#dylan leary

[grande-caps]

Warrior 3.05 - 3.10

Quality : HD Screencaptures Amount : 8.554  files Resolution : 1.920 x 960 px

- Please like/reblog if using!

[imaslowlearner-butilearn]

Damn he was so close to understanding class consciousness just now!!! So close!!

[dasenergi]

[anditendshowyoudexpect]

finally watched Ralph and Katie, and it’s 😍 

much lighter than The A Word and so so wholesome

it was fantastic to see Tom too, and even Rebecca’s baby girl

ngl i expected Maurice to show up at some point but there is kinda a lite version of him

[tavolgisvist]

PAUL: This was getting towards the psychedelic period when we were interested in winking to our friends and comrades in arms, putting in references that we knew our friends would get but that the Great British Public might not. <…> I remember with the prick teasers we thought, That'd be fun to put in. That was one of the great things about collaborating, you could nudge nudge, wink-wink a bit, whereas if you're sitting on your own, you might not put it in. You know, "I'd love to turn you on", we literally looked at each other like, "Oh, dare we do this?"' It was a good moment, there was always good eye contact when we put those things in. <…> PAUL: We looked through the newspaper and both wrote the verse "how many holes in Blackburn, Lancashire". I liked the way he said "Lan-ca-sheer", which is the way you pronounce it up north. Then I had this sequence that fitted, "Woke up, fell out of bed …" and we had to link them. This was the time of Tim Leary's "Turn on, tune in, drop out" and we wrote, "I'd love to turn you on." John and I gave each other a knowing look: "Uh-huh, it's a drug song. You know that, don't you?"' "Yes, but at the same time, our stuff is always very ambiguous and "turn you on" can be sexual so …c'mon!" As John and I looked at each other, a little flash went between our eyes, like "I'd love to turn you on", a recognition of what we were doing, so I thought, Okay, we've got to have something amazing that will illustrate that.

(Paul McCartney: Many Years from Now by Barry Miles, 1997)

When John and I wrote, ‘I’d love to turn you on’, we knew it was a perfectly harmless phrase, but we also knew it would hook into the Timothy Leary crowd. There’s an impishness about it, a schoolboy thing. There are some old songs that mention it – Cole Porter’s ‘I Get a Kick Out of You’, or the song ‘Cocaine Blues’ (covered by Johnny Cash and Bob Dylan) – and it’s a nod, a wink and a nod, because you’re using a perfectly ordinary word when you’re talking about a guy on a flute going ‘toot toot toot toot’ that’s what flutes do – but you’re also playing a little bit of naughtiness.

(Paul McCartney, The Lyrics, 2021)

Paul’s contribution was the beautiful little lick in the song, “I’d love to turn you on,” that he’d had floating around in his head and couldn’t use.

(John Lennon, 1980, All We Are Saying by David Sheff)

[x-heesy]

Freedom is the oxygen of the soul.

-Moshe Dayan

(& War is toxic)

Two, one-two-three-four!

Ev'rybody's talking 'bout

Bagism, Shagism, Dragism, Madism, Ragism, Tagism

This-ism, that-ism, is-m, is-m, is-m

All we are saying is give peace a chance

All we are saying is give peace a chance

Hit it

C'mon, ev'rybody's talking about

Ministers, sinisters, banisters and canisters

Bishops and Fishops and Rabbis and Popeyes and bye-bye, bye-byes

All we are saying is give peace a chance

All we are saying is give peace a chance

Let me tell you now

Ev'rybody's talking 'bout

Revolution, evolution, masturbation, flagellation, regulation, integrations

Meditations, United Nations, congratulations

All we are saying is give peace a chance

All we are saying is give peace a chance

Ev'rybody's talking 'bout

John and Yoko, Timmy Leary, Rosemary, Tommy Smothers, Bobby Dylan, Tommy Cooper

Derek Taylor, Norman Mailer, Alan Ginsberg, Hare Krishna, Hare, Hare Krishna

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

All we are saying is give peace a chance

#joy #mentalhealth #healing #selflove #worship #smile #positivevibes #support #spirituality #follow #meditation #beautiful #community #spiritual #help #loveyourself #success #scripture #soul #hope #love #faith #believeinyourself #life #peace #motivation #inspiration #blessed #truth #happiness #grace #happy #quotes #art #trust #wisdom #family #autosuggestion #pointofview #codingyourself #programyourself #endlessness #creatingyourself #neverstoplearning #fantasy #empathy #equality #respect #love #basics

Give Peace A Chance - Remastered 2010 by John Lennon, Yoko Ono spotify 🎵

[posttexasstressdisorder]

"I asked Bobby Dylan, I asked The Beatles,

I asked Timothy Leary, but he couldn't help me either..."

[marcmarcmomarc]

Happy one year anniversary to The Super Mario Bros Movie.

In honor, here’s my predictions for the cast for the upcoming follow-up movie announceed by Shigeru Miyamoto and Chris Meledandri for Mar10 Day.

View this post on Instagram

A post shared by Marcus De La Vega (@marcmarcmomarc)

Starring:

Chris Pratt

Charlie Day

Anya Taylor-Joy

Jack Black

Keegan-Michael Key

Jack Dylan Grazer

Seth Rogen

Ginnifer Goodwin

P!nk

Fred Armisen

Kevin Michael Richardson

Eric Bauza

Danny Trejo

Neil Patrick Harris

Khary Payton

Juliet Jelenic

Sebastian Maniscalco

Cassandra Lee Morris

Mae Whitman

…and Kevin Afghani

Also featuring:

Jessica DiCicco

Karan Soni

Rino Romano

John DiMaggio

Brian Hull

Denis Leary

Frank Todaro

Tru Valentino

Anna Brisbin

Richard Ayoade

Wallace Shawn

Carlos Alazraqui

Cristina Vee

Maitreyi Ramakrishnan

Kdin Jenzen

Christina Aguilera

Ice-T

Rosario Dawson

Terry Crews

Zac Efron

Maurice LaMarche

Ben Diskin

Brian Tyree Henry

Scott Menville

Grant George

Nate Bihldorff

Dee Bradley Baker

Frank Welker

Todd Womack

Jason Liebrecht

[greensparty]

Bob Dylan "Murder Most Foul"

On November 22, 1963 President John F. Kennedy was assassinated. Denis Leary once joked (paraphrasing) "People call us the TV generation. We saw our president murdered on TV and were too afraid to turn it off after that". That day has been referenced in tons of pop culture over the last 60 years. Whether it was overtly addressed in Oliver Stone's brilliant paranoid drama JFK or Jackie about the First Lady in the days that followed or when it was referenced within the film like in The House of Yes or In the Line of Fire. There was the Seinfeld episode "The Boyfriend", which was spoofing the Oliver Stone movie more than actual events.

There's been countless others, but for me possibly the greatest piece of pop culture about the JFK assassination was Bob Dylan's 17 minute meditation on that day and its impact on American culture. It isn’t so much a song as it is a work of art that belongs in a museum!

[astoldbyaja]

The Blossom surrounded by Fire - Ch. 17 (Warrior AU- HBO MAX)

I slowly sat down in the chair across from the large man. All the while, I could hear the shouting from people outside. I glanced at the window to make sure none of the trouble came close to this hellish bar.

“It’s hotter than Satan’s arse outside. Why you got that thing on?” Dylan asks suspiciously, as he takes a drink of something, alcohol I imagine. I looked at him for only a second before looking down with mild insecurity.

“I… have a deformity. I don’t want to make no one uncomfortable.” I said lightly. He tilted his head some as he observed the hood on my head. Maybe he was trying to get a look at what’s underneath.

“A deformity. That’s quite a big word.” he says taking another drink. Yes, for those who don’t know much. I didn’t reply, but I knew it wasn’t smart to remain quiet.

“I hear people use it when they look at my ears.” I said speaking to the table.

“Amaka… eyes up here.” he said firmly, and I tensed at his words, but I looked up at him, nonetheless. It was like I was some child. I looked up at his dark blue eyes. I’ve seen men with his eyes. I’ve seen them when my master would invite them over to look at his “creations”, to look at the slaves he mutilated under the sake science. “Show me.”

And I couldn’t deny him his request. So, I slowly pulled the hood off my head and his eyes flexed a bit as they moved to look at either side of my head. The man at the bar leaned forward with wide eyes.

“Sweet Jesus.” he whispered. I continued to look at Dylan with submissive eyes.

“Do others of your family have them?” he asked. I shook my head.

“No.” I replied. He just nodded slowly before looking down at the table, the expression in his eyes changing.

“So, you’re supposed to convince me to not beat O’Hara’s face in. Let’s start with that. Why do you think he was stupid enough to leave you, a colored girl, here in an Irish bar?” he asked. How the hell should I know. I stumbled over my words for a bit.

“Maybe he thought I’d be safe here. Maybe he’s friends with the owner and trusts him not to hurt me.” I said looking from the table to his face and then down again. I heard the man snort.

“That pig and I aren’t friends, the only thing we got in common is we’re Irish.” he said leaning back in his chair and crossing his arms. I wasn’t surprised this was his bar. I looked around from the ceiling to the floor.

“Maybe he thought you wouldn’t see my face and immediately spit at me or try and beat me.” I replied. He squinted some.

“I may not like the lot of you, but I ain’t gonna go around beatin’ on helpess women even if they’re negresses.” he said. I looked at his chest a bit.

“What do you have against me?” I asked soft toned, to ensure he knew I wasn’t trying to insinuate anything. His eyes seemed to fill with energy at my question.

“It’s the lot of you, taking good honest work from me and my boys and their families.” he said leaning forward. “I fought to free slaves- to free you, and instead of going back to Africa, you stayed here. You came north and took our fucking jobs. And now the Chinese are coming in by the boat load. The Irishman suffers because the rich man, whose fucking war I fought, doesn’t want to pay us a fair day wage.”

I could hear the passion in his voice mixed with anger and hatred, the usual and lethal combination in whites here. I just looked down for a moment taking in his words. I’ve heard men shouting this rhetoric before in the streets, but I’ve never been this close to one before.

“Well… all I can really say is thank you for fighting for my freedom Mr. Leary. There are many in the south who do not know they are free.” I replied softly. He grunted and just shook his head.

“So now that you’re free, why didn’t you go back to Africa?” he asked. I looked up in thought for a moment before looking back at him.

“Could I go to a white captain, as a colored woman with no money, no rights or titles to anything, could I go to a captain and politely ask him to take me back to Africa a place I do not know, a land that was stripped from my identity? Would he happily oblige me, or would he laugh in my face and try and kidnap me and sell me back into slavery, where men that look like you can do this to me, because I’m only property in the eyes of those of this land?” I asked, my tone shaky, pointing to my ears. I had let it slip. I had shown that I wasn’t just some mindless negress, but one of intelligence. Dylan’s frown only grew, and I could tell on his face he wasn’t happy at how uppity I was suddenly talking. I felt the dangerous air around me grow thick. The door of the bar opened, and I immediately covered my head once more and saw that it was Officer O’Hara. Oh, thank god. I immediately got up and moved up to him.

I could hear Dylan’s large feet on the ground behind me so immediately I moved to stand behind the cop.

“I’m back. We’ll be off now. Mr. Leary, I thank you for being a good host and watching Amaka while I handled some business.” he said. Dylan looked at the man with a frown still on his sharp features.

“I expect payment for this as soon as you’re off duty, officer.” he said firmly. I just looked down and remained quiet. Officer O’Hara nodded with a heavy sigh.

“Of course. Come.” Was all he said before leaving the bar. Once outside I looked at the officer noticing he had a busted lip. I winced ignoring the glance from Dylan staring at us from the window.

“You’re hurt. I can help.” I replied, but he quickly shook his head.

“Let’s just get you back to Chinatown.” he replied. I nodded and we began our walk back. We said nothing as the sea of white faces yet again shifted yellow and I was back in Chinatown. We stopped at the steps of the brothel, and I looked at the officer nodding.

“Thank you, Officer O’Hara.” I replied before reaching into my dress pocket and pulling out a small sack of herbs. I held it up to him. “If you grind this up and put it against your mouth it’ll stop the swelling.”

The officer looked at the bag skeptically but slowly took it.

“Right, uh thank you.” he replied before just turning and heading on his way. Once he was out of sight, the doors of the brothel opened and I saw another white face, prompting me to look away toward the ground.

“You’ve returned safe and sound. Do not be shy.” I hear Ah Toy’s voice making me look up at her. She was beside the yellowed haired woman in green who looked at me taken a back, yet still smiled. I only nodded.

“Yes. The client was happy to get the medicine.” I replied to Ah Toy who nodded with a smile on her face. She looked at the woman.

“This is a kind soul of Chinatown, a woman very knowledgeable in medicine, Amaka. Amaka this is Nellie Davenport, a very strong-willed businesswoman who does charity work in helping Chinese prostitutes.” she introduced. I looked between the women now. That must be bad for Ah Toy’s business right. Nellie smiled and nodded.

“Hello Amaka, that’s a beautiful name.” she replied, her voice trailing off as I removed my hood. Her eyes widened and she gasped gently. I only smiled.

“Hello Nellie. It is nice to meet you.” I replied. In Chinatown, I didn’t feel the need to water down who I was, because I felt secure here. This woman is was in our world and here she would stand equal to me.

“Y-your ears…” she exclaimed. I nodded.

“The result of the horrors I experienced at the hand my past master when I was a slave.” I replied. Now both women looked at me as if mildly horrified. At first I wondered if I should have said that, then I remembered that’s what this country fought for, my freedom. Most coloreds here had a history of slavery. I just had to make sure no one tried to enslave me again. Nellie shook her head.

“Slavery… a horrid atrocity. No human should be owned by another. My late husband had other opinions on the subject, but thank God he is dead. I am glad you survived your past, Amaka.” she said. I couldn’t hide the skepticism at her tone, and she saw it and nodded. “I know it means nothing come from me, a woman of high privilege but in the end all men look at us and still see women who don’t know a thing about the world.”

I looked a bit intrigued by her words and Ah Toy nodded.

“Which is why it is up to us women to show them just exactly how dangerous we are so they will never underestimate us again.”

Her tone was humorous, but I could hear something deeper behind it. Nellie chuckled and I just smiled as she looked at me.

“A pleasure to meet you Amaka, I hope we can talk again.” she said. I nodded.

“Yes ma’am.” I replied and she nodded before looking at Ah Toy.

“I will be stopping by again soon.” she said, and the brothel owner nodded.

“And I will be here to greet you.” she replied. The woman left down the street and I just looked at Ah Toy. “Did you run into any trouble?”

I looked down and shook my head.

“No. Your client was thankful for the medicine.” I replied, reaching into my pockets to hand her the envelope the man had given me. She nodded taking hold of it and looking it over before looking at me.

“Good. Thank you for this. I won’t ask you to do something like this ever again.” she replied. I nodded.

“It felt nice to walk in the open without having to follow behind someone.” I said lightly before looking down and then up at her with a smile and a nod before turning from her.

“Amaka.” she called out and I turned to look at her curiously. She looked a bit saddened. “How long were you a slave?” I looked at her for a brief moment before looking up thinking of the memories of my past before looking at her.

“Since I was born.” I replied. She looked at with a light gaze before bowing her head at me. I smiled and returned it before heading back to Chao’s shop. He was putting some weapons away when he saw me.

“Hey how’d it go?” he asked approaching me. I nodded.

“Fine, all fine.” I replied and he nodded looking down with relief before looking up at me.

“I’m glad. But now we have business with the Hop Wei.” he replied. That’s right. I was to speak to Father Jun.

“Yes, we do.” I replied. After freshening up, Chao and I were walking through town until we were in familiar Hop Wei territory. Just like walking into that Irish bar, I was now walking into a tong’s house. Both places are dangerous, and I had to remember that just like Dylan Leary this Father Jun was a man like all the rest who would see me as less than if not because of my race then because of my gender. We stopped at the doors of the large building where men in red and black were standing there with pride on their faces. Chao mentioned having business with Father Jun made them pat us down. I was in a faded green dress with my head down letting them search us for weapons.

These men, I was familiar with. I’ve treated them or a member of their families that was for sure. They let us through, and we moved inside. The halls were quiet, but the rooms we passed were filled with men doing different things from talking, to drinking and eating, to sparing on large mats.

“Ah Chao, Amaka so glad of you to join us!” I heard the familiar voice of…

“Young Jun.” Chao replied, and we both bowed. Young Jun smirked at me.

“Glad to finally have you in my home. Can’t wait for you to join our tong.” he replied. Walking up behind him was Ah Sahm, and Bolo. I grinned.

“That is up to your father, but I still have to make that decision.” I replied. The young Hop Wei nodded.

“Fair enough.” he said before patting Chao’s back and moving to lead the walk down the hall. I avoided looking at Bolo and instead looked at Ah Sahm and smiled as the three of us followed.

“Ah Sahm, I am glad you are out of prison safe.” I replied. Ah Sahm smiled some.

“Thank you. I hope to never get arrested again. It’s not as fun as everyone says.” he replied. I chuckled and nodded.

“Really and here I thought it was the one place to make friends.” I said with a grin. Bolo simply stuck close to Young Jun. I guess we were both invisible to each other now. I would respect his wishes if that’s how he wanted to act when around me. We entered a large room where an elder man sat at large long table. It was polished and well decorated. Beside him on either side were other old men, but from the firm look in his one good eye, I knew he was Father Jun.

[eudociaocdump]

So I'm on season 2 episode 1 and may I just say I am HERE for Mai Ling being a bad bitch while Li Yong is the guard dog. Mmm bark bark I am loving this. I like how Penelope finally has some ground to stand on. She tried a lot to assert herself in season 1 but it always felt hollow. Now she is getting her father's business and I hope she pulls it off!

And idk also maybe try the boohoo dylan leary lost his wife and kids BEFORE I watched him let his men beat up the Chinese workers! They broke their hands! Quite rude in my opinion, but at least it got Ah sahm back in the game

[grande-caps]

Warrior 3.02 - “ Anything Short of a Blow to the Head ”

Quality : HD Screencaptures Amount : 1.598  files Resolution : 1.920 x 960 px

- Please like/reblog if using!

[maxhunt0616]

Places to Visit in Kasar Devi: A Complete Guide for Travelers

Nestled in the serene hills of Uttarakhand, Kasar Devi is a hidden gem offering travelers a peaceful escape from the bustling city life. Known for its stunning views, spiritual ambiance, and proximity to adventure spots, Kasar Devi has gained popularity over the years. Whether you're seeking relaxation, spiritual growth, or a bit of adventure, Kasar Devi has something for everyone. Kasar Devi, located near Almora in Uttarakhand, is a quaint and picturesque village that draws nature lovers, spiritual seekers, and adventure enthusiasts alike. The peaceful atmosphere, combined with breathtaking landscapes, makes Kasar Devi a perfect destination for those looking to reconnect with nature and themselves. In this blog, we'll explore the best places to visit in Kasar Devi, along with adventure activities, local food, shopping, and helpful travel tips for a memorable visit. Whether you're planning a short getaway or an extended stay, this guide will help you make the most of your trip to Kasar Devi.

Kasar Devi Temple

The highlight of Kasar Devi is the ancient Kasar Devi Temple, which is not only a religious site but also a place of immense spiritual energy. It is believed that the area around the temple lies on the Van Allen Belt, a region with a unique magnetic field that enhances meditation and spiritual practices. Many travelers visit the temple for peace and tranquility, and some even report feeling a deep connection to the earth's energy.

Crank's Ridge

Crank's Ridge, also known as Hippie Hill, is located near Kasar Devi and has been a favorite spot for writers, artists, and seekers of spiritual enlightenment. The ridge offers panoramic views of the surrounding valleys and snow-capped mountains, making it a popular spot for photography and meditation. Famous personalities like Bob Dylan, George Harrison, and Timothy Leary have visited Crank's Ridge, adding to its mystique and charm.

Adventure Sports in Kasar Devi

For those who crave adventure, Kasar Devi is an ideal base for trekking and other outdoor activities. The nearby Binsar Wildlife Sanctuary offers opportunities for wildlife spotting, bird watching, and nature walks. You can also indulge in paragliding, rock climbing, and trekking in the surrounding areas. If you're up for an adrenaline-pumping adventure, Kasar Devi won't disappoint.

Places to Visit in Kasar Devi in One Day

If you’re short on time, you can still cover several key attractions in Kasar Devi within a day. Start with a visit to the Kasar Devi Temple to soak in the peaceful vibes and explore the surrounding areas. Afterward, head to Crank's Ridge for some scenic views and quiet contemplation. Finish your day with a visit to the nearby Kalimath Temple, which offers another spiritual experience amidst the tranquil landscape.

Airbnbs in Kasar Devi

For accommodation, Kasar Devi offers a range of Airbnbs that cater to different budgets and preferences. Whether you're looking for a rustic homestay, a cozy cabin, or a luxurious retreat, the Airbnbs in Kasar Devi provide an excellent opportunity to immerse yourself in nature. Many of these stays are located in secluded areas with stunning views of the mountains, making them perfect for a peaceful retreat.

Adventure Activities in Kasar Devi

In addition to trekking and hiking, you can engage in various adventure activities in Kasar Devi. The village's proximity to Binsar Wildlife Sanctuary makes it a great starting point for wildlife safaris and bird watching expeditions. You can also try your hand at rock climbing, mountain biking, and nature photography. For thrill-seekers, paragliding offers a chance to glide over the verdant hills and take in the panoramic views.

Things to Do in Kasar Devi

There are plenty of things to do in Kasar Devi, from exploring spiritual sites to enjoying adventure activities. Take a leisurely walk through the village to discover its charming local culture, shop for handicrafts, or indulge in a yoga and meditation retreat. You can also embark on guided tours that delve deeper into the history and spiritual significance of the area.

Best Local Food in Kasar Devi

No trip to Kasar Devi is complete without sampling the local cuisine. The village offers a variety of local delicacies that showcase the flavors of Uttarakhand. Don't miss trying bhatt ki churkani (a black bean curry), aloo ke gutke (spicy fried potatoes), and bal mithai (a local sweet). Many homestays and local restaurants offer traditional meals made with locally sourced ingredients, providing a true taste of the region.

Shopping in Kasar Devi

While Kasar Devi is not known for large markets, you can still find local shops and stalls selling handmade goods, such as woolen shawls, scarves, and jewelry. These make for unique souvenirs to remember your trip by. The nearby town of Almora also offers more extensive shopping options for traditional crafts and artifacts.

Travel Tips for Kasar Devi

Weather: Kasar Devi enjoys pleasant weather during most of the year, but the best time to visit is from March to June and September to November. Carry warm clothing if you're visiting in winter, as temperatures can drop significantly.

Connectivity: While Kasar Devi is relatively remote, it is accessible by road from Almora. Be prepared for limited mobile network coverage in some areas.

Responsible Travel: Kasar Devi is a pristine destination, so be mindful of the environment. Carry reusable water bottles, avoid single-use plastics, and respect the local customs and traditions.

Conclusion

Kasar Devi is a destination that offers the perfect blend of spirituality, adventure, and natural beauty. Whether you're visiting for a day or planning a longer stay, the serene atmosphere and stunning landscapes will leave a lasting impression. From the sacred Kasar Devi Temple to the adventurous treks and local cuisine, this charming village has something to offer every traveler. So, pack your bags, book a stay in one of the cozy Airbnbs in Kasar Devi, and get ready to experience the magic of this hidden gem in Uttarakhand.

[theyearthedecadeexploded]

La classe. Ouvrière.

Année foisonnante s’il en est, 1966 aura marqué l’émergence de disques qui font encore référence un demi-siècle plus tard.

1 – The Beatles, Revolver – EMI

Lorsque démarre 1966, les Beatles sont en vacances. Leur plus long break – trois mois – depuis presque quatre ans. Des congés que chacun va consacrer à voyager, décorer sa nouvelle maison, étrenner sa nouvelle voiture. Et surtout réfléchir à de nouvelles idées, développer de nouveaux intérêts qui auront des répercussions directes sur les prochains enregistrements calés au début avril. Ainsi George Harrison va-t-il peaufiner sa passion de plus en plus dévorante pour la musique indienne, marotte que l’on retrouvera sur “Love You To” (où il sera crédité à la sitar sans que personne ne soit réellement certain de sa réelle implication) ou sur quelque référence en filigrane des textes à la fin de “I Want to Tell You”. C’est à la musique classique que Paul McCartney va, de son côté, se consacrer – quand il ne fera pas la tournée des nouveaux clubs de Londres, une appétence que “Eleanor Rigby” symbolisera à merveille le moment venu, avec la bienveillance (bénédiction ?) de George Martin. Macca n’en oubliera pas pour autant son amour de la soul music américaine avec ce “Got to Get You Into My Life” presque pastiche des productions en rafale de la Motown d’alors. John Lennon, lui, est en plein trip depuis plusieurs mois. En plein trip LSD. Avec les lectures qui vont avec selon lui, comme les ouvrage de deux psychologues américains, Timothy Leary et Richard Alpert. Et si les connotations à ces trips vont sillonner des chansons comme “And Your Bird Can Sing” ou “She Said She Said” (voire “Rain”, future face B de “Paperback Writer”), Lennon n’a depuis le début qu’une seule idée en tête : illustrer musicalement une expérience LSD en trois minutes. Ce sera la raison d’être de “Tomorrow Never Knows”, définitivement le morceau le plus ambitieux de l’album – le dernier dans l’ordre mais le premier enregistré – où, par exemple, le solo de McCartney sur “Taxman” est ici joué à l’envers. Celui qui traduira au mieux sur Revolver la soif d’expérimentations de sons et d’arrangements d’un groupe qui ne semble désormais plus avoir de limites.

2 - the Beach Boys, Pet Sounds – Capitol

L’histoire est désormais connue, à force d’être rappelée, ici ou ailleurs : Brian Wilson découvre l’album Rubber Soul des Beatles et ne s’en remet pas. La découverte va surtout lui servir de grand détonateur pour tenter de mener à bien les orchestrations complexes et luxuriantes qui lui traversent l’esprit, et ainsi se libérer de cette (fausse ?) superficialité que les Beach Boys incarnent depuis leurs débuts et dont ile ne peut se contenter. Avec ses frères et cousin – et la “pièce rapportée” Al Jardine – en guise de pate à modeler vocale, il va concocter un kaléidoscope sonore et mélodique qui va ni plus ni moins s’établir comme mètre-étalon en matière d’arrangements et d’instrumentation pop. Les hits de la trempe de “Wouldn’t It Be Nice” et “Caroline No” – et surtout le chef d’œuvre absolu “God Only Knows” – feront le reste…

3 - Bob Dylan, Blonde on Blonde – Columbia

Un morceau excepté, (“One of Us Must Know (Sooner or Later)” fruit de sessions infructueuses quelques mois plus tôt), le premier double album rock de l’histoire est le fruit de sept petits jours d’enregistrements dans les studios Columbia de Nashville en mars 1966. Sept jours durant lesquels Dylan tire la sève de ses acolytes Al Kooper à l’orgue et Robbie Robertson à la guitare et de musiciens de studio locaux. Il va surtout montrer quel troubadour il demeure quel que soit la trame musicale de ses chansons – folk, blues ou rock – et combien l’urgence lui va bien au teint (une seule prise pour les onze minutes de “Sad Eyed Lady of the Lowlands”). Son meilleur album rock pour certains, des ballades immortelles (“Visions of Johanna”, “Just Like a Woman”, “I Want You”) : Dylan met – encore – tout le monde d’accord !

4 - The Byrds, Fifth Dimension – Columbia

Pour leur troisième album, les Byrds de Roger McGuinn, David Crosby et Gene Clark s’émancipent pour de bon ! Ils s’émancipent notamment du country-folk-rock qui les a mis sur la carte du monde un an plus tôt avec Mr. Tambourine Man, un folk-rock qui se retrouve ici sciemment “infusé” d’effluves psychédéliques, tant au niveau des textes pas vraiment… terre à terre que des sonorités de guitare – six ou douze cordes. Émancipation encore quant au choix des reprises : plus de Bob Dylan au programme – il est vrai qu’ils ont bien donné sur les deux premiers albums (huit fois !) et qu’ils y reviendront plus tard – mais deux de Joan Baez et une version “oubliable” malgré l’insistance de David Crosby d’un “Hey Joe” qu’un certain Jimi Hendrix va très vite et définitivement s’approprier. Un autre oyseau dans son genre…

5 - The Rolling Stones, Aftermath – Decca

Avec Aftermath, les Stones ont fini leurs devoirs. Fini de rendre hommage à ces anciens (Chuck Berry, Muddy Waters, Willie Dixon, Bo Diddley et consorts). Désormais, ce sera Jagger-Richards et rien d’autre entre parenthèses sous les titres des chansons. Sans rien oublier non plus, comme sur cet “Under My Thumb” plus R&B que nature ou ce “Doncha Bother Me” bluesy frondeur. Désormais, ce sera… mauvais garçons à la première occasion, provocateurs avec ces dames pour mieux les attirer dans leurs filets. Et désormais, si connotations musicales il doit encore y avoir, ce sera du côté d’un certain psychédélisme qu’on ira le chercher – pour ce qui est du jeu de sitar “à l’occidentale”, Brian Jones reste le meilleur à l’époque. De toute façon, c’est marqué à la fin : “Take It or Leave It”, c’est à prendre ou à laisser !

6 - The Kinks, Face to Face – Pye Records

Dans l’esprit de Ray Davies, Face to Face se concevait comme ce que l’on appellera plus tard un “concept-album”. L’une de ses envies premières était d’ailleurs que toutes les chansons – quatorze à l’arrivée – s’enchaînent sans le moindre répit (sinon celui de retourner le vinyle). Pye en décidera autrement. Façon pour Davies de faire passer le message : The Kinks ne peuvent être qu’un groupe à singles (même si “Sunday Afternoon” sera un hit). Dans ses textes, le message est aussi on ne peut plus clair : regarder l’Angleterre et ses différentes classes droit dans les yeux et les dépeindre sans concessions, sino avec une affection indéfectible pour la middle-class. Musicalement, le spectre s’élargit également, entre brit-rock racé et R&B bon teint, quitte à se montrer moins rêche dans les tonalités.

7 - John Mayall with Eric Clapton, Bluesbreakers – Deram

Un an plus tôt, il était encore dans les Yardbirds. Dans quelques semaines, il sera parti fonder Cream. Autant capter l’instant tant qu’il est encore là. Il ? Eric Clapton, talent prometteur devenu Dieu de la guitare après ce bref passage à… l’école John Mayall. Capter l’instant, graver la magie, c’est précisément ce que vont permettre ces sessions de mars 1966 aux studios Decca où, derrière la voix et l’orgue de Mayall ainsi que l’imperturbable section rythmique composée par John McVie (basse) et Huggie Flint (batterie), la guitare du futur Slowhand va s’en donner à cœur joie – il a toute liberté pour le faire – le temps de revisiter Otis Rush, Freddie King, Robert Johnson, Ray Charles (un “What I’d Say” agrémenté du motif phare du “Day Tripper” des Beatles). Le meilleur album de british blues de tous les temps, “indeed”.

8 - Cream, Fresh Cream – Reaction/Polydor

Premier super-groupe de l’histoire ou pas (le degré de notoriété des différents protagonistes au moment de la création du trio étant source de débats sans fins), et s’il s’affirmera définitivement sur Disraeli Gears l’année suivante, Cream va symboliser dès ce premier album la synthèse parfaite entre blues, pop et psychédélisme, quand il n’ira pas – sur scène – s’inspirer des “méthodes” du jazz cher à son batteur Ginger Baker en étirant ses morceaux le long de jams orgiaques. Le chant clair et la basse feutrée de Jack Bruce, les riffs et les solos lumineux d’Eric Clapton, la batterie tour à tour martiale et ouatée de Baker : le plus ambitieux des scénaristes n’aurait pas oser y songer, pas plus qu’il aurait pu imaginer les… séquelles de l’assemblage sur les musiques qui lui survivront dans les années 70, le heavy metal en tête.

9 - The Mothers of Invention, Freak Out! – Verve

“Mister America, try to hide the emptiness that’s you inside”. D’entrée de jeu, dès ce “Hungry Freaks, Daddy”, premier morceau de son premier album, Frank Zappa pose les débats : il va lui en mettre plein la tronche à cette Amérique ! Un “mojo” dont il ne s’écartera plus jusqu’à sa mort en 1993. Avec ses Mothers of Invention qu’il dirige à la baguette, il pose aussi les bases de ce que seront ses obsessions musicales par la suite, à savoir défricher sans cesse, ne jamais rien s’interdire. Une immense tambouille qui passe ici par le blues, le rhythm & blues, le doo-wop, le psychédélisme, l’avant-garde, avec en fil rouge permanent l’ironie, acerbe et cinglante. Suivez le guide, quitte à ce que, parfois, le périple paraisse un brin chaotique… Après tout, les voyages forment (et entretiennent ?) la jeunesse !

10 - Ike & Tina Turner, River Deep-Mountain High – Philles

River Deep-Mountain High est un peu l’histoire d’un mariage raté. Non, pas celui d’Ike et Tina Turner à qui on laisse le soin d’en juger – s’ils ne l’ont pas déjà fait. C’est bien sûr de l’union des époux et de Phil Spector qu’il est question ici, en tout cas de l’échec “public” de ladite union qui conduira Spector à sabrer son label Philles en 1967, déçu et vexé de l’accueil mitigé du titre-album, et à ne pas mener tout à fait à bien cet album (quatre morceaux seulement sont passés au tamis de son Wall of Sound démesuré, voire carrément “cathédrale” ailleurs). Ike Turner ira puiser dans quelques “vieux” titres du duo et dans une production personnelle plus classiquement R&B pour sauver les meubles. Comme imperturbable à toutes ces pérégrinations, Tina règne en maîtresse absolue au-dessus de la mêlée !

Xavier Bonnet - Rolling Stone

[warriorhbo]

[brody75]

Warrior -  If You Don't See Blood, You Didn't Come to Play