#edit: i meant to put this in drafts but hit post so here we are enjoy

[sensitivesiren]

listen, i LOVE all of the Destiel fics i've read (hundreds) and i LOVED the dcbb of 2014 but something is missing since then - we NEED more fics that include the fact in s9, Metatron gave Castiel his knowledge of - essentially - EVERYTHING EVER WRITTEN AND FILMED prior to 2014/2015. I need him to know kama sutra, casa erotica, bdsm, enemies to lovers, "the pizza man" on an UNGODLY intelligent level.

[munch4march]

you're gonna go far // we'll all be here forever // noah kahan // patrice bergeron

(the slideshow was in my drafts for just the possibility of his retirement. a post game 7 thing. i made some edits.)

words can't really express what bergy meant to any of us. which is such a dramatic way to start saying this, but it's true. this is a hard hit. tough blow. one of the worst things we could have imagined for this offseason. but it's what happened, and we're going to make it through. pretty rich from someone who put dhmu on all my socials and meant it, but hey, i'm trying. it's pretty stupid how much he meant to us- how hard this is hitting us- really, but that's exactly what he deserved. he was a leader for the ages, being called a captain far before it was his time (rightfully so). he represented the black and gold with such poise and grace we shouldn't have even been able to dream it. the amount of people's lives he's changed- players he's inspired- his impact is immeasurable. the hell-bent kid i was- dying to develop my two-way skills- was thanks to one patrice bergeron-cleary, and that's something i can never and will never forget.

thank you bergy. for everything.

[multiplicity-positivity]

hiiiii so we need some advice if you're& ok answering :)

basically, we figured out a set of roles that really work for us!

the problem is, there isnt much space for most of the other headmates. it only needs like 4 people, and there are 16+ headmates 3: to top it off, we're mono conscious and dont have an inner world so its really difficult to work them in.

we really want them to be included and feel like they're free to have their own lives but it's really hard! we take up so much fronting time without really thinking about it, and god forbid we have a headache.

any tips on how to make everyone feel included when life & our own issues get in the way? many thanks!

p.s. we know the solution is probably meditation & putting extra effort into supporting them, it's just hard to deal with all of them together without neglecting any

Hey, we think you’re spot on in your thoughts that putting in extra effort to support them would be a good solution. But we get that it can be so hard to provide individualized attention and support when you have a huge group of headmates. We’d definitely encourage y’all to at least try… you have your whole lives ahead of you - it’s okay if you take your time and go slowly with making sure everyone feels seen and supported in your collective.

Outside of that, though, we’re wondering if you could increase your roles into teams, so that you can divide your headmates into four groups who each fit one of your particular roles. For example, if your roles are caretaker, protector, gatekeeper, and worker, you could have four distinct teams where each team member shares that role. Then, you could either break down the role into specialized jobs for each member, or they could all just work together to perform the roles. They can provide breaks for each other and just generally have each other’s backs. If your headmate count isn’t divisible by 4 (say you have 18 headmates) you could have two teams of 4 and two teams of 5. This way, they’re still pretty spread out.

Other than that, who knows how your system may develop in the future? Y’all may eventually encounter another role or role set that you can incorporate into your system.

And of course, it’s possible for headmates to be included and treated as valuable system members without any roles at all. Even without roles, they can provide input, share their ideas, offer advice, and express their opinions. And by listening to them and taking their words to heart, you can support them and show them you care about them and want to include them, even if they don’t have a designated role. Not every headmate in every system has to have a role, and that’s okay.

Edit: oops, I hit post when I meant to hit save draft. But this is pretty much the gist of it. I hope something we said here works for y’all. Good luck with figuring this out!

[graylinesspam]

Okay, there's been a lot of hot topic discussions about participating in fandom and the rules and expectations there in. Great discussions, I am loving the active shift to move back to a more traditional fandom etiquette. Being kinder, more supportive, more encouraging, ect, of creators is great. BUT lets be honest. It's not always easy. One of the biggest challenges we are facing right now is an environmental one. The worlds on fucking fire, we're all exhausted and scared and using our fandoms as escapism from everything else. That still doesn't give anyone the right to become entitled to fandom made media or to behave poorly in those spaces. But the tired and well meaning consumers of fandom who are just too burnt out to do much more than doomscroll are probably wondering how they can help to create a better environment without putting themselves out. I say this as someone who has been there, is there, and will be there again.

Structuring your fandom engagement can be immensely helpful for the fandom and your enjoyment of it. If you are suffering in any way and are just too exhausted to even think enough words to leave a comment on a fic. If your running on fumes and using a constant flow of fics, edits, ect to keep going. But you genuinely don't have the time to stop and engage with the media. If you are suffering from social anxiety and it's just too much to even try to shout into the void. Then this is my advice for you. Put it off.

Seriously.

As a fic writer myself I know how much writers sit on ao3 refreshing and waiting for hits and comments. I know how much I love receiving notifs on here for headcannon posts. And it is absolutely fact that creators must be interacted with and encouraged to make more content. But it is equally true that the media they make is meant to be enjoyed for the long term, not just the moment it comes out. And there are ways you can accommodate yourself.

starting with the things it doesn't actually take effort to do. The things you really should be doing right away. Like posts. leave kudos. use repost and reblog features of whatever platform you are using.

I know that in the past I have been held back from reblogging a post because I know that I will have thoughts on it. So I want to put it off until i have the time to get to it. But the truth of it is that there is no actual reason not to give the creator an empty reblog once or even more than once. Notifications feel good. The only thing that's discouraging you is that little social anxiety voice. I promise you it isn't embarrassing to reblog something more than once.

Creators won't think anything negative about you for doing so. If it's as easy as pushing a button. DO IT. Push the damn button.

And this goes well beyond just posted works too. If there's a discord chat you don't have the energy to way in on but your enjoying reading. Hit them with a reaction. If there's a post in the making with multiple creators discussing something, reblog it. Engage, hit that button baby

Now for the less demanding tasks, You feeling demand avoidant to engagement. You feeling nonverbal to a mental degree. Head empty no words? BUT your absolutely digging the content your consuming? Great. You can literally save it for later. Your allowed. If you need some kind of authoritative permission to be late to things, This is me granting it to you. There is no such equivalent to liking an old Instagram post (or whatever it is the youths stress about socially). You want to say something in the notes of a post you liked? there's a fun feature of this here blog site that lets you save posts as drafts. You would not believe the amount of drafts that I have saved. Some are years old. Some are kept as permanent references for other works that I come back to.

Your ever find yourself adding to a post just to lose steam half way through? don't delete that response. Save to draft.

You want to leave something nice in the notes of some fan art but can't for the life of you think any words? (There's always emojis) save to drafts. Come back to it later when you feel more up to it.

You're allowed to put thing off. You are not obligated to jump at all fandom engagement as tax for being in the fandom.

Now, that being said, you should still actually come back to that saved content. You want to know a secret about me? I am terrible at leaving comments.

I know as a fic write, I should be better at it, but I'm just not. I came to conclusion very quickly that feeling guilty about that only made me do it less. Less engagement is not the answer. So here are some easily employable tips for being better at leaving comments.

#1 don't...I mean, don't worry about it right away. You just finished a fic, you feel like you should leave a comment in appreciation. You are allowed to wait.

Personally I use my reading history on ao3 to keep track of my reading. I rarely leave a comment after having just finished a fic. Usually I wait for a good mental health day, (or a day where I have to urge to write but my brain won't let me actually work on a fic) and I go through my history and leave comments on all the fics I've read since the last time I did this. I usually do this between every month and every other month.

I gave this advice to a friend of mine a couple years ago and she has decided to make a personal tag in her bookmarks that she uses to keep track of fics she plans on commenting on later.

I have also personally used the PRIVATE bookmark feature as a way to take notes on fics while reading them so I remember what I wanted to comment on later. Since these notes are nearly ineligible to anyone but me. And since they're invisable to the author, this feels private and organized enough for my brain to handle.

I find that this method not only make me feel good for spreading joy across the fandom in bursts but also sometimes lets me make more well thought out and articulate comments. It also allows me to go back and leave a comment on each chapter of a long fic with my thoughts, without disrupting my rhythm during reading. Which we know authors love getting a stream of new comments, so there's no need to feel bad about it.

#2 But wait, maybe you do want to leave a comment right away but don't have the words. Then you can leave an emoji or keyboard smash and just come back later to leave a better comment. Fun fact, you can, should, and are encouraged to leave multiple comments on the same fic/post. You are more than welcome to leave a string of emojis now and come back later. I personally just went back to a fic I read almost seven years ago just to leave a better comment. And while it's awesome to reread fics when you do this. You don't have to. I didn't this time. I just found myself thinking about the fic in question and wanted to say something that, at the time of reading, i just wasn't mature or educated enough to have put into words.

#3 Or maybe you just won't ever have the words to say exactly what you want. That's okay too. Sometimes concepts are just too big to get from you brain to your mouth. I hate it when it happens to me. And in the past it has felt very discouraging. But I promise you it's okay. There are about a million posts on this site giving you advice on how to word your comments so I won't use too much space up on that, but i will say, It's okay if all you can manage is an ok comment. Fanfiction comments are not something you need to have a good grade in. You are allowed to be dry. You are allowed to just say "I liked__ and __ and the way that you___", without elaborating. You do not have to explain yourself and all your thoughts in a comment. A compliment as simple as "I love the way you write." Is perfectly fine.

#4 Head empty, only blorbo? telling people you love the trope they're writing, or a headcannon you like about the character that they included is great to. Or something included in a drawing. As fun as it is to receive an annotated analysis on something, it's actually not mandatory for you to talk to someone about their actual writing or drawing skills. Sometimes all your brain wants is to think about the character or the headcannon or the scenario. And that's ok. Clearly the creator wants to as well, if they wrote about it.

The core of all of this advice is not to put too much pressure on yourself. Fandom is being consumed too fast and left behind to quickly. It's okay to take your time with things, Yes even if you also find yourself chasing the dopamine. You can like the latest trendy fandom, and also use any of the above methods to keep track of the whirlwind of content your eating through, and come back to it later. You can also use que features to space out your reblogs of some fandom content to spread out the appreciation.

If you are for some reason embarrassed to blow through someone's blog or fics, use the que feature. Making comments in a private bookmark and then add them to the fic later.

You are allowed to take things at your own pace. Fandom isn't just for right now. It's for the long term, but only if you continue to engage with it.

[dontjudgemeimawriter]

Dead Darlings Tag

Tagged by @charlesjosephwrites

🌑 Rules: Share a part of your writing you love that got cut for the greater good. It doesn't matter if it's a line or a paragraph. It doesn't matter if you might work it back in. If it's not currently in a WIP and you want to share, please do.

So I don't actually have a whole lot of this. When I get stuck I do sometimes put what I backpedel on in a scraps folder, but apparently i haven't done it too much, and usually I stop writing it because I don't like it or where it's going or I'm just treading water in the scene. I'm not at a stage where I cut major things that I enjoyed-- I will when I edit for real, but I just don't do that as I go. The draft currently has a character at the beginning tha I decided doens 't exist, I just haven't edited him out yet because why should I?

There are some scraps though, and here's one scene that I kept in the scarps folder but wound up deleting. This takes place between the two scenes posted here-- you can see there that I had a chapter break, between the first post and the reblog. This scene is essentially what I started writing for that chapter, then deleted.

Tagging: @thegreatobsesso @scripe-of-stories @ceph-the-ghost-writer @squarebracket-trickster & @avrablake

Mika paid for my meal without us discussing it, nothing more but a small smile in my direction and a gesture to leave. 

I still had focus up, was still confident that my wall was up, yet I noticed something. I smiled back reflexively, caught the door behind her without thinking about what signal it gave off, even found myself talking without rehearsing every word first. 

Our previous back and forth, me antagonizing her, had been me playing the role she wanted me to be. She’d wanted me to be the villain so I’d complied, because I couldn’t deny the reason. But I hadn’t realized how exhausting that role had been.

Our conversations had always hit a dead end in the past, either from me or from her, but we were actually talking now, even if it was light, surface level conversation.

Was this okay? Was it the right idea to do this? Wasn’t getting this comfortable dangerous? 

A hand raising in a wave caught my attention, and in an instant, and comfort I’d started to feel evaporated. Abigail.

I waved back, shifting instantly. Mika noticed my reaction before following my gaze to Abigail, but a glance in her direction told me she wasn’t sure who she was seeing. 

“Hello, Terran, Mika,” Abigail greeted us. She stopped walking, so we did too, facing her.

“Hi,” I said. For once, someone was there, possibly having caught me— for what? Talking to Mika, who lived with me? She’d been passing, not spying. I glanced at Mika. She was holding something back, but I wasn’t sure if it was confusion or nerves. “You two have met, right?”

Mika nodded, and Abigail gave a huge smile that made me uneasy. “I’m sure Zachary’s been singing my praises,” she said in a way that meant the opposite. Zachary had not been quiet about his disapproval of her becoming the Judge’s right-hand man. “but yes, we’ve met, though I don’t believe we’ve talked much. Mika, yes?” Mika nodded, gathering herself enough to respond. “Correct, and I see no need to change that.”

Abigail didn’t react, just turned to me. “Well, it’s been a while, hasn’t it? I didn't get to ask how you were the other night.” 

She’d been the one delivering the order on Jesse, I remembered. Did she know the story I’d fed Zachary, or had he kept it to himself?

“Well, thanks for giving me a job. I’d been bored,” I replied, watching her expression. Mika, next to me, sighed, but dammit, Mika, I still gotta play the game. 

“Oh?” She raised an eyebrow. “And how is that going?”

“There’s been some complications,” I said, still fishing for how much she knew already, but maybe she was letting me tell it. “But I’ll get him.” I needed to find out how much the Judge already knew. I considered for a moment, then added, “He’s gone off the grid and I’m having trouble tracking him down. You wouldn't happen to know any more than what was in the file, do you?”

Her gaze flicked to Mika for a moment. “All I remember about that was he got a hit on him for learning too much. P.I.'s really serve a problem, the Judge’s been considering making some changes in how they’re licensed.

“Oh no,” Mika deadpanned. I glance at her. Her eyes had narrowed at Abigail.

“Well, good luck finding him,” Abigail said. “Though if you end up hitting a dead end, feel free to hand the job off— I’m sure we can find someone else to carry it out.”

“Thanks, but I’ll find him,” I said. No way could someone else take it, but if I couldn’t get this, I might not be able to stop someone else looking for him. 

“Good luck!” Abigail said, giving us a wave and heading off. I gave her a wave back, then took a deep breath and turned back to Mika.

Mika was watching Abigail walk off, and after a moment, after she was out of earshot, she looked at me. “I know Zachary doesn’t like her. What do you think?”

I shrugged. I had once trusted her, but that had been so long ago, and so much had changed. So much about me had changed. “She works for the Judge. All of us should be wary.”

Mika nodded, biting her lip considering, then added “She was lying.”

I’d been about to keep walking, move on, and then I stopped. Mika could tell when people were lying. “About what?”

“What she knows about that guy. The P.I. I don’t know what she does know, but she knows more.”

Shit, of course she did. “Do you know what?”

“Couldn’t get that far.” Mika shrugged. “And didn’t care that much. Not exactly a big fan of helping you catch this guy. I’d be happy if he got away.”

“That’s not what’s at stake, though.” I said, and already that comfort was making me fuck up, wasn’t it? “It’s either I find him or someone else does.”

She shrugged, and of course it made no difference to her—to her, I was going to kill him. I didn't need her to care, though, right?

Wrong.

Mika knew Jodi. Or at least, had known her—and Jodi was who Jesse was looking for. At least that was what he’d claimed. 

She wasn’t going to help me murder a man, though, and I couldn’t tell her I was trying to ensure he lived. “Listen,” in urgency I put a hand on her shoulder and she jerked it away, but it didn't matter. “Jesse, the P.I., he’s on a case. He’s looking for Jodi Gibson, you said you knew her, right? Can you help me find her? I think it’s the best way to find him.”

“For Jodi?” she repeated. I nodded. She considered, and I could tell— her stubborn side didn’t want to, just to spite me. But we’d just truced, just agreed to give each other a chance. “You’re not killing her, though? Just that guy?”

I nodded, but I could see her still hesitant. She still didn’t completely trust me, after all. Us agreeing to stop fighting didn't necessarily include working together. Finally, she relented. “I don’t know what to tell you. We were friends when we were kids.”

“But what I should really do is talk to her friends and family,” I said. “I doubt they’d talk to a random guy, but maybe they’ll talk to you.”

[amazing-spiderling]

Fic authors self rec! When you get this, reply with your favorite five fics that you've written, then pass on to at least five other writers. spread the self-love ❤

HECK. Ummmm okay okay... I'll do my best.

Surface Tension

I'm taking this opportunity to highlight a fic that I wrote for an anthology I put together with a team of *very* talented writers and artists, Metal Gear Solid: Lost Years. I had wanted to tell a story about Hal's isolation and vulnerability in his youth, the aspects of his past that made him an easy target for predatory behavior- and even though this story isn't particularly long, I think it's the one I spent the longest working on (in a words per day sense). Writing this story made me dead sure that Kojima was referencing the movie "The Graduate" when it came to the Emmerichs, and I tried to channel that sort of listlessness into this story. Because it was for a zine, I don't think it got many hits or comments, so I'm putting it here now.

The Man in the Mask

My own little "hit in the face by Apollo's red playground ball" of a fic- I actually wrote this Spideypool AU to deal with my frustrations regarding the handling of asylum seekers at the border- but the pandemic aspects of the story ended up hitting very close to home for everyone just a few years later. Fun! This is one of those stories I thought of as a "weird one that nobody read" but when I looked at my actual hit counter, I saw it had proven more popular than I realized, so that's good for me? It's a bit of a bottle episode that is more about Wade and Peter than Deadpool and Spider-Man and has a more sedate tone for most of it, but I'm partial to the way the story unfolds.

Pictures of You

Another Metal Gear story, this was for the Otasune Zine "Let the World Be". I got to team up with the incredible Harshai who did the illustrations for this story in the zine. It's a collection of moments during Dave and Hal's Philanthropy days, each one with an accompanying photograph. It's a pretty soft one, but one that comes to mind a lot, especially when I'm in the car and staring out the window at the landscape, thinking about these two on the open road. It also comes to mind every time I see a ridiculous food challenge posted on a restaurant wall. I need to see about getting permission to share the art in the posted fic, because I think it really adds something, especially the last image which was a polaroid of Sunny besting Hal's time eating the enourmous burger.

Five Years Later

Yeah, it's a WIP. What are you gonna do about it? Back from hiatus, it's the second installment of a "mostly MCU compliant" Spideypool "met as childhood friends" AU that my friend @343enderspark and I have been working on for years. In this portion of the story, Wade is dealing with life in a world without Peter (oh, and half the population, I guess) and slowly starting his journey of training and eventually becoming the person he was meant to be. (And the Defenders show up because I literally could not resist.) I got to try my hand at writing a lot of different characters in this fic, so it's been fun to flex those muscles. We had a long break between the first and second chapter, but we're back on track and CH 3 is drafted and waiting on edits, so that should be out soon. :3

Home's Around the Corner (It's a Long Way There)

More WIPs? Yeah. More AU's? Double yeah, because this one is more or less an AU or an AU. XD This is a new project I'm working on with @blissful-thinker that's Earth-65 but a step to the left, where Matt wasn't adopted by the Hand, but ended up staying with the Chaste, and returns to New York City years later only to find out he doesn't really have a place in his old home anymore. (Or does he?) This one has been a lot of fun and allows me to write one of my favorite things- tired DA Nelson, and also too-big-for-her-britches Gwen, haha. It may be niche, but it's *my* niche.

[comput3rage]

Expanding on the last post. barbie. I thought it was ok but so much could have been changed. The narration was too on the nose and didn't feel self-aware, just felt like it was trying too hard to be self aware. Characters kept saying exactly what they meant and not really talking like people. I think the demographic of little girls was kind of forgotten which is crazy bc it's a movie made to sell toys to little girls, but it doesn't Feel like a movie made for kids, because the adult jokes don't go over their heads completely, kids will be able to tell there's a joke they aren't getting. They do that thing where they say the themes of the movie out loud to the camera. The bit with the company founder made no goddamn sense. Hello

New spiderverse I had way less issues with, the first and third acts were, like, perfect, but the second act felt off the rails. Actually I lied about the first act bc the opening scene with Gwen was NOT IT SORRY. They should have started in the middle of her fight with lizard peter and that background music took away from what was happening so much it's insane. It's so unclear what was happening. Then when they go back to miles it's perfect and it's great. But when we hit act 2 in the spider society I feel like they didn't leave themselves enough time to introduce the characters they wanted to introduce. Pavitr probably got the most but and hobie made an impact with the little screen time he had but both of them could have done with more screentime. Margo/spider byte worked well but I feel like they tried to cram her whole backstory into her dialogue when we don't need to know that about her for her role in the movie. I just think they should have shown Miguel's backstory differently it felt out of place. Gwen and her mentor whose name I can't remember had some dialogue that was too on the nose. I don't know why the mentor is pregnant it feels like there should be a reason and it just feels irrelevant except to make her more impressive I guess. There's a ton of dialogue throughout the movie that's just.... Really quiet? For some reason? You'll never catch it in a theater and at home you're turning the volume up and down like crazy. I loved this movie though but still I feel like it was a bit rushed?

Wendell and wild ...... Now here's a movie I wanted to like SO bad and I DID really like it but there's just so many blatant problems with the writing. There's TOO MUCH HAPPENING all the time. Kat's friend Raoul (? I think that's his name) is almost completely irrelevant. There's enough drama between all the adults in the town to fill a soap opera and NONE OF IT MATTERS TO THE PLOT. Kat's hell maiden powers don't make sense. The mean girls should have just been stereotypical mean girls or else just been people kat couldn't connect with through no fault of anyone bc whatever they were trying to do with those characters did NOT work. I think Kat's eyeball boom box should have been relevant to the plot in some way bc it feels like a Chekhov's gun that never goes off. It's too complicated. It feels like they tried to cram a 3 season TV show into a movie. I don't understand what was going on with kats parents. That one girl turned to the camera and told us that the prison complex is bad and that kind of "here's what the movie is about" dialogue just completely takes me out of the movie. I loved every second of this movie and I can still say it felt like the script was a second draft.

Glass onion was good but I still think the script should have gone through a bit more editing. The Menu had too many characters it didn't do much with. The new season of good omens feels like it forgot some established stuff from the first season/the book that would have been easy to change/fix/just do anything about, and some of the dialogue was iffy, and the new human characters feel Off in a way I can't put my finger on. When will it end when will movies and TV feel finished again

[captainimprobable]

Part 3 of that thing I’ve been posting.  This is a first draft, once it’s edited I’ll put it on Ao3.  There will be five parts! Part1  Part 2  ~~

Amity has a plan.

She knows her girlfriend likes meaningful gestures, especially when it’s about something important.  So as she signs her name at the bottom of the pink paper, she wills herself not to be nervous.  She’s doing everything right, she knows, and besides, it’s Luz.  Luz is understanding and generous.  She’ll love this. 

(Amity hopes.)

Walking to school the next day is torture, and she’s brought back to a similar morning a few months ago, when she was clutching paper from the same notebook she used today.  She didn’t go through with it then, but everything is different now.  Luz will say yes.

So why can’t she stop shaking?

She walks into the building and immediately spots Luz.  Her stomach flips itself over, as usual, and she nervously walks over to her girlfriend.   

“Amity! I missed you!”  Luz sees her and runs over, catching her up in a hug.  Amity tries not to swoon.  

“Luz, I saw you yesterday,” Amity says, smiling as she’s picked up and swayed a little.  

Luz pouts as she puts Amity down.  “Yeah, but that was a long time ago,” she mumbles.  She looks down at the ground, and her eyebrows scrunch together.

“Oh wait,” she says, stooping down and picking something up.  “You dropped this.”

It’s the pink paper.  Amity wants to die.  “WAIT,” she says loudly, startling a couple of other kids down the hall, “DON’T LOOK AT THAT.”

She grabs the paper and then stops.  Wait.  Things are different now. 

“Actually,” she says, with as much composure as she can muster after an outburst like that, “this is for you.”

She holds out the pink paper. And Luz. Takes it.

If Luz recognizes the type of paper the note is written on, she doesn’t mention it.  Amity is shaking as Luz opens the note, inspecting every single change in Luz’s face, anticipating a possible rejection. 

But instead, Luz’s face morphs into a huge smile, and she turns the paper over so Amity can see the words she’s written.

“Luz, will you go on a date with me?”  

 There’s color high in Luz’s cheeks as she asks “Really?”

“Of course really,” Amity scoffs, her entire body relaxing at Luz’s reaction. 

“Ohmygosh of course I will!!!!!  Where are we going? What are we doing? Can we-”

Amity holds up a hand to stop Luz’s train of thought.  “I have it all planned out,” she says proudly.  “All you have to do is show up.”

 Luz smiles, the crinkles at the corners of her eyes getting deeper as she does.  “Of course you do,” she says.  “I’ll be there!”

~

Amity had thought she was nervous yesterday, but that’s nothing compared to today.

 Edric and Emira are trying to help calm her down, but they’re somehow making it worse.  “I’m sure she’s gonna have a great time,” Ed says sincerely, nodding to himself.  “Unless….she doesn’t,” he adds.  

 Emira hits her twin on the arm.  “Ed, not helping,” she scolds, and puts her hands on Amity’s shoulders.  “First dates are scary, but this is Luz.  You could take her to the dump and she’d thank you.”

 “I’m terrified,” Amity confesses to her sister.  

 “Don’t be!”

 “Thanks, Em, suddenly I’m totally fine.”

 “Glad I could help,” Emira winks.  “Now go get your girl.”

~

It’s time for her date with Luz.  Well, actually, it’s an hour before her date with Luz, but she’s leaving now anyway because she likes to be punctual.  

 As it turns out, she doesn’t have a lot of time to be nervous, because when she opens the door to leave Blight Manor, Luz is standing there with flowers.

 “Hi,” Luz says excitedly, laughing a little at the look on Amity’s face.  “These are for you.  I got you purple ones because they match your hair!”

 “You’re early,” is all Amity manages to say.  She takes the flowers from Luz and their fingers touch.  Normally, this wouldn’t be such a big deal anymore, but knowing they’re about to go on an actual date makes everything feel a little different.  Amity tries not to jump.

 “Yeah,” Luz says, hands behind her back.  “But I know you, and I knew you’d be early, so here I am!”

 Suddenly Amity feels like crying.  Being known isn’t something she ever thought she would get to experience.  Being known this well was never even a thought.  She is so, so lucky.

 She blinks the tears away and manages to direct a smile at her girlfriend.  “Thanks,” she says.  “I love them.”

 Luz beams.  Amity still marvels over the way Luz’s expressions are so open and extreme.  She’s smiling with her entire body, somehow, exuding so much happiness just because Amity liked the flowers.  

 “So you have an idea?” Luz asks.  

 “Oh, yeah!” Amity says.  “I have the perfect plan.”

~

Amity watches Luz’s face stealthily out of the corner of her eye the entire way through Bonesborough.  They’re holding hands, and it feels like magic, but Amity is so nervous that Luz won’t enjoy what she’s planned that she can barely appreciate it.  Luz looks unbothered, though, swinging their hands between them happily as she chatters on about something King did earlier in the day.  Normally, Amity would be paying rapt attention, but today she’s a little too wound up.

 “Okay, here we are” Amity says nervously, watching  Luz’s face carefully for any sign of rejection.

 Luz looks up and gasps.  “A bookstore?????? I didn’t even know there was a bookstore here!”

 “Yeah,” Amity says shyly.  “I just thought...well, the first thing we really bonded over was Azura, so I figured maybe we could wander and…” She trails off.

 Luz is jumping up and down on the balls of her feet.  “Yes! I’ve always wanted to go on a bookstore date! I wonder what kind of weirdness a Boiling Isles bookstore has! Unless it’s just, like, a normal bookstore.  Which would be disappointing but still cool!”  She grins and pulls on Amity’s hand.  “Cmon, let’s go!”

~

It’s going well, she thinks.  Luz looks like she’s having fun as she pulls book after book off the shelf, commenting on them each before putting them back.

 “I’ve been wondering about the Azura books,” Luz says at one point.  “Like, how come we get them in the human realm and the Boiling Isles? How is that possible?”  Luz scratches her head.  “Maybe the author is from here and somehow managed to get their books to my realm? Maybe they’ve got a really good publicist? Or maybe they’re human and their books accidentally made it here somehow, like, maybe Eda brought one back one day and someone bought it and-”  Luz stops.  “Oh my gosh, Amity, do you think Eda is responsible for the circulation of the Azura books on the Boiling Isles???”

 Amity considers that.  

 “You know, I haven’t really met any other people who like these books,” she says.  “I always wondered why they weren’t more popular.”  Her eyes widen, realization dawning.  “What if I’m the only one? What if Eda sold them to the bookstore and I bought them and-”

 “Woah,” Luz says.  “That is some crazy coincidence.”

 “Well,” Amity says bravely.  “Guess it just means we were always meant to be.”

 She gets a bright red Luz as a reward for her nerve, and she smirks.  It’s fun to make Luz nervous.  Knowing she has that effect on her makes her so happy.  

 Luz doesn’t say anything, just reaches out a hand for Amity’s.  Amity gets it.  Sometimes holding Luz’s hand is the only thing that makes sense.

 “Oh no way,” comes a voice from behind them.  Amity’s heart sinks.  Oh no, not now, why now, why here, why-

 They turn around and Boscha comes into view, scrutinizing their linked hands.  “You’re actually dating the human.  Wow.  I thought that was a rumor, like, one so ridiculous it couldn’t even be true.”  She smirks.  “And yet here you are.”

 Amity can feel Luz stiffen next to her, and she’s suddenly filled with rage.  Luz escaped her world to avoid being made fun of, she shouldn’t have to deal with that here, too.

 Amity raises her chin and looks Boscha in the eye.  “Aw, what’s wrong, Boscha, jealous that nobody wants to hang out with you?”  She looks around pointedly.  “Looks like you’re alone, huh?  Has everyone finally realized what a monster you are?”

 Boscha’s face turns a shade of pink darker than her hair.  “I’m not alone,” she spits.  “I came here by myself on purpose.  It’s exhausting, having followers all the time.”

 “Sure,” Amity says, turning to leave.  “Come on Luz, let’s-”

 “Can’t believe she went and got a girlfriend from another species,” Amity hears Boscha mutter under her breath.  And then, a little louder, clearly intending to be heard- “Guess shopping at the bottom of the barrel is easier than finding someone normal.”

 Amity stops.  She’s gripping Luz’s hand so hard it’s probably starting to hurt a little, but she can’t help it.  Luz seems to sense the storm coming, and she scrambles to stop it.  “Amity, it’s okay, let’s just go-”

 But Amity is done.  Done with Boscha and her stupid games, done with everyone making fun of Luz for things she can’t control, done with her girlfriend being treated lesser than because she wasn’t born a witch.

 She releases Luz’s hand, whirls around, and says, quiet as the dead, “Say that again.”

 Boscha seems to realize she went a little too far this time, but she’s not one to back down.  “What are you gonna do, Amity? Hex me? You don’t have the-”

 Before she can finish her sentence, Amity’s fingers are twirling in circles and Boscha is on the ground, angry hives crawling up and down her body.

 A security guard comes over, looking bored.  He gives Boscha a glance, unimpressed.  “Miss,” he says to Amity.  “I’m gonna have to ask you to go.”

 “Don’t worry about it,” Amity says.  “We were just leaving.”

~

Amity thinks her hands might be clenched permanently, now.  The anger (coiling, rampant, hot to the touch) she’s feeling isn’t new, but it’s somehow louder now, a line of static in her ears so loud that she doesn’t hear Luz calling her name until the third time.

 “Amity!”

Amity blinks herself out of her stupor and remembers, suddenly: she’s supposed to be on a date.  A date with her cute girlfriend.  A date that she messed up by getting them kicked out of a store.

 She knew she’d mess this up somehow.

 “Amity, are you okay?”

 Luz is looking at her with concern in her eyes, and Amity doesn’t deserve it.  She doesn’t deserve any of this.  She’s ruined everything.

 “I’m sorry,” she mumbles, not looking Luz in the eye.  She’d understand if Luz dumped her over this.

 “For what?” Luz asks sincerely, and Amity looks up in confusion.  “Um, for ruining our date?”

 Luz raises her eyebrows.  “How exactly did you ruin it?”

 “I hexed Bosca, I got us kicked out of the bookstore, I-”

 “What I’m hearing,” Luz says, taking Amity’s hand again, “Is that you got angry on my behalf and defended me from a bully”

 “But I got us kicked out of the store!” Amity insists.  She feels like she owes it to Luz to admit what a screw up she is, but Luz isn’t having it.

 “No, Boscha got us kicked out of the store.  Besides, it’s no big deal, we were basically done anyway.”

 This isn’t right.  She knows she should be happy that Luz isn’t blaming her, but something inside her insists that Luz needs to know, that Luz needs to understand that Amity messed up and will probably mess up again, that she had everything planned out perfectly and it went nothing like it was supposed to and Luz should probably break up with her and-

 “Break up with you?????” Luz sounds scandalized, and Amity realizes: she said everything out loud.  

 “You think I would break up with you over this?”

 “I..I don’t know,” Amity says, closing her eyes as though that will make her disappear.  “Maybe.”

 “Amity, I-I don’t like you because you’re perfect.  You’re only human- I mean, you’re a person, and people make mistakes, and that’s okay! I make mistakes all the time! Just today I missed a step and fell down the stairs.  It happens!”

 She takes Amity’s other hand and looks her in the eyes.  “You’re perfect to me.  But not because you never mess up.  Because you’re kind, and funny, and beautiful, and you do things like hex bullies because they make fun of me.  I don’t need the perfect date, Amity.  I just need you.”

 Amity is speechless.  Nobody has ever said anything like that to her.  She remembers what she told Hunter in that cave all those months ago: I grew up thinking everything was an opportunity to justify existing.  But there are people out there who won’t make you feel worthless.  You just have to let yourself meet them.

 It’s time she took her own advice.

 “Thank you,” she says quietly, smiling shyly.  “You’re the best girlfriend a girl could ask for.”

 “No, you are!” Luz says earnestly, and Amity realizes that, if she had the courage, she could kiss Luz right then and there.

 She doesn’t, of course, but now that it’s in her head, she’s not going to forget about it anytime soon.

[zelkams-art]

#ShowYourProcess

From planning to posting, share your process for making creative content!

To continue supporting content makers, this tag game is meant to show the entire process of making creative content: this can be for any creation.

RULES — When your work is tagged, show the process of its creation from planning to posting, then tag 5 people with a specific link to one of their creative works you’d like to see the process of. Use the tag #showyourprocess so we can find yours!

I was tagged by @milkcrates​, who showed her process of making this gorgeous piece with Wei Wuxian and little A-Yuan!! It was awesome to see how it came to life - and thank you for tagging me! ✨

So I got tagged to show how this Yunmeng brothers + golden core art happened! I already included the digital sketch for it in my sketch vs final compilation, but I guess I can show some more!

This is gonna be long because I like talking a lot, so putting the rest under a cut!

1. Planning

SO.  A golden core pic was on my to-draw list as soon as I finished watching the show. I had a WIP of a different pic for that waiting, but actually I noticed that a very similar thing has already been drawn, so that was kinda dropped. But I’m glad I waited until the idea for this one slapped me! It was pretty much a moment of “w a i t a second” and I had to grab a random piece of paper to sketch it while I still had it in my head.

This is the sketch - as you can see from the coffee stains, it has been through some stuff. On the left I actually tried out some different ideas for the golden core - the 1st one was the winner and led to the whole leaking/water/rain theme. I ended up mirroring the whole sketch because I didn’t want Wei Wuxian’s hand to cover Jiang Cheng’s front hair wisp, as that would make that area too crowded.

Meta-wise: I wanted to show that the whole thing was kept as a secret from Jiang Cheng. But we also knew about it - so Wei Wuxian is breaking the 4th wall and looking at us [the audience] directly, shushing to keep it a secret as well. Then there’s his hand hovering over the blindfold - it was included in the show, but also sprinkles in that extra symbolism. Then there’s the rain - the sky crying for the two brothers, so you’re not sure if those are raindrops or tears on their faces + lotus pond for the Yunmeng vibes. As for the golden core, I wanted to make it kinda messy and leaking like blood + shining and make it the main light source of the piece. Also kinda like a glow stick liquid.

I also like finding fitting music to go with my art and this one was actually supposed to go with Avicii’s Hey Brother, but when I was looking it up on Spotify I saw Kodaline’s Brother right above, gave it a listen and then the lyrics hit me. So I already knew that they’re gonna go in the caption. Also apparently it’s like The Song for them and yeah, makes sense.

2. Creating

2.1 Set up and tools

I use Paint Tool SAI + Wacom Intuos S to do all my art! The entire pic was made on a 2000 x 3000 px canvas, since I don’t like to work too big because of limited brush sizes in SAI + I don’t want to torture my laptop, as my art takes up quite a lot of processing power with a lot of layers and modes and sometimes things like to crash at the final steps 😬.

2.2 Planning and composition

So I started off by doing a digital sketch and focusing on the composition a bit more - I wanted something geometrical, so I went for the diamond shape with Wei Wuxian’s silhouette and the placement of the lotuses. Also the composition is vertical, all the important info is in the middle column - you could cut off 2/3 of the picture and it would still tell the story.

2.3 Lineart

Then I did the lineart over the sketch layer (there was a more detailed one than the “planning” sketch, but it looks like I deleted it once I finished). I usually draw more than I have to and on separate layers, so that I can move/modify things easily later - for example JC’s headpiece here didn’t really make it that much into the final piece but It Was There. Once I was satisfied with the lineart, I cleaned it by erasing overlapping things, like Wei Wuxian’s clothes behind Jiang Cheng’s head.  

2.4 Planning the lighting

After doing the lineart I blocked the characters with a single color and planned the lighting. The golden core is the main light source here, so it dictates which parts are gonna be lighter and which darker (although there is gonna some ambient occlusion from the background + reflected light from the water). I also added water and lotuses in the foreground + painted the background.

2.5 Shading the characters

After that, I started shading the pic. I usually do two steps here - one with “base” shading - focusing on the details and values based on the light source, then the mood shading with more coloring - based on the setting the characters are in. The first one is mostly done with the Multiply tool and base layer blending/painting, the second mostly with layer modes like Overlay and Luminosity. I also colored some parts of the lineart to make the shapes stand out (see: wwx’s front hairs)

2.6 Environment and touch-up details

Then it was time for the water and lotuses + the “special effects” for the rain and all the stuff associated with it - water splashes, mist, sparkling drops! Also some more mood lighting. Lots of new layers to keep everything organized and separated.

2.7 Finished pic

And done! After finishing I usually adjust the contrast/gamma/saturation of my art (or just edit it all in curves) + sometimes sharpen it to bring out details → I make a few different versions and pick the one that works the best. Although with this pic I was satisfied with the raw result so no major changes happened.

3. Posting

For posting I always scale down the pictures and upload them as a draft on this art blog. Then I check if things look okay on mobile as well - from what I’ve noticed my phone makes everything more warm-toned. Depending on the time I finish drawing, I either post it right away or wait until the next day, when there is more traffic on tumblr. I finished this one around 8PM of my local time, which is fine - so I posted it right away (also I was just excited, couldn’t wait 😅)!

As caption I used the lyrics from Brother by Kodaline, as mentioned before!

So yeah, that would be it! 

If you made it till this part - thank you and I hope you have an awesome day! ✨

Let’s keep the artist vibes here - I’m gonna tag (not 5 ppl but shh) @still-snowing​ and this piece that still breaks my heart @driszol​ and this Song Jiyang pic that lives in my head to this day @kushexi​​ and this pic with fox Wei Wuxian and A-Yuan bc it still makes me melt → no pressure of course! or if you want to do some other piece that’s awesome as well!

[washymylifeaway]

SakuAtsu Fanfic recs

Edit: minor changes (grammar and stuff) cause I rushed this :’)

EDIT: PT 2 IS OUT

OKAY so I meant to make like a long list of MULTIPLE VARIOUS ASSORTED ships but as I was making it I realized I had WAY too many SakuAtsu fics. Like TOO MANY AHHHH. Anyway, I decided that for the sake of everyone, I should just make a separate post LOL oops I’m sorry but I’m so far into SakuAtsu hell it’s not even funny :))))))))) I tried to keep things short so I could not BORE you while reading this post LOL, but also THERE WILL BE A PT 2 because I cut myself short in order to get this out for.....

THE BEST BOY SAKUSA KIYOOMI’S BIRTHDAY I LOVE HIM AND EVERYONE ELSE SHOULD TOO :DDDDDDDDD

As per usual, pls check WARNINGS, TAGS, and SUMMARIES for each fic before reading and make sure you’re taking care of yourselves (since mental health is key!) Stay healthy loves <3

Some of my FAVORITE writers CHECK TAGS AND WARNINGS PLS-

astroeulogy // I LOVE their works and they write BEAUTIFULLY AHHHHH!!! My fav? Possibly Dance of the Parallax by astroeulogy (T) 6.7k, but all of them are SO good! (My love for mythology really be showing here hehe.)

DeathBelle // this writer is on SO many of my posts cause I ADORE the way they write and characterize!!! My fav? Burden of Blame by DeathBelle (E) 91.2k but you already knew that LOL. I love the other ones too, but mafia? UGH.

hatsuna // ahjfsdjfhkasj need I say more? There isn’t a lot BUT the ones there are so so good! My fav? Pas De Deux by hatsuna (T) 19k surprise :D I love this one for their interactions but also Omi’s childhood! It’s really good (and you don’t even need to understand ballet) <33333

bastigod // again another writer you will be seeing in other posts because their writing gives me LIFE AHHH. My fav? my love, take your time by bastigod (T) 9k again you already knew this, but I LOVE THIS ONE ahagdhls. I have reread this one so many times oops hehe :)

volchitsae // I LOVE THIS WRITER, like some of my favorite SakuAtsu fics are from this writer, like favorites of ALL TIME. Please go read their stuff because I love it so much. My fav? take me to the limit, hold me down there by volchitsae (E) 3.8k this was the fic that got me into their writing, and oops I’ve fallen and I can’t get up haha leave me....

awkwardedgeworth // THE FICS THIS WRITER MAKES AJKASDLK. I love them and everything they make omg!!! My fav? This was SO hard but Notte Stellata by awkwardedgeworth (T) 20.8k cause I’m basic LOL but your flame will not survive in this cold tundra was a close second :’)

TBH, there are more that I don’t have time to get to (I started this a while back but then pretended like it didn’t exist for a while LOL) but these were the ones here hehe :) I could honestly make an ENTIRE fic rec list from these writers alone and it would be WAY too long, so for the sake of everyone,,, MOVING ON

Fics (in no order, but also I’m missing a bunch I LOVE but like I said TIME CONSTRAINTS AHHAHAH RIP)-

the inherent romance of classical conditioning (or, the fine art of emotional recognition) by pseudoanalytics (E) 13.7k // this fic made me laugh so much, starting from the fact that there needed to be clarification (which was, after finishing, understood LOL) that this was indeed NOT a fic with a foot fetish.

Routines (and How to Break Them) by cajynn (T) 1.6k // this fic makes them SO CUTE ugh the fluff ajsjkfhajh. I love how Atsumu just slips into everything Omi does (like a snake) ITS SO ADORABLE AHHH.

sense of purpose (or, what comes next) by pseudoanalytics (T) 3.6k // this fic was so HEARTWARMING!!! It made me kinda sad though cause I’m just that kinda person (and I don’t like to think about the past LOLOLOLOL), but the ending was !!! SO !!! CUTE !!! and I love the ending notes (me too Osamu, me too)!

crushed by citruslemonade (strawberrycitrus) (E) 4.2k // I feel like it’s a crime if I don’t mention this fic LOL and it’s very quick and funny! We all want to be the watermelons in this fic and no I don’t take criticism. No thoughts just Miya Atsumu’s thighs :’)))

Clipped To You by littleboat (T) 8.1k // (cp) okay first of all THERE’S ART, second I love Omi in hair clips <3333 It’s really funny with lots of ~pining~ Atsumu and there’s cameo’s of other players,,, it’s just a great time :D

bet on it by selenophim (T) 13.3k // this is a ~classic~ literally I keep seeing this fic because I like to stalk the relationship tags (LOL) and since it’s so good, I keep seeing it (also LOL). This may be SakuAtsu, but this is Osamu supremacy, again I don’t take criticism LOL.

Just as much by Sapphirine (NR) 16.1k // this is peak gay panic as demonstrated by one Miya Atsumu hehe. This fic is so FLUFF but also PINE! I’ll just be sitting here with my 851 million microorganisms to keep me company cause I’M SINGLE LOL.

every action has an equal and opposite reaction by akanemnida (T) 10.4k // nothing to see here, just Sakusa saying things that make Atsumu’s heart stop ;) I love ~caring~ Sakusa so if you do too, read! But also hello? Perfume drop please,,,,

see this through by basilleia (T) 17.7k // I am shamelessly a HARDCORE Atsumu wears glasses fan, once again, I take absolutely no criticism! Again some ~caring~ Sakusa heheh but also love the twin dynamic in this one!

dogshit (first comes the fall) by kitcassiachan (E) 15.8k // PLEASE CHECK WARNINGS! ngl this was one of the first fics I read for this ship and GOD did it get me hooked onto bottom Sakusa agenda (it really hit different). Of course, I’m not promoting the way this relationship happened (don’t have hate s*x), BUT I have nothing to say other than I had no regrets. RIP (not actually but you’ll get what I mean LOL) Bokuto and Ushiwaka for that matter.

let's get physical by rosegoldwriting (T) 4.3k // I really like medical stuff (you’ll see later LOL) BUT even if you don’t still read it cause IT’S FUNNY OKAY. We gotta love boys day and STD’s~~ (also don’t be stupid like him and get hurt to see hot doctors :))))

all i do is crave by newamsterdam (E) 12.7k // were we waiting for me to bring a 5 + 1 to the table? If so, here it is! We do love the olympics and oblivious Astumu~~

lay it on me (no, really) by ayushi_writes (T) 4.2k // please the way I was hesitant to read it at first but then the ‘being very fond and caring in a homie way haha’ made me read it LOL. The fluff (and Astumu being caring because that is another one of my favorite things to read hehe) in this is almost worth the awkwardness that made me want to go put my head into a hole like an ostrich LOLOLOLOL.

ink blossoms by entrechat (T) 8.1k // I think this fic IS SO CUTE OMG. I love the way Omi sits in the shop to draw was ADORABLE and making them do that to get tattoos? Smart af (and v respectful we stan). Also, I love flower meanings :D

crimson colored lotus by sieges (M) 16.5k // (cp) this was a demon slayer AU LOL. TBH I haven’t watched DS, but you honestly don’t really need to in order to read this LOL. It’s explained really well and the writing is AMAZING! It’s not a linear fic, but you can read it in order if you so choose.

where i want to be by tookumade (G) 8.8k // THIS ONE ahhhhhh so cute I love it. Omi trying SO hard in this relationship and Atsumu being so understanding. I love it here :’)))))

three roses and a smile by strawberrycitrus (T) 19.7k // I LOVE THIS ONE not only cause I love professor AUs (I do, I LOVE THOSE) but also it’s just some great writing :D I really love their interactions and the misunderstanding killed me ahhhhh.

If you were wondering, I already have 50+ fics (yes I counted but no I’m not done looking so there will probably have to be some cuts D:) lined up for pt2 AND I took out series in another post, so yeah this is why it’s a cursed draft hahahaa..... I hope you enjoyed cause SakuAtsu is my life and blood.

[silkylious]

MERRY CHRISTMAS AND HAPPY HOLIDAYS EVERYONE!!

I'd like to dedicate a post to all the wonderful people that I've had the absolute privilege and pleasure to befriend this year! I feel very thankful for having the chance to talk to each one of you and I just want you all to know that I love you so, so much, you've helped me get through this year and make it that much more bearable. So I'd like to say thank you to:

@lady-bakuhoe I still remember in May when you replied to my message and reblogged my first fanfic, I almost went into cardiac arrest. You're one of the very first people I knew of and admired on here, way before I even started this blog. You kickstarted my blog in more ways than one, you first inspired me to share my writing out there and you helped me gain my footing when I first started out. Idek how I can explain how grateful I am to you, I honestly wouldn't even have this blog without you.

@sassi-sunflower i hopped into your dm's almost exactly five months ago, and my god that is the best decision I've made all year by far. I never, ever would have thought that that first time I slid into your inbox and said "you're cute" would spark such a beautiful friendship but holy shit I wouldn't trade it for the world. We just clicked so well in our first conversation and I still remember it very vividly, I remember gushing to my older brother about this adorable, hilarious friend that I made online, I remember messing up my already shitty sleeping schedule so that our time zones sync up and we could talk. You literally make me so happy whenever I get to talk to you, I'm so fucking glad I decided to check out the blog that kept popping up in my notifications, so fucking grateful I sent you an ask that one time, because fuck you're such an amazing, close friend to me.

@dimplesum and @tamasoft y'all are my very first mutuals fr you're my day 1. I remember when 'tsunami' first blew up and I was so overwhelmed with the positive feedback, I get this dm from ellie and it just warms my fucking heart, and then I see faye's reblog and almost faint. your words meant so damn much to me, you gave my the courage to keep writing and posting, you gave me this security that even if my shit flops, if I'm overwhelmed with my personal life I'd still have two phenomenal mutuals to turn to if I needed guidance, especially since I was so fucking new to tumblr. Your writing on its own has brightened my days in so many times it's crazy. I'm so happy I had you guys to support me when I first started out, it means the world to me.

@sugacookiies I hit you up in dm's back when your url was still bnha-homeroom, and I don't regret it one bit!! You're literally the sweetest person ever, it made my whole fucking day when I saw you on my dash or in my dm's. You're one of the first people I reached out to on here and I genuinely get so elated whenever we talk. Your writing is some of the fucking best I've ever read like sometimes I just go back to specific pieces of yours to read them for the nth time and still be in awe of each word.

@fanfic-me-up and @vannahfanfics I love you guys to the moon and fucking back. Both of you are so fucking supportive omggg Bria whenever I see you in my notifications or dm's I beam. your comments on my writing literally mean so much to me, they fucking boost my mood into the stratosphere, I love love love every conversation I have with you babe. And vannah I admire you so. Fucking. Much. The way you manage to always put in so much hardwork and consistency in your writing while balancing a heavy academic life is fucking unfathomable to me. And you deserve all the credit for it, like you're so damn underrated it hurts. You're such an inspiration to me dude, I strive to be like you fr.

@keeijiakaashi (edited in later bc tumblr hates me and didn't save my first draft 🤡) Clio my online sister, I'd like to thank you for unknowingly stopping so many breakdowns I almost had. Your advice is absolutely priceless, I'm so fucking happy you stumbled upon my blog a couple months ago because you legit make me feel like I have a cool older punk rock sister that I can talk to about anything and everything. Just seeing you in my notifications makes me smile, even if I'd been crying over biology two seconds before lol

@marilags uh hey hi hello goddess of writing I'd like to first say that I grovel at the feet of every piece I read from you. I just... How is it so good??? I legit spend SO much time analyzing why I like each work of yours and honestly that inadvertently makes me improve too. I've loved your writing from afar for a while now but then I started interacting with you recently and ??? You're such a sweetheart???? Like ma'am this isn't fair, you get to pick one, either be super talented and hardworking or be the most adorable person ever, not both. Hands down my biggest writing inspiration, immaculate immaculate immaculate.

@honeykeigo Erika please you're like my main source of serotonin at this point. Your writing is so fucking good, and seeing your character anon interactions in my dash makes my day. Every now and then when I'm hit with a depressive episode, reading your stuff or just seeing you on my dash elevates my mood a lott you don't even know. Please keep doing what you're doing because it brings a smile to my face.

@khionne ❗❗ UNDERRATED WRITER ALERT ❗❗please if you haven't read anything from khione yet, I'm telling you right now: go do yourself a service and binge her entire masterlist I'm begging you. There are so many gems in this fandom it's unreal, and khione is one of em. Bro I love talking to you so much, we share the exact same academic pain LMAO I've only known you for short bit of time and I'm so excited to get to know you better. Also our first interaction almost made me cry lmfao

@mypimpademia @sophie-writings @todosweetheart @burnedbyshoto @miriossunshine @mrs-atushiro @raes-ramblings I am not so close with any of you guys but reading your works has helped me get through this year in some way or another, either by inspiring me to write myself, or just being my comfort when I needed it, thank you for putting out such great content <3

@chitziburn @lucyheartfilias-wife @bluemonochromes @howcanibreathewithnozaire @msngyu I see you guys in my notifications frequently! Thank you for supporting me it really means a lot <3

[tea-at-221]

So, let's delve a bit into the Spanish dub of Supernatural.

I'm going to go through a lot of terms here, and a lot of basics, in order to increase people's level of understanding as to how the dub may possibly have come about the way it did.

This post will provide information and, I hope, allow some members of the fandom to move forward with their own theories with more reassurance. Information is power. I will define and clarify industry terms to the best of my novice ability to make it easier for others who wish to do their own research.

This post was inspired by the fact that I've been part of multiple fandoms in which queerbaiting has played an enormous part: I am tired of seeing fandom friends left devastated and without answers, no emotional resolution in sight. So this post is, in spirit if not content, largely dedicated to my fellow Johnlockers and Queliot shippers. And most of all, for Quentin Coldwater, who deserved not just better but the very best.

Disclaimer: This is my own research and there is a bit of speculation involved; I can't guarantee 100% that I will get everything right (I hit some very frustrating walls looking up what should be easy-to-find facts), but I did a *lot* of work for this. Other people will doubtless be able to clarify points/give better specifics/correct what I've gotten wrong. I am not promising a concrete answer to “SPN gate” here, as without more information than we currently have that is impossible to declare with certainty.

More under the cut.

All that having been said, onwards (see end for sources):

First, who airs the Spanish dub of Supernatural?

Answer: the Warner Channel.

Why? It goes back to who owns The CW.

From Wikipedia (2): "The CW Network, LLC, a limited liability joint venture between the CBS Entertainment Group unit of ViacomCBS; and the Studios and Networks division of AT&T's WarnerMedia, the parent company of Warner Bros., former majority owner of The WB. The network's name is an abbreviation derived from the first letters of the names of its two parent corporations (CBS and Warner Media)."

Warner Bros apparently is the side that handles the delegation of dubbing to outside studios. So, who does Warner use for their dubbing? Perhaps multiple studios, but the two I found in the course of my research were SPGStudios(5) (who specifically handle localization for Latin American Spanish productions) and Iyuno Media Group (formerly BTI Studios)(3).

What is localization?

Simply put, it refers to the translation of the home language of the show in question to the language of the new market it's entering. So, Supernatural 15x18 is translated from its native English to Spanish for Latin American viewers.

And what exactly *is* dubbing (actually called revoicing within the industry; dubbing is a widely-recognized term, however, and it's pretty well understood what is meant by it)?

Here is the Merriam-Webster definition:

"1 : to add (sound effects or new dialogue) to a film or to a radio or television production —usually used with "in"

They dubbed in the music.

2 : to provide (a motion-picture film) with a new soundtrack and especially dialogue in a different language

The film was dubbed in French and Spanish.

3 : to make a new recording of (sound or videotape already recorded) also : to mix (recorded sound or videotape from different sources) into a single recording"

There is a slang term, "dubby," which refers to any overdub that is comically jarring and obviously a dub. The history of dubbing has been such that this has become a way to think of and recognize it: by how awful and ineffective it used to be when it came to foreign films sloppily overlaid with English dubbing.

However, we are in the midst of an age of networks and companies scrambling to play catch-up, eager to use modern technology to create more effective, convincing dubs. In short, they see the moneymaking potential of presenting finished works that viewers may not even realize *are* dubbed without careful inspection. It's true that a good dub is about 10x more costly than subtitling, but it's hard to satisfy the viewer's desire for escapism if they can't suspend disbelief because they're busy reading.

The truth of that is reflected in internal statistics Netflix (for instance, but not just them) parses to gauge viewer interaction and retention with their various shows: when comparing subtitled vs. dubbed shows, it's easy to see which is the winner.(1)

So to be sure there is no nefarious intent here, we would need to be able to identify the following:

A.) What exactly was the process for this dub?

B.) Who decides what changes to make during a dubbing process?

C.) Who approves those changes?

*Can* there be such a thing as a "rogue translator," as Misha Collins put it? (I am going to clarify here that I think Misha is an upstanding person who believed the best of the show he was involved in and all the people who made it, so his assumption of a rogue translator makes sense in the context of that emotion-based reasoning).

I'm not sure which studio did the dub for the Latin American Spanish version of Supernatural; if I had access to that episode perhaps it's mentioned in the credits. You'd think that would be simple enough to figure out anyway, but I was unable. So maybe someone can take a look and let me know. But, as an example, here is how SPGStudios outlines their localization (dubbing) process:

1.) They make a digital or analog transcription of a show/movie.

2.) The translation, or localization, is done by their staff (in any of 40 available languages their staff can speak). When translating, they translate for meaning and then adapt for time, tempo, and style. They say that "extensive experience is required to capture the essence of the language dialog while accounting for variances in speaking time between the source and destination languages." i.e.,  wording/word choice will be kept as true as possible to the original intention of the native language, but at the same time the translation will need to use its chosen wording in a way that fits what is being shown on-screen. To produce a convincing/pleasing dub, they won't replace a word like "looked" with a longer phrase like "scanned the horizon" because it's not going to match what's onscreen. That would be venturing into "dubby" territory.

3.) They perform the ADR process: the voice actors (in this case it would normally be Guillermo Rojas performing for Dean Winchester, though it appears things may have been different in 15x18, possibly due to covid) record the new dialogue to replace the original actor's performance.

4.) The newly recorded dialogue goes to the sound editorial department "to ensure that lip-synch is optimized and technical aspects of the vocal performance match the original."

5.) All of the new audio--including dialogue, music, and sound effects--is mixed together to emulate the quality of the original production as closely as possible despite the changes in rhythm that resulted from the dialog having been translated.

6.) Designers, animators, and VFX editors assist with the localization or enhancement of graphics, if needed.

7.) Localized Master: SPG has a 'traffic team' who 'ensures that all client delivery and storage specifications are met, including file formatting, labeling, and uploading." So in other words, the files are heavily encrypted (or that's how I read this).

Presumably, after all steps are performed, SPGStudios transfers the show back to Warner, who then distributes it. The other studio, Iyuno, makes it very clear that *they* can coordinate and handle all distribution themselves to a vast number of networks. That means that if the client desires, Iyuno can send the finished product directly out into the world.

There seem to be two types of scripts that can be given to the dubbing company:

1.) "In-Production Dubbing indicates that dubbing production is active in tandem with post production. In-Production Dubbing fulfillment partners should expect potential changes to source materials."(4)

2.) "Final Asset Dubbing indicates that dubbing production takes place after final delivery of the show. All source assets will be in a final state. The dubbing fulfillment partner should not expect any changes to the source materials."(4)

Without knowing which of these was agreed upon for SPN 15x18, it is very hard to say exactly where or if additional edits may have been performed on the original material that weren't performed on the translated material (in other words, earlier draft).

If the studio was given the episode as an In-Production Dubbing project, this could explain why the title of the Spanish translation reflected the original script title, "The Truth," rather than the final title in English, "Despair".

Assuming this difference was unintentional, rather than a calculated marketing ploy re: audience enticement (which seems admittedly unlikely), then yes, it could indicate a screw-up on someone's part. The question is, was the dub company given the task of generating the title card, or did some other graphics department handle that before the project made it to them? If the latter is the case, the choice to add "Me too" instead of "Don't do this, Cas" could be either a conscious choice on the dub studio's part as sort of a nod to what they thought "the truth" was, or could just be them going with what they were given and making their translation choices based on something else, such as rhythm/timing.

SO, could there have been an original script that had Dean say "me too" in response to Cas, which then went through translation and made it out into the world? Teeechnically yes, but one would assume that the original script and original *footage* would have to have arrived at the dub studio together if the script is being transcribed in-house as SPGSTudios outlines in their process. I'm going to reason that the odds of them using a later edit of the visual--one that contained what in this instance we would be assuming was Warner's preferred dialogue ("Don't do this, Cas") yet choosing to stick with their own audio revoicing of the (supposed) original script/visual's "Me too, Cas" with its now subsequently poor timing, seems unlikely.

So either they would likely have to redo the exact same "Me too" audio again (having made the choice to keep the original dialogue, while also having to work under pandemic restrictions re: travel and talent availability) to make everything match the visual footage time-wise, OR, it was simply a matter that the English scene always was just as we saw it, but that the studio chose to interpret the script the way they did and were able to do their timing the first time around to match accordingly.

This still leaves a question in the air regarding the origin and fate of certain clips of Dean's more visually emotive reaction to Castiel's confession that have been floating around the internet. I've only seen very very brief glimpses of them, myself, and I'm not certain that they're really evidence of anything other than more than one take having been done of that scene, which wouldn't be uncommon and doesn't necessarily point to a conspiracy.

I also want to state that in the wake of 15x18, I opted to protect my mental health rather than follow every development/rumor/speculation that cropped up in the aftermath, so there’s probably a lot that I’m leaving out of this post that may be pertinent. Do me a favor and do assume that I know nothing of it. lol

I will also add this about the other studio, Iyuno: they are very careful to state on their site, repeatedly and with great pride, that they are committed to presenting the world with the smoothest, most true-to-the-original localized version of a film or show possible. Quote: "...our entire team of staff wants nothing more than to make every single one of our partner's content feel as if it were never translated." They are not fucking around. They want to please the client. Would they have done something like the translation in question without any direct go-ahead from Warner? It seems unlikely, though they don't outline their process on their site the way SPG does.

Notice that in the SPGStudios process outlined above, there is no mention made of a review step in which the studio presents the translated dialogue to the client for approval re: the new wording. That doesn't mean there isn't a review step; however, without seeing the contractual agreement that was made between Warner and whatever dub studio they used, or knowing Warner's preferred process by some other means, it's difficult to be certain whether or not there was a review process for the translated script. I did find evidence that Netflix reserves the right to review such translated scripts before air.

Speaking of Netflix, I will include here what their translation requirements are, as I did find those. They, like Warner, also use Iyuno Media Group much of the time for dubbing (voiceover style dubbing in which they apparently like to leave the original language audible underneath, so that's slightly different from revoicing, but I'm working on an assumption that the general expectations are the same for both):(4)

"1. Translation Requirements

1.1 Main Dialogue

   All main dialogue in the source (original) language should be translated unless specifically noted.

   Due to timing limitations, some of the dialogue may be condensed/truncated as long as it retains all essential elements of the plot.

   Please refrain from dubbing redundant words such as character names and repetitions.

       Additionally, do not recreate laughs, hesitations, reaction noises, etc."

I'm looking at that bit: "Due to timing limitations, some of the dialogue may be condensed/truncated as long as it retains all essential elements of the plot."

So let's say just for argument's sake that this is pretty standard language provided to the dubbing studios. Netflix is a giant, so I'll proceed with that assumption given the lack of more concrete information:

Does it really change essential elements of the remaining plot to have Dean return Castiel's declaration of love? Forgetting about the outside, emotional ripple effect such a declaration was bound to set off in the viewing audience, no. The two characters have no further scenes together, nor does Dean go on in the next episode to immediately embark on a new relationship, or tell anyone that Cas said he was in love with him but he couldn't return it because he didn't feel the same. So technically, no rule was broken. And that is what it comes down to, if you're thinking like a lawyer reading a contract: specifics, not theoretical implications or consequences.

So, possibly what we have is something that was simple to add and easy to get away with/argue for: translated dialog that fit a dub better due to its length, and didn't actually change anything plot-wise (or at least, the argument for that could easily be made). This points to the painful crux of the matter: why would the Spanish version of Supernatural which aired in Latin America allow Dean Winchester to return Castiel's declaration of love with a "Me too, Cas"? Could it *really* be as insulting as the fact that "Yo a ti, Cas" would be a quicker, smoother dub than "No hagas esto, Cas"? ("Don't do this, Cas" in English.) Or did they see something they could get away with, and a reasonable argument to provide for it, so they went ahead and claimed a small LGBT+ victory?

Is someone, somewhere, getting in trouble for all this? Maybe. But could action be taken against them? That would look pretty bad, public-relations-wise, for the party expressing condemnation if that got out. Could Iyuno, or whatever other studio (again, I don't actually know which one handled the dub) theoretically feel a ripple effect from the fallout of this? Could they quietly suffer a drop in acquisitions/revenue for "reasons unclear"? Sure. That sort of thing happens all the time, so theoretically yeah.

Whatever the reasoning behind the decision to have Dean return Cas' declaration of love, surely they didn't have to do it. Surely they could have chosen some other phrase that fit. But they chose to do exactly what they did. I don't know what went down, in the end, or whether censorship was indeed involved, but I will certainly say that I think it was a brave and admirable choice that was made with the Spanish dub. It doesn't undo the "bury your gays" trope of course, but for some LGBT+ audience members it surely provides a sense of validation and maybe even lends a little hope for better representation--which is long, long overdue.

Thanks if you read this far. I hope that even though it’s not perfect it will be helpful in some way.

Sources

(1) https://www.indiewire.com/2020/02/subtitles-vs-dubbing-what-you-need-to-know-1202212800/amp

(2) https://en.wikipedia.org/wiki/The_CW

(3) https://www.iyunomg.com/

(4) https://partnerhelp.netflixstudios.com/hc/en-us/articles/115016062708-Dubbed-Audio-Style-Guide-VO-Style-Dubbing

(5) https://www.spgstudios.com/localization

[snowdice]

Finding the Time to Study Fic 2 [Day 42]

Here is my starting post for today’s study break stories session. See this post for more details and feel free to send me asks to keep me going! It’s been a lot of fun so far! I will reblog this post with the story as I write them today. I’ll be constantly looking for ideas of times and places for Janus to have missions, so feel free to send in any you can think of at any point!

If you are a new follower or just don’t want all of these posts clogging your dash, please feel free to block the tag “study break stories” as all posts and voting about it will go there. You can still see the finished product of the story even if you are blocking that tag as I will not tag the edited chapters with “study break stories” but with the tag “folds in paper.” See edited chapters below. None edited chapters are under the cut.

My Masterpost Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 Part 15

I also have a playlist on youtube (because Spotify didn’t have one of the songs I wanted). It’s short, and not really for serious listening, but I had fun with it.

Gotta finish my first draft of my research paper today, so let’s go!

Arc II What We Do to Each Other

Chapter 16:

As it would turn out, Janus and Virgil did not get in trouble for hooking up the old phone to Virgil’s integrator, mostly because it wasn’t really a mistake on their part. The phone cleared all virus checks that the tech people both from the university and the TPI ran on it. The phone should have been clean and should not have caused an issue.

In fact, they were still trying to pin down the code on the general university server. They could tell that something was mucking about on the system but what or how was a mystery. This also meant that there was no telling what information had been compromised and considering how many things Silver Mountain had its hands in, that was… a bit worrying.

 Another worrying thing was there was suddenly more activity of late at the TPI. There were more time distortions popping up every day. Usually they would be few and far in between. There had been 3 total recorded the year before, but over 12 in the last week. Some of them were fake like the one Janus had investigated, but some of them were real. It painted a distressing picture and also was a drain on their resources. Khalid was actually looking to advertise positions to hire new recruits which was something she rarely did as she liked to keep appointments to the TPI in house.

 They’d even loosed the number of field agents needed for each mission and Janus and Remus had been splitting up just to get everything done. Today, he and Remus had thankfully only two missions scheduled for the day.

“Are we going together or separate today?” Janus asked Remus.

“Think they’ll burn me at the stake for being a witch if I go alone to either of them?” Remus asked.

“I don’t know. Probably. I think we’re getting a bit late into the 1700s for that in Cuba, but I have no idea about Mesopotamia.”

“Let’s just go together. I did not like almost drowning yesterday because I was the only stranger in town when the weather was going wonky.”

“Surely it isn’t because you opened your mouth. Ever.” Janus said dryly.

“How was I supposed to know he was the local clergyman’s son?”

 Janus rolled his eyes. “On second thought,” he said, pushing a button on his desk to choose Cuba as he next mission, and standing up. “I don’t want you coming with me.” Yet, he did not protest when Remus also signed up for the Cuba mission and he waited for him by the office door before going to talk to Rhi.

Rhi was a bit frazzled when which meant quite a bit as she was usually incredibly put together. Remus didn’t even seem inclined to tease her today.

“Okay,” she said once they’d closed the door behind them. She flipped through some documents on her desk. “Picani and Clockson. Camaguey Cuba 1755. Do you know Cuba?”

 “Uh,” Janus said. “Yeah?”

“Like you’re reading the things, right? I don’t have to babysit you, right? You got it? The Seven Year War was happening, but it won’t affect you much as it hasn’t really hit Cuba. It’s the middle of the Camaguey Carnival. Everyone will be everywhere and there will be chaos so as long as you don’t really fuck up you should be fine. Um…apparent races.” She looked up at them and studied them each for a moment as thought looking at them for the first time despite having known them for years. “It’ll work. Go to costuming.”

“Shouldn’t we…” Janus said, “sign things?”

 “…Yep,” she said, fiddling with her desktop and then sending documents over to their side to sign.

Janus and Remus both did before sending them back.

“Great. Good.” She stood and grabbed some things from behind her. “You can go.” She sat back down as they took their things and Janus noticed a message pop up on her desk. She looked up at Remus looking exhausted. “What?” she asked.

“Just open it,” Remus said.

Rhi tapped it and a photo opened.

“I got her a new mouse toy!” Remus said happily as Rhi looked at the picture of Diesel Fuel attacking a cloth mouse.

“That is… appreciated Agent Clockson,” Rhi said. “Now get out.”

 They did, leaving to get their costumes on and checked. Costuming was just as busy and frazzled as Rhi had been and they actually had to wait for decon because there’d been a mix up with the agents leaving before them. They landed in Cuba without issue. Janus could already hear the festival in full swing outside the small building they’d were in. Remy was standing there with a very not time appropriate mug of coffee.

“Sue me,” Remy said when Janus raised an eyebrow at it. “Please just… get in and out without causing trouble. Seriously. I don’t want to have to deal with that on top of everything else.”

 “We’ll do our best,” Janus assured.

Remy pulled his sunglasses down to look at him. He looked exhausted. “God please do more than your best.”

Janus nodded tightly. “We’ll be in and out,” he said, already glancing at his timepiece. It had been disguised as a golden bracelet which made it a bit harder to actually use, but wrist watches wouldn’t be invented for more than a century, so they’d have to make do. “The time distortion, if that’s what it is, should be in the middle of town. Let’s go.”

He and Remus exited the building onto the packed city street.

 Janus was immediately bombarded with all types of sights, sounds, and smells. There were many colorful articles of clothing and costumes as people went every which way along the street talking to other members of their community, playing instruments, and dancing. There was the sound of people speaking Spanish, still mostly almost pure Castilian Spanish with perhaps a bit of influence from Taino as the Haitian revolution had yet to push the Creole language over to Cuba. People must have been hard at work cooking different dishes for the carnival as many different spices wafted through the air. It was sticky hot considering it was the middle of June in the tropics and Janus was immediately sweating despite the temperature appropriate clothing he’d been outfitted with.

 He glanced around their immediate area, just scoping out the crowds. His eyes were immediately drawn to one person near them.

“Oh, you’ve got to be kidding me,” he said out loud when he saw Pat. Remus looked in the direction Janus was.

Even if Janus didn’t recognize him the moment he laid eyes on him, he probably still would have ended up staring as he was the only person in the area who clearly did not know how to do the dance he was attempting.

Remus snorted and Janus shook his head in secondhand embarrassment. “Well, would you look whose boyfriend’s here,” he said to Janus. Make that firsthand embarrassment. “Has anyone told him the Mambo wasn’t invented until the 1900s and also that’s not how you do it?”

 Chapter 17

Pat stopped dancing the moment he saw Janus approaching him, but he still bobbed cheerfully ( and unrhythmically) to the music. “Hi Janus,” he said pleasantly.

“You just have to rub it in, huh?”

There was a flash of confusion across his face, but then he smiled. “Well, I know where in our relationship you are. How was France?”

“You’re a bastard.”

“You stole the phone,” he laughed.

“You stole the bomb,” Janus countered, “and you wanted me to steal the phone. You booby trapped it.”

“No,” Pat correct, putting a finger up. “We have security on my phone because in high school I once forgot it in the school locker room and long story short, the three of us ended up in a lake. So, then Lo made sure I always had some sort of tracker on it. When I started time traveling, he updated it and when I met you we updated it again in case there was ever an opportunity like that. Lo calls it using our weaknesses to our advantage.”

 “He’s a bastard too,” Janus growled.

Pat just laughed.

“Is someone talking about me?” Remus asked, stepping over to them. Janus rolled his eyes.

“Oh,” Pat said, blinking at Janus’s partner for a moment. “Remus.” He hesitated slightly. “How are you doing?”

“Me?” Remus asked. “Uh, I’m doing good. A little stressed out with work, but fine.”

“Good,” Pat said with just a little too much heartfulness to it.

“What?” Janus asked, eyes narrowed at Pat. “What is that?”

“What is what?” Pat asked. He met Janus’s eyes briefly and it made panic surge up Janus’s spine because the look Pat was sending him wasn’t one that said he was playing dumb. It was a warning.

 Oh, Janus did not like this. That look told Janus Pat had some foreknowledge that he absolutely could not tell Janus about without messing up the timeline spectacularly. This was why this mess the two of them were mixed up in was so bad, but it seemed Janus did not have much of a choice when it came to Pat.

Despite how bad of an idea he knew it was, he still wanted to push, because whatever Pat was hiding could be very, very bad and it had to do with Remus. There were so many reasons Pat could be acting like that around Remus, but the worst ones were definitely the ones on his mind. Death, injury, illness. They were all possible especially in their line of work and especially with how time was being screwed with right now. And Pat knew. He knew exactly what the answer was, and oh did Janus want to push.

Experience knowing what worse things could come out of having foreknowledge made Janus bite his tongue.

 “So, what are you two doing here,” Pat asked, and Janus unhappily let him change the subject.

“Oh, like you don’t know,” Janus replied.

“I don’t know,” Pat said innocently.

“There’s another time distortion,” Janus said, “and while you didn’t know what it was the last time I saw you, I’m pretty sure you do now.”

“Oh, I didn’t know there was a time distortion here. I can help you if you like,” he offered sweetly.

“Oh, yeah, sure. Then why are you here?”

“I wanted to see if I could find the Flying Dutchman,” Pat told him.

“And so you went to Camaguey?”

“Uh huh.”

“One of the farthest places from the ocean in Cuba?”

 “Is it?”

“I don’t trust you.”

Pat just shrugged. “Well, if you don’t want my help finding the time distortion, I’ll just be on my way then.”

“Wait,” he said when Pat went to turn away. Pat paused. Janus turned to Remus. “Remus, do you think he’s bullshitting me so I let him wander off and do whatever the hell he’s doing, or do you think he’s bullshitting me into letting him come with us.”

“Hmm,” Remus said, looking Pat up and down. Janus could immediately tell he wasn’t going to get any helpful answer. “Well, if we’re going with the how much do I get to see his, admittedly very sexy, ass criteria.” Janus pinched the bridge of his nose. “Letting him leave now means instant gratification and a nice full image when he turns away. However, letting him go with us means many more opportunities to get a glimpse, but they’d probably just be glimpses. So, yeah that’s a tough call.”

“You didn’t even bother to give me an actual hidden suggestion with that bullshit,” Janus groaned. He glanced at Pat only to see him hiding his very red face in his hands. Janus blinked. “Oh,” he said. “You got him, Remus.” Janus was surprised. He’d expected a bit more tenacity for someone with Pat’s personality. Of course, Janus was used to Remus, so that perhaps had some effect. Pat made a muffled distressed sound behind his hands and Janus raised an eyebrow. “You really got him.”

Pat flapped one hand around while still using the other to completely hide his face. “It’s just. His face. Saying that. Is weird.”

 Janus could not say that he didn’t feel a slight spark of joy at seeing Pat flustered. After all, Pat’s weapon of choice had often been flirting with Janus in the past. However, he still smacked Remus on the shoulder when it looked like he was about to continue with something likely far more inappropriate. “We are here for a reason,” he reminded. He turned to consider Pat and squinted at him. “You’re coming with us, I’ve decided. I don’t want to let you out of my sights. Don’t,” he said empathically turning to Remus as the man opened his mouth once more.

 Pat had mostly recovered, though his cheeks were just a bit pink still. “Yeah,” he said. “I’ll go with you. Where do we start?”

Janus glanced at his timepiece. “It’s not showing up on our trackers yet.”

“It messed with your tracker last time,” Pat pointed out.

“I know,” Janus said. “Which means it could be another fake one or whatever is causing it hasn’t started yet. If things start going wrong, but it still doesn’t show on our radar, it’s almost certainly a fake one, but some of the fake ones haven’t blocked our technology.”

“Here, I can check,” Pat said.

“Please don’t pull out an iPhone,” Janus begged.

 Pat stuck out his tongue at him, and then smiled. He reached for the bracelet on his wrist and twisted it back and forth a few times before pressing his palms together. He glanced around them quickly to make sure no one around them was watching and then peeled apart his palms like he was miming reading a book.

“What the fuck is that, and how do I get one?” Remus asked immediately. It was innocuous, whatever it was. If someone from this time caught a glimpse of the display, they’d likely assume it was a trick of the light, but staring right at it, Janus could tell it was a map of the surrounding areas with a softly glowing blue light marking their current location. Janus could see no screen or origin of a hologram. It looked like the image was drawn onto the man’s palms, but as he watched, the image shifted to zoom out.

 “There doesn’t seem to be anything major yet,” Pat said wiggling his fingers a bit. The display changed slightly to some sort of colorful overlay Janus did not understand. Pat hummed. “Did you two come from that building recently?” he asked nodding at it.

“Yes,” Janus replied. “How do you know?”

“There’s sometimes a slight temperature change when people time travel,” Pat explained. “I can read it on here.” He tilted his head. “There also seems to be a big enough temperature change in a church a few blocks away that could indicate time travel. Want to check it out?”

“We might as well,” Janus agreed.

“And if it’s nothing, we can get drunk on the communion wine!”

“He’s going to get immediately struck by lightning,” Janus said.

 Chapter 18

“If we see anyone,” Janus said as they entered the church. “You keep your mouth shut. Do you understand me? Remus, do you understand me?”

Remus immediately turned to Pat. “You know, I didn’t grow up Catholic,” he said to Pat who looked at him in confusion. “So the first time I ever entered a Catholic church, you can’t blame me for being a little confused about the whole cabinet thing with a wall between them. After all, everyone was singing about glory to god and what not. So I…”

Janus slapped him. “This is why you were almost burned at the stake yesterday.”

 “Excuse you,” Remus said, putting his hand over his heart. “I was almost drowned.”

“You were almost drowned?” Pat asked, his voice seeming legitimately distressed.

Remus shrugged a smile on his face that caused a Pavlovian migraine to start up behind Janus’s eyes. “It’s one of the hazards of the jobs, and really it would have all been worth it if I’d actually gotten to drown in that man’s…”

“We’re in a church!” Janus cut him off switching from Spanish to Swahili in the hopes that no random passersby would be able to understand him in this time and place. “Don’t talk about lewd sex things. Don’t talk about sex at all. It’s a Catholic church!”

 Remus continued to speak in Spanish with no regard for anything. “But not talking about lewd sex things takes away 3/4ths of my personality,” he pouted.

“More like 9/10th,” Janus grumbled, “and the other 1/10th is just normal stupid.”

“Hey, you shouldn’t be mean,” Pat scolded, in fucking English for some reason, “but Remus, honey, you probably shouldn’t be saying things like that right now.”

“No, no, he has a point,” Remus said switching to English.

“He’s my partner, I have the right to call him stupid,” Janus insisted.

“And I love you too!” Remus said in Greek because he was really, truly, stupid.

 Pat looked between the two, but then seemed to accept it, dropping the concerned expression for a slightly amused one. “If you say so.”

“Can I… help you?” A voice asked. All three of them whipped around to see a young boy looking at them and seeming very confused. Which was fair considering that to his ears, they’d just been speaking nonsense.

“We’re here to pray!” Remus claimed, then he turned to wink at Pat and said under his breath in Swahili, “to that ass.” Pat went immediately bright red again, which was doubtlessly Remus’s aim. Janus subtlety stepped on his foot while smiling at the boy.

 “Oh,” the boy said. “Okay.” Thankfully, he didn’t seem interested in questioning the random strangers in front of him further. “I’m going to go back to the celebration now.”

Janus smiled at him. “Have fun,” he said. He waited for the boy to leave through the front door before slapping Remus on the back of the head.

“Ow!” he whined sounding far too pained for how hard Janus had actually hit him.

Janus rolled his eyes. “Let’s just start investigating,” he said.

“Sure, sure, you never let me have any fun,” Remus said, pulling up his wrist and spinning the golden bracelets on his arm. “Hmm…” he said.

 “What?” asked Pat.

“Either I put on the wrong jewelry this morning�� or my timepiece isn’t working.”

“Well, then I’m guessing we’re in the right place,” Janus said. He turned to Pat. “Your stuff still working?”

Pat brought up whatever device was on his hands. “Yeah,” he said, “and it looks like something is just starting.” Just as he said it, there was a violent crash of thunder.

“Well,” Janus said. “We should probably find the source and soon. Which way?”

Pat glanced around himself and then motioned with his wrist. Suddenly there was a 3D display of the church in front of them.

 Janus could see immediately where the problem had to originate. There was a swirling mass of some sort of energy centered at the top of the bell tower of the church. As he watched, he saw the picture of the church glitch out a bit. He had a bad feeling about that.

“Is there something wrong with your display?” he asked, or more hoped.

Pat shook his head slowly. “I don’t think so…” The room seemed to shift suddenly underneath their feet. It felt a bit like time travel, but also wrong. The picture on the display flickered harder, part of the building fracturing and dissolving before appearing back in place. The room settled after a moment, but Janus’s stomach did not.

 “Whatever is going on,” Janus said, “We need to stop it right now.”

Pat nodded. “The quickest way up would be that way,” Pat said pointing. The display closed as he did.

“Then, let’s go,” Janus said.

The world was eerily calm as they all started off in the direction Pat had pointed out. In fact, it was almost too quiet.

“Where’s the nearest window?” Janus asked when they came out on the second floor.

Pat glanced at his hand. “There should be a couple a few feet that way.” Janus nodded and left them standing there. When he glanced out of the first window he came to, it appeared to be night. Yet, when he walked to the next window, he saw daylight.

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“Time is fracturing,” Janus informed them. “We need to be careful.” This time distortion was much more intense than any of the other ones the agency had been tracking down over the last few months. It had also come on much faster. Usually there was some time between when the time distortion began and it started having extreme effects on the environment. He was suddenly very glad that he and Remus had not split up today. He was even glad for Pat’s company, no matter how aggravating he may be sometimes. Not to mention, he was glad for the man’s technology that seemed to circumvent whatever was blocking Janus and Remus’s timepieces.

He backed away from the windows and returned to the others.

“Whatever you do,” Janus said. “Don’t let anyone be in a room alone.”

“I know what time fractures are this time,” Pat promised.

“It was as much for the idiot as it was for you,” Janus said.

“You accidently bring a bubonic plague infested rat to 900BC one time and you never live it down.”

“I’d say I should put a leash on you, but you’d twist it into something disgusting.”

“Probably,” Remus agreed.

“Where next?” Janus asked, ignoring him.

“That way,” Pat said.

They walked together to the door he’d indicated. “Please don’t be bullshit,” Janus prayed. He opened the door and immediately got bowled over by a stream of salt water.

 Chapter 19

Janus landed flat on his back, a wave of water splashing over him and then quickly retreating, but still leaving him absolutely drenched. He sighed, looking at the ceiling. “Don’t,” he warned, “say a word.”

Of course, he was with the two most impossible people in all of space and time, so neither of them headed him.

“I thought you said we were far from the ocean, Jan,” Pat said.

“Yeah, Janny,” Remus immediately jumped on board because he was an asshole. “I thought we were far from the ocean!”

“Maybe I’ll achieve my goal of finding the Flying Dutchman after all!”

 “Ooo ghost pirates! I’ve never gotten to fight ghost pirates before. Any good with a sword Patty?”

“My friend has a sword and he let me use it before… but all I did was cut a hole in our couch, and then Lo was mad at us.”

“I mean… just pretend the pirates are a couch and we’ll be good!”

Janus slowly sat up. There was still water on the floor and every so often a wave would crash into the room as though the door frame signaled the edge of a beach. Pat reached down to offer him a hand up and Janus slapped it away.

 “Rude!” Pat claimed, but his eyes were alight with mischief.

Janus shoved himself to his feet on his own power.

“You deserve it,” he hissed. “For all of this!” he waved his arms around.

“Water you talking about. I didn’t do anything wrong.”

“You are on thin ice.”

He looked down at his feet with a contemplative expression. “Looks like water to me.”

“Arg!” Janus spat, throwing up his arms.

“I don’t sea why you’re screaming, Janus.”

“Yeah,” Remus contributed. “You seem overally emotional to me.”

“Yes, yes,” Pat replied. “Very em-ocean-al.”

“One may even say he’s pretty salty.”

“I know where you live, Remus,” Janus reminded.

 “Alright, alright Remus, reel it in,” Pat said.

Remus opened his mouth to respond, but Janus cut him off. “Why don’t the two of you dedicate all of that brain power to figuring out how to cross the literal ocean in the next room,” Janus suggested hotly.

And it was a literal ocean. If one ignored where they were and the fact that there was a staircase climbing out of said ocean about 80 or so meters away. There was sand being washed up across the door frame and a seagull flying in the distance. At least it looked like a nice day in the room with the way the sun was glinting off the water. At least it wasn’t storming there. Yet.

Janus’s head throbbed with the thought of what had to be happening with the time distortion to plop a piece of the ocean into one single room in a church. Usually they’d be calling the TPI for backup or at least for information, but that was a loss. Even if they tried to get out of range of whatever was disrupting their timepieces, time was so unstable, they’d very possibly get dumped somewhere dangerous. It was better to just get to the time distortion as quickly as possible and stop it.

 “Hmm,” Remus said. “I wonder how deep it is. Do you think there are man eating sharks in the water? Or giant jelly fish? Remember that one time I got stung by a jelly fish and almost died?”

“Yes,” Janus said, lips pursed, “and it was entirely your fault.”

“I just looked so squishy!” he declared, “I didn’t know it was a murder blob.”

“I think I have a boat,” Pat said.

They both turned to him. “What?” Janus asked. He was looking at his hands and just hummed in response to Janus’s question. The next thing he knew, Pat made some motion with his hand and a yellow raft started to autofill from his palm. “...Why?” Janus asked.

“I… recently started carrying a wilderness survival pack in my time device.”

 “I’m not going to question it. It’s better than swimming.” By the time the raft was completely deployed, they’d all been shoved into the walls by it.

“Huh, on second thought. I probably should have put the raft in the room before blowing it up.”

“You think?” asked Janus.

Pat glared at him over it. “I never really thought about how to open it in a narrow second floor corridor.”

“Just try to shove it through the door without popping it.”

“Why are you looking at me?!” asked Remus.

They managed to somehow squeeze the raft through the door into the other room after a few minutes.

 Pat squinted at the tottering raft he was holding to the door frame. “After you,” he offered.

Janus glared at him.

“You’re already soaked!” Pat defended himself.

Janus sighed and very carefully climbed into the raft. It tottered dangerously, but he didn’t immediately fall out, so that was a plus. The other two of them slowly also climbed onto the raft with him. They then sat in it for a few seconds. “Is there an oar?” Janus asked.

“Oh right!” Pat did something else with the device in his hands and an oar slowly unfolded from his hand.

“Seriously, I want one of those,” Remus said.

 “Let’s just get out of here,” Janus said, snatching the oar. The staircase luckily wasn’t too far away. They probably could have swam it if necessary, but the raft gave them some modicum of protection. Everything seemed to be going in their favor, which of course meant everything was about to go incredibly wrong.

They were about halfway across the water when the entire world around them rumbled.

“…I hope that was a giant jellyfish,” Remus said.

It was unfortunately not a jellyfish or any sea creature at all. The world around them fractured, the ocean seeming to split right down the middle so the water right of the staircase was 6 feet higher than on the left. The sky flashed red and yellow before the water split completely like Moses splitting the Red Sea.

 There was a millisecond as the split widened until it was only a few feet from them, to decide whether when they landed they wanted to be on the side with the water or on the side without it. On one hand, going towards the side without water could mean they fell to their deaths or the water crashed back down on top of them when it settled. On the other hand, if the fissure was closing or shifting to a new area, it was very possible that they’d end up trapped in the middle off the ocean with no connection to the church.

 Well, the best chance to actually get to where they were going was probably the side without water. It seemed everyone had the same idea at once because as he grabbed for both of them, they both grabbed for him and they all went tumbling off the raft into what could have very well been a bottomless pit.

Janus learned after a couple of seconds of free fall, that it was definitely not a bottomless pit. He landed hard, flat on his back and saw stars. The next moment something landed on top of him, squeezing all of the air out of his lungs.

 Something else fell half on top of his legs.

“Ow,” Pat said from near his ear.

“Yeah, well you’re the one on the top,” Janus groaned though his teeth.

“Wow, I never took you for a bottom, Janus,” Remus said from near his feet. Janus kicked up his legs into whatever part of him was on top of Janus and he gave an “oof.”

Pat snorted a bit and Janus glared at his… shoulder? He shifted around a bit so he was less thrown across Janus and more just on top of him. Janus blinked. There was a wooden ceiling above them, so that was a good sign, though there was also a giant dark hole of nothingness directly above them which was not as good.

 Janus moved slightly. He could tell he was going to be bruised later, but he didn’t seem seriously injured. “We should,” he started, but was interrupted as the hole above them pulsated and dumped a bunch of sea water.

Pat shrieked as they were all drenched with the chilly water. Luckily, they seemed to be on higher ground because, while water kept pouring out of the hole, it drained away just as quickly instead of drowning them.

Water still hitting his back relentlessly, Pat peeled his head up to look Janus in the eyes. A giggle bubbled out of his mouth.

“It isn’t funny,” Janus informed him. Pat just giggled more, leaning his head against Janus’s chest and cackling.

 Janus just rolled his eyes. “Yes, yes, this is an entirely appropriate reaction. Thank you for your contribution to our very important mission.”

Pat seemed incapable of stopping laughing completely, but he did calm himself enough to peel himself off Janus’s chest and lean forward so their noses almost touched. “It’s hilarious and you know it,” he claimed.

“In what way is this ‘hilarious’?”

“In many waves,” was the joy filled answer.

“You’re horrible.”

Pat hummed. He hadn’t moved to get off of him even though they really should be moving in case something worse than water came through the hole in the ceiling. He hadn’t even moved his face away.

“No, no, you two just tell me when you’re done being gay for each other,” Remus interrupted. Janus was surprised to see he’d stood up at some point and was now hovering over them.

 Janus flipped him off even while Pat laughed once again. Pat finally drew away and rolled off of him so Janus could sit up. Pretty much everything hurt when Janus moved, but he was able to stand up, so he was probably fine enough. “So,” he said looking around. “Where are we now?”

 Chapter 20

Janus looked around himself while Pat booted up his map to try to figure out where they were. They were in a small room that may actually be considered a large landing as there were staircases on either side of it. The water that was still coming out of the ceiling was running down the staircase that led down from the room.

 Something was stopping the water, creating a pool on the steps that was already about to overflow into the room. With the speed the water was flowing, they should have enough time before the room completely filled up with water and drowned them.

Janus wondered if they were in the church or not. It was not out of the question and there was church like décor around them, but who knew? He could feel a strange vibration in the ground and the one window in the room shone with green light.

“Hmm,” said Pat. “That looks not good.” He’d projected his map so they could all see everything.

 The map itself was moving. Rooms were phasing in and out of focus and fracturing down the middle. One room was even spinning lazily around in circles. Janus could see the room they were in. It was connected to the bigger blob of rooms, and there was a black line connecting it to another room from the top which was obviously the hole spewing water at them.

“Well, at least the time distortion is still coming from the bell tower,” Remus said. Janus shot him an unamused glance. Said bell tower was currently upside down and shuddering as well as divided from any other room by at least two inches of empty space.

28842

“How are we supposed to get there?” asked Pat.

“We don’t,” Janus said. “It’s literally impossible.”

“There has to be some way,” Pat argued with a frown.

“If we try to use time travel, we’ll definitely get shredded by the warping time and space around it and walking there isn’t an option. There aren’t even any entrances!”

“Well, there were at one point.”

“Yeah, before,” he gestured wildly to the ceiling that was still pouring water into the room.

“So?” Pat asked.

“’So’?! What do you mean ‘so’?!”  

Pat shrugged. “When one door closes, cut another one.”

Janus froze and looked at him for a long moment. “Where the hell did you hear that?”

Patton raised an eyebrow. “You.”

“I don’t think like that anymore.”

“Well then I guess we’ll die,” Pat said lightly. “Of course, that’ll make an even worse time loop considering I’ve met older versions of you.”

“Fuck,” Janus spat. “Fuck. Fine. Give me a minute to think. Not that I even know if we have a minute because,” he gestured once again to the room.

 “Okay,” Janus said. “The room with the source of the time distortion is separated from us by a swirling pool of dark nothingness and there is no way to get to it. But, the only way we’re going to stop the distortion from ripping apart time and killing us as well as probably a bunch of other people is to get to it. That is an impossible situation. There is no solution. That door is closed to us. What other ways are there to look at it?” He looked at the visual representation of the rooms. One of them suddenly went spinning out and his eyes tracked it. We need to be in the same place as the source,” Janus said. “That is fact, but we don’t have to get to it.”

“Um, what do you mean?” Remus asked. Pat shushed him.

 “If you want thing A and thing B to be in the same place, there’s more than one way to do it. If you can’t move thing A to thing B, you might be able to move thing B to thing A. Pat, you have a working time device. We can’t travel with it because that would kill us, but if we can make it do a stutter warp, it could draw the time distortion to it.”

“You…” Remus said. “Want to create another time distortion in hopes that the original time distortion will be pulled into this room?”

“Yes.”

“Well, sounds good to me!” Remus said.

 He maybe had expected Pat to argue, but he didn’t. Instead, he moved his hand to his wrist. There had been nothing there before, but when he touched down on his wrist with two fingers, there was suddenly a metal bound around it that Janus immediately recognized from the times he’d seen Pat’s timepiece before. How was it made invisible? He shook the thought off as Pat offered it up wordlessly. Janus took it and Pat leaned over his shoulder to look.

Despite the fact that the device looked nothing like his own, the interface was surprisingly convenient. “I assume you have safety setting to prevent a stutter warp,” Janus said. “How do I turn those off?”

 Patton pointed at a gear icon on the screen. “You put it under your normal settings?” he asked.

“I have to put in my password or use my fingerprint!” Pat defended.

“It doesn’t matter right now.” He navigated through the settings. He was interested to see that there were many different saved default security settings, but he didn’t get much of a chance to read what all they did. He just turned them all off.” It popped up with a message to put in the password and Pat pressed his fingertip to it. Another message popped up warning them that turning off these settings could cause damage to the machinery, the person using it, and time itself. Janus pushed “okay.” A message popped up that asked “Continue” and Janus pressed “yes.” One last message popped up that said “Security functions disabled.” Janus pressed “okay.”

 “Anything else I’d need to disable?”

“Nope,” Pat confirmed.

He navigated back to the main screen and then bought up the manual travel input screen. Yet another message warning him not to do this flashed and Janus once again ignored it. He copied the space time coordinates that the device said they were currently at and put it in the ‘travel to’ location. “Well,” he said. “Here it goes. Let it be known that if I die, it’s my own fault for allowing Remus into a church.”

“Really?” Remus said. “That’s what you’re choosing to be your last words?”

Janus just raised an eyebrow.

“Love you too Janus.”

Janus nodded and hovered his finger over the travel button. He quickly mashed his finger to the button 22 times.”

 The device warmed in his hand enough that he almost dropped it. Time literally froze for a few breaths as whatever Deity that may or may not exist processed their stupidity.

Janus was not a scientist or technician, but he had a good idea of how badly they were fucking up right now. The timepiece was attempting to travel over and over again to the exact same place and time. This basically punched a small hole through time, that if left unfixed would grow and disrupt space time all around them. As it was, their current position, all gathered around it and staring at it while one of them had it literally in their hand, was perilous.

 There was a rumble under their feet and the world tilted on it’s axis. The all went tumbling down in a pile of limbs to new floor of the room which had once been a wall.

Of course, this change of gravity caused the water that had been building up in the staircase to dump on top of them.

Janus would have cursed, but he was too busy being under the water. He maneuvered himself away from the other two flailing bodies and managed to shove his feet against the wall turned floor. His head popped above the water in time to see the ceiling, or well, it would be the opposite wall, rip in two and the other walls/floor/ceiling start to fold in.

 “Give me a boost!” Pat called over the noise of water rushing and walls crunching.

“Give you a boost where?” Janus asked.

“Up!” Janus wasn’t sure if ‘up’ really existed right now, but he still nodded. The water was a few inches over his head, so he held his breath and interlaced his hands so Pat could put his foot in it. He was shoved down into the water, but it gave Pat enough leverage to shoot up out of the water. When Janus resurfaced, he saw that the man had grabbed ahold of the crumbling wall and was pulling himself up into what for all appearances seemed to be absolutely nothing.

 It took a moment, but then Janus blinked, and he was suddenly in a new room entirely or perhaps it was the same room. He honestly didn’t know at this point. Remus was next to him. He couldn’t recall if he’d been there before the shift or not, but they were both treading water. Pat crashed into the water next to them. Janus’s wrist buzzed as his timepiece came back online. “Got it!” Pat declared when he resurfaced, holding a device up. It looked almost the same as the device they’d found in France, but this one was definitely different if it was able to cause that much chaos that quickly.

 Janus looked around and pointed at what appeared to be a set of stairs. The three of them swam over and pulled themselves out of the water.

“Where are we?” Pat asked.

“Looks like a basement,” Remus replied. “A flooded basement.”

Janus pulled up his timepiece and pushed some buttons to stabilize Pat’s timepiece. It slowly stopped vibrating and cooled. “Here,” he said, handing it over to him. “I suggest you put the safeties back on now.”

Pat nodded and took it.

“We’re still in Cuba,” Remus informed them, looking at his own timepiece. “Same church too, but in the basement and… two and a half centuries later.”

“Remy is going to be pissed,” Janus said.

Remus shrugged. “He’s always pissed… at least at me.”

“Well,” said Pat, slipping his timepiece back onto his wrist. “Thanks for being willing to pool our resources.”

Janus rolled his eyes. “Stop.”

“Ah, mi sirenito-”

“I hate you.”

“-never.” He disappeared with a pop which was when Janus realized, he’d never handed over device that had caused the first time distortion.

“…You bastard!” he yelled at thin air as though the man could hear him.

“Well,” said Remus, “that mission went swimmingly.” Janus reached over and shoved him back into the water.

 Chapter 21

“We should probably get out of here,” Janus said, very much not helping Remus out of the water. Remus pulled himself back up onto the staircase and shook like a dog. Janus crinkled his nose as water droplets hit him. They didn’t smell salty anymore, he noted. In fact, there was a broken pipe spewing out water on the other side of the room.

Janus and Remus cautiously snuck out of the church, not wanting to be seen and blamed for the flooded basement. They came out on a city street that was much different than the one they’d entered from.

 They walked down the street a bit, Janus’s eyes scanning the buildings. His eyes caught on a sign and he tugged Remus towards it.

They entered the small paladare and the person delivering food to one of the tables blinked at them both. Right. They were in clothing from the 1700s and were soaking wet. He met eyes with the woman, challenging her to say something. She did not.

They found a seat at one of the tables.

“Ah…” the worker said, approaching them. “English?”

“Ron,” Janus said, “por favor.”

Remus turned and started ordering the both of them food in Spanish. Janus didn’t pay attention to what he did.

 After his second shot of rum, Janus sighed and brought up his timepiece to ping the TPI. The reaction was almost instantaneous from their perspective. Remy all but kicked down the restaurant’s door and walked over to them. “How the fuck?”

“Ah, Remy,” Janus said calmly. “Have a seat. We’re waiting on our food.”

He did, but probably only because people were looking at them. “What are you doing here?”

“It’s been a long day,” Janus answered, “and I’m hungry.”

“Yeah, it certainly looks like you’re interested in the food,” Remy said, eyeing the empty shot glasses.

“Let’s just say, I’m glad Cuba started letting paladares legally serve liquor a few years ago.”

 It’s clear that Remy wanted to ask them what had happened, but he also was cautious enough not to make a scene here and Janus wasn’t planning on getting up until he’d at least gotten his food. “Why are you soaked, by the way?”

“Turns out the ocean isn’t as far away as we thought,” Janus said.

“Also, a church basement is flooded,” Remus said.

“Fantastic,” Remy replied.

They sat there mostly in tense silence until their food came, and then Remus and Janus ate. Remy slapped down some pesos once they were done and then proceeded to all but physically drag them out of the restaurant.

 They were led to an alley way and then through an old almost hidden door. Remy immediately rounded on them. “What the hell happened?” Remy asked.

“The time distortion caused level 5 time fractures in its vicinity, we almost drowned three times, and the worst person in the universe fucked me over again.”

“To be fair,” Remus said. “He did save our lives before that.”

“I saved our lives first,” Janus said. “I don’t have to be fair.”

“Oh, yeah, Mr. Curl Up In A Ball And Perish. I’m sure we would have been fine without him.”

“Anyway,” Janus said to Remy. “If you want your lump of flesh, I suggest you take it now, because Khalid is going to murder me, and then fire me, and then rehire me so she can put me on desk duty and make me do paperwork until the end of time.”

 “What did you do?” Remy asked.

Janus grimaced. “Made a time distortion.”

“You were the one who made the time distortion?” Remy asked.

“Not exactly,” Janus answered.

“He made the second time distortion,” Remus said. “It was actually pretty cool.”

“It was not cool,” Janus snapped. “It was irresponsible and dangerous. I shouldn’t have done it.”

“We would have died,” Remus said.

“And we could have done worse than dying if it had gone poorly,” Janus argued. “I just…” he tugged on his hair a bit, and Remus gave him an alarmed look. “I’m going to go talk to Khalid,” he said. He didn’t give Remus any time to speak, but just waved his hand to travel back to the TPI.

 Remus followed him instantly, of course, but Janus proceeded to ignore him until they were out of decontamination. Janus walked himself straight to Khalid’s office.

He knocked on her door and she called for him to come in. He did and sat heavily in the chair in front of her. She frowned at him. “You really should go to Cultural Outreach first.”

“Just fire me,” he said.

“What?” she asked.

“I just shouldn’t work here anymore,” he said. “At least not as a field agent. Really any type of agent.”

She paused and reached to her desk to pull up some file on the screen there. “I’ll fill out the incident report myself instead of Dr. Eran then,” she said. “Tell me exactly what happened.”

 Janus explained everything that happened, and Khalid diligently wrote it down. It was far outside her job description, but she didn’t explain or really react to anything he said more than nodding to say she’d gotten it recorded.

When he was finished, she saved the file and leaned back.

“Well,” Khalid said, folding her hands in front of her and scrutinizing him. “Honestly, this isn’t anywhere near a fireable offence.”

“But I…”

“You went against policy certainly, but policy sometimes has to be broken in disaster scenarios. You know that.”

“It was stupid,” he bit out, feeling sick to his stomach.

“Is it if it worked?” she asked.

Janus didn’t answer.

 “The major reason I originally assigned you to be a field agent is because you’ve always been good at thinking your way out of difficult situations even when they go against the rules we set. You have good instincts that I trust, but you haven’t seemed to trust them lately,” she said.

“You shouldn’t trust them,” Janus said darkly.

Janus felt his throat tighten as she considered him for a long moment. “This isn’t the first time you’ve asked me to fire you,” she said. “You wouldn’t tell me why then, and I respected it at the time, but…” she paused. “You’ve changed, Janus.”

 “Well then I’m not any good to you.”

“I’d beg to differ,” she replied, “but fine.”

Janus was actually surprised by that. He looked up at her. He somehow thought he’d feel better when this happened, but he didn’t in that moment. He just felt ill.

“I’m not firing you,” she continued, meeting his eyes, “but if you don’t want to be a regular field agent, fine. I have a particular mission in mind for you.”

“What?” he asked.

“This ‘Pat’ thing is getting ridiculous,” she said. “I don’t have enough resources to focus on it right now considering how much is going on, however, but I trust you and you’re already involved. So, I’m going to reassign you. No more missions. No more dealing with in department duties. You find him and his source of time travel. That’s your job. Whatever you think you need to do that job is fine. Request whatever trips or resources you need. Bring on Remus when you need or even Fred and Lena.”

“You’re…” he said. “Giving me more freedom and resources?”

“Like I said, Janus. I trust you. The one time I didn’t, after all, Pat ran off with a timebomb, so I learned my lesson.” She smiled briefly and stuck out her hand. “Deal?”

Janus sighed and once again resigned himself to staying at the TPI. “Fine,” he said. “Deal.”

 Chapter 22

Janus sighed. This was stupid. What was he even doing? He glared at the large hologram that took up a good portion of his office now. During the day, he usually shrunk it so he could only see part of the diagram he had up, but right now the office was abandoned other than him, so it took up and entire two walls. He rubbed his forehead. Why had 2pm Janus thought putting a bunch of words on this hologram was a good idea? Even the pictures were starting to look like they were vibrating. He drew a red line between “Nick Jonas” and “iPhone,” and he honestly wasn’t even sure why at this point.

His board didn’t even make sense. Why did he think this would be a help? He swiped a picture of the first device he’d found that had made the time distortions off to the side with his own (bad) artistic rendition of the one Pat had stolen. There wasn’t a pattern with Pat’s behavior that he could see other than, perhaps, a liking for early 21st century pop culture.

Frustrated, he turned away from the board. He needed a walk, he decided. He stepped out of his office into the TPI hallway and chose a direction at random. There were still some people in the building as even this late at night, someone had to be on call, but for the most part, the building was abandoned.

 He wasn’t paying attention to where he was going, and even if he had been, he likely wouldn’t have realized where he was because he’d never been to the AMO offices since he’d gotten his house, and they’d moved since then.

He paused in front of it the doors, eyes touching on the lit-up names on the door’s screen. He focused on his own last name until it stopped looking like letters at all.

“Did you need something?” a familiar voice asked.

Janus jumped and whipped around. “You… it’s late, what are you doing here?” he asked Emile.

“There are at least two AMO workers at the office at all times. Today is my night,” he explained.

 “I… see.”

Emile tilted his head. “Did you need anything?”

“No,” Janus said, perhaps a bit too fast. He bit his lip. “I was just going for a walk. I didn’t mean to come here.”

Emile folded his hands in front of him and rocked onto his heels. “I heard that you almost died,” he said.

“Yeah,” Janus said. “I fucked up.”

Emile arched an eyebrow. “And is that why you got a promotion?” he asked in that mild tone of his that informed Janus that his brother was wholly convince he was an idiot. Janus looked away and Emile sighed.

 “Well then,” Emile said, walking past him to the door. Despite himself and the fact that it was his fault, Janus felt hurt at how short Emile was letting the conversation be. Then he felt disgusted with himself that he even dared to feel that way.

Yet, Emile paused at the door. “If you ever decide you want that help, I offered, you know where my office is now.”

He wouldn’t, Janus thought, but he didn’t say anything. He just let Emile push open the door to the AMO and disappear inside.

Why was he even here right now? Janus wondered to himself. It was the middle of the night and he didn’t remember the last time he’d slept. He didn’t remember the last time he’d been home.

 Yet the house by the lake wasn’t home, was it? Going there to the nothing that pervaded the place made his throat tighten. He’d had different homes in his life. The small childhood home, the claustrophobic apartment he’d had in his college days, the first home the AMO had assigned him which he’d shared with his brother, but none of these were available to him anymore. He brought up his timepiece. There were only three pre-programed space-time coordinates in his device. The first would only take him back to his office with the frustrating board that wasn’t giving him any answers and the third took him to the lake house he couldn’t bear to see empty right now.

 That left him with only one option. He selected the second saved coordinates and stepped forward into Remus’s house. He landed in total darkness, which was expected considering it was around 3 in the morning and Remus lived about 3 decades before electricity was invented. Janus stumbled forward in the dark, his eyes very much not adjusted, until his shins hit the couch. He carefully turned and sat before blowing out a breath.

“Mew?” came from the corner, and Janus titled his head to see eyes shining in the dark.

“Hello,” Janus said. “Sorry to wake you.”

Diesel Fuel make a little burrhr sound and padded over to him.

[christinaroseandrews]

Marketing Matters - Strategy - Fanfiction

Strategy - Fanfiction

So this is a bit of a taboo subject in the publishing world, but I’m going to be upfront with you all. 

We write fanfiction. 

There, I said it. 

Writing fanfic is also a viable marketing strategy for authors who are choosing to go the self-publishing route and not always for the reasons that immediately spring to mind.  In addition, the skills, fanbase, and tricks learned while writing fanfic can also apply to traditional publishing.  However, I’m going to give you one caveat right up front: many big name publishers don’t like authors who write fic. Or at least they say they don’t. It’s becoming more common, but most publishers and agents want authors to be focusing on original fic not fanfic. Several smaller presses don’t care as much, so long as your author persona and your fic persona are very separate and you don’t rub it in their faces.  But the big name publishers may require you to pull your fanworks. So that’s something to keep in mind.

So now it’s time to break it down.

About Us and What we’ve done:

We’re probably best known as fanfic writers in the Hunger Games fandom, where we have a few well regarded fics.  We’ve also dipped our toes into other fandoms including the MCU, Harry Potter, DBZ, and more drive-by one-shots in various fandoms than you can shake a stick at.

We also both were/are a part of the Sims 2 writing community and had a few well known stories there as well.  ^__^ We may or may not have met in this fandom. LOL

Both of us have been part of these fandoms for years and were active members in them. Lark started in fanfic back in 1994/5 as a beta reader (which she then parlayed that experience into becoming an editor that summer). While Rose discovered fic in college in 2002. In these fandom communities, we met people that we now call friends in real life as well as mentors, betas, advisers, and cheerleaders. We learned skills that apply both to fic and to original writing.  And, most importantly, we learned how to listen to our audience.

Let me stress that again: we learned to listen to our audience. 

When we transitioned, we hit up the people we met in these fandoms to help us with various aspects of publishing life (either paying or trading favors for work done) and we’ve also given status updates about our original writing, along with links to our author tumblr in the authors’ notes of our fics. Nothing that will violate the terms of Ao3′s Terms of use - but links to our professional website/social media.

While we write fanfic less, we still dip our fingers in now and again.

Cost:

Time. 

Straight up time.

The cost of writing fic is time, energy, and creativity.  Time spent writing fic is time NOT spent writing original works that can be published.  Time that is not spent editing or plotting or doing other sweat equity types of marketing. Which is why some authors refuse to write fic once they turn professional and it is completely understandable. Fanfic authors don’t get paid for their work and for some, getting paid is a big deal. Especially when most of your income comes from writing.

It’s a cost we willingly pay sometimes, but if a fanfic author you know also writes original works for publications. It does mean that updates may be slower and there is often less motivation to keep publishing stories -- especially if the stories don’t get much in the way of response/feedback.

It’s about return on investment.

Return on Investment:

I’m going to do this a little differently since sometimes the return isn’t monetary.  This is also likely to sound really clinical and analytical; that’s because I’m trying to be objective and I may be going too far the other way. We write fanfic because we love it, but that doesn’t mean that it doesn’t give back to us too.

Monetary (Language of Flowers only):

Units sold:  20

Mailing list subscribers: 6

Social media followers:  Twitter - 15, Tumblr - 60, Facebook - 8

Not Monetary but Cost Saving

Editors - 9

Cover Designers - 3

Mailing List Trades - 3

Skills Learned:

Editing (Line, Content, Story Doctoring -- Yes, all of these)

Proofreading (not the same as editing)

Creating Characters

Keeping Characters in Character

Plotting

Engaging an audience

Finishing what you start

How to handle ConCrit

How to handle Trolls

How to write to an audience

How to prevent plot holes

As you can see, the biggest return on investment of the time is in the skills section. Fanfiction is not to be taken lightly.

And as for me, Lark, I literally parlayed my experience working in fandom to actual paying jobs as an editor. I honed my skills as an editor on fanfic which I then turned around and used to get a job editing professionally. I did that multiple times for a bunch of different publishers/clients. I got my start in fanfic.

As an editor, one of the biggest problems I see with developing authors is a “sameness” in voice. AKA all of the characters sound the same.  If you want to see this in traditionally published book action, then look at Laurel K. Hamilton... Her Merry Gentry and Anita Blake heroines sound almost exactly the same. (Which not coincidentally, sounds like how she speaks in real life.)

With fanfiction, you can’t do that. You’ll get called out for being OOC. So you have to learn to adapt your voice. (Or only write characters that sound like you but that gets boring after a while.)

So in my actual job as an editor, one I get paid to do, I legitimately tell my clients to pick a character from a show they like and use them as a template for a character they’re having trouble giving a good character voice to. And unsurprisingly, it works. It’s a good trick and it subconsciously teaches your brain how to create different characters/voices.

They other HUGE takeaway from the skills is in regards to concrit and being able to take it. If you want to publish for a living and not just half-ass it, you have to develop a thick-ish skin. And fanfiction can help with that. I straight up learned to deal with harsh reviews from writing fanfiction. But more importantly, I learned how to listen to what the person was telling me and then become a better author because of it.

In fanfiction, unlike in the publishing world, the reviews are meant for the authors... not potential readers. If someone really hates your work, or worse, is apathetic to it. They just won’t comment. They’ll hit the backspace and you’ll never hear anything. Most comments, especially critical ones, are from people who legitimately like the story that you’re telling but have a problem with part of it. The comment may be harsh, it may even be mean. But it tells you something and it gives you an idea where you may be turning off readers. People aren’t always good at phrasing criticism constructively. We’re not really trained how to do that. But when someone tells you why something isn’t working for them or why they didn’t like something, listen. You don’t have to agree -- we certainly haven’t -- but listening and thinking critically about the feedback will help.

This can be seen in our first novel, The Language of Flowers, which started out its life as a fanfic. The story pissed several readers off. And we realized as we were writing it that we needed to explain something and we weren’t doing a good job of doing so. So the scene that every single one of our readers loved was born of that concrit. Our story is better and reached the top 100 in its categories on Amazon because of the feedback we got as fanfic authors.

Seriously, writing fanfic has gotten us to where we are today.

Takeaways:

My biggest take away is that writing fanfic is a great skills builder and audience builder.

Pros:

Skills. Oh so many skills. But the biggest is that you will be writing and no writing is ever wasted. It’s practice. Like an artist has to sketch or a musician practice. You’re honing and toning your writing muscles. And fanfic is absolutely valid for doing that.

Cons:

Time. Straight up Time.

Rating:

It’s been so long since I’ve done one of these that I don’t remember. But honestly, the rating varies. You get out of fanfic what you put in and what you’re willing to take from it.

(Note: This has been sitting in our drafts for about 4 years. I finally finished it up because I was bored and waiting to go to a doctor and didn’t feel like doing nothing.)

If you like our marketing posts, please consider supporting us here!

[billyboymiki]

5 Works Tag Game

Rules: it’s time to love yourselves! choose your 5 (ish) favorite works you created in the past year (fics, art, edits, etc.) and post or link them below to reflect on the amazing things you brought into the world in 2020. tag as many writers/artists/etc. as you want (fan or original) so we can spread the love and link each other to awesome works!

I got tagged by @tippenfunkaport and @caramelaire for this tag game!!

I’m not one to compliment myself on anything honestly. Recently I remember thinking about how I barely drew anything this year. There was a part of my brain nagging at me to check how much I had drawn last year. So, I uh did. Turns out I drew basically nothing?! I triple checked this in fact. My DeviantART, Tumblr AND my camera roll. Nothing . . . I drew 5 very basic pinback button designs and that was it. I couldn’t believe it; but, it made be feel so much better about what I did this year. Basically my whole instagram is all artwork from this year, since I am actually really new to IG. I got super close to 40 works this year!

Now onto the works! They are in order of when I drew them 😊

Glimmer Inspired Patterns

I wanted to teach myself how to make patterns on Clip Studio so bad! I watched a couple of YT tutorials, and I can’t even remember why I decided to make She-ra ones specifically; I’m glad I did though! The Glimmer one means so much to me. Just looking at makes me so happy! The fact that so many people have now called it ‘aesthetically pleasing’ makes me feel as though I actually created a work that others could relate to. That was enough praise for me; to create something for myself that everyone else loved as well 💖

Glimbow Cuddle

This was my first real She-ra artwork. When I saw there was a Glimbow Week again I knew I had to join this one. I don’t know if anyone knows this; but, drawings take me forever to make. I used to be strictly a traditional artist and still prefer to draw rough drafts on paper. I couldn’t decide if I wanted them on Glimmer’s window seat or in Bow’s dads’ library. I was afraid of doing backgrounds; so, both sounded absolutely terrifying. I decided to go for the fireplace even if it meant fancy lighting on top of the background aspect. I think I actually spent more time on the lighting that’s hitting Bow than on anything else in this picture. It was worth it though. I studied how the show did backgrounds and lighting for a while. I tried so many different attempts at how I wanted it to look and ultimately went with this one! I love it so much 🥺

Bow’s list with doodles

Ah, yes the drawings I did for Tippen’s birthday!! I knew I wanted to draw a scene from ‘Tuna Cans’, but I was worried to try something like this. You see, I’m somebody that likes to stay in a comfort zone and only uploaded fully rendered perfect artworks. This year was the first time that I let the ‘fun’ aspect overrule my perfectionism. I’m so happy that I stepped out of my comfort zone for this, because I love Chibi styles so much. I can’t even explain the absolute joy I had drawing these. I didn’t tell anyone what I was up to, so it was just me laughing at myself for being an absolute goofball. The end result and everyone’s reactions were more than I could have ever expected. I’ve decided I’m going to revive this style soon as well so please look forwards to it!!

Space Suit Squad

Okay, so I cheated a little with this one! I couldn’t just pick ONE of the squad. Honestly though, I drew these with the thought of making them into prints in the back of my mind. I taught myself how to draw a space background and I’m really proud of it! So much in fact that the one in the final pictures is the first and last one I ended up doing! If I had to pick my favorites I think I’d have to pick Glimmer, Bow and then Catra. I LOVE the way I draw Catra I don’t know why? Maybe the eyebrows I’m not sure 🤔 It took me a while to decide on expressions and poses; although, I figured these were the ones because I could look at them and go ‘yep that’s them.’

Winter Glimbow

This one took me soooo long; I actually had to tell myself that I should put my pen down because it was done and I should stop touching it!!! I was sketching pictures in my sketchbook to make more patterns for my Redbubble account, and of course I’m like 100% Glimbow brainrot. My brain went, oooo you know what would be cute? If this skate was actually Bow’s and not just generic. So, I ended up sketching Glimmer’s as well. The heart that their skates make is like the cherry on the top for me, it had to be done! I’m not sure I did the background justice on this one? It doesn’t matter to me though because the concept was worth the effort. It was snowing here and I needed this picture like I needed air, even if it wasn’t even December at the time I posted it 🤣 I liked this one so much that I have similar ideas for the other seasons sketched out as well 👀

I’m sorry that I ramble so often. I’m like this quiet person; yet, it’s hard for me to get out everything I want to say? I’m horrible at it actually my brain runs at a hundred miles a minute and I’m not good with words most of the time. This turned out as more of a thought process than my actual feelings on each one I suppose. SO, in conclusion. I drew A LOT, I stepped out of my comfort zone, taught myself digital art and patterns. I let myself come to terms with the fact that not every piece of art has to be ‘perfect’. I drew at least 5 FULL backgrounds and I never used to draw them! I’ve also always been one for simple shading and lighting, and I do think there’s a time for that type of style, while other times sometimes a more difficult one might be appropriate. I’m glad that I did both because now I know I can do both, and they each give a characteristic that I adore 🥰 Thank you to everyone that has followed me through this journey, or just anyone who read my rambling! I have an honorable mention under the cut and some originals for anyone that made it this far! 💖

I’m not going to tag anyone; but, if you want to do this PLEASE do it. It was so great to reflect on what I did this year, it really surprised me and I think what you have done will surprise you as well! It’s been a rough year, and in the end we have been here supporting each other and that’s one of the most rewarding parts of being in a fandom! 💜

Glimmer screencap redraw

Another picture where I really tested myself on drawing a background! I love it even if it killed my hand!! The background definitely took the longest on this one too. My sister literally said ‘Wait, you did the background? I thought you just drew her?!’ And that was the only validation I needed!! I ended up thinning out Glimmer’s outline so she matched the background better. If you use the vectors on Clip please use this feature! You can do the opposite as well, it’s super useful!

Oh hi! Remember when I said I couldn’t decide between the two locations? Truth is, I also couldn’t decide if I was going to make it traditional or digital. I ended up getting really mad at the traditional version unfortunately. I haven’t gotten the hang of traditional backgrounds. In the end, I should have also done it in Copic and not cheap pencil crayons 😫

Just some space friends! There is something so rewarding about traditional art. Yes, I can see the mistakes and the proportions are most likely off; yet, it doesn’t bother me? I wanted to also show these bonus drawings because nobody is perfect and I thought some of you might like to see some of my process. Being able to hold it in my hands is something I will never tire of, in a way it’s super rewarding. I keep all my art actually and sometimes I like the rough drafts more than the finished work 👀 Outlining artwork can actually ruin the charm every so often 😔 I do really love the final versions of these though!

Annnnnd the last bonus!! As you can tell the final version stayed pretty true to my sketches! I almost went with a more realistic look and made the symbols ‘stitched’ onto the skates. In the end it felt like it didn’t fit the rest of the drawing unless I wanted to add extra details to the clothing as well. The wings on Glimmer’s skates turned into ‘Shwings’ PLEASE tell me other people know what that is? I had a pair a few years ago and misplaced them. I was doing the rough draft and it popped into brain and I treated it as a joke at first, until I gave it a proper chance XD In the end I fell in love with it!!!

[theastrophilearchitect]

A new project.

Because the first one wasn’t working. Writing journey #3.

Tue 30/03/2021 - ‘Bay Tree’ Word Count: 42,150 07.27 Hello! So I established in my last writing update that I was taking a break from my WIP ‘Bay Tree’, to return May 10th, and even though I’m not writing today, I just wanted to say that taking a break feels amazing. I’m focusing on reading (granted, I’ve been reading House of Earth and Blood for like two weeks) and it’s really helping ideas for edits develop. 

In my draft, I got to chapter 13 (I think) of twenty-something (because I didn’t fully outline the climax, so I’m unclear as to how many chapters there will ultimately be) but I just don’t think I can get all the way through a draft without first doing some developmental edits. So, for the next few weeks, I’m going to note the changes I think I could make, then figure out which ones I won’t implement, then how I will implement the others on May 10th.

In the meantime, this Thursday, I’m going to start working on a new WIP, which I have quite a clear idea for, but obviously need to develop the plot. So that’s it for today, and I’ll update again for my new project on Thursday April 1st.

Thu 01/04/2021 09.54 It is Thursday! I’m free for a couple weeks! Which means it’s time to start working on a new project. My goal for the day is just to compile some of the various ideas I have into something vaguely cohesive, then I’ll develop it tomorrow, and hopefully make a skeletal outline on Saturday, scene block on Sunday... I’m going to shut up before I set myself a thousand insane deadlines, but I’d like to have started a draft by the end of my free time. So, let’s go.

Wow. Blank documents really are intimidating, aren’t they?

13.04 I already had my core concept, but now I have almost a justification for it--why it happens, and I think I want to build up my world first, then characters, because knowing the world and its various peoples will allow me to figure out how exactly they fit in and develop their motivations, then finally do the plot. I’ll only work out the three characters I’m currently certain will be integral for the plot, because I don’t want to waste time on developing characters who are ultimately unnecessary, like I did in the earliest days of Bay Tree. 

Basically, with a world, I can work out motivations; with motivations, I can work out characters, and with characters, I can create a character-driven plot. I want to focus on creating both lovable characters and a memorable plot--I know all my favourite books have memorable characters, but the ones I enjoy the absolute most are the ones where it doesn’t feel like the plot only exists to drive the characters into relationships (I’m looking at you, Cassandra Clare. Seriously, I love Shadowhunters books, but the technically ‘main’ plots always feel second to the subplots).

Fri 02/04/2021 08.16 Honestly, didn’t get too much done yesterday. Mostly because I ended up down a rabbit hole of researching (though I do think what I learned will help me to form my world), and I was busier than I expected to be. Regardless, I think I want to make this a series. I have a feeling Bay Tree is also going to become at least two books when I revisit it, but I’m going to go into this one with that intention.

Obviously I don’t know how long it will be right now, but I think I’m going to aim for three books, then let it shape itself.

12.25 I just spent an hour writing out a history of the world and how it got to where it is. This is really fun, but really intense.

16.36 So, I have a rough plot in mind. I have an ending, a catalyst, a backstory for the world, and a few characters. And a lot of things that need names. I waited a really long time to name my characters in Bay Tree, thinking they’d be easier to name when I had then conceptualised, which makes sense, but I’d given them numbers with which to refer to them until that point, so it was a long time before my protagonist became her actual name instead of just ‘3′, despite the fact she technically became 2 because I had to cut 1.

Anyway, going to pick names, then let nominative determinism do its thing.

Jesus, I have no good male names. I keep a list of names, first and last, I like for use, but I have so many more female ones than I do male.

In Bay Tree, I used MBTIs as a starting point for personalities, which I’m planning to do here, especially since I know the types so much better now, but I want names first.

Maybe I just ought to choose this specific character’s surname first. Maybe he goes by his surname, or some variation thereupon (like how Daniel Arlington from Ninth House goes by Darlington).

Maybe he doesn’t need a name. Maybe we literally just call him Hero Guy.

God, screw this. He’s Hero Guy until either it comes to me, or I have no choice but to name him.

Sat 03/04/2021 11.15 I feel like crap today. I’ve been doing nothing for three hours, and I, quite frankly, need to get something done. So I’m going to write.

12.41 Wow, initial development really is the hardest bit of the process, huh?

Sun 04/04/2021 08.04 I’d really like to do more worldbuilding first, and character development, but it’s difficult when I don’t know the different parts’ roles. So, today, I’m going to attempt to outline the primary plot points of the three books. Attempt being the operative word here.

13.41 Honestly, yeah, I’m struggling with the plot. I think I managed to get Bay Tree’s plot so fast when I sat down to actually write it because it had been on my brain for a couple weeks, whereas I literally started this project three days ago.

Maybe that’s how I’ll handle this--when I hit a wall with one project, I work on the other to give myself some distance. Working on Bay Tree requires less thought anyway, because that plot’s already mostly figured out. Yeah. I think I’m going to revisit Bay Tree, but for reference’s sake, I’m going to dub the new project... eh... the first thing that came to mind was ‘Feather President’ which is more related to the actual content than ‘Bay Tree’, but it sounds so much crazier. I want to dub it something that actually could be a title, even if it definitely won’t be the final title, because I don’t want people to look at my blog, see ‘Feather President’ in the pinned post and immediately assume I’m insane.

Could always just use an acronym. Let’s go with FSB; those are one of the character’s (also the only character who so far has a name) initials, which may ultimately change, but it works for now. Bay Tree and FSB.

I’m going to end this particular writing stint here and come back in a couple hours, at which point I’m going to switch back to Bay Tree.

I should really stop planning so far ahead when my plans will inevitably change.

15.40 So here’s the plan I currently have that I definitely won’t stick to: at the start of each week, I’ll determine which project I work on (operating Monday-Sunday; if you think the week starts any day but Monday, you’re wrong, and I’m not sorry), and only work on that project throughout the week. So I’ll work on Bay Tree this week, and FSB next week.

I’m going to let myself work on a project for more than one week at a time, but I think I’m going to say I can only work on one for three consecutive weeks before I have to switch to the other. This seems like a good way to stay excited. Yes.

This second? Not completely sure. Might just go read and deal with it tomorrow.

Mon 05/04/2021 - ‘Bay Tree’ 11.37 Actually really glad I just sat down and read--I read about 200 pages yesterday in total, which meant I could easily finish the last 100 pages this morning. So I finished Starsight (the recent reads post will probably be up by the time this one is)--was anyone aware the A Court of Silver Flames paperback is £24 on Amazon? Anyone?

Anyway, we’re returning to Bay Tree today, after nearly two weeks (I know that’s not even long), and I’m going to attempt to implement my edits, by which I mean I’m going to put scene changes at the bottom in brackets, then technically implement them when I redraft.

Tue 06/04/2021 - ‘Bay Tree’ 09.11 I didn’t exactly accomplish much yesterday. I spent a good few hours just watching YouTube, because I didn’t have any motivation to do work, which screwed up my schedule, and I did no writing aside from transferring my list of edits from my phone to my document. I started reading Call Down the Hawk by Maggie Stiefvater, but didn’t get very far in--I’m obsessed with Stiefvater’s writing style; it’s the perfect mix between typical prose and fairytale-style storytelling. Anyway.

I’m going to switch to a new Scrivener project for the sake of cleaning it up--Bay Tree is a hot mess right now--and hopefully begin to implement my edits--maybe not today, but certainly this week.

Thu 08/04/2021 - ‘Bay Tree’ 16.53 So I haven’t yet had a day where I’ve done nothing (since my break finished), but the last couple days I’ve just been doing tiny amounts of what I’m calling ‘reference pruning’, where I’m just editing and clarifying character, worldbuilding and location documents. I’ve ‘pruned’ five character references, and I hate it. It needs to be done, but it doesn’t need to be done now. I’ve decided I’m just going to completely clear out the new Scrivener project I started for Bay Tree, and add stuff to it as it becomes necessary. I’m going to make notes of overarching edits (stuff I can’t just note at the bottom of a scene), and just get started with draft 1.7, adding and editing references as it becomes necessary. I’m also going to say I just need to spend an hour writing a day, rather than a word minimum.

Okay. Edits established. Things to bear in mind established. I need to go through the character profile for the POV character in chapter one, then we can get started. Or rather, I’ll get started tomorrow, because I need to go cook soon, and even if I do have time after dinner, I’m not going to, because I’m going to read then. Okay. Character.

I’m getting excited again!

Oh, and the setting. I need to do the setting document.

I’d like to draw attention tot he fact one of my character documents describes her as having ‘black upturned gold eyes.’ 

Clearly I couldn’t pick a colour, but now I’m inspired to give her heterochromia.

Character done, and setting undone, but I need to go cook now, so I’ll pick this back up tomorrow, when I may also do some actual work.

I just hope these posts give someone security in that writing is a messy process, and you don’t have to be perfect all the time to be a) competent, and b) a writer. I’m a competent writer, and I’ve only ever written about 60% of a draft. But I’m still going, still trying, and that’s the point.

Fri 09/04/2021 - ‘Bay Tree’: 484 words 09.15 Okay. So we’re redrafting, and this is like my fourth draft of the first chapter, so let’s just go.

Sun 11/04/2021 - ‘Bay Tree’: 576 words 09.01 Yeah, I missed yesterday. Ironically, having time off seems to be making productivity more difficult, despite the fact I actually have time for it. 

09.19 I feel like this project is making me stagnate. I think what I have is almost subconsciously tying me down, preventing me from improving, but I don’t want to just restart, because I want my bases, and it’s so ingrained in my head, I can’t physically start from scratch. Crap.

I think it needs to sit for longer. Crap.

It’s alright. I mean, it sucks, but it’s alright. It’s not like there’s any ideal age to become an author anyway, and I’m a long way off the average. I have time, and if it takes shelving projects now to complete better ones later, so be it. Maybe I’ll return to Bay Tree in a few weeks, or a few months, or a few years, or never, but I’ve learnt a lot from it.

So we move on.

Mon 12/04/2021 - FSB 08.05 This post is such a mess. I’m a mess at the moment. Today, we’re just continuing to work on FSB’s plot, and I think I’m already going to change the name of the character whose initials are FSB, so its nickname will probably change, too.

I had a trilogy in mind, but looking at it now, I think a duology will be best to convey the arc I have in mind.

21.51 I’ve actually accomplished quite a lot today--I’ve mostly been doing character profiles, but that helps me form tidbits to add to the story, which I can eventually string together. We’re progressing.

Tue 13/04/2021 - FSB 08.37 Hello! I think I can safely come to the conclusion I prefer development to actual drafting. Anyway, today I’m going to focus on completing the character profile for my other protagonist and do a little more work on another important figure. Then, I hope to be able to figure out the drive of the main plot in book one.

On another note, I am debating whether to plan out two books or three. Mulling it over, I think three books would give a more fulfilling arc, but it depends if I can work out enough content for the main plot. We’ll see.

Yeah, it’s going to be three. Two just can’t carry the impact I want.

20.00 I made pretty good progress today, but I just wanted to make the point I’m a lot more confident this project will hold my interest for longer than Bay Tree. This was something ruminating in the back of my mind for weeks, that I was desperate to write, where Bay Tree was very much a ‘sit down, make something up’ process at the beginning. Anyway, I think I’m done writing for the day, and I’ll get back to this tomorrow. (Because unlike most writers, I have a functional sleep schedule)

Wed 14/04/2021 09.19 Honestly, my head is empty right now, so I really need to open my project before determining what I want to do today.

Okay, so we’re basically just going to continue filling in holes.

14.50 Working out the plot, I’m pretty confident I’ve got the A plot covered, which the B plot will fit into, but I need more subplots.

Thu 15/04/2021 10.12 I want to work this one out mostly on the fly. I have nearly the whole of book one plotted out, but I want to work out the fine details as I write it; as I go, I’ll add more detail to my outlines of two and three. But for now, book one.

15.28 I’ve got basically the whole of book one covered; there’s just a gaping hole in act one, that I’m not sure I can fill. I mean, I can fill it, and I will, but I don’t feel like it’ll be that intentional of a thing. I think it’ll be more of an accidental idea that happens to flourish, but I’m going to keep working nonetheless.

Fri 16/04/2021 14.08 Good afternoon! I would’ve started writing earlier, but I wanted to catch up on the reading I didn’t do yesterday to make sure I finish A Court of Silver Flames within a week, so I can return the ebook and get a refund, because, despite being £6 cheaper than the paperback, it still cost me £8, and I want my money back. (Seriously, the paperback is fourteen pounds on amazon. Which is nearly twenty dollars. Which is pretty standard for a hardback, but it’s the paperback.) I’m about ten pages off meeting my minimum for the day (though I need to surpass that if I do want to finish it within a week), but it’s writing time.

14.37 I’m still establishing how, exactly, it applies, but I think I’ve solved it!

Definitely happy that as I’m planning, all I want is to make the characters happy, because I already love them so much. But they don’t get to be.

I have a section on a Pinterest board that’s just called ‘Simping’, and is just pictures of couples doing cute as shit things, and I literally just want my characters to dance together. Always. In Bay Tree, in FSB. Just dancing.

15.04 I have book one covered. It still needs development, scene development, but I can now move on to outlining book two, during which I’ll continue to develop one, integrate themes and such. 

Honestly, the plot falling into place is absolutely the most exciting part of writing. I get an adrenaline rush (yes, while sitting in a chair, typing), I start to love the characters, the world, the story... ahhhh.

I’m actually really satisfied with how the plot seems to be going.

16.44 The word ambiguous has too many Us in it. Three vowels in a row??? And the vowel sequence is a palindrome?? Don’t want it. 

I’m just sat here discovering new music. And it’s all so good and so dramatic and so perfect.

Okay, why do I have to come up with ideas so easily when I don’t need them? Then when I do I have nothing?

17.51 And just to clarify now, this post will actually end with Sunday the 18th, because after that I’m going to take three weeks completely off writing (aside from noting ideas), because I have a lot going on, then I’ll return on May 10th.

Note to self: develop a character who isn’t one of your two protagonists.

Sat 17/04/2021 10.23 I’m thinking I ought to do a more in-depth outline of book one before doing the basis of book two. Help me set up subplots and so on. Yanno, because other characters need some kind of agency, and I currently basically have two characters.

Sun 18/04/2021  08.52 I managed to plot out Bay Tree so fast because I’d already done so much development--plot was the only thing I was still missing. Anyway, I’m having a minor crisis. I think I’m a plotter, but I’m not entirely certain. It clearly didn’t work for Bay Tree. I think I may just start a draft of FSB now, and hope that lets me work out the other two books as I go.

In one of my excessive plans I will probably fail to stick to: I think I’d like to write a draft of the whole trilogy, all the way through, before even editing book one. I’ll obviously make notes of edits as I go, write as if I’ve already made them, eg. if, while writing book two, I have an idea for a book one edit, I’ll write book two as if I’ve already implemented it, which means I’ll have a little less editing to do of book two.

I have this all planned out in my head, but I’m probably being overambitious. We’re staying optimistic, though. I don���t believe in manifesting, but we’re manifesting.

14.23 I want to say I tried. I got a few details for the first couple chapters, but when I opened a doc to actually write it... nope. I need an outline to have a starting point. I just need detail.

Scene blocking sucks. But then I can’t write without it, so what can you do?

And I guess that wraps up this update. Writing this section, I’m about halfway through the writing break, and I have so many more ideas for this project. I was excited for Bay Tree because it was the first time I really made progress, but I’m excited for this one because I genuinely love this story. This post is going up May 14th, at which point I’ll be back to writing, and the next update should come mid to early June. 

And that’s a wrap.