#duchess of winnipeg

[fuckinglemoniestoflemon]

VFD Yearbook

[pocketneophyte]

Day 2 Snicketober: Sugar Bowl Gen!!! I love sugarbowl gen!!!

Used this prompt to finish off an old wip based on a pinterest photo

[unfortunatetheorist]

Is Lemony's Kind Editor in the Netflix series?

Throughout the Netflix series, Lemony has used one of his infamous literary devices which I did not notice until rewatching it for the billionth time, when I was working on The Complete Works of Contradictory Logic in ASOUE. More on that to come.

Lemony uses a rather basic device which, I believe, can actually have an ENTIRELY radical new view on the show: Lemony speaks to the camera in the second person.

This just means he uses the pronouns 'you' and 'your', etc, when talking directly to camera.

e.g. TMM: "You could pretend the Duchess of Winnipeg had arrived, and had come to throw the Baudelaires a pony party at her chateau."

However, the 'you' could refer to Lemony's Unnamed Kind Editor. There are some points which back this up:

The Kind Editor is someone who does not know the story of the Baudelaires, they only know Lemony. This is why Lemony is the one to tell them the story of ASOUE.

The Kind Editor is NOT a member of V.F.D. This is why Lemony has to explain [either himself or via other characters] different V.F.D-related things that a member would've already known.

This logic can lead to the following:

Lemony is talking to his Kind Editor, who is filming VIDEO evidence to be used in court when Lemony clears his name and the names of the Baudelaires.

This means that the characters do not physically appear in ASOUE, but rather Lemony just imagines them saying the same words before actually saying them himself. This carries on from the idea (@snicketstrange) that Lemony used the Baudelaires' notes from An Incomplete History (series) or A Series of Unfortunate Events (book canon).

In TCC, the Baudelaires discover the SAME THING filmed by the SAME PERSON - but for ATWQ. Hence the reference to 'Stain'd-by-the-Sea'...

So what's the point?

THEORY: Lemony is using typewritten and video evidence, as filmed by his Kind Editor, in order to clear the names of all 4 people; the Baudelaires and himself.

But who is this mysterious Kind Editor? Many have suggested it to be Moxie Mallahan, as she was only friends with Lemony and no-one else from V.F.D.

However, given the circumstances described, I now present an alternative solution: Beatrice Baudelaire II.

In TBL, Beatrice II is 10 years old, capable of handling a camera. It provides an uncle-niece bonding opportunity for Lemony, and Beatrice gets to know the story of her adoptive parents (from her biological uncle).

Lemony is Beatrice's only hope of finding the Baudelaires, and Beatrice is Lemony's only hope of clearing the Baudelaires' names, as Lemony knows 100% that Beatrice is not an enemy or a spy of any kind.

¬ Th3r3534rch1ngr4ph, Unfortunate Theorist/Snicketologist

[littlestsnicket]

title: beneath the music from a farther room by gellavonhamster

word count:6k

it’s about growing up, it’s about class politics, it’s about unrequited love and being friends anyway, it perfectly embodies the helpless rage and determined grit that are at the core of so many of daniel handler’s female characters.

excerpt:

“I’m fine,” Ramona assured her. Beatrice frowned. Her long tight dress was sequined, making fabric look like scales, and her loose dark hair was interwoven with green and silver threads. That evening, she was a mermaid. “Not the kind of mermaid to give up her voice for a prince,” she declared to Ramona while Olaf’s parents were taking off their coats and Olaf himself looked over the entrance hall, his face bored and his hands in his pockets. “I’m a proper mermaid that drives the sailors mad with her singing and drags them underwater. Like that!” At this, she leaped at Olaf from the back. He yelled, “You piece of shit!” and tried to shake her off, and his father shouted at the both of them to calm down. Ramona laughed loudly then. Now she looked at how closely the mermaid dress fit Beatrice, her figure already much more feminine than Ramona’s, realized that many of those pompous old pigs must have been ogling her too, and felt an even more helpless kind of rage than when she caught them looking at herself.

“Are you? You’ve got a long face. Are you having a headache?”

“No, it’s just that…” Ramona winced in frustration. She knew that if she tried to explain what was wrong, it would come out as some non-issue rubbish. “It’s so boring! Everyone’s pretending they’re enjoying themselves, but they actually aren’t. As a child, I used to come up there,” she gestured at the mezzanine with a nod, “every time my parents hosted a reception, used to sit there and dream of taking part in all this one day, but in practice…”

[afterthegreatunknown]

Post-Canon Headcanon Moodboard Aesthetic Edits for R, the [former] Duchess of Winnipeg, Sally Sebald, Larry Wisniewski (Wiśniewski; Larry Your-Waiter is not his full name), and R's heir apparent and adopted daughter Ramona Q (Quach; Quách).

[badlydrawndrawnings]

Even More ASOUE Characters (Still The Adults)

And the Beatles Songs I Can't Help But Associate Them With, Part Two.

Montgomery 'Monty' Montgomery, Penny Lane (~Penny Lane there is a barber showing photographs/Of every head he's had the pleasure to know/And all the people that come and go/Stop and say, "Hello"~)

Josephine Anwhistle, Octopus's Garden (~We would be so happy you and me/No one there to tell us what to do/I'd like to be under the sea/In an octopus' garden with you~)

Isaac 'Ike' Anwhistle, Here Comes the Sun (~Little darling, the smiles returning to the faces/Little darling, it seems like years since it's been here~)

Gregor Anwhistle, Strawberry Fields Forever (~Let me take you down/'Cause I'm going to Strawberry Fields/Nothing is real/And nothing to get hung about/Strawberry Fields Forever~)

Hector, Blackbird (~Blackbird singing in the dead of night/Take these broken wings and learn to fly/All your life/You were only waiting for this moment to arise~)

Madame Lulu, Tomorrow Never Knows (~Turn off your mind, relax and float downstream/It is not dying, it is not dying/Lay down all thoughts, surrender to the void/It is shining, it is shining~)

Olivia Caliban, I'm Only Sleeping (~Keeping an eye on the world going by my window/Taking my time/Lying there and staring at the ceiling/Waiting for a sleepy feeling~)

R the Duchess of Winnipeg, Boys^ as cover by The Beatles [~My girl says when I kiss her lips/Get a thrill through her fingertips] + I Want to Hold Your Hand* (~Oh please, say to me/You'll let me be your man/And please, say to me/You'll let me hold your hand/You'll let me hold your hand/I want to hold your hand~)

^Originally a song by The Shirelles about how a girl feels about boys, I picked the cover version for R because given the irony about a man (Ringo, who sings the cover) singing about boys, I feel there's more irony by associating the cover with R, an implied canon lesbian, by changing the context of the cover: a woman who loves women 'singing' about the boys her lover dated/kissed before.

*Given that a cover version of I Want to Hold Your Hand appears in the movie Across the Universe (2007) with change of context being about a female's singer unrequited love for her female friend who is straight, I couldn't help myself but associate the song with R.

Captain Widdershins, The Fool on the Hill (~Day after day/Alone on a hill/The man with the foolish grin is keeping perfectly still/But nobody wants to know him/They can see that he's just a fool/And he never gives an answer~) + (~But the fool on the hill sees the sun going down/And the eyes in his head see the world spinning 'round~)

Fernald, Hey Jude (~And anytime you feel the pain, hey Jude, refrain/Don't carry the world upon your shoulders/For well you know that it's a fool who plays it cool/By making his world a little colder) + (~Hey Jude, don't make it bad/Take a sad song and make it better/Remember to let her under your skin/Then you'll begin to make it/Better, better, better, better, better, better, oh!~)

[inner-egg-pong]

no character with a total of zero (0) appearances in a piece of media whose name we don’t even know will have a chokehold on me quite like r

[vfdarlings]

snicketober two: sugar bowl gen

@free-my-boy-grumbot

The SBG as teens!! My apple pencil is literally taped together so digital art will be rare — good thing I prefer drawing on paper!!

[snckt]

she comes highly recommended.

happy secretary’s day!

[who-do-i-know-this-man]

⚠️Vote for whomever YOU DO NOT KNOW⚠️‼️

[beatricebidelaire]

“Thanks,” Fiona said, taking the swizzle sticks gratefully. “I’m quite hungry. Did you learn anything from that poetry book?”

“Not as much as I would have liked,” Klaus said. “Most of the pages were soaked from their journey, and so I couldn’t read much. But I believe I’ve learned a new code: Verse Fluctuation Declaration. It’s a way to communicate by substituting words in poems.”

“I don’t understand,” Violet said.

“It’s a bit tricky,” Klaus said, opening his commonplace book, in which he’d copied the information. “The book uses a poem called ‘My Last Duchess,’ by Robert Browning, as an example.”

“I’ve read that,” Fiona said, twirling a few noodles around a swizzle stick to get them into her mouth. “It’s a very creepy story about a man who murders his wife.”

“Right,” Klaus said. “But if a volunteer used the name of the poem in a coded communication, the title might be ‘My Last Wife’ instead of ‘My Last Duchess,’ by the poet ‘Obert Browning’ instead of Robert Browning.’’

“What purpose would that serve?” Violet said.

“The volunteer reading it would notice the mistake,” Klaus said. “The changing of certain words or letters is a kind of fluctuation. If you fixed the fluctuations in the poem, you’d receive the message.”

“Duchess R?” Fiona asked. “What kind of message is that?”

-- the grim grotto

[pocketneophyte]

Day 26: Marriage

Drew the BB Fanclub since they all wanted to marry that gal

Prompts by @free-my-boy-grumbot

[unfortunatetheorist]

Did Lemony write 'That's Not How The Story Goes' (Netflix canon)?

***N.B. This theory is based on the Netflix canon***

We first hear the sombre melody of That's Not How The Story Goes at the end of The Miserable Mill: Part Two. Everyone from Lemony to Olaf to the (creepily cheery) Mr Poe joins in as a part of this song, before at the very end of the song/episode, we see that the song came from Mr Poe's radio, when he says "Mm, that's nice."

My theory is that Lemony wrote this song as a part of his depressed chronicling of the tragic story Baudelaire orphans:

We know right from the start that the song is about the Baudelaires, as Lemony['s verse] starts,

"You may think that the Baudelaires ought to prevail, and be tucked someplace all safe and sound"

Given that:

"My name is Lemony Snicket and it is my solemn duty to investigate the lives of the Baudelaire orphans, because if I do, [typewriter dings] I may be able to find them again." ¬ L.S., The Penultimate Peril, Part Two

it makes sense that he opens the song referring to the three protagonists.

However, the reason I think it's Lemony, and not anyone else, is because of the verse:

"I once loved a girl, and she thought well of me, we thought we'd be happy together;

But now I'm alone, as you can well see, and she's cold in her grave forever"

There are a few people Lemony could be referring to here:

His Beloved Beatrice Baudelaire

Kit Snicket

Duchess R of Winnipeg

Ellington Feint

Moxie Mallahan

Firstly, we can more-than-safely assume that Lemony is NOT referring to Ellington or Moxie. His relationship with both of them has never reached that extent, to the point where he loved them so much he considered a future with them...

His Beloved Beatrice Baudelaire

Kit Snicket

Duchess R of Winnipeg

Ellington Feint

Moxie Mallahan

He could be referring to Kit... but why would he start a future with his sister? Ugh.

His Beloved Beatrice Baudelaire

Kit Snicket

Duchess R of Winnipeg

Ellington Feint

Moxie Mallahan

Yes, Lemony did have quite a close relationship with Duchess R... but if Duchess R is the swimming woman from The Grim Grotto (@snicketsleuth amazing theory), it can't be her, as R is not dead by the time Lemony writes the verse in the song. Beatrice is the only dead one (assuming, of course, that Ellington and Moxie are alive).

His Beloved Beatrice Baudelaire

Kit Snicket

Duchess R of Winnipeg

Ellington Feint

Moxie Mallahan

But... if Lemony wrote and published A Series of Unfortunate Events in-universe, why would he need to write a song as well?

This has a very simple answer - ASOUE was banned from Prufrock Prep at the time Kit was teaching, so the only way Lemony could get his point across was by song.

Under a pseudonym of course - no enemy of his should know he's alive.

¬ Th3r3534rch1ngr4ph, Unfortunate Theorist/Snicketologist

[snicketstrange]

"The TSS secret letter explained" theory

So, after many years, I can finally face my greatest nemesis again. The TSS secret letter. I think it is very appropriate to talk about it again here. There were many theories, and there were many discussions. And I think I found the best way to explain it. Let me copy the letter in full.

"My dear sister, I am taking a great risk in hiding a letter to you inside one of my books, but I am certain that even the most melancholy and well-read people in the world have found my account of the lives of the three Baudelaire children even more wretched than I had promised, and so this book will stay on the shelves of libraries, utterly ignored, waiting for you to open it and find this message. As an additional precaution, I placed a warning that the rest of this chapter contains a description of the Baudelaires’ miserable journey up the Vertical Flame Diversion, so anyone who has the courage to read such a description is probably brave enough to read my letter to you. I have at last learned the whereabouts of the evidence that will exonerate me, a phrase which here means “prove to the authorities that it is Count Olaf, and not me, who has started so many fires.” Your suggestion, so many years ago at that picnic, that a tea set would be a handy place to hide anything important and small in the event of a dark day, has turned out to be correct. (Incidentally, your other picnic suggestion, that a simple combination of sliced mango, black beans, and chopped celery mixed with black pepper, lime juice, and olive oil would make a delicious chilled salad also turned out to be correct.) I am on my way now to the Valley of Four Drafts, in order to continue my research on the Baudelaire case. I hope also to retrieve the aforementioned evidence at last. It is too late to restore my happiness, of course, but at least I can clear my name. From the site of V.F.D. headquarters, I will head straight for the Hotel Denouement. I should arrive by—well, it wouldn’t be wise to type the date, but it should be easy for you to remember Beatrice’s birthday. Meet me at the hotel. Try to get us a room without ugly curtains. With all due respect,

Lemony Snicket

P.S. If you substitute the chopped celery with hearts of palm, it is equally delicious."

Note again it:

1 - "My dear sister, I am taking a great risk in hiding a letter to you inside one of my books, but I am certain that even the most melancholy and well-read people in the world have found my account of the lives of the three Baudelaire children even more wretched than I had promised, and so this book will stay on the shelves of libraries, utterly ignored, waiting for you to open it and find this message."

Considerations: When Lemony wrote this letter, Kit was already dead. And Lemony probably knew it. As I already explained, Lemony published all his books over many years, even though he started writing TBB during the main events described in Asoue, he only managed to publish TBB a few years later, and after that each book took time for research and preparation of the manuscript, and the period of time between the publication of TRR and TMM was particularly long, what I call a great hiatus. This great hiatus lasted for many years. So Kit was certainly already dead when this letter was written. Lemony was doing some event confirmation research as he had access to the Baudelaires' writings which is where he discovered events that only the Baudelaires could know about from private conversations to what happened in the caravan in TSS (which Lemony explicitly did not find to be able to deduce what happened inside). This whole concept is very important to asoue, and it is clear that this was the author's intention in several parts of the story. So instead of undoing an important component to the story (the fact that Lemony is researching the past from his point of view while writing asoue) it is more logical to believe that the true recipient of the letter is not Kit Snicket, but rather someone who assumed her identity. After all, just like Count Olaf, Kit died on a desert island with few witnesses and her death was simply not a fact known to the general public until then. 

It is significant that Lemony explicitly spent several weeks searching for the caravan. It is already evident that the moment of search for the caravan cannot be the same moment that the main events of asoue are unfolding. Some people say that this letter was written during the main events of Asoue, but in this excerpt Lemony explicitly quotes what he had just written. So he's writing the letter right after writing about the Baudelaires' climb to the VFD base. And he could only have written this after having written everything he had written before. Lemony also hopes that the book will be published and will go to bookstores so that her "sister" will eventually find the book and read the message. It wouldn't make sense for all of this to happen in the few days that pass between the main events described in TSS and the main events described in TPP.

The meeting at Hotel D must be in a Hotel rebuilt after many years. 

2 -  (Incidentally, your other picnic suggestion, that a simple combination of sliced mango, black beans, and chopped celery mixed with black pepper, lime juice, and olive oil would make a delicious chilled salad also turned out to be correct.) 

This description of the salad is the same salad that Beatrice made, according to Lemony's memories. Evidently, this is evidence that points to a friendship between Beatrice and the true recipient of the letter. Canonically there is no evidence that Kit Snicket and Beatrice Baudelaire were close friends. On the other hand, canonically there is evidence that Beatrice and R were close friends in LSTUA and TBB. In fact, there is evidence in LSTUA that R had disguised himself as a member of the Snicket family previously. So, the person most likely to be the true recipient is R, not Kit. After all (it cannot be repeated enough) when Lemony wrote this letter, Kit had already been dead for many years. In fact, as I have shown previously, Beatrice JR's search for Lemony Snicket took place before Lemony published TWW, since the young girl was in Lemony's office in the building where Lemony lived (with a description identical to what Lemony described in TWW) she didn't recognize what the shape of the paperweight was. If Lemony had already published TWW, it is extremely likely that Beatrice Jr would have already read it because she is like a fan of Lemony, explicitly claiming to have read books that Lemony had already published. This shows so much that when Lemony published TWW Beatrice Jr had already been born many years ago and evidently Kit had been dead for many years, and when he published TSS, Kit had been dead even longer.

3 - "I am on my way now to the Valley of Four Drafts, in order to continue my research on the Baudelaire case"

When Lemony wrote this letter, he explicitly stated that he had not yet reached the Valley of Four Drafts. Evidently he is referring to the fact that he is writing many years after Asoue's main story took place and confirming the events little by little. He couldn't have not reached the Valley of Four Drafts and at the same time described the Baudelaires' ascent to the VFD base. In fact, by writing TSS so many years have passed that Lemony knows that if the women with their faces painted white died when they came down from the mountainous region, the rest of them were just bones. And when writing the ending of TSS, Lemony explicitly states that he spent some time collecting bones and taking them to a specialist. Evidently, Lemony's research to be able to write TSS took a long time. Imagine how strange it would be to do all this in time to show up at Hotel D a few days later!

[afterthegreatunknown]

List of Snicket-Verse Characters I headcanon as Asian Descent, Fully or Partly, with the One (1) Book Canonical Asian Character

The One (1) Book Canonical

Haruki [Murakami]: Japanese. Originally born in Kyoto in the Fushimi-ku ward, Haruki and his family moved to the City when he was six due to his father’s job (in the organization). When it comes to reading and writing Japanese, it isn’t as perfect as people assume, for Haruki spend more of his childhood reading and writing in English. Speaking Japanese though, Haruki can 100% do.

Headcanons Characters, ATWQ

Dashiell Qwerty: Chinese descent. Qwerty is an alias surname his family uses when out in the field for VFD. His real surname is Qiao, and whenever not in the field, volunteers call him Qiao. Or ‘Q’, if they can’t pronounce it. Dashiell has a technical middle name; his Chinese given name, Qiang. Dashiell is (was) only call Qiang by his parents.

Jackie’s Grandfather: Korean. Jackie’s grandfather full name in western order, is Pyong-ho Ahn, nickname in his youth as Moray. Phyong-ho used to manage Moray Wheels in the past in addition to racing, before retiring and allowing Jackie to take over. Phyong-ho by the present no longer goes by Moray, unless you’re a very close friend of his.

Jackie (Ahn): Korean descent. Jackie is really Jackie’s first name, though they do accept the Korean name their grandfather gave them: Jae-kyung. Jackie only answers to Jae-kyung if it’s spoken by their grandfather, their parents (now decease), and their aunt and uncle and cousin who lives in the City, finding it something special meant for family only.

The Talkie Brothers: Asian descent of different nationalities. Arthur Takei is of Japanese descent. Amit Sharma is of Indian descent. ‘Talkie Brothers’ came because many couldn’t pronounce Takei. They thought about going by “the Sherman Brothers” for some couldn’t pronounce Sharma correctly either, but that is used by a real pair of musically talent brothers.

Alice Lost, nee Takei: Japanese descent. The younger sister of Arthur Takei, Alice has a great talent of doing origami. She can make anything out of a piece of paper, but her specialty was making paper cranes. In fact, before her death, Alice was aiming to create 1,000, and had reached 1,000 exactly when the fire broke out at the Lost Arms.

Ornette Lost: Biracial. Japanese descent from her mother Alice, Irish descent from her father (Prosper immigrated to SBTS as a child with his parents). Ornette’s talent of (paper) sculptures came from watching her mother folding origami paper into cranes. Ornette feels connected to her mother when making origami cranes, and aims to fold 1,001 in her memory.

Headcanon Characters, ASOUE

Captain Widdershins: (French) Chinese Cambodian on Father’s side, and native Cambodian (Khmer) on Mother’s side. Widdershins does his best to feel connected to his former home country, be celebrating holidays that he can barely recall celebrating, making meals if the ingredients available, or speaking Khmer to himself and sometimes around Fiona. For that last one, Widdershins gave Fiona a Khmer [nick]name, though after an interaction with a volunteer, had Widdershins stopping it. Post-canon, he starts saying Fiona’s Khmer [nick]name again, usually when it's just the two of them.

Raymond ‘Q’ Quagmire: Chinese descent. Raymond is an adopted Quagmire due to his brother Dashiell’s death/murder. Raymond, like Dashiell, has a technical middle name that is his Chinese given name; Jiahao. However, for reasons, people assume Dashiell’s Chinese given name is Raymond’s, made worse because many had forgot Raymond and Dashiell are related.

Joan Quagmire [nee Morstan]: Chinese descent. Joan’s birth surname is Lau; Morstan is the surname of her adopted family. Two of Joan’s favorite games to play are Mahjong and Wei Qi (Go). While she’s not the best player of the latter, she’s brilliant in the former. Joan likes making her children (all together) play a game with her once a week; they never won.

Alex and Lindsey Morstan: Chinese descent. Being Joan’s triplet sisters, they were forced to play Mahjong and Wei Qi with her, with the latter being the game they’re best at. Alex and Lindsey are fonder of reading (translated) Chinese novels; Alex loves Journey to the West, while Lindsey enjoys Flowers in the Mirror.

Duncan, Isadora, and Quigley Quagmire: Chinese descent. Duncan, Isadora, and Quigley, pre and post canon, do their best to gain insight and feel connected to their identity, in their own ways. Duncan does it by researching Chinese history, particularly of the Chinese Dynasties (the Tang Dynasty is his favorite). Isadora does it by watching Chinese opera (she loves the costumes, and the singing style). Quigley does with the hands-on approach of preparing and cooking traditional Chinese dishes with help (parents and aunt pre-canon. Post-canon, Quigley get Hector or Widdershins’ help, sometimes the two adults together if needed).

Charles: Vietnamese descent. Charles’ full name is Charles Nguyen, the son of two Vietnamese people who lived half their lives in France before moving to the Land of Districts. Charles worked with his parents at their swanky restaurant, Nguyen Bistro; it serves traditional Vietnamese dishes as well as French dishes as an alternative. Charles took business (and cooking) classes to fully take over, but a mysterious fire that burned the restaurant and the apartment home, as well as killing his parents, changed his path.

Sir: Thai. An immigrant that came to the Land of Districts to escape his past, Sir found work at Lucky Smells Lumber Mill as a regular employee, before getting promoted to foreman. When the owner Smogface Wiley died, the mill was doom to close. However, Sir managed to get a trial run as boss, and later became the new permanent owner. Sir’s cousins working at the Mill is true; they’re the ones who made Sir escape his past in the first place. Sir had no qualms on the conditions they’re working, seeing how he survived it and worked his way upward (and maybe revenge).

(Regarding Sir’s unknown name, his first name at least, it’s Chalermchai. When he was a regular employee, Chalermchai was usually referred to or call by that didn’t require the foreman or anyone else to say his name. But when Chalermchai became foreman, people discover they were unable to say it, so Chalermchai became ‘Sir.’ Not many people call Sir by his first name nowadays. Charles says it, and even then, it’s rare.)

R, Duchess of Winnipeg: Biracial. Japanese descent from her father, Ryutaro (Second generation Japanese-Canadian), and French from her mother, Sabine (French from France and French Canadian). R is a naming pattern from her father’s family, for in Sabine’s family, no one ever had an ‘R’ name before (Sabine does have the alias of ‘Rhea’ though). R isn’t connected to her Japanese heritage as much as she likes; the most she knows of is Japanese theater, mainly Kabuki. The R engrave ring was something Sabine did herself, much to her mother (R’s Grand-Mère Thea) disapproval, for Sabine wanted the ring to be special for R when she gets it.

R’s heir, Ramona Q, and the Q stands for Quach (Quách): She's the daughter of two Vietnamese refugees who were very good friends with R. They confided to R about the odd interactions Ramona had with her local librarian, leading to R telling them things to do to keep their daughter safe. When Ramona’s parents died in a fire, R decided to adopt Ramona to lessen VFD’s influence. R loves Ramona very much, being an honorary aunt to the girl before adopting her, and does her best to let Ramona be connected to her culture (clothing, music, food; food is most common and accessible one of all).

[badlydrawndrawnings]

A last year drawing that was meant to become digital but never got around to it, of Sally and R being happy with one another.

(Kind of wish I did made it digital. Oh well.)