cord would beg to differ,” and he looks unamused, as he struggles with his comb, “what are you doing?” 

“I can’t get this knot out of my hair, and I can’t get you out of my hair either,” he adds, as you roll your eyes, slipping off the bed and walking over. You ease the comb from his fingers, biting your lip at the brush of his fingers, “what are you—“ 

“It’s easier if someone else does it,” and he sighs, giving in, as your fingers undo the knot in his hair gently, “your hair is really smooth and fine, probably why it tangled so fast,” and he only hums in response, his body relaxing under your touch, as you comb through the rest of his hair. You bite back a smile, he’s almost like a cat, keening under your touch, “feels good?” You murmur. 

“Yeah, it does,” and you don’t want the moment to end, you want this excuse to touch him to remain, the first time you’ve been able to breach this wall between you two — and it’d be over in an instant, “I think that’s good,” he mutters. 

He lays his head back on the top of the couch to look up at you — pretty obsidian orbs stared back at you — and your heart squeezes. He was so close, within reach, and all you had to do was lean down, press your lips against his, and maybe you wouldn’t have to tiptoe anymore, maybe you wouldn’t have to hide from him, maybe you could be— 

“We should go to bed,” he sighs, the moment breaks, as he sits upright, adjusting his pillow on the couch beside him, “we have an early start,” 

“Don’t remind me,” you turn back to him, “but you’re right - we should go to bed—“ you grab his pillow, “on the bed,” 

“No—“ 

“Like you said, we’re both adults,” you tilt your head, as he purses his lips, “I think I can handle sleeping in bed beside you, just sleeping, we can even put a pillow between us,” and you add, “if I try anything in my sleep, you challenge me to a pillow fight, and push me off the bed,” 

He scoffs, rubbing the back of his neck, “I really can sleep on—“ and then you raise your eyebrows, eyes flicking to the hand on his neck. He sighs, “fine, but I really will push you off the bed, I’m a restless sleeper,” 

“Then it’s equal opportunity,” you grin, as you slip into your side of the bed, stretching. Suguru is slower to get in, taking his time and adjusting his pillow and blanket before he finally gets into bed, “good night,” 

“Good night,” he turns to face away from you as he sleeps and you do the same. 

But it wasn’t a good night. Not when you couldn’t fucking sleep. 

For someone so smart, you really were very stupid. The bed that seemed expansive and open yesterday now felt Tom Thumb tiny, every shift of your body felt like a ripple effect, as you’d feel the slight shift of Geto right beside you. He was so close — you swore you could nearly feel the heat radiate off of him, the weight of his body beside you felt far too close and way too far — a chasm you could never cross.

And it was close to driving you insane enough to follow your wants all the way down it. 

But you couldn’t — but you could look, stare into the void, without becoming part of it. 

You shift again to face him this time — how could the back of someone’s head be so beautiful? Jet black locks that you had combed yourself fanned out on his pillow. But you could spot the nape of his neck through the tresses, a lovely spot that you only wished you could lean over and bury your face in. Your eyes began to droop. 

Hypnos finally took pity. You could only sleep this way. Your eyes finally flutter shut — you should have known — you were always the most comfortable with him in your sight. 

Suguru knew that you had fallen asleep — because your soft breaths fell into a rhythm, the crinkle of your sheets had grown silent, and the loud thoughts that filled up your head had gone quiet. He was glad one of you could sleep. 

He surely wouldn’t get a wink tonight. 

This was certainly more comfortable than the couch, but at least he had slept on the couch. He would be lucky to get thirty minutes at this rate. This weekend had already been too much — and he felt his will to stay away from you slowly snapping, a few strands away from breaking away completely. 

When he had seen you with Toji — he didn’t think, he just acted. He could see you were uncomfortable, the way your body leaned away from him, the way your eyes flickered around the room, and the way you toyed with your glass. It was a simple choice, but what happens when the next person that flirts with you is someone you’re interested in? Would he have to stand by and simply let it happen? Watch as you’re able to date this person but not him simply because of his title? 

He was jealous. Not of Toji — but of the idea of you being with someone else — of your attention drifting from him, of you drifting from him. He turned to lay on his back, he really was fucked wasn’t he? 

He turns his head to look at you. It never helped that you were effortlessly adorable, even now as you slept. Lips parted, body curled up, your hair falling in your face yet again. His fingers tuck a strand behind your ear gently, and you shift, a quiet hum leaving your lips as you settle back into the arms of the sandman. 

How were you so close but so far? You were mere inches away but you might as well be across the country. Because he couldn’t touch you, he couldn’t hold you, he couldn’t kiss you. The kiss he shared with you haunted his dreams — a daydream wrapped up in the nightmare of reality. He couldn’t ask you to wait — wait for your degree to be completed so the two of you could date. It wouldn’t be fair to you, but what about this was fair? 

And he turns on his side to face you, his fingers brushing your cheek gently — maybe if he couldn’t be with you in reality, he could allow himself to dream, his eyes flutter shut. 

Just for a moment. 

And his unconscious allows it — allows him to dream of you. 

Dream of your face buried in the crook of his neck, your soft breaths warming his skin, his nose buried in your hair. Your fingers grasped at his shirt, your other hand thrown over his middle. Why was your scent so intoxicating? He sighs, pulling you impossibly closer, and you shift, your leg sliding around his waist, as you pressed closer, pulling a groan from his lips as your core grazes right against his morning…visitor. 

And you move again, nose brushing against his collarbone, his name on your lips, quietly whispered like a secret against his skin. It was perfect — you were perfect. 

But what if this wasn’t a dream? The back of his mind prods — but that’s not possible, he was home in bed, right? This wasn’t real. It was the same dream he always had, of waking up in your arms, a lazy morning spent together in bed, the sun barely peeking over the horizon, the sheets becoming dappled in sunshine. 

No, there was no way this was real, he sighs into your hair, pressing a kiss to the top of your head, but even if it was, he thought as he drifted, he didn’t want to wake — not yet. 

A distinct buzz stirs you from your sleep. But you don't want to wake — you were far too comfortable. But the buzzing persists, so you reach blindly for your phone and to turn off the alarm. And settle back into bed, eyes still shut, as you find your way back onto your pillow — or what you thought was your pillow. 

Except pillows didn’t move, or have an arm they could wrap around you. 

Your eyes open, to find yourself entangled with someone else — your brow furrowing in confusion that melts away to silent horror. Professor Geto. 

So much for sticking to your sides. 

Fuck.  

You tried to extricate yourself to no avail, his arm wrapped around you, pulling you flush to his body, your legs entangled, aside from your leg thrown over his waist, you realize, a small squeak escaping your lips, as you try and fail to move away. Instead you brush up against something very…hard. 

You flush, cheeks burning so hot that it’s truly a miracle he didn’t wake from the heat of your skin against his alone. His morning wood was pressed right against you, nearly between your thighs — just like the last time it was  against you — why the fuck would you think about that now? You resisted the urge to press your legs together — lest you have another new problem, and a mess to deal with. 

You manage to only pull your head away, urging yourself up so that your faces are an inch or two apart now. His soft breaths warmed your lips, his brow relaxed, locks of black hair fell in front of his eyes. Your fingers reach and tuck the locks behind his ear, tips skimming his skin. And the arm around you almost seems to tighten, and you bite your lip, the comforting presence of his arms far too tempting to drag you into wanting — as if you ever left. Wanting was dangerous, because wanting can only ever lead to need, needing him was as foolish as it was to share a bed with the man you were in love with. 

But how foolish was it that you couldn’t bring yourself to pull away? It was okay right? Okay as long your lips didn’t touch, as long you didn’t follow this slope all the way down — it was treacherous to press forward, but why did you want to anyway?

Your eyes flutter shut again for a moment — and your eyes glanced at the morning sky — the sun had just breached the horizon. You could allow yourself a few minutes — even if you had to give up a lifetime with him. 

The blaring of your phone only seems to grow increasingly loud, as you give a small groan, rolling over to your phone again, slapping the screen to snooze it again. And your eyes flutter open a moment, lazily flickering over the screen — 8:45 AM. 

Your eyes close — before your mind fully wakes — 8:45 AM? 

“Fuck,” you shoot up to get up, a tangle of limbs,  jolting Geto awake, his eyes popping open, his arm instinctively grabbing you by the waist, and you land with an oomfph back onto the bed—wait, not the bed. 

Your hand pressed against his chest, your body against his, noses brushing, your eyes unable to tear away from the other — his eyes were even prettier this close — a dark brown, nearly black, with flecks of another color — purple? You can’t tell if that’s your heartbeat or his that’s racing with how close you are, chest to chest. And even as you try to shift, you make it worse by slipping, your hips rubbing against each other’s. 

Fuck. 

You both freeze for a moment, his eyes flickering to your lips and back, as yours does the same, before you both scramble apart. 

“We’re late. We’re really late,” you spring out of bed, grabbing random clothes from your suitcase, “I’m going to get ready, really fast,” you don’t even bother to look at his expression, and you almost wished your heart had shattered your ribcage, with how fucking hard it’s beating, if only that you wouldn’t have to spend another day in the conference with him. 

You sighed, as you brushed your teeth hurriedly while doing your hair — well maybe a lecture or presentation would take your mind off this morning. 

So that wasn’t a dream, Suguru was only glad you didn’t even glance at his face when you ran off, or you would have seen the lovely tomato red that graced his cheeks. He could still feel the warmth from your body, slowly receding, and he swore he could still feel you against him, your soft skin, your pretty lips against his neck, and your leg around his waist. 

Fuck. 

God, he had another fucking problem to deal with — as he shifted awkwardly, his morning wood up and erect with a tent that could put most large circus tents to shame. Fuck, he didn’t have time to take care of this — especially with you in the bathroom right now. 

But still, he pressed his inner palm to his lips, how was he going to make it through the rest of the conference with the feeling of your body still lingering in his mind. If the situation was different, the two of you would have woken up with smiles on your lips, spent the morning cuddling without a care, and probably a little more than that—

But the situation was the same, and his eyes slid to the bathroom door, so why was it that he still thinking about you? He wasn’t the type to dwell, he accepted things for what they were — he had his principles and his beliefs, and he stuck to them, unless proven otherwise. He was a man of guidelines, of rules—

So why were you the only person that ever made him want to throw every rule away? 

“We are going to be discussing ethical dilemmas faced in universities and how to approach them,” the lecturer begins, “can anyone tell us an example of one such dilemma?” 

You both had barely made it into a lecture — barely even speaking as you ran-walked into the conference — choosing a lecture at random, as the two of you ran a good fifteen minutes late. You both arrived, hiding your pants, as you both grabbed water bottles from the back, and sat down. 

And of course to make matters worse, your phone goes off, making the entire room turn to look at the two of you. You silence your phone, murmuring a quick sorry as the two of you take your seats. 

Could this possibly get worse? 

Your eyes glanced at him — it was already bad enough to begin with. Geto had barely spoken a word this morning, even as the two of arrived at the conference, the only words he spoke were to the attendant that parked his car. 

You tugged at the collar of your shirt, adjusting your clothes. And if that wasn’t enough, you were going to spend the day sweaty and disheveled. Meanwhile, you stole another glance at your professor — his skin flushed from running, button up not buttoned up all the way, glasses instead of contacts, and his hair in its usual bun, but a few strands were nearly coming loose — he still looked fucking delectable. But he wouldn’t meet your gaze, his body positioned to lean away from yours, his eyes fixed ahead. 

You held back your sigh as you focused on the presentation — you just needed to get through today — as the lecturer picked someone who raised their hand. 

“A student-teacher relationship is one such ethical problem faced in universities today,” and Geto nearly chokes on his water, coughing slightly, as you feel your cheeks burn at the thought of this morning, “it presents several ethical problems — including the role the professor plays in the student’s education and future, their ability to provide praise or reprimand, and even grant recommendations gives them great power over their student. It leaves the student without much freedom in the relationship.”

Oh, what the fuck. 

The rest of the conference is spent in relative silence with a thick film of awkwardness perfectly overlayed. When you both finally return to the hotel room, your only consolation is that you’ll be leaving tomorrow. You toss your things onto the couch, “I’m going to wash up,” you tell him, and he only nods in reply, as you enter the bathroom and shut the door, back pressed against it and sliding down. 

Oh this is such a mess. You sigh, maybe a shower will help. 

It didn’t. You were still just as much of a mess as you were before. You sighed, as you stood in front of the sink, wiping your hair with a towel. This could be so simple if you both could be together — so easy. There would be no tension, no hurt feelings, no awkwardness — you could just be. But that’s not an option. So the only other option is to let him go. 

But you didn’t know how to begin to. 

Either way, hiding in the bathroom wouldn’t solve a thing — and you finally opened the door, “I’m done if you want to wash up,” he nods, sitting on the couch, reading a book. His glasses rested on the tip of his nose, lips pursed, and legs crossed. 

You walk over, grabbing your things from the couch and put some of your things away in your suitcase. But after all of that is done, you realize one thing is missing — your cellphone. 

“Shit,” you murmur under your breath, searching through your suit coat pockets, your pants pocket, anywhere that your phone might be. 

“What’s wrong?” Geto says, book in his lap, as he tilts his head. 

“Can’t find my phone,” you mumble, cheeks burning — god, it was already awkward enough, and now this? 

“Is it on ring?” You nod — your phone was usually on ring, sometimes to your detriment — you cringe at the memory in the lecture this morning, “I’ll call it,” 

He calls you — and you glance at his phone screen, your contact is just your name, no picture, nothing. You bite your lip, what were you expecting? A heart next to your name? And the sound of your phone ringing catches both of your attention. 

“It’s over here, somewhere,” he says, lifting up some of cushions of the couch, and reaching underneath into the creases, as you walk over — “I found—“ 

And you were so concerned about your contact information in his phone that you forgot about his contact information in your phone. 

The screen flashed with the image of him sleeping all lopsided on the couch from that first night, as you covered your mouth in both horror, but also to stifle your laugh. 

His eyes flicker to you, “When did you—“ and you reach for your phone, but he moves it away, “not until you answer my questions,” 

“This isn’t class, Professor, I want my phone—“ you reach for it again, and he’s holding it above your head, “oh real mature—“ 

“Like the picture you have of me as my contact picture?” He raises an eyebrow, a real smile pulling at the corners of his lips, “thought I should resort to my student’s level,”  

“Your T.A.,” you correct, as you reach for your phone again, but he’s using his height to his advantage, and he’s beginning to walk backwards, “come on, give it back—“ 

“Not until I change and delete that photo,” and he’s trying to hold your phone up to your face to unlock it, and you gasp. 

“Oh my god, give it back!” And you grab his hand, and he’s grabbing at the other, giggles leaving your lips, as he laughs too, as the two of you struggle for the phone, your fingers closing over it, and over his own fingers as well. 

And you realize how close you are to him. 

The two of you freeze a moment, laughter on your lips fading away to soft smiles, and his fingers squeeze yours lightly, as he passes you your phone back. But he doesn’t move away — and you don’t either. 

“Why did you let go?” and it seems like it’s a force out of your control that draws you together, no matter how much either of you try to let go. 

“Because I can’t help giving you what you want,” he murmurs, and the heat of his gaze melts your heart, as you drop your phone onto the couch, and reach for his hand again. 

And you lean closer, your other hand gently brushing against his cheek, tracing the line of his jaw, “So if I ask for a kiss, will you give it to me?” You won’t close the gap anymore than you have — he needs to reach for you too, let himself give into gravity. 

He does, as his hand brushes against your cheek, thumb rubbing back and forth across your cheekbone, “will we stop at just a kiss?” He murmurs, leaning so close that your eyes want to flutter shut. 

“Only one way to find out,” and his lips brush yours. And it’s not chaste like your first kiss was, no, his lips slide against yours, as his other hand slides to the back of your neck. He swallows your gasp eagerly, if the smirk you feel against your lips is anything to go off of. Your teeth graze against this bottom lip teasingly, drawing a small groan from the back of his throat. 

Neither of you couldn’t stop at one kiss, and you both knew that, even as your lips parted for a small breath of air, they found each other again — just as you both always did. Because you could never let him go — no matter how hard you tried. 

RING. RING. RING. 

And this time it isn’t an alarm. But rather his phone, flashing with a name that brings you crashing back to reality. 

The department head. 

“Fuck,” he murmurs under his breath, as he parts from you, his warmth leaving all at once, as he grabs his phone, and turns away, “Hello? Yes, the conference is over. Everything went well. No, no, nothing out of the ordinary.” 

You stared at his back, this would always be the case wouldn’t it? Even as you crashed together, something would pull you apart, and neither of you could break the cycle. You take your phone from the couch, and crawl into bed, but you could start. 

You close your eyes, your fingers brushing against your lips for a moment. You needed to start — otherwise, you would just end up broken. 

And you don’t hear him hang up — or see him stare at your figure under the covers — and he would break along with you. 

Suguru didn’t know what to say the next morning — especially when it seemed couldn’t even bear to look at him, much less speak to him. You had busied yourself with packing, even before he had awoken. His back ached from the night he spent on the couch, he couldn’t fall asleep for far too long, and by the time he did, he kept sleeping — through his many alarms it seemed. 

And it wasn’t the couch that kept him awake. 

You both had the most lovely timing, didn’t you? He thought, as he combed his hair in the bathroom, the memory of your fingers running through his hair as you gently undid the knots in his locks still ever present — it seemed like any time you two wanted to act on your feelings, the universe was doing what it could to keep you apart. 

Was this fate versus free will? 

You both kept choosing each other — but fate kept pulling you apart. Did he have any control over his actions or did he have no control over his actions at all? Was it all predetermined by some force he couldn’t perceive? Some force intent on pulling you apart. 

He sighed, as his phone lights up with an email from the department head — department head position opened up in Jujutsu University: Kyoto — 

And so maybe he should let it. 

The next few weeks pass by far too quick. As your semester picks up, you stop attending Professor Geto’s classes, opting to send an email to let him know, and he replies back with a simple response — Ok. Please let me know when and if you are available to input the grades for the midterm paper. 

The rest of your T.A. work is done online and over email — and you do your best to keep busy, keep yourself occupied, and keep your thoughts from straying to him.

And you maybe succeed 10% of the time. It doesn’t help that your unconscious does not wish to cooperate since it seems that once you stopped seeing your professor during waking hours, he’s infiltrated your sleep — sneaking in and out by the time your eyes open. 

And then you’re left with the fragments of his touch, his voice, his kisses, and soft, loving words. 

Just as you always were it seemed. 

And before you know it, the end of the semester comes, and you find yourself in front of that same office door yet again. It felt like an eternal reoccurrence — stuck to repeat the same events again and again in an infinite loop. Was there any exit from this loop? 

You didn’t know — you knocked on his office door — but you could try. 

“Come in,” you do, entering his office to find him sitting at his desk, hair half up for once. And his eyes flicker up to meet yours, his head tilting at your stare, “see something interesting?” 

“Your hair—“ and your cheeks burn — so much for trying — “it’s different,” 

“Thought I’d try something different — my hair is growing out,” and you have to repress the want to curl a lock or his hair around your finger, “do you not like it?” 

You shake your head, “It looks nice, just different,”

And he hands you the papers he’s graded, “you can input those, I’m just finishing up a couple more, so if you wouldn’t mind waiting a bit?” 

“Not at all,” a silence falls over between the two of you, the quiet scratch of his pen as he grades, the occasional ding of his e-mail breaking up the silence. You sneak a glance at him — ebony tresses brushing against his broad shoulders, his brow furrowed that you wished to run your fingers along to smooth his worries from his mind, pretty lips parted as he reads a sentence silently to himself. 

Fuck — no, no, you can’t do this. 

You busy yourself thumbing your way through the papers, spotting the familiar red scrawls littering these pages, as they once did yours. You were so pissed when you got your first paper back — indignant even — a whole Karen ready to speak to his supervisor. But when his honest criticism and blunt words rang true, you found yourself not only wanting to prove him wrong, but a want to be better. To earn his respect. And of course, later, you wanted to earn a little more than that. 

You bite back a chuckle, and here you still were — by his side. Except next semester you wouldn’t be his T.A. 

But you would still be a student. And he would still be a professor. 

But one other thing that hasn’t changed is how brutal the feedback is — you couldn’t help but feel bad for “Itadori Yuuji” — whoever that was. 

“What are you smiling about?” Your eyes snap up to meet his, his head leaning against his palm, elbow resting on the desk. 

“Nothing,” you shake your head, but he looks unconvinced, “just thinking about our first time in this office,” and then your cheeks burn at the double meaning, “I mean our first office hours appointment—“ 

He waves you off, “I know what you meant,” a small chuckle in his cadence, as he continues to grade, “you certainly weren’t happy with me,” 

“No I wasn’t,” a small smile on your lips, “but it worked out in the end,” you add, “you got an amazing T.A. after all,” 

His eyes meet yours, “More than just that,” 

Why can’t you help but get pulled in time and time again? And why can’t you help but ask questions that will only hurt you in the end? 

He continues to grade when you finally speak, “What do you think would have happened if I didn’t end up being your T.A.?” 

And his pen stops, lips pursed, “We shouldn’t—“ 

“Why shouldn’t we?” you felt like a child demanding an answer from their parent. 

“We agreed—”

“I don’t remember an agreement-” 

“It was unspoken—” 

You scoff, crossing your arms, “You really are only a professor because an attorney would know that binding agreements can���t be unspoken,” he falls silent, his voice soft. 

“I don’t want to keep hurting you,” his words are wrought with conflict, pain seeping into every syllable, “I don’t want to keep going down this road only to for you to get hurt in the end — I don’t want to jeopardize your future for something that might not last—” 

“But what if it does?” and he swallows thickly, “what if we can make it work? We’re both adults, we can be discreet—” 

“So discreet that we end up making out in my office?” he takes off his glasses only to run a hand down his face, a slight pink tinge on his cheeks, and you huff out a chuckle. 

“A little more discreet than that, we’ll lock the door next time,” it’s his turn to scoff, and you rise from your seat, lips curled, “close the lights, or maybe even kiss in a place that’s not on campus,” but he does the same, meeting you on the side of his desk, his fingers brushing your cheek so gently as if you’d shatter under his touch. 

“I don’t want to stand in the way of your career,” he says, his fingers finding your hand regardless, fingers interlacing, “I don’t want you to—” 

“It’s my choice, Suguru,” you murmur, as you lean against his warm palm, your fingers sliding against his palm and into his inky tresses, “don’t you owe me a choice, and a drink?” you add, and his lips curl in a knowing smile. 

“I do, if you’ll still have me,” and he’s leaning close, sucking the air from the room, and the logic from your minds, as his lips barely graze yours, “shouldn’t we lock the door?” 

“Fuck it,” and you pull him into a deep kiss that pulls a groan from his lips that makes your cunt ache, as he’s already pushing you into the lip of his desk, his hand sliding down to your waist. 

“Now who’s being unethical?” he murmurs, pressing eager kisses along your jaw, that makes you melt against him, your legs nearly jelly at this point, “what kind of example are you setting as a T.A.?” 

You bite back your moan as his lips find the soft spot of your neck, teeth grazing it far too fucking teasingly, “Well students learn by example,” and his hands are slipping under thighs to lift you so you’re sitting on his desk — you spread your legs for him in the dress that you’re in, pantyhose underneath, his heavy lidded gaze raking over your body, “and look at my professor staring at his T.A. so lustfully, even with a clear power dynamic—” 

And his fingers find your thighs again, squeezing, before his fingers dig into the sheer hose, tearing holes in it, drawing a gasp from your lips, “How’s that for a power dynamic, princess?” far too pleased, “don’t worry, I’ll buy you new ones,” he murmurs, “now just be a good girl and spread your legs for me,” he says, as he pulls away the ruined pantyhose, and he’s undoing the buttons on his shirt with one hand — one, two, three — before your fingers take over, leaning to press kisses at each inch of exposed skin, until the shirt falls open. 

Then his lips find yours again, his silver tongue asking for you to part your lips and you do — as he extracts every want you have with his burning touch — his lips against yours, his large hands parting your thighs, his knee pressed against your twitching cunt — and only leaves your want for him behind, until it becomes a need. 

“Wonder what our students would think of you,” his fingers tease your inner thighs, drawing a whine from your lips, “wanting your professor to fuck you in his office instead of inputting their grades,” he whispers in your ear, as his fingers finally skim the wet patch of your underwear, “so wet f’me, already? Look I think you even soaked my slacks,” he tsks, as his thumb and forefinger find your chin and tilt it up, “what are you going to do about that?” 

“Suguru—please,” and he smiles as his finger starts to tease your puffy clit through your drenched panties, “don’t tease—” 

“How can I not when you’ve nothing but tease me with your existence?” he pulls the crotch of your underwear aside, “I’ll oblige my favorite student this time—but I won’t be so nice next time,” he adds, biting your bottom lip. 

RING. RING. RING. 

It was his fucking office phone. You groan, but his finger continues to sink into you, “Suguru—” 

“Let it ring,” his lips find yours in a bruising kiss as his finger deliciously sinks into you, “I have all I need right here,” he whispers, and you pull him back into a kiss by the collar of his unbuttoned shirt, your hand sliding up and down his chest, while he worked a finger into your cunt, “so fucking wet f’me, so perfect,” 

And your hand flies back to support yourself as a second finger begins to sink into you — but your hand grazes his office phone, and the messages begin to play back.

“Fuck, sorry,” you mumble, as you reach blindly for the phone, only to knock it back, as he chuckles and reaches behind you, trying but failing to help — your noses brushing, and he smiles before kissing you again. 

Mr. Geto, sorry we missed each other, I was calling, hoping that you would still be in office for the day, but I must have just missed you. I wanted to call to offer you the job as department head at Jujutsu Tech University: Kyoto—

You freeze, your lips parting from his as you look up at him, his eyes wide as he stops the message from playing back any further — and the words settle over the mood like a sheet pulled over a dead body. 

And you’re the first to speak, always asking the questions that will hurt you in the end, “You’re moving to Kyoto?” 

✧ a/n: so i'm sorry for that ending hahah, i promise there will be a happy ending later on for these two. thank you to @gaylatteart and @laneysmusings for betaing and just being the best. also if i tagged you please comment / reblog because tagging on tumblr sucks, it takes very long.

✧ taglist: @hatsunemitskislobotomy, @difficultdomains, @diogodxlot, @that-goth-bisexual, @bash1018, @dazailover1900, @aliyalala, @ashhlsstuff, @blue041803, @mwtsxri, @bblgumfairy, @sukunasleftkneecap, @xo-evangeline, @fiannee, @teatreeoilll, @chalametet, @ryukaver, @d1gitalbathh, @saga3ious, @seventhcinema, @satosugucide, @your-l0nely-star, @sokkasmoon, @deegausserr, @hyookka, @oggsyy, @littlebitb, @higuchislut, @ti-mame, @itoshisins, @cerene-dipity, @onionsoop, @sinlillith, @izzythenaive, @akvrae, @lalacute03, @rxndou, @c-themoon, @xxrag-d0llxx, @hqtoge, @sugarxlumps, @hopeluna, @actualdeemon,

[tojigasm]

Thinking about older!Logan and how he'd definitely clock the crush you have on him as soon as you meet him.

It's amusing to him, and unfortunately for you, Logan wasn't born yesterday and he absolutely catches your long stares when you think he's not looking or the way you avert your eyes from his whenever speaking to you.

He thinks it's cute and a little stupid on your behalf – a twenty year old something kid crushing on some fifty year old man old enough to be your father.

But it's when the two of your eyes meet from across the room that he knows he's completely fucked because damn if you're not the prettiest thing he's seen in a good fifteen years or so and damn if he doesn't want to treat you the way he knows boys your age aren't

When he finally gets you alone, it escalates faster than either of you could've imagined.

"Shy little thing arent'cha?" He comments from his seat beside you, "Am I really that mean and scary?"

For a moment, you don't realize he's speaking to you until you look up to scan the room before meeting his eyes.

Logan seems to have followed your eyes, scanning each nook and crevice along with you.

"See any ghosts?"

Your eyes narrow slightly in annoyance.

"M'not shy."

Logan hums from his seat, leaning forward to pick up his cigar from the table. Settling back into his chair, he takes a long drag.

"Sure y'rnot." He replies with a smirk, smoke pooling from his lips as he exhales through his words.

You don't break eye contact with him this time, and he's got you right where he wants you.

"M'not." You repeat.

"Oh, I know you're not." Logans voice suddenly shifts to a lighter tone, laced with tease. The switch throws you off for a moment. "Don't think I haven't seen you, do you?"

And there's no need for him to elaborate. You've been caught in your school girl crush that, in reality, you know you won't get in trouble for but it's the fear of disappointing the older man that strikes a chord of anxiety through you.

You don't say anything to that, and the two of you only stare at one another before Logan's placing his cigar back down into the ashtray and motioning for you to come towards him.

You obey without question, partially in response to your training with him and partially wanting to show him how good you can be, how good you are – you have complete trust in him.

Logan seems to sense the slight of your unease, helping to lead you to straddle his lap as you sit down atop him.

His thighs spread out beneath you, helping to keep you balanced.

"That's better, huh?" He asks.

You nod, eyes drifting downwards to where your hands have begun to trace over the detailed lines of his leather suit.

There's quietness to the moment. One that seems as though it could last forever as Logan keeps a gentle hand on your thigh and the other on the arm of the chair, content on letting you distract yourself for the moment.

"Jesus," Logan comments, making you look up to meet his eyes again.

He cups a hand to your jaw, softly turning your head left and right to look you over.

"Can tell you right now," he cuts himself off with a hesitant inhale, the pads of his gloves running along your hips as he slides his hands up and down the shape of your waist to your thigh, "– When I was younger I would've been all over ya'."

Something about the image that draws your mind makes your core ache and your legs weak – imagining a younger version of the older man in the moment, the whitesh grey streaks in his hair bring you back to earth just as fast.

Logan holds your chin with two of his fingers, pad of his gloved thumb stroking your soft skin, and in the same moment, the two of you are kissing.

His lips are soft against your plush ones. His tongue is rough as he takes his time to run the wet muscle up the insides of your cheeks and around your own tongue.

You run your nails through the short of his hair, tangling your fingers in the thick of his tufts.

Logan groans into the kiss, shuffling down the seat to spread his thighs out further beneath you.

His hand comes up to cup your heat, and you gasp into the kiss before grinding your hips into his large palm.

Logan smiles into the kiss.

It only takes him a moment before the pad of his thumb is deftly pressed against your clit through the layers of your suit and you're pulling away from the kiss to moan.

Your brows furrow, and your hands drop from his hair to rest atop his shoulders, letting out soft moans and hums as his finger circles your bud.

"There we go." Logan kisses the curve of your jaw, pulling back to lean against the chair, watching as you relax into his hold.

"That feels good." You manage through a whimper, humming lightly as he shifts his movements to figure eights over your clit.

Logan gives a half chuckle, "I bet it does." His free hand holds you by your hip, keeping you still as you begin to rock into his hand.

"Right there, huh?" He asks, and you nod weakly, rolling your hips into his hand.

"M'close." You breathe.

Logan nods, "Tell Daddy where you want him."

You're quick to obey, dropping your hand from his shoulder to hold his wrist in place, letting out a choked sob when he runs his fingers over your sensitive folds through your suit.

There's not much warning besides a moan that gets caught half way up your throat as you cum.

Logan only continues to run his fingers over your cunt, stroking your folds before your pushing his hand away, swallowing soft gasps for air as you relax against him.

You can feel him kiss the top of your head, his hand stroking up and down the soft of your back while your fingers are tangled with the other.

"Y'okay?" He asks into your hair.

You nod.

[astrow1zar6]

Astrology Observations~44

Capricorn risings have A LOT of sex appeal. Their serious nature makes them look smart asf and hot. They can be pretty arrogant though.

Scorpio moons are usually really passionate about music and make the best musicians. (It’s no surprise why most famous artists have this moon sign). Example; Beyoncé, Lady Gaga, Miley Cyrus…

Venus in the 7th house synastry is the best 7th house placements to have with a partner imo. (Especially if the man is the Venus person) he will literally kiss the ground you walk on.

Neptune in the 1st house is beneficial for attractiveness and magnetism but bad in terms of stable mental health. These people usually go thru so much. This placement can be very mentally/emotionally exhausting. They thru a lot of identity crisises (Atleast you’re hot though).

Pisces suns/mercs jump to conclusions A LOT. They are either spot on or completely delusional lmao (usually it’s a good 50/50😭).

Cancer sun/risings have very round circular head shapes (like the moon).

Leo Venuses are abnormally good at drawing & art from what I’ve noticed. They also have very good fashion sense. They look very expensive in general even if they don’t come from a lot of money.

People with Taurus in the 12th house tend to use people for their money & material goods. I notice this is a big leech placement when underdeveloped. I’ve seen people grown asf with full time jobs & still expected people to pay for them. Especially if you’ve emotionally betrayed them they can guilt you into giving them things.

Pisces moons are surprisingly very hard headed at times & usually don’t learn from past mistake’s quickly. I love this placement but I notice a lot tend to make pretty poor life choices if not properly guided.

Having Saturn & Jupiter in the same house can be very odd to have. I have mine both in the 4th house and although I was raised very poor I had a lot of rich family who would take me on vacation with them and go to other countries… so even though I was poor i experienced a lot of things most poor people never experienced. We also had big family gatherings but at the same time we were all very emotionally distant from eachother and just got together to try uk. We all had a shitty relationship with each-other but we cared enough to really try and act like a functional family. Also my family started off very small when I was young (Saturn influence) (me my mom and my grandma and uncle) then got really big as I aged (Jupiter influence). I had to grow up very fast when I was young because of my financial situation(Saturn) but I was very favorable in my family so my rich family was usually very supportive in helping me and my mom (Jupiter). It’s such a push pull effect with Saturn & Jupiter in the same house (one house restricts the other expands). Lmk your guys experience with this in the comments!

Saturn in the 3rd house people had a harder time communicating with others & usually struggled in academics. Could’ve needed extra help growing up. This gives a similar vibe to having a Merc in retrograde imo.

Having a Libra rising in a composite chart can be so annoying for the people around (especially if the people around you are single) you guys will be attached at the hip & usually get along so beautifully as a couple. But this can be a big PDA placement and can give a bit of tunnel vision where u ignore everyone in the room but your partner. Also if you’re not together with this placement you could be used to people saying “you guys would look cute together!”. But 9/10 if u have this placement with a person you definitely felt some typa way about them at some point 😏

Virgo placements either talk up a storm and are very loud and vocal or they are so quiet and struggle with severe social anxiety no in between.

The most selfish childish person I ever met had a Sagittarius sun with a Leo moon. They will make everything about them ALL THE TIME.

I notice a lot of sag suns came from pretty well off families or rich families.

Taurus risings tend to be into dying their hair weird colors (like pastel pink, bright blue ect).

8th house synastry is only hot when the attraction is mutual.. but when it’s ONE SIDED it literally feels like you’re dying internally constantly. I fell in love with someone where my moon, mars, ascendant, & Jupiter was all in their 8th house… when I tell you that was the closest to hell I think I’ll get to in this life. The mind games & jealousy are so severe. You won’t even recognize yourself with this synastry, you’re more likely to do things you’d never thought you’d do and behave in ways you never thought you’d behave. It’s especially worse when you have an empty 8th house yourself, just so uncomfortable and you feel crazy 24/7. -10000/10 do not recommend 😭 make sure the attraction is mutual with this cuz it’s not for the faint of heart.

On the other hand 5th house synastry is soooo fun. This is the best house synastry imo (yes over the 7th house!). You find each-other genuinely super funny and enjoyable to be around. And the crush feels like you’re in a movie🥺🥹 it’s not overwhelming or too intense just very pleasant.

Having harsh synastry with Saturn/Venus (square, opposite) it can feel like you are meant for each-other but not in this lifetime:( they feel like the “person that got away”.

When a Scorpio Venus has a crush on you they will get jealous of anyone who tries to get close to you or has the potential to get closer to you than them. Even if it’s a family member they will treat the other person kinda poorly. I’ve seen this with the rising and mars as well but Venus is usually more severe. (This is usually if immature however).

Taurus mars never admit when they’re wrong.. even if what they say is so incorrect they will usually not listen to reason that goes against theirs. This is probably the most argumentative mars sign. Good luck getting these people to ever apologize to you.

Mars in Aries are usually naturally super toned, they really don’t have to work out much and they will be so buff istg (ESPECIALLY their arms!!!!) they gain muscle very easily.

Libra placements can be super obnoxious when they are single. They never stfu that they’re single and don’t have a partner 😩 I’ve seen this with the Venus and Mars the most. These are the types that are always sharing statuses on fb about “why am I single” “lonely for the holidays” ect. Like can somebody date them so I don’t gotta listen to this all day?😭

Don’t argue with someone with a mars in the 3rd house… you will not win.. they come with all the receipts 👀 this is lowkey a big lawyer placement. These people are not the one they will put you in check QUICKK. (Especially with an Aries, Scorpio or Taurus mars).

[caotictimmy]

I ATE THE WHOLE DAISUKE DATING HC AND I MUST SAY ALL THE BRAINROT THAT HAS BEEN STEWING IN MY MIND!!!

I think he's such a golden retriever bf 😭 like both ways— sfw and nsfw. HES SO DOWN BAD FOR YOU, he loves you so much and fjdkkd if his partner also has physical contact as a primary love language, he would die for headpats. Like genuinely, give this guy headpats be when you two are cuddling or when you are both in an intimate moment. You could reward him with a little patpat on the head when Swansea is not looking, and he would lean in to your touch a little bit before reminding himself, he needs to learn!! he needs to make you proud

NOW NSFW-WISEE.....

Praise kink goes so hard on him is insane

He could be eating you out with sparkles in his eyes, almost like asking if he's doing a good job, and if you do express it, tell him he's such a good boy, how good you are feeling because of HIM, he's going to go harder on you out of pure happiness—hes doing a good job!! you're like this because of his work and that amazes him

i could write more but my mind is a mess and im so sleepy wnwnkd.

🐁 out!!!

🐁 anon I love your thinking please don’t spontaneously combust. BUT IM SO GLAD THE HIM LIKING HIS HAIR/HEAD TOUCHED IS CATCHING ON OMG….

Sfw headcanons/thoughts

- Now that I’m thinking of it. I should have known he’d like head pats. LIKE I ALREADY GOT THE GOLDEN RETRIEVER BF VIBE FROM HIM.

- But he definitely loves getting head pats or his hair ruffled! Specifically he really likes it after/is doing something good. Like normal head pats are fine but. Knowing your giving him them because he did something good?!?!

- You guys have definitely gotten called weirdos by Swansea, cause you patted Daisuke’s head. Swansea wont say anything cause this man is emotionally constipated 💔. But he’s glad Daisuke has someone who Daisuke can be his true weird self.

- If your hand is somewhere close to his head, and he wants head pats. Daisuke will head butt his head against your hand to show he wants you to either play with his hair, pat his head, scratch his scalp, etc ect.

- I think like the first time he head butt your hand for attention was when y’all were cuddling. You had your hand by his head. And you weren’t taking hid obvious hints! (Slightly nudging at you). So well he just thunked his head against your hand. Ever since then he keeps doing that when he wants you to play with his hair

NSFW - DO NOT READ IF YOUR A MINOR OR UNCOMFORTABLE WITH NSFW (mostly AFAB some Gn )

- Omg please pull his hair. PLEASE. He loves it so much. Like holy moly. If you pull his hair while he’s deep inside. HES COMING IMMEDIATELY! Like pull just right and omg. It’s like a switch in his brain. And that man is going HARDER AND FASTER. Like I hope to burnt curly Anya can lend you a wheel chair.

- Omg just imagine Daisuke pulling his hair back during sex. OMG MY GYATTTT. Guys I see the light and it’s Daisuke pulling his hair back.

-(AFAB) I just thought of something. GYAHH IMAGINE SEEING DAISUKE TIES HIS HAIR BACK TO EAT YOU OUT(might need to make this into a FIC).I’m Actually foaming at the mouth. Guys wait let me cook.

“wait!”. Daisuke said. Before rolling a hair tie he had on his wrist for working on machines. Biting it as he collects his hair. Tying it up in a ponytail. Before pushing his sleeves up. Daisuke Looks back at You with a smile. “Now I’m ready” he say cheekily.

- Guys someone please draw Daisuke with a sexy man ponytail please I’ll be in debt with you. PLEASE HE’LL LOOK SO HOT JUST TRUST MY VISON!!!!

-(AFAB) Omg and grip his hair while he’s eating you out. Like omg if you’re pulling at his hair moaning. He’s gonna feel so good about himself knowing he’s pleasing you. Also if you ever shoved his face in your cunt while he’s eating you out. You gave yourself a death wish. CAUSE THIS MAN WILL NOT STOP UNTIL YOU HAVE TO PULL HIS HEAD AWAY.

You couldn’t take it anymore. It’s like he couldn’t stop. The pleasure was getting to much. You gripped his hair. Feeling him moan in you. You pull his head back, letting out that breath you didn’t know you were holding in. You could hear him catching his breath before hearing him let out a sad noise. You looked down seeing Daisuke giving you these sad puppy dog eyes. “Did I do something wrong.” He asked, genuinely concerned.

“No no! Just needed-“. You huffed, “need..need a moment.” You said dazed. He paused for a moment. The glimmer in his eyes back with a vengeance. He starts to grin. “Did I..” He started. Wiping his mouth with the back of his hand, cleaning your slick off around his mouth. “Did I do good?” He asked. Daisuke happily looking up at you waiting for your response. His grin got wider as he felt your hand rub against his head.

Authors note: GYAHH I LOVED THIS REQUEST SMMMM. Like, reblogd, and especially comments are appreciated! This was so fun writing thud.

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[kurokawaia]

❛ THEY ARE WHAT ?! ❜

Husband! Tomioka Giyuu X Fem!Wife!Reader

WC;1.4 k+ | !MDNI! | TW/CW; x fem reader, you and giyuu are married, fluff, slight crack warning + more?

*ੈ✩‧₊˚𝑅𝐸𝒬𝒰𝐸𝒮𝒯 :: (filled request) Giyuu and the reader have been married for three years, but their marriage isn’t widely known. The reader, a bubbly and outgoing Hashira, is often seen around Giyuu, leading others to assume she pities him, unaware of their relationship. During a Hashira meeting, she casually asks for leave to celebrate her anniversary, surprising everyone. Ubuyashiki then reveals the truth by wishing the couple a happy anniversary, leaving the rest of the Hashira in shock - ANON

m.list | demon slayer m.list

You and Giyuu had always kept things... quiet. Not out of necessity, but because that's how Giyuu preferred it. He wasn't the type to flaunt his feelings or make a show of your relationship, and you didn't mind...most of the time. Sure, you'd tease him now and then, but your marriage wasn't something you shouted from the rooftops. You didn't hide it either, though.

People just never asked.

You were nothing like Giyuu in any aspect. Where he was brooding and silent, you were bubbly, always smiling, always drawing attention with your lively personality. Once you came into Hashira position, you'd gain the reputation of one of the friendliest and most outgoing but also one of the strongest.

People admired your skill, but they couldn't help but not ignore how you looked. You had that beauty to draw eyes, combined with your personality, it wasn't rare to hear other people say how you were one of the prettiest demon slayers.

No one knew your last name, though.

That might've been a clue-if any of them had stopped to think about it.

It was no secret that you spent a great deal of time around Giyuu, but most of the Hashira had come to the conclusion that you must pity him-some sort of friendly charity case. And Giyuu, in his usual way, didn't correct them. He never explained why you two were always together.

He let them assume and you let him.

But it was about to come out—whether you planned it or not.

The meeting started off like any other. You sat near Giyuu as per usual, not that anyone paid much attention to seating arrangements anymore. It had become routine. Sanemi barely spared a glance in your direction, too busy looking irritated by something else entirely, while Mitsuri flashed you her usual bright smile.

Rengoku was already there, greeting you with his boisterous energy. "Ah, good morning! You are looking radiant today as always!"

You smiled back at him. "Thanks, Rengoku."

Giyuu nodded in greeting but didn't say a word, silent as always and as still as air. You were used to it, though. His silence didn't faze you. Giyuu loved being near you in private, he was like a cat that didn't want to leave. But today, you did have something to ask, something that was going to definitely stir the pot.

When Ubuyashiki asked if anyone had announcements, you took a deep breath, preparing for the storm that would most definitely arise.

"Master Ubuyashiki, Giyuu and I would like to request a leave of absence for a week."

The other Hashira's eyes fell instantly upon you, curiosity written on their faces. Ubuyashiki smiled. "Of course. And for what reason?"

You grinned, your eyes flicking to Giyuu, who looked faintly concerned-he hadn't expected you to announce it, but you couldn't help yourself. "It's our anniversary."

There was a wave of shock around the room, though nobody said a word in that instant. Mitsuri gasped, eyes wide with wonder, while Sanemi shot you a look of utter incredulity. Rengoku's eyebrows shot up, for once, his grin faltered while he processed what you had said.

But Ubuyashiki didn't seem remotely surprised. As serenely as he always spoke, he merely inclined his head and said, "Ah, of course. Happy anniversary, Mr. and Mrs. Tomioka

Mitsuri's face had sagged. "W-what...?! Mrs. Tomioka?!"

Rengoku's eyes blinked, his confusion curled into laughter. "Wait—Giyuu's wife?! And all this time we thought you were just keeping him company out of pity!"

Giyuu's eyebrow twitched at the comment.

Sanemi huffed loudly, wrapping his arms around himself as if to shield the bruised ego within. "You've got to be kidding me. You're married? To him?"

Uzui leaned back as if he finally found the most amusing part of his day. "Tomioka's been keeping a pretty little secret from us this whole time, huh?" he said, raising an eyebrow in a smirk. "I gotta say, you are full of surprises. Bet you ain't as dull as we thought, Giyuu.

You tried to keep the laughter welling up inside of you contained, but Giyuu's expression was making you not to do so, he was getting embarrassed from the teasing. His face was stoic as ever, but you could sense him tense up. A hand laid stiff upon his lap gave a small jerk-a faint sign that all this attention set him ill at ease. You leaned forward and casually laid your hand over his, giving it a slight squeeze.

"Well, we didn't exactly hide it," you teased with a smile. "We just didn't tell anyone."

Sanemi grunted low. "You mean he didn't say anything."

Giyuu had nothing to say, his eyes on the floor. Moments like this, you knew he wanted to disappear. But instead of letting the others keep their teasing going, you turned the tables.

"Oh, don't look so surprised," you teased, moving in a little closer to Giyuu with a sparkle in your eye. "It's been years now. Giyuu's always been such a romantic."

Sanemi snorted, and Tengen let out a loud laugh. "Yeah, right. I really can't picture Tomioka being romantic."

You smiled, leaning your head against Giyuu's shoulder in exaggerated love. "He planned a whole week off for our anniversary. Isn't that sweet?

Mitsuri, the eternal romantic, squealed in delight. "Oh, my goodness! That's so adorable! How long have you two been together? Why didn't we know this all this time?!"

"Well," you said, "Giyuu's good at keeping secrets."

By this time Giyuu's face was a deep crimson color. his ears almost burned with embarrassment. You knew he'd most likely scold you later for being so casual about letting it all spill out, but for the time being you enjoyed your fellow Hashira's reactions.

Rengoku, still smirking, crossed his arms. "Three years of marriage, eh? That's awesome! I'm shocked we never put two and two together. How long have you two been a couple?

"Since we were in our teens," you said matter-of-factly. "We went through quite a bit together. He was always there to support me, even when I wasn't yet a Hashira."

The smirk on Tengen's face spread further. "So, how does it feel being Mrs. Tomioka? Got to say, I'm kind of curious. He's got that stoic brooding vibe going on, but I'll bet he's different when it's just the two of you, huh?"

Your beamed, and you shot Giyuu a sly look. "I don't kiss and tell."

That made the rest burst into a fit of laughter, though Mitsuri turned to you dreamily. "That's so romantic. I just can't believe that you were married all along..."

Sanemi rolled his eyes. "Romantic? It's impossible."

You laughed, leaning into Giyuu just a bit more, earning a barely audible sigh from him. You could tell he was trying to hold it together despite the attention, and you knew he'd probably scold you later for making such a big deal out of it. But for now, you were having too much fun with the moment.

Ubuyashiki merely smiled at the both of you, his calm and collected demeanor accompanied by an understanding sheen in his eyes. "I hope the two of you enjoy your week off together. It's well deserved."

You nodded gratefully to him. "Thank you, Master Ubuyashiki.

The other Hashira were still talking when the meeting wrapped up, still apparently in a daze from your marriage bombshell. Mitsuri darted over to you the instant the meeting was finished, her face shining with excitement.

"I have so many questions! How did you two meet? Who confessed first? Oh, I bet Giyuu's so sweet when no one's looking, isn't he?"

You laughed, dodging her interrogative attack. "It's a long story, Mitsuri. Some other time, I'll tell you."

With that said, before you could utter another word, Giyuu silently got up, tugging lightly on your sleeve. "Let's go."

You followed him out of the meeting room, the eyes of the other Hashira seemingly still on you well after you left. When they were outside and far enough away from their prying gazes, Giyuu let out a long, exasperated sigh.

"You liked that, didn't you?" he asked, his voice low but his tone gentle instead of angry.

You smiled up at him, slipping your hand into his. "Maybe just a little. But come on, they were bound to find out eventually. It was kind of fun seeing their reactions."

Giyuu sighed again but didn't argue. Instead, he squeezed your hand gently, and his expression softened just a little. "I suppose it wasn't unbearable."

You laughed, leaning up to kiss his cheek. "See? I told you it'd be fine."

Giyuu said nothing, but the slight flush of his cheeks did the talking.

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