#either way this is AWFUL :’)

[lazylittledragon]

weddings are out, carving matching rings and getting blitzed by the river is in

[nicosaysnope]

one thing about jean that fucks me up sooo bad is that he is just a kid. he's so young. he's scared of getting lost in airports. he closes his eyes on the back of a motorcycle so he doesn't have to see traffic. his favorite magnet is a little bear with a red barret.

[stalgivc]

[cream-and-tea]

must a book have ‘plot’ and ‘structure’ and ‘progression.’ is it not enough for characters to be in a place. and for that place to be really fucking weird.

[fumifooms]

Dunmeshi promotes the importance of balance for both a healthy body and a healthy mind, and optimism vs pessimism is one such case <3

If you were too glass half-full and I was too glass half-empty, maybe together we could make a full glass

[vaguely-concerned]

the mourn watch background gives you such a GIFT in having other characters notice and call out on-screen that rook code switches like a motherfucker. the whiplash of hearing my snarky 'heeey I'm just a little guy! :>' funnyman rook speak the heightened ritualized phrases of the mourn watch with perfect seriousness and gravity completely naturally and/or break into an academic tone that can keep up with emmrich at the drop of a hat never stops giving me such endless delight. truly their real mind is a riddle wrapped in a mystery inside some hideous mourn watch casual wear

[secriden]

This line. God, this line! It has been eating me up inside for 2 days now, because let's not forget, this line isn't about love, it's about trust. And that has implications that make me want to scream.

It's a direct reference to this moment earlier in the episode:

At the start of this discussion, Style and Fadel still have a kind of playful air about their conversation:

Style: Oh? Not even me? Fadel: You're at 80% at best. I feel like you're hiding something from me in the 20%.

In this exchange, though, there's a sense that Fadel is issuing a challenge, like there's something specific which Style can do to gain Fadel's full trust. And while Style knows there are things he cannot (yet) reveal to Fadel, I think a part of him is determined to be as honest as he can be, which is why he issues a challenge of his own by asking for more specificity:

Style: What do I have to do to gain your complete trust?

Part of this question is a simultaneously inquisitive and deflective - What (and why) do you think I'm hiding (something) from you? - but there's also a moment after Style finishes speaking where he stills and goes quiet that feels... genuine, weighty. Or, as @airenyah has pointed out in her meta on Style in episode 4, the "grounded[ness]" in Style's demeanour is a signal that Style means what he's saying in the moment. Maybe about his own desire to be worthy of Fadel's trust, maybe about how he genuinely does want this relationship to be real in whatever way that matters to Fadel.

I think Fadel sensed that too, because the moment looses all the lightheartedness it had before. Fadel pauses, and then gets a look on his face that just... breaks my heart. There's a sombreness there, like he knows he's going to have to say something that makes him sad. Fadel looks away, and then down, before he seems to steel himself and says:

Fadel: It'll never happen. No matter how much you love someone, I just don't believe that you can completely lay yourself bare in front of them.

Fadel says this like it's fact. Like what he's expressing is something foundational and true and irrefutable. It's not even about his doubt in Style's honesty, because this statement has no qualifiers or conditions put on it to connect it to Style. Rather this is what Fadel fundamentally believes about relationships and trust: he finds the very concept of being fully known and still accepted an impossibility.

Sure, maybe this is because of the falling out (or betrayal or disappearance) associated with the former lover; but I also think it might be because Fadel is acutely aware not only that he's hiding a rather big and dark secret (not to mince words, but: actual literal premeditated murder), but also about what it implies about Fadel. Because being able to kill another human, coldly and clinically and without remorse, takes a certain type of person. Because, yes, Fadel has lived through an absolutely harrowing and traumatising event (his parents' murder), but it's also undeniable that it changed him. Because there's something about Fadel that twisted dark and which he never quite got back. There's an anger, a hurt that colours every moment of his life; that enables him to look a man in the eyes, smile politely, and pull a trigger.

And at this point in their relationship, Fadel's understanding of Style is that he's... well, kind of innocent. Especially in comparison to Fadel and Bison, and even Kant.

Style, who easily reveals facts about his life which Fadel already knows (winning a car tuning competition), making Fadel doubt his own instincts about Style hiding secrets. Style, who also reveals the things Fadel doesn't know, like the tender and secret pain of a mother lost to cancer (which, now that I think about it, Fadel may also know) and his worries about a father who "lost his bearings for a bit" (which he probably doesn't). Style, who tries to comfort Fadel in his own loss by offering a safe space and a sympathetic ear.

Style, who doesn't just see Fadel for his tragedy, but is asking to be given the chance to accept all of Fadel as a person. Style, who not only wants but has the capacity, to be the only person Fadel needs to rely on. Style who, despite the sea of differences between them, understands Fadel on a level that is so very foundational.

I'm going to slightly segue and mention something that may not resonate with everyone, but really hit me in the gut this episode: because I lost my father when I was 16 after he battled cancer for 2 painful years. And this revelation about Style has totally shifted and coloured everything Style has done in a new light for me. Because not only does this totally explain Style's sometimes almost stubbornly childish demeanour (it's common in adults who've had to 'grow up' too early), but also why Style shows seemingly random flashes of insight and maturity when they are most crucial. Notably, Style has this almost instinctive sense of when he needs to back off a sore point with Fadel that I couldn't quite put my finger on until this episode.

I've seen a few jokes about Style's awkward subject change, but I've actually got a friend who I hold very dear to my heart who was one of the only people to give me a sense of normalcy and comfort when my dad was on his last few days and then at his funeral. And part of that was the instinctive way she would know when I needed to just. Not be a grieving daughter for a few minutes. To get a small respite from the overwhelming hopelessness and sense of impending loss. To get a moment to breathe and gather my strength, because knowing I was never going to see my dad again, or hear his voice, or hold his hand was tearing me apart back then. Sometimes she'd talk to me about college drama, sometimes she'd introduce a new kpop video to me, sometimes she'd just ask me what I wanted to eat and take me to go have a meal with her. And sometimes there really just isn't anything else to say other than "I'm sorry." Nothing you say - nothing you can say - is going to ever, ever make this grief go away, and in most cases, it was better when people (especially those who couldn't really understand) didn't try.

And I think if you look at Fadel very closely, there's a moment of genuine surprise (Fadel wasn't expecting the subject change at all) and then... something that looks like fondness mixed with exhausted relief. Because I don't think Fadel was ready to talk about his parents yet. This was honesty he wasn't ready to give Style, mostly prompted because Style himself had willingly been so vulnerable that a part of Fadel wanted to reciprocate. But further down that path lies not only his darkest memories, but also the connection to the part of his life he is not willing to share with Style yet. So this subject change is a relief, it's a blessing, but it's also Style knowing when he shouldn't push any further with Fadel's fragile heart.

Which brings me back to how well the episode's theme of trust (both deserved and undeserved) was woven in this episode. This is true on multiple levels and characters but I'm not even going to attempt to touch Kant in this post because... Lord, that is beyond me at the moment. Someone else needs to do that, pretty please, so I can reblog it and scream.

It starts, somewhat unexpectedly, with Fadel asking for entrance into the intimate spaces of Style's life.

So, this episode was not about Fadel's fear of his own feelings, desires, or even affection for Style - that appears to be fully addressed in episode 4. I think that's why we see Fadel be so physically affectionate and indulgent of Style in this episode. He's come to terms with his lust for Style's body (hence his comfort in initiating sex), he's accepted Style as his boyfriend and so can enjoy Style's playful teasing (still reluctantly, but Fadel is still an introvert even if he's mostly enjoying Style's rambunctious nature), and give into Style's (and Bison's and Kant's) cajoling with relatively little fuss.

He's even comfortable toying with the edges of revealing his darker and more sinister side by reminding Style implicitly about how violent Fadel has the potential to be. Recall that Fadel knows Style knows some of his capacity for violence; he just doesn't know how very thoroughly Style is aware of the full scale of this truth. It does help that Style evidences no actual fear and, in fact, looks positively euphoric. Like, buddy, pal, dearest one... please control yourself.

And yet something very, very telling is the way the show makes it a point to depict Fadel very deliberately getting drunk during the double date. Even before the date has started, Fadel looks to be about half a beer in and we see him constantly drinking, drinking, drinking during the whole date. From the conversation about trust he has with Style while Kant and Bison are being off key and adorable about it, to after Kant leaves and Bison gets worried. And we've seen Fadel cope with emotional and mental distress with alcohol before, so we know that Fadel is internally fighting some kind of very intense battle even as he is also very clearly enjoying moments with Style on this date (most notably when they're dancing by the bowling lanes and when Style asks him to go home with him).

So here's my take: rather than being about love, this is about Fadel fighting to hold onto his own philosophy on relationships and trust. Because as much as I do believe Fadel believes he's telling the truth when he tells Style that 100% trust is "impossible", I think it's clear that's not what he wants.

What he wants is to finish this last job so that the only thing he can't be honest about with Style will finally stop being a factor in his life. What he wants is to fully and completely reciprocate the openness Style seems to be giving Fadel. What he wants is to switch off his brain and let his heart lead for once, to stop fighting a battle he has no desire to win anymore, only he can't. Trust (not love) is Fadel's final frontier, and one which he can't quite give up in spite of himself.

Which is why I think Fadel intentionally gets himself drunk here. Because he wants to let his guard down around Style. He wants to open himself fully, he wants to "lay himself bare" for Style, he wants Style to know the full truth and accept him anyway - and he gets so close, but can't quite get there - because he doesn't know that Style already has.

When Style says this, Fadel thinks it's empty words, not knowing that Style has long passed the bar Fadel thinks is insurmountable. And just like Style was able to offer safety and reassurance to the vulnerability Fadel was showing in episode 4, Style instinctively gets to the core of Fadel's darkest fears again:

Style: One day, I'll be your 100%.

This isn't (just) a promise that Style will wear Fadel's stubbornness down, or that Style will be worthy of Fadel's 100% (which, already, has me in tears, ngl). Beyond that, this is Style promising Fadel isn't ruined for this; that it isn't too late, that whatever hurts and wounds Fadel has can be made whole again. That the kind of honest and all-encompassing and unconditional trust which Fadel says is impossible can, in fact, be his. That Fadel still has the capacity to trust and be trusted the way he so desperately, painfully longs for.

I know a lot of people have said Style in this episode is writing cheques he has no ability to honour, but I think it's more layered than that. Because in a very significant and profound way, Style is wholly deserving of Fadel's trust. Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. Style is a man who would stare into Fadel’s darkness and reach out first. Strip away the complication of Kant being blackmailed and dragging Style into his mission, and Style is literally perfect for Fadel. He is exactly what Fadel wants (and possibly has wanted for a very long time). He is, in fact, exactly what Fadel needs to ever experience anything beyond the shadow of a life he's had so far.

But oh, the cruel narrative means that Style is also, simultaneously, painfully undeserving of Fadel's trust; and this is something Style is very much aware of. I think that's why he's trying so very hard to be worthy in all the other ways he can be. Style's awareness of what Fadel is hiding enables Style to (counterintuitively) be completely honest about his feelings for and about Fadel even as he cannot reveal his motivations. So he gives Fadel as much honesty as he can: offers the vulnerability of his own pain and hurts; the comfort of his true understanding and acceptance.

And just as Fadel's vulnerability in the abandoned factory was met with Style choosing a form of physical connection that prioritised Fadel's pleasure (it's made very clear that Style is jerking Fadel off and that all his focus in that moment was on Fadel, not his own pleasure), so too is this moment met with Style very intentionally choosing to worship Fadel's body with all the tenderness and genuine emotional weight that Style wanted Fadel to have in their first time in the storeroom.

Because, crucially, this was Style giving Fadel the chance to lay himself at least physically bare. This is the closest either of them can get to full honesty with the secrets they both are keeping. It's why Style tries so very hard to show the care and adoration and genuine feelings he has for Fadel. Why he makes sure that the vulnerability of Fadel getting himself as drunk and as relaxed and as trusting as Fadel can allow himself to be is tied only to gentleness and tenderness and pleasure.

Because Style actually knows that Fadel can't (and shouldn't) trust him in the way Fadel truly wishes to.

And as much as I believe that Style genuinely means this from the bottom of his heart, the horrifying full truth is that it is Style that has the metaphorical knife hovering over Fadel's chest. He is the one with the capacity to actually give Fadel a new scar that would truly matter. He is, in fact, the only one Fadel wants to fully trust -- and this, along with Style's compromised heart, makes it so that the circumstances will doom them both.

[edwinisms]

you ever think about how edwin got like. no warning, no time time to process, nothing, when he reappeared on earth faced with the fact that virtually everyone he knew in life is dead. his parents? probably died in the 1950s or so (at best) almost forty years prior to edwin’s return. if any of his classmates were still around, they’d have been elderly, possibly senile, and in a few years they’d all be gone– except, of course, edwin. nothing looks the same, cars look like spaceships, there actually are spaceships, he can no longer see the stars, and everyone he knew is dead.

[canisalbus]

The Hawaiian language doesn't attach gender to pronouns, but it does have a complex set of relational pronouns, so you can use a particular pronoun to note for example "all of us (except for that guy)"

.

[u3pxx]

[bad omens] you know how it is with me and body swaps and roleswaps orz

[3liza]

"why do you talk about something awful so much" it has surprised me quite a bit as I've gotten older but the 2000s-2010s SA culture has only become more relevant to current events and media as time goes on, i assume from the natural watershed effects from people aging into their 30s and making media properties that go on to become incredibly influential. I was never a big poster there, I was a lurker 99% of the time and had zero influence on the site, so it's really not personal for me except for stuff like Dropsy, since I was there for the original thread. the SA millennials started popping up in noticeable ways as early as 30 Rock (recall the "lemon party" recurring joke for example) and as the younger members age into their prime output years we're just going to keep seeing more of it.

[creaturefeaster]

Probably still to be tweaked because I'm positive I'll look back in 3 weeks and realise how much I disagree with myself. or how many details i forgot. but i digress.

main mimes puppets :3

+ them in the line up but awkwardly cut because the image is too big

[whatudottu]

Welcome one and all to my version of the party's loopified designs, featuring my many broken bones and blood stains I especially put into Odile who I tackled second unlike the alphabetical order that I have presented here! I'll have in-depth discussions on each designs and matching practice portraits under the cut but before that-

Siffrin 'barely taller than a preteen' no middle name no last name Loop is still barely taller than a preteen but now that preteen can claim fire to their height!

Alphabetical order GO!

Bonnie, who I've been calling Bonfire (which if that ends up being their name I can imagine Bonnie calling them 'Fire' while they call Bonnie 'Face' to match), was the last of my designs because frankly I knew from the start what their design was going to take influence from and also knew I was going to draw fire :P They were based on bonfires (of course) and also specifically the Burning Man effigies just for a humanoid figure, plus being a chef cooker and a campfire and also a very heated expressive person.

Their flames are hot but not actual wood burning so the Favour Tree (and Mirabelle in the height chart) are not at risk of combusting, they're just incredibly bright-

Isabeau my first design, with influences from @basilpaste 's Lock (with a dressform body) and @nullapophenia 's original version of Husk (the faceless identityless sketch), I have combined them both to make a mannequin it/its loopified design that finally gets to be capital T Tall all for the low low price of being Changed against its will and suffering another bout of body dysphoria that it can't fix anymore :) :) :) When I was referencing mannequins I actually noticed how long their legs actually were let alone how they were perma-stuck in that Barbie-like highheel pose and thought why don't I just curse Isa with something he previously wanted :P

Something something Isabeau actively Changed not only his body but his personality to become someone he wouldn't be ashamed of, yada yada Loopsabeau is back to hating itself and has started to become a person it despises to match (also like a mannequin it's head and arms are technically painlessly removeable :P)

Third in order and third in design is Mirabelle, who technically is the only loopified design with technically hair and clothes, but the hair are the tangled roots of the Favour Tree and the clothes are like the carved hardstone statues of religious figures :P Initially my Idea for Mirabelle was to make her kinda like her statue, with the wonky expression of someone who made it without much mastery over details, not to pit anything against Mira, no, no. Thought about maybe abstract statue design but I couldn't find a version I liked but I did always imagine her statue being weathered in some way, there was a reason why I saved her for third I couldn't pick what I wanted. But then I remembered the broken Change God statues, thought about the 'blessing' that ended up being a curse, and then thought about overgrown weathering and gave her the roots.

I actually looked up Black hairstyles and mostly wondered what specific hair texture Mirabelle had (she wears it in a fro of course, but she has flyaways that aren't coils, but she described her own hair as kinky and :P) so that if I were to mimic hair with tree roots I can get an appropriate matching hairstyle (settled on megatwists). Hah, if Mira has 4C hair, considering how long her hair actually looks, if she to wear her hair in twists she might actually have elbow length hair :P

I spent 8 non-consecutive hours on Odile can you tell? Can you see my hands bleeding my wrist breaking my eyes drooping? Yeah so Odile was again, my second design and it took me a week to recover, and she's a combination of gem and mirror suit with all the little fragments floating around her the 'diamonds' that represent all her family members party plus the ones she originally had in sets of 2. I also put geodes where parts of her body have broken off (inspired by how when the King strikes she can't move, plus also being a glass canon) where when I was actually drawing those geodes that they kinda use the Change symbol?

Circle within a circle within a circle, regardless of how wiggly it is, and at the centre is a cluster of crystals. That was an accidental reference to Odile's mixed heritage but hoo boy what a connection! Her missing pieces are a combination of 'being too old for this' fragility and also 'i didn't want to render more mirrors sue me'

Anyway I am going to put my wrist in a cast and imagine loopified party members with their pre-wish counterparts :P

[oatmealcrisp-freak]

"shipping saiki is aphobic because he's aroace!"

stares at you with my demiromantic asexual in a committed relationship eyes then looks at the camera like im in the office

[slytherinshua]

slowly realizing more and more that the sm boycott effort is gonna amount to nothing in the end, and this is not the way we should be going about the riize situation.

i loved seunghan when he was in the group, and i am still an ot7 fan. but at a point, i think we need to think of how much of our time and energy we're willing to spend fighting for something that has such a small chance of actually happening. sm is gonna bounce back from any stock lost from the boycott because they are one of the big 3. they have like 4 of the biggest groups in kpop rn: nct, aespa, red velvet, riize. there's just no way either boycotting riize or boycotting all of sm would actually be detrimental enough to get a member who's been terminated from the group back in.

and while i don't agree with the ot6 fans who are being unreasonable, i think some ot7 fans have been just as bad. this fandom is so toxic and rotten, every day it just seems to get worse. and i don't like the narrative that most ot7 fans were spreading about ot6 kfans-- how they were just mad that seunghan was dating pre debut. that isn't why they were mad, they really didn't care about that. it's the fact that he took pictures of him with his possibly/alleged underage girlfriend (it's honestly bad enough with/without her being possible underage, which i don't have confirmation on) at what looks like a hotel and presumably sent it to his friends in a group chat (which was how it got leaked). that's why they wanted him out of the group.

personally, i don't believe that a member should get kicked out of a group or put on hiatus without a proper reason why. and seunghan's hiatus and termination is really messy. but there are valid reasons why kfans weren't too big on him. the problem is there have been many idols kicked out for things they didn't do, and others who have been caught doing really fucked up and nasty things and rightfully kicked out of the group, but it's hard to know which idols are innocent or not when there's no organization. and when we jump on a narrative train and blow something super big out of proportion, the facts and proper investigation of the situation gets lost in the mess of things.

what should have happened was things being properly investigated back in october 2023 before seunghan was ever put on hiatus, and a decision made from there whether to keep him in the group or kick him out based on that.

instead, we have the other 6 members who clearly want seunghan back tired of the state of everything (rightfully so), ot7 and ot6 fans fighting a full blown war every day without logical thinking, and misinformation being spread left and right. there's no organization, there's no firm confirmation on anything, all of this is just such a big mess.

now let me be clear IF it's true that there was anything suspicious going on between seunghan and his girlfriend, then i would obviously no longer support him. as it is, i'm not going to stop supporting him until there's firm evidence. i'm tired of kpop stans making rash decisions based on half truths instead of just being patient and waiting for the facts to come out. staying neutral during unclear situations is a valid stance to take. please let's all stop jumping to conclusions from both sides.

[coolnonsenseworld]

A little promo with my little obsession on the side...........

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