#during a little priest

[demonbarberofbeepbeep]

Aaron Sweeney did do the classic fanfic trope of holding a blade to Suttons neck in a sexy fashion

[hiimjules]

!

I'm absolutely deranged over this sweeney revival and so sad it's closing because I think this might be the only iteration of the show where it's like. very obvious that this version of sweeney and mrs lovett are fucking. like that's pretty clear, right? in most renditions it's played like a largely unrequited thing, with mrs lovett attempting over the course of the show to get sweeney to love her despite the fact that he's utterly uninterested.

that was...that was not the case in this version. and the place where I think that becomes most apparent is actually in "a little priest," because I think this is where the transition takes place. prior to this the 2023 show is playing out broadly the same as usual, with mrs lovett focused primarily on getting sweeney to look at her for more than five seconds while sweeney is plotting his revenge. I'm not sure how annaleigh played it live, since I didn't get to see her take and haven't found any decent (publicly available) clips of her, but sutton made some interesting choices here where she's always got her hands hovering over sweeney but rarely does she actually touch him (this was most apparent to me during "my friends" and "wait"). it was like he was something she desperately wanted to hold but couldn't bring herself to yet. like he (or the tenuous bond between them) was made of glass and she was afraid to break him (and it).

that changes after "a little priest." because for the whole show up to that point, sweeney is, as in every production, completely uninterested in her. he seems to reject her advances, doesn't initiate much if any contact with her, and at most treats her as a business partner. but the second mrs lovett suggests her whole baking-people-into-pies scheme, that seems to change. suddenly he's holding her arms, pulling her into a dance, he grabs her face at one point- it was like this little flash of genuinely visible evil from her (which she normally tries to cover more than he does) suddenly attracts him in a way nothing she'd tried up 'til then had. and sutton as mrs lovett responds to this, and that seemed to be the motive behind her iteration of the character playing up the cannibalism humor and making all these jokes about who they could bake into pies. it's like she's suddenly gotten a dash of the affection from him she's been craving and now she's going to do everything possible to keep him laughing, to keep him focused on her and not the judge.

from that point on in this version of the show, I think they're sleeping together. do I think sweeney ever truly falls in love with her? no of course not, that's entirely against the point of his character. but I do think this version of sweeney has more affection for her than other iterations have. more than any other production I've personally seen, this one presented them as a couple, a real partnership, to the point that "by the sea" reads less as another attempt at seduction and more as a legitimate proposal made from one established sexual partner to the other. (the acting choices here also make it.......................almost impossible that they're not fucking I mean she...there's this whole thing with her feet and his suspenders and it's so funny but there's no way. there's no way they weren't sleeping together, just trust me.) and all throughout that song he reacts with the usual sort of annoyance that you'd expect for the character, but there were a few times I'm sure he smiled a little, I was close enough to see it- and whether that was aaron breaking character a bit or a legitimate acting choice I have no idea- but either way it made him seem a little bit fond of her, even when he was irritated.

some people might not like this, since it does sort of go against what was the original intention in the script, but I think it adds another layer of tragedy to the ending if they were genuinely together. because they were so close. they were so close to having some kind of life together, some kind of happiness that wouldn't ever replace the life sweeney had lost, that wouldn't ever replace lucy or johanna, but it could have been a life. maybe even a nice one (minus the whole murdering-and-baking-people-into-pies thing). but it can't ever be because it was only ever happening under false pretenses. because mrs lovett lied. she almost had everything she wanted, she almost had him, but she could only get it because of that one lie, and she loses it all because of that lie too. and that's ultimately her tragedy.

[cowboycannibalism]

ughhh people just don't dance around a room with a knife pressed to their partner's neck anymore

[kcrabb88]

It's the little moments in musicals that really make it, and at the very, very end of the Sweeney Todd revival, Sweeney and Mrs. Lovett take each other's hand and then jump into the hole in the stage where Sweeney dumped his bodies throughout the show (and therefore down into the bakehouse where the pies were made) and the implication was that they were jumping straight into hell together and it truly was just *chef's kiss* The chemistry Josh Groban and Annaleigh Ashford had on stage was REALLY great (and really chilling!)

[givethetwinkaflamethrower]

Maybe it's bc I was raised Catholic but I just cannot take the Stage Break seriously

[pollenallergie]

the one good thing about getting covid the week before easter… not having to go to easter mass tomorrow morning. thank you and goodnight.

[malkaviian]

For some reason I've had A Thought about the vampire AU

[valfreyarbor]

When you’re rooted in Norse paganism so you eat your offerings because in your tradition you’re suppose to 🧍

THE GODS ARE NOT ANGRY AT YOU!!! YOU ARE ALLOWED TO FUMBLE! IT TAKES WAY MORE THAN SPILLED OILS OR ACCIDENTALLY EATEN OFFERINGS TO ANGER THEM!!

Bless y'all <3

[twilightichor]

𝐂𝐋𝐗𝐗𝐈. “Trees” also symbolize wisdom. In one of the legends, a sage hanging upside down on a tree had acquired the knowledge of how to inscribe runes and control sacred words, and thus followed the kingdom established along the tree's roots, eventually gaining a glimpse of the secret of the cosmos / demonic skies. All knowledge, memory, and experience flow through this giant tree [...].

Reading this description, it got me thinking if the kingdom that is alluded in the Silver Twig's description is Khaenri'ah. While it doesn't have to be necessarily it (there is a terrifying readable that talks about a kingdom even further down below than Khaenri'ah viewed in a dream), it's also true that Khaenri'ah is the kingdom we know of that was established underground. There is knowledge about Khaenri'ah using the Ley Lines as a source of energy (they made blocks out of the elements they carry, to be precise) until relatively close to the Cataclysm that they switched it for abyssal energy, so it is safe to presume that they were in touch with Irminsul be it directly or indirectly.

Where I want to go with this is the recurring thought I have sometimes of the role as Bough Keeper (also known as Seeker of Truth, Guardian of the Branches, Observer of Fate or The one who picks up the branches) stems from the Khaenri'ahn times, hence the possibility that there was a more spiritual (not religious, although the devotion many have for the Abyss is if not outright religious, borderline) faction that held ceremonies around Irminsul or one of its emanations in a similar fashion as Sal Vidagnyr did by sending a priest to offer the tree a crown of white branches as tribute and seeking answers that Irminsul did give them once the gods stopped answering to humans (Irminsul also was the one that warned the last king priest of the coming calamity that would happen to the civilization and, as it announced him, he came back to the whole devastation).

There is one last detail that could make this possibility viable and is the fact that there is a sword art known among the Black Serpent Knights named "Truthseeker", which could be adapted to other weapons as well. While not directly related to Irminsul per se, there is this link with one of the translations Bough Keeper has as Seeker of Truth.

[holmsister]

Laios works part-time at a grocery store and is a mildly successful twitch streamer and one time this really fucking hot shirtless dude wanders into frame and everyone on Laios' chat starts freaking out like WHO THE FUCK IS THAT- HAVE YOU EVER SEEN A MAN SO BEAUTIFUL YOU STARTED CRYING- LAIOS THERES A HOT DUDE THERE- and Laios is like ahahah that's my friend Kabru! He sometimes comes over after the gym to take a shower while I make him dinner! He loves my food! And everyone in chat is like LAIOS ARE YOU STUPID- LAIOS FOR THE LOVE OF FUCK- LAIOS HES AFTER ANOTHER KIND OF MEAT- and Laios is a little bit offended like. No! He's just nice! Don't be mean you'll make him uncomfortable!

And then someone recognizes Kabru like "OH SHIT I SAW HIS FOUR PARTER ON ART AND MENTAL ILLNESS IT MADE ME CRY" and they dig up his SMs and he's like. A political commentator and activist/youtuber who speaks like 9 languages and has an history degree despite being like 22 and is working towards an anthropology degree now and pays the bills by being a fucking. Fashion model and there's INSANE photoshoots of him in all sort of artsy high fashion pictures in b&w like covered in bloodied bandages in BDSM gear dressed like a priest etc etc interspersed with like very good thinkpieces on consumerism and art and politics and the very rare YouTube 4-parters on random subjects with INCREDIBLE visuals and everyone is like what the fuck. What the FUCK Laios how do you even KNOW this dude and Laios is like he kept showing up at the grocery store during my turn and asking for ideas on what to make for dinner and one guy in chat asks but aren't you usual on at nighttime and he's like yeah it was like 3am for the most part and everyone is like LAIOS PLEASE

[reaperfromtheabyss]

Calling All Catholics!

Weird thing for a Jew to post I know I know but hear me out here.

I would like to hear from Catholics (current and ex/raised),

what do you feel separates your religion from others (both other sects of Christianity and other religions as a whole? what feels unique or specific to you/your culture/your beliefs/your church? this can be theological beliefs, practices, or even aesthetics

what things feel "inherently Catholic" or "Catholic coded" to you?

if you don't mind, would you also include what subset of Catholicism you are/were raised in (Roman, Byzantine, Irish, Opus Dei, etc)?

As you may have guessed, this is for research, and I personally only have experience with Roman Catholicism (and limited experience at that, more cultural than truly religious). I would love to hear from a larger subset of people. My family is extremely Italian Catholic but that's just one very specific version, and I don't have much/any experience with any others. I'm curious to see what the common ground is.

Reblogs/signal boosts are appreciated as I doubt I have like a SUPER broad Catholic following myself lol!

[jaylalolz]

Heyy girl i love ur writing so much! Could i do a request of Father Charlie Smut, with him and reader who loves wearing short dresses and skirts but like she’s innocent girl. She wears one during mass and he can’t stop eyeing her the whole time.

❛ 𝐓𝐇𝐄 𝐇𝐄𝐀𝐑𝐓 𝐖𝐀𝐍𝐓𝐒 𝐖𝐇𝐀𝐓 𝐈𝐓 𝐖𝐀𝐍𝐓𝐒 ❜ . . . nicholas chavez

INNOCENT!reader x PRIEST!charlie 𝜗𝜚 ࣪˖ ִ𐙚

SUMMARY, charlie can’t take his eyes off of her while she wears those short skirts all the time. he realizes that she needs to be punished.

A/N, thanks for requesting!! hope you like it.

WARNINGS, smuttyyyy

Charlie stood at the altar, his voice steady as he read from the Bible. It was an ordinary Sunday mass, yet something felt off. His words were focused on the sermon, but his mind kept wandering, distracted by a presence in the crowd. A familiar one. He tried to ignore it at first, pushing through the scriptures, but every few minutes, his eyes darted back to the same spot.

There she was, sitting in the third row—his favorite girl. She had a way of turning heads without even trying.

Charlie noticed her as soon as she entered the church, the short, black skirt she wore clinging tightly to her legs. It was far from appropriate for a Sunday service, or for any visit to church. It wasn’t just the length—barely reaching mid-thigh—but the way she seemed completely unfazed by it, sitting there confidently, crossing and uncrossing her legs like the length didn’t matter.

He could feel a tension rising inside him, an unfamiliar mix of emotions that tugged at his composure. Why had she worn that here, of all places?

As mass ended and people began filtering out, Charlie couldn’t help but keep his eyes on her. He needed to say something, to address it before it gnawed at him further. With a sigh, he stepped down from the altar and walked toward her.

She was lingering by the restrooms, her usual smile playing on her lips. As soon as she saw Charlie approaching, her eyes brightened.

“Charlie,” she said warmly, tilting her head. “Your sermon was great today.”

“Thanks,” he muttered, his tone a little more serious than usual. He paused, looking at her outfit up close, his brow furrowing. “can we talk for a second?”

Her smile faltered just a bit, noticing the change in his mood. “Sure,” she said slowly, stepping aside with him.

Charlie took a breath, keeping his voice low. “Listen… I couldn’t help but notice what you’re wearing today.”

She blinked, her brows raising in surprise. “What do you mean?”

“The skirt,” he gestured awkwardly, his eyes darting to the hem that barely covered anything. “It’s… not exactly appropriate for church.”

She looked down at her outfit, as if she hadn’t even thought about it before. Her expression was neutral, but there was a hint of something else in her eyes—maybe defiance. “Is it bothering you?”

He shifted on his feet, unsure how to respond. “It’s just… This is a place of worship. People come here to connect with God, and I think what you’re wearing might distract from that. Not just for me—for everyone.”

Her lips curled into a small smile, her voice softening. “Are you saying I’m distracting you, Charlie?”

His face heated up at her teasing tone, but he forced himself to stay serious. “I’m not trying to make this personal. I’m just asking you to be mindful of where you are.”

She studied him for a moment, her eyes searching his face as if weighing her next words carefully. “I didn’t mean to cause a scene. It’s just a skirt, Charlie. Can’t help it if people stare.”

“I know that,” he sighed, running a hand through his hair. “But people judge, whether we like it or not. And in a place like this, modesty is important.”

Her smile faded, her expression softening. She looked him in the eye, sensing the sincerity behind his words. “I didn’t think it would be such a big deal. But… I’ll be more careful next time.”

He exhaled in relief, nodding. “Thanks. I just want to make sure everyone’s focus is where it should be.”

She gave him a playful nudge. “Well, maybe you just need to focus a little better.”

“You think this is appropriate? You’re drawing attention to the wrong things” Charlie ran a hand through his hair, trying to keep his cool. He knew he wasn’t explaining it right, but the way she stood there, so confident in defying him, was only making his thoughts more muddled.

She cut him off, her eyes narrowing. “Drawing attention? Isn’t that a you problem? Maybe you’re the one who’s distracted, not me.”

Her words hit a nerve, and suddenly, everything Charlie had been holding back came flooding out. “Yes, I am distracted!” His voice was louder than he intended, but it was too late to stop now. “Do you think it’s easy standing up there, trying to give a sermon, trying to focus on leading a mass, when you’re sitting there in the front row, wearing something that… that—”

“That what?” she pressed, her tone icy now.

Charlie swallowed hard, the confession finally spilling from his lips. “That makes it impossible not to notice you. Every time I look out at the congregation, you’re the first person I see. And it’s distracting. It’s not just about the skirt, it’s about… you.”

The air between them felt heavy with his words, and for a moment, She seemed stunned. She opened her mouth to speak, then closed it, processing what he had just admitted.

“You know,” he began, his voice low and smooth, “I bet you like it when I give you my attention.”

Her breath caught in her throat, and she felt the color rise to her cheeks. She quickly looked away, trying to laugh it off, but her laugh came out awkward, a bit too high-pitched, betraying the nerves that were now crawling their way up her spine.

“What are you talking about?” she said, trying to sound casual, but her voice wavered. She could feel the heat in her face, the way her hands suddenly felt restless as she fiddled with the edge of the throw pillow beside her.

Charlie chuckled, leaning forward slightly, narrowing the distance between them. “You do this thing,” he continued, his eyes never leaving her, “where you act like you don’t care, like I’m not getting to you. But I can see it.” His voice dropped lower, his tone almost teasing. “I can always see it.”

Her heart raced faster now, a dull thrum in her chest. She pressed her lips together, unsure of what to say. He wasn’t wrong. Of course, he wasn’t wrong. She hated that he could read her so easily, hated that she couldn’t hide how his attention made her feel. Nervous, yes. But there was more to it than that, and she wasn’t ready to admit what that was.

“You’re full of yourself,” she finally managed, her words barely above a whisper.

Charlie’s smile widened, that maddening, knowing smile that only made her nerves worse. He leaned back again, but his eyes still held her captive. “Maybe. But I’m not wrong, am I?”

She swallowed, trying to hold onto whatever was left of her composure. “You’re imagining things,” she said, shaking her head, but even to her ears, the denial sounded weak.

“Am I? cause for some reason you always wear a skirt when your around me. I’m not stupid. ” he asked, his tone challenging now, as though daring her to keep denying it.

she looked away again, desperate to break the tension that was steadily building between them. But it was too late. His words had already burrowed into her mind, making it impossible to escape the truth she was trying so hard to ignore.

"Just admit it, already," Charlie said, his voice low and certain, sending a ripple of heat through her.

She swallowed, her hands fidgeting in her lap as she desperately tried to hold onto some sense of control. "Admit what?"

Charlie smirked, standing up from his spot and slowly walking toward her. He was too close now, his presence too overwhelming, the scent of his cologne filling the air around her. He stopped just inches away, his gaze holding hers captive, daring her to keep pretending she didn't know what he was talking about.

"You like it when I give you my attention," he said, his voice almost a whisper, but every word felt like it hit her with the weight of something inevitable. "You like it when I make you nervous."

Her breath caught in her throat. She could feel the heat rising in her face, the rush of adrenaline making her pulse quicken. She wanted to deny it, to brush off his words like she always did, but something about the way he was looking at her made it impossible to lie.

Charlie took another step closer, so close now that she could feel the warmth of his body radiating toward her.

She leaned back slightly, her back pressing against the wall as if it would give her some distance from the truth staring her in the face.

"Charlie, I-" she started, but the words got caught, tangled with her emotions.

He leaned in just a little more, his face inches from hers, his breath warm against her skin. She could feel the tension between them building to a breaking point. His eyes softened, just a flicker of something raw and real underneath the teasing. And in that moment, she knew he wasn't going to let her hide.

"Admit it," he whispered, his voice so quiet, yet so commanding. "You wear those skirts for me”

She hesitated for a split second, her heart pounding in her chest, her thoughts racing, before she finally let go. It was terrifying how right he was.

The way he made her feel, the way his attention seemed to pull her in, no matter how much she tried to fight it.

She couldn't keep denying it, not to him, and not to herself.

"I wear them for you," she finally whispered, her voice barely audible, but she knew he heard her.

A slow, satisfied smile spread across Charlie's face, and for a moment, neither of them moved. The air between them seemed to buzz with something electric, something inevitable.

Then, before she could overthink it, before she could take it back, Charlie's hand was at her cheek, his thumb brushing lightly against her skin as he tilted her face up to his. The world seemed to slow down, the room spinning away until there was only him, only them, in this moment they both knew was coming.

"Good," he murmured softly, his eyes locked on hers. "My naughty fucking girl."

And then, with a deliberate slowness, he leaned down and kissed her.

It wasn't hesitant or unsure. His lips were warm, soft, yet firm against hers, and the moment they connected, something inside her melted. She felt herself lean into him, her hands instinctively finding their way to his chest, clutching his shirt like it was the only thing holding her upright.

The kiss deepened, his hand slipping into her hair, pulling her just a little closer. She could feel the tension unraveling between them, all the unspoken words and hidden feelings pouring out in that one perfect moment.

Everything else faded away-the nerves, the fear, the constant push and pull-until all that was left was the warmth of his lips on hers, the way his touch seemed to set her skin on fire.

When they finally pulled apart, they were both breathless, their foreheads resting against each other's. Neither of them spoke for a long moment, both caught up in the aftermath of what had just happened, of what had been building for so long.

He says, "I thought about you every single day after I met you for the first time," as he presses kisses to her cheek and slides his hands down her arms in a leisurely motion that mimics the path his wet lips followed on the way up.

She's trying to listen, but as they explore, the ache he's started between her legs feels like it's pulsating in her ears, and his hands are scratching her skin. He shakes his head and lets out a breathy laugh before giving her another painful kiss and nips in between his low, hoarse confessions. “Always thought about those fucking skirts you wore" When he traces his sharp nails from the inside of her knees up to the tops of my inner thighs, she gasps.

He presses his mouth to her ear, his hot breath making her shiver. "No one compares to you," he mumbles, his voice lowering to a low pitch that turns her stomach. He presses his face against her head and lets out a deep groan as the fingers on one hand slide higher and higher until they draw a slow, agonizing stroke up her heat. The other hand smooths back up her stomach.

Her eyes roll closed and she can only hold her breath as her head lulls back. "All those times you teased me.. I think you deserve to get punished," he says forcing her to a wall.

He exhales, "Shit, you're soaking." She can feel his chest rising and falling rapidly against her back as he lingers, slowly and indulgently stroking his fingers along her shamefully damp folds, avoiding where she really needs them. Nipping at the flesh on her neck, he mumbles against her, "Such a good girl for me, yeah?" she nods eagerly.

One of Charlie's fingers sneaks up and softly wraps around her throat, while the other eventually slides up to rest on the area that has been throbbing ever since he had her pinned to a wall. He maintains his lips tight against her ear, matching the pants pouring out of her, starting to circle his fingers around her clit in the same rhythm.

"Do you feel that?" He flicks her nerves more quickly and puts more pressure on them while rasping into her ear. “your chest get tighter and your heart beating faster?"

She shifts her hips against him mindlessly, her mouth hanging wide, and she doesn't even know how she manages to say a breathless yes, but nevertheless, she manages. "How incredible that feels, you never want it to end?" He goes on, getting a closer hold on her throat, not tight enough to stop her breathing, but tight enough to pull a high-pitched groan out of her, taking her earlobe between his teeth. She panted out another yes and swallowed. "That's how I feel when you're around me, looking at me through your eyelashes- smiling at me. I can feel it in my bones."

She squirms, unable to keep still at the fire igniting inside of her, between what he's saying and what he's doing with his fingers, and her legs begin to shake. His loud, taunting voice reverberates around her, his untamed hair strewn about with strands falling in front of his hungry gaze. "No coming just yet, Angel. I need to taste you."

She can only fling her head back and hide a choked groan the moment he presses his lips to her warmth. He offers her one last slow, dimpled smirk as he wraps his arms around her thighs, holding onto her hips as he sits between her legs. His warm tongue flattens against her clit as his fingers bite into her skin while he lets a deep sigh that rumbles up through him and vibrates against her and she whine at the feeling.

Her back arches as she lets out wild cries that she can't control, and she's clinging to his hair for dear life as his tongue begins to circle and draw deft patterns against her nerves. Her senses are completely assaulted by the guttural moans and growls that are coming out of him as he relishes every response he receives from her. The stress within her was nearly too much for her to bear.

She cries out at the sensation as he his ring and middle finger enters her. The build-up to everything and the delicate way he's sucking and lapping at her pulsating core while his fingers coil inside of her to target that point that has her vision blurring are just too many sensations happening at once. He retracts his tongue while maintaining a fixed gaze on her. He accelerates the speed of his fingers, purposefully striking the area of her body that is producing such a strong pressure.

"Charlie" She exclaim, "What-What is, I don't know what's-oh fuck"; she squeezes her eyes tight, feeling a growing sense of violence inside of her. He examines her expression and quickens the tempo of his careful fingers. He purrs, encouraging her to go forward as he flicks his eyes down to watch his fingers thrust into her. "Don't worry baby, just go with it, it's okay, you're okay".

He moans as he continues to watch what he's doing. She begins to shake, her muscles contracting. She can no longer resist the sensation that her body is having a seizure and going into seclusion at the same time. "Charlie!" She throws her head back, arches off the wall, and yells until the pain tears through her like nothing she has ever experienced. When it finally fades, every part of her body feels as heavy as cement, and she nearly collapses on the ground, her chest heaving as she tries to take in as much oxygen as she can.

“Never wear that skirt again or you’ll regret it”

[narfin-frood]

i've been itching to share my swap au since i thought it up, but i think i now finally have an actual baseline to introduce it with!!

the idea isn't that it's a personality swap, but a role swap, with wander and sylvia as antagonists and hater and peepers as the protags, and i have a whole lot to say about it so im gonna go ahead and infodump below the cut

so i've renamed these two, at least, since hater's story has become less about getting over himself and more about how he sees the world Now That He's Gotten Over Himself. i'm calling him The Great (and absent) Lord Lackadaisical right now, but i don't think that's what he'd like to be called, since he's an absent ruler who doesn't really care to be in a position of so much power and would rather fuck off to all the planets with really nice hot tubs. he and Sir Peepers (his loyal knight who cannot be convinced to leave his side) travel the galaxy with hater's sweet ride (i'm not too good at designing motorcycles yet. pending).

i haven't thought of new names/titles for wander and sylvia just yet (i cannot just call him Sitter Over Therer) but i do know what their deal is, and it's the main reason i made this au (i feel like if wander were a villain he would not in fact be a villain like lord hater or dominator because i think that kinda disregards wander's whole Shit, he'd be like screwball, and even then he'd have very strong convictions that he's doing the right thing): wander has a cult (a hivemind, kinda) and sylvia is his priest.

i think wander comes along this mushroom during a time in his life when everything seems to have been torn asunder, and instead of continuing his adventures and learning and growing as a person, the mushroom offers a solution that doesn't require much effort on his behalf. the mushroom links people together borg-style, makes them share a brain and a purpose. wander not only thinks it's super neat, but he's in such a poor state of mind when he finds it, he convinces himself it's the only way to make the galaxy a better place.

sylvia is the only person in his Ring of Friends who isn't hooked up to the mushroom, because she's actually wander's friend, and she's his ride or die. she does the things she does out of free will and dedication to her best friend, including preaching and fisticuffs.

^^^ here's some more of my initial concept art. originally the mushroom was gonna be a tree, but i had a vision of an upside down mushroom (or several, to take the place of watchdogs) scuttling around and by god is it easy to make that look like his hat.

the thing that really really pushes wander over the edge is the sheer boredom of it all. when he's connected to the mushroom, he's very little more than the brain they all share. he can't move around, and that KILLS him (see: the hole lotta nuthin). so when hater (name pending) comes along and refuses to join him and annoys him enough, he gets suuuuper stoked about having something to really DO for once.

anyway. this is what i've got for now. do you like it. you can be honest if you dont like it

[just-wanna-be-a-ghost]

.

[5nake-eater]

If Annaleigh Ashford or Victoria Clark wins the Tony this year I will be happy. Victoria Clark’s performance is absolutely amazing and is the much more nuanced performance in my opinion, but Annaleigh Ashford serves absolute cunt as Mrs. Lovett and got me laughing harder than I have in years

[anirudhpisharody]

There is not a locked room anywhere that with the right tools and enough time you can't break into.

[ID: A series of 21 gifs from the TV show 9-1-1.

The 1st gif shows Hen and Eddie untangling Halloween decorations at the firehouse. Eddie says, "You never know when a door is gonna close, and when it does, then...". Hen replies "It's sealed".

The 2nd gif shows Shannon talking to Eddie, who is offscreen, at a restaurant. She says, "Because if I try to do this again before I'm ready, there won't be a second chance."

The 3rd gif shows Pepa talking to Eddie, who is offscreen. She says, "It's been too long. You need to do something or you're going to be alone forever."

The 4th gif shows an injured woman lying on a backboard in a c-collar talking to Eddie and Hen, who are offscreen. She says, "We're all gonna die alone. Might as well spend time with our loved ones while we're still living." The gif cuts to a shot of Eddie and Hen looking at her.

The 5th gif shows Shannon lying down in an ambulance with a c-collar. She is talking to Eddie, who is offscreen. She says, "I'd love...a little more time."

The 6th gif shows Eddie during a flashback talking to Shannon, who is offscreen. He says "Can we please talk about this later? Can I maybe just get a little damn time?"

The 7th gif shows Eddie with tears in his eyes talking to Kim, who is offscreen. He says, "Never did get to say all the things I wanted to say. or hear all the things I needed to hear, I guess."

The 8th gif shows Ramon sitting down at a table talking to Eddie, who is offscreen. He says, "Why didn't you tell us?" The gif cuts to a shot of Eddie, who says, "Pretty sure you know the answer to that question."

The 9th gif shows Eddie standing in front of his fridge with tears in his eyes, talking to Ana, who is offscreen. He says, "I should have said something sooner." Ana replies, still offscreen, "Yeah. You probably should have."

The 10th gif shows Buck talking to Eddie, who is offscreen. He says, "You said you did this a year ago, why are you just telling me now?"

The 11th gif shows Eddie underground during the well rescue. You cannot see his face. He says, "I need more time", but the text indicates it's unintelligible. The gif cuts to a shot of Bobby looking frustrated, then cuts to a shot of Buck shouting, "Cap, can't we give him more time?"

The 12th gif shows Christopher yelling at Eddie, who is offscreen. Offscreen, Eddie says, "We'll make an even bigger gingerbread house next year, right?" Christopher replies, "You could be dead next year!" The gif cuts to a shot of Eddie looking up at Christopher, who is offscreen, with a shocked look.

The 13th gif shows Eddie on the phone. He says, "Why wait? Well, there's no better time than now."

The 14th gif shows Eddie at the firehouse talking to Chimney, who is offscreen. He says, "Tomorrow isn't promised to anyone. If you love her, tell her."

The 15th gif shows Shannon at a restaurant talking to Eddie, who is offscreen. She says, "Eddie, uh, I think–". The gif cuts to a shot of Eddie, where he cuts Shannon off and says, "Please, just...let me say this."

The 16th gif shows Buck talking to Eddie, who is offscreen. He says, "Uh, Eddie–". The gif cuts to a shot of Eddie, where he cuts Buck off and says, "Just let me finish."

The 17th gif shows Buck being pushed towards the ground, with blood splattered on his face. He is staring ahead at Eddie, who is offscreen, with a shocked expression. The gif cuts to a shot of Eddie, who is lying on his side on the street, with his head in a puddle of blood. He is staring ahead at Buck, who is offscreen, as his hand falls forward towards Buck.

The 18th gif shows a close-up of Eddie talking to Christopher, who is offscreen. He says, "You can always come back. If you change your mind five minutes or five months from now...".

The 19th gif shows Eddie sitting in a confessional booth. Offscreen, a priest says to him, "Well, I imagine after 23 years, something in particular must be bothering you enough to make you feel like you need to be here."

The 20th gif shows Eddie talking to Buck, who is offscreen. He says, "Don't walk away from something before you even know what it is."

The 21st gif shows Eddie opening his front door. The gif cuts to wide shot of him smiling and nodding hello to Buck, who is offscreen. Eddie is wearing a button-up shirt with no pants. The gif then cuts to a shot of a visibly upset Buck standing outside, looking at Eddie.

END ID]