#eben this

[companionwolf]

if this was inevitable. what was the point. a brief freedom? only for it to be taken. i can't stop thinking abt ct. and wp. and just. my friends. my friends! 'oh but they're not dead or gone' it feels that way! which ig is unhealthy too right?! so dissociated it feels like loss. that's what people would say. 'don't grieve them they're not absent' then why does it feel that way huh? why?

and then. i don't know what happened. what possibility is true. i might never know. and it might happen again. to us. to me. if i or anyone else takes a perceived misstep. i am so fucking sad. so fucking afraid. of what it meant, what it means. what happens next.

[hematophagys]

GO MY SOLJACK RAY!!!!!!!!!!!!!!GO MY SCARABS!

[zketylers]

JOSH HARTNETT as EBEN OLESON

30 DAYS OF NIGHT (2007) dir. David Slade

[weisbrot]

Any woman of les mis that you’d like to draw for the requests? (My top pick is Cosette, but my friend is saying Eponine)

why not both 😏

thank you for requesting them! my beloved cutiepies ☺️ hope you two enjoy!!

[sweeetestcurse]

Josh Hartnett as Eben Oleson in 30 Days of Night 01/??

[phantom-evil]

[maycanady]

30 Days of Night (2007) dir. David Slade

[falleraatje]

Leo als Teamleiter

(und warum ich finde, dass er vieles in dieser Rolle sehr gut macht)

Leo hat oftmals seine eigene Meinung, aber er gibt den Meinungen seiner Teammitglieder trotzdem Raum

In DfL glaubt er nicht, dass der Pförtner etwas mit ihrem Fall zu tun hat. Er fragt allerdings trotzdem eine Kontoeinsicht an, weil Adam danach verlangt hat.

In HdW ist er zunächst von Pias Psychopathen-Theorie nicht überzeugt und wählt eine andere Herangehensweise. Trotzdem lässt er sie ins Archiv gehen und nach vergleichbaren Fällen suchen.

In EdN gibt er Esther das Handy, um Carla zu schreiben und folgt ihrem Vorschlag, was sie ihr schreiben sollen ("das weißt du besser als wir").

Leo drängt sich nicht in den Vordergrund, sondern kann Dinge auch delegieren, insbesondere bei Befragungen. Gerade in Abgrenzung zu anderen Polizeisendung ist er nicht derjenige, der sich in den Mittelpunkt drängt oder alle Entscheidungen selbst treffen will.

In DfL gibt er an Pia ab, als er mit dem Verhör von Konrad Hofer nicht weiterkommt.

In HdS ist nicht er derjenige, der Dennis Weidmann als erster befragt.

In FdG überlässt er Pia und Esther die Befragung von Taleb und Dino, obwohl beide in dem Moment ihre Hauptverdächtigen sind.

Leo kümmert sich um sein Team.

In HdW lädt er sie zum Ausgleich zum Kickerspielen ein

In HdS lädt er sie zum Chinesen ein, nachdem sie einen anstrengenden Fall abgeschlossen hatten.

In KdE fragt er Pia, ob sie geschlafen hat und möchte, dass sie sich ausruht.

In EdN fragt er, ob es Pia gut geht - vielleicht nicht direkt richtig adressiert, aber auch total verständlich, warum er da eher Esther fragt.

Leo kann Lob und Kritik aussprechen.

In DfL leider er anfangs sehr unter dem Verhalten von Pia und Esther, schafft es aber tatsächlich, Esther gegenüber irgendwann mal Klartext zu sprechen und Kritik an ihrem Verhalten zu üben, auch wenn das in der Situation unfassbar schwer für ihn sein muss. Aber er sagt ihr klar, dass sie ihn ohne Grund verurteilt und schafft es so, dass sie zumindest etwas besser mitarbeitet.

In HdS, als sie zu Pia ins Auto steigen, nachdem sie die ganze Nacht Modall beschattet hat, sagt Leo ihr, dass sie das "gut gemacht" hat. Leo muss an der Stelle völlig fertig sein wegen Adam, aber er schafft es trotzdem, ihr gegenüber seine Wertschätzung für ihre Hilfe auszudrücken.

[itsgorgug]

I love so much the way that Baron is a reflection of Riz. It's not just a creepy way of introducing the character, it's a portrayal of their dynamic in a way I don't think I've seen anyone talk about yet (perhaps for lack of a search on my end).

Starting pretty obvious, Riz has the entire world to experience. He has friends, he has family, there's locations, there's lives independent of him. The only things he doesn't have, generally speaking, are his father and the presence of a romantic partner. Meanwhile, those two things are all Baron has. The entirety of Baron's existence consists of nothingness save for its romance partner and its stark father (yes, it/its Baron. Sue me).

Then, of course, there is the mirroring of motivations. Not direct goals, maybe passions would be a better word in Riz's case? Regardless, Riz's passion is to be an investigator. He wants to find the hidden truths, the facts buried within layers of falsities and misdirects. And Baron? Baron very directly wants Riz to lie. It's existence is founded on, and expanded by, lies. It directly tells Riz that it wants him to make up information. There's no thrill of discovery, no red herrings to disguise the lies as truth. Riz wants to find hidden truths, and Baron wants to hear direct lies.

[dreadark]

[hotkari]

Horký úchop:

Účastníci Stardance se cítí tolik pospolití a navzájem se tolik milují proto, že mají společné trauma.

Absolvují pět měsíců extrémní fyzické zátěže, spánkové deprivace a ohromného psychického tlaku pod ostrým dohledem veřejnosti a médií. Je to Survivor, akorát v nablýskaných šatech.

[marenyearlyyy]

Josh Hartnett as Eben Olemaun

30 DAYS OF NIGHT (2007)

[robbyykeene]

I just really want to know what the fuck was going through these writers’ heads, because the entire Robby/Zara situation is just bizarre. They make a point of re-establishing Robby does not drink, and then they show him having multiple, strong alcoholic drinks he would have zero tolerance for. They show him being so drunk he is unable to talk and barely able to stand. They show him sit back down and continue drinking. They show Zara eyeing this entire situation, and approaching him. Then they flash forward to the next morning, and Robby stumbles out of Zara’s hotel room. He says he can’t remember what happened. Zara kisses him and he stands there unmoving and unresponsive. He stumbles away confused and dazed and sad.

Like. There is not any ambiguity in what happened here. There is no world in which any of what they depicted qualifies as a consensual interaction, and they went out of their way to show that it wasn’t. But then they just…turn around and blame Robby for it and call it cheating. So why did they even bother? If they wanted Robby to cheat on Tory, they could have had him unambiguously cheat on her. They could have had him sober and knowingly go home with Zara. They could have shown them being both tipsy but not wasted going back to the hotel together. They could have had Zara just kiss him at the bar where Tory could see it. They had so many other avenues if they really wanted to have Tory/Robby “cheating” drama, so why did they do this? The only explanation I can think of is that they didn’t want to completely vilify Robby, so as an out they had Zara take advantage of him. But then that means they know unequivocally it was sexual assault and still knowingly chose to a) include it and b) frame it as anything but. Which is maybe even worse.

[zketylers]

“I could live forever, but I don't want to breathe another second. If I can't remember what it feels to love you.”

30 DAYS OF NIGHT (2007) dir. David Slade

[kuhjungewieduu]

ich habe grade sehr wenig spaß, pls tell me da wird nix draus außer ne richtig gute gay x lesbian friendship

[yes-asil]

Started watching Detective Conan from the beginning again