#due to my response

[whateverthedragonswant]

Part 2: there was a lot GA scoffing at the idea of Sansa’s political acumen but this scene really shows how clever and skilled she is and it’s not recognised as such. She sussed out Dany’s true feeling on Jon, that she’s a hypocrite and not a liberator only seeking peoples freedom, that the iron throne is her one goal. Sansa figured out in one conversation what Jon took weeks to figure out on Dragonstone and Tyrion and Varys even longer. Sansa clocked it in like a day. True Queen material there

I don't know if this was connected to the previous ask or not but I apologize if not.

The GA really didn't get Sansa's character and I blame D&D for that quite a bit. They tried to bait people to watch by promoting some huge power struggle about to take place between Sansa and Jon, now that he's been made KitN, right before season 7 aired, knowing full well that Jon was a fan favorite. They even had the actors themselves doing their dirty work for them while promoting the new season. So that already planted the seed in several minds of Sansa doesn't want Jon to be King and she's Littlefinger 2.0 and all that stupid bullshit. And they did it not only to get people to come back for the new season but also to get the audience to expect something that they could subvert, which had become their MO at that point. Even though Sansa told Jon and the audience that she's not looking to undermine him, and telling their siblings how much she can't wait for him to come back in so many words, they still spend the whole season trying to convince everyone that Littlefinger is playing her, she wants to be Queen, and she's waiting to betray Jon at any moment she can. So this way in 7x07 they could have the student surpass the teacher and go 'Ha ha' to the audience when Sansa executes Littlefinger. Subvert, subvert, subvert!

And as if that wasn't enough to prove Sansa's political acumen to the GA, to show that she actually has some smarts (in case they missed it all season, from KL as a matter of fact), they not only (purposely) missed the things you mentioned in 8x02, but that she did the exact same thing she did in 7x07 with Littlefinger when she sussed him out. His goal was the IT with her at his side (him really just wanting to use her to get the North). Dany's goal is also the IT and she doesn't intend to let the North go. So not only did Sansa see Cersei-like qualities in 8x01 but now she's seeing Littlefinger-like qualities in 8x02. Which is cemented in 8x04 when Dany pulls the Gendry move. I truly believe had Littlefinger survived, Dany would have executed him eventually because I don't believe she would have been fooled. I think she would've seen right through him. But that's a post for another day.

But yeah, it's a shame the GA discounts the brilliance and talent for political strategy that Sansa was displaying those last two seasons. It was right there in front of their faces but as usual, they purposely ignored it (well, most of them did, some people didn't genuinely see it and that's where my blaming D&D comes in because viewers shouldn't have to do a Rubik's cube to figure out a character and their true motivations, thinking process, and actions) and some brilliant moments for her character and some brilliant writing actually got missed (dismissed). Which I believe does somewhat of a disservice to Dany and Cersei too because they shared that brilliance as well despite any wrong choices they may have made. Cersei miscalculated when it came to Dany and went past a line she couldn't come back from and Dany miscalculated that everyone would want her new world and she crossed a line she couldn't come back from. They both wanted power for different reasons. As we know, Sansa didn't want power, only freedom and the ability to keep her family and herself safe. So it made sense that she was the only Queen in the end and not of the 7K

Like you said, true Queen material right there. I wish more people could gain a better understanding of her character and appreciate the brilliant woman she actually is.

[almiacastle]

Trying to learn that it’s not my responsibility to create or maintain harmony in the lives of those I care about. They are allowed to have difficulties in their lives and struggles in their relationships with others and it’s not something that I need to ‘fix.’ I am not responsible for their happiness or peace. Their struggles do not make me a failure. All I can control is how I interact with them.

[poorly-drawn-mdzs]

Heartfelt Reunion.

[First] Prev <–-> Next

[halorvic]

[starflungwaddledee]

from: @starflungwaddledee to: @post-it-notes7

message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "

[inkskinned]

it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.

yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.

it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.

how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.

chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?

how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.

"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.

i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.

[kaeyachi]

There's something alarming about the continuing trope of an Alberich father putting their hopes and dreams on their sons, but their sons are dreaming of something else like, oh, I don't know, living a normal life? Not finding the world unfair? Have no burden concerning their lineage?

[semi-completely-original]

"hey wasn't kaveh's birthday almost a week ag-" silence boy. time is an illusion, boy.

[puppetmaster13u]

Prompt 324

Is Mermay Over? Yes. Is that going to stop me? No. 

So, Danny and Jazz might’ve run off to their uncle’s- they love their parents, don’t get them wrong, but even with at least one person in each generation of their family ending up a villain, they’re… intense. And they were getting that I’m going to destroy the government for this, look on their faces. 

SO! Off to Uncle Crane’s, the somehow responsible one of the family. Seriously, how the Gotham Rogue is somehow the responsible person is… well, it’s a story to be sure, but hey, he’s actually pretty chill. And sometimes you need fear to eat and survive, they get it, it’s a liminal thing and a ghost thing. 

Siren thing? 

Look, it’s something to do with how ecto interacts with the body of a living or partially living person, even if they’re all still baffled about the how and why. Then again, it’s not particularly important at the moment, they’re in Gotham now and vibing in one of their uncle’s homes. 

Honestly? They see why he didn’t move away after university, this place is pretty chill. Well, save for the fact the waters are horrible unless you’re used to it, but that’s what the tanks indoors are for. Even if Danny is the only one of them that has like, a proper fully aquatic form at the moment. 

But honestly, doesn’t really matter. They’re pretty chill, even if the local furry brigade keeps breaking into their warehouses? Like damn, it’s not like their uncle is even currently doing rogue work, chill. 

[onse-chill]

When they see me ➡️ when they tell me they love tummies

[violinist-rachel]

Fluster

It’s the end of the day and the sun is starting to set. Karl is leaning against a wooden support beam, somberly looking outside.

Karl: "Hm. Time passes unfairly quickly when you're here..."

He turns to Rachel. Karl: "I suppose you have to go soon?"

Rachel: "Yes... It appears so..."

Rachel looks down at the inside of her violin case. She tucks away her instrument and its bow so that they remain in place within their molds. A question pesters her, causing her to fidget nervously while Karl continues to quietly look at the sunset.

Finally, Rachel breaks the silence.

---

Rachel: "Karl?"

Karl: "?"

Rachel: "Forgive me if this is a rude question, but can you really not feel anything?"

He gives her a skeptical look. Karl: "I don't know… This conversation's starting to feel a little painful, if you ask me."

Rachel: "O-oh... I'm sorry... I shouldn't have said anything..."

Karl (waving his hands): "I'm kidding! I'm kidding. But last I've checked, statues don't have any nerve endings."

"Why do you ask?"

Rachel looks down at Karl's foot. Rachel: "Well... You almost lost your leg from those crocodiles that one time... But even if you did, would it have hurt? In any way at all?"

“That’s what she’s worried about?” He thinks to himself, bemused.

Karl: "I can feel things, but probably not in the sense you're thinking of."

"I can 'feel' the tugging and impact of forces hitting me, and I can 'feel' my limbs in the sense that I can still move them, even when they're detached. But I have to admit, I barely have an idea of what you humans consider 'pain'..."

He pauses.

"Not that I'm envious. It doesn't look like a good time."

---

Rachel: "Does that mean you can sense if something's on you?"

Karl grins wryly. Karl: "I'll always be able to tell if it's you, but we can test that if you're curious..."

Rachel blushes lightly and pushes Karl playfully by his shoulder. Rachel: "Karl-! Do you even know what you're saying..?!"

Karl (clapping): "Haha! Your reaction's really all I need to know! You're so cute when you're flustered."

Rachel (flustered): "Y-You…! Ahh!! Stop teasing me-!!"

Karl laughs at her again.

Karl: "But to answer your question, it depends on the object. If it were something light, like a bug, then probably not."

Rachel: "Let's say you were to balance a heavy book on your head. Would you feel it?"

Karl: "An odd thing to put on your head, but I might be able to feel its weight. Heavy can be relative, after all."

Rachel: "What about water? Do you feel damp when you're drenched?"

Karl: "Thankfully, my resin coating makes it glide right off me, like water off a duck's back! So… no."

Rachel: "How about temperature? Do you feel bothered by hot or cold weather?"

Karl: "Not particularly. Though, I can feel the effects of it; the cold makes me more rigid, so I feel myself using more energy to move around"

Rachel: "I see..."

---

Karl eyes her curiously. Karl: "Why the sudden interest, though?"

Rachel: "Hm?"

Karl: "Gasp! Could it be?" Karl: "Are you, perhaps, interested in learning about my body more... intimately?"

Rachel (amused): "Karl..."

Karl (coyly): "Because if you want, I can teach you everything you want to know, and more."

Rachel scoffs and rolls her eyes at him. She ponders a bit before her eyes light up and suddenly, her expression turns mischievous.

Rachel: "And what if I take you up on that offer?"

Karl raises an eyebrow. Karl: "Oh?"

---

Rachel starts advancing closer to him.

Rachel: "I've always been curious about you, Karl. And I've been wondering how you'd feel if you were put in... certain situations..."

Rachel doesn't break eye contact, gazing at him as she closes the distance with an expression that makes him nervous, and yet, excited at the same time.

Karl: "For example...?"

Rachel: "For example..."

She puts her hand on his chest, pushing against him with just enough force to make him lean against the wooden support.

Rachel: "Would you be able to feel my weight if I sat on top of you?"

Rachel rests her other hand against the support and brings her hand up to lightly caress his lips with her fingertips.

Rachel: "Would you be able to feel the moisture of my lips if I were to press them against yours?"

She moves her hand onto Karl's shoulder and leans forward, her face inches away from his face.

Rachel: "Would you be able to feel the heat radiating from me if you were close enough to hear my heart beat?"

She gazes at him intently. Rachel: "I'm just so curious, Karl..."

Karl looks back at her, speechless and baffled by this sudden shift. His eyes scans her face as he desperately tries to process a cryptic expression that he’s never seen from her before. Tense with anticipation, he waits to see what she’ll do next.

---

A moment passes, and Rachel sighs wistfully, backing away from Karl with faux disappointment.

Rachel: "Based on your answers, though, it doesn't sound like any of those would do much for you."

"...Right?"

Karl snaps back to reality, realizing it's his turn to answer.

Karl: "...!" Karl: "Ahah…" Karl: "Ahaha!!" Karl: "Well!" Karl: "M-Maybe in theory...!"

Karl relaxes a little, though still shaken from the residual fluster. He tries to laugh it off, hoping she hasn’t noticed his lost composure.

Karl: "But you never know unless you try... right?"

Rachel smiles teasingly. She walks over to where her violin rests and picks it up.

Rachel: "It's getting late, Karl. I think should get going before it gets too dark."

Karl deflates a little. Karl: "Ah yes… Of course…" Time really does pass unfairly quickly when she's with him.

Karl: "Let me walk you to the bridge, at least."

Rachel: "Please."

---

The two walk over to their usual parting spot outside.

As usual, Rachel's stayed a little longer than she should've tonight. Not that she's ever minded, but she feels bad about worrying her poor mother back home. She'll have to do something to make up for it later.

Rachel: "Alright then. I'll see you around, Karl."

Karl: "I'll be here..."

Rachel smiles. Rachel: "Take care."

Karl watched Rachel as she walked away.

He wished she didn't have to go. She usually visits him once or twice every week, but he's never truly sure when he'll see her again, whether it's due to an upcoming event, or simply because she's not feeling well. She tries to keep him updated, but there's been times when he wasn't able to see her for weeks, without any warning. Sometimes even months.

Karl: "Rachel!"

Rachel turns around.

Karl (grinning): "Made you look!"

Rachel laughs and shakes her head. She waves at him before turning back around.

He always hated sad good-byes.

[dykedvonte]

I think acting like Jimmy’s struggles on Earth were like legal or related to being a criminal are so odd. Not in a bad way but just odd.

Like don’t get me wrong, I personally believe he’s had a run in with the law but I feel like it’d be minor, not even something that would get him a record. It could’ve, but it was dropped, not worth the time to pursue someone that down on their luck, probably not a dime to his name.

He’s a bad guy don’t get me wrong but it’s seems like his issues were with not being well-adjusted? In the whole sense, he’s snarky and unnecessary rude. He’s quick to anger and says things to pit people against each other. He likely doesn’t have many friends and we know he’s not financially well. I think tacking on bad traits diminishes the fact of what he did. Trying to fit him to that obviously evil arch type is a little bland to what he actually is. He’s normal enough to be a minor blip on the radar and that’s how he gets away with what he does.

Jimmy is ultimately scared of being in trouble. He gets into it but panics. He hates being confronted and he just doesn’t do things were he knows or perceives a bad outcome will happen to him.

[poorly-drawn-mdzs]

MDZS Height Poll: Who is (technically) the tallest character. Please remember that these polls are for fun!

[sparrowlucero]

if that story is true and Moffat wrote the Doctor's Wife, why wouldn't he just give himself credit?

He didn't write the Doctor's Wife, exactly; it /is/ a work by Gaiman, it's just that Moffat is rumored to have done some pretty heavy rewrites which likely should have warranted a cowriting credit.

Quite honestly this is normal, pretty much any given episode you see is going to have a ton of input from the showrunner (yes, even the ones they said they didn't edit at all), and it's (to my knowledge) up to them if they feel that warrants a cowriting credit. If true, I'm sure Gaiman being a guest writer who's name would undoubtedly draw viewers was certainly a big factor in Moffat leaving himself uncredited; "co written by Neil Gaiman" is just not a good look for marketing.

(The only reason it's notable here is because Gaiman later came off as a bit unprofessional and vindictive toward the production over his second episode (which was very poorly received), usually describing it along the lines of him having wrote a great script he was very proud of and the people working on Doctor Who not understanding his vision or not giving him as much creative control. So "actually, it seems very likely that he had a lot of creative control on the bad one and a lot of rewrites and guidance on the good one" is just a funny little counter to it all.)

[seasideoranges]

idk if it’s just me but the whole “which atla kid in the gaang is the most mature” debates can get redundant and kind of exhausting at times. they’re kids. they’re multifaceted characters. they’re mature in some departments and immature in others. they have their strengths and weaknesses. also they’re kids lol.

[floq]

Sketchbook doodle to compensate the lack of art content from my part

[ID in alt text]