#eight dog chronicles

[kaneofnod]

I know it's meant to be a callback to Cavall II, but the mental image of Salter, alone in her room, with no other food available, just tearing into a bag of dog food at 3:47am on a Tuesday...

[edswordsman]

Summoned a new Rider-Class Servant:

🌹 Kyokutei Bakin! 🌹

[asirenfgo]

My box is too strong… I one-shotted the challenge quest.

Tips:

- Watch out for the second break. Hokusai’s 2nd break charges her NP bar to full.

- I think Kyokutei Bakin’s 2nd break might remove buffs, but I didn’t see anything too bad. I just made sure to do their 2nd break at different times.

- I killed Kyokutei Bakin first.

- Hokusai gets an annoying evade after 1st break. But it does make it easier to kill Kyokutei Bakin first.

I probably could have chosen a better Mystic Code or tried to kill them faster.

[r--kt]

Do you like Kakashi's dogs? Let's talk about why there are eight of them.

another example of naruto's ✨cultural code✨

contents | the eight dog warriors chronicles · legacy · eight confucian virtues. also look at the cuties love them sm

Naruto Vol. 10 CH 90

[ one dog is wonderful, I'm saying as the owner of a sweet little york terrier. two dogs are good, they won't be bored together. three dogs? yeah, cool! how are you going to walk them though? four? yes... look, maybe we have to draw the line h- wha- EIGHT? Excuse Me!? ]

surely, it's worth starting with the fact that eight is a lucky number in Japanese culture — everybody watched Hachi. of course, this is not the only cultural detail where the eight is mentioned. I want to pay special attention to a thing that I didn't know about until I googled it, and this is clearly what Kishimoto was doing homage to with Kakashi's eight ninken.

The Eight Dog Warriors Chronicles

Better known as Nansō Satomi Hakkenden. and it's not just some kind of book, it's a novel, consisting of 106 booklets written by Kyokutei Bakin in XIX century. Hakkenden is considered the largest novel in the history of Japanese Literature. this is one of the main representatives of the gesaku genre, which includes works of a frivolous, joking, silly nature. further I will emphasize a few more times how damn popular this work is and how often it is reflected in culture.

here are some illustrations for these books

now let's talk about the plot. It's weird, but it's weird at samurai-dogs-story level so stay here.

In brief, the story tells about the commander Satomi Yoshizane, whose native lands were attacked by the army of a man, whose forces surpassed those of Satomi, and the samurai in despair swore to a dog named Yatsufusa that the dog would get his beloved daughter Fuse as a wife if he chewed that man's throat. surprisingly, the dog not only understood the owner, but also fulfilled his wish! after that the commander refused to keep the promise. however, Fuse, true to her word of honor, went with Yatsufusa to the mountains and became his wife. upon learning that his daughter was pregnant, Satomi, in a rage, sent a samurai to kill Yatsufusa and bring Fuse home. she stood up for the dog anyways and died with him. at that moment, eight pearls with hieroglyphs that denoted the foundations of Confucian virtue burst out of her womb. (...cheers for mythology, I guess)

Soon, eight dog warriors who were Fuse's spiritual children were born in different parts of Awa province. after going through hardships, they got together and became vassals of the Satomi clan, then won the battle, and soon reached peace.

some more illustrations made by Utagawa Kuniyoshi. from left to right: Inukawa Sōsuke (the dog warrior), Inumura Daikaku (the dog warrior), Princess Fuse (their mother).

the novel mainly tells about each individual warrior dog and his shenanigans in a funny adventurous way. huge fame has led to excerpts from Hakkenden being staged at the Kabuki Theater and mentioned in the anime and manga, such as Inuyasha, Dragon Ball, as it turned out, Naruto and so on. there's also a lot of films and video games.

The eight virtues

these are loyalty, filial piety, benevolence, love, honesty, justice, harmony, and peace.

they relate more to Chinese culture, but basically Hakkenden was inspired by it too. since I did not read the whole novel, I would still like to mention at least the values on which it is based, and which were embedded in the symbolism of this story. It's quite interesting to apply this to Kakashi's dogs. gives them more weight and depth.

It is also interesting to note that the reason why Fuse gave birth to dogs was also that her father was cursed earlier in the story in a way that his descendants would become depraved like dogs. in Japanese culture, dogs embody the duality of character: the same mentioned filth and depravity, and devotion and bravery. so as samurai. but this is a different conversation, more related to Kakashi and his dog poetry.

Did you get here? Here's an additional discovery for you✨

Pakkun's name (パックン) is derived from the Japanese onomatopoeia “pakupaku” (パクパク) which reflects the sound of munching.

Kakashi, that's very sweet of you.

thank you for reading this to the end ♡

[kaibutsushidousha]

As the No.1 Nagiko fan, do you have a list handy of all of her nicknames? Or non-nicknames, if anybody else got the Seimei treatment.

From debut

Fujimaru: Chan-Mas

Murasaki: Kaorucchi

Osakabehime: Kabe

Suzuka: Paisen

Medb: Medbcchi

Blackbeard: Kurohy

Georgius: Geogeo

From Paradise Lake

Nobunaga: Nobbu

Okita: Jayjay

Archer: Emi-yan

Kouyou: You-san

Odysseus: Odssan

From Heian

Kintoki: Kin-chan

Michinaga: Micchi

Seimei: Seimei-dono

From her first Interlude

Mandricardo: Ricacchi

Jane: Janjan

Mephistopheles: Mepphy

From Caren's Valentine

Cu (default and Alter): Lainnlainn

Ko-Gil: Corgi-kun

Kama: Kama-cho (means something close to "attention whore", which is why you can often find it translated as Krama Queen)

From Treasure Island

Bartholomew: Battho-chan

Majin: Altacchi

Rengoku: Rengo-chan

Goredolf: Goff-kun

Caenis: Cae-nyan changed to Cae-myon by request

Columbus: RotR (from Rider of the Resistance)

Achilles: Akky

Anastasia: Siacchi

Douman: Mambo-chan

da Vinci: Daviko

Tomoe: Moemoe or Moecchi

Corday: Cor-rin

Himiko: Mikonyan

Nemo: Nemonemo

Kiichi: Kiicchan

From her second interlude

Babbage: Babba-yan

Raikou: Riko-pin

From Kama's second interlude

Parvati: Parurun

Habetrot: Habe-nyan

From Bazett's Valentine's

Semiramis: Semi-rin

X Alter: Etsuko

Nero: Nerocchi

From Turtle Island

Con: Concon

From Eight Dog Chronicles

Izou: Daoka

From Arctic Summer World

Thrud: Thr-rin

Hildr: Hil-rin

Ortlinde: Or-rin

Lady Avalon: Lebanon

Gareth: Gare-pippi

Erice: Erissa

Yan Qing: Shinsin-san

Asclepius: Pius-kun

From Mystic Eyes Symphony

Eric the Bloodaxe: E-yan

From Nagasaki

Waver: Mellocchi-sensei, often shortened as Mello-sen

Hibiki: Hibikichi

Chikagi: Chika-chii

Smartphone: Martpho-yan

Kiyohime: Kiyohii

Otohime: Otohii

Umisachihiko: Sachii

Isora: Isobei

Siebold: Dr. Bolbol

From the 9th anniversary's real-life escape room

Amakusa: Makky

Ryouma: Mossan

Mash: Kouhai-chan

From the Trung Sister's Interlude

Trung Trac: Tracpy

Trung Nhi: Nhin-Nhin

[bittertomato]

The Nanmei Yumihari Eight Dog Chronicles event was great. Cute doggos, Bakin was fun, and I got THIS scene at the end:

Barghest is such a good bean.

Baobhan Sith is such a drama queen.

I can't believe she's a brat who normally drinks fruit infused water.

4. She's such an ass I love her. Definitely a bitch whose personality screams "only child pampered and spoiled by a single mother powered by spite". I'm glad post LB6 at least kept that side of her while letting it play out in a more controlled and healthy setting. She did absolutely NOTHING in this event and she would NOT have wanted to anyway. You go girl.

5. It makes me giggle that Barghest knows that the "teacher's pet" behavior pisses Baobhan Sith off but she does it anyway.

6. I mean look at how smug Baggie looks while Baobao is utterly horrified.

I love them your honor.

[talonabraxas]

I trow I hung on that windy Tree nine whole days and nights, stabbed with a spear, offered to Odin, myself to mine own self given, high on that Tree of which none hath heard from what roots it rises to heaven. — Hávamál (Line 137)

The Wild Hunt of Odin Talon Abraxas

The Anglo-Saxon Chronicle, one of the earliest and foremost histories of the Anglo-Saxons, who were descended from the same Germanic tribes as the Norse and broadly shared the same body of religious lore, records the following event as having happened in CE 1127:

Let no one be surprised at what we are about to relate, for it was common gossip up and down the countryside that after February 6th many people both saw and heard a whole pack of huntsmen in full cry. They straddled black horses and black bucks while their hounds were pitch black with staring hideous eyes. This was seen in the very deer park of Peterborough town, and in all the woods stretching from that same spot as far as Stamford. All through the night monks heard them sounding and winding their horns. Reliable witnesses who kept watch in the night declared that there might well have been twenty or even thirty of them in this wild tantivy as near as they could tell.

This spectral, nocturnal horde was the ���Wild Hunt,” which was recorded in folklore all throughout ancient, medieval, and even early modern Europe, but was especially concentrated in the Germanic lands of northern Europe. In Scandinavia, it was called Oskoreia, “Terrifying Ride,”[2] or Odensjakt, “Odin’s Hunt.” In Middle High German, it was called Wuotanes Her, “Odin’s Army,” and in modern German Wütende Heer, “Furious/Inspired Army,” or Wilde Jagd, “Wild Hunt.”

It swept through the forests in midwinter, the coldest, darkest part of the year, when ferocious winds and storms howled over the land. Anyone who found him- or herself out of doors at night during this time might spot this ghostly procession – or be spotted by it, which might involve being carried away and dropped miles from where the unfortunate person had been taken up, or worse.[6] Others, practitioners of various forms of magic, joined in it voluntarily, as an intangible part of them (a “soul,” if you like) flew with the cavalcade while their bodies lay in their beds as if sleeping normally. Sometimes, the members of the Hunt entered towns and houses, causing havoc and stealing food and drink.

The Leader of the Wild Hunt

When accounts of the Wild Hunt mention a leader, the figure who filled this role varied greatly. In Germany, the leader could have been “Perchta, Berhta, Berta, Holt, Holle, Hulda, Foste, Selga, Selda, Heme, Herla, Berchtold [or] Berhtolt.”

However, as the Wild Hunt’s various names across the Germanic lands attest, one figure was especially closely associated with it: Odin, the god of the dead, inspiration, ecstatic trance, battle frenzy, knowledge, the ruling class, and creative and intellectual pursuits in general. Two of Odin’s hundreds of names further demonstrate his association with midwinter, the time of the year in which the holiday Yule (Old Norse Jól) falls: Jólnir and Jauloherra, both of which mean something like “Master of Yule.” The myths describe him frequently riding throughout the Nine Worlds on his eight-legged steed, Sleipnir, on quests of a shamanic nature, another theme that connects him to the Wild Hunt. As H.R. Ellis Davidson put it, speaking of the manifestations of the Wild Hunt that continued well into the Christian era, “it was natural that the ancient god of the dead who rode through the air should keep a place in this way in the memory of the people, and it reminds us of the terror which his name must once have inspired.”

Conclusion

In the body of lore surrounding the Wild Hunt, we find a number of themes that connect it powerfully with the dead and the underworld. For one thing, there’s the ghostly character of the hunters or warriors themselves. Dogs and horses, animals that were closely associated with death (amongst a great many other things), were almost invariably present. In some accounts of the Hunt, the riders can hardly, if at all, be distinguished from land spirits, who were themselves often conflated with the dead, as if the two were thought of as being in some sense one and the same. Finally, for the ancient Germanic peoples, the worlds of the living and the dead were especially permeable during midwinter, which goes a long way toward explaining why this troop of apparitions haunted the land during that particular part of the year. In the words of Claude Lecouteux, “[T]he Wild Hunt fell into the vast complex of ancestor worship, the cult of the dead, who are the go-betweens between men and the gods.”

It was as if the very elements of midwinter – the menacing cold, the almost unrelenting darkness, the eerie, desolate silence broken only by the baying winds and galloping storms – manifested the restless dead, and the ancient northern Europeans, whose ways of life and worldviews predisposed them to sense spiritual qualities in the world around them, recorded the sometimes terrifying fruits of such an engagement with the enchanted world in their accounts of the Wild Hunt.

[turneradora]

NEW ABOUT RIVALS 💯💯💯💯

New article in the Harper's Bazaar UK, October Issue, to promote "Rivals"!

Amazing photoshoot !

Here is the article of the Harper's Bazaar Uk magazine !!

Thanks to Emma Jones for the written transcription ! 🙏👍🌺

Harpers Bazaar - October 2024

BEST OF ENEMIES

Bazaar recreates the fictional county of Rutshire to meet the cast of Rivals, a new TV adaptation of Jilly Cooper’s racy 1980s blockbuster

As Jilly Cooper’s Rivals leaps rambunctiously to our screens, we meet the cast of the saucy new show

It’s 1986 and, high over the Atlantic, a London-bound Concorde is about to break the sound barrier. Most passengers continue smoking, flicking through magazines and ordering martinis, while the rattling WC door indicates that two are currently joining the mile-high club. Moments later, an unruffled, glamorous couple emerge triumphantly from the loo and the tannoy announces that supersonic speed has been reached: everyone whoops; glasses are clinked; and the thumping chorus of ‘You might as well face it/you’re addicted to love’ is amped up. This is the opening scene of Rivals, the much-anticipated new television adaptation of Jilly Cooper’s bestselling novel, and it’s so unsubtle that, even alone in a dark screening bunker below the streets of Soho, it makes me splutter with laughter. It is also irresistible.

The 1988 book is a classic of the Cooper canon and part of the Rutshire Chronicles, a series based in a fictional Cotswolds county that follows the lives and loves of the affluent elite – an area the team behind its new, and first, on-screen adaptation are well-versed in bringing to life. Produced by A Very English Scandal ’s Dominic Treadwell-Collins and written by Laura Wade, who was behind The Riot Club, Disney+’s eight-part drama is also executivelyproduced by both Cooper and her literary agent Felicity Blunt. It is largely faithful to the novel but, as that has 700 pages and 79 characters listed by name and personality trait in an A-Z at the front, the show necessarily homes in on the central plot lines.

The two main protagonists are Rupert Campbell-Black (played by Alex Hassell), a former Olympic-gold show jumper turned Conservative MP (and, incidentally, the ‘best-looking man in England’); and Declan O’Hara (Aidan Turner), an Irish broadcasting star who leaves the BBC to move to Rutshire with his actress wife Maud and children Taggie, Caitlin and Patrick. Declan’s new employer, Corinium Television, is run by David Tennant’s vile Lord Tony Baddingham and his sidekick Cameron Cook, an American producer he has lured over from New York, depicted by the US native Nafessa Williams. They are joined by a large supporting cast that includes Danny Dyer and Emily Atack.

The titular rivalries are many and varied, primarily centred on the struggle to win the local TV franchise; simultaneously, characters lock horns over love, money, class, pets, politics and property, while presenting chat shows, throwing parties and playing nude tennis. The resulting viewing experience is both a period drama that seems set on another planet and a series exploring themes that still resonate today.

Cooper – who, at 87, is still in full ownership of her signature cloud of coiffed hair, inimitable charisma and a hundred-mile-an hour conversation – loved working on the project. ‘It’s terribly exciting,’ she tells me, with an amazed shake of the head. ‘Other books of mine have been televised and it was awful – but with this, we took casting very seriously and I can’t fault any of them.’

During a break on Bazaar ’s shoot, Turner tells me how Cooper gave a cocktail party for the cast in her garden, and what a ball they all had filming in the West Country last summer. (The latter is clear: he’s delighted to see his co-stars, including the mongrel Pontie, who plays Gertrude, the O’Hara family dog, and some of her canine colleagues brought along for a day in front of the camera.)

The series appealed to the Poldark star immediately. ‘I thought the scripts were really, really funny – line-wise, I have some crackers,’ he says. Turner’s Declan is a big-hearted if self involved journalist, wrestling to reconcile his bosses’ desire to monetise his charm, his own dream of writing a Yeats documentary and the need to bread-win for his profligate family. Although this push and pull between being commercial and creative, between the professional and the personal, plays out in a larger-than-life fashion, it still somehow feels familiar to a modern viewer. ‘That’s the sign of really good television, isn’t it, when it holds the mirror up to our present,’ says the actor. ‘What have we thrown in the trash? What still needs to change?’

The ways in which prejudices have evolved in the past 40 years are thrown into quite harsh relief in the show. Casting a Black actress to play Cameron Cook, the damaged but resilient hot-shot American producer, gives the series an opportunity to delicately include a glimpse of the regularity of what we’d now recognise as racist micro aggressions. Equally, Cameron’s strength is joyful to witness. ‘Such a spicy, smart character – especially a Black woman, who can carry her own and get her way in the male-dominated world of that time – I wanted to sink my teeth into that,’ Williams says. ‘I also love the glamour: the red lip, the red nails.’ (The cast have embraced the scarlet-stiletto emoji – a replica of the original image on the classic book cover – as their unofficial series motif when posting on social media.)

The changing dynamics between men and women are portrayed with a light touch. Victoria Smurfit read Cooper as a teenager, and has now adored playing Declan’s wife Maud O’Hara – an insecure, attentionseeking former actress, the kind of mother who arrives at her son’s New Year’s Eve 21st-birthday party in the Cotswolds on a camel. ‘There are aspects of Rivals that make you think, “Oh my Lord, can you believe they got away with this back then?”’ the Irish actress says. ‘But in the show, it’s delivered in such a clear, fun, gentle, appalled way that a 2024 audience can digest it very easily.’ When I suggest the series has made more of the women and ensured they have three dimensions, perhaps to modernise the story a little, she makes a good point: that Cooper’s male characters – be it the rakish Rupert Campbell-Black or the angelic Lysander Hawkley of The Man Who Made Husbands Jealous – may seem the most famous because it was mostly women reading the books, and the author had designed her heroes – or antiheroes – to be ‘their perfect man’. ‘But look closely, and the women are not less than the men,’ she says. ‘Essentially, every character wants something they don’t have – usually love and safety – whether from their partners, animals or colleagues. Women in this world are entering the era of “having it all” and are learning to be open about what they want – and, by the same token, we are starting to see a softer side to the men.’

This is embodied perfectly in Bella Maclean’s Taggie O’Hara, the delightful, very dyslexic cook and daughter of Declan and Maud: on screen, she has slightly more twinkle in her eye than in the book – a good decision, as otherwise Taggie could be seen as almost too virtuous to be true to a modern audience. ‘But it’s so nice playing someone with a really strong backbone – it slightly rubs off on you,’ says the actress, who appeared in the latest Sex Education series and has just shone as the lead at the National Theatre’s London Tide. ‘Among all the silliness, the shoulder pads and mad hairdos, there’s always an undercurrent of something thought-provoking,’ she says of the show that could prove to be her career’s turning point. ‘There’s a love story that blossoms out of something really unpleasant. There’s light and shade.’

But the figure with perhaps the most chiaroscuro is Rupert Campbell-Black, Cooper’s number-one character, into whose shoes Alex Hassell is amazed to be stepping. Hassell is a seasoned RSC actor, with turns in The Miniaturist and His Dark Materials, whose theatre company The Factory counts Mark Rylance and Emma Thompson among its patrons. ‘I’m also from Essex, with dark features,’ he points out wryly, in reference to the white-blond locks and blue eyes of his new alter-ego, both of which are oft-alluded to in the books, and about which many young women dreamed in the 1980s and 90s. (Cooper was initially appalled.) ‘Rupert exudes privilege and confidence, so I had to learn a loucheness. It was helpful that everyone was told to treat me as if I was extremely attractive,’ he continues, laughing. ‘When you walk into a room of supporting artists who’ve been briefed to fall over themselves looking at you, smouldering becomes a lot easier. They imbued me with a certain power.’

In the Rivals prequel Riders, there are some pretty unpalatable aspects of Rupert’s personality – particularly the way he treats women and animals – that haven’t aged well. ‘We never explicitly had this conversation, but for my portrayal of Rupert, we’ve kept some parts of that history and taken out others. In our version, there’s a loneliness to him: he is a shit, but he has a kindness.’

However, there are two elements of Cooper’s storytelling to which the show stays steadfastly loyal: the abundance of sex and wordplay. Rupert’s dialogue is riddled with quips – some very clever, some very… Eighties. Hassell’s favourite is delivered just as Rupert is getting down to it, and involves a pun that combines Tories and the clitoris. ‘It was a hard sell,’ he says, laughing.

His character and storyline – which takes Rupert on, dare I say, a journey – are key to the show’s charm, pace, plot and sociopolitical signposting. What would Hassell like viewers to make of the series? ‘I hope people enjoy it, have conversations about the knottier topics it raises, and maybe have sex later,’ he says. ‘I say that jokingly, but – and maybe this is high hopes – perhaps for people who don’t talk to one another that much, as the series goes on, watching it with someone else might allow certain things to come to light.’

Cooper is delighted by this possibility. ‘Well, we’re philanthropists, aren’t we? I keep reading that the birth rate is going down like mad. Putting Rivals on the telly may help,’ she says, with the enthusiasm of a writer who has long had one foot in showbusiness: in her forties, she appeared in her capacity as a celebrity columnist on the BBC game show What’s My Line, and wrote a sitcom about a four-girl flat-share with Joanna Lumley in the lead role.

Revisiting the world she created – and partially lived in herself – 40 years ago has been bittersweet: it made her miss the era (‘it was much more naughty’), but also her late husband (‘there’s a lot of darling Leo and his jokes in the book’). Indeed, what today’s viewers may not clock is the real people Cooper drew on to shape several fictional figures, namely the ‘glamorous aristocratic types who were floating about when I, middle-class Jilly, moved to the country in ’82’. Rupert Campbell-Black, for example, is a patchwork of Andrew Parker Bowles, the late Earl of Suffolk and the fashion designer Rupert Lycett-Green. Her ‘beloved’ Taggie is entirely made up, but the scruffy Lizzie Vereker – a novelist whose husband cheats on her – is, she admits, based on herself: ‘She is nicer than me, though. I love her – that’s terribly narcissistic to say, but I do.’

Like her conversation, Cooper herself still rattles along at a good clip – last year, she released a bonkbuster about football inevitably titled Tackle!; this May, the King presented her with a damehood for services to charity and literature, and she’ll be tapping away at her typewriter on various secret projects right up to the very moment she is dragged out of rural Gloucestershire to the premiere of Rivals.

To all these endeavours, Dame Jilly continues to bring the same philosophies she always has: a disregard for snobbery (like many great minds, she rereads Proust and loves Helen Fielding) and a straightforward goal of contributing to the gaiety of the nation. ‘Maybe one day I’ll write something serious,’ she says. ‘But, at the moment, there’s some terrible sadness and loneliness, isn’t there? So, more than ever, and more than anything, I’d like to cheer people up.’

‘Rivals’ is released on Disney+ in October.

[moviehealthcommunity]

This pinned post contains every movie we have determined to be safe for photosensitive audiences! This will be updated as new titles enter and leave theaters. This is NOT medical advice. These are just titles to which we have given flashing lights scores of 0 or 1 out of 10.

*=currently in theaters

The 40-Year-Old Virgin 80 for Brady Abominable American Fiction Anchorman: The Legend of Ron Burgundy Are You There God? It's Me, Margaret Away From Her A Bad Moms Christmas The Ballad of Buster Scruggs The Beguiled The Big Sick The Bikeriders Billy Madison Book Club: The Next Chapter The Breakfast Club Casablanca Challengers Cheaper by the Dozen (2022) The Christmas Chronicles A Christmas Story Christmas Christopher Robin Cinderella (2015) Clerks Cocaine Bear Coco Coming to America Crazy Rich Asians Crimson Peak Crouching Tiger, Hidden Dragon Cyrano Daddy's Home Daddy's Home 2 Dear Evan Hansen Dirty Dancing Dogma Dolores Claiborne Downhill Downton Abbey Drive My Car Eight Crazy Nights Eileen Elemental Elf Enemy Ever After: A Cinderella Story Extremely Wicked, Shockingly Evil and Vile The Fighting Preacher Five Feet Apart Gladiator Going in Style The Goldfinch Good Will Hunting Green Book Heretic The Hobbit: The Desolation of Smaug The Hurt Locker The Hustle I Don't Know How She Does It The Ice Age Adventures of Buck Wild IF In Bruges Instant Family Interview with the Vampire It Ends with Us It's a Wonderful Life Jojo Rabbit Kimi Knives Out Last Christmas The Laundromat Little Women (2019) Lizzie Logan Lucky The Lord of the Rings: The Fellowship of the Ring Luca Lying and Stealing Ma Rainey's Black Bottom A Madea Christmas Madea's Family Reunion Madea's Witness Protection Maleficent: Mistress of Evil Mallrats A Man Called Otto The Many Saints of Newark Marriage Story Mary Poppins Returns Mary Queen of Scots Mean Girls (2004) The Menu Miracle of 34th Street (1994) Misery Monty Python's Life of Brian Mrs. Doubtfire The Muppet Christmas Carol Muppet Treasure Island Murder Mystery Next Goal Wins Night at the Museum Office Space On the Basis of Sex Origin Pan's Labyrinth Past Lives The Perfection The Polar Express The Power of the Dog A Prayer Before Dawn Psycho (1960) Psycho (1998) Pulp Fiction The Report The Rhythm Section Rise of the Planet of the Apes Roma The Room Rudy The Santa Clause The Santa Clause 3: The Escape Clause Sasquatch Sunset Seven Psychopaths The Shallows Shanghai Noon Shaun the Sheep Movie The Shining Shrek the Third Smokey and the Bandit Son In Law Spencer The Texas Chain Saw Massacre (1974) Three Thousand Years of Longing Ticket to Paradise Uncut Gems United 93 West Side Story (1961) The Whale Windfall The Wizard of Oz Women Talking Won't You Be My Neighbor? Worth Zombieland: Double Tap The Zone of Interest

[archivist-crow]

Myslata of Blau (14th c.) - Alleged vampire of Bohemia, also known as the Blau (Blow) Vampire.

Myslata was a herdsman who lived in a village near Kadam, Bohemia. After his death, he appeared in public and called out the names of people he recognized. These people then died mysteriously within a few days.

Myslata's corpse was exhumed and staked in the heart. But the vampire appeared in a horrible form that night, suffocating several people to death and frightening others to death. He taunted the villagers and exclaimed that the stake would be useful in keeping off dogs. His body was exhumed again and given to an executioner, who pierced it with whitethorn stakes and burned it. The vampire complained and screamed throughout the entire ordeal.

An abbot named Neplach recorded a version of the story in a chronicle dated 1336:

In Bohemia near Cadanus a league from a village called Blau a certain shepherd called Myslata died. Rising every night he made the rounds of the villages and spoke to people, terrifying and killing them. And while he was being impaled with a stake, he said, "They injured me severely, when they gave me a stick with which to defend myself from dogs." And when he was being exhumed for cremation, he had swelled like an ox and bellowed in a dreadful manner. And when he was placed in the fire, someone, seizing a stake, drove it in him and immediately blood burst forth as from a vessel. Moreover, when he was exhumed and placed on a vehicle, he drew in his feet as if alive, and when he was cremated, all the evil ceased, and before he was cremated, whomever he called by name at night died within eight days.

The case also was recorded in 1706 in Magia Posthuma by Charles Ferinand de Schertz.

Text from The Encyclopedia of Vampires, Werewolves, and Other Monsters (Checkmark Books, 2005) by Rosemary Guiley

[quohotos]

what's something you would want to see in an animated adaptation of the underland chronicles?

Oh BOY where to begin?

These are going to be in no particular order...

Each trailer should have the prophecy read out in a dramatic voice. The trailer for the first one will go "And eight will be left when we count up the dead" and then a quick montage of some pretty scary shit happening but the cuts are too fast to see what's actually happening. The only exception to this is the marks of secret where the fact that the song is a prophecy is a reveal (however the song plays in full in the trailer, it's just structured different from the others)

The animation should be a little edgy. Give things hard angles, stay away from the bulbous smooth (Modern) Disney look.

Really go nuts with the bat designs. Embrace the warrior cats OC-ness of it. Let all the background bats be just as vibrant and wacky as the main cast.

Everyone's bond should sorta look like them, kinda the way that dogs kinda look like their owners. Solovet's bond should look like a total villain. Euripides should look like Vikus. I mean, Aurora's got that gold thing going on which Luxa also has with the crown. The bonds gotta look like they belong together spiritually.

The nibblers need to have more of a role before the marks of secret. Have them in the background of other shots, have them actually get lines in the jungle, see if they can be more present at the council discussing the plague, write some new scenes for them, etc. I wouldn't even be against them inventing a new nibbler character and putting them on one of the earlier quests. The audience should already know and care about them before we see them being horribly brutalized in a reenactment of a real world genocide.

Ares, and all the other bats for that matter, need to have very expressive eyes. They don't always get a lot of lines so they should still have a way to have visible presence in the scene's that they're in.

Every time the bats do that thing where they detect rats and their ears shoot up it should play a musical sting

All the underland creatures/factions should have their own leitmotif. Ripred's lieitmotif should be this uncanny blending of both the rat's theme but also with hints of the Regalians and Gregor's. After Gregor think's that boots has died in the labyrinth there should be this super dramatic and gutwrenching theme, and then all the music just stops for the rest of the movie until they reunite and then the music can come back. The most you get is like a minimalist drum and base sequence, but nothing properly melodic until we know that boots is safe.

The sequence Gregor escaping with Ares and Pearlpelt from the labyrinth should be all in one take.

Every time Gregor slips into the Rager state it should be accompanied by a recognizable sound effect sting and have it's own sound effect and muscial sting. Something like glass shattering mixed with reverb and pitch shifted down. Rager sequences should be in first person and show just how much he's dissociated from the violence he's doing. The audience just sees that split vision with all the weak points highlighted and one by one they get crossed out.

I hope they cast someone appropriately nasally to play Ripred, I think he should be a little high pitched and scrungly. However, I would make an exception if they somehow got Kieth David to voice him. I would be very unsatisfied if they cast Ryan Reynolds

I hope they cast someone with a deep voice to play Ares. He needs to be big and imposing and scary. He needs to be like the big kid at the playground. The fact that there's a more pained sensitive side to him needs to be a revelation. He needs to be a bit monstrous so you can understand why everyone sees him that way, and why he's dying not to be seen that way but has basically given up and accepted how the world sees him. I would be very Unsatisfied if they cast Ryan Reynolds. It would be fucking hilarious if they cast Chris Pratt... I would hate it but it would probably work and that makes me very mad.

I don't really care how Gregor is cast. Caleb McLaughlin would be a perfect Gregor, but he's all grown up now. He could probably still voice him but it wouldn't be the same. I do not care so long as it's not Ryan Reynolds.

Please don't have anyone call Gregor "Greg"... that just feels wrong. Well maybe Ripred would do it specifically to piss him off.

Henry needs to have a dumb haircut, like... it has to be stupid and ostentatious.

The audience should get to see Ripred from close to Gregor's perspective often. Have the camera right over his shoulder and tilted up to see just how tall this beast is.

Let us see more of the happy times that are alluded to at the start of the marks of secret. Even if it's just a montage, let us see them being normal. Let us see Gregor and Ares play that ball game and see the kids just hanging out. Please 😭

Make Gregor more talkative. There's great moments of internal monologue that could be lost in a screen adaptation, let him talk to Ares or Luxa or even temp about it.

In the code of claw Ares should go with him to the prophecy room to learn that he's going to die. Gregor should tell him about the stone knight and it can be something they share. You can even set it up with them doing the bond handshake there while laying on the floor so that it's a visual callback later (Fuck, I just thought of that and now I'm destroyed again).

I mentioned this in another post, but I think it would be cool to have Gregor get a walkman or other battery powered music player from the museum. They can have a few tunes to bond over, but eventually they have to take the batteries out to put them into flashlights.

A huge missed opportunity in the books is how basically every single human in the Underland we see is royalty or part of the military. I think it would be cool to let us see a bit more of how the regular people live. Maybe have one or two characters who aren't royal or soldiers.

Earlier entries should try to cut away from the violence, simply showing the character's reactions to the horrible things happening around them. Later entries should stop hiding it, paralleling the loss of innocence of the characters. By the code of claw Gregor and Ares, or at the very least Ripred, should be allowed to swear. There's no way you're getting that story on screen without at least a PG 13 rating, and these people just witnessed a genocide and are about to kill a bunch of people in a war. Gregor can say "Holy shit" instead of "aww Jeez" at least once. I also just think "What's your plaaaaaaan" is great but "What's your fucking plan?" lands pretty hard as well.

Don't make the underland too visible. Don't add global illumination. Let there be darkness, let there be long shadows, let us only barely see distant things. When Gregor finally gets echolocation then make the distant things visible through a strange shader... but cut out the bit where he can echolocate heat that makes no sense.

Ms. Cormaci needs to sound exactly like how she did in the audiobook, this isn't up for debate.

When the Bane calls Gregor and Ares to battle it needs to be one of the most disturbing, blood chilling things the audience has ever heard. It needs to be loud, and painful, and monstrous. You gotta see that the pup we all loved and coddled has fully lost it and become this fascist ball of hatred and murder and violence. It should cut through the audience's core and silence everything else in the scene. Just have it hold there after he's shouted, showing them locking eyes on each-other and cutting back in between the two. Yes, the Bane has completely been subsumed as a symbol of his side, but so has Gregor. He's in the black armor, he's the figurehead as well. There are parallels, y'all.

Let the Shiners be at least 20% less awful. They're funny, but let them have their hero moment where they're redeemed in the marks of secret rather than saving it for the end of code of claw.

Old Hamnet in the flashbacks to the flooding of the garden should be hot. Flashback Ripred who was there is of course also hot. He remains so in the present as well.

The narrative that Gregor is told in the first book, that the natives just let Sandwitch have the Underland because they weren't really using it... it's heavily implied that's a lie, especially after we learn about the Diggers and how they were genocided and basically expunged from history. I think there should be a direct callback to it, make this implication an explicit part of the story.

Give my girl Aurora some more lines. She goes on all these adventures and never gets to be more than "Luxa's bat".

Oh no I hit character limit for this post... uh... I have a lot of thoughts and I probably will have more in the future 😅. Probably way more than you asked for but you opened the floodgates and this was the result.

Thank you for the ask!

[dw-ebook-preservation-society]

Completed, well-formatted EPUBs for the

Eighth Doctor Adventures

Mega folder

(Latest update: July 31 2024)

00 - Doctor Who: The TV Movie - Gary Russell (blazingdynamo)

01 - The Eight Doctors - Terrance Dicks (blazingdynamo)

02 - Vampire Science - Jonathan Blum and Kate Orman (blazingdynamo)

03 - Body Snatchers - Mark Morris (blazingdynamo)

04 - Genocide - Paul Leonard (blazingdynamo)

05 - War of the Daleks - John Peel (blazingdynamo)

06 - Alien Bodies - Lawrence Miles (blazingdynamo)

07 - Kursaal - Peter Anghelides (blazingdynamo)

08 - Option Lock - Justin Richards (blazingdynamo)

09 - Longest Day - Michael Collier (blazingdynamo)

10 - Legacy of the Daleks - John Peel (blazingdynamo)

11 - Dreamstone Moon - Paul Leonard (blazingdynamo)

12 - Seeing I - Jonathan Blum and Kate Orman (blazingdynamo)

13 - Placebo Effect - Gary Russell (blazingdynamo)

14 - Vanderdeken's Children - Christopher Bulls (blazingdynamo)

15 - The Scarlet Empress - Paul Magrs (blazingdynamo)

16 - The Janus Conjunction - Trevor Baxendale (blazingdynamo)

17 - Beltempest - Jim Mortimore (blazingdynamo)

18 - The Face Eater - Simon Messingham (blazingdynamo)

19 - The Taint - Michael Coller (blazingdynamo)

20 - Demontage - Justin Richards (blazingdynamo)

21 - Revolution Man - Paul Leonard (blazingdynamo)

22 - Dominion - Nick Walters (blazingdynamo)

23 - Unnatural History - Johnathan Blum & Kate Orman (featheredgalaxy)

24 - Autumn Mist - David A. McIntee (blazingdynamo)

46 - Year of Intelligent Tigers - Kate Orman (featheredgalaxy)

52 - Mad Dogs and Englishmen - Paul Magrs (featheredgalaxy)

53 - Hope - Mark Clapham (blazingdynamo)

66 - Emotional Chemistry - Simon A. Forward (blazingdynamo)

67 - Sometime Never - Justin Richards (featheredgalaxy)

68 - Halflife - Mark Michalowski (featheredgalaxy)

69 - The Tomorrow Window - Jonathan Morris (featheredgalaxy)

70 - To Sleep of Reason - Martin Day (featheredgalaxy)

71 - The Dreadstone Memorial - Trevor Baxendale (featheredgalaxy)

72 - To the Slaughter - Stephen Cole (featheredgalaxy)

73 - The Gallifrey Chronicles - Lance Parkin (featheredgalaxy)

[revasserium]

the unofficial ultimate bungo stray dogs reading list

this is mainly for myself bc i rly do want to read most if not all of these and i'm sure it's already been done by someone somewhere. but, i thought why not post it lmao; most if not all of these can be found on anna's archive, z-library, or project gutenberg! (also, consider buying from your local bookstore!) for those that are a bit harder to find, i've included links, though some are from j-stor and would require login to access.

detective agency:

osamu dazai:

no longer human (novel)

the setting sun (novel)

nakajima atsushi:

the moon over the mountain: stories (short story collection)

light, wind and dreams (short story)

fukuzawa yukichi:

an encouragement of learning (17 volume collections of writings)

all the countries of the world, for children written in verse (textbook)

yosano akiko:

kimi shinitamou koto nakare (poem)

midaregami (poetry collection)

edogawa ranpo:

the boy detectives club (book series)

japanese tales of mystery and imagination (short story collection)

the early cases of akechi kogoro (novel)

kunikida doppo:

river mist and other stories (short story collection)

izumi kyouka:

demon lake (play)

spirits of another sort: the plays of izumi kyoka (play collection)

tanizaki junichirou:

the makioka sisters (novel)

the red roof and other stories (short story collection)

miyazawa kenji:

ame ni mo makezu; be not defeated by the rain (poem)

night on the galactic railroad (novel)

strong in the rain (poetry collection)

port mafia:

mori ougai:

vita sexualis (novel)

the dancing girl (novel)

nakahara chuuya:

poems of nakahara chuya (poetry collection)

akutagawa ryuunosuke:

rashoumon (short story)

the spider's thread (short story)

rashoumon and other stories (short story collection)

ozaki kyouyou:

the gold demon (novel)

higuchi ichiyou:

in the shade of spring leaves (biography and short stories)

hirotsu ryuurou:

falling camellia (novel)

tachihara michizou:

in mourning for the summer (poem)

midwinter momento (poem)

from the country of eight islands: an anthology of japanese poetry (poetry collection)

kajii motojirou:

lemon (short story)

yumeno kyuusaku:

dogra magra (novel)

oda sakunosuke:

flawless/immaculate (short story)

sakaguchi ango:

darakuron (essay)

the guild:

f. scott fitzgerald:

the great gatsby (novel)

the beautiful and the damned (novel)

edgar allen poe:

the raven (poem)

the black cat (short story)

the murders in the rue morgue (short story)

herman melville:

moby dick (novel)

h.p. lovecraft:

the call of cthulhu (short story)

the shadow out of time (novella)

john steinbeck:

the grapes of wrath (novel)

of mice and men (novel)

lucy maud montgomery:

anne of green gables (novel)

the blue castle (novel)

chronicles of avonlea (short story collection)

louisa may alcott:

little women (novel)

the brownie and the princess (short story collection)

margaret mitchell:

gone with the wind (novel)

mark twain:

the adventures of tom sawyer (novel)

adventures of huckleberry finn (novel)

nathaniel hawthorn:

the scarlet letter (novel)

rats in the house of the dead:

fyodor dostoevsky:

crime and punishment (novel)

the brothers karamozov (novel)

notes from the underground (short story collection)

alexander pushkin:

eugene onegin (novel)

a feast in time of plague (play)

ivan goncharov:

the precipice (novel)

oguri mushitarou:

the perfect crime (novel)

decay of the angel:

fukuchi ouchi:

the mirror lion, a spring diversion (kabuki play)

bram stoker:

dracula (novel)

dracula's guest and other weird stories (short story collection)

nikolai gogol:

the overcoat (short story)

dead souls (novel)

hunting dogs: (i must caveat here that the hunting dogs are named after much more comparatively obscure jpn writers/playwrights so i was unable to find a lot of the specific pieces actually mentioned; but i still wanted to include them on the list because well -- it wouldn't be a bsd list without them)

okura teruko:

gasp of the soul (short story; i wasn't able to find an english translation)

devil woman (short story)

jouno saigiku:

priceless tears (kabuki play; no translation but at least we have a summary)

suehiro tetchou:

setchuubai/a political novel: plum blossoms in snow (novel)

division for unusual powers:

taneda santouka:

the santoka: versions by scott watson (poetry collection)

tsujimura mizuki:

lonely castle in the mirror (novel)

yesterday's shadow tag (short story collection; i was unable to find a translation)

order of the clock tower:

agatha christie:

and then there were none (novel)

murder on the orient express (novel)

she is the best selling fiction writer of all time there's too much to list here

mimic:

andre gide:

strait is the gate (novel)

trascendents:

arthur rimbaud:

illuminations (poetry collection)

the drunken boat (poem)

a season in hell (prose poem)

johann von goethe:

faust

the sorrows of young werther

paul verlaine:

clair de lune (poem, yes it did inspire the debussy piece, yes)

poems under saturn (poetry collection)

victor hugo:

the hunchback of notre-dame (novel)

les miserables (novel)

william shakespeare:

romeo and juliet (play)

a midsummer nights' dream (play)

sonnets (poetry collection)

the seven traitors:

jules verne:

around the world in 80 days (novel)

journey to the center of the earth (novel)

twenty thousand leagues under the seas (novel)

other:

natsume souseki:

i am a cat (novel)

kokoro (novel)

botchan (novel)

h.g. wells:

the time machine (novella)

the invisible man (novel)

the war of the worlds (novel)

shibusawa tatsuhiko:

the travels of prince takaoka (novel; unable to find translation)

dr. mary wollstonecraft godwin shelley

frankenstein (novel)

[backtoherloneheart]

(from the 15 year anniversary Lord of the Lost Chronicle)

"The true and interesting life of a human being takes place in secret, as under the veil of night. Every personal existence is a secret," said Anton Pavlovich Chekhov (1860-1904), the master of the impressionistic story. Today we're lifting the veil a little bit around the idiosyncrasies of the guys from Lord Of The Lost that are slumbering in the semi-darkness. They exclusively revealed to us a few secrets that had previously been kept well-guarded under the cloak of secrecy. They move, touch, amuse and sometimes even reach deep beneath the surface. Let's start with the Lord himself, frontman Chris Harms:

Chris Harms

1. I am laconic.

2. I don't like being the centre of attention outside of the stage, for example at autograph sessions or meet & greets. I sometimes find myself hiding behind Tobias because I have to get used to being around large crowds of people I don't know.

3. I regularly spread rumours - different rumours to different people to test their trust. If a rumour comes back like a boomerang, I know who I won't talk to or work with from that point on. My blacklist is already very long and the team behind Lord Of The Lost is therefore extremely transparent and strong.

Class Grenayde

1. I have had Crohn's disease, a chronic and intermittent inflammation of the gastrointestinal tract, since I was ten years old. It almost ruined my life back then. Today I am doing very well, knowing how to treat and respect my body. It gave me an awareness to look at many things in a much more positive and grateful way. I wish you just as much strength, whatever obstacles may lie in your path!

2. I'm addicted to craft beer. I love good craft beer from small breweries. On tour, I try to have a special beer ready for each show, which I enjoy during the sound check.

3. I love the sun. That might sound unbelievable for a gothic rocker. But I take every opportunity to spend my time in the sun. For example, I would always prefer southem countries to Scandinavian ones. Now you can shout "boo!"

Gared Dirge

1. Until I was about twenty, I only played the piano with eight fingers. My little fingers on both hands were always rather weak and I was too lazy to include them in the game and thereby train them. This wasn't a problem up to a certain point, but at some point i realised how much it limits you when playing certain things and I started practicing with them intensively. Completely new opportunities opened up that I could have had earlier."

2. I love cats more than anything. Kittens in particular are my Achilles heel. They make me squeal and are very alone in that. Cats are better dogs and somehow better people too. The only problem is: I have an extreme allergy to these beasts, which hurts my soul and makes it impossible for me to pursue this love.

3. I am a meticulous neat freak and use house cleaning as a self-therapeutic measure. When I don't seem to be getting anywhere with some work, usually musical, I start tidying and cleaning my apartment, if it's even necessary. The result gives me a feeling of security, inner order and satisfaction, so that in 90 percent of cases I can continue working with a calm head.

[rjzimmerman]

Leonhard Seppala with his sled dogs, ca. 1925. Togo (far left) and Seppala are the subject of the film Togo, which chronicles the oft-misreported 'serum run' of 1925.  PHOTOGRAPH BY CARRIE MCLAIN MUSEUM

This true story is retold in the movie, "Togo," streaming on Disney. I've seen it twice, once by myself and the second time with my eight-year old grandson (who loved the movie.)

[comediakaidanovsky]

9 people you'd like to get to know better ~

tagged by @pepsi-maxwell <3

last song i listened to: actively listening to Divine's "You Think You're A Man". song of all time

currently watching: catching up on Interview With The Vampire! rewatched the first season with my boyfriend, and now we've just started season 2. i keep trying to confidently reference vampire chronicles lore, but i haven't read any of the books on 10+ years and gave up around blood and gold so. not doing well.

me: you know, lestat killed like... four wolves... that's his backstory

boyfriend: that is so many wolves!

me: i'm not lying, let me... google... hmmm... okay, sorry, no. he killed eight wolves with the help of two dogs and a horse. i ccan't remember if elton john wrote a song aboutu that. i must find my old pirated musical cd

boyfriend: ???

sweet/savoury/spicy: savoury. i barely have a sweet tooth except for like three exceptions t o the rule, and while i love a bunch of spicy things, i always gravitate to salty things. if you wanna cheer me up anything from chips, olives, cheese, sea salt i can eat straight from the package, is the way to go

relationship status: moved in with my long term boyfriend earlier this year <3

current obsession: need a new one. currently reading a bunch of old books and catching up on wrestling every now and then, but i need something to fully lose my mind over this summer. very dissociated right now due to work chaos and a parent being terribly ill, so some self-induced fandom mental illness would at least spice things up a bit

no-pressure tagging @cosmoseinfeld @astral-circuitry @scopophil @vamqira @vicekings @jaem-aka-justanexpensivemistake @orbcube @blackeyesandfistfights @yolandekleinn