#during the story's original Apocalypse Event

[forgivenfolly]

me like three days ago: prem probably wouldn't get much out of this expac it's a good thing i didn't choose to play it as him

the expac:

[nimuetheseawitch]

SGA Summer Vacation Recs

So, a few weeks ago, a friend asked for longfic recommendations to read while on vacation, and I did not really realize how many I was recommending at the time. Seemed like a good idea to make a post about it.

Time in a Bottle by astolat, 14K (not originally on my list because it was too short, but it's too perfect for a summer reading list, so I added it), McShep, Rated E, Creator Chose Not To Use Archive Warnings To see a World in a Grain of Sand / And a Heaven in a Wild Flower / Hold Infinity in the palm of your hand / And Eternity in an hour.

The Long Dark (series) by @logicgunn, 141K, McShep, Rated G-E but the first is M, Creator Chose Not To Use Archive Warnings An astronomical event causes two strangers to crash land on a remote island in the frozen Canadian north. Cue a fluffy slow burn in a survival setting.

Lord John Sheppard Versus Earth by LitGal, 61K, McShep, Rated M, Graphic Depictions of Violence Canon diverged before Jackson found Atlantis. The IOC stepped in and decided to make things more efficient. A gene testing program brought Major John Sheppard into the program earlier, but budget constraints and international treaties have kept Dr. Jackson out of the antarctic. So now John has to find his own team--and his own geek--or he's in danger of being stuck in the mountain forever as a light switch. However, as the universe changes, fate forces some things to return to proper form, and other things… they get wildly out of control. John isn't sure how he came to be Earth's enemy, but he's going to have to deal with the cards he's dealt.

Teamwork by onthewaters, 24K, McShep and others, Rated E, Graphic Depictions of Violence There is an Earth where things have turned out a little differently, and the people who go to Atlantis aren't quite the ones we know. AKA The one where Rodney is a Mountie.

The Doctor and the Sheppard by @hero-in-waiting, 70K, McShep, Rated E They've been in Pegasus for a year before Rodney is finally allowed to go off-world to meet with the mysterious leader of a group of allies against the wraith. The first meeting goes well, sending them down a path none of them could've foreseen, and leaving Rodney with thoughts of the mysterious leader with his bright eyes and dark hair.

The Hard Prayer by Rheanna, 30K, McShep, Rated M One year after the end of the world, John meets another survivor.

In Sickness and in Health by @a-storm-of-roses, 31K, McShep, Rated E "So I told a little lie, just to get you back to Atlantis. It was the only way, so try not to get too mad. I told them we were married.” When John suffers a major, life-changing injury on Earth, Rodney must pretend to be his husband to ensure his return to Atlantis. As he struggles to navigate recovery and accept his new reality, John must also come to terms with his new role as Rodney's husband and the new dynamics in their relationship. A story of healing, recovery, loss, love, and acceptance.

Enigma by sgamadison, McShep, 32K, McShep, Rated E, Creator Chose Not To Use Archive Warnings During an off-world mission, a piece of Ancient technology transports Rodney and John on a one-way trip to a deserted airfield. Working together to get back, it takes a vivid dream to make Rodney realize what's been in front of him all along.

Bridges by bussaiko, 52K, McShep, Rated E Engineer Rodney McKay went to North Carolina's Crystal Coast to help his sister design a series of bridges. He hoped to rebuild his career following a professional disaster; he didn't expect to be drawn into the small community of Athos Island, where he found friendship and perhaps something more with helicopter pilot John Sheppard. But when Rodney tries to learn more about John's past, what he discovers might tear them apart. (non-Stargate AU)

Apocalypse Rising by sian1359, 81K, McShep, Rated M, Graphic Depictions of Violence The Goa'uld are not the only ones who covet Earth.

Zen and the Art of Jumper Maintenance by Indybaggins, 39K, McShep, Rated M The one where Rodney gets sucked in and John… follows. Featuring a quirky John, Rodney in orange robes, crazy Ancient-worship, sheep milking and jumpers that aren't broken but need to be fixed anyway.

Black Helicopters (series) by whizzy, 141K, McShep, Rated T-E but the first is M, Creator Chose Not To Use Archive Warnings Screw the bet. Rodney was going to prove the existence of extraterrestrial intelligence. Oh, and incidentally, he might just catch the United States Air Force with their pants around their ankles.

Pegasus Purgatorio by MrsHamill, 127K, McShep, Rated E, Creator Chose Not To Use Archive Warnings It is difficult to write a paradise when all the superficial indications are that you ought to write an apocalypse. It is obviously much easier to find inhabitants for an inferno or even a purgatorio. (Ezra Pound) Yeah, I'd say that about covers it, Ezra. John and Rodney are left behind when Atlantis (and, by extension, Pegasus) is evacuated. While returning to the Milky Way, they decide to bring a few friends along.

What A Wonderful Bunker You Would Make by ocdindeed, 50K, McShep, Rated M Summary in simple words: Rodney is recluse and John has a kid. Summary in not so simple words: Rodney McKay has given up on the world, living a simple life up on a mountain devoid of people. He likes it that way, at least he did until a kid with a full head of dark hair ambled up his dirt driveway and changed his sequestered life forever. (AU - Set during SG1 & Pre-SGA timeline.)

G******, Tramps, and Thieves* (series) by auburn, 372K, McShep and a whole lot more, Rated T-M, Graphic Depictions Of Violence, Rape/Non-Con, later fics Creator Chose Not To Use Archive Warnings Vala Mal Doran and her partners, renegades Jehan abd-Ba'al and Meredith McKay, hijack the Tau'ri ship Prometheus and leave the Milky Way behind in search of the Lost City of the Ancients, Atlantis.

*I censored this title due to a common racial slur

[capcollector]

some art and concepts for my original fallout story that takes place post-fo3 but pre-fnv. part one of ?? very basic story and character info below the cut, if you want more in-depth stuff feel free to ask!

PLOT:

The story follows Leon on his first journey outside the Capital Wasteland—the remains of the gulf coast, centered mainly in what was once New Orleans.

Leon, now around 21-22 years old, is feeling more uncertain than ever. He’s cut all ties he had with the Brotherhood following the events of FO3 and wants out of the Capital Wasteland, at least for now. He’s officially begun his path of being a traveling doctor and ends up wandering south.

As the east coast Brotherhood begins to morph into what it becomes by FO4, at some point during FO3, a squad was sent down to do some scouting. Specifically they were looking for 1) salvageable tech in any former bases and 2) to see what the communities—if they weren’t all underwater—were like. To their surprise, there was a thriving coastal community of humans, ghouls, and tentative relations with the supermutant population as well (the supermutants being rightfully cautious but talks amongst groups seemingly going alright).

The leader of the Brotherhood squad, Buck, sees the opportunity to take things for himself and his crew. He begins falsifying reports to superiors so he can take his time and take what he wants for himself, as well as try to pick off anyone he doesn’t like. His group takes over the remains of a college campus and begins stirring things up almost immediately to assert their control. They ruin community relations, intimidate and kill people, hoard resources, etc. Their presence on the campus and behavior as earned them the nickname “The Frat” by locals.

Essentially this story really solidifies Leon’s opinion of the Brotherhood as he becomes close to the people and communities of the coast. It’s up to them to band together and take them out for good.

CHARACTERS:

Coco: A pre-war drag queen who keeps up a bar in heart of town. Acts as an information station and trader, as well as runs her own side business making and selling wigs to anyone who wants one. She’s had a few hundred years to master her craft, and given how common hair loss is in the post-apocalypse, she’s definitely made a decent chunk of caps. Charming and excitable, Coco can make anyone feel welcome, but she reads people very well and has no issue kicking you out if you cause trouble around her.

Booker: A regular at Coco’s. Sits at the edge of the bar always typing away at his typewriter, working on something. Paranoid and jumpy, Booker is cautious of anyone and everyone. Despite his weird behavior, Booker is harmless, and once you get to know him there is a very sweet man underneath that intense exterior.

Petula and Ed: A human and supermutant couple who are spearheading the talks between all the communities. They’d met many years ago in a fighting ring. Both had been drifters for as long as they could remember. Now in the present day the two are set on their new goals of making this place they love better for everyone around them.

Buck: Leader of The Frat, the Brotherhood group who’s taken over the college and just kinda ruined everything for everyone. Greedy and indulgent, Buck had joined the Brotherhood because he was enticed by the power trip. He does things because he can.

[thevulturesquadron]

Hello! 👋 Could you list some of the best comic books that explore the Rogue/ Magneto relationship?

Hey there!!! 👩‍🚀 Oh gosh! With pleasure! I might be a bit rusty because I haven’t gone through older Marvel comic books in a while and also because I am not up to date with the recent years of X-Men comics BUT there are still a couple of issues that are very dear to me when it comes to Rogue & Magneto, so happy to share:

It all started in the year 1981:

1. Uncanny X-Men #269 ; Uncanny X-Men #274 & Uncanny X-Men #275 (1981, Written by Chris Claremont) [The story is pretty self-contained to these 3 issues and it all starts with Rogue realising that her Ms. Marvel powers are gone and Carol Danvers somehow has her own body now. (a very simplified context of what was going on in that era with the X-Men) I absolutely love Rogue in these issues. She has sass and personality, and she still carries a lot of her energy from the 80s.]

2. X -Men Volume 2 (Issues #1 - #3) - (1991, Chris Claremont) [They meet again after the events in the Savage Land, now on opposite sides.]

3. Magneto Rex: Issues #1- #3 - (1999, Joe Pruett) [This miniseries… is a bit weird and needs some context. It’s at a time where Marvel really wanted to have Magneto return to his evil ways and be a villain for the X-Men (regardless if it made sense or not). Not one of my favourites and generally can live without but it’s a ‘next stop’ in their interactions, so adding it to the list.]

4. Then we have X-Men Legacy! ( 2008, Mike Carey) [This one is a chonker, and to make things worse it is connected with other series running at the same time. It has pieces of Rogue and Magneto through the entire run but all in all, the story sees them reunite under the same team in Utopia (starting with Legacy #231). The full run of Legacy can be difficult to follow up on but if you have the time, it’s really worth it. It’s also the first story in YEARS where Rogue is allowed to shine and do her own thing. If you need a more detailed list of what issues are really worth reading, in what order and what is happening in between them let me know and will be happy to write down a breakdown!]

5. Memorable mentions in the main series: There are quite a few tiny bits about them in the comic books but here’s a list of issues that give more context to how they interact and how they feel about each other:

a. Marvel Fanfare #33 - (1982, Chris Claremont. I love Rogue in this one and it’s such a nice example of what a good and powerful duo they can make. Something that is later explored in Legacy as well. b. Legacy #223 (during Rogue’s journey to control her powers) we have a glimpse of how she remembers and sees Magneto’s presence in her life. c. Magneto #10 (2014, Cullen Bunn) - Similarly, a glimpse into Magneto’s mind on how he remembers Rogue and the impact their connection in the Savage Land had on him. d. Mr & Mrs X #6 (2019) - there is a page between Rogue and Magneto where, in all that mess, at least Magneto’s honest feelings for her and his care for her happiness shine through.

And last but not least, Age of Apocalypse. [This is a completely separate timeline that the comic books liked to visit from time to time. In this universe Rogue and Magneto are pretty much in love and married but… it’s a very tragic universe. Original series started in 1995; then it got revisited in 2005 and again in 2015… I think? The series… is far from perfect, there are so many things that can be described as unhinged (dialogue included) but, there is so much love for these two characters and I absolutely recommend it if you are ok with investing some time into reading it, and most of all if you are ready for a real heart break (again and again).]

Hope this helps! Happy to go into more details or put aside a cleaner list if interested! 💜

There are a couple other mentions in the comics so in case I missed something important I will summon one of the gods of endless knowledge when it comes to X-Men to correct or add to the list: @maedelin

[stoat-party]

Evaluating Which Details Pose Continuity Issues (yeah, it’s long, sorry)

I’m being relentlessly annoyed by (some) people mad at the show and by (some) people mad at people mad at the show, so let’s clear up where the issues are and aren’t so we’re not just talking over each other here.

Destroying the Strip

Obviously not a retcon. Retcons refer to previously-established events. Some people might have their own problems with it (I definitely saw it cited as evidence of a coordinated attack on New Vegas), but it presents no continuity problems.

2. What exactly is a vial?

I don’t think this changed ghoul lore. They can still go 200+ years without turning, or they can start turning as soon as they get ghoulified. There’s just a new plot element where they can stave off the effects of going feral for awhile if they take this mysterious drug - without the drug, the rules are still the same. The story was NOT clear on this, and it confused me, but if ghouls need drugs to stay sane, Oswald, Dean, Billy, etc. could not exist even if there’s a massive industry in vials of goop that’s never been mentioned before.

3. It took Vault-Tec decades to build all the vaults.

This is something I worried about because there couldn’t have been much time between the boardroom scene and the bombs falling (Janey doesn't age). But I think it makes sense if you assume the vaults were already built and they filled them with experiments afterward. It does leave the problem that some vaults were unfinished but Vault-Tec also dropped the bombs - why would they do that before finishing their vaults? It’s possible that they planned to drop them but got beat to the punch, or any number of other explanations. Clear retcon but not a huge plot hole.

4. House is worse than Caesar all of a sudden?

This one’s a private gripe of mine because House and Sinclair were not originally written to be Actual Sadists Who Hate Humanity. There’s also House’s mastermind prepper attitude toward the apocalypse, which doesn’t indicate that he had a hand in orchestrating it. While the change doesn’t conflict with the text as far as I know, it really changes the flavor of the game, but not as much as:

5. The Fall of Shady Sands

Let’s say that this happened after the first battle of Hoover Dam, so no continuity issues with their ability to win that. (That’s probably why they set it in 2277, so the NCR would have almost four years to recover before NV. As if Caesar wouldn’t have taken half of their land by then, even with his armies crushed, but ok fine he’s going through a divorce, he’s busy right now.)

But are you telling me that a country can lose a massive city containing much of its infrastructure, most of its central government, and ~5% of its population and still be trying to manifest destiny four years later with no mention of it?

Losing the Divide as a travel route almost crippled the NCR in the Mojave for awhile. Now, not only have they lost the Divide and their capital city, but one of their other biggest cities, the Boneyard, is abandoned and inhabited by an apparently-unaffiliated town. (Yeah, Los Angeles is big, but we don’t see any NCR or Followers despite three main characters traveling through it.) Even if there were still people there during New Vegas, how is the NCR still conducting a campaign in the east?

Also, who is Muldover and what’s her position? Why does she have raiders at her disposal? Is that really supposed to be what remains of the government? I get that some of this will be resolved later, but short of complete societal collapse, there’s no explanation.

We don’t see any of this in New Vegas. The president (who was in office in 2277) is still alive. No one mentions losing family in the explosion. Caesar, Ulysses, and House, along with the many other characters who complain about the NCR’s weakness and instability, don’t bring it up. People even mention the politicians in Shady Sands specifically. PEOPLE ARE MAKING JOKES ABOUT WANTING A NUCLEAR WINTER-

Now there’s a saving interpretation going around that “the fall of Shady Sands - 2277” refers to a metaphorical fall, and the explosion was later. I’ll accept this if I have to, but don’t pretend it’s not a strained reading. Every entry on the board is dated. Why would you date an amorphous event and not date the city exploding?

The explosion was nineteen years ago, and it had to be that early because Lucy and Norm don’t remember living there. (Not clear how old they are but probably in their early-mid 20’s.) The earliest you could place the event without it making no sense is late 2282, because with the time skips in DLC, the events of New Vegas are about a year long. Maybe you could put a gap between Lucy returning to the vault and the actual destruction, but not a five-year one. And if it was in 2282, Max would still be a teenager.

There are legitimate concerns here. Between House and the NCR, the show changes a lot about the main conflict of New Vegas. It’s not just side details.

Not telling you how to feel! Just don’t pretend nothing poses any problems and people are crazy for being concerned. I think the vibe right now is to dismiss me as a hater, but I hope you can see I’ve tried to make it all work. Continuity is really important in a multi-decade story, especially to writers.

I will be appeased by a respectful and thought-out New Vegas remake that preserves as much of the original continuity as possible and is also really good and costs $4. Thanks in advance Bethesda.

Edit:

6. Tatoes in the vaults

TATOES IN THE VAULTSSSS? THIS IS MASSIVE DISRESPECT TO THE LORE. EVERYTHING WE KNOW IS DESTROYED. UNFORGIVABLE.

(but yeah there shouldn’t be tatoes in a vault that hasn’t opened)(maybe norm and lucy had seeds in their pockets when they came back, sure)

[aaronsrpgs]

"Ancient World Fantasy" Reading List

(A little context to start. If you just want book recs, scroll on down to the first image.)

As I’ve been getting into RuneQuest (Wikipedia link), one striking component of the culture and community surrounding the game is that they’re very into the lore of its fictional world, Glorantha. I’m saying this as a comparison to a game like D&D, where the game is spread across tons of settings with no real sense of obligation to keep things in line with earlier editions.

Glorantha’s canon and worldbuilding has been going on since it was published in 1978 without, as far as I can tell, any big reboots. Which means that, unlike D&D, where people are bringing in all kinds of influences and doing direct adaptions of Jane Austen books and whatever, the RuneQuest game remains pretty tightly tied to the original setting. (There have been some exceptions. But not many!)

But since I run games for people who have ADHD or aren’t interested in studying up, I’ve been looking at all kinds of inspiration to drop into the game. Here are 20 novels that are roughly “ancient world” or “Bronze Age” like RuneQuest and deal with people interacting with strange gods, tight communities, and a world without fast overland travel or transferal of information.

I’m presenting them alphabetically by author’s last name.

The Brazen Gambit, Cinnabar Shadows, The Rise and Fall of a Dragon King by Lynn Abbey

I'm sorry for starting this post off with licensed RPG novels, but these are good! And I don't mean "good for licensed RPG novels." I've read tons of them, and most are so bad! But these are actually fun. Good character development in a sword-and-sorcery world. It's also an ecological apocalypse world, with godlike beings oppressing common folks, leading to a lack of technological advancement and knowledge of the past.

The Long Ships by Frans G. Bentsson

Written in the 1940s as a series of novellas, these stories take you on a tour of the Viking-era world, from Europe to the Middle East and beyond. Like a bunch of books on this list, this places them post-Bronze Age, so they're not officially "ancient world." But it gives a big spread of cultures, from the more clan-based Vikings to the bustling metropolises of Turkey. And it doesn't place any of them on any kind of linear advancement scale or whatever other gross way people "rate" cultures.

Tales of Nevèrÿon and Neveryóna by Samuel R. Delany

The master of weird sci-fi and gay historical novels, Chip Delany also wrote a fantasy epic. And it rules! Set on pre-historical(ish) Earth, these books describe the stories that maybe inform the myths we tell today? Dragons and slave revolts! A sort of "What if Game of Thrones was good?" series. Lots of good stuff about how people learn and how understanding expands.

I'm not listing the third book only because it's also a historical look at New York during the AIDS epidemic. It's an amazing book! But it strays from the "ancient world" aesthetic.

Baudolino by Umberto Eco

Another novel expressly set after the Bronze Age (this one starts in the 12th century). BUT it's about Medieval people's interaction with the knowledge they inherited from the past, specifically the myth of Prester John and the works of Herodotus.

I think I keep putting books like this on the list because roleplaying in a fantastical ancient world is not too far off from how Medieval people might have worshipped and referenced works from ancient Rome and non-European places.

Black Leopard, Red Wolf and Moon Witch, Spider King by Marlon James

One of our best living writers! These are fantasy novels expressly set in a fantastical version of ancient/Medieval Africa. The books explore the same events from multiple points of view and are full of cool magic, awesome spirit combat, and a vast number of places and cultures that actively deconstructs most games's portrayal of fantasy Africa as a homogeneous place.

The Wake by Paul Kingsnorth

I think Kingsnorth has been outted as a sort of eco-fascist? I totally believe it, so feel free to skip this one. It's a historical novel set in England in 1066, as the Normans invade from France. It's written in a faux Middle English language and focuses on the lower classes and how they try to resist the invasion. A good reminder that "Medieval culture" (and especially the Renaissance as a time that "culture advanced") is often based on certain classes of society, such as rich people and/or men.

Iceland's Bell by Halldór Laxness

Speaking of how class intersects with technological advancement, this book is set in the 18th century, but it focuses on Iceland at a time when it was ruled by Denmark, and the lower classes there were under an enforced poverty. It's a book about how a rich Icelander was trying to recover the stories of his people in order to create a sense of national identity and resistance. But it's also a story about how a destitute man acts like a total weirdo when he's not allowed to fish in his own waters and is cut off from understanding his place in history.

The Raven Tower by Anne Leckie

A big part of RuneQuest is people interacting with and enacting their gods. That's what this book is about! And it's about the strange vertigo that comes to people when they try to interact with the impossible timelines that gods exist on. Very good stuff.

Night's Master and Death's Master by Tanith Lee

Ostensibly set on Earth back when it was flat and demons roamed the world, which is basically RuneQuest. Sort of like a series of hornier, gay bibles? With lots of gender fuckery, fun sex, and cool monsters.

Circe by Madeline Miller

The story of the witch from The Odyssey, told from her point of view. Beautiful prose, tragic and beautiful characters, and a great share of mythical strangeness. Perfect if you want to learn how to run NPCs that are adversaries without being shallowly evil.

Ronia, the Robber's Daughter by Astrid Lindgren

Semi-Medieval again, but low class and vague enough that it could exist throughout ancient history. The daughter of a robber grows up in a tower full of robbers and generally has a wonderful time. Lots of weird monsters live in the woods, and there's a great starcrossed romance with someone from a rival robber gang. Perfect inspiration if you're running some cattle-raiding runs in RuneQuest; this is how to make robbers fun and sympathetic.

Read the book, watch the 1984 Swedish movie (which includes a great comedic scene of full-frontal dudity), and then watch the Studio Ghibli series.

A Stranger in Olondria and The Winged Histories by Sofia Samatar

Set in a world of pepper farmers and religious fanatics who worship a mysterious inscribed stone, these books do a great job of showing how people might interact with religion, rival cults, and mystery rites. It also portrays literacy and learning to read in places where it's gated behind social gatekeeping. And once again, the prose is beautiful.

The Palm-Wine Drinkard by Amos Tutuola

The first African novel published in English outside of Africa, The Palm-Wine Drinkard is a funny, hallucinogenic story about getting drunk, stumbling through weird landscapes, and encountering fantastical spirits and people.

Tutuola also wrote My Life in the Bush of Ghosts, the inspiration for the famous(?) David Byrne/Brian Eno album. I haven't read it yet, but I'm keeping an eye out!

The Green Pearl by Jack Vance

This is a sequel to Lyonesse, which I haven't read because I love staring in the middle of things. Set around a mythical British Isles when Atlantis was still above the sea and part of the group of islands. Some great wizard shit, warring clans, romance, and a wizard whose name is fucking Shimrod (in case you need more convincing).

Those are my 20 novel recommendations! I'm gonna come back to add some nonfiction, comics, and myth resources for running games in fantastical ancient worlds. You can read SpeedRune, my ancient fantasy game, here.

[avatarpabu97]

In coherent Gambit theory and rambles. That is months in the making.

Spoilers I guess for the comics and a shit done of spelling Mistakes i literally did this at 5 in the morning. It’s is a collection of Gambit lore and story beats and a theory to help make sense of Remy LeBeau

- [ ] Th guilds or at least the New Orleans branchs needs to find the old kingdom

- [ ] Apocalypse and his servant know of it despite it being ancient Even for them but their original time period was much closer then 1891 era was.

- [ ] The Celestial technology has the same writing system as the old kingdom and may straight up just be the same technology

- [ ] The Guilds can only find the kingdom by working together and somehow Remy is the one to unite them hence the Le Diable Blanc prophecy

- [ ] The old kingdom is a utopia of coexistence regardless of skin tone, religion, or human and mutant( coexistence like Xaivers dream)

- [ ] Marvels earth seems to have artifacts spread throughout the world

- [ ] Including a statue in turkey that looks suspiciously of Remy( maybe a byproduct of 90s art gambit volume 3)

- [ ] Said statue was filled with Kinetic energy that caused the new sun’s own internal energy to go nuclear and destroy his home world

- [ ] The Prophecy of Le Diable Blanc mentions their Messiah(Remy) was to bring forth heaven’s light(but new son is from another reality with the same prophecy hinting at multiple seers across Time and space to misunderstand a certain event)

- [ ] Oddities with the thieves guild. LeBeau is specifically a clan of the old kingdom

- [ ] The thieves guild or all the thieves guilds seem to have a secondary agenda of keeping certain artifacts out others hands

- [ ] Could explain why Jean-Luc and Stephan strange know eachother and consider each other friends. The Guilds work with the sorcerer supremes closely.

- [ ] The all new Xfactor has Remy stealing an artifact that will unleash a doomsday creature (Logan dismisses because the language is supposedly dead. Remy is still very concerned about it being used regardless. Cypher exist Logan.)

- [ ] The Madripoor set that can open realities. A set of six crystals that go with a temple in Madripoor that acts like the gate way to other dimensions. Also something the Thieves Guilds try to keep out everyone’s hands only acting when people try to collect them all. (Why they don’t lock them away make me think it falls under Dragon Ball logic.)

- [ ] Ororo Mother gave her a ruby that has been pass down from mother to daughter for generations.( the giant red gem she wears with her costumes sometimes. Ororo maternal ancestors were powerful queens and sorceress one of which was a sorcerer supreme for nearly 4000 years. Weather her family has the stone because of the sorceress supreme was to keep out of other hands is unknown or if they had a connection to the old kingdom or guilds but theirs a possibility.)

- [ ] During the series extreme X men storm and her team search for the destiny diaries.

- [ ] In the diaries Destiny foresaw Gambit being crucified by the Madripoor set and his kinetic energy is amplified to through the crystals( This is post reverse lobotomy burn out post new Sun battle Gambit so their is a lot of power being used dangerously)

- [ ] Side note both Gambit and Storm have a lot of connection to magic and can possibly use magic.

- [ ] Perhaps this why a centuries old Wizard known as the Antiqury wanted Remy as a child.

- [ ] The portal opens up and Khan an alien who conqueres across the dimensions.(No relation to Kang as far as i can tell.)

- [ ] Gambit eventually gets free almost dies and is burned out on his powers. Again.

- [ ] Sage jumps starts him and then he goes blind and then he’s has future powers

- [ ] They do not stick for long plus it’s up their with the wacky stuff the new Sun potential

- [ ] Now some random shit. Gambit technically knows what the old kingdom is because his adopted grandfather and his allies figured out with Apocalypse’s chamber but Sinister ripped those memories out and sealed them away into Remy’s brain and only a surgeon of Sinister’s level could unleash them.

- [ ] Remy is a key.

- [ ] Some weird connections. That will make sense.

- [ ] Irene, Sinister and a woman named Amanda muller all worked together on a project known as the Black Womb. They experimented and killed mutant children. Not only that but to map out the genetics of human evolution and eugenics. Technically Juggarnaunt, Xaiver and Shaw were apart of this program when they were children.

- [ ] Black womb is also Amanda Muller because her unique mutation gives her long life and Sinister paid her to kill her unborn children for science.

- [ ] Amanda Muller is the Ancestor or at least allegedly of the Summers family.

- [ ] Irene Adler a precognitive mutant was part of the Black Womb Project. It also was not as controlled with their experiments. Because of Muller.

- [ ] In New Sun’s(the alternative gambit) reality Black Womb under a semblance of control became Alpha-1 and was more successful in its experiments. New Sun was born their by organization paying his parents to combined their genetics. If his flashback siliouettes are to be believe he was born from an actual person not a test tube like X-Men the Ends Gambit( no mention of sinister on New Suns part)

- [ ] The Alpha-1 knew what Gambits powers were gonna be.

- [ ] Perhaps because of a certain precog mutant predictions in a controlled environment.

- [ ] New Sun somehow killed an omine present being the Phoenix. Which is possible. Wanda can apparently do this because of the nature of her powers.

- [ ] New Sun eventually made his way to the New Orleans guild and was mentored by his realities Jean-Luc. Hence why they went to Turkey to see the statue of the Old Kingdoms king. (The unification of the Guilds is important for this step because they both have Tomes on how to reach the old kingdom. Jean-Luc jumped the gun.

- [ ] The New Sun has the power to travel time and Space.

- [ ] The Witness(Real name only LeBeau) is allegedly an alternative reality version of Remy from Bishops future who helped raised him and his sister.(It’s Remy he’s Cajun! And shit!)

- [ ] The Witness is a temporal anomaly. He exists at the confluence of all the timelines. This simply means that he is able to exist at all points in time at once. It is in this way that he is able to know everything before it happens. He is technically Schrödinger Cat of Marvel.

- [ ] He is the biggest enigma. He may or may not be Remy because he and Remy exist at the same time (the man is an alternative reality version of Remy. Possibly a dark future for him)

- [ ] He technically own stark industries in Bishop’s future.

- [ ] The man calls refers to himself as both a prisoner and a prison. Unfortunately he was killed in preparation of Hopes birth but he seems to have a reemergence in the Askani timeline because their was a group called the Order of the witnesses founded by a man trying to redeem his past sins( so basically Remy.)

- [ ] Also he sits on alot thrones. Very similar to Remy. Like a lot. Remy has a lot of throne imagery.

- [ ] But also one throne he sits on is in front of a Collume of pure energy. Very similar to the one Remy emits during his crucifixtion

- [ ] Interestingly he apart of a story were a symbiote who is the opposite of the Phoenix known as Le Bete Noir(The Black Beast and The White Devil. Funny)

- [ ] The Witness also created something Called the Momentary Princess an egg like deceive that travels throughout time and space gathering information.

- [ ] Once again an artifact that the New Orleans Guild specifically the LeBeaus are tasked with retrieving it. Canadra also wants it as well so it maybe because of her but it’s also maybe because of the old kingdom stuff.

- [ ] Also a random piece of Info in the Ultimate Universe there is no Guilds and Remy seems to be an Actual LeBeau not adopted like all his counterparts. I include this because it’s interesting tidbit and somehow still has a connection to Sinister.

- [ ] Again Maybe because of 90s art work but if you were to compare some of the panels of Jacques, Jean-Luc and Remy out of Context you would either think that three are the same person or all related by blood.

- [ ] The LeBeau heraldry is a Sun and the name irl was originally estimated to be established between 1840 to 1920.

Ok so what am I getting with all this Random info that I know that I’m missing bits and pieces and have greatly misssplelled.

First what is the old Kingdom. The Old Kingdom seems to be a utopia created by using Celestial technology and somehow Remy is involved.

Gambit is the Key to access it or was the source of power to access it. One would assume he like Ororo would be a descendant of someone special hence why he seems so important to the imagery. But Remy’s entire life is a Paradox so why wouldn’t his connection to the Old Kingdom be. Given how the Witness seems to exist essentially at every point of time and created something to appear at every point time I believe that the King of The old Kingdom was the witness himself. I believe he came from reliaty where his orgins are similar to Ultimate Gambits with the twist is he joined Xaivers cause. I believe given all the really weird shit that happens to comic universes to begin with a catastrophic event took place and nearly decimated earth. In order to save everyone he and what other survivors maybe a few scientists like beast or forge or Reed or Stark came together and found some old Celestial Technology maybe specifically Apocalypse chamber. They reverse engineer the tech in hopes to help eart but they need a power to keep the tech going. Here we have Witness!Remy who can power it. Perhaps when jump starting it a large amount light could be seen across the planet.(Heavens Light)

Slowly but Surely Earth begins to bounce back. Witness! Remy begins to learn more about the tech he’s powering. Maybe because of some strange Osmosis he learns about it. But there is one thing Witness!Remy is changing. Over time a new Kingdom of earth is made in a sense. Over Time the original scientists begin to fade away due to time and age. But not Remy he remains enternal. Remy becomes a leaders champion Xaivers message of equality Over time Remy is declared a king and new tradition are being created ones that will be carry on to the Guilds.

Over time earth is a utopia that begins to expand to other empty planets in their solar system. Over Time they created tools which will eventually become artifacts to tap into Remy’s power so they can better transverse the starts without having issues returning home over time other space Empires grew jealous of their unique resources and their mass of allies due to their coexistence policy.

Over time an alien Conquer name Khan rises and starts a war that threatens to destroys their reality. In a last ditch effort Witness!Remy hands covered in blood from the wars he was forced to fight tries to save every one the tools that let them go from one planet to another with ease are reworked by the new Kingdom scientists and mystics to transport everyone across time and space. They just need to use Remy to fuel the path. He does and it shattered him. His mind his soul. Across time and space at every moment and time he is there. His people survive across the multiverse tech and artifacts scarttref across the ages being reused and retooled for othe purposes.

But the old kingdom clans remember. They plant the statue down of the old kingdom clans as memoriel and scatter across the world. Starting the guilds and maybe other organizations that have strayed from the path. The LeBeaus are recognized as being an old kingdom clan. Perhaps clan LeBeau descendes from the witness himself. If he was the king who’s to say he didn’t have any heirs. Because Remy’s entire life is a Paradox his adoptive family is technically his descendants from another reality.

But the Witness is broken and he bares Witness to everything. Sometimes he active sometimes he’s reactive and sometimes he just sits down in his chair watches. We know he watched over child 616 Gambit. Letting him play in his crypt.

Jump foward to 616 Gambit and Jean-Luc is stealing him from the hospital. Jean-Luc and his Nephew are the only ones who know Gambits true origins.

All we know about Gambit is he was taken. Given to the Antiquary for four years taken again given to Fagan a bastard of a thief assassin for 6 years. Until at the ripe age of 10 Jean-Luc brings him home. We know in 1891 he travels back in time and meets the original Nathaniel Essex who will later create the four suit clones. A motif heavily associated to gambit. Another connection to Sinister.

Perhaps Gambit is the Bastard Son of Jean-Luc perhaps he’s the actual son of The Banished son Jacques LeBeau making him Jean-Luc’s younger brother. Perhaps he the child of an unknown Jean-Luc sibling. He has two unnamed sisters why not a third or a brother. Perhaps Remy like his tempory guardian he too was a bastard of an assassin and a thief. Given the long age of the Thieves of the Thief guild it could have been anytime.

Maybe like the New Son Gambits Parents were hired by the Black Womb accept one was from the LeBeaus and one was an assassin maybe they got wrapped up in it and had a kid maybe it was one Remy’s parents or Remy himself. Maybe it was Remy’s mother who had the same eyes as him. But regardless weather it was Remy or a parent he and everyone involved are in trouble. Because the two guilds basically have a shared bastard and that a no no and Sinister now knows the man who came from the future is born or possibly is about to be Born. It’s also possible that Sinister during the experiments he spliced his dna into Remy in utero technically making him one of Remy’s parents maybe he spliced his sons dna in utero just to what would happen and what results would be yielded or maybe when Remy’s mother was raised in the Black Womb project Sinster used her like he used Amanda Muller a new source of DNA to make various children to experiment on and eventually through his genetics into the mix and out came Remy

Regardless of how the events happened Remy’s parents end up back in New Orleans maybe the hospital they gave birth was a secret facility for Sinister.

Remy is born regardless and should technically not exist because both Guilds at best will abandon him or at worst kill him on sight if they ever know the truth. Regardless Sinister now knows Remy exists in the modern era and has sunked his claws into him and watches Remy’s life like he did the summer grey bloodline. Waiting for the opportunity to get ahold of him in some capacity. He only views Remy as a son when he knows he can use it to fuck with Remy and manipulates certain events to test him. (Hiring him at 15 to retrieve his journal at weapon X. Theirs a version of him in the multiverse that worked for weapon X)

What we do know for a fact the Antiqury learns of Remy’s birth alerts Jean-Luc maybe he knows of Remy’s true origin and tells Jean-Luc or maybe Jean-Luc figures it himself all he knows is that the child is the key to his guilds survival both past and future and give him to the antiquary. Eventually the guilt gets to. Jean-Luc and rescues Remy and puts him with Fagan’s mob.

Remy LeBeau is the key to the old kingdom due to time and space multiversal bullshit. He has the potential to be a god his powers can break reality. He is the Messiah for both Guilds that is both Praised and Cursed in the same breath. He is character that is very under utilized and has many great opportunities to explore some really cool lore in the Marvel universe if you can somehow attached it to the guilds. He’s an even deeper connection to Ororo because of her mother’s Ruby.Perhaps it was fate that brought them together or the multiverse echos of the past. Regardless Remy becomes an X-Men and his life is even more intertwined with Sinister and Irene.

Hopefully 616 Remy doesn’t follow the same path as the Witness and he too becomes a broken shell of himself.

Gambit has potential for a great story about fate and family and choosing his path in life. Perhaps one day the old kingdom will come back into play and Remy will become a damsel and it takes the combined effort of his friends family and allies to save him so he doesn’t go down the same paths as New Sun and Witness.

I’m sorry if this isn’t coherent but I literally did this at 5 in the Moring and I know I’m missing shit for this. Feel free to add stuff you think is relevant.

[shiny-gem-ocs]

Gem worldbuilding notes

Wanna make a Houseki no Kuni oc? Lucky you. I've been compiling notes on the manga's worldbuilding and this might help you if you wanna stay canon-compliant, disregard canon entirely, or even make your own lore!

Creating an OC is all about creativity, so I tried to include my ideas on how to meet canon in the middle too.

Notes are under the cut!

On the world:

After the Earth was destroyed by six comets, it was flooded, and the island where the story takes place is the only place where Gems - one of the three remaining sentient lifeforms on Earth - are born, on a place called Shore of Nascency.

There's very little animals, all which are invertebrate, such as bugs, jellyfish, and snails, the kind the Admirabilis mimic.

Lunarians always come out in the sun, so much that their ships were named Sunspots. Later it's revealed they can come out at night as well.

While on Earth, Lunarians cannot speak.

During all the time the Gems have been alive, maybe there were minor lifeform explosions or extinction events, if you want different animals or plants in your world. Maybe even the gems themselves cultivated or bred them.

Who knows if there are other islands, and what kind of post-apocalypse life is flourishing in them. Admirabilis live on the ocean, they might've been around other islands as well, and could tell stories. Gems might've travelled to other islands. You could ignore canon completely and say new Gems are being born on another island, completely cut off from the society Adamant raised, or that new sentient lifeforms are being born somewhere else in the world. Thought that would be the kinda canon-break that disregards the whole story.

On the Gems' formation:

Gems are born from a combination of microorganisms originating from the sea, that make their way through the cliffside on the Shore of Nascency in the island, in unspecified - but geological - ammounts of time. What makes them alive are those microorganisms, called inclusions. The cliffside is often producing bits and pieces of rocks, and sometimes, it produces "stillborn" gems that fully have humanoid shapes but no inclusions.

Gems don't necessarily have to all be see-through gemmy crystals like Phos, the cliffside spits out any type of naturally-formed rock, geography be damned, as seen by the existence of Lapis Lazuli and Obsidian. Rareness of the mineral doesn't seem to matter either. But given they are formed naturally, the existence of synthetic or organic gemstones are not canon. Think pearls, coral or amber, or think glass, aura quartz and goldstone. On that note, Gem society might lack the technology to make synthetic gems altogether.

I admit I don't really know how to circumvent it without fully ignoring canon, but I do have some thoughts. Maybe for organic gems, the animals or plants that produce said gems died near the cliffside on the Shore of Nascency, and were overcome with inclusions. For sythetic gems, maybe they're an experiment from the people on the Moons - though in canon they say they didn't have that technology. Maybe naturally formed gems were altered by chemical reactions. I don't know, I admit. But a creative fanbase as this one might find an answer.

On the Gems' biology:

The gems are immortal. They can't die of old age, and if they crack, they can be put back together. They're entirely homogenous, their body doesn't have organs, instead functioning as one. Their inclusions hold their memories, which means if they get a body part removed from the whole, they lose the memories in that body part.

Also, fun fact, the Gems don't have teeth! I supoose if you want your Gem to have teeth you can just ask Adamant to sculpt it on them. Maybe they get the idea from him having them.

If a Gem loses a body part, it can be replaced with new material. On that note, Gems can sometimes be born with imperfections such as missing body parts, as shown by Padparadscha.

Due to being able to break, gems with lower hardness must be more careful than gems with higher hardness.

They get their energy to move from the sun, so they lose their energy and sleep when it's dark. And come winter, when there's less sun, they prefer to hybernate.

Honestly, you can still give your gems different body types, it's not gonna hurt anyone. It doesn't stray from canon other than about their physical shape, so you can justify they can be formed with more body mass and still be the bones of humanity.

They all have the same height and same body type - those spindly things, all leg and arms and skinny torso with no boobs. This is explained in canon due to the fact they descend from humanity, specifically their bones, and so were reborn in that skeletal shape.

Sensei smooths them out in a mold, and gives them eyes made of simple rock with part of their gem as the iris, so they can see better.

Gems have feelings and emotions, which can manifest in their bodies if they are too stressed, as cracking and breaking.

Padparadscha shows us that some gems have weaker inclusions that don't take to new materials, therefore you can still make a canon-compliant disabled Gem. In fact, my own OC is one. On that note, Gems do have a concept of mental illness, as they can become mentally ill, so they can probably be born mentally disabled as well.

Gems sometimes have superpowers, which in canon always have to do with the properties and uses of their real life rocks.

On Gem society:

The gems are immortal, but they all have kind of a childlike personality. It's not like they are children, or teenagers, they're just somewhat innocent due to the world they live in - plus the constant state of war. But they can be mature and wise as well, especially older gems like Padparadscha or Yellow Diamond.

Usually only one gem stays in winter patrol duty as the other gems hybernate (usually). When the winter is warmer and has more sun, the gems, even though they are weaker, stay awake and patrol the island as normal.

Everything they have is in what the island produces. They use the plants found in there to make glue that restores cracked gems, to make the powder they wear on themselves to mimic skin, to make paper, clothes, furniture, everything. This means they have crops, agriculture, and animal breeding and handling.

On that note, due to the lack of resources, they have very little material to make anything. For exemple, fabric for clothes, which explains why they all wear the same uniforms, and only change into high fashion during hybernation once a year.

You could say there's eras when they have more material for clothes, if you want your Gems to have different fashion.

They wear a special powder on their bodies to mimic skin and to protect themselves from the elements. It became cultural in their society, with gems considering themselves ugly if they don't wear it. In canon they mimic specifically light skin because they want to look like Adamant.

Cairngorm is a Gem that couldn't care less about powder, so it's not wrong to want to have powderless gems - and even make it the new fashion in different eras of Gem society. On that note, if you want different "skin colors" for your Gems, just say the powder seeds come in variety of colors and shades, and let your Gems experiment with them.

Combining the lack of animals in the world and the fact all Gems are genderless and sexless, they don't really understand sex. They know how animals breed, but have no concept of sexuality. Culturally they have some sense of shame, since they wear clothes and don't like being seen without them, but that's about it.

Gems don't have the cultural act of kissing, but they have the concept of romance, in their own ways.

Okay fellas, as the resident asexual, I admit I have NO IDEA what the smut scene in this fandom is even like. I do like to ship gems, but if you want your gems to have gem sex, I leave that one to you. As for gender, who knows, maybe they can learn what it is from the Admirabilis or the Lunarians, decide they like it, and pick a gender for themselves. Maybe they can add boobs on their chest as a sort of transition. Adamant has never imposed gender on the gems, he will surely be supportive of his transgemder children. I'm not gonna get into Cairngorm or else we'll be here all day. (I don't consider either Cairngorn's gender nor sex scene to be consensual, that's all I'm gonna say on the matter.)

Lastly...

It's frowned upon to not have a designated job in Gem society. Due to the constant state of war, you must be useful. It can get ableist.

Phos was the only gem in canon to have so many parts of them replaced, to the point they became a new type of human and could pray away everyone.

Given that the first point motivated the entire story, and the second was the result of the entire story, I think ignoring canon in this instance indeed means, well, disregarding the whole story. But sometimes we just make OCs to play in the sandbox and that's okay.

[megacorpo-hyperreality]

comically long commentary on the ending of worm

(heavy spoilers for hit webserial worm by wildbow)

Taylor should have died during GM. Not in a "she deserves death" or a "it doesn't make sense for her not to die". Thematically speaking, I think it Taylor dying fits the story the most. You'll sadly have to bear with my ramblings while I explain this.

Ever since Cauldron got revealed and their objective of preventing the apocalypse,morality be damned, was established, I started drawing parallels between them and Taylor. They always seemed to represent Taylor's philosophy taken to its logical conclusion, doing something that could be earnestly considered the ultimate good (i.e preventing reality from being erased) by swatting aside any moral constraints. With correspondence established, I can move on to GM where this gets even further pronounced - where Doctor Mother dies with no fanfare. When I was reading this part of Venom, my first thoughts were "That's it?" followed by my brain trying to scrounge up some deeper meaning behind her death. As the events of Speck unfolded i more or less convinced myself that it HAD to be foreshadowing for Taylor's own death. This is because during GM, Taylor fully embraces the "morality is for chumps who won't prevent the end of reality" mindset that Cauldron has displayed previously. She then takes and uses Clairvoyant and Doormaker, something that Doctor Mother had been previously doing herself, and takes control of every single parahuman - an army that Cauldron itself has groomed into being. At this point, Taylor has the same philosophy as Doctor Mother, the same goals and is using the tools Cauldron came up with. She is, quite frankly, Doctor Mother in all but name. This is why I fully expected Taylor to die by the end of GM and considered Doctor Mother's unceremonious demise to be setting this up. But then she doesn't. She lives, and gets transported with her dad to a dimension where none of this parahumans nonsense happens, where a version of her mom is still alive and where she can finally learn how to be okay.

So, then, what exactly is the difference between Taylor and Doctor Mother? Why does one get as happy as an ending as you're going to get in Worm, while the other gets mauled to death? The thing is, I don't have a concrete answer. I don't have an answer at all, actually. After GM ends, we see that Taylor has left thousand's traumatized and unwilling to mention her existence (from what I got from the epilogues, haven't read Ward), affecting people on a similar scale to the effects of Doctor Mother's actions, yet one gets to live, whereas the other one dies.

You could also interpret the epilogue of Worm as the book itself more or less saying that Taylor is a good person who deserves to be happy after all she's gone through, especially considering we go from a hellish battlefield where Taylor has lost everything to a sealed reality bordering on the idyllic with little to no explanations as to how that was done. This isn't a logical result of Taylor's actions and it comes off as rather shoehorned, as well as directly showcasing how the book interprets Taylor's character - despite everything, she's a good person. This logic can't be applied to letting Taylor die, as by the time Speck begins we understand the route Taylor has chosen will most likely lead to her death.

Due to all of this, I think Taylor should've paid the price and gotten only one bullet in the brain. I also like Wildbow's original intention of making the ending ambiguous, letting the reader weight the morality of Taylor's actions and deciding for themselves what they think the bug girl ultimately deserves, though this plan seemingly got scrapped.

alright that's it

[viktorpartner]

CANARIES, NIGHT SHIFT AND THE MAGNUS PROTOCOL (tma/tmagp/arg spoilers)

Along with everyone else in the fandom, I'm also going FERAL after these new ep so excuse this RANT (this is my way of coping with the brain worms, enjoy ;).

Statement begins.

So what's special about the RedCanary story?

Well, apart from it being a direct reference to the original Magnus Institute (at least the one in this new universe), it's also incredibly fascinating as a narrative tool.

For those who are unaware of their history, miners used to employ canaries in cages while they worked as safety systems. The bird's complexion made them specially sensible to gas leaks which killed them instantly. When a canary stoped singing in the middle of the shift, the workers knew that toxic gas was leaking and had enough time to get out of the mines alive before it got to them.

Now why is that relavant to us? Well, the theme of canaries in cages inside mines could be easily applied to the og tma characters. All of them were contained in cages (that is the Magnus Institute) and placed close enough to danger (in their case the paranormal) that only they were aware of its existence while the rest of humanity remained ignorant. That is until the events of the apocalypse when the gas metaphorically leaks everywhere and all humanity is doomed.

However, this proximity to the fears ALWAYS results in the death of the canaries that stayed inside the mines (no i will never get over my blorbos being killed). Everyone involved with the institution dies EXCEPT from Melanie, Georgie and Basira. That is, the only three canaries that actively escaped their cages before the toxic gas got to them.

Therefore, the use of this metaphor at the start of the ep (especially from none other than the voice of Jon Sims, the character who has walked down the path of learning about the entities) is a warning to Sam against investigating the paranormal.

The statement is encountered by Sam because he, above all other characters, is the one who is most likely to end up like Jon and the others. The species of Red Canaries is human breed, therefore Sam being a result of experimentation within The Magnus Institute means he was RAISED to be a canary. Thus, there is an inherent irony on the warning, for it is what PUSHES him to develop an interest on the statements and leads him closer to his tragic destiny.

Another proof that links canaries and the workers at O.I.A.R. is the nature of their habitat. I haven't seen a lot of people talking about it, but there are multiple references in the first and second ep of them working the nightshift. Now, why would a filing job be carried out exclusively at night? (THERE ARE SO MANY REFERENCES TO IT BEING A NIGHTSHIFT I AM NOT KIDDING)

This one is specially interesting because it's the first thing we hear in the podcast. Also Teddy metaphorically being the canary that leaves the mines and the darkness to escape into the outside world and the sun.

Multiple references to it being just the FIRST night of an eternity of nights. (cosmic horror much?)

In any case, there is a parallel between darkness of night and the darkness inside the mines. (or even the entity of the dark, one of the oldest alongside the hunt and the end). I see what you're doing Jonny Sims....

SO YEAH IN CONCLUSION

canaries = characters close to danger (AWARE OF THE ENTITIES)

the miners = the rest of humanity (UNAWARE OF THE ENTITIES)

cages = The Magnus institute/O.I.A.R (TRAPS the canaries)

the fears = toxic gas (HARMS the canaries and miners)

darkness in the mines = the night shift

Statement ends.

*stands in front of a white board with red string linking everything, and the dark scribbled in black marker in the center* I HOPED YOU ENJOYED THIS RANT *tries to fix my disheveled hair that i messed up during the presentation* I AM SO NORMAL ABOUT TMA AND TMAGP Please feel free to discuss in the comments, I NEED THEORIES, I NEED TO TALK ABOUT THIS WITH SOMEONE!!!

[spottheantisemitism]

Days of future past and the paper thin allegory

Of all the X-stories stories to hit you with the “this is an allegory for racism”, Days of Future Past is usually not one. Instead it’s more focused on the apocalypse and oppressive dystopia than how we got here and how do we change history The prequel however focuses on racism and tyranny and focuses on Kitty/Kate Pryde as her world falls apart. Making a young Jewish woman the lead in a story about a country falling into tyranny was indeed Claremont’s vision and the intended allegory (he does the Jews-Mutants parallel with Magneto as well) but what is never explored is the implications of that allegory nor any actual Jewish culture. The prequel fixes that

If you follow me at my main @gerrysherry you’ll notice the last panel is my banner. For good reason. This comic was make during a surge of racism and antisemitism in the summer of 2023.

There is a long running joke in the fandom that Xavier and Magneto in fighting each other rather than the anti-mutant bigots is allegorical for how real life marginalized people fight each other instead their oppresors.

In the prequel Magneto makes the metaphor quite clear. He speaks not of his worries but also his experience as a Holocaust survivor. And the writers managed to in one sentence change what “days of future past” means. It’s no longer “days of future past” in the sense that Kate is reliving the past (as was the case for the 80s original story) but that society is a whole is returning to 1940s era bigotry and oppression.

notice also how when it’s a ghetto the sign is green when it’s turned into a camp the sign turns red. I thought that was clever.

I never understood this scene when I read it last year but this year I can sort of understand. If you spent years pushing me out of your activism and scapegoating me, I’m not joining your coalition to fight the president now.

and yes Stryker’s administration is clearly commentary on the 2016-2020 Trump administration down to him being a demogogue figurehead serving with no term limits and it’s his cronies that run the country. Marvel isn’t predicting the future it’s just that second verse is the same as the first. Again the future is the past.

Kitty’s wedding to Peter in Chapter 2 is officiated by her Rabbi who sneaks out to perform a ceremony in secret. Historically many Jewish weddings were performed in secret and I’m sure the parallels are intentional.

they are also marrying in the rubble of the X-mansion symbolizing them clinging to the past. But this is done not simply out of nostalgia but also because they have no where else to go.

Magneto’s dying words are great. Days of Future Past Magneto post internment is a lot more calm and pragmatic than his 616 comics counterpart but he still feels like Magneto (even moreso than recent comics which mellowed him out TOO much). And the fact that it’s Yiddish rendered in Latin script (as opposed to the Hebrew alphabet) rather German like in X-men ‘97 or Polish like in X-men Apocalypse really speaks to the thought the author put in. Yes Magneto is a German-Polish Jew but do you really expect me to believe he sees either German or Polish as his native language? “This is a Holocaust survivor who just spent the last years of his life interned, he will not see freedom but his fellow prisoners will, what language shall his last words be in? Yiddish obviously”

What I love about this comic is that this comic uses past horror not exploitatively but in a sense that past events form patterns and can recur. Those who do not learn history repeat it.

the past informs and warns the future and in the convoluted time travel set in place in the comic, the future can inform and warn the past.

[medics-secret-shipfic-folder]

I was interested in reading take back the fortress! what's it about?

Hello there! Take Back The Fortress is something of a passion project and I've been chipping away at it since late 2022.

It's a TF2 fanfic that takes place three months after the events of Comic 6, The Naked and the Dead. During their last mission before their contracts with Team Fortress end, the RED and BLU teams were sent to Merasmus' house on Halloween night to retrieve a spellbook for the Administrator. However, everything goes awry when the mercs accidentally open a forbidden tome known as Sol in Umbra, which releases an eldritch creature upon their world - The Shadow Blight.

After it's released, the BLU team is swallowed by the Blight and taken away, and the RED team is scattered across the globe by several portals that the Blight opens, which are slowly beginning to destabilize reality and generally just cause all kinds of chaos from here on out.

Heavy and Medic are separated from the rest of their team and get dropped off at Gray Gravel Co. in Australia, the very same place they fought Team Fortress Classic in the comics. They try to escape back through the portal they were sent through, but monsters appear from that same portal and stop them from returning to Merasmus' home, and the portal eventually closes, trapping them in Australia. Heavy and Medic hide under some rubble and try to brainstorm an escape route, but things take a turn when a surprise visitor appears.

Cheavy is somehow alive, and these three idiots have no choice but to work together to survive this new apocalypse and make their way across the globe to get back to Teufort, where they can hopefully put a stop to the Blight before it's too late.

At this point, the story of Take Back The Fortress follows Heavy, Medic, and Cheavy as they travel from Australia to North America, and Cmedic joins them shortly after. The story is predominantly a horror/comedy fic with elements of fantasy and tragedy. It's a very emotional story that explores the traumas of the four main leads, and I've made SEVERAL people sob over this damn fic. Hell, I've made myself cry over it!

The story is currently a work in progress, but the first 21 chapters are available to read, and I'm currently working on chapter 22!

There's also a number of original characters in the story, but most of them are just "The BLU team, but they're possessed" so it shouldn't be too confusing to keep track of everything.

The main ships are Red Oktoberfest and Heal and Steel, y'know if you're into that :]

Here's the link if you're interested in reading!

[denimbex1986]

'Good Omens creator and showrunner Neil Gaiman has provided a hilarious response to questions about Aziraphale's and Crowley’s fate in season 3. Based on the book of the same name Gaiman co-authored with Terry Pratchett, Good Omens season 2 followed an original story that picked up after the demon Crowley (David Tennant) and the angel Aziraphale (Michael Sheen) successfully averted the apocalypse. In a shocking moment, the Good Omens season 2 finale saw Tennant’s character reveal his true feelings toward his angelic counterpart, only to have the pair torn apart by Aziraphale’s new role as Heaven’s supreme archangel.

Recently, one fan reached out to Gaiman via his Tumblr account to ask whether the show’s leads will end up together during Good Omens season 3.

Responding with wit, Gaiman joked that Crowley and Aziraphale “are barely in it” and are both killed off during the events of the show’s final season. Instead, he quipped the show would focus on a trio of rabbits “who go to the big city to open a conveyor belt sushi restaurant.”

Why Good Omens Season 3 May More Closely Mirror Season 1’s Tone

Originally conceived as a limited series, when Prime Video announced that Good Omens would be returning for season 2 in 2021, the renewal surprised viewers. With season 1 covering the entirety of the original Good Omens book, there were initially some questions about where Gaiman would take the story without the benefit of working alongside his original collaborator. Thankfully, however, Gaiman later revealed that both authors had originally planned a sequel to their bestselling novel in the 1990s, with that story intended to eventually serve as the basis for a potential season 3.

Instead of wanting to head straight into that story, Gaiman developed the plot for season 2 as a bridge between the two pre-existing tales he had worked on with Pratchett. Despite his dedication to remaining faithful to the late Discworld author’s voice, there were still several key departures throughout Good Omens season 2 to the format and tone that was established in season 1. Not only moving away from Frances McDormand’s God as the show’s narrative voice, season 2 also followed a much smaller story, allowing for a greater focus on the two leads.

However, with Pratchett having been directly involved in developing the story behind Good Omens season 3 and Gaiman confirming that it will feature another apocalypse, the show may also see a similar return to other major season elements. Whether that may also hint at a potential return of characters like Adria Arjona’s Anathema Device and Jack Whitehall’s Newton Pulsifer remains to be seen. Nonetheless, both Crowley and Aziraphale are still likely to be front and center of the unfolding drama, despite Gaiman’s hilarious suggestions to the contrary.'

[rubykgrant]

I'm TRYING to re-think the order of some of the events in my RVB story-line, so it flows a little better as an actual plot (to be fair, the actual series would often leave the end of a season sort of up in the air, and come back with a non sequitur after a lot of time passes, so. shame on me for trying so hard, I guess). I have a lot more little details involved (I'll ramble about those below), but these are the BIG PICTURE aspects that everything else is framed around

The Interviews involve the Reds, Blues, former Freelancers, Doc, Locus, and a few friends from Chorus talking about what they've been through (with some flash-backs thrown in, showing what they aren't all telling). During the Vacations, Donut goes on a big spa-spree, the Grif sibs go back to Hawaii (without a big fuss, Kai may like the attention, but Grif doesn't want people bothering him about being the Famous Orange Soldier), Simmons tries to track down his family (he can't find them), Sarge goes back to sulk in Blood Gulch alone, Wash goes looking for the Triplets, Doc spends some time with Dr Grey and thinks about trying for a medical degree again, Lopez is allowed to just be by himself (and he's honestly kinda bored), Caboose goes back to the Moon, Tucker searches for Junior, Carolina attempts to dig up info about how deep Charon/Project Freelancer really got into all the crime BS, Locus tries to turn himself into the authorities on Chorus (being all "I deserve to die" about it) but Kimball gives him a "life sentence" of community service. Everybody misses each other, and are drawn back together like a bunch of planets caught in the same gravitational pull

-Sarge is contacted by a UNSC group that wants to give soldiers who were Sim Troopers and members of the Flag Zealots "new training", and he doesn't hesitate. He has fun with it for a while, and this is where he meets Poppy... she is how he finds out a lot of the people here were given the option "join this training program or face prison time", which really isn't much of an option at all. He thinks about how the Red VS Blue war was a lie, he thinks about Project Freelancer manipulating the agents, he thinks about Wash having a villain moment to avoid being locked-up, he thinks about Locus believing soldiers are supposed to kill without ever asking questions... and Papa Warcrimes decides he actually hates the military (it's a sign of the apocalypse!). Meanwhile, Carolina has finally gotten some leads about Charon, and she meets Junonia, who helps her find out more regarding the past and what Hargrove is still up to. Gene has also been around, trying to be a solo villain, but he's BARELY a one-man Team Rocket. Finally, the insidious purpose for all this new training is exposed, and Red Team (with their new member, Poppy) gets to have the spot-light when they fight the villain

-Everybody finally goes back to Earth together, and this time, a big celebration is held for their return. They spend most of their time out of armor on Earth, so the general public leaves them alone. Some fun shenanigans with everybody finding ways to amuse themselves (Sarge doesn't like going outside, the sky is too BLUE). Now that she knows where they are (thanks to the welcoming celebration), Tex finally catches up with everybody, revealing that when Epsilon Deconstructed, the information from his memories transferred back to the original Beta unit, reviving her. The Director had this whole plan for eventually bringing Allison back with a synthetic human body made from her DNA sample, but he could never make it "perfect" (Tex isn't an identical clone, more like a genetic "sibling" to Allison). She isn't the only one who found them; the parents Simmons went looking for finally show up (now that their son is a famous space hero). He's more than happy to get their attention, and they have him join their work at a bio-tech company (everybody else immediately recognizes the parents as a-holes, and the business as shady, but try telling Simmons that). Tex was initially hesitant to reveal the other AI Fragments were also revived, what with some left-over sore feelings regarding Sigma and Omega (Wash is ironically more willing to forgive them for everything; he wishes he had been able to do that BEFORE, instead of fighting against them as the Meta, and the whole spiral from there). Carolina talks through emotions with Sigma, and Omega compliments both Doc and O'malley for finding their back-bone. Everybody else is happy to get to know the Fragments better. Some Drama happens with the Reds, but Simmons finally sees his parents don't really care about him, and they all figure out that the bio-tech company has the original Alpha Unit hidden away. They rescue Church, who has the chance to be in his own synthetic body based on the Directors DNA (again, not identical, just similar)

-Everybody gets to CATCH THEIR BREATH, Caboose and Tucker have Church back, Church and Tex get to do people things, hooray! A distress call out there in space tricks Tucker into thinking Junior is in trouble, so he heads out to find his kid (most of the others join him, but a few stay behind because of recovering injures, etc). This turns out to be a trick, Hargrove and Temple are both being jerks. The rest of the gang arrives for a rescue, and Church has each of the Fragments assist his friends for the escape; for Hargrove, this was his attempt to test out a "new version" of scanning a mind to make his own AI (his tech is wonky, and will definitely kill people it scans). For Temple, he's under the impression that if he helps, he can have his own mind scanned, thus giving him a "recreation" of Biff from his memories. Hargrove REALLY wants people who have interacted with the AI Fragments as experiments, since he thinks there is important data to be found from minds like that. Temple just wants to kill the main group because he hates their guts, and it isn't FAIR, why do they get their dead friend back? Also, everybody finds the AI file for Sheila! When things settle down, Grif and Simmons talk, and at last they are on the same freaking page

-After the rescue, Hargove escapes again, and the group hears a distress call from Chorus. Some old problems are going on again, so they swing by to help out. Hargrove has one last-ditch effort to get what he wants in terms of AI experiments... Felix didn't just come back wrong, he came back WORSE. Well, everybody has the chance to work through some unresolved negative emotions aimed at him (Kimball, Locus, Tucker- everybody gets a stab in!). Felix wants to use his sword again, but it recognizes him as "dead". He tries to use a temple that "revives echoes" for key holders, but this just gives him a ghost of Doyle ("It was mine before it was yours"). The Echo also brings back other AI like Santa, who have been programmed to make certain events happen... while everybody tries to deal with Felix AND finally catch Hargrove for good, the Echo creates a whole third problem. At last, a group of aliens arrive, alerted by the Echo, and in the group is- Junior!

-Some happy family reunion time for Tucker and his boy. Junior explains what he's been doing for so long; he wasn't trying to avoid his father, but there are dangerous groups out there trying to kill him, and he's been hiding while also trying to save others. The strange "prophecy" about him, as well as things involving a "Great Destroyer" is indeed true (Gary admits he kind of just made up what it was about, but it really WAS real!) have become more urgent. Somebody who wants to take over and wipe-out anybody who opposes them has been targeting Junior. There are also many other half human/aliens like him, an attempt to create as many potential "prophecy children" as possible, but all were rejected by their human parents and only seen as tools by the other aliens (except for Junior, who is actually loved by his dad... even though they haven't been able to spend much time together). Another temple out in space supposedly has the power to give "continuous life", and the villain intends to use that to win. Tucker and the others try to protect Junior, but the temple doesn't work the way they all think...

-Back on Earth again, life seems to give them all a break... but unusual things begin happening. It eventually becomes clear that there are "new AI gods" toying with them (some are just playful, a few are genuinely malicious). This involves somewhat amusing, if a little annoying, shenanigans (like Wash getting turned into a cat, and a tiny 7-year-old Sarge showing up), but also very dangerous situations. Alternate time-lines and realities collide, some arguably "worst-case scenarios"

-It finally becomes necessary to confront the cause of all this. The group gets pulled into a pocket dimension where a lot of realities intersect. One AI god demands people fight for their amusement, and the winner will get to return to the "reality they want". The group really just wants weird paradox stuff to STOP. Church, Tex, and the Fragments figure out a way to keep everybody from dying, even the enemies they have to fight, until they have the chance to take on the one trying to control everything. Just when it seems like that issue is solved... Donut throws up. Weird, cosmic throw-up, like if the big-bang was a liquid. Being the one who has been traveling through time and reality the most, he's kind of absorbed a LOT of cosmic energy, and he can't control it. A big monster-transformation happens, but everybody figures out how to fix it so they can save Donut. Are we done? Are we DONE now???

-Yes. Everybody has the chance to live their lives, whatever that means for each of them. They get to be happy. Sometimes, bad things still happen, it can be difficult and unpleasant to live- but they still LIVE. Eventually, they pass on too (and that also means different things for some of them). When all is said and done, they're mostly glad they all got to be here~

[artbyblastweave]

I just finished a reread of Jonathan Hickman's FF and Avengers runs, since before I'd only ever been reading one half and had missed a lot of context, and them plus Secret Wars form one of my favourite extended marvel arcs ever made. Any thoughts about the storyline, or general perceptions you know others have had of it? I'm kind of curious whether it was loved or hated by the broader fanbase.

I enjoyed what I read of it, which was mostly the tail end- Secret Wars Proper and some of the stuff immediately leading into that. One thing that I appreciated about it, in a general sense, was that it posited the chickens finally, finally coming home to roost; the nature of the Marvel Universe is that the center is always gonna hold, because otherwise they can't keep selling comic books, but the subtext of every Marvel comic I read through the early-to-mid oughts, and during the Bendis-era Avengers-Disassembled-through-Siege mega-arc in particular, was that the planet was living on borrowed time due to the sheer volume of these self-righteous superpowered yahoos running around doing basically whatever they wanted. I'm principally a Wormblogger, I love Worm, and the fact that Worm actually acknowledged and depicted that collapse, after a decade-and-change of Marvel dancing around the idea, is a big part of why it hooked me so deeply. And thus, when you have an event about how reality is finally collapsing under the accumulated weight of all these retcons and reality-shifts and time-jumps and what-have-you, a story where the superheroes finally can't outrun the consequences of their actions via editorial mandate- well, it was cathartic. And the Battleworld, conceptually, was great. I enjoyed a lot of those tie-ins immensely; it was the summer of Fun Little Romps (even though it was markedly part of the defanging of the Marvel Zombies brand- but that's another post.) The downside, of course, is that it derailed the storylines of a bunch of different smaller books I was following at the time- Cullen Bunn's Magneto solo, Duggan's Deadpool Run, Punisher, Silver Surfer, The original run of Ms. Marvel. Like, I can't stress enough how early in the original Ms. Marvel run this event happened, like maybe the third or fourth TPB? She'd barely gotten going when Secret Wars hit. Some of these just awkwardly wedged a couple issues about the apocalypse in, but not all of these came back afterwards either. It's fully possible that at least a couple of these were flagging and the apocalypse was just a graceful offramp, but it still bothered me. It was the most exaggerated instance of the common complaint about crisis crossovers stepping on the toes of the ongoing storylines that I've ever experienced in real time, and you know, fair, it was at least a bit about that phenomenon, but it's not not annoying just because it's also self-aware!

[shipposttt]

The Ship of the Day: The Ineffable Husbands

SPOILER WARNING for the Good Omens series, including season 2 :D

Names: Crowley and Aziraphale 

Ship name(s): The Ineffable husbands/ Aziraphale

Original Content: Good Omens book (1990) and the Good Omens series (2019 S1, 2023 S2)) and all subsequent world building done by our lord and saviour Neil Gaiman through Tumblr <3

Ship info: Firstly, while the book will be mentioned within this post, it is important to note that i myself have only ever watched the series- as such, if there is information from the books that is failed to be mentioned that you believe should’ve been, this is why; please feel free to add anything you would like in the notes! Secondly, I will be using multiple pronouns for both Aziraphale and Crowley within this post because, as stated by Neil himself in a Tumblr ask, we might as well see them as genderfluid because he does. Similarly, angels (and thus, demons) are defined as sexless beings within the book, who’s “size, and shape, and composition, are simply options”.

So, you may be wondering, “what’s with this bible fanfiction?”, well don’t you worry I will clear that right up!

Good Omens is a novel/book originally written as a collaboration between Terry Pratchett and Neil Gaiman in 1990, exploring the roles of angels, demons and mortals during the apocalypse – Armageddon. This has in recent years been adapted into a series for Amazon Prime Video with the help of Neil our beloved to ensure it stayed true to their vision for this story, especially since the series goes beyond the canon timeline of the book.

In particular, it follows demon Crowley and angel Aziraphale, who, as the only non-mortals residing within the mortal world long term, formed an alliance over the centuries, though this alliance slowly but surely turned into a friendship and then progressed into even more. Now, this might sound like an enemies-to-lovers 400k slow-burn but it’s NOT. You see, Crowley was once an angel prior to his fall, with the fandom theorising that they were a rather high-ranking angel due to his actions and clearance levels depicted within scenes of season 2, so technically they didn’t start off as enemies, nor would I argue that they ever truly became enemies following Crowley becoming a demon. Anyway, the first series follows these two immortal beings as they attempt to prevent the coming of the Antichrist, Adam Young, together. The majority of season one focusses on how Armageddon is coming to fruition and how mortals and immortals alike were attempting to stop it. Despite this, there is still a large focus on Crowley and Aziraphale’s personal relationship throughout time.

Within season 1 episode 3, we take a short break from the ‘current’ canon of stopping Armageddon to explore Crowley and Aziraphale’s relationship and how it grew throughout the centuries using flashbacks for the first portion of the episode, this past history between them before the canon of Armageddon is also explored further in season 2 through multiple extended flashbacks. In the canonical timeline of events, these flashbacks begin from before the beginning of the universe as we know it, with then-angel Crowley creating the universe (“let there be light” and all that) as Aziraphale watched him do so; then jumping to the Garden of Eden, where now-demon Crowley tempts Eve. These flashbacks are sporadic throughout time, gaining in frequency the closer to ‘now’ they get, showing the pairings meetings at: Noah’s Ark, during the testing of Job’s faith (where Crowley first tempts Aziraphale with food), at Jesus’ crucifixion, in a Roman tavern, in Arthurian Britain, and then much more frequently between 1793 in a Paris dungeon and 2019 at Armageddon. All of these flashbacks portray their relationship going from working against each other (in the garden 4004 BC) to working together (the Globe Theatre 1601 AD), though we don’t know the exact date “the arrangement” between the two beings began, it is alluded to within this scene in the Globe Theatre as they discuss the possibility of one of them doing both “the blessing and the tempting” (their respective jobs given to them by heaven and hell) in Edinburgh, as they had done so elsewhere previously, with Aziraphale showing fear for Crowley’s safety within this arrangement, saying “but if hell finds out, they wont just be angry, they’ll destroy you”, but eventually acquiescing, calling heads on the coin toss to decide who goes. These more frequent visits shown leading up to Armageddon show the change from just working together for ease to working together because they enjoyed their time together.

So now we are up to date with their relationship prior to Armageddon, from working together to working against one another all the way up to forming an alliance together and coming to care for one another. So, spoiler alert (I say as if the previous paragraph wasn’t full of spoilers); they stop Armageddon together (yay). Following them preventing Armageddon, hell and heaven attempted to fully discorporate the pair, using hellfire for Aziraphale and a holy water bath (sans rubber duck) for Crowley, the two predicted this move however and temporarily swapped bodies so as to ensure neither came to harm. They then nicely finished off the season with the pair dining in the Ritz, making a toast “to the world” as a nightingale sang in Berkeley Square (in reference to the popular love song published in 1940).  

So, all is well and good for the start of season 2, right? WRONG. Archangel Gabriel shows up at Aziraphale’s bookstore having lost all his memories, Crowley and Aziraphale perform a miracle together to hide Gabriel (now going by Jim) that is so strong heaven believes it could only be the will of an archangel, leading to them believing that Gabriel is hiding in Aziraphale’s bookshop. Now, this season evolves around hiding Gabriel and somehow restoring his memories but Aziraphale instead takes it upon himself to focus on trying to set up the owners of two nearby stores, drawing similarities between the two and himself and Crowley. So Aziraphale is trying to set these two up, Crowley is trying to keep Aziraphale safe and heaven and hell alike are both convinced they are hiding Gabriel. This all comes to a head as Gabriel’s memories get restored and it is revealed that he was demoted after refusing to support an attempt at a second Armageddon, conversations are had and offers are made and the elusive Metatron offers Aziraphale Gabriel’s old position, promising to restore Crowley’s status as an angel.

Now for the divorce. Yeah, you read that right, the ineffable divorce. The day I cried, the fandom cried, I think even the official Amazon Prime Twitter *ahem*, sorry, ‘X’ account admin cried. Aziraphale accepts the Metatron’s offer because they believe he and Crowley working together can make a difference, “we can be together, angels, doing good. I need you”. Crowley confesses to Aziraphale, saying how they can do the same as Gabriel and Beelzebub and leave heaven and hell behind to just be them, they disagree on working for heaven and Crowley points out that they can’t hear any nightingales (in reference to the end of season one), “you idiot, we could’ve been us”, before kissing Aziraphale once, finishing off this glorious season with “I forgive you” (A), “Don’t bother”.

Now, this is where we are left off with their relationship, and while there are a lot more scenes I’ve missed out here which allude to their building romance and many, many posts by Neil Gaiman which explore it further, this has already gotten way too long to include them all.

Type of Ship: Queer

Now, even outside of their relationship, these two are unequivocally queer.  As previously stated, they both do not conform to societal stereotypes surrounding gender, with them being angelic beings who simply choose to take on the traditionally more masculine forms we most associate with them, whilst other times choosing more traditionally feminine forms- like Crowley did in scenes of the crucifixion of Jesus, or when they were a nanny. While this isn’t explicitly spoken about within the series (because their gender presentation simply is there, an unquestioned part of them, it’s not a focal point of the plot), co-author and series writer Neil Gaiman has clarified that angels and demons alike do not have gender or sex and do not perceive gender in the same way as humans do.

How, as such, within the ship they are also queer, with the pair not bending to societal norms surrounding gender, sex and relations. And though they do kiss in the final episode of season two, Neil Gaiman has confirmed that their kiss was “about a lot of things but   its not to show they’re in love” alluding to the love being shown in other ways as their relationship isn’t inherently sexual- neither is it inherently asexual as he explained “they are an angel and a demon, not as male humans”. This portrays romance and love in away that is inherently queer and different to that of heteronormative ideals as they are not strictly male or female and don’t explore sexuality in the same way as is the norm.

Thank you for reading this! Admin 🦇 out!