#edgy!baz???

[knome-snaks]

Role swap for hazbinhotel cus I felt like it :P

[intriga-hounds]

baz had a hard time yesterday. all the changes to the room really set him off. he was agitated, edgy, and a little unpredictable. poor guy had to spend a lot of time in his crate. i hope today is better for him. ❤️ he jest a babey.

[lovelyladzzzz]

My thoughts after finishing Wayward Son: WHYYYYY?! Bro Watford needs to take care of its own problems! Every time Baz and Simon try to talk someone comes in and is like “Actually fuck that let’s go fight a battle!” I’m just waiting for Baz to scream and tell Simon he loves him and then Simon breaks up with him! I was so sure they were gonna break up on the beach and now they have to put it off for another book?! You guys can’t heal if you’re constantly in fights and dying!

On another happier footing: I love Shepard. Every Shepard chapter is an absolute delight. Every time the audiobook says “Chapter number, Shepard” I’m like; “Hell yeah let’s get some heavy analysis in this bitch!” He’s so cool and generally just rounds out their little friend group nicely in my opinion! We got a nerd who’s going through the trenches, the pacifist nerd who talks too much, the edgy one with mommy issues, the hot one with image issues, and Simon Snow. Overall I’d give Simon’s No Good Very Bad Road Trip from hell 9/10 stars. A point was taken because all Simon could think about the whole time was breaking up with his boyfriend who loves him more than my uber religious mother loves God.

[arainmorn-art]

why… does your edgeworth look like baz pitch from Carry On but if he had grey hair

sorry im just thinking aloud i mean i love your art it’s fan-fucking-tastic i just keep cackling anytime i see your edgeworth/baz

Will you be upset if I say you I've discovered him only because of your question?XD Frankly my Edgie reminds me of Jodie Foster as Clarice on some frames.

I often joke about how feminine my Edgeworth is, but... I also try to channel the grace and dignity of the Empress from Anastasia while drawing him x')

And John Rolfe.

Gosh, I've been thinking all day where I've seen that nod of the best type of male characters. I've seen it bazillion times. How could I forget.

I don't care what people'd say, I loved him much more than John Smith since I was very little. We love gentle sarcastic intellectuals here a lot. Redheads with long hair. Ahem where were we.

So yeah. You weren't asking but that's my artistic influence sipping through Edgie x') Or just my favorite type: • dignified intellectuals • somewhat long hair • sarcastic yet sweet • square jaws apparently

Don't know what you'll do with this information but thanks for asking x')

[mermaidsirennikita]

Need your Saltburn review though 👀

I will preface by saying that I personally find Emerald to be a filmmaker/writer that is rather boring at best and kind of... horrifically misled in that she thinks that shocking "darkness" = depth at worst. I think A Promising Young Woman had some fun visuals at points (and so does Saltburn--though I think this has less to do with Emerald having an eye and more for Emerald understanding aesthetic, which makes sense when you realize that her dad is an Eton-educated jeweler to the stars, King of Bling, I wonder if that possibly could ever have anything to do with a UK performer's rise, hmmmmm--) but the way it ended was just... Lol. Yes, Emerald! I know that this is how the story would probs end in real life, the women of the world NEEDED TO KNOW.

(Princess Weekes did a good little video essay about PYW btw, would recommend.)

But yeah, point is--I don't think Saltburn is a misstep for Emerald. I think she's just very mediocre and self-indulgent. You can be self-indulgent and get away with it when you have a vision and something to say (see: Baz). I don't think Emerald has something to say. I think Emerald has concepts, which she pushes to a point she thinks is edgy, but doesn't actually... string into a coherent idea.

First off, Saltburn is nothing new; and it doesn't need to be. I like the pretentious rich people problems aesthetic. I love the bacchanal of the upper crust sensibility. Hell, I loved Donna Tartt's The Secret History. Sierra Simone's Thornchapel series is one of my favorite things she's done. I love Cruel Intentions. I also love The Talented Mr. Ripley, which--

My good man. If you wish to watch what you think Saltburn was going to be, but with better actors (including Jude Law in what is essentially the Jacob Elordi role, which, uh, how we have fallen as a society) and honestly better homoeroticism in a movie made like 20 years ago... just watch The Talented Mr. Ripley.

But yeah. So, I think everything Emerald does is meant to shock but doesn't go quite far enough. It's little moments that happen, and aren't really contextualized in a way that feels like it's there to be anything more than shock value, which makes it less shocking. Like, the period fingerbang--if those characters had a dynamic which led up to that moment, if I felt the actual power play there, it might actually shock me. Or be sexy? For the record, Fair Play has a period sex scene within its first five minutes that is both more surprising and better in every way. The shit with Farleigh? Would be compelling. That was the one bit of chemistry in the movie, the moment when Oliver and Farleigh talked to each other right before the whole singalong disaster. But then it's happening and I'm like "why is Barry Keoghan fucking everyone in this movie except for Jacob Elordi? What is the point?"

And what is the point indeed. Jacob Elordi has the charisma of a medium-sized tree, and I suspect a medium-sized tree would do a better job of ditching the Aussie accent. Emerald's inadequacies could be overcome and made into a thing that is campy, maybe? Not good, but fun? Barry Keoghan does his best with the material. He's fun in the last like ten minutes of the movie wherein he's basically monologuing like a demented real housewife and dancing around naked. He tries so hard to create chemistry with Jacob, while Jacob's vibe is very "no homo". (But the character is supposed to be no homo, you say--is he, first off, because I honestly don't know what Emerald is saying, and second... Like.... The character can be not attracted to Barry's character will still giving us an essence of intrigue that would inform why Barry is spellbound.)

But the biggest issue is that the movie hinges on Jacob Elordi being worthy of obsession, and he is just a flop in this role. He doesn't sell himself as this posh, beautiful, Brideshead Revisited-But-A-Bro guy. He can't really act (there's a scene where the movie cuts to him giving a smile that I think is supposed to be charming and I went "yikes" out loud). He is up against people who are actually actors, which makes it a bit worse. Everything feels very forced and constructed, for want of a better term. If you do not get WHY this guy, then the movie flops. And try as I might, I cannot get WHY this guy.

(Might I add--the bathtub scene would've been more intriguing had we seen Jacob interact with the voyeurism, some sense that he knew, whether or not he enjoyed it. The queerness in this movie is so... It's just this queer guy being obsessed and rebuffed and murderous, and I don't know, there didn't seem to be enough exploring the ramifications of that kind of story.)

The Talented Mr. Ripley also hinges on the focal point of obsession being worthy of obsession. And again. It's Jude Law. And it's Jude Law giving a really good performance, too.

The movie also does some shit I really don't think it's equipped to do. Like, the premise is essentially the working class interloper (but like, he's not as working class as he saaaays so oooooohhhhh) is preying on this family of rich folks who offered him a place to land. And it's not inherently bad, imo, to tell that story. However, you need the rich people to have some role beyond being prey; you need to understand the predator's contempt beyond jealousy. But the rich people are cardboard. They aren't sharp. They may have a few throwaway lines that illustrate their own sins (including some very clumsily handled racism) but ultimately the movie gives Oliver more power than it does the elite upon whom he preys. So ultimately, you come away from it feeling like you're watching the anxieties of the upper class, re: the encroaching middle and working class... But there's no examination, because the rich people are just victims lol. I think it's genuine anxiety.

Yeah though, I thought it was really hokey basically.

[digicamsblog]

Miu Miu fall 1997 ready to wear "circus-themed" collection

“Miu Miu is romantic but edgy,” Claire Danes told The Evening Standard from her front-row perch at Miu Miu’s fall 1997 show, which was presented in London. The actress spoke from experience, having worn the brand in Romeo + Juliet. What this collection had in common with the Baz Luhrmann movie was an underlying sense of forbidden pleasures. According to designer Miuccia Prada, it followed the story of “of a very young girl”—a clotheshorse—“working at the circus.”

-Laird Borreli-Persson, editor at Vogue

[star-shard]

ayo why the fuck was Agent Elvis a flop like clearly effort went into it, it had stars attatched and style, it wasn't ground breaking but I'd say it could roll with the average adult action cartoon, like if that shit ran once a week on late night maybe it could have had a chance?

legit, there was VERY mild attention from old head Elvis fans in youtube comments for the trailer, then the show dropped, and I saw zero buzz in mainstream spaces then it was gone Here's my theory: the old guard Elvis fans hated the edgy humor, flat out, that's the response I sorted from youtube comments when the trailer dropped, and a lot of the new Elvis fans were mainly into Baz or Austin Butler, so not much into piss in jar jokes. I do want to clarify this ain't a dig on ANYONE, I'm legit one of those new fans that got way into Baz's flick. You like what u like. Anyway, the cartoon isolated it's demographic by being hard into the usual 'adult cartoon' type of humor. I'm sure the classic fans saw it as 'too dirty' for Elvis (lets be real here, tho). And then animation fans don't really care about Elvis Presley, generally. Add the sprinkles that Elvis turns a lot of online people off, so the terminally online fandom crowd won't tune in and boost. So even if it kicked ass and dropped lore, it got sort of ignored. And not fully promoted, that's a biggie. Netflix killed it the second it didn't perform. I feel like if it was released episodically on Adult Swim maybe it could have had a chance, like curious folk tuning in. But one big release after Oscar losses was a big misstep imo. At the very least we got a very kickass stylish Elvis cartoon even if only for one season. I think it had a lot of potential for a deeper season 2 and it's a shame there's not a big audience for it.

[suslumimar]

YSL Couture Variation 10-renkli far paleti

bendeki [02 Tuxedo] rengi. anneciğimin 2012'de gittiği Benelux turundan dönerken bana aldığı far paleti. o zamanın parasıyla 140€ tutmuş, şu an satışta olmadığı için güncel fiyatını veremiyorum. makyaj koleksiyonumun takdir edersiniz ki en eski üyesi. bir zamanlar #9'da YSL logosu, paletin de kendine ait çok güzel çift taraflı bir fırçası (itiraflarda bahsettiğim) vardı. artık atılması lazım belki ama ben ayrılamıyorum kendisinden. sol beşliyi günlük makyajda, sağ beşliyi de gece makyajında kullanıyorum. gönlümün efendisi, kullanılma miktarından anlaşılır ki 4, 5, 6. renkler. hatta 5. renk tek başına diğerlerini de sollar.

#1. açık krem rengi, mat bir far. gözün üstüne baz rengi olarak ya da kaş altına aydınlatmak için sürülebilir.

#2. açık, ışıltılı gri rengi. buz gri de diyebiliriz. çok minik simleri olan bir yapıda, o yüzden ışıl ışıl olmuyorsunuz ama kibar bir parıltısı var. göz pınarlarına sürmeyi seviyorum. kışın karlı günlerde de tüm göze uygulayabiliyorum.

#3. yeşile dönük mat gri. genelde kirpik diplerine sürüyor veya eyeliner ile far arasına geçiş rengi olarak kullanıyorum.

#4. metalik gri. tüm göze uygulayınca club'a gidiyormuşuz gibi olabiliyor ama kot giydiğim ve biraz daha edgy hissettiğim günlerde tercih edebiliyorum. gece makyajlarına da çok yakışıyor. smoky makyajlarda tüm göze sürülebilir ya da crease bölgesinde dağıtılabilir.

#5. gül kurusu alt tonlu taupe renk. favorim. tüm göz kapağına uygulayıp rimelle göz makyajımı tamamlayabiliyorum. hem var, hem de yok gibi. bakımlı hissiyat veriyor kesinlikle, clean girl makeup jokeri benim için.

#6. parıltılı mürdüm. gözlerim mavi-ela olduğu için bu renk, göz rengimi ortaya çıkarıyor bu yüzden sürmeyi çok seviyorum. yanındaki 7 numarayla iyi kombinleniyor. soğuk mevsimlerde kullanılabilecek bir renk.

#7. mat mürdüm rengi. 6 numaraya göre daha açık. bu paletteki diğer mat renkler gibi rahat karıştırılabiliyor ama tozutma yapmıyor.

#8. metalik koyu mavi, hatta lacivert. harley quinn makyajı yaparken bunu kullandığımızı hatırlıyorum. paletin en orijinal rengi, günlük hayatta da, gece gezmesinde de yapılacak bir makyaj için aranılan renk olabilir. diğer parıltılı renkler gibi ince simleri var.

#9. metalik antrasit. 4 numaranın 2-3 ton koyusu diyebilirim. bazen sadece 2 ve 4 numarayla birlikte kullanıp tamamen gri bir makyaj yapabiliyorum. smoky makyajlara da gerçekten fazlasıyla yakışıyor.

#10. mat antrasit. siyah gibi görünse de swatch'ta da görüleceği gibi aslında koyu bir gri renk. hafif bir eyeliner görüntüsü için kullanıyorum.

(paletin haleti ruhiyesini mazur görünüz, kendisi 11 senedir bizlerle. yakında veda edeceğiz gibi ama #5 numaranın dibini görmeden atmam)

[soho-x]

Since you so kindly asked, Simon Snow was turned in 1971, and he’s been ruling the London club scene from the shadows since the Sex Pistols were sneaking into bars with their fake IDs. He’s merciless, loves to taunt the college kids who fancy themselves brave and edgy.

He’s famously never taken a mate, though many have tried to win his affections. It’s far more fun to take what he wants then slip away in the night. No need for messy attachments. That is, until he meets his match in a posh young Cambridge student out for a night with his daredevil cousin and best friend. Simon’s first attempt at cornering the boy resulted in a scowl that could kill Medusa and a wounded ego.

Simon always gets what he wants. But this time, what he wants is Baz Pitch: out of reach and completely disinterested. Or is he?

An AU where Simon is the Vampire King

[early-sxnsets]

simon snow vs. the world

[theearlgreymage]

Back to Back Postings! Look at me gooooooooooooooo 

I think I went more emotional here? I dunno. I keep debating it. So imma just post it and let the universe do with it as it pleases. 

Chapters: 1/1 Fandom: Carry On Series - Rainbow Rowell Rating: Teen And Up Audiences Warnings: Major Character Death Relationships: Tyrannus Basilton "Baz" Pitch/Simon Snow, Tyrannus Basilton "Baz" Pitch & Simon Snow Characters: Simon Snow, Tyrannus Basilton "Baz" Pitch, Penelope Bunce Additional Tags: COC 2022, Carry On Countdown, Day 2, Alternate Universe, Alternate Universe - Coffee Shops & Cafés, First Meetings, Emotional Hurt, Character Death, But it's okay, Love at First Sight Summary:

One of the most terrifying mysteries of this universe is death. What happens when we die? Does everything that we are cease to exist? Or, is there something more to look forward to?

Carry On Countdown - 2022

Day 2 : Alternate Universe

[immortalconclusions]

Louis is kinda like that dude in The Stranger who is walking on the beach and then flies into an uncontrollable rage and shanks a guy for no other reason than that the sun is in his eye and it's like, a super hot day and nothing matters, man *hits blunt*

[i-was-mislead]

I wonder when I'll get to the point in life where I can read fic without feeling like my life is incomplete until I fix things with this girl I had a crush on in middle school. I have to keep reminding myself that enemies to lovers isn't going to happen and I deserve better than her, but also like, enemies to lovers. I want that.

[tyrannuspitch]

evening all my hot take of the day is that because simon was cutting his hair to be practical/military under the influence of the mage and dr wellbelove, and baz was cutting his hair to be "elegant" and "traditional" (or later elegant and gnc) under the influence of malcolm and fiona, neither of them were actually impacted by the late 2000s/early 2010s Mandatory Sidefringe. agatha, however,

[ghostmalon3]

[hopelesslyinlovewithsnow]

guys,,.

baz + pitch = bitch