#dream company
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thejobwala · 2 years ago
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tenjad129 · 27 days ago
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A Tim Box Production: A Dream Logo Animatic Idea of Mine
Now, to round up the year 2024 before 2025 begins in the next five days from now....
Yes, it's only just an idea of mine as well as being, a primitively rough animatic for an animated dream logo for my very own dream production company, sure, and yes, I haven't even set it all up yet in the foreseeable future, and yes, sure, the name "Tim Box" may actually referred to a container made out of tinplate metal, but anyway...
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If An American Tail's very popular Fievel Mousekewitz mouse character had once graced the closing logo for legendary Hollywood filmmaker Steven Spielberg's short-lived London, England, UK-based Amblimation studio (active between 1989 (a full year after the success of Who Framed Roger Rabbit) and 1997 (leaving behind three completed movies and an unrealized animated musical version of Cats (not to be confused with the notorious 2019 film of the same name), and being the ancestor of today's DreamWorks, the studio behind the Shrek movies) at the very end of 1991's An American Tail: Fievel Goes West as well as at the very end of two other films called We're Back! A Dinosaur's Story and Balto (1993 and 1995, respectively)…
Then why not have the Fievel Goes West iterations of Fievel's mouse sisters, Tanya and Yasha, also from the American Tail movies, possibly grace the animated logo for my dream production company "TIM BOX Productions" to help open any of my movie ideas, especially my epic of the Planet of the Toons or perhaps even something else based on and inspired by my early childhood experiences?
Well, here are all 25 panels of my dream logo idea for my dream production company, "TIM BOX Productions" with the Fievel Goes West versions of Tanya and Yasha, the sisters of Fievel Mousekewitz:
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And here is the original concept art for the dream logo animatic:
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Now, the music starts out very circus-like before moving on to vaguely sexy music when Tanya comes out of the dressing room scene in her the Girl You Left Behind saloon show girl gown and makeup before segueing into a heartwarming orchestral instrumental from James Newton Howard's expanded Disney Dinosaur music (i.e., the Playing Monster cue).
Yes, the TIM BOX Productions dream production company logo animatic is animated very roughly and very primitively done like an actual Leica story reel, but anyway, what do you think of this dream logo animatic of mine?
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dexabite · 3 months ago
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six fanarts thing i did on my bsky!
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mdbluebird · 1 year ago
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What ACTUALLY happens when you ask a crewmate to watch the coilhead
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xia0ming56 · 2 months ago
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The Dream {Ending}
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slappyclappy · 3 months ago
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really really good trio
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goryhorroor · 9 months ago
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horror sub-genres: werewolf
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rugwurm · 14 days ago
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echoed-salvation · 7 months ago
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One thing I love about orv is that it initially bait and switches you by convincing you early on that the constellations are the "big bad" of the story - voyeuristic beings that gain enjoyment off the suffering of others - until the reveal that they are also going through their own scenarios. This mirrors how us as the readers are going through our own lives and our own struggles yet we consume media highlighting the experiences of others. We root for these characters, we follow their journeys, we see ourselves in them. And yet we're not villains - we're just surviving. We're escaping the struggles of our own lives by indulging in these worlds created by human imagination. Similarly, many of the constellations in orv do not have malicious intentions despite living off stories - uriel cares greatly for the incarnations she supports (as the "fangirl" archetype) and sun wukong and abfd also greatly support kimcom throughout their journey.
This is further solidified in the reveal of the oldest dream. Despite unintentionally creating worldlines through his imagination, the younger kim dokja was never a villain or "monster". He was simply a child who sook to escape the tragedies of his life through a webnovel. He depended on that novel to survive. And that was in no way the sin he thought it was - not even secretive plotter who had gone through countless regressions and witnessed the despair of the universe could hold it against him. Nor han sooyoung, nor yoo joonghyuk of the 1864th round, nor yoo sangah, nor anyone else in kimcom. No one thought dokja needed to atone for anything - they loved him and cared for him even when he couldn't love himself.
Just like kim dokja and just like the constellations, we are readers seeking an escape from the struggles of reality. And we too are loved - regardless of whether we know it or understand why.
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unknownsigils · 3 months ago
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I AM MY BIGGEST FAN / I AM MY ENEMY AND MY FRIEND
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lobotemi · 3 months ago
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im fucking BACK
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CANTO 7 FANART!!! I LOVE YOU SANCHO !!!! GLORY TO LIMBUS COMPANYYYYYYYYYYYY
it's been so long since i posted any lcb fanart here, really hope u guys are all doing good :) ! i loved canto 7 so much and i hope that you guys enjoy my lil fanart
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dailyfigures · 10 months ago
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Kirby ; Kirby's Dream Land ☆ Good Smile Company
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plagalkey · 4 months ago
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ENERGETIC ⚡️
you make me feel so high
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mirusx · 11 months ago
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how does one read orv and just move on? how do you read the reader's story and not gaze at the night sky just looking for him? searching for at least a part of him in everybody you walk by, hoping that someone from them has at least a percent of him.. just like how you carry a portion of his story— dreaming, wishing, praying that you're both dreaming the same dream,
the reader finally being in the happy ending.
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flame-cat · 3 months ago
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i love ford getting mad @ stan & accidentally triggering a flashback/bad memory recollection & that startling him enough for him to stop being angry
major wake up call. i love that man getting humbled
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hmmmm yes i love it i'll take 20
bonus thing that happens Later
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sleepyminty · 9 months ago
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Absolutely losing it that we are now able to be an absolute dick to abnomalities in the new mirror dungeon
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Except for lost passenger
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