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otherkinotd · 1 year ago
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Today's otherkin of the day is Zaggy, who is fictionkin 📺
-requested by @/mossy-m0th
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buttercuparry · 3 months ago
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Urgent!! Help Amal buy baby food for her daughter 
This is an emergency and so I will make it an easy read, as Amal CANNOT afford people scrolling past this post:
@amalashuor , a  young mother needs your help in buying baby food for her daughter Maryam. At only 18 months old, Maryam is in danger of severe malnutrition and this may even put her life at risk.
Amal immediately needs to raise at least €5000 to buy necessary baby products like milk, cerelac and even nappies.
I cannot overstate how important this is when Amal has been displaced TWICE in 10 days and has lost €4000 in transportation fees.  She was in Rafah for a long time and recently had to flee to Khan Younis due to IOF aggression. And again from the east of Khan Younis to the West to escape shelling.
Currently she has exhausted most of the funds she had raised given how expensive the cost of living has become in Gaza. With no income, this Gofundme is what she depends on to survive.
IOF repeatedly targeting aide workers has forced UN to temporarily suspend all operations in Gaza strip. Henceforth food prices are expected to skyrocket even more and Amal is at a loss as to what to do since she already spends €2500 monthly on meagre amounts of food that the family then has to stretch as much as they can so as to not completely starve. Amal also needs personal hygiene products during periods to avoid infection- we often talk about women's rights and health on this site, so please help this mother by donating.
Currently at €33,167. Please get Amal to €40,000. The money would cover costs of both baby food and personal hygiene products.
Vetting #175
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lackadaisycats · 10 months ago
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I hope you know that literally nobody is going to be able to live up to the standard you, V*v, and Glitch have set and your arrogance and exploitation of your fanbase and connections has screwed millions of creatives out of their dreams because Hollywood is a joke that isn't worth telling and wealthy e-celebs like yourself have claimed the indie scene all to yourselves and moved the goalposts into the stratosphere.
Nope. This isn't a zero sum game. There is not some limited, prescribed number of indie trophy slots that a few studios greedily filled up, blocking everyone else out. That is not how it works. Nothing any other creator is doing - short of personally sending hired goons to your doorstep or stealing your credit cards - is taking anything away from you or preventing your success. In fact if an indie creator can manage to demonstrate that they've got something viable going, it may help to map out a pathway for others.
I think I'm not going to bother trying to address whether or not cartoons in return for support from fans - an entirely voluntary exchange - constitutes exploitation. And I'm living in the Midwest driving a 2007 economy car with 200k+ miles on it, but let's just skip past the assumptions that I'm wealthy and connected too.
Instead, let's get to the weirdly myopic notion that the indie scene is held captive by three studios. Maybe YouTube algorithms or Twitter bubbles are somewhat to blame, but in actuality there are so, so many individual people, friend groups, and small production houses out there making independent animation, I cannot possibly name them all.
Here are some anyway:
Far-Fetched Worthikids Satina | Scumhouse Noodle and Bun Punch Punch Forever Ramshackle Noodle Papajoolia | Pipi Angel Hare | The East Patch Jonni Peppers Salad Fingers Monkey Wrench Studio Heartbreak Felix Colgrave JelloApocalypse Odd1sout (started indie, got picked up by Netflix) Allie Mehner JaidenAnimations Lumi and the Great Big Galaxy Cloudrise | The Worlds Divide Telepurte RubberRoss James Lee ENA Godspeed | Olan Rogers Ollie and Scoops Meat Canyon Port by the Sea Kekeflipnote Boxtown Kevin Temmer Weebl Joel Haver CircleToons Long Gone Gulch Atlas and the Stars Animist Skibidi Toilet A Fox in Space Alex Henderson Talon Toniko Pantoja Sr. Pelo Hullabaloo Kane Pixels (started indie, picked up by A24) Homestar Runner Fennah Gods' School Alan Becker Dungeon Flippers JazLyte Psychicpebbles (started indie, Smiling Friends picked up by AS) Piemations vewn Metal Family Dead Sound chluaid Jacknjellify Betsy Lee | No Evil My Pride Cranbersher GeoExe | Gwain Saga Horatio the Vampire Mech West Playground | Rodrigo Sousa The Brave Locomotive Finchwing (+ many other Warrior Cats animators) Quazies SamBakZa Kamikaze: Trial by Fire
By no means a full list. That's just YouTube, and mostly just English language stuff, and I didn't even get to the multitudes of Warrior Cats animation collabs.
The point is, the indie landscape is vast and populated by creators new and old, making all kinds of animated media from skits, to shows, to ARGs, to films. Audience sizes vary as much as the content, stylistic approaches, subject matter, and budgets do. There are no compliance standards, no gateways to entry, no goalposts. There's not even any preset definition of success except what you decide for yourself.
Anyway, instead of nurturing your resentments, consider making something. I assure you, it's a far more rewarding use of your time and energy, and pretty much no one can stop you. ------------- EDIT- Made some additions to the list based on comments. Thanks!
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ryin-silverfish · 4 months ago
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So You Want to Read More about Chinese Mythos: a rough list of primary sources
"How/Where can I learn more about Chinese mythology?" is a question I saw a lot on other sites, back when I was venturing outside of Shenmo novel booksphere and into IRL folk religions + general mythos, but had rarely found satisfying answers.
As such, this is my attempt at writing something past me will find useful.
(Built into it is the assumption that you can read Chinese, which I only realized after writing the post. I try to amend for it by adding links to existing translations, as well as links to digitalized Chinese versions when there doesn't seem to be one.)
The thing about all mythologies and legends is that they are 1) complicated, and 2) are products of their times. As such, it is very important to specify the "when" and "wheres" and "what are you looking for" when answering a question as broad as this.
-Do you want one or more "books with an overarching story"?
In that case, Journey to the West and Investiture of the Gods (Fengshen Yanyi) serve as good starting points, made more accessible for general readers by the fact that they both had English translations——Anthony C. Yu's JTTW translation is very good, Gu Zhizhong's FSYY one, not so much.
Crucially, they are both Ming vernacular novels. Though they are fictional works that are not on the same level of "seriousness" as actual religious scriptures, these books still took inspiration from the popular religion of their times, at a point where the blending of the Three Teachings (Buddhism, Daoism, Confucianism) had become truly mainstream.
And for FSYY specifically, the book had a huge influence on subsequent popular worship because of its "pantheon-building" aspect, to the point of some Daoists actually putting characters from the novel into their temples.
(Vernacular novels + operas being a medium for the spread of popular worship and popular fictional characters eventually being worshipped IRL is a thing in Ming-Qing China. Meir Shahar has a paper that goes into detail about the relationship between the two.)
After that, if you want to read other Shenmo novels, works that are much less well-written but may be more reflective of Ming folk religions at the time, check out Journey to the North/South/East (named as such bc of what basically amounted to a Ming print house marketing strategy) too.
-Do you want to know about the priestly Daoist side of things, the "how the deities are organized and worshipped in a somewhat more formal setting" vs "how the stories are told"?
Though I won't recommend diving straight into the entire Daozang or Yunji Qiqian or some other books compiled in the Daoist text collections, I can think of a few "list of gods/immortals" type works, like Liexian Zhuan and Zhenling Weiye Tu.
Also, though it is much closer to the folk religion side than the organized Daoist side, the Yuan-Ming era Grand Compendium of the Three Religions' Deities, aka Sanjiao Soushen Daquan, is invaluable in understanding the origins and evolutions of certain popular deities.
(A quirk of historical Daoist scriptures is that they often come up with giant lists of gods that have never appeared in other prior texts, or enjoy any actual worship in temples.)
(The "organized/folk" divide is itself a dubious one, seeing how both state religion and "priestly" Daoism had channels to incorporate popular deities and practices into their systems. But if you are just looking at written materials, I feel like there is still a noticeable difference.)
Lastly, if you want to know more about Daoist immortal-hood and how to attain it: Ge Hong's Baopuzi (N & S. dynasty) and Zhonglv Chuandao Ji (late Tang/Five Dynasties) are both texts about external and internal alchemy with English translations.
-Do you want something older, more ancient, from Warring States and Qin-Han Era China?
Classics of Mountains and Seas, aka Shanhai Jing, is the way to go. It also reads like a bestiary-slash-fantastical cookbook, full of strange beasts, plants, kingdoms of unusual humanoids, and the occasional half-man, half-beast gods.
A later work, the Han-dynasty Huai Nan Zi, is an even denser read, being a collection of essays, but it's also where a lot of ancient legends like "Nvwa patches the sky" and "Chang'e steals the elixir of immortality" can be first found in bits and pieces.
Shenyi Jing might or might not be a Northern-Southern dynasties work masquerading as a Han one. It was written in a style that emulated the Classics of Mountains and Seas, and had some neat fantastic beasts and additional descriptions of gods/beasts mentioned in the previous 2 works.
-Do you have too much time on your hands, a willingness to get through lot of classical Chinese, and an obsession over yaoguais and ghosts?
Then it's time to flip open the encyclopedic folklore compendiums——Soushen Ji (N/S dynasty), You Yang Za Zu (Tang), Taiping Guangji (early Song), Yijian Zhi (Southern Song)...
Okay, to be honest, you probably can't read all of them from start to finish. I can't either. These aren't purely folklore compendiums, but giant encyclopedias collecting matters ranging from history and biography to medicine and geography, with specific sections on yaoguais, ghosts and "strange things that happened to someone".
As such, I recommend you only check the relevant sections and use the Full Text Search function well.
Pu Songling's Strange Tales from a Chinese Studios, aka Liaozhai Zhiyi, is in a similar vein, but a lot more entertaining and readable. Together with Yuewei Caotang Biji and Zi Buyu, they formed the "Big Three" of Qing dynasty folktale compendiums, all of which featured a lot of stories about fox spirits and ghosts.
Lastly...
The Yuan-Ming Zajus (a sort of folk opera) get an honorable mention. Apart from JTTW Zaju, an early, pre-novel version of the story that has very different characterization of SWK, there are also a few plays centered around Erlang (specifically, Zhao Erlang) and Nezha, such as "Erlang Drunkenly Shot the Demon-locking Mirror". Sadly, none of these had an English translation.
Because of the fragmented nature of Chinese mythos, you can always find some tidbits scattered inside history books like Zuo Zhuan or poetry collections like Qu Yuan's Chuci. Since they aren't really about mythology overall and are too numerous to cite, I do not include them in this post, but if you wanna go down even deeper in this already gigantic rabbit hole, it's a good thing to keep in mind.
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punkshort · 1 month ago
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Swept Away | Epilogue: Smooth Sailing
Pairing: sugardaddy!Joel Miller x f!reader
Chapter Summary: Your new job at The Parador allows for some exciting perks.
Chapter Warnings: language, angry!joel, oral (m!receiving), smut (18+ MDNI), office sex, unprotected piv sex (reader has implant now as previously mentioned, we're safe), spanking, praise kink, mentions of substance abuse (not Joel or reader)
WC: 6.1K
Series Masterlist
Ten Months Later
It was still surreal sometimes to walk into an office with your name and Creative Lead printed on a nameplate next to your door, but after a handful of months, you were beginning to feel like less of an imposter.
Admittedly, it wasn't the type of job you had been applying for. You tried to use your experience as a production assistant to get your foot in the door with a talent agency, but you weren't having any luck. When Joel offered you the job in his marketing department, you didn't think you were qualified for it, but after discussing the duties with Caroline Harris, the creative director, you discovered your background would be well suited for the job. He must have known you would have instantly taken a liking to her because after a few more days of soul searching, you accepted the offer.
It felt strange in the beginning, and sometimes you still felt paranoid other employees were looking at you like you didn't deserve your success, but you felt confident all the hard work you did in the past several months spoke for itself.
And as it turned out, you were actually really fucking good at your job.
You left your office door cracked and set your things down on top of the chest of drawers behind your desk. Smoothing down your simple, grey dress that fell just above the knee, you sat down with a sigh in your leather chair and booted up your computer. While you waited for it to turn on, you sipped your coffee and glanced at your phone.
Zoe: Remember to call me later, I have news! I'm dating someone new!
You grinned and tapped out a quick response, promising to call before it got too late on the East Coast. Zoe never found out the truth about you and Joel, but you figured by now it didn't matter much. As far as she knew, you were still planning the "wedding", but it was just delayed until the hotel was built in Fiji, meaning you had a decent chunk of time to come up with another cover.
You saw a flash on your computer screen, indicating the monitor was up and running, so you placed your phone down to type in your password, then gasped excitedly when you were reminded of a Zoom call you had scheduled with Ellie.
Even though hiring Ellie wasn't technically your idea, Joel told Caroline it was because as he had told you at the time, he wouldn't have given her a second thought had you not been so taken with her work. So Caroline put you in charge of overseeing her progress, as well as a few other things for the new hotel.
It had been almost a month since you last spoke to Ellie and you were thrilled to get an update. The little video popped up, briefly displaying her name before she turned her camera on. You grinned from ear to ear when you finally saw her, specks of paint adorning her face and hair.
"How are you still up? Isn't it, like, three in the morning?" you asked.
"Yeah, but you know I do all my best work at night," Ellie replied before flipping the camera around so you could see her studio. There were a few drop cloths down, splashed with all sorts of colors of paint, and about six easels, all of which held paintings in different stages.
"Don't look at those yet, they aren't done," she said, and you laughed.
"You're the one in control of the camera, remember?"
"Yeah, yeah," she mumbled. You could hear her converse sneakers scuffing along the canvas drop cloth while she took you across the room. She flicked on a light and you gasped at the shock of color.
"Oh, my god!" you exclaimed.
"Man, I was feeling so inspired last week, I just couldn't stop. We had a little tropical storm blow through and it just created all these beautiful scenes. Like, beauty amongst the wreckage, you know?" Ellie was saying as she slowly walked around the room, panning the camera to each painting so you could get a good look.
"Oh, wow. Ellie... these are stunning. You've made such incredible progress, I'm so impressed!"
She finished her lap around the room and there was a pause in the video before her face returned to the screen.
"Yeah, thanks. It's going really well. You know how nervous I was in the beginning, I didn't think I would be able to make the amount of paintings you were looking for, but at this rate I think I'll have them done ahead of schedule."
"Well, I always knew you could do it. You're so talented and you see things in such a different way than everyone else. I swear, your work is going to make the hotel really stand out," you gushed before taking a long sip of coffee.
"You gotta thank Joel again for me," Ellie said, flicking off the light and heading back into the main part of her studio. "The amount of money he's paying me is keeping my bills paid so I can focus entirely on this."
"I will. I'm sure I'll see him later this afternoon. He'll be so happy to hear about all your progress."
"I'll take a few pictures and text them to you before I go to bed. That way, he can see for himself," she promised.
"That sounds perfect. Is there anything else you need? How's Dina?"
You spent the rest of your thirty minutes catching up with her about her girlfriend, laughing as she told you how Dina finally wore her down and they adopted a cat. Just as she was telling you how the cat stepped in some paint and walked across one of her paintings, she yawned.
"Go get some sleep. We'll touch base again next month but in the meantime, if anything comes up, you know how to reach me."
She gave you a little wave before ending the call and you sat back in your chair, your office filled with silence once again.
The rest of your morning was spent reviewing potential candidates for a pianist position in the hotel lobby. On one screen you had a video of a candidate playing and on the other, their resume and list of references. All of them were natives from Fiji, just like Joel had promised Glenn.
By noon, you had whittled down the candidates to your top five. You were making a little pile with your notes written on bright pink post-it's when you heard a gentle knock on your door.
"Come in," you answered distractedly.
"Hey... busy?" Liam said. You looked up and smiled before shaking your head and offering him a seat.
"Just getting some resumes ready for the pianist job. I have to set up some interviews after lunch. What's up?"
Liam sighed dramatically and collapsed into a chair.
"Your boyfriend is on a tear today, I needed a break," he said, curling his fingers into a loose fist so he could examine his cuticles.
"Why? What's going on?" you asked, setting down your pen, curiosity piqued.
"Well... first, Jack kicked his ass during his boxing lesson, which he always fucking hates," Liam said with a roll of his eyes. "Then he found out there was a delay in shipping the marble flooring, but I told him that shit's coming from Italy and it's custom!"
"He really hates when there's any delays in construction," you said, wrinkling your nose. You had seen your fair share of his outbursts over the past few months as the hotel in Fiji slowly became a reality. Joel always said, Time is money, baby. The longer this takes, the less money I make.
"Then Tommy called to tell him some wood or... something... got damaged in a storm they had down there recently, so now he's waiting on another shipment from the states."
You buried your face in your hands at that point, knowing exactly the type of mood Joel was in just one floor above you. On one hand, you were always thrilled whenever Joel and Tommy spoke after they finally hashed things out and made amends six months ago. But on the other, you would have much preferred Tommy call with an update about his wife, Maria, or TJ, their son.
"And about ten minutes ago, Chrissy spilled his coffee," Liam finished, dropping his hand to his lap and crossing his legs. "Only saving grace was she spilled it on the floor and not on him."
You cringed when you imagined how stressed out poor Chrissy must have been in that moment. She was a trooper, you had to hand it to her. She had been Joel's secretary for almost three years and every time you saw her she looked more meek and frightened than the last time.
"So, what you're saying is I should surprise him and take him out to lunch."
Liam's face broke out with a huge grin and he lightly clapped his hands.
"Would you mind? I think it would really help. He's always so much easier to handle after he sees you." He was really laying it on thick now and you knew it.
"I already agreed, you can drop it," you laughed, locking your computer and grabbing your purse.
"It's not an act," Liam said, following you out the door towards the elevator. The floor was quiet, most employees likely out to eat already. "I mean, yeah, maybe sometimes I try to flatter you into helping us out, but I'm serious. It's like you're chamomile tea on legs."
You arched an eyebrow at him when the elevator doors slid open. "Chamomile tea?"
"Is a tranquilizer dart better? Or lion tamer?"
You pursed your lips, thinking it over when you pressed the button to his floor. "Yeah. I like lion tamer."
Liam laughed and pulled out his phone to check his texts.
"This is perfect timing. He's about to wrap up a meeting and he doesn't have another one until two." Liam slid his phone back into his pocket and gave you a pleading look. "Please feel free to take your time."
"Oh, come on! He can't be that bad," you said with a hand on your hip. The doors opened up and let you out onto the executive floor, on the opposite side of the building from Joel's office, which is why it was so impressive you could hear him shouting from where you stood.
"Is the door open?" you asked quietly.
"Nope," Liam replied, giving you a look that said I told you so.
You swallowed nervously then lifted your chin with confidence as you made your way past the conference room towards his office. When Chrissy spotted you, she practically jumped out of her chair.
"Oh, my god, thank you," she whispered, her curly brown hair bouncing across her forehead with every step she took. She clasped her hands together and held them tightly against her chest.
"Don't thank me yet, I haven't done anything," you replied, but gave her a reassuring smile anyway. "Why don't you guys go to lunch? I'll take it from here."
The speed in which they tore out of the office was Olympic level.
You perched on the edge of Chrissy's desk as you waited for Joel's meeting to be over. Through the door, you could hear some voices through his phone, as well, one of which you recognized as the project manager for the hotel in Fiji. You looked down at your hands, ignoring the raised voices in the next room, and stared down at the huge diamond ring on your right hand. Splaying your fingers wide, you admired the way the light caught the little facets of the diamond, smiling a little when you saw rainbow flecks dot the walls of the mostly empty floor.
Ages ago, Joel had asked you to keep the ring he got you to use in Fiji. You nearly had a heart attack until he realized how it looked and he nervously clarified he wasn't asking you to marry him, just that he felt the ring was always yours and he couldn't bring himself to return it, so he bought it.
You smiled to yourself when you thought back on that day. It was just after he finally said I love you for the first time. It was a little ridiculous to think he would be asking you to marry him when it took him months to say those three words, but your heart still skipped a beat in that half a second of confusion.
After your pulse slowed, you accepted it with an awkward laugh, putting it on your right hand where it had remained ever since. You knew there was no use arguing with him about gifts and money anymore. When he bought you something, he was relentless until you took it.
Actually, you've grown to kind of like it.
Or, maybe you just liked the idea of Joel thinking about you when you weren't around.
Through the door, you heard the phone call cut with a terse farewell and then, the tell-tale rustle of men's dress pants with the clearing of throats. One man was still talking, his voice forcibly calm as he assured Joel that he would get back to him by the end of the day with the correct numbers on some payroll report, and then the door swung open. Men poured out, some hurrying past you without even realizing you were there, their faces red and their jaws clenched. The ones that did notice you gave a quick nod of acknowledgement before hurrying away, as if they were afraid Joel would remember he had one or two more biting comments and call them back in.
When the last of the men filed out, you heard Joel bark, "Shut the door," and then the creak of his leather chair under his weight. A man you vaguely recognized pulled the door shut behind him before spotting you. He was frazzled and exhausted when he exhaled and loosened his tie.
"Good luck," he said, and you laughed softly. You watched as the last of the men filed towards the elevators, their padfolios and phones overflowing in their hands as they shuffled onto the car and disappeared behind the closed doors.
The floor was quiet now. Joel's office was the only one with a light on.
Biting back a smirk, you pushed off Chrissy's desk and straightened your dress before rapping your knuckles on his door.
"What the fuck now?" came Joel's sharp voice from the other side. You pushed the door open and crossed your arms, waiting until he dragged his gaze up from his desk. When he realized it was you, his expression instantly softened and he stood.
"Sorry," he grumbled.
"It's okay," you replied, stepping inside the room, shutting the door behind you. Joel rounded the desk and raked his fingers through his hair. You bit your lower lip, gaze quickly drifting down his broad frame. He was wearing a white dress shirt with his dark grey suit, the coat abandoned over the back of his chair. It was the first time you had seen him since you left him asleep in bed early that morning.
"What's goin' on, baby?" he asked as he crossed the room to pour himself a drink. You made a face at the amber liquid and he swiveled around, raising the glass of whiskey in your direction.
"Want one?"
"No, Joel. It's barely noon. I came to see if you wanted to get lunch, but I'm guessing today's not the best day," you said, closing the distance between you to smooth down the front of his shirt with your palms. He lifted the glass to his lips and tossed the drink back in one go before setting it down on the bar and wrapping his big hands around yours, pressing them firmly to his chest.
"'M sorry, not havin' a great day."
"I can tell."
"You hear all that?" he murmured, bringing one of your hands up to his mouth. His lips brushed over your knuckles as he gazed at you through tired, heavy eyes and you smiled. Moments ago, those eyes were firey and filled with rage.
But not when he looked at you.
"Some of it," you admitted. "What's wrong?"
Joel exhaled through his nose and dropped his hands to your hips, giving them a little squeeze and pulling you closer. "You weren't there when I woke up this mornin'."
You rolled your eyes playfully at him and he gently pinched your side.
"I told you I had to get up early so I could get ready for work-"
"'N I told you to bring your stuff over last night," he countered.
"Joel, I hadn't been home in days. I needed to make sure the place was still standing and water my plants."
Then, he said something that sent shockwaves through your whole body.
"Just move in with me, then it ain't a problem anymore."
Your eyebrows shot up in surprise and you forgot to breathe for a moment.
"What?" you asked breathlessly. But Joel just shrugged like it was the most obvious thing in the world.
"Move in with me," he repeated. "Plants, too."
"Y-you... you want me to move in with you? Like, permanently?" you repeated in disbelief. Joel smirked down at you and nodded.
"Yeah, like, permanently. The hell you think I mean? Get rid of that place, you know I don't like that neighborhood," he said, then lifted his chin when he heard his email program chime somewhere behind you.
"Joel... are you sure? That's a big step for you," you replied, feeling completely knocked sideways by his blunt request. Sure, he had the room. His house was the closest you'd ever come to being inside a mansion. Hell, to you it was a mansion. Six bedrooms and four bathrooms with an in-ground pool, tennis court, steam room and gym was only ever something you'd seen on television. But living in Los Angeles told you there were plenty of houses three times the size of his.
"Yeah, I'm sure. I want you with me all the time," he said, kissing your cheek before leaving you by the bar so he could check his email.
"My stuff, too? I can't imagine my shitty television in your house," you joked. Joel just nodded, his eyes pinned to his computer screen.
"Your stuff, too. I want all a'you. Even your coffee pot."
Joel collapsed angrily into his high back chair to answer the email while you sneakily slid back to the door, quietly flicking the lock before slowly walking towards his desk. You knew most people were at lunch, but you still didn't want to risk it for what you had in mind.
"Okay," you said softly, hip pressing against the hard wood, fingers nervously digging into the complex design carved into the edge.
"Okay, what?" he murmured, focus still fixed on the email. You watched his scowl deepen the more he read and you knew he was slipping back into that mood you found him in earlier.
"Okay... I'll move in with you."
His eyes snapped up to yours and for a moment, the scowl smoothed out into a pleased grin.
"Good. Start packin' tonight. Don't wanna be wakin' up anymore without you," he said, then his eyes dropped back down to his email. "Messes up my whole day when I do."
You giggled and rounded the desk, intentionally slotting yourself between his eyes and the computer.
"Is that why you're up here screaming at everyone? 'Cause you woke up without your sugar baby?"
Joel leaned back in his chair and narrowed his eyes at you.
"Quit it. You ain't a sugar baby."
"Didn't answer my question."
Joel laced his fingers together and dropped them in his lap with a sigh. "Sure didn't help."
You gave him a fake pout and leaned forward, hands bracing yourself on each arm of his chair. "I'm so sorry," you whispered, mouth hovering over his as you spoke. You could see his muscles tighten under his shirt when he heard the seductive tone in your voice. "Want me to suck your dick and make it all better?"
The corner of his mouth tugged into a devilish half-smirk, email long forgotten.
"Feels like it's the least you could do," he replied, his voice deep and gravelly. It sent a shiver down your spine and you grinned.
"The least I could do? What else do you want?" you asked before allowing your lips to brush delicately over his. You could taste the whiskey there and you licked your lips.
"Wanna bend you over this desk and fuck you. Hard."
A soft moan slipped past your lips right before his mouth crashed into yours. His tongue opened your mouth, licking feverishly past your teeth, giving you a stronger taste of the whiskey and mint from the gum he was likely chewing in anger during the meeting.
"I think that can be arranged," you gasped when you pulled away from his kiss. His dark eyes lit up when you sunk to your knees, his legs spreading wider when you began to unbuckle his belt. Two fingers rubbed against his lips, hiding his smile while he watched you pop the button on his slacks and slowly work the zipper down.
Your heart was beating wildly in your chest when you dipped your fingers past his waistband and felt the stiffness of his cock hiding just underneath a thin layer of fabric. Your eyes flickered up to meet his and with a sly smile, you said, "Hard already?"
Joel shrugged with a shit-eating grin.
"Been hard since you walked in the goddamn room, baby."
You bit back a smile, chest bursting with pride and, yeah, it turned you on to be the one who made this big, scary man all soft and weak. Rubbing your thighs together, you inched forward to gently pull his stiff cock over the top of his underwear.
You tutted under your breath and frowned, both of you watching your hand slowly slide up and down his shaft.
"Poor thing," you murmured, smiling when you heard his breath stutter after your thumb swiped over the bead of arousal pooling at the tip. "Look at you. All worked up and angry the whole morning when all you needed to do was call me. I would've come up to help you."
Joel gasped, fingernails digging into the padded leather armrests when he felt your fingers tighten around him.
"Then fuckin'... goddamnit - fuckin' help me now. C'mon, quit teasin' me and suck it," he commanded through clenched teeth.
You raised an eyebrow at him and your hand paused.
"Say please."
"Please," he whined without hesitation. The sound made you weak, eyelids fluttering for a second before you shook it off and met his gaze again.
"Good boy."
He smirked down at you, some snappy response on the tip of his tongue but it disappeared when your wet lips wrapped around him, tongue darting forward to flick teasingly at his slit, all while maintaining eye contact.
"Oh, fuck," he groaned, allowing his eyes to close and his head to tip back when you took him deeper into your mouth. Before he reached the back of your throat, you swirled your tongue around his girth, moaning when you tasted a new drop of precum.
"Yeah, baby, just like that," he murmured when his hand found a new home on the back of your head. Carefully, he urged you down, hissing when you hollowed your cheeks and took him as deep as you could handle. Joel forced his eyes to open so he could admire the pretty little mess he made of you. Your lips were swollen and wet, stretched wide over his considerable length while you focused on keeping your breath steady and your gag reflex in check.
He could have came from the sight alone.
You pulled back with a gasp, saliva pooling around the corners of your mouth as you dragged in deep lungfuls of air. Your hand picked up where your mouth left off, twisting your wrist and spreading the wetness up and down his shaft as you caught your breath for a second.
"You taste so good, Joel," you whispered, locking eyes with him again. "Might just have you come down my throat, instead."
Before he could answer, your lips were wrapped around him again, sucking and moaning around his cock like it was the sweetest thing in the world.
"No," he rasped, fingers tightening their hold in your hair. "Wanna - fuck you," he added with a deep groan. Even though he knew he shouldn't, he let you keep going, his hips involuntarily bucking up towards your mouth as he spoke.
Right when you began to get carried away, your head bobbing faster and your wrist flicking quicker, he yanked you off with a shared gasp.
"Sorry," he apologized, squeezing his eyes shut for a moment before reopening them. "Too close."
You stood up, thumb swiping your lower lip with a cocky grin. Then, Joel watched as you shimmied out of your panties, dropping them in his lap before hiking up the skirt of your dress to your mid-thigh.
"Whenever you're ready, sir."
He chuckled darkly and stood, thighs trembling for just a quick moment before he swiveled a finger in the air.
"Turn 'round."
You did as you were told, palms pressed flat against the top of his desk, tilting your hips back so your ass jutted out, just barely covered by your dress.
With one hand he pulled the material up, exposing you to the tinted windows behind him. His other hand came down with a sharp smack across your skin, the action so fast and unexpected that it took you a few seconds to register it.
"Again," you whispered over your shoulder, this time bracing for the hot sting of pain across your ass. When he gave it to you, you moaned, arousal pulling tight between your legs, then you dropped your head limply between your shoulders as the pain blossomed into pleasure.
"That's my girl," he growled in your ear. His knee pushed your legs open and you held your breath when he leaned back to slide his cock through your folds before lining himself up at your opening.
"Breathe, baby," he whispered, and you let out a shaky breath right as he pushed inside.
"Shit," you panted, arching your back and digging your fingers into the dark wood of his desk while he continued to ease inside of you, muscles only relaxing when he finally buried himself to the hilt and his lips returned to the shell of your ear.
It wasn't the first time he fucked you in his office. In fact, both of you were very eager to take advantage of the new situation only a week into the start of your job. But it didn't matter how many times you'd done it because it was still always a thrill. There was something incredibly hot about this powerful man fucking you on his desk. Or his couch. Or his chair.
Or one time on the conference room table long after close of business.
Joel set a quick pace right away, knowing full well your time was limited before people began to return from lunch and inevitably came looking for him. One hand remained firmly on your hip while the other drifted up to squeeze your breast through your dress, fingers giving your nipple a little pinch just so he could hear you whimper for him.
"Always ready for me, ain't you?" he groaned, teeth grazing over your earlobe. His breath was shallow, soft pants against your skin matching the rhythm of his hips. "Christ, baby. So fuckin' wet. You love takin' my cock like this, huh? Or was it me askin' you to move in that did it?"
"Both," you moaned, tossing your head back to rest on his shoulder, eyes gliding shut and mouth falling open as you focused on the intense pace he set. The tip of his cock brushed steadily against that spot inside you that had your knees going weak and you could feel that warmth in your stomach turning into fire the harder he fucked you.
Joel's eyes lifted to glance at his door when he heard the faint sound of voices filing off the elevator. Lunch hour was wrapping up, and so was your time. He clenched his jaw and pounded into you faster, the telltale sound of skin slapping against skin the only noise echoing in the room.
"I... locked it," you gasped, falling forward onto your elbows, hips sparking with pain against the hard wood of his desk. He grinned and straightened his spine, watching the way your ass rippled against him every time he slammed into you.
"Good. 'Cause no one gets to see you like this 'cept for me."
You nodded dumbly, unable to form words as your orgasm began to swell, threatening to destroy you. Your pussy started to pulse around him, stars littering your vision and you slapped your palm over your mouth to muffle the sound when you came.
"Oh, fuck yeah," he groaned, hips losing rhythm. Breath growing sharp. Fingers digging deep and eyes rolling to the back of his head. You whimpered when he pounded into you one last time, stilling as he pumped you full of his release, broken moans tumbling from his lips until he was spent.
Almost immediately, his arms wrapped around you, pulling you up and pressing you protectively against his chest.
"You okay?"
"Mhm," you hummed, admittedly still in a bit of a daze but you were starting to snap out of it. His ragged breath in your ear was all you could hear, his pounding heart against your back all you could feel, and it was enough.
Without warning, he slipped out of you, but kept his arms circled around your front, pressing sweet kisses behind your ear and down your neck. You melted into him, knowing how much he enjoyed holding you after, at least until he caught his breath and came back down to earth.
"I love you."
Those three words still managed to send a tingle down your spine and brought a lazy smile to your face.
"I love you, too," you whispered, twisting your neck so your mouth could seek out his. His beard was untamed and prickly against your lips, tickling you and making you giggle.
"C'mon, get yourself decent," he teased with a playful grin and a smack against your thigh. He stepped backwards to fix his clothes while you swiveled back and forth, searching the ground for your panties.
"Lookin' for these?" he asked, holding them up between two fingers when you turned around. You reached out to grab them but he pulled them back, shoving them in his pocket before tucking in his shirt.
"You're gonna make me walk around the rest of the day without underwear? With your come dripping out of me?" you asked. You already resigned yourself to your fate and pulled down the skirt of your dress.
Joel pinched your chin and pressed a quick kiss against your lips.
"Yep. Just the way I like you."
"Dirty man."
"Just the way you like me," he laughed, dodging your hand when you reached out to smack him against the arm.
You opened your mouth to say something back when his desk phone chimed and the red light in the corner lit up. Joel finished buckling his belt and glanced up at you to make sure you had fixed yourself before pressing the intercom button.
"Yeah?"
Chrissy's nervous voice filtered through the speaker.
"Mr. Miller, just confirming your dinner reservation for tonight. Still expecting three people?"
"Yep," he replied, then thought about it for a quick second before pressing the button again. "Thanks, Chrissy. Why don't you take off early, after my two o'clock?"
You grinned, practically sensing her shock through the wall as you sat down in the chair opposite his desk.
"Uh... okay. T-thank you so much!"
"No problem," he said, then the red light turned off and he slumped down tiredly into his leather desk chair.
"Where are we going tonight?" you asked, crossing one leg over the other while you watched him shake his computer mouse back to life.
"Sarah picked this time. Some Mexican spot she wanted to try," he murmured, already fixating on an email in front of him. After some encouragement on your end, Joel had reached out to Sarah around the same time he called Tommy for the first time in years. While things had been rocky and awkward at first, it got easier over time. Eventually, they committed to dinners every other week, and after maybe the fourth one, Sarah had asked to meet you.
You were nervous leading up to it, but the moment you met you knew you'd get along. She was smart, beautiful, funny and had the same smile as her dad. She told you both a little bit about high school but preferred to talk about her soccer team or the play she was trying out for.
She didn't mention her mom much, and you didn't want to pry. From what Joel had mentioned, her mother ended up having some substance abuse issues in the past, which caused a strain on her relationship with Sarah. He felt horrible when he found out, told you that he felt like he should have been involved more to protect her, but you reminded him that he was there for her now and that you were proud of him for stepping up.
Despite it all, Sarah was a great kid. Every time you saw her, she opened up a bit more, smiled wider and laughed louder. After your dinners together, you could see the change in Joel: he was happier, too.
"Sounds good. I like Mexican," you said, fidgeting with your ring while Joel quietly replied to an email. The scowl was gone, his shoulders were looser and there were no more angry taps on the keyboard.
You opened your mouth to announce you should get back to work when he suddenly spoke.
"Why're you wearin' the ring on your right hand?"
Your eyes flickered up to his face but he looked like he was still absorbed in an email.
"This ring?" you asked, holding up your hand. It was the only ring you wore but you didn't know what else to say. You'd been wearing it on your right hand for months and he never said a word.
"Yeah. You wore it on your other hand in Fiji," he said, tearing his eyes away from the computer to look at you.
You stood up from your seat and gave him a curious look. "We were pretending to be engaged then, if you recall. We're not engaged now."
Joel smirked, the corners of his mouth dipping down when he shrugged, then stood to walk you to the door.
"Huh. Suppose you're right. Someone oughta do somethin' 'bout that."
You threw your head back and laughed before coming to a stop at his door and turning around.
"You just asked me to move in with you. What happened to the commitment-phobe I fell in love with?"
He grinned and wrapped his arms around you, pulling you close so he could press a gentle kiss against your lips.
"You're right. I'll wait a week," he joked, then gave your ass a little tap before opening his door for you. "Thanks for lunch," he added as you walked past Chrissy, who was mid-whisper to Liam, no doubt telling him about Joel's sudden burst of generosity. You gave them both a little wave and tossed a wink over your shoulder at Joel leaning against his doorway, hands shoved in his pants pockets with a sly smirk on his face after his fingertips grazed the wet fabric shoved in there.
"See you tonight."
"Can't wait," he said, watching you disappear around the corner towards the elevator bank.
"So, you ate?" Liam confirmed, holding a leather bound journal and pen in his hand as he approached Joel. Even though the answer was no, he still nodded in response. "Good, because I have a couple things," he continued after clearing his throat. "Ellie's painting arrived yesterday, I'm having it gift wrapped right now. I got a call back from the guy who's renting you the yacht. He's good for Saturday. The captain and crew know the deal, too. Drop the anchor, make the food, pour the champagne, and disappear after dinner's cleared up. They have a little boat they can take back to land so the yacht's all yours til morning."
A slow smile stretched across his face and he looked down the hall again, towards the elevator bank.
"Reschedule it for next week. I made a promise."
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johnbrand · 2 months ago
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BACS
With @mrrharper
“Hopkins,” the coach said curtly to the buff guard at the gate. The security officer barely seemed to register him as a person, rather just an item on his list to check off. Once he was allowed to proceed, Coach Hopkins entered into the corridor and proceeded to the farthest room. Quite frankly, the coach embodied everything a man should be at his age: big, strong, rich. Running one of the country’s top collegiate teams meant he was often provided with ample checks. But an investor had been hinting that the meeting he was about to attend would only raise his profits higher. And now standing before the other guests, Coach Hopkins believed this investor was not mistaken.
Feeling mighty pleased with himself, and honestly a bit haughty, the coach scanned the room, taking in all the other broad, strapping men. There was Coach Larson from one of the major east coast schools, Coach McNamara from the private military academy that swept the competition every year. Coach Hopkins recognized another prominent coach from California, but could not place his name. There were a few more men in the room, engaging in casual conversation about work, but the atmosphere in the space was mildly tense. Instead of acquainting himself with others, Coach Hopkins took a seat and remained there until the presentation began. 
“Gentleman,” the host began. The suit that covered his large frame appeared painted on, tight against his skin. A former collegiate athlete who had stayed in shape; Coach Hopkins could not help but take a moment to respect the work. “Invited amongst you today are some of your finest colleagues in the field. Hopefully you all know why you are here, so we will skip past the pleasantries and get right to the presentation.”
Behind the host, the wall suddenly began to glow. A soft light filtered upon it before focusing on colors and images. Eventually, the display became clear, showcasing live camera footage inside an empty male restroom.
“We believed the best way to explain our product was to show how it works,” the host started slyly. Coach Hopkins watched as the door to the restroom opened, revealing a young college-aged male. By his medium build and uniform, the coach assumed he could have been in lacrosse, baseball, or even a non-tackling football player. His third guess was correct.
“Before us is Dawson Welch, a decent transfer from an undisclosed Division III school. Originally holding potential, he has not yet conformed to our nationwide protocol, otherwise known as BACS for short.”
The four words were then flashed in red at the bottom of the screen. A silly acronym, but one that worked nonetheless.
Beefy          Aggressive          Cocky          Straight
“Our case study is about to demonstrate the results of our program,” the host smiled.
There were a few murmurs from the other men. The California coach even shifted a bit, slightly uncomfortable at what he was about to witness. Coach Hopkins remained silent, observing the subject. By his size and careful actions, he could already identify that three of the required four set standards were missing.
“Tyler?” Dawson called out into the room. “Baby, it’s alright, I’m here now.” The coach nodded with confirmation for the fourth characteristic. Grabbing his phone, the host then sent a simple text message. Thanks to the live camera, the men could all watch as the subject’s own device buzzed. Timidly opening it, Dawson checked his phone.
“Ok Tyler, I am going to open the link you sent me,” Dawson called out, unaware the link was not actually sent from his romantic interest. As if already suspecting the lurking danger behind the text, the subject slowly tapped the link and let it proceed forward. The room lit up in a flash, even blinding the live camera temporarily. The audio did not shut off, but the stream went quiet. Moments later, the men were reoriented back into the restroom.
Murmurs flew around the space once more. A few of their faces displayed shock at the screen presented before them. Coach Hopkins held stoic, but his eyes bore straight on. The scene before him was almost entirely the same. Nothing had changed, except for the subject.
“Gone are the days of your players attending frivolous seminars and engaging in anti-anything protests. Thanks to our technology, we can now guarantee your boys will be real, undeniably American men.” 
Where once stood the rather average athletic young male was now a bulky creature. He was taller, brawnier, and brutish. His uniform had been replaced with a tight, all-black outfit to better display his offerings. The sleeveless tank outlined massive pecs, broad shoulders, a thick core, and made his cannon-like arms bulge out of his sides like an oversized action figure. The running shorts appeared more like briefs, searing into the monstrous thighs that led down to steel calves and feet so large they could not be accommodated at most shoe outlets. Speaking of briefs, Coach Hopkins noted the subject was no longer wearing any; a thick python and a low-hanging set were peeking out of one of the leg holes. 
By the gigantic size, the host could easily confirm his product met the first criteria. And by the backwards cap, arrogant grin, and constant man-handling, the men in the room were all able to confirm the second and third on their own. They had been around these types long enough to know the signs.
“What was I doing anyway, bro?” Dawson asked himself in a voice deeper and duller than his previous offerings. After scratching at his thick pubes and giving it a sniff, an idea suddenly sprung into the subject’s head. Coach Hopkins could sense the process of thinking was a more difficult procedure now then it had been before. “Right, I was gonna see if that chick from last night still wanted to get laid tonight. What was her name, Jenna? Brianna? Maybe she’d be a good lil girl and bag me a threesome? God, that’s so hot…”
The stream cut off shortly after, but not before the subject’s continual groping started to awaken his massive dong. The last image was frozen onto the screen, with Dawson preparing the classic flexed picture his predatory nature utilized to ensnare victims.
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“So what do you say, gentlemen,” the host sneered. “Would anyone like to try our trial package?”
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fans4wga · 1 year ago
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26 July update from WGA's Chris Keyser
youtube
From the WGA: With SAG-AFTRA now on strike and new levels of solidarity across all Hollywood unions, we are witnessing the spectacular failure of the AMPTP’s negotiating strategy. In this video, WGA Negotiating Committee Co-Chair Chris Keyser lays out what this moment means and how we move forward. To learn more about the WGA strike, visit https://www.wgastrike.org.
FULL TRANSCRIPT:
Fellow members of the WGA East and West. It's been a while since our last video and quite a bit has happened in the meantime. So on behalf of the negotiating committee and leadership, I wanted to give you an update on where we are and what the near future at least is likely to bring.
We've been walking side by side on picket lines in New York and Los Angeles for a little over 12 weeks now. Only now we're joined by thousands upon thousands of members of SAG-AFTRA who, like us, have finally had enough.
This is the endpoint and the fruit of the AMPTP’s game plan. For 11 weeks, they negotiated with everyone but us. They claimed it was just practicality, that they could only do one thing at a time, which is not normally a point of pride. But events have made clear what we knew from the start: that not only was it a strategy, it was their only strategy. Negotiate a deal with a single guild and impose that deal on every other guild and union in Hollywood, whether it addresses the needs of those unions or not, all with the implicit threat: if you want more, strike for it.
Wow. It’s their 2007-8 playbook applied to 2023 as if nothing has changed, as if the accumulation of economic insults and injuries inflicted on us over the past decade would be borne in perpetual silence, as if the giant of labor had not awakened. But it has. And you only need to look as far as the front gates of every studio in LA and New York to see the evidence.
Two unions on strike willing to exercise their power, despite the pain, to ensure their members get the contract they deserve. For us, that means addressing the relentless mistreatment of screenwriters, which has only been exacerbated by the move to streaming; the continued denial of full MBA protection to comedy variety and other appendix A writers when they work in streaming; and the self-destructive unsustainable dismantling of the process by which episodic television is made and episodic television writers are paid.
It means addressing the existential threat of AI and the insufficiency of streaming residual formulas, including the need for transparency and a success-based component. All of these will need to be addressed for there to be a deal because in this strike it is our power and not their pattern that matters, not their strategy. Their strategy has failed them. Now they're in the midst of a streaming war with each other, an admittedly difficult transition. And as they face the future, their interests and business models could not be more different from Disney to Sony to Netflix to Amazon.
We root for their success, all of them. They root for each other's failure. We are the creative ammunition through which they will succeed. They are each other's apex predators. And yet, in a singular shared dedication to denying labor, they have shackled themselves together in what increasingly seems like a mutual suicide pact, as the 2023-24 broadcast season and the 2024-25 movie schedule and its streaming shows disappear, melt away week by week.
So what does this mean? What does it mean going forward? How do you play chess against an opponent who insists on screaming checkmate at every move regardless of how the board looks and the game is going?
You stay firm, you stay resolved, because our cause is no less existential than when we started and our leverage is increasing every day. Alone we withheld our labor with the support of our union siblings and the Teamsters and IATSE and the Crafts, we were able to delay the vast majority of production. Now with SAG-AFTRA on strike, those few studio projects that remained have also shut down. And it's not just the obvious delays. If this strike drags on, it's the actors with conflicting obligations and the directors and the double-booked studio facilities and release date chaos that the companies must now also contend with. Some of their most valuable product could well be delayed for years.
Add to that, no promotion of movies or television shows and famous faces on the picket lines and social media speaking directly to their customers. For the tech companies and the mega corporations, that should be their nightmare scenario: WGA and SAG-AFTRA side by side. Our bargaining agenda may not be identical, but our cause is the same. Our army of labor, defending labor has increased 17-fold in the past two weeks alone.
Even so, even with all this wind at our backs this negotiation won't happen overnight. It's not because the negotiations themselves are so complex. Once the companies fully engage, it could go very quickly, but because their strategy of many decades has just fallen apart and they didn't see it coming, and it's going to take them a minute to regroup, 'cause the companies have things to work out internally, and saying no to labor in unison is a lot easier than saying yes. So either together or separately, as their divergent interests might suggest, they will come back to us, despite their understandable concern about how they've navigated this transition to streaming, which is on their heads and not ours; and their worries about costs and their worries about Wall Street; despite this being a season of doom and gloom, none of them are walking away from the riches of this business, and certainly not over the equitable minimum compensation to writers.
They didn't get the deal they wanted; that's fine, it happens all the time. They're not taking their ball and going home over it. And since we know they come from union families themselves, and since they've denied that “even-in-Hollywood-you-have-got-to-be-kidding-me” ugliness of threatening to starve us out and leave us homeless (which we assume they understand also means making our children homeless,) they will come back to us. Although I will say they took a long time to deny that statement, longer than I would have had it been ascribed to me.
But what does it matter? You can starve a labor force slowly or quickly. The effect is the same. It's not like day rates for comedy variety writers and endless free drafts for screenwriters in exchange for a single paid one in four-week mini-rooms isn't cruelty. It's just cruelty written in contract language instead of a press quote.
So what can we expect from the companies as all of this plays itself out? They will try to convince Wall Street that taking a strike, prolonging it unnecessarily, losing their content stream in the process—that all of that is just smart business and no reason for investor concern. We will be talking to Wall Street too, and reminding them that for all these companies, all of 'em including Netflix, the bill, the price for making nothing, will eventually come due. And Wall Street is listening already. Here's Michael Pachter, managing director of equity research at Wedbush on Yahoo Finance the other day: “I think the studios are completely wrong on this one. Content is their lifeblood. They're feeling really foolish about this."
Wall Street isn't the only one listening. We've been talking to union pension funds too about the risks the companies are taking. We talked to CalPERS, the largest public pension plan in the country, talked about the loss of programming and the cost to the industry, and we heard strong support from its board for our struggle and the promise that the companies will be hearing from them, from CalPERS, and demanding answers on behalf of its 2 million members.
To us, of course, they will continue to plead temporary poverty, but we know the drill. These companies support billions into the streaming wars and taken short-term losses these past three years, because they know that to the winner will go the spoils. We're patient, will they share that with us when the time comes? What are the chances?
Since 2017, the last time the studios negotiated with us outside of COVID, the big six companies alone have made $150 billion in profits off our work, while they slashed our pay and degraded our working conditions. Maybe if they had shared a tiny piece of that then, made $1 billion or so less, this year wouldn't seem so costly. As it is, there is no iron law that these companies are entitled to record profits every year, and it isn't some great travesty if their shareholders or their CEOs get a slightly smaller slice of the massive profits we helped create if some balance is restored.
Look, no one denies that corporations exist to make a profit and no one wants our employers to be profitable more than we do, but the singular pursuit of corporate profits to the exclusion of their social and human cost is a real problem in this country—it’s a real problem. A corporation's bottom line is not the same as the world’s, and there is nothing in our studio's bottom lines today that accounts for the quality of our lives or for our dignity, for the comfort of our retirement or the security of our families. Their numbers have no conscience, but the people who report them as victories ought to.
In their refusal to recognize that, these companies have also extracted an awful price, which is laid at their feet and for which they are responsible. Losses to the economies of New York and Los Angeles and everywhere that film and television are made, terrible losses that mount every day, thousands of people out of work; not just us, all the crews, the crafts, the janitors, the drivers, the businesses that thrive when Hollywood thrives, the restaurants, the stores—for what? For nothing. So they could avoid coming to the table to negotiate the deal they will one day give us. Measured today that is the painfully mixed legacy of our employers, weighed against every beautiful piece of work we have made with them.
And if history is a guide, they have only temporary stewardship over a kind of national trust, which is Hollywood. Our story, our sometimes conscience, our public conversation, our diversion of the worst and best of times, our greatest export, the repository of our imagination. They have some obligation to more than just their shareholders to behave accordingly.
Unfortunately, it seems big tech, mega corporations, and some of the people who run them, as the saying goes know the price of everything and the value of nothing. So they have built a business model that no longer works for human beings who cannot be paid minimum for 10 to 20 weeks a year and make a career out of that, be paid for one draft of a screenplay that demands a year of labor, be paid a few episodic fees for a show about which to take years to decide be paid a daily rate.
And now we have a first glimpse of what they offered our actor colleagues. We are not 170,000 Willy Lomans to be used and then discarded. We know what the companies believe they have the power to do. We know what they think machines can do and do without any of us. Oh yeah, we've seen the writing on the wall and it's plagiarized.
The thing is this: the difference between what you CAN do and what you SHOULD do is the greatest single difference in the world. Knowing that is the only real protection we have against a dystopian future. And if the companies sometimes forget that, writers will do it for them.
I can't know exactly how long it will take this revolutionary moment, and you've heard again and again what is happening today has not happened in 63 years, but I know that's not always how it feels, revolutionary and defining, even though we celebrate that on picket lines together, which is the right thing to do. That's not always how it feels when you go home at night. I know how tough this is: to strike, to hold the line. I know it gets tougher every day even with SAG-AFTRA marching beside us, how hard it is to face the uncertainty of when it will end, when we'll get back to work, how we'll pay the bills. I know it's hardest for those who've just gotten started, for those for whom the world opens doors more reluctantly, battled their whole life just to get here; but hard too for those struggling to maintain their long careers, who find work tougher and tougher to come by, or those with families with children or parents to take care of.
These companies understand the cruelty of what they're doing. It's their plan to starve us just a little, to exact as much pain as they can so that we wish more for the pain to end than for the better life we dreamed up. That we're more afraid of the uncertainty of the present than the certain devastation of the future. It's societally acceptable economic torture inflicted by management on labor every day, then blamed on labor for daring to fight back, for refusing to be complicit in its own mistreatment.
Here's how I know that's not going to work. Not with us, not with the writers, because we haven't come all this way, fought to have these careers in the first place, all the adversity, and marched together for all these months, only to let it slip away on our watch—because there is no point in rushing back to jobs that may not be there in a year or two anyway. Because the business, as the companies have twisted it, is now untenable, unsurvivable for so many of us, because even success is not enough to keep going, because this guild is younger than it's ever been and more diverse. And this young diverse membership knows from hard personal experience the system is broken and that it will not be fixed unless they fix it. And those of us who came before them will not let them down, because we and the writer's guild are the beneficiaries of all those who came before us who gave up everything for us.
Like the writers of 1960, the year I was born, who struck for 22 weeks and who gave away all the TV residuals for all the movies they had ever written so that we could have a health insurance and pension plan and residuals from that date forward. $15 billion flowed to writers and their benefit plans because of that sacrifice. Because writers are brave, because now it's our turn.
So what's our job? Even as we welcome SAG-AFTRA to our side, we are still responsible for our own deal, and so we must remain focused and diligent. We must continue to march, picket signs in hand. But we should also remember this and with pride, that before there was SAG-AFTRA, before even the Teamsters and IATSE and the laborers and the electrical workers and the musicians and the plasterers came to our side, there was the writers. Alone then, we looked at the blank page and began to imagine the future. With no net but each other we typed the words, what if?
And then we took a step into the darkness and found that it was light. And then we were joined by the crews and the drivers and the actors. The actors got a bit more fanfare when they showed up, but that's okay, we wrote the script. The WGA, still small, not alone anymore after all these decades. Hollywood labor has finally linked arms and found its voice, and that voice says enough. There is no road to longterm prosperity that burns a path through your own workforce. We are not your enemies. We are not merely a cost to be borne. We are your partners and your greatest asset. And we are, as you acknowledge yourselves, irreplaceable, but by accident or design and it doesn't really matter anymore, the business you are running no longer works for those who work for you.
What is the point in continuing to deny that? Why deny it when everyone else in the business to a person tells you it's true? Do you think it's a coincidence that two unions are on strike against you for the first time since Eisenhower was president? You can't exactly accuse us of being quick on the trigger. The effect has a cause, it has a cause. And there is no profit in insisting on the answers to the past for the questions of the future.
But if you want instead to invest in something that will reap you fortunes, I have a tip. And if you are visionaries, envision a solution, not a stalemate. Because this isn't a war we're in, it's a negotiation, it's just a negotiation. There is no face-saving here for either side, because there is no winner or loser. It's just a deal. And when you come to remember that again we will be here as we have been here all along.
And at this point with 170,000 writers and actors aligned against your intransigence, that is as generous as I can be, as close to an olive branch as I can offer. But if you insist instead on the same threatening rhetoric, on saying you would rather starve us than pay us, I would remind you of this: You are fighting for a dollar, we are fighting for survival. We are fighting for our home: writing is where we live, and we will defend that home with a bravery and stamina and ferocity that you will come to understand someday, which is why you cannot break us. You cannot outlast us, you cannot.
And not just because we have the will, because we have power. Nothing in this business happens until we start to write. And we will not start to write until we are paid.
Union now. Union forever.
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zae-heeyyy · 3 months ago
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Boisterous
Summary: Arthur takes you to The Loft. Pairing: Arthur Morgan x Female!Reader Word Count: 2,095 Warnings: 18+ MDNI Tags: rough sex, unprotected p in v, overstimulation, biting
a/n: I somehow ended up spending literal hours trying to perfect this drawing. I traced a lot and freehanded a lot too, but overall, I'm happy with the final product. TYSM for taking the time to read, like, reply, and reblog; I appreciate every interaction!
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Boisterous: behavior that is loud, energetic, and often unruly. It describes a person or situation that is full of noisy enthusiasm.
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When Arthur found "The Loft" two nights ago, he was grateful to sleep in a bed surrounded by four sturdy walls. The accommodation would've been perfect, but you were missing from it all. Lewd images of your past escapades together infiltrated his mind as he tried to sleep, and he made his best efforts to push them aside. Your pretty face lit up his brain, and he wrapped his hand around his cock, trying his best to imitate the ecstasy only you could make him feel. No grip was as delectable as yours, though, and despite a quick release, he was more pent-up than ever. He needed you there with him and planned to sweep you up and bring you back as soon as the sun rose.
The cowboy's sonorous voice roused you from your dreams about him, the early morning sun casting a golden glow on his face as he leaned over you. His beard had grown since the few days you'd last seen him.
"Get dressed. M'taking you somewhere."
Without a second thought, you joined him on the back of his horse within the hour. Arthur spared the details of this urgent impromptu trip, keeping you in suspense for the duration of the ride.
In a few hours, you'd passed through Valentine, went by Fort Wallace, and climbed up into the mountains of the Grizzlies East. As you rode on, the clouds grew thick and gray, and the smell of petrichor filled your nostrils. Arthur caressed a hand you had wrapped around his waist, reassuring you.
"Almost there."
But you weren't close enough; the atmosphere released a torrential downpour in the last fifteen minutes of your journey, leaving you drenched. A little after noon, you reached a towering outpost that Arthur coined, The Loft. Arthur ushered you inside, futilely shielding you from the rain and promising the heat of a fireplace as he closed the door behind you.
While you stood, rubbing your arms for warmth, Arthur checked for signs of other people, climbing a ladder and peaking over the top for a second before sliding down.
You two were all alone, finally.
When he got a good look at you, he realized just how soaked you were, the layers of your clothes sticking to you and showing every curve of your body. Arthur swallowed, mouth salivating from the view of your hard nipples peeking through your blouse.
All the blood left his head and traveled south, damn near making him dizzy. Maybe he should've been embarrassed, but he was just a man, and you were the most alluring thing ever.
Two large steps were all it took to get to you. One hand found the back of your head, and the other rested on your hip as he drew your lips to his, practically swallowing you in a scalding kiss.
You could feel the groan rumbling in his chest, and you giggled against his lips. The noise crescendoed as his lips separated from yours to find your jaw and neck. He rested his forehead on your shoulder, inhaling your scent while the hand on the back of your head traveled to the small of your back.
"Mmm," he hummed, eyes nearly rolling to the back of his head. "I missed y'so much."
And he had you all alone, truly alone, for the first time in your relationship. He'd been waiting to make love to you the way he really wanted. Your previous rendezvous were hushed, whispered, and sneaky, your moans muffled by Arthur's lips or hand. Even when he whisked you away to a hotel, he was keenly aware of everybody else around who could hear the two of you. Turning you into a whimpering mess filled him with fervent pride, but he wanted those parts of you, especially the sounds you made, all to himself.
The thought of finally hearing all those pretty little noises at full volume was enough to rile him up, and his hand groped your breast, kneading with a force he hadn't used on you before. You shivered against him; some of it was from your arousal, but the other part was the cold.
"The fire, Arthur," you said, shoving him off playfully. Grunting, he tore away from you, grateful for a log near the stove.
While his back was turned, you peeled the wet clothes off your body and dropped your blouse on the floor. Arthur spun back around right as you stepped out of your skirt, leaving you clad in your bloomers and nothing else. His breath hitched in his throat as if it were the first time your body had been bestowed upon him.
"Straight outta my dreams," he declared, his blue eyes shining with pure avidity. And just like that, Arthur strode across the room, dragging a chair with him and putting it against the door nob, just in case. You were back in his arms in an instant, his kisses emphasized with unadulterated sounds of pleasure. A rough hand slid into the waistband of your bloomers and grabbed a fistful of your ass, squeezing, letting go, and repeating.
You sigh breathlessly as he feels you up, leaning into his touch. Then without warning, he tastes you hungrily, tongue fucking your mouth.
His chest vibrates with titillation again, and you're hoisted up into his arms just a beat later, his hands cupping your rear. You squeal, wrapping your legs around his waist and holding on tight as he carries you across the room and dumps you on blue cotton blankets. Breathing heavily, you watch under eyes saturated with desire as he promptly removes his own damp clothes.
You were just as taken aback by his body as he was with yours. Brown curls adorned his chest and stomach and gathered in a carnal wreath around his manhood. Touching him was like running your hands over a textured map: his scars, old and new, like rivers and valleys, while his muscles, firm and hot, were mountains and volcanoes. You could spend eternity exploring that map. Arthur would never get used to you ogling him in such a way, but now your hungry eyes lured him to you.
He climbed on top of you, pinning you under his weight. Usually, he'd ask if you were okay, but you answered the question before he'd even asked by tangling your legs around his waist and crossing your ankles to bring him closer.
His hard-on brushed against your leg, making him shudder. You helped him remove the last garment of clothes between the two of you, lifting your hips to help him pull the bloomers down your legs and off your feet.
Arthur normally took his time meticulously exploring you, leaving kisses in his wake, but damn it, the thought of the sweet grip of your pussy had been on his mind for days, and he needed it now.
His forehead leaned against yours, and he clutched your jaw, holding your face still to gawk at it. If someone saw him this way, they'd think he'd just completed a full sprint, every exhale coming out in a loud pant. Adrenaline coursed through his veins, turning him animalistic. He couldn't wait any longer.
The gunslinger dipped his head to look between you, a guttural utterance escaping him as you spread your legs, exposing your needy cunt. He held his cock, nearly discolored from being so hard, and rubbed it up and down your center, coating himself in your juices.
"Need you, woman," he bellows. The bass in his voice sends goosebumps spreading down your arms, and you nod, mouth agape, eyes staring into his. His jaw also hinges as he watches himself disappear inside you. Once wholly sheathed, he moans long and loud, a stark contrast to his regular subduedness.
You'd never seen him like this, so desperate and uninhibited. Your body responds to the unexpected but welcomed change, your pussy clenching around him, making both of you jolt. Holding himself up on his forearms, he rocks his hips into you at a steady pace, leaning down to kiss your neck.
Shy and coy Arthur had left the building, replaced by wolfish Arthur, willing to howl and snarl for what he wanted. And in the moment, he wanted to brand you with his mouth. Bruising you was defacing a masterpiece, but it was a crime he was happy to commit. He was an outlaw, after all. He nipped at your neck with his teeth, leaving a mark before moving on to another spot to do the same.
You cried out, the first orgasm of the night building within you. He knew your body well and adjusted to give you what you needed, straightening his back, digging his thumbs into your ribs, and pistoning in and out, his hand going to rub your clit. Head tipped back, he moaned, no, roared, with every thrust.
You knew this was rare: Arthur Morgan losing complete control of himself. He was lost in you, lost in your wetness, lost in your tightness, and lost in those sounds. His head snapped down, and he stared right through you, eyes wild.
"Let me hear you," he demanded, slowing his strokes to get your attention. Head spinning, you gasped, too cock drunk to pay attention to what he was saying.
Grumbling, he pulled out of you to switch positions, now standing on the side of the bed. He guided you back to him, aligning your backside with his crotch. He hugged you to his chest, your back pressed into him. Your hands instantly went to his forearm, holding onto him as he practically held you in the air.
"I said let me hear you," he growled in your ear, accenting each word of his demand with an electrifying pulse of his hips. You arched your back into him, his name coming off your lips like thunder.
"That's it, darlin’."
Perverse sounds of wet skin slapping together and boisterous cries filled the cabin.
You were starting to see stars, your vision blurring as you focused on the pressure building in your insides, wanting so desperately for it to boil over. Your toes dug into the buckskin rug at your feet, trying to keep the rest of your body upright.
Arthur was a machine, pounding into you with the goal of bringing both of you to the edge. He didn't relent—didn't show any mercy for the mess you'd become under him. It was overstimulating in the best way possible.
You just needed a second, just one, to get your barrings. Attempting to scoot forward for that break was futile. Arthur moved with you, his length plunging deeper than ever.
"C'mere," he growled as his cock grazed against that sweet spot in the depths of your core, making you holler out and lose the little balance you had left. It didn't matter, though; he held you taught against him, pinning your body between him and the bed. Keeping one arm wrapped around you, the other touched you right where you craved.
"Now," he groaned into your ear, fingers circling your clit antagonizingly slow. A chuckle exited him as you melted to his touch. "Want you to come undone right here. Can you do that for me?"
Droplets of sweat fell from his head onto your back, and you moaned out, "Y-yes, Arthur."
You didn't take long then; a wave of warmth crashed over you as your velvet walls contracted around him, making the man curse into the now-hot cabin air. His hips kept their steady rhythm as you came, Arthur chasing his own climax now.
"Good girl, good girl, good girl," He moaned with every thrust as you clenched around him. He folded himself in half, once again putting his full weight on you, his heart pounding against your back like a drum. More erratic now, his rhythm lost its steady cadence as his balls tightened, his orgasm coursing through his veins.
He pulled out of you, one hand still gripping your side as the other one pumped furiously at his cock. Moaning, whimpering, and whining, Arthur threw his head back as hot spurts of his lust splattered across your back.
Hand falling from your hip, his breath slowed as clarity flowed back into his eyes. Using his discarded bandana, he wiped his sins away from your back before gently rolling you over. He scratched the back of his neck, a sly grin making home on his face as he watched you splayed out and spent. Arthur had gotten everything he'd ever wanted: a bed, four walls, and you.
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communistkenobi · 2 years ago
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something I don’t see people bring up a lot when talking about worldbuilding, especially when you’re creating cities, is wind. prevailing winds in many places in the northern hemisphere blow from west -> east, and because industrial production tended to take place in the centre of cities, workers would live downwind of factories while the wealthier classes would live on the other side, away from air pollutants, which is why a lot of cities have a poor east-end and a rich west-end, a spatial configuration that persists in many places that are now post-industrial
and in general the built environment has a durability to it that persists far past the historical moments that produce those configurations. this means that the stated aims of a city via a vis city planning are frequently at odds with the physical layout of the city itself. so if you want to create a city that feels like it has a long history to it, working through its earlier stages of production can help with decisions you make about its layout, and also allow for weird spatial contradictions in a city that has to constantly fight against its own physical history
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innocet · 6 months ago
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There’s a move that RTD has been doing recently that I don’t really have a Judgement on, like I can’t say if it’s Good or Bad, but it is FASCINATING to my specific dr who preoccupations
He is (selectively, only sometimes) bringing racism that has always been present in dr who into the diegesis. I first noticed it with the Toymaker; instead of being a racial caricature in the same way his ‘65 appearance was, the 2023 toymaker is a character who poorly appropriates the signifiers of real-world cultures as part of his style of Play. He’s not just an East Asian caricature non-diegetically played by a white man. He is, within the diegesis, a white man who intentionally disrespects earth cultures by imitating and parodying them. We only see him directly do this to white/western cultures (the German, French, American, and British accents he takes), but he’s clearly textually racist to characters of color in the episode.
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Racism and racial stereotype are some of the Games the toymaker plays. They’re not erasing racist production/narrative decisions. They’re placing them in a new context.
“Dot and Bubble” is the same; it recontextualizes previous adventures with all-white casts, not by reimagining them as more diverse, but by making that lack of diversity diegetic. I’ve seen some point out that previous episodes had, unexamined in the narrative, few characters of color either as a critique of “Dot and Bubble”. How can RTD expect us to notice that the cast is all-white as something with narrative significance when we’ve seen the exact same not ten years ago portrayed as a completely normal state of affairs? But I think part of the specific narrative moves that this episode is doing is that we can also examine those past episodes through this same new context. That the white Doctor, and his white companions, were not forced to encounter the circumstances that made the situation they’re in all-white, and so they did not at all engage with them. This is not to say that these previous episodes were intentionally saying anything at all about racism; they were the product of racist writing and casting, and that can’t be changed or ignored. But fan analysis as a school of thought is often far more concerned with the watsonian than the doylist, and RTD is aware of this as someone who grew up in fandom. This provides a watsonian path to exploring the racism of the show’s history, without sugarcoating or ignoring it.
It’s worth noting when he doesn’t do this as well; he seems far more willing to engage diegetically with racism than ableism, for example. Davros does not get any sort of redemption or examination as one of the only wheelchair users we see in the vastness of time and space; instead, he is simply no longer a wheelchair user. I think we should be paying a lot more attention to what gets folded in narratively and what doesn’t because it seems very clear that RTD is intent on continuing doing this and it’s something I’m keeping my eye on. Again, I don’t know whether it’s Good or Bad that this is happening, but it sure as fuck is interesting
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almalvo · 1 year ago
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About An Official Spiderverse Artist...
Please do not just scroll past this post; read it.
If you guys follow me on twitter, you probably already know.
But if you dont or still want to read this anyway - here you go:
I aint big, but I got a growing platform that I see as important for me to use as a force for things that matter.
So here I am.
And I got something to say about a certain "artist".
There are so many fucked up people who call themselves artists who are so heavily worshipped by us who both get and or dont get outed in the world for things they do and for their general piss-poor behaviours and persons.
Im here to talk about one in particular (and certainly wont be the last).
There is an artist that basically EVERYONE here has seen art from before, printed in the official Sony artbooks too.
If you have seen this:
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Then you have seen this artist before.
His name is Alberto Mielgo. He goes by @/pinkman_himself on twitter.
He is a HUGE part of the art direction and stylisation of the spiderverse movies, if that isnt already obvious. Because he was the former original art director of Into The Spiderverse.
Yes. Former.
Cuz he got "mYsTeRiOuSlY fiReD" from Sony 2 years into pre-production and completely removed from the project.
You may have also seen this character before:
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Yes. THAT asian character from Netflix's Love Death + Robots, from the episode "The Witness".
Familiar? Yeah. Because this episode was also made by the same guy, Mielgo.
I aint going to talk about what happens in that episode and hesitate to encourage anyone to watch it - cuz all it basically is is a megalo-misogynistic, assault "glorified for the sake of aRtT", racially fetishised showcase of this crazy makeup/haired bdsm stereotyped asian girl sex worker who essentially gets murdered over and over and over after running for her life completely naked through the city for all of us to see for some fucking reason.
BUt yeah anyways, you can see it in the first pic, but Ill put it here to show more clearly - this here is NOT the character from LDR. But I can understand why you might think so:
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Yeah. You read that name in the bottom right corner correctly. This is Peni Parker. His concept art of Peni Parker. A 13 YEAR OLD CHILD. Lookin suspiciously like and dressed as the adult person from LDR with ALSO the crazy hair, make up - WITH AN O-RING CHOKER AND BALL-GAG LIPSTICK (BDSM).
13. year. old. child.
This man only sees east asian women this way.
He likes them crazy, sexy, broken--
and young.
Cuz this man also wrote this on a now-deleted post on his website:
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Yeah. He, this whole ass middle-aged white cishet male spaniard thirstin for kids since he was 18 for 12 year old girls.
Cuz 12 year old girls are a fuckin "KNOCK OUT" when they grow up, when they ripen up into adulthood, to this man Alberto Mielgo, aka @/pinkman_himself, this creature.
And if auctioning NFTs isnt bad enough (cuz yes, ofc he does that too - its literally the first option on his website) -
His entire fucking portfolio is of drawing women he had sex with.
His fucking PROFESSIONAL PORTFOLIO is all of painting and drawing women in very compromising, questionable ways of the VERY SAME WOMEN HE HAD SLEPT WITH THROUGH HIS LIFE.
They look as creepy as they are.
But the scariest part?
While I myself had only just found out about this some days ago as of writing this, some of us have known about this man and his antics for years.
And he keeps getting greenlit by the industry, over and over and over; winning awards, getting respected, praised, admired, even by fellow at-home artists like many of you out there if you dont already do so.
And nothing will happen to him cuz he is a white cishet male artist who has money and a following and connections and influence and power.
So yeah.
I just wanted to talk about a certain official Spiderverse artist to just let yall know there are freaks everywhere, and that no matter how small it is, it's people like me and you who need to do what we can to keep up awareness and warn our communities and protect our most vulnerable.
My suggestion is to take heed of what I said, ask questions about everything you will ever see again from anyone around you, no less the industry, THINK for once, and actually give a fuck.
Keep away.
Do not support this man.
But the decision is ultimately yours.
Stay awake, yall.
-------
(His face, publicly available as his imdb profile):
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scary.
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eggtargaryenii · 21 days ago
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EAST OF THE SUN | PART III
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"Bastards are supposed to be born of lies and temptation, not love," Jacaerys said, "at least according to the Faith. If we are indeed the bastards of Ser Harwin and my mother, then we are proof that lies and temptation are all that existed between them.” You thought of all the septas and their prayers and Alicent Hightower screaming at you to behave. Bastards are not so different from the daughters of whores, you mused. They see us all as products of sin.
11.1k words, aemond x fem!reader x jacaerys. childhood friends to lovers (except it's cousins), political drama. chapter warnings for targaryen incest and themes of xenophobia/racism and misogyny. dividers from @/cafekitsune.
SERIES SUMMARY & MASTERLIST.
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IX. THE EMPRESS
“You raised the girl to be too clever, Alicent. I fear she cannot be controlled.”
Otto Hightower did not often show weakness, but his voice was heavy with exhaustion—or perhaps frustration—as he spoke to Alicent. He was poring over the papers you'd put together for your petition earlier in the day: a detailed summary of all of the records of your father's spending in Essos during his diplomatic visits, presented as evidence that none of your inheritance in the Iron Bank was actually Crown wealth. Apparently you'd gone and stolen the ledgers in the middle of the night—with the help of that Strong bastard, the one who was besotted with you—and done the maths yourself. All current and past Masters of Coin still alive—Lord Beesbury, Prince Daemon and Tyland Lannister—examined your work and could only attest to its accuracy.
It was unprecedented, but not too surprising to Alicent. Of all your lessons as a noble lady—in the Seven, in dancing, in needlework, and so on—you really only ever paid attention to arithmetic and household stewardship. So I may someday be a competent wife and oversee my husband’s affairs, you once explained to Alicent, after my Queen chooses a match for me, of course. When Alicent then advised you that most men enjoyed graceful women who could sing and dance, you had replied to her that you did not want to marry a man—you wanted to marry a lord.
Just as you and your father want me for me, do you not? you had asked. I do not wish to disappoint either of you in that regard. It would be no good for any of us if I married a man who tossed me aside because he met a woman more graceful than I could ever be. But if I kept his household running flawlessly and his accounts full of gold? Well, he might eventually take another lover, but he would never want to take another wife.
You had been so young when you’d said that—younger than she’d been when she wed King Viserys, but no less aware. Alicent understood your play then, and she never chided you for neglecting your needlework ever again.
“The girl has a talent for figures,” Alicent admitted. “She has a keen eye for household management.”
“Figures?” Otto laughed in a way that sounded derisive. “It’s not the maths that impressed me. You can hire any steward to do maths. No, it was her foresight in stealing those ledgers. And the way she talked in the throne room—gods, can she talk!” He laughed, though it was entirely mirthless. “Though I suppose Rhaenyra may have prepared her. The blacks have never been interested in her before, but now it seems that they want her as an ally.”
It did look that way during the petition, with Daemon backing you every time the Hand seemed to corner you. As usual, the man could hardly string together a coherent argument, but he did not need to. What really mattered to all the smallfolk and nobles watching your petition was that every time Otto alluded to your disgrace of a mother and your mongrel pedigree, Daemon never let them forget that you were also a trueborn Targaryen.
You would steal from your kin by marriage? he asked. You would deny her birthright? You would spit in her father’s legacy, after all he has done for the Realm? You would disrespect my niece?
Niece. Alicent found it laughable. Daemon had never spared you a glance as you grew up in the Red Keep, nor did Rhaenyra.
“Of course they want her as an ally,” Alicent said, her words sharp with frustration. “Rhaenyra ignored the girl when she had nothing, but now that she’s come into enough wealth to hire an entire army of sellswords and more, the princess is suddenly her greatest benefactor.”
Alicent was wroth to think of it. She had wanted no part in raising you, had resented you for it when her husband charged her with the duty. She could hardly manage her own children, let alone some foreign waif who was loath to speak the Common Tongue and threw tantrums whenever she was forced to pray at the Sept. Worse yet, your mother had been a bed slave from Lys—a country of harlots, criminals, and sin—and Alicent knew, just knew by looking at you, that you were likely to end up equally sullied. It was in your blood.
But you had no mother.
You were at court, a young and lost girl, and you were entirely motherless. She still remembered how you wept after your mother kissed you goodbye, the way that you would sneak off to Blackwater Bay just to wait for your father to return. Alicent’s heart ached for you then, for she too knew how horrible court could be for a young and motherless girl.
Rhaenyra was your kin by blood. She should have looked out for you. She had been more than capable, but she was too busy with her sham marriage and bastard children and that paramour of hers. What could Alicent do but care for you instead? You had no mother.
The Seven would have never forgiven Alicent if she simply left you to the wolves of the court. She could not leave you to her father’s court. You would not have survived. You would have been married off at ten-and-two to some lord thirty years your senior, tortured in your marriage bed until you were swollen with child while still a child yourself. Alicent could not let it happen.
Even if Alicent would never love you—and she knew she never would—she knew she must still care for you.
And today she watched as you spat in the face of her protection. How you paralyzed her when you turned to Daemon and chided him: I am familiar with the prudence and wisdom of Her Grace, as well as her kindness, you'd said. I know she would never intentionally try to take someone’s rightful inheritance. It is merely an ambiguity of the law that has led us here. She only thinks of the Realm.
Said in front of King Viserys, with his daughter-heir in the room? Alicent had no choice but to support your position, lest she look like a scheming traitor.
And the worst thing about it was that, despite her father’s ponderings, Alicent knew that Rhaenyra had not coached you to say that. For she had raised you, and she knew your talent for speech and for people—and she knew those words came from you alone, and you had learned how to say them from watching Alicent.
Rhaenyra could have never taught you how to appeal to people like that. Rhaenyra had no need, for she could always do whatever she pleased. She could flout the rules and disrespect the entire court, and King Viserys would only protect her. But you—just like Alicent—could not. For you had no mother, and you had no father, and you were the daughter of a foreign whore. All you had was Alicent, and for your sake she tried to make you disavow your sinful mother, for your sake she tried to make you find the light of the Seven, for your sake she tried to beat out of you your wilful nature. For your sake she tried to save your soul from both the Seven Hells and from the judgemental eyes of the Red Keep, the lords and ladies who saw nothing but a sinful whore when they looked at you. But you always resisted, as if you wanted to be a pariah, as if you wanted to suffer despite her best efforts—but Alicent could not hate you.
How could she hate a powerless girl without a mother?
“I do not think it was Rhaenyra who taught her how to speak in court,” Alicent voiced, thinking of all the hours you spent watching petitions, watching her. “Rhaenyra does not know how to handle herself with such grace nor subtlety.”
“Ah. So it was your influence.” Her father laughed, sounding genuinely amused. “If only you had raised Aegon to have even half the talent—then perhaps the King would have changed his mind about his succession.”
Alicent’s fingers tightened, and then she found herself picking at her nails.
“It is no fault of mine that Aegon was born with his disposition,” she said. “I tried my best.”
“You did,” Otto agreed. “You did not fail in all regards. Aemond, at the very least, has talent. Were he your firstborn son and that girl born a Targaryen princess—my, imagine the power they could have on the Iron Throne together. Our family would be untouchable. A pity.”
Alicent’s jaw tightened. She could not hate you, but she also could not stand to think of you sullying any of her sons. Your influence on them had already done irreparable damage. Your habit of tempting men had already driven Aegon into terrorising innocent women with his lust, and whatever silk-sweet words you whispered into Aemond’s ears had turned her lovely boy into someone cold and distant.
No—Alicent could not imagine you wedded to either of them.
“A pity, but there is no use in mourning it,” she dismissed. “Aemond will be matched to a respectable lady of the realm, and we will use the girl to buy the loyalty of a useful lord—as was always your plan.”
“Yes. My plan.” Otto looked at your papers thoughtfully. “I think we will need to make haste with her marriage. The blacks intend to ally with her, and I believe she is too ambitious to decline their offer. We cannot let her inheritance fall into Rhaenyra’s hands—we shall need to find her a match and send her someplace else immediately.”
Alicent swallowed. She had hoped to push for your match to a Northern house. She knew you would be happiest in the North—with people who worshipped the Old Gods, and a husband who was far enough removed from the politics of court to care much about your heritage. Starks were known for their honour, and the Warden in the North had carried himself with great dignity during his time at court. She knew that Cregan Stark would not have mistreated you. Lord Manderly’s son seemed promising as well, and the young Lord Bolton would have been keen for a dragon. But the political benefits of those matches were modest at best, uncertain at worst—Alicent knew her father would not have chosen any of those betrothals for you.
You had no mother. Only she could defend you.
“And where,” she asked carefully, “would we find a match on such short notice?”
She hoped for Lord Stokeworth or the Tully boy. The former was kind and the latter was dutiful, and she had already convinced her father of both proposals. But when the Hand smiled, his eyes glinting sharp, she knew it was neither of them.
“It is, in some ways, fortunate that she is so clever,” he replied. “The Tyrells have been here for the past few days on their own business, and they watched her petition. They were quite impressed with her and have made an offer to take her as a ward—and to eventually marry her to one of their sons.”
Her eyes widened. The Tyrells were one of the great houses, and ordinarily would only be interested in a betrothal with a Targaryen prince or princess. “Was it the talent they wanted,” she asked, “or the gold?”
“The gold for the marriage—and her dragon, of course. But the talent is why they want her as a ward.”
Alicent considered the offer. They likely wanted to groom you for something, and as long as it was not dancing or needlework, it would keep you happily busy. You may eventually find yourself content with such an arrangement. But she could not help but feel that something was amiss. The Tyrells kept strongly to the Faith, and they cared greatly for status. They would not be so eager to take someone like you into their family.
“And which son would they want to squander upon her?” Alicent asked.
“The bastard they just legitimised. To wed a Targaryen lady with a dragon would be quite the achievement for such a man—hardly a squander.”
“You wish to marry her to Arthur Flowers?” she asked, appalled.
“Of course. We are buying the son of a great house with her. The son of our liege lord!”
“Arthur Flowers is a bastard and a raper!”
“Arthur Tyrell is now a legitimate son of the family controlling the Reach!” Otto sighed. “Do not detest me for this, Alicent. We will need to secure all the help we can get when the succession of the Iron Throne is contested.” Otto gave her a severe look. “And remember,” he added, “this has always been your plan too. You have always wanted to use the girl for the sake of your own children—or would you rather that Rhaenyra use her instead?”
Alicent could not say anything. She could not stop this match, she realised. No one would speak in your defence, for you had no mother—you only had her. And Alicent, at the end of the day, was not your mother.
She was a Hightower.
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X. TEMPERANCE
The edge of the Kingswood today was peaceful. The sky was a clear blue; the birdsong was a soft warble in your ears. Vhagar—who was old and liked to rest when she was not at war—was calm beneath you, her saddle rising and falling with the rhythm of her breath. Aemond, never one to chatter, was equally quiet. Even though Vhagar had been at rest for a while, your arms were still wrapped tight around his waist, and your cheek was pressed against his back.
You had not held or been held since your parents departed from King’s Landing. Given your reputation, it was impossible for you to touch anyone without setting off whispers, and none of the septas who cared for you had any desire to touch you—your blood was too dirty for it. But sharing a dragon with another person offered a kind of analogue to an embrace; allowed you to feel close to someone without raising brows. You would never admit such a thing aloud, but you liked to ride with people partly because of that.
Aemond was, of course, the only person in King’s Landing who would ever ride with you on any dragon. Ordinarily you would limit contact with him—he did not strike you as a person who particularly liked being touched, and you did not want to scare him off—but you needed to feel close to someone today. You had just spent three days without sleep to prepare for your petition, and during the manic rush of having won it, was approached by Alicent Hightower with dampening news of your betrothal. She'd finished her announcement by requesting that you plan your father’s funeral; it was plainly an attempt to ruin any happiness by reminding you to grieve.
Too proud to show weakness, you’d agreed and committed to yet another three days without sleep.
But you were plainly exhausted. You did not want to think about the funeral. You did not want to think about your betrothal. You did not want to think of anything at all. You simply wanted to relax, wanted to feel safe and warm next to someone, so now you were sitting with Aemond in the most desolate place you could find, the both of you on Vhagar’s saddle.
“I'm afraid I'll fall off if I let go,” you explained to Aemond, when he asked why you were still holding him.
“But we are not in the air.”
“Vhagar likes to buck and fight—she could kick me off at any moment.”
“Vhagar is very calm right now. And she likes you. She feels at ease around you.”
“I suppose that's true.” You closed your eyes, enjoying the warmth of him. “I'm fond of riding her too.”
Despite his questions, Aemond did not protest to your touch. He merely hummed, after which a long silence passed. Larks kept calling out, their songs a beautiful trill in your ears. The day was windy; the trees whispered loudly in the sky. To anyone a distance away, the noise of the forest would surely mask your voices—as long as you kept them low.
“I'm betrothed to someone now,” you said quietly. It was not quite upset, but your voice sounded oddly fragile.
“Hm.” Aemond did not sound bothered; instead, he seemed pensive. “To whom?”
“The Tyrells. The bastard they just legitimised.” You opened your eyes, staring at the rustling trees. The scenery of the Reach would be similar, you found yourself thinking, for it was close by—too close for your liking.
“The Tyrells,” Aemond repeated thoughtfully. “The Hightowers are their bannermen. Otto Hightower wishes to trade you for the guaranteed support of his liege, and at the same time he will ensure that your inheritance will not fall into Rhaenyra's hands. It seems my grandsire has done exactly what you predicted.”
“As I said,” you replied bitterly, “his daughter raised me. I know how your family thinks.”
“As do I.” You felt him shift; he may have been looking back at you. “Do you know anything about Ser Arthur?”
“Nothing other than that he’s fought in the Dornish Marches. He displayed great feats during battle—I heard many tales in the Throne Room during their petition. Ser Criston looked strangely at him the whole time, though.” Your brow furrowed. “I wonder why.”
“They may have served together, or else he may have some kind of reputation within the Marches,” Aemond mused. “I will ask Ser Criston later.”
“Do tell me what he says. I would like to know the character of my future husband.” Your arms tightened around Aemond. The day was not particularly cold, but you found yourself clinging to him. “I need all the knowledge I can of the Tyrells before I leave. Surely Highgarden cannot be worse than the Red Keep, but I want no surprises.”
“You have already resigned yourself to being taken away.” You felt Aemond touch your hand; you nearly jumped before realising he was only adjusting his chains. “I told you that I would handle the matter of your betrothal.”
“What can you do?” you asked miserably. “The Queen has already agreed, and who knows what kind of marriage your grandsire will force me into if I offend the Tyrells by outright rejecting them. I would not put it past the Hand to tie me up and send me away in the middle of the night, at this point.” You pressed your forehead into Aemond’s back, sighing. “Will you take me to Braavos so I may escape the mummery of the Red Keep? If we leave on Vhagar now, we may be there by the morrow.”
Vhagar beneath you rumbled, as if in complaint. “Ah,” you said, “your old lady seems unwilling to carry us. I suppose I'm done for.”
Aemond laid a hand on your wrist, perhaps searching for another chain. You did not push it away. “You need not offend the Tyrells,” he said. “When the time comes, simply play along as needed. You will not be held accountable for whatever may come.”
“Will you be held accountable? The guilt would eat me alive, if you were.”
He hummed. “If I were, it would not affect my standing greatly. You know I would not make such a misstep.”
“I suppose.” You allowed yourself to feel, for just one moment, reassured. Aemond was one of those few players in court who felt both reliable and safe, or at least not openly malicious. Perhaps to others, but not you. It was not unlikely that he could solve this all.
The breeze changed. You realised that your excuses to cling onto him had dwindled. “I suppose we should dismount now,” you said mournfully. “Come—let’s enjoy the woods, as we said we would.”
“I don't feel much like looking at trees today,” Aemond said. “Would you like to fly along the bay instead? The whole length of the shore.”
You lifted your head to give him an incredulous look. “That will take at least an hour in flight.”
“Then I suppose you will need to hold me for an hour. I do hope that won’t be a bother.”
It took you a beat to realise what he'd just offered, but once you did, you squeezed him tightly.
“As long as there is no complaint from Vhagar,” you said. “I know the lady likes her rest.”
Vhagar clicked beneath you, more agreeable now to your request. “She will do what I want,” Aemond reassured you. “Dragons are influenced by the desires of their riders.”
“So you want to nap and lounge all day like an elderly woman?”
You could hear the amusement in his voice when he replied, “Not terribly, though it is an option for us today if you wish.”
How lovely that would be, you thought. If you could lie with Aemond in the grass, shielded from the sun by Vhagar, and spend the afternoon slumbering. To ignore the funeral you needed to plan, the grief you had been procrastinating, the bridegroom you needed to meet.
Unfortunately, Aemond was not such a lout that he would waste the day like that, and you had your own responsibilities. You could not run for long from the death of your parents, from the ramifications of this inheritance mess. It was better to face it all promptly, matching the cold efficiency that the Hightowers operated with. That was how you had survived all these years, after all: matching the Hightowers.
But at the very least, you could allow yourself one more hour of delay.
“Napping would be nice,” you admitted, “but I'd rather spend the time in flight.”
“As you wish, my lady.”
Vhagar’s wings began to beat, ancient but mighty. The trees swayed and rattled from the gust of her flight. The chains around your waist shook with the force of the great beast, but they held steadfast—binding you to Aemond, their hold inescapable.
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X. DEATH, UPRIGHT
“Dracarys.”
A brilliant fire roared to life, consuming a boat drifting peacefully by the shore. Emerald flames erupted from the wood, devouring shimmering Qartheen jewels and priceless Myrish silks—all the belongings of your father.
Your father’s dragon had died in his youth. In her absence, it was Wildfyre who was chosen to set the pyre aflame in this sham of a funeral. The fire was the colour of alchemical wildfire, though given your dragon’s middling age of ninety-and-three, they of course burned much hotter. Despite being grown and having lived through both war and death, though, Wildfyre still behaved like a child: screeching and roaring and squawking miserably as the pyre burned, as if crying in your stead.
Your own face was bone-dry. You only stared dully at the pile of burning valuables, which were meant to be a substitute for your father’s body.
Technically, all of the objects in the pyre belonged to the Crown, but in a fit of spite you had publicly petitioned to the Hand to have them burned in the funeral. In a throne room where various nobles and smallfolk spectated—most of whom were already sympathetic to you, after you had to argue for your own inheritance just two days before—Otto Hightower had no choice but to grant your request, lest he look like a monster. You were glad to see all the treasures burning to ash in front of him, all that wealth forever out of his reach.
The Hand and the Queen had not appreciated this insult; neither of them offered their condolences during the ceremony, and likely only came out of obligation. Your closest kin offered no real words of consolation either. Aegon was so grossly uncomfortable during the affair that he could not make eye contact with you; Helaena only gave you a mournful and disconcerting stare, as if she were grieving you instead of your father.
Aemond, though very dear to you, was equally clumsy with handling you in your grief. He stood by your side and asked if you were well, to which you only gave him a long, dead-eyed stare. You had just spent three days without sleep to prepare for your petition during which his grandsire wrung you out; then you spent another two days without sleep to prepare for a funeral at which you thought no one would grieve.
Of course you were not well.
None of Alicent Hightower’s children had ever experienced loss; that much was clear. It was different with your other cousins, however; Luke, Jace, Baela, and Rhaena neatly offered their sincere condolences. I'm so sorry, they all said, before taking your hands and squeezing. I am always here if you need company. Say the word and I will come by.
You absolutely would not take them up on the offer, but you did appreciate it.
Surprisingly, though, you were not entirely alone in your mourning. King Viserys had asked to delay the funeral until he was well enough to attend, and he now stood in the front, watching solemnly. Beside him was Prince Daemon, who for once seemed subdued and reflective. You were not sure what to make of Rhaenyra’s face, which seemed appropriately mournful, but potentially inauthentic. She had actually known your father as a child, though they were not close, and she never involved herself with you when you were a child except for when Jace wanted to play with you.
You supposed it was Prince Daemon and King Viserys who had the greatest right to grief, perhaps even more than you. You had known your father for ten years; they had known him for nearly thirty. Daemon sought you out shortly after the service, speaking in Pentoshi Valyrian.
“Your father was the only person who brought us news of our aunt in Volantis,” he said. “He always saw that she fared well—did he ever tell you that?”
“No,” you replied honestly, and with great surprise. “He never mentioned her.”
“It was how he knew your mother,” Daemon said. “The Lysene pillowhouse that Saera once worked in—your mother was a courtesan there. She introduced them to one another.”
You were stunned by the news. Saera Targaryen had been exiled and King Jaehaerys had forbidden the rest of the family from ever speaking with her again. To think that your father had not only sought her out anyway, but had found your mother through her, was shocking.
“I did not think my father would break his uncle’s decree,” you said.
“Defiance was in your father’s spirit. I do believe you inherited it.”
“Thank you,” you said. You were deeply confused—this was probably the fifth time in your life you'd ever spoken to the Rogue Prince, for he scared you when you were a child, and he himself did not care much for toddlers. You did not think he could be so kind. “Perhaps defiance is in our blood. My father always spoke highly of your exploits, and he respected Princess Saera as well.”
The corner of Daemon’s mouth lifted in something that could not really be called a smile, but was probably meant to be a sign of approval. “Those born of fire and blood have a tendency to be untameable. Your father and I were not just kin—we were kindred. If you wish for the company of like-minded people”—Daemon glanced at the Hightowers and their children—“rather than those who disapprove of us… do seek me out.”
King Viserys, with his missing eye hidden by a patch, offered fewer words, but more heartfelt: “I have always tried to care for you in my cousin’s stead,” he said. “Nothing about that will change in his death.”
You bowed. “Thank you, my King.”
He laid a hand, shaking and emaciated but warm, on your shoulder.
“I regret that I am no longer well enough to spend time with you in your hour of grief, but I know that my children and grandchildren will keep your loneliness at bay.”
He did not mention Queen Alicent, nor did you. “I will be grateful for their company in my mourning,” was all you said.
Truthfully, though, anyone’s company would likely make you scream. You did not feel like coddling anyone as they struggled over what they should say to you after you lost a man that none of them had known. All you wanted to do was sneak back to either your rock by the sea or the dung pit to cry in absolute solitude, but now that Aegon and Aemond knew both of your misery spots, that was not an option.
Your expression was grim as you left the funeral site, and you prayed that no one would disturb you in your self-pity—but to your displeasure, Jace had been thoughtful enough to wait for you.
“I was worried about you,” he said, so gently that you wanted to throw up.
“You need not be,” you replied stiffly. “I did all my grieving for my father while I was working through those ledgers.”
Jacaerys had helped you sort through the books when you were crying too hard to read clearly, so you knew he was being genuine when he replied, “I know. But…”
“But?”
“It's just,” he started, and you could hear the hesitation in his voice, “is there to be a service for your mother?”
You stared dumbly. He sounded earnest when he explained, “I would like to attend, if there is one planned.”
“No,” you replied, and your voice sounded oddly strangled, and your throat hurt terribly. “No, there is not one planned. No one asked me to make arrangements for one, so I did not.”
“Would you rather that there wasn't one?”
“I had not thought about it—I did not think there was anyone who would like to come,” you admitted, which made you feel both horrible and sorry for yourself, and suddenly you were turning around to wipe away at your eyes. Oh, how you longed to be in the dung pit right now.
“Why would you even want to come?” you asked, sniffling. “You did not know her.”
“I would want to come for you,” Jacaerys said simply, and the sob that came out of you was so ugly that you felt embarrassed. Not once did you cry like this while reading through all the Iron Bank ledgers, but for some reason, the thought of your mother hurt your heart so much that you did not know how else to release the pain but with the most guttural sobs possible.
You felt a hand on your shoulder. You noticed then that you had crouched down to cry into your knees, and Jace had lowered himself to sit with you.
“When Ser Harwin died,” he said quietly, “Luke and I were not allowed to attend his funeral.”
“Oh,” you said, lip wobbling. You did not know where he was going with this.
“We still wanted to say goodbye, though, so instead we went to the Kingswood and buried the training swords he gave us when we were little. We did it alone.”
“O-oh.” More tears welled up as you realised what he was about to ask.
“I know you have not been allowed a proper funeral for your mother—but is there anything you would want to do, to say goodbye?”
You could not manage a yes, so you instead let out a whimpering sob.
“Meet me at the hour of the wolf tonight, at the bottom floor of the Kitchen Keep,” you said once you were coherent again, and Jacaerys nodded.
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XI. DEATH, REVERSED
After Prince Velarion cast your mother out of the Red Keep, the septas, in their unending grace, offered you a kind of cruel consolation: Your mother was always going to be cast out anyway, they told you. She was merely a whore, seducing your father with temptation rather than marrying him out of love. He was always going to free himself from her spell and find the Seven again. This was inevitable.
They also told you, You were not a child born of love. You were born of sin and temptation. Your mother was bound to leave you as well, for her feelings for you were disingenuous; how can a whore love an accident of her sins? But now—her influence is gone, and you can find the love of the Seven instead.
And when Alicent Hightower said, Stop crying, sweetling, the septas are speaking the truth—this is all for the better, you realised that you would always hate her and her Faith.
Maybe you could have found the Seven if it were not for her words, but she ruined her gods for you with that one sentence. You burned your copy of the Seven-Pointed Star; you kicked and screamed as the septas dragged you to the High Septon’s service; you called Alicent a monster when she struck you for your misbehaviour. So horrific was her treatment of you that even Aegon—who had often been on the receiving end of her strikes himself—felt sorry for you.
Not that he actually helped you, of course. Only Aemond spent any time with you though it all, sitting next to you in the dragon pit as you cried.
You did not believe any of it, of course. You were not a child born of sin, for your mother and father loved each other. Your father did so much for your mother—told her he loved her in her mother tongue, grew persimmon trees in the courtyard to keep her homesickness at bay, lit nightfires for her so she could pray to R’hllor. Your father loved her so much that he took her to Lys and decided to stay, even if it meant leaving you.
There was no way he didn't love her. There was no way they didn't love you.
There was no way, and this was what you told yourself every time you heard those whispers: She merely seduced him. She merely used him. He did not truly love her. How could a prince truly love a whore?
And her daughter—that girl is a child of sin. How could they have loved her?
You had become so skilled at ignoring it all, and nearly delighted in being irreverent of it. But despite all of your efforts to laugh at the gossipmongers and the septas, several years of whispers now echoed in your ear as you made your way to the Kitchen Keep. They nicked at your heart, and you wished your mother and father were here to dispel them. But your father was a pile of bones somewhere on Bloodstone, and your mother was lost to the sea.
Your heart was so heavy with these thoughts that you did not say anything to Jace and Luke when they met you at the Keep. You merely dumped two piles of firewood and kindling in their arms and beckoned them to follow you. You led them up a long flight of stairs, carrying a bundle of beautiful silks, until you had all reached the top of some decrepit tower.
The winds were calm tonight, a cool breeze rather than a violent gust. It made it easier to light up the old fire pit—you struggled only a little before you remembered how.
“My mother and father used to come here at night,” you finally explained, your voice tired. “It is a practice at Red Temples in Essos to burn nightfires like this. They are meant to allow R’hllor to protect us from the dark. But there are no such temples in King’s Landing, so my father would do this instead to comfort my mother.”
Jacaerys and Lucerys both listened quietly as they sat next to you, faces lit up by the crackling heat. Luke was not very close with you—you had always felt too awkward befriending him, after the incident with Aemond’s eye—but he had wanted to come to help you honour your mother, so sorry he was for your grief.
He seemed genuinely interested when he asked, “Does it bring you comfort too?”
“It reminds me of my mother,” you said, and the two brothers nodded in understanding.
“And those silks you're carrying?” Jace asked.
“Things of my mother’s that we found in my father’s room.” You looked at them balefully as you took a piece out of the bundle, revealing a golden scarf with Lysene embroidery. “I think—I think I should burn them. I don't have anything else of hers.”
The two of them nodded. You fed the silk to the nightfire, watched as it ate through the gold thread. Your heart clenched as it burned to ash; you had so many times imagined that your mother was wearing this scarf as she walked by the harbours of Lys, holding your father’s hand.
“I always thought,” you said quietly, “that my father took my mother to Lys and loved her too much to come back.”
The both of them stayed silent. Waited.
“But”—your brow twinged—“I do not know what to think anymore. People always said my mother was a whore, you know? That my father married her out of pure lust and would eventually leave her. I always thought they were wrong, because he stayed in Lys and gave up his position here, all because he loved her too much to leave her. But now I don't know what to think.”
You did not know if he truly loved her. If the sword and the silks and even you were really evidence of his love, and not simply evidence that he was doting on his pretty concubine. If the ceremony in the Great Sept of Baelor was truly proof of their devotion, or if it was the impulsive decision of an infatuated man. For your father was supposed to be in Lys, loving your mother too much to return, spending the rest of his days with her in the Essosi sun—but instead he was a pile of bones, and she was lost forever.
You felt a familiar wetness on your face, a burn in your eyes that had nothing to do with smoke.
“But if he had stayed,” Luke asked quietly, hesitantly, “doesn't that mean he would have abandoned you?”
“That would have been fine,” you replied truthfully. “And I thought—I thought they'd visit someday, and I would get to see them again then. At the very least they'd love me enough for that.”
At the very least, you would for one last time be held by people who loved you.
You bit your trembling lip. Now that you'd said it all out loud, you were uncertain if you made sense. “Is it strange that I'm questioning it all now? That for nearly twenty years I believed steadfastly in their love, but now that they are gone, I do not know what to think?”
Neither of them said anything. Luke was looking down; Jace was staring into the flames.
“I wish I could ask them,” you whispered, and this seemed to strike Jace.
“I do not think it strange to question it.” Jacaerys did not look at you, but you knew he was not lying. “I have thought about it many times—about the relationship between my mother and Ser Harwin. I always thought they loved each other and that they loved us, when I was little—but now I'm not so sure. And I cannot ask him, no matter how much I wish for it.”
You gave him a long look, and you were strangely hopeful—as if the knowledge that Ser Harwin loved the three of them would somehow mean that your father loved you and your mother too.
“I do not think,” Jacaerys finally confessed, “that my mother loved Ser Harwin.”
Your heart was wrenched with pain.
“Oh,” you said quietly. “Why?”
“She did not cry after he died.” Jace sounded odd, his voice terse but brittle. “She did not cry and she told us that we shouldn't cry either. Like he meant nothing to us. I think now that he was a distraction for her, or a plaything. If the court whispers are true, then it is not the first time she would have done such a thing.”
“That can't be true,” you protested, perhaps too desperately. Rhaenyra had to have loved him. She risked her station just to bear his children—just like how your father lost his to have you.
But Jace seemed disconsolate. “Why not?” He gave you a wry look. “Bastards are supposed to be born of lies and temptation, not love—at least according to the Faith. If we are indeed the bastards of Ser Harwin and my mother, then we are proof that lies and temptation are all that existed between them.”
You thought of all the septas and their prayers and Alicent Hightower screaming at you to behave. Bastards are not so different from the daughters of whores, you mused. They see us all as products of sin.
“Fuck the Faith,” you hissed, and Jace seemed startled, as if not expecting the edge to your voice, but you did not falter. “I do not believe a person as kind as you could have been born of anything other than love.”
Jace’s eyes widened a little, but then his face settled into a kind of smile. Small, but gentle nevertheless.
“Then I do not think that you could have been born of anything else either.”
The corner of your mouth lifted. You turned back to the fire, eyes still hot, but a little less watery. Your fingers gripped the red-and-gold silk remaining in your hands—your mother’s wedding veil—and you meant to feed it to the nightfire, but you did not. You did not want to let it go.
You did not want to let her go.
“I’ve always thought that,” you confessed, “my mother loved me enough to someday come back to King’s Landing. She promised me, you know. She said she would.”
Jace gave you a soft look. “I'm sure she meant it.”
You wiped your eyes again. “Why do you think so?”
“Just a feeling.” He went quiet for a little, hesitating. But eventually he shared, “Ser Harwin said he would come back someday. He died, of course, but”—Jace looked down—“I believe he was telling the truth. He loved us, I think.”
You nodded, and the squeeze around your heart finally eased. It was entirely illogical, but you somehow knew this was true: Ser Harwin loved his children; that meant that your parents must have loved you too. It only made sense. Your father had wanted to come back for you after one hundred days. Your mother wanted to return after your grandsire died. She loved you so much that she would cross the seas for you again.
She must have crossed the seas again.
Your fingers gripped the veil even harder. Your eyes felt heavy, five days without proper sleep wearing them down. You fought to keep them open.
“You're tired,” Jace said. “You should go back to your room and rest.”
“No,” you said, but your eyelids were fluttering shut anyway, and you felt yourself start to sway. “No—the fire is supposed to burn all night. Until the dawn breaks and the light of R’hllor returns to us.”
“Will that bring you comfort, if it burns until daybreak?” he asked. You began to lie down—curling up on the stone floor.
You answered with your eyes closed: “It will remind me of my mother.”
You entered a strange dream after that, or perhaps a memory. You were sitting around the nightfire with your parents, a child once more. You were shivering and crying, for the wind was cold, and the night was dark and full of terrors. But your father had you lie down, your head in his lap, and he covered you with his cloak as your mother ran her fingers through your hair, and they held you. They loved you. You knew they loved you, and they loved each other too. Your father went to Lys and loved your mother so much that he never came back. Your mother loved you so much that she crossed the Narrow Sea once more just to see you.
And you would, for one last time, be held by someone who loved you.
(When you woke up in your bed the next morning, you were covered by a cloak that smelled of nightfire and dreams.)
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END PART III
notes: FUN FACT when i was a teenager i was extremely obsessed over sansan and the cloak = marriage metaphor had a formative influence on me and that has definitely come thru in this fic lol. anyway - thank you for reading!!! i would greatly appreciate it if you reblogged & drop a line if you enjoyed this chapter! <3
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gorgeys · 1 year ago
Text
Come to get your fix? - (Margot Robbie x Reader)
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At an afterparty, you see Margot for the first time in a long time…
Margot Robbie x femsinger!reader
Warnings: slight age gap (Margot is 30ish, reader is 25ish), mentions of sex, just sexy vibes
A/N: this got a lot longer than it was supposed to be cuz I kinda got carried away with the beginning and the backstory but I hope you enjoy!
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There were seven different Met Gala after parties, all of which you had been invited to, but of course you chose the only one that she would be attending.
Well, you really had no other choice.  You had to go to Dua Lipa’s party at Virgo on the Lower East Side.  You and Dua were close friends and all the biggest celebrities were going to be there.
And you were excited for the most part.  It was one of the few nights where you got to hang out with your most famous friends as you danced and drank the night away.
When you arrived, ditching your Chanel gown for a sheer, golden chain dress that resembled royalty, you dove right into the many greetings you’d have to make throughout the night.  Of course you got many congratulations on your new album which had easily risen to the top of the charts with several hit singles.  And, since you had released new tour dates only last night, several celebrities were already expressing their excitement over attending your LA shows.  You thanked them like always, being sure to compliment Zendaya on her new movie and thanking Rihanna for sending you a new package of Fenty Beauty products.
Only after at least an hour did you even find the bar.  You ordered your go-to cocktail and paid for whatever your team wanted to drink, exhaling a long sigh.  Your voice had already gotten scratchy and hoarse from the day’s events plus the long press tour you had endured the past few weeks.  You craved a moment to relax.
But not even a few seconds later did Jack Harlow appear behind you to question why you left him on read for the past three days.  Internally rolling your eyes, you mumbled a vague response while your eyes scanned the room for a distraction.  You only half listened to him as he tried to get in your pants once more, but you fully stopped paying attention when you finally found her.
There she was, sitting in a booth beside Cara Delevigne across the room.  You could tell she was looking for a way out of the situation from the way her shoulders were angled away from Cara and her nails tapped anxiously on the table.
You shamelessly stared, watching her eyes retreat from Cara’s face every once in a while to venture out into the crowd.  Her legs were crossed and she sat as straight as a pin like she always had.  You remembered how her perfect posture alone always made you feel small.  She carelessly flicked her blonde hair back away from her face, smiling at whatever part of the long, winded story Cara was on.
You told yourself so many times that you had moved on. It was a repetitive thought that pounded into your brain each night when you were partying in cities all over the world.  And sometimes it felt like you really did move on. You would naturally send a flirty wink to the cute girl at the bar or grind on the hot guy on the dance floor, enjoying the fruitful chase.
But each morning, when you woke up in an expensive hotel room beside a stranger, you always wished she was laying beside you instead.  It felt hopeless at times when you were stalking her Instagram or scrolling through your camera roll at the many, many pictures of you and her.
You only truly believed you had moved on when you met your most recent girlfriend.  She was finally the breath of fresh air you were looking for.  The thoughts of Margot soon felt far and few in between as a new woman consumed your everyday life.  She was beautiful and sweet and loving and everything you needed.  It was rare for one of your partners to even last more than a couple weeks since you had a reputation of being quite the maneater, but you were glad it did.  She was everything.
Until you were gaping at Margot from across the club.  You could barely remember your girlfriend’s name when blue eyes finally met yours.  They were piercing, like you remembered, and they seemed to look right through you, even from the other side of the room.  Her smile melted as she realized who she was looking at.
You took your eyes off of her for a moment as you accepted your drink from the bartender.  You thanked him and glanced back.  To your satisfaction, she couldn’t take her eyes off of you.  You lifted the glass to your lips and took a teasingly slow slip without breaking eye contact. You watched her take a deep breath, slightly pursing her lips, as she silently contemplated how to handle you.  Oh, how you loved to be handled by her.
Her attention was stolen for a moment as Cara excused herself from the table.  Margot sent her a forced smile and a slight wave before she was lost in the crowd.
You had been dreading this moment for weeks, the inevitable moment when you’d meet her sculpted face that always begged you to come closer.  But now that it was happening, it almost felt euphoric.
“Get lost, Jack,” you said, shoving his shoulder out of your way. He groaned but didn’t protest.  You had set your path of destruction and now there was no stopping you.
You focused on making long, smooth strides in your tall heels and swaying your hips a bit more than usual as her eyes wandered your incoming figure.  Her face was stoic but her gaze was so familiar.  It always made you want to impress her, to be extra good for her.  To be wanted by her was a better feeling than any number one album or one-night lover.  You were glad your dress didn’t leave much for the imagination.
And then, after cutting through the dance floor, you were there, placing your hand upon the table as you slid into the seat beside her.  You pressed your thigh into hers, the only thing between them being the golden chains of your dress.  The rounded booth kept the two of you secluded from the other happenings of the club.
Although you were beside her, you had each turned your heads to match one another, face to face.  Her eyes had never left you and now you could feel her breath against the sensitive skin of your upper lip.
“Hi,” she said.  You were envious of how confident she sounded with your face inches from hers.  Your only relief was the faint quirk of her lips.  You couldn’t tell if it was well-intentioned or mischievous.
“Hi,” you whispered breathlessly, leaving your lips slightly open.  She seemed to take the bait as her eyes devoured your glossy, inviting lips.
“Come to get your fix?” she teased, sliding her tongue across her top lip.  It was something she always used to say to you when you sneaked into her trailer or violently tugged her into the bathroom.
It reminded you of the times when her soft fingers molded your body into whatever piece of pottery she wanted you to be.  The lick of her lips reminded you of all the times her tongue rewarded you afterward.
You clicked your own tongue against the roof of your mouth.
“Something like that,” you mumbled, almost annoyed by all the memories she awakened.
“I was surprised,” she began, her nails skimming the chains along your hip, making a high-pitched noise.  You tried not to show how the closeness of her fingers made you feel.  “I didn’t see you with anyone.”
She was obviously referring to the fact that you hadn’t brought a date to the gala.  Of course, knowing your long history, she had expected you to have someone young and new by your side.  After all, TMZ had claimed you were dating four different people in the last two weeks.
You weren’t surprised by her prying.  She always cut right to the chase whenever she was with you.  But you were a little taken aback that she had asked it so outright considering how things had ended between you.
“Well, I was surprised I didn’t see you with anyone.”  You couldn’t help the accusatory attitude that dripped from your voice.
“Hmm,” she hummed with a small smile as if she was expecting that response.  She peered down at her hand as it climbed the chains to sit comfortably atop your thigh.  
It was her “date” that had ruined your “relationship” in the first place.  By “date,” I mean husband and by “relationship,” I mean affair.
It was your first acting gig and in a blockbuster movie at that.  Before you had even introduced yourself, you locked eyes with her across the table at the first script reading and you knew you were hers.
But when she began shooting seductive glances from across the set, you assumed your eyes were playing tricks on you.  When she began grabbing onto you anytime you were in arms reach, you assumed she was just one of those touchy people.  And even that one time when she asked you to “be a good girl” and grab her a water, you just assumed it was a thing she said, even if it made your chest feel tight and your thighs squeeze together.
Because, after all, she was an older, straight, married woman.  Or at least that’s what you thought.
It wasn’t until she got you alone in her trailer, pushed you onto the couch, and attacked you with kisses that she made it clear.  From that moment on, you were her secret and she had to be yours. It wasn’t ideal, but it was still as perfect as could be.  Until it wasn’t.
Before she had even made an advance on you, you knew you were bound to catch feelings.  But you weren’t expecting it to hit you like a load of bricks.  Nevertheless, you knew you were just some affair to her, some sex toy for her to play with, so it was easy to keep quiet and occasionally dream of what could be.
The real kicker was when, a couple days before shooting wrapped, she admitted she had fallen for you.  Your whole world lit up and came crashing down on you simultaneously.   
Hearing those words felt like hearing the song of the ice cream truck on a hot summer day: pure relief. You had loved her unwaveringly.
But what trumped that was the undeniable realization that you were only second to her.  Second to her husband and the life she had created with him.  She could never love you the way you loved her.
So, when promo for the movie was coming to an end, you had to give her the ultimatum. She had put off the decision for as long as possible.  That was until you confronted her in her hotel room in a wreck of tears and rage.
You weren’t surprised, but disappointed when you weren’t her choice.  She had begged you to stay, to spend one more night with her, but you left in a disheveled hurry, refusing to let her see the effect she had on you.
Sometimes, when you lie awake at night, you wish she had never told you she loved you.  Then maybe it would have been easier to walk away and forget about her.  It would have been easier to accept that she was just using you for a couple good fucks.  But here you were, sitting beside her, rehashing your inevitable heartbreak because she was always so irresistible and she loved you
She looked back up at you, pushing her face even closer to yours.  Her smile grew when she saw your lips tightly pressed together and your eyebrows furrowed.  You were always so bad at hiding your frustration from her.
“I left him,” she said, squeezing your thigh.  You could see the excitement within her, begging for a release.
Meanwhile, you felt dizzy.
“Wh-What do you mean you left him?”
“I mean that I left him,” she repeated, smiling wider at your shocked expression.  You were sure you looked so stupid, almost like a dead bug with your eyes wide and your jaw hanging open.  “Just waiting to finalize the papers.”
“Oh my god,” was all you could manage.  Your hand came up to your mouth, covering the gaping hole.  “Oh my god.”
It was the words you had always wanted to hear but at the most unexpected time.  Her hypnotizing smile made your head spin as the colors of the club swirled together in your peripheral.
“I just-I don’t understand.  Why…now?”
She shot you a slightly confused look, as if the answer was obvious, but a lot of time had passed and you finally needed her to be clear.
She used her free hand to remove your hand from over your mouth and drop it into your lap.  Then she firmly grasped your chin, ensuring your eyes never left her candid ones.  Her touch shot warmth up your cheeks and down your neck, just the shock you needed to wake you from your daze.
“Because I know I want you.  And I tried being without you but I just…I can’t,” she confessed, the words scrambling out of her throat as if they had been trying to for days.
Your heart swelled in your chest at her pure sincerity.  Instinctively, you wanted to jump into her arms, to let her have you in every way.  But that little bit of insecurity still creeped up your spine.  The insecurity she had created when she chose him all those months ago.
“Are-Are you sure?”
She only laughed.  Honey may as well have been dripping from her lips as the sound was so sweet.  Every sound that left her lips was angelic.
“I’ve been thinking about this every day since you left.  I’ve never been more sure about anything.”
Her hand left your thigh to tuck a few pieces of your loose hair behind your ear, her hand lingering on the side of your neck.  You felt like you were on fire and she reveled in the way the heat flooded your irises.
But then you felt like you were forgetting something, something important.
“I have a girlfriend, Mar,” you suddenly said, your fingers wrapping lightly around the forearm of the arm that held your chin.
Margot certainly wasn’t expecting that confession this late in the conversation.  But your relationship couldn’t have been too serious if your new girlfriend wasn’t there, hanging off your arm.  She proceeded without caution.
“Well, I don’t see her anywhere,” she said, tilting your head downward with the pull of her hand, forcing you to stare up at her through hooded eyes.  She always adored when you looked at her from that angle, especially when she was knuckle deep inside of you.
You don’t even really know why you said it.  You knew, girlfriend or not, you would always choose Margot.  And she knew that.
“So, you want me or not, baby?”  She pursed her lips in a fake pout, so close to yours.
You couldn’t control yourself and you heard yourself make a faint noise of unbridled temptation.  She seemed quite satisfied by that as her thumb rubbed small circles into your chin, the nail grazing your lip every once in a while.
You both already knew the answer.
“Yes, fuck, I want you,” you said, your voice the most confident it had been all night but still the most desperate.
A feeling of pure bliss consumed your body.  Just hearing yourself say it made a smile creep onto your lips.
Margot quickly copied you.  She raised your chin to meet hers and wasted no more time.  Finally, finally, she kissed you.  She didn’t care who was watching as she firmly held your face, guiding you in every which way.
She was the only person in your universe and you were the only person in hers.
lmk if you guys want more Margot or any of her characters!! I will def write for Barbie, Harley, and even Naomi.  I will prob write something for Barbie soon so stay tuned!
And if you have a request I haven’t responded to, I’m really sorry it’s taken a long time but I am working on it!
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probablyasocialecologist · 1 year ago
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In November, the Communist Party of Kenya organised a demonstration that was disrupted by the police. Vigils, workshops, and teaching events have popped up all over Nairobi, and boycotts of Israeli-owned businesses have begun to take priority for an increasing number of people. Gathimba is a part of several advocacy organisations, including one called Kenyans for Palestine, which has organised Palestinian film screenings, created infographics to help identify brands to boycott, and called for government actions. It is now urging the Kenyan grocery delivery platform Greenspoon to drop Israeli-owned products. Members are also educating friends and family about the nuances of the conflict. But a boycott is more difficult than it may appear. Israeli-owned businesses occupy many street corners in Kenya’s capital. The wildly popular Artcaffe coffee and casual dining chain and the bustling shopping centre, Westgate Mall, are owned and operated by Israeli-owned companies. There are also other influential businesses with slightly less name recognition, like the agricultural company Amiran Kenya. These Israeli-owned and supported institutions are a part of Kenyan life, so much so that few are aware of this connection. Even some of those who know, have been least bothered. Many Kenyans and indeed Africans have looked away from the conflict, preferring to focus on continental crises and seeing what is happening in the Middle East, as being far away from them. “[Many] Kenyans tend to think that [the Israel-Palestine conflict] is far away from us,” said XN Iraki, a lecturer in economics at the University of Nairobi. “The attitude is to let people sort out their problems. Like the war between Russia and Ukraine, people don’t talk about it much.” But for those leading the boycotts and encouraging others to join, the parallels between Kenya’s colonial past and Palestine’s present predicament are too strong to ignore.
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0aurelion-sol0 · 9 days ago
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An Arcane Hexplanation: Noxus
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For the first post in this mini-series of posts, that will elaborate on elements of Arcane that were only superficially touched upon in the show but also elements that might remain confusing for some, I wanted to touch on this faction that has now become an integral part of the story of Arcane but which was not very much explored in and of itself. I will try to be as informative as I can without going into spoilers but beware that there may be informations that might give hints about the shows's ending and the franchise's future.
Especially for parts of the audience that haven't played League of Legends or haven't been that interested in it's lore which is quite a lot actually when you look at the people who watch the show. Which is also one of the reasons why it was made to first place, to reach as many people as possible in the hopes they would be interested in the games or the lore that comes with it but I digress.
Keep in mind that what I am using here is both the old and current pieces of lore I have at my disposal of the world of League of Legends since now that Arcane has become fully canon to the story of Runeterra, the world in which Arcane takes place, elements may change and vary in the future given that the old and current lore of Piltover & Zaun had quite different elements of it that got retconned by Arcane when it became canon. I expect the same for the other parts of that world
We have two main characters that are connected to Noxus, Mel and Ambessa, the current known members of the Medarda Clan. They provide some background info and elements about Noxus relating to their pasts and current motivations but much of it remains unclear or a mystery in some cases with one of them about Mel that is probably going to be revealed in Act 3. So...
What is Noxus ?
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Basing ourselves in the old and current lore of the world of Runeterra, Noxus is an expansionist empire that is considered brutal and threatening to most people that lives outside of it's borders. It worships and respects the strengths and talents of it's population, especially in combat and war. Which oddly makes it a quite inclusive society as success through strength, of many kinds, is what is mostly rewarded in that society which contrasts with it's colonizing and "war-prone" attitude.
It is quite powerful and probably the most powerful nation on the continent of Valoran where it is located on the eastern side of it but given it's expansionist endeavours, it's borders also reaches into the Shuriman continent located south of it and in the archipelago called Ionia located further east and north of it, it enters into The Freljord. It also goes west towards the nation of Demacia, which it has quite the rivalry with. (Noxus also has multiple spies in multiple nations or cultures around the world, that are led by different types of forces that are in Noxus who do this for different reasons for each and everyone of them, but we will get back to that later down this post.)
In between the Valoran & Shuriman continents lies the main setting of Arcane, Piltover & Zaun. It connects the two continent together and as such is quite prized by many people in the Noxian empire, not just by Ambessa.
It's strategic position is important both in terms of trades but also power. The City of Progress makes the most of it's geographical position economically by being both a trading route by land and sea; but also it's incredible evolution in technology could provide Noxus with the means to expand it's empire all over Runeterra. Especially if it gets it's hands on Hextech.
But Piltover & Zaun being so important to the continents' global trades (evidence with Noxus itself having Holsek in Arcane shipping his products there) and also being a cultural center for most of the other nations makes it difficult to obtain, first because while Noxus might have a bigger army, Piltover & Zaun are still far more technologically advanced than them which gives them an advantage in battle and two, because many other nations might unite to take Noxus out if it ever tried to actively take power there.
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Noxus thrives on being expansionist because it needs people, it needs war and it also needs land. But also it seeks challenges, as challenges makes you stronger based on the Noxian dogma.
Because the capital of Noxus is located in a part of Valoran which is not very fertile and so part of that expansionist attitude is also to survive and meet needs for it's population that aren't met. It has a very diverse wildlife though ranging from giant arachnides, drakes, big reptiles and more Jurassic Park-like creaturs. And of course, Poros, because Poros are everywhere! 😉
That capital is named Noxus Prime or more commonly known as...
The Immortal Bastion.
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It was built long ago, after an important catastrophic event, by someone that I can't talk to you about because it's likely going to spoil Season 2's Act III of Arcane. Just know that this person is bad, REALLY bad.
That person raised that city in what was called long ago, the Noxii territories but given that the reign of that person was extremely violent and tyrannic, they got betrayed by people from their own inner circle who forged an alliance with the tribes that lived there and was able to "defeat" that person.
Centuries passed, as well as wars and invasions, and as of today it has remained intact and is hardly penetrable by anyone or anything by force due to it's architecture. At least, one that is below or similar to Noxus' level of power.
(I'm not sure if the city Mel painted is this one as in the old/current lore, it is not by the sea but the show could retcon that and make it close to it. It could be Basilich since it is by the sea and was mentioned in Arcane in relation to the Medarda family. But know it be could another one as the architecture for the bigger cities of Noxus is quite similar to represent who is in charge.)
It's also important to remember that compared to Piltover & Zaun, Noxus isn't afraid of magic. In fact, it weaponizes it and it's history has been the most influenced by it. Noxus respects strength but anything that can make the empire grow and evolve whether it's trade, craftmanship, magic, intelligence or even art is respected if it challenges the people and Noxus to become stronger.
You CAN start from nothing and rise to the highest places of Noxus if you show that you are worthy to be there.
Which is why when Noxus conquers, it gives you a choice: follow the empire or die. Noxus will be your life from now on, you will be under their command, follow their laws and culture. Oddly enough, people who embrace Noxus will find that their life improves in a good way but those who don't bend the knee, follow or are able to live by the Noxian culture will be destroyed or be outcasts in that society. Especially since now that you live under Noxian law, it will make sure that everyone knows it by: appointing a leader to make sure that Noxian culture and law is followed where you live and put Noxian architecture + any ways to show authority there as a means to make sure your whole life is dedicated to it- (However it doesn't change the facts that even thought Noxus puts his culture and law firsts, in many cases the cultures remain and merges with, with Noxus having many languages and religions within it that all contributing to the power of it's empire given the nature of those elements.)
-Much like what Ambessa did with Cailtyn in Piltover & Zaun but that came from her own motivations rather than something asked by Noxus.
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Because as we know, Ambessa is being targeted by someone from Noxus and that someone is very important.
But this also makes sense when you consider what Noxus is, given that Ambessa is a general, she holds a certain amount of authority, or at least used to hold, in Noxus which can clash with other people who have as much or more authority than her there. And given the need of a challenge or to pursue a goal that would be able to show your strength and/or maintain a power for every Noxian, especially if it can contribute to the empire or their vision of Noxus; it will clash with different visions and people as well.
But in the case of Ambessa, it's little a bit more complicated. It's part of it but it's not just that. Before we get to that, we need to talk about the leadership of Noxus.
Because you would think that Noxus would be ruled by an iron fist by one person, some dictator or oppressive leader, well it used to be 🤭 and still is to some degree but it's more complicated than that as what Noxus fears the most in the world might be what would come from the outside of the empire or what rebellion could happen somewhere in a land they've conquered, but from inside of the empire itself.
You see Noxus was a monarchy and when you have a culture & dogma like Noxus, people will try to reach the top, they will eventually come into contact with people who also want to go there or are already there.
This has created many problems for Noxus in the past with one person taking over the empire or inheriting it and doing not so great things with it, followed by many others after that. This created a lack of stability for Noxus, which made it vulnerable. It also doesn't help that those leaders could easily be influenced by groups and noble houses who have their own agendas for Noxus and themselves.
So to remedy to that, something was created to ensure something like this would never happen again...
The Trifarix.
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The Trifarix (also known as the "Council of Three") is the current form of government of Noxus, which embodies the fundamental tenets of the Trifarix doctrine, or the "Principles of Strength." which are Vision, Might and Guile.
Sounds familiar ? Yes! It is what Ambessa says to Caitlyn during their training. She also believes there is a fourth one: Sacrifice, which she thinks heightens the three other principles.
This structure happened after a revolution led by Jericho Swain which transformed from a monarchy, led by emperors like Boram Darkwill, the last emperor killed by Swain himself during the night of the revolution, to a meritocracy led by three different people, each representing a different principle.
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The first being Vision, represented by Jericho Swain, The Noxian Grand General. Main face of government for the Empire and overthrew the previous ruling House of Darkwill.
According to Swain's reasoning, while one person could ruin Noxus through incompetence, madness, or corruption, or the three combined, a group of three people would always have two people to hold one of the members accountable, ensuring that no one could rule Noxus alone and with no opposition.
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The second being Darius, the Hand of Noxus who embodies Might. Commander of the elite Trifarian Legion, the most elite and loyal legion in modern Noxus.
And The Faceless. The current identity of that member is unknown. Rumored to puppeteer the dark underbelly and politics of Noxus. Unknown status to outsiders suits the Trifarix's and the Faceless' purposes: sowing fear, suspicion, and unease among the enemies of Noxus allows the Faceless to walk more freely among those who might have their guard up.
And while all of this on paper might sound great, the noble houses, despite some privileges being taken away by The Trifarix, and other secret groups can still influence Noxus plus the Trifarix in some way and remnants of the old monarchy still exists, even if they are being hunted down by the Trifarix and it's army.
The culture of Noxus is still brutal and expansionist just like under the monarchy, plus most of it's population live in austerity given how harsh Noxian dogma is. Plus the presence of class differences & inequality is just as present in Noxus as it is in Piltover. Swain himself is from a noble house that was hungry for power and who helped the very house he was going to overthrow at some point before creating the Trifarix. And though his vision of Noxus is everyone being united for the empire regardless of who they are, the reality is that most people still plot against it & he knows it.
But there is one more problem that I have yet to talk about and that is relevant to Arcane's plot. You know where I'm getting at here...
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...The Black Rose.
Without revealing too much as it will be explored in Season 2's Act III of Arcane & possibly the future show that will likely be about Noxus, at some point Swain realised that the Black Rose was influencing Boram Darkwill in the shadows of Noxus to do what they wished when he was sent to an invasion of Ionia where all the conditions he was led into would lead him to meet his death there.
However Swain, during his younger years, "defeated" The Black Rose. He was manipulated by the matron of that group to execute the most prominent members of it, including his parents since House Swain was part of The Black Rose, not him but his House and staged an execution for said matron so that she could hide her existence to strike at the right moment and regain power over Noxus.
This eventually all led to Swain killing Darkwill & his followers to make sure that person wouldn't get full power over Noxus and destroy any trace of the Black Rose as well.
That person is called...
...LeBlanc.
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You've all already met her but haven't as well. You know her voice but have never heard it. They are everywhere, she is everyone.
Again, I can't say a lot but just know, she is such a bad bitch. She is truly a great character, one of the better ones of LoL's lore.
She is the matron of the Black Rose. The leader of this cabbal, both older than Noxus itself and quite important to the history of the empire. She is a powerful sorceress that has influenced Noxus' and the worlds' events for a long long time. She has her own sets of spies, outside of the ones Noxus has, that she uses to keep track of everything that happens in the world and influence the politics of it to meet her wants with of course the help of people who follow her and the Black Rose, including it's members.
Most members that are part of the Black Rose don't even know she is LeBlanc, hell that she is even named LeBlanc or that she is their leader or what she even looks like. In fact, the name LeBlanc is not even guaranteed to be her real name anyway.
And since that no one knows who is the person that represents Guile, there was an idea and rumour that she was that secret third member in the Trifarix. But given her nature and her relationship with Swain, it is unlikely but who knows...
...maybe she's already influencing him or the two of them were able to make a deal that benefits each party in the end.
But there's a reason for all this manipulation & trickery, there's a reason why she influences the world politics... and why she kidnapped Mel.
But I can't tell you, because it would spoil you. X)
However know that her inclusion opens the gate to LoL's lore and universe in a way that is so immense that I am impressed she even is a player into Arcane, at least such an active one. At best, I thought Swain would be the one to show up but it would make sense that with the appearance of something as powerful as Hextech, she wouldn't stay in the shadows for long.
This is where it leads us into the next show that comes after Arcane and that will continue some of the plotlines that were started in it, which will likely be in Noxus. And we will find out what it will be and what is the reason for it in this final act-
(Again to remind that everyone, these informations are from the current/old LoL lore, some aspects of it will change, just like with Arcane, to fit whatever story they might want to talk about in the future.)
-But while in Piltover & Zaun, the reasons for our characters' actions and motivations are more personal but obviously still influenced by politics and the world around them, falling into shades of gray that we can see ourselves into...
...with Noxus, the shades are darker. And more red too, but compared to the city of progress, we might lean more into horror than tragedy this time around.
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If you are interested in more League of Legends lore or lore about Arcane, I invite you to check out the current Runeterra map which features every information you might want to know about the universe.
Plus here is a... short animated film ? that was done for the card game Legends of Runeterra which won't spoil you anything and just show you what Noxus is about in a way that is closer to what Arcane is. It features Darius and his troops fighting a king that refuses to surrender to the Noxian empire.
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Hope you enjoyed the post, I will be back soon, this time to talk about... Felicia! There are certain things that I think need to be talked about with the revelations surrounding her character.
In the meantime, let's finish the last three episodes of Arcane and celebrate what this show gave to use.
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samheughanswife · 2 months ago
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The world is literally on fire. War, famine, the senseless slaughter of children and catastrophic climate disasters. Add in a 🇺🇸 election that will further shape the future, to say I’m impervious to the name calling and puerile rhetoric from the chattering chorus would be an understatement.
But, but Sam, Caitriona.
I’ve been asked about my absence here and all of the usual questions, considerate and downright rude. Tumblrinas who think they know me giving updates on my status in the Apps and DM here with zero substantive information. It’s 🙄
What do I see here.
The same tired and redundant tropes. Years old videos and photos. Years old reblogs. Its cringeworthy. It’s so embarrassing. Relationships evolve as do the people in the said relationship. They are not the same young, naive in the first flush of love people.
I’m not interested in 7B. 7A was not great. I’m not interested in hanging around waiting for the same old and never different promo, interviews and fan engagement. And I’m absolutely not going to be here for S8, at the end of 2025. The filler until then will be the same old, as mentioned above.
Stale ancient history on repeat. If we are all still here and the world isn’t at war my attention will be elsewhere.
Observations. Sam has fully embraced his Chris Hemsworth era. Multiple rings, necklaces, bracelets and those shirts. Next up perhaps a fitness health hub broadcast channel , similar but different, moving away from MPC. It will happen. We all know that MPC is on notice. He will need to shed the diehard Sam only’s who are in MPC. He will start pitching to get male fans and incorporate it with the booze business. Chris is very much his muse.
Will it be successful? Only if he takes the risky route and moves away from easy money that are the booze buying diehard fans and the Cons. Difficult to walk away from easy money though.
Caitriona will struggle to get roles that aren’t the wife,mother in a co-star role. Perhaps she will do what other older actress have done in their 40’s. Have a production company, hustle to get great material and produce the type of interesting and original material that could keep her active in the industry.
She will be up against it though. Nicole Kidman is everywhere right now ( who remembers that bitchy comment and parody that Caitriona made about Nicole? It may have already come back to bite.) Reese Witherspoon is a powerhouse and is not just producing but starring in many projects. They are just two in a competitive landscape of 40/50 something actresses hustling. Maybe she will embrace the other genre of the moment, podcasts. Idea- she and Garance could enter the arena talking about doppelgängers, fashion and beauty. I’d listen 😉
Caitriona will ultimately be forced to do what she has hated doing these past few years, be active in SM engagement and communication with her fan base. Add in balancing motherhood with an older child that can’t be hidden forever.
I wish both the very best success. They are fortunate to have financial security and can afford to be considered and cautious moving forward.
🔮 NYCC - Sam will be groomed by Melissa and the curls will be chopped. If patterns are the same, and he is nothing if not predictable, then it’s a yes with much kvetching across the dash.
Just read this book and thought of Sam. I really hope he is able to get an Everest project done.
Love my gifted tote from the July NATO summit. It’s concerns like NATO membership, diplomacy to guide the Middle East away from war and to stop right wing authoritarianism that occupy my energy and time.
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