#ee calliope

[random-meme-bot]

Ok so there are some ideas about Epithet erased that have been bouncing in my head after reading Prison of Plastic and I just need to get them out

(Spoilers so beware)

Ama just be clear on this, I think Marty (Molly's & Lori's Dad) was the reason for the fire on the old "Blyndeff Toy Emporium", or at the very least the reason the fire alarm didn't activate.

So first of, let's start with what im more confident:

The Fire alarm

Marty's main job on the store is supplying it with toys to sell, the way he does this is by building them himself.

I believe the guy either was missing some pieces for some project he was working on and just took them from the fire alarm thinking "Eh, I'm sure it's not that important"

Or decided to do a little "peek-in" to inspire himself, either breaking it on the process or jut not being able to put it back together afterwards.

I mean, if he broke the thing he would just thought nothing of it and then forgotten about it

None of the other members of the family would have done something as careless as break the fire alarm and don't say anything, especially Molly or Calliope since they are the most responsible members of the family, and Lori has no idea why the fire alarm didn't went off

And, I know what you're thinking.

"The fire alarm could just be defective, or the battery could've just runned off, not everything has to be because of someone"

And while yes, it's true that things like that coud happen, I don't think Jello would take something as important to the plot as "They couldn't escape from the fire in time because the fire alarm didn't activate" and just brush it off as "It didn't activate because it just so happened to be broken, bad luck" (My source's are his streams playing Ace Attorney Investigations, so take it at your own risk)

But this is just a small part of the biggest picture, let's discuss the Phoenix in the room:

The cause of the Fire

Ok so first of all, I don't believe Lori was the "Firestarter", while her Epithet activating during the night without her knowing makes sense, there are two things that shows that, that wasn't the case

First of all, that night she was sleeping on a dream bubble.

Which means the fire couldn't have come from her, when shes on the bubble everything she creates appears on the bubble, on top of that everything created on the bubble disappears outside of the bubble (as apparent by Trixie, Feenie & Rick going back to normal form outside of the bubble)

Even if that wasn't the case, I doub the fire could have gotten out of the bubble on its own since the bubbles are indestructible for anybody except Lori, Molly (and sometimes Rick)

As for who started the fire, I'll admit I don't have that much in terms of concrete evidence, and the few I have point to (unsurprisingly) to Marty.

Let's analyze the few things we know, at some point in the night a fire started somewhere on the "Blyndeff Toy Emporium", the fire alarm was not working that day so we can assume that someone gott awakened by the fire and alerted the rest, after being alerted, Molly got into Lori's room & tried woke her up from her bubble, event that caused her to discover her epithet

after Lori was woken up they both got out of the house, after some time Marty came out with Calliope on his arms.

There's a lot of information missing since we only know Lorelai's version of the story, but It doesn't add up doesn't it?

How coud Molly have gotten into Lori's room, awoken her epithet & gotten out before Marty & Calliope?

This is especially weird if we assume that like most family's both parents were sleeping on the same bed or at least the same room, meaning they would've been alerted at the same time.

Ok let's put all the pieces together and finally unveil my theory.

WHAT MIGHT HAVE HAPPENED THAT DAY

Marty Blyndeff had gotten himself the bestest of toy's ideas, "A Robot toy" he had been working night & day on it and it was finally finished! He just needed a battery to test it, he got out of his workshop and started looking for something that really didn't need the battery, he's eyes stopped on the Fire Alarm,

"Of course" he tough "That thing is just there for aesthetic, I mean if it is sooooooo important, why would there be only one on the whole store", he took the battery out of the Alarm and then used it to Power his creation.

The little robot made some weird noises and moved a bit before releasing some sparks which led to it catching fire, maybe going from simple wood toy's to complicated robots was not as good as an idea as he initially thought, this was bad since most of the things in the workshop ware also made out of wood, thinking quickly [For maybe the first time in his life] Marty grabbed a nearby bottle of acetone to try and put off the fire, after all, all liquids are strong against fire right?

Acetone as the flammable liquids that it is only made things worse, it made it so the flames started to spread faster, the fire had gotten to the rest of acetone bottles and other flammable chemicals causing a huge explosion that knocked Marty unconscious, the entire workshop and part of the store was now covered in flames that were quickly expanding.

Molly Blyndeff was sleeping on her room as usual when a noise woke her up, she had always been really susceptible to sounds due to her great hearing, she opened her eyes and found her room getting filled with thick black smoke, "FIRE!" She shouted, she came out of her room yelling "MOM, DAD, LORI!" she heard some noises coming from her parents room so they were awake, but she was more worried about her sister's room, no sound was coming from it, "WHAT IF SHE WAS HURT OR WORSE?!" Molly entered her sisters room, and found one of her sister's dream bubble surrounded by fire, "WOULD THE BUBBLE PROTECT HER?!" Molly didn't know, she started punching the sphere with all her force as she screamed "LORI WAKE UP, PLEASE!" a green aura started to emanate from her hands and the walls of the bubble started to disappear revealing Lori's bed with her on top still sleeping, without thinking it twice Molly grabbed her sister and started shaking her, "LORI PLEASE! WAKE UP!" Lorelai woke up just to find her sister crying, shaking, screaming, and glowing, that last part would had caught her attention a lot more if it wasn't for the flaming inferno that was surrounding them, they both got out of the room, got down the stairs and escaped the store.

While this was happening Marty woke up, he was on his workshop, his head hurt and he couldn't remember much, he was finishing his Robot toy and something happened...? It didn't matter, what mattered now was getting away from all the fiery situation he had found himself into, he got up and started to make his way out of the workshop and up into the middle floor of the store, he made his way to the stairs and started to go up into the bedrooms, he had important things in his room that he didn't want getting burned, when he opened the door he found his wife laying unconscious om the floor, the building was collapsing, there wasn't enough time to save both his wife & his stuff, so he picked up his wife and escaped the building reuniting finally with the rest of his family.

Conclusion

Here's my (more or less plausible) theory of what happened that day, It's very rough as the only version of the events we have is Lorelai's which is not much, we also don't know how their old toy store was in terms of architecture so I kinda just had to assume it was similar to the one they have now and use the layout of that one.

I'm sure this is how it happened?

No, not in a million years the amount of information I had to fill up to make that Fanfic Theory makes the story as a whole pretty unreliable.

I'm sure Marty is the responsable of the fire and the fire alarm not working? Yes, absolutely, maybe not the fire though as again, not much prof, but the fire alarm was definitely Marty's thing.

So anyway, here are my ramblings about Epithet Erased Prision of Plastic, please give me your opinions on this theories and the book as a whole I'm really interested on what other people think.

[thatfreak03]

I know I compare media I like to songs too much already but...

(Sorry for any spelling or grammar mistakes)

The song Things We Lost In The Fire by Bastille fits the Blyndeff family a little too well.

[saturn-star-light]

i got bored and made this

[sadsoftserve]

Who do you think is a worse dad, Daniel or Martin? And if the answer is Martin, do you think Martin would be better if Calliope was still alive?

The answer is a secret third option, and that's Ray- Bonnies dad.

But between the two you listed it's a tie, both are pretty bad and ignored their children when something bad happened.

But Martin probably would be better if Calliope was still alive. I made an ask abt this on the Epithet Confessions page (idk if it was anonymous or not) but I said Martins only bad because he's still only playing the role of provider. While Calliope was the glue, keeping the family grounded on a stable surface.

Without the stability, the whole thing falls.

So without Calliope being the main foundation, Martins failed to rebuild that stability they had before her passing. So now the whole thing is just on an unstable dirt surface, instead of a concrete foundation like before. And he's just been stuck doing what he's doing (being the toymaker for the store) and he's in denial that everything is crumbling before him because Molly's making sure it doesn't fall.

So I don't think he's going to get better unless it completely crumbles, which Molly is preventing it from doing. Until the foundation falls, he's going to be in this state of 'everythings okay'.

[strawberry-link]

Introducing Mr. Blyndeff! Aka Marshsan-Mallon-Carton Blyndeff or Marsh for short.

Marsh is an inventor and loves creating toys and sells them in his toy store. He has two beautiful daughters that help him run the toy store. Lorelai-Lollipop-Lop is his eldest daughter and though she can be a bit hotheaded he still loves her very much and often collaborates with her when making toys, so far they’ve made sixteen unique designs. Molly-Wolly-Doll is his second and youngest daughter, she is a bit more mellow than Lorelai and has trouble standing up for herself but once she gets interested in something she becomes more energetic. Marsh loves his two girls but often can’t spend time with them due to always inventing new toys in his laboratory/workshop Lori and Molly always make sure to drag him away to eat dinner thank goodness. He’s a night person and mostly does all his work at midnight and then crashes on the couch the next day. The girls are pretty certain he’s hasn’t laid down in his own bed in two years.

(Hope you guys like this rendition of Martin Blyndeff! I know he’s not well liked but I’m not too fond of throwing characters away just because they’re bad ones. I feel like this version makes a lot more sense given he’s always working. He’s not a perfect parent but Callie thought him a thing or two about responsibilities when she was alive and he hasn’t forgotten them..he just hyper fixates a lot)

[loonarmuunar]

I had a dream that Martin and Calliope somehow time traveled from the past to the present, and they met present Molly. They were very excited, Molly was VERY stressed and uncomfortable. Zora was also there, she was throwing a party in the toystore without anyone’s knowledge or permission and Molly was like “yeah just ignore her.”

[crystallizedtwilight]

Thanks for the post about your OC’s, especially the Calliope one, I have been pronouncing her name Cal-ee-ope, I never knew it was kuh-lai-uh-pee. 😅

haha it does look like it should be read that way, I totally get it!

[mimiri22-6]

Sudden realizations about EE/POP #1

Calliope most likely did the girl's hair before she passed but she only got around to teaching Loralai to do it herself because, well, Molly was 9-10 when it happened. Sure, she most likely knows some basics on how to take care of her hair; what products to use and not to use, how often to wash it ect ect(idk specifics or the right terminology to use, I'm white, so I just kind of let it do whatever??? But also if I have head and shoulders, I'm gonna use it. I do not take care of my wavy, curly, thick hair like I should but...¯\_(ツ)_/¯), but as a smaller child she didn't really have the dextarity or need to learn to it asap. She-*sniff* She had her moma to do it for her.

Molly has a constant afro, but her moma used to put it in puffy pigtails! Like Bear Ears! 😭 AND THE CLOSEST MOLLY CAN GET IT NOW IS TO LET SOME STRAINDS CURL AWAY MORE FROM THE REST TO MAKE SMALLER BEAR EARS NOW!! 😭😭

#GIVEMOLLYBACKHERBIGBEAREARS!!!😭😭😭

I need fanart of 12 yo Molly with her hair done again. I need fanfics of Giovanni learning black hair care and helping Molly with hers. I NEED THE HEALING ARC TO BE SEEN THROUGH HER HAIR TRANSITION! IM ALWAYS SO FKINF FERAL OVER BEING ABLE TO SEE DIFFERENT PARTS OF PEOPLES LIVES THROUGH STILLS AND NOTICING LITTLE THINGS LIKE THISSSSS! (I may not take care of my hair w the right products, but the length of it is Very rooted(ha) in different parts of my life)

istg, if Molly dosen't have pigtails/galaxy buns by the end of EE I'm going to-idek, cry? Maybe cry. Be very upset at least. Like. It's Right There!(Am I slow and this is just a widely known thing that I've only noticed now or did I do something for once?(no but seriously, tell me if this was a thing before I said anything))

[namesforwriters]

Music Inspired Names (fem)

Aida ~ Arabic, Italian, meaning "reward," "happy."

Aida is the name of a famous, tragic opera composed by Giuseppe Verdi. Set in Ancient Egypt, Aida is an Ethiopian princess who is captured and enslaved by the Egyptians. She and Radamès, an Egyptian military captain, fall in love. pronunciation: ay-ee-da, aid-ah

Allegra ~ Italian, meaning "cheerful," "lively," "playful."

Derived from the musical term "allegro" indicating the tempo, or speed, at which a piece should be played. Allegro usually indicates a lively and fast tempo. pronunciation: ah-leg-grah

Aria ~ Italian, meaning "air."

An aria is a piece of music written for a single voice or singer. Arias are most commonly associated with opera productions and refer to both male and female solos. Arias are usually part of a larger work and can be accompanied by instruments or sung without. pronunciation: ah-ree-ah

Bell ~ Old English, meaning "to roar," "to make loud noise."

Most know this word as the name of an instrument. A bell is used in both music and in other parts of life. Bells are commonly used in Christian churches to signal the beginning of service, and bells are also known to come in many shapes, sizes, and tones. pronunciation: bell

Cadence ~ Latin, meaning "a falling."

The term "cadence" is used, in Western music theory, to describe the end of a musical phrase in which a melody or harmony comes to a resolution. It always feels like closure, like a conclusion. pronunciation: kay-dence

Calliope ~ Greek, meaning "beautiful-voiced."

Calliope, in Greek mythology, is one of the nine Muses; goddesses of the arts and music. Calliope was the leader of the Muses and ruled over epic poetry. pronunciation: cah-lie-ah-pee

Carmen ~ Spanish, Latin, meaning "garden," "song."

Carmen is a French opera composed by Georges Bizet. Set in Spain, the story tells of a soldier, Don José, who abandons his post and sweetheart for the fearless, free-spirited, fiery, Romani girl Carmen. pronunciation: car-men

Carol ~ French, English, meaning "circle dance," "joyful song."

A carol is a type of song that is usually festive and sometimes religious in nature. Originally, many carols were upbeat and easy to dance to. pronunciation: care-ol

Cecilia ~ Latin, meaning "blind," also spelled as "Caecilia."

Cecilia is the Catholic patron saint of music. It is supposed that Cecilia was a Roman noble lady who was forced to marry despite her vow of virginity. At the wedding, Cecilia sang to God in her heart, and later, her husband Valerian promised to respect Cecilia's vow. Both she and her husband experienced Catholic martyrdom. pronunciation: seh-see-lee-ah, kae-kil-ee-ah

Celeste ~ French, meaning "heavenly."

Sometimes called a "celesta," a celeste is a musical instrument similar to a glockenspiel and resembling an upright piano. More tinkling, soft, and bell-like in sound and tone than a piano, the most famous music piece using a celeste is Tchaikovsky's "Dance of the Sugar Plum Fairy." pronunciation: seh-lest

Chantelle ~ French, meaning "singer."

Derived from the French verb "chanter," meaning "to sing," Chantelle is a wonderful name with a musical meaning. It can also be spelled as Chantel, and Chantal. pronunciation: shawn-tell

Clio ~ Greek, meaning "to recount," "to celebrate."

Clio, in Greek mythology, is one of the Nine muses; goddesses of the arts and music. Clio is mainly the muse of history, but is also occasionally considered the muse of lyre playing. pronunciation: clee-oh, cl-eye-oh

Demi ~ Italian, meaning "half."

In music, "demi" is rarely used on its own. In music theory, demi can sometimes be used to describe half of something. A demi-cadence (a half resolution), or a demisemiquaver note (half of a sixteenth note, so a thirty-second note). pronunciation: deh-mee

Giselle ~ French, meaning "pledge."

Giselle is the name of a popular ballet. It is considered a masterwork in classical ballet, and is not only one of the most-performed, but most challenging productions in the world of ballet. It tells the tragic, romantic story of young Giselle and a disguised noble, Albrecht. pronunciation: jih-zelle

Harmony ~ Greek, meaning "concord," "agreement," "joint."

Harmony is a huge concept and part of Western music, largely relating to the layering of complimentary notes and passages on top of a melody to create chords, textures, tonalities, and unique sounds in music. Harmonies can be both simple and complex. Sometimes the term "harmony" is used to refer to an ensemble line that is not the melody. pronunciation: har-mon-ee

Hilde ~ German, meaning "ready for battle," "battle woman."

Derived from Hildegard, Hildegard von Bingen was a composer, writer, philosopher, visionary, and medical writer from Germany in the Middle Ages. She is one of the best-known composers of sacred Christian music in the world and one of the best-recorded as well. pronunciation: hill-dah, hill-deh-gard

Kassia ~ Greek, Latin, meaning "hollow."

Sometimes seen as Cassia or Kassiani, Kassia was a Byzantine-Greek composer and poet who lived over 1,200 years ago. She is unique for being the sole female composer to exist in Byzantine liturgy with over 50 hymns and over 260 verses attributed to her. pronunciation: kah-see-ah

Lauda ~ Italian, meaning "praise."

A lauda was the singular most important form of sacred music in the late Medieval to Renaissance times in Italy. The lauda is largely considered the precurser to the modern Christmas carol. Laude are characterized by their simple melodies sung in the vernacular, which at the time, was Latin. pronunciation: lau-dah, lah-dah

Lyra ~ Greek, meaning "lyre."

Derived from "Lyre," Lyra is a feminine name related to the Ancient Greek stringed instrument. Lyres were usually played as accompaniment to epic poetry and story telling. The Ancient Greeks tended to strum the stings like a guitar, but other cultures plucked the strings like a harp. pronunciation: lie-ra

Madrigal ~ Latin, meaning "song for unaccompanied voices."

This term has a couple meanings when it comes to music. The earlier type of madrigal was a Medieval, Italian music form composed for two voices. Later, during the Renaissance and Baroque periods, madrigals were secular compositions written for two to eight voices with no instrumental accompaniment. pronunciation: mad-rih-gahl

Melody ~ Greek, meaning "singing," "chanting."

The term melody can describe the main tune of rhythms and pitches that make a song or piece. The foreground of a piece of music, the melody is arguably the most important element of composition. pronunciation: mel-oh-dee

Meret ~ Egyptian, meaning "she who is beloved."

In Ancient Egyptian mythology, Meret is the goddess of music, dancing, singing, and joy. She helps maintain cosmic order through music. She is usually seen with a blue lotus flower or papyrus reed. pronunciation: mehr-eht, mehr-iht

Musette ~ French, meaning "little bagpipe."

Derived from both "Muse," the name for the nine Ancient Greek goddess of music, literature, sciences, and the arts, as well as a type of French bagpipe, Musette is a great music-inspired name. pronunciation: moo-zette, myoo-zette

Octavia ~ Latin, meaning "eighth."

Octavia is a name taken from the Latin octave, meaning "eight." In music, an octave is a range of typically eight notes. The first and eighth note are always the same, with one higher than the other in pitch. pronunciation: oct-ehve

Scheherazade ~ Persian, meaning "exalted one," "noble lineage."

Known best as as the storyteller from the narrative A Thousand and One Nights, Scheherazade is also the name of an orchestral work composed by Nikolai Rimsky-Korsakov, which is acclaimed to have one of the most beautiful violin solos ever written. Scheherezade is not only a beautiful name, but also has nickname potential. pronunciation: sheh-hair-eh-zahd-eh, sheh-hair-eh-zahd-ee, sheh-hair-eh-zahd

Sirena ~ Greek, meaning "enchanter."

In Ancient Greek mythology, sirens were humanlike beings who often took on the appearances of beautiful women. They lived in the seas, singing in alluring voices, and luring men to their deaths. In modern tales, sirens and mermaids are sometimes described as the same creature. Sirena is derived from "siren." pronunciation: sir-een-ah

Symphonia ~ Greek, meaning "agreement."

"Symphonia" was sometimes used to describe various instruments, including bagpipes, drums, and a hurdy-gurdy. In more common knowledge, a "symphony" is an extended musical composition from Western classical music. Some of the most famous symphonies are Beethoven's Fifth, Mozart's 40th, and Dvořák's Ninth. pronunciation: sim-phone-ee-ah

Thalia ~ Greek, meaning "the joyous," "the flourishing."

Thalia, in Greek mythology, is one of the Nine muses; goddesses of the arts and music. Thalia is the muse of comedy, or, stories that have happy endings. She's sometimes portrayed with a horn or trumpet in hand. pronunciation: t-ah-lia, th-al-ia

Viola ~ Latin, Italian, meaning "violet," "of the arm."

The viola is a musical instrument slightly bigger than and lower in pitch than a violin. A traditional string quartet usually has two violins, a viola, and a cello. Overshadowed by the violin, violas are nevertheless beautiful instruments. pronunciation: vie-oh-la, vee-oh-la

These name lists are intended to help writers and artists. There is no expectation of credit, and these lists aren't meant to be the end-all be-all lists of possible names. There are millions out there, and this is just for fun!

If you have a suggestion for a name list, or want to see something specific, feel free to submit a request!

And if you see something that is wrong (a pronunciation, a meaning, an origin), again, feel free to let me know!

[liketwoswansinbalance]

The Facets of Rafal as Music

Since I've incidentally done a music post for Japeth, I've decided to do one for Rafal as well!

In certain contexts, I believe syncopation is villainous. I'm not an expert, but I believe I've identified the musical pattern I associate with Fala.

Syncopation in music is the type of rhythm that goes back and forth in a certain way, like skipping stones or a pendulum motion, but it's more irregular and off-beat.

Alternatively, you can think of the syncopation parts as the harmony or the walking baseline of the music. It very much evokes footsteps and the sly, trickster archetype in my opinion. There are alternating long-short!, long-short! parts, "delayed" and sustained. And I feel like it's capable of mimicking an uneven, doddery walk, shuffling along, like Fala's limp in Fall. And music like this is used in cinema for this very purpose. I oftentimes picture one heavier foot being dragged forward.

If the images I used weren't clear, here's an actual definition for reference:

"In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat. More simply, syncopation is 'a disturbance or interruption of the regular flow of rhythm': a 'placement of rhythmic stresses or accents where they wouldn't normally occur.'"

Since this is somewhat of an abstract concept, it may help to listen to some examples I've found to illustrate my point with. At the very least, if I've misidentified this pattern, all these songs have a similar vibe, at least during certain excerpts of them.

Tip: try listening to the sound beneath the main melody of the songs, not the changing, overall variable parts but the stable, underlying constant, as Rafal is mostly constant and faithful, which works for him symbolically. Basically, I want to draw your attention towards the lower parts, the baseline, like I said previously—I'm not sure how to describe it exactly, but for a musical term, you could also call it the accompaniment.

"Good Omens Opening Title" (The original version. Specifically, listen to the heavier, less angelic, more apocalyptic parts.)

"Good Omens Opening Title" first piano version (Easier to hear the pattern with one instrument and less complexity.)

"Good Omens Opening Title" second piano version (Even blunter and more abrupt than the first piano version. Jarring and more "firm." Must be something about the lack of a slur, if it's not outright staccato. It's the notation, the "articulation" here, if you recognize my meaning.)

"The Entertainer" in a minor key (Chances are you're heard this one in a jollier, major key before as it's a popular piece. This darker version I chose is slower, so it's easier to see the pattern.)

"The Entertainer" in a minor key again (This is played at a faster tempo, but it's still worth the listen to me since it aptly captures the darkness and drama Rafal lives for.)

"Chim Chim Cher-ee" (It's easiest to see the footsteps plainly in the blue bars.)

"Chim Chim Cher-ee" (In this second version, you can see the pianist's hands bounce back and forth, kind of like clockwork at one point. Again, evidence of the pattern.)

"God Rest Ye Merry Gentlemen" (Not jaunty enough to truly qualify as syncopation, but hopefully, you get the idea. See the second version linked just below this one for the actual syncopation, to compare.)

A movie clip with a calliope (Listen to the background music from [31:29-32:05]. The song is still "God Rest Ye Merry Gentlemen." However, this version has a more distinct syncopation to it. Sure, it's lighter, airier, and played at a faster tempo, but you can still observe the same pattern.)

"Below the Surface" piano version (The walking pattern yet again, very prominent, done with a heavy hand. Also, the stakes seem to rise as the song progresses.)

In summary, while I usually imagine that Rafal's hypothetical villain theme would be far smoother, especially in regards to his seduction of others, Fala's theme would be jauntier, by virtue of its being a disguise and there being more mischief wrapped up in it by default. It'd go clunkity-lunkity, like some kind of a gremlin figure while Rafal's usual leitmotif would be trance-like, hypnotic, mesmerizing, something with spades of tension and build-up.

My examples for Rafal, not Fala, are:

"The Carnival of the Animals - Aquarium"

"The Nutcracker, Op. 71, Act I, Scene 1: No. 6, Clara and the Nutcracker" (Start at [3:58]. It's like he's luring you in.)

"Le Banquet Céleste" for Organ

"Piano Concerto No. 3 in C Major, Op. 26 - III. Allegro ma non troppo" (Start listening to the smoother part at about [2:27]. There is downwards motion and swelling.)

"Serenade for Strings in E Major" (Only the darker, winding parts towards the beginning and end are relevant.)

The quality to some of these music choices I'd like to point out is how there's usually swaying. It's tenuous, wavering—there's undulation and a general air of unease, instability, unpredictability, and yet, it's still a bit like the pendulum motion from before, just looser and loftier, less grounded than Fala is.

Essentially, music like this tends to remind me of Rafal and of characters who function like him. It can be ominous or steady, methodical foot-stepping that's constant and regular, like pacing around a tower chamber, steepling fingers, being locked in thought, crafting schemes.

Thus, I rest my case: syncopation, slurring (the smooth quality), oscillation (the wavering quality) and "evil" go hand in hand, as something sinister is audibly afoot.

Any thoughts, anyone?

[icedcoolatta]

rb for bigger sample size homestucks encouraged

[f0xgl0v3]

In all of my listening to the Magnus Archives one of the hardest episodes so far to get through was MAG 24 strange music purely because of the Calliope pronouncing.

I, as someone who has never heard anyone else pronounce it without me saying it first with them and the person agreeing on the pronunciation is ‘Cal-ee-ope’ (idk-? I never really know how those pronunciation phonetic stuff vibe but like E as in like seal Cal in like California, ope as in like opium or something idk-) but I hope that makes how I’ve said it make sense- but that’s not how Calliope is pronounced-? Also I’m on season 2, it’s very silly so far. I like Gerald Keay and Elias :3

Aaa- uh, I have a couple drafts that can be posted, but for the sake of it I’ll work more on the oversimplified casual draft of SoN re-imagined though I’m like kinda sick so I might be even slower- apologies. Also I’m working on a Magnus Institute map layout thing but I need to go re-listen to MAG 40 to discern what way Sasha’s getting everywhere so I can assume what floors everything is on so that’s also happening-

Goodnight :D

[tiredfoxtf]

Them trying to understand if calliope is pronounced kah-ly-o-pea or kah-lee-op-ee gives me fucking flashbacks to tma....

[solarvh]

More Sugar Cookie Shuffle AU

SCS is a epithet erased/anime campaign swap AU that we came up with, here's the previous post detailing most of the swaps

We recently did more stuff on this on a whim so hey more of this now.

btw whenever i say "we" i mean me and @sirfolomew who has a tumblr now and didnt have one before

@hugthegoatchild made a lot of good points and we're convinced, i guess we'll just incorporate that into our worldview

anyway on to the new stuff

elaborating on the Feenie Trixie swap. as said before, the roughhouses are now a dynasty of villains and evil sorcerers, and the fleecities are still rich but no longer magical girls. Now, in the original, the Roughhouses had criminal notoriety and the Fleecities were a magical force of good. If the Roughhouses are a magical force of evil and the Fleecities are non-magical but rich. If that is the case and they gain criminal notoriety, they become a rich non-magical force of good with criminial notoriety. What im saying is: The Fleecities are Batman. Phoenica Fleecity is Robin.

New Swap: Banzai Blasters and the evil forces of the Songstress. The Banzai Blasters are now the Songbird Sorcerers, basically the Blasters but now purple and magic and music themed. This is what Rick belongs to, he has the rank of Wizard. the equivalent ranks are as follows Baron Songstress Senpai Apprentice Valedictorian Senpai Associate Justice Court Composer Vice Principle Maestro Captain Wizard Blaster Sorcerer

more elaboration on Martin and Calliope swap Calliope and Martin Blyndeff are two horrible parents that somehow cancel out to make a functional unit. and then one of them dies. Calliope Blyndeff is, as opposed to Martin's all play and no work bumbling idiot, is an all work and no play always correct ruthless pragmatist joyless busybody manager.

more elaboration on Lorelai and Molly swap. Lorelai and Molly have their ages swapped btw. As Martin, the former toymaker has died, the role of toymaker goes to Lorelai Blyndeff, who cannot keep up with the demands set by her mother. As opposed to Lorelai's unhealthy coping mechanism of escapism through fantasy, Molly's unhealthy coping mechanism is a rotating combination of constantly distracting herself from the trauma with productivity, leading to becoming an academic overachiever, and self-numbing sensory deprivatory sleep, where she uses her epithet to go basically completely comatose and can only be woken by lorelai doing her dream bubble thing or whatever to go on a journey to the center of the mind to pull her out. Molly is basically either running at full steam overworking herself or shes completely powered off. Either way, she mostly spends her time alone in silence either studying or sleeping. Molly believes she doesnt have time for friends, and thus ends up a friendless loner. Man how is she worse off compared to ee molly. i feel bad for her. Hey remember how Lorelai's epithet caused Calliope's death in base ee? tack on self hatred issues onto the list of things wrong with scs molly blyndeff because she 100% believes she killed martin. girl is NOT having a good time. She's emotionanally detached from the rest of the family but still depends on them, pretty much the same as base ee Lorelai.

link to spoiler add on

[strawberry-link]

Yoooooo!!! OP!!! Your mind!!!! I was literally thinking to myself "What if Lori was a good older sister?" And you delivered!! I have so many thoughts on this AU!

I’m so happy you like it! I had this AU in my head ever since I saw Lorelai , I love sibling relationships and get pretty sad when one is toxic so I took a page from Lorelai’s book and made a fictional universe where everything is wholesome and sweet lol (jokes aside this has been very therapeutic for me). XD

Don’t be shy and feel free to ask anything about the AU I love answering questions! ^^